1 00:00:06,880 --> 00:00:09,080 (CLASSICAL CELLO PLAYING) 2 00:00:19,460 --> 00:00:23,170 Sarah Jean and Jacob Dawes butchered what, 12 girls? 3 00:00:24,040 --> 00:00:26,790 Thirteen, counting the girl that was just found. 4 00:00:28,000 --> 00:00:29,620 Hilary Dickson. 5 00:00:29,620 --> 00:00:31,670 Disappeared 15 years ago. 6 00:00:31,670 --> 00:00:34,210 Buried her under Sarah's mother's living room. 7 00:00:34,210 --> 00:00:37,580 -You think that was their last victim? -Well, that's what we're here to find out. 8 00:00:37,580 --> 00:00:40,000 CENTRAL FLORIDA 9 00:00:41,420 --> 00:00:44,580 There's nothing about the dynamics of Sarah Jean and Jacob's relationship. 10 00:00:44,580 --> 00:00:47,000 The state isn't interested in dynamics or profiles. 11 00:00:47,000 --> 00:00:49,080 They just want this case to go away. 12 00:00:49,080 --> 00:00:51,460 They were caught. They confessed. They got the death penalty. 13 00:00:51,460 --> 00:00:54,880 You guys do realize that visiting death row is not part of my job description? 14 00:00:54,880 --> 00:00:56,040 Garcia, this will be 15 00:00:56,040 --> 00:00:59,170 the first serial killer couple ever recorded for ViCAP. 16 00:00:59,170 --> 00:01:02,880 They slaughtered 13 young girls with blonde hair. Hello? 17 00:01:03,210 --> 00:01:05,000 Sarah Jean Dawes. 18 00:01:05,460 --> 00:01:07,710 Media called her "The Ice Queen." 19 00:01:07,710 --> 00:01:10,960 That's how they interpreted her demeanour during the trial. 20 00:01:10,960 --> 00:01:12,710 -You see different? -No, I didn't say that. 21 00:01:13,120 --> 00:01:16,540 She killed her two-year-old son and 12 teenage girls. 22 00:01:16,540 --> 00:01:19,000 She only confessed to the murder of her son, Riley. 23 00:01:19,000 --> 00:01:21,880 Well, she hasn't cooperated with any requests to interview her. 24 00:01:21,880 --> 00:01:23,080 Well, if she doesn't talk now, 25 00:01:23,080 --> 00:01:25,080 she's going to take that story with her to "Old Sparky." 26 00:01:34,120 --> 00:01:38,830 For the next 36 hours, a guard will remain outside your cell. 27 00:01:40,040 --> 00:01:43,080 Your personal effects will be along shortly. 28 00:01:43,620 --> 00:01:48,040 You will remain in the deathwatch cell until the hour of execution. 29 00:01:48,750 --> 00:01:52,040 Your last meal cannot exceed $20. 30 00:01:54,330 --> 00:01:58,620 It'll be a full moon tomorrow. Is there any chance I could see it? 31 00:01:59,170 --> 00:02:01,330 That's against regulations. 32 00:02:02,040 --> 00:02:03,670 Open on four. 33 00:02:03,670 --> 00:02:04,750 (LOCKS BUZZING) 34 00:02:31,540 --> 00:02:35,460 FLORIDA STATE PENITENTIARY 35 00:02:42,290 --> 00:02:43,750 MORGAN: Here it is. 36 00:02:44,920 --> 00:02:47,670 GIDEON: They call themselves the Women of Jacob. 37 00:02:49,210 --> 00:02:52,000 -Try to look like his victims. -Creepy. 38 00:02:55,000 --> 00:02:59,080 There's only 12 of them. Should we tell them they're one short? 39 00:02:59,960 --> 00:03:01,250 At least. 40 00:03:04,000 --> 00:03:05,790 GIDEON: I think we'll find Hilary Dickson 41 00:03:05,790 --> 00:03:08,500 was by no means Jacob's last victim. 42 00:04:00,330 --> 00:04:02,750 GIDEON: "Whoso sheddeth man's blood, 43 00:04:02,750 --> 00:04:07,540 "by man shall his blood be shed." Genesis 9:6. 44 00:04:10,080 --> 00:04:13,500 MONDAY, 8AM 35 Hours Remaining 45 00:04:13,500 --> 00:04:16,420 In 1985, there was a string of missing girls reported in Northern Florida. 46 00:04:16,420 --> 00:04:17,500 COMMAND CENTER Florida State Penitentiary 47 00:04:17,500 --> 00:04:20,250 Police subsequently got an anonymous call from a woman 48 00:04:20,250 --> 00:04:22,330 claiming to have seen Jacob with some of the girls. 49 00:04:22,330 --> 00:04:24,170 Did they ever find out who the anonymous woman was? 50 00:04:24,170 --> 00:04:26,290 -No. -Police interviewed Jacob Dawes. 51 00:04:26,290 --> 00:04:29,830 Also present were Sarah Jean Dawes and their 2-year-old son, Riley. 52 00:04:29,830 --> 00:04:31,040 Police were suspicious. 53 00:04:31,040 --> 00:04:33,080 They came back three hours later with a search warrant 54 00:04:33,080 --> 00:04:35,080 only to find that Riley had vanished. 55 00:04:35,080 --> 00:04:37,040 They also eventually found the dismembered bodies 56 00:04:37,040 --> 00:04:41,210 of 12 missing girls buried in the ground underneath Jacob's workshop. 57 00:04:41,210 --> 00:04:42,710 Fearing that the police were onto them, 58 00:04:42,710 --> 00:04:44,580 Jacob figured Riley would slow them down 59 00:04:44,580 --> 00:04:48,210 so he ordered Sarah Jean to kill him and dispose of the body. 60 00:04:48,210 --> 00:04:50,710 Sarah confessed to killing Riley, 61 00:04:51,380 --> 00:04:53,830 but never admitted her role in the deaths of the girls. 62 00:04:53,830 --> 00:04:55,330 Yeah, but she never denied it, either. 63 00:04:55,330 --> 00:04:57,540 Well, according to Jacob, Sarah Jean was fully complicit 64 00:04:57,540 --> 00:05:00,420 in the targeting, abduction and murder of all 12, 65 00:05:00,420 --> 00:05:01,880 and, well, now 13 victims. 66 00:05:01,880 --> 00:05:05,420 REID: Prison records show that Jacob is a sexual psychopath. 67 00:05:05,420 --> 00:05:07,460 They were inconclusive on Sarah Jean, though. 68 00:05:07,460 --> 00:05:10,290 They said her demeanour was more like that of a war victim's. 69 00:05:10,290 --> 00:05:12,380 And as with all sexual psychopaths, 70 00:05:12,380 --> 00:05:16,120 Jacob is obsessed with the idea of the total possession of his victims. 71 00:05:16,120 --> 00:05:17,620 He's shown no remorse or guilt. 72 00:05:17,620 --> 00:05:19,710 Well, Jacob saw Sarah Jean as a possession. 73 00:05:19,710 --> 00:05:22,080 Somebody to control. To dominate. 74 00:05:22,080 --> 00:05:24,380 Just so we're clear, they've agreed to these interviews? 75 00:05:24,380 --> 00:05:25,830 -Yes, sir. -Wait. I'm sorry. 76 00:05:25,830 --> 00:05:27,500 -Who are you, exactly? -I'm Sam Shapiro. 77 00:05:27,500 --> 00:05:28,790 I'm their appeals attorney. 78 00:05:28,790 --> 00:05:33,500 Not only have they agreed to them, they were initially requested by them. 79 00:05:33,500 --> 00:05:35,210 Yeah, I can't get them a stay of execution. 80 00:05:35,210 --> 00:05:37,880 Garcia. Remember, 75% of all communication... 81 00:05:37,880 --> 00:05:39,170 Is non-verbal. 82 00:05:39,170 --> 00:05:41,080 Hotch, interview Jacob. Morgan, Elle? 83 00:05:41,080 --> 00:05:42,710 I'm not going to get anything new, but... 84 00:05:42,710 --> 00:05:44,080 Well, find a new way to ask. 85 00:05:44,080 --> 00:05:46,330 696 Hennessy Street, Jacob and Sarah Jean's home. 86 00:05:46,330 --> 00:05:47,710 It's due for demolition. Take a look around. 87 00:05:47,710 --> 00:05:48,880 ELLE: Okay. 88 00:06:05,580 --> 00:06:08,120 Jacob's workshop was out the back. 89 00:06:09,040 --> 00:06:12,880 He claimed that Sarah Jean would lure the victims from mall parking lots. 90 00:06:12,880 --> 00:06:17,790 She'd invite them to smoke pot in her truck. They'd find Jacob but no pot. 91 00:06:18,460 --> 00:06:20,210 And they'd bring them here. 92 00:06:20,210 --> 00:06:23,170 ELLE: I studied this case. I'll never forget it. 93 00:06:25,120 --> 00:06:27,540 This is where the workshop stood. 94 00:06:27,540 --> 00:06:30,290 There was an arch, right here. 95 00:06:30,290 --> 00:06:33,120 He used his workspace as a torture room. 96 00:06:33,750 --> 00:06:35,960 The marks on the bodies matched many of his tools. 97 00:06:36,500 --> 00:06:39,500 He used a bench saw to dismember the bodies. 98 00:06:42,380 --> 00:06:44,170 And then he buried them under the floor. 99 00:06:44,170 --> 00:06:46,250 Until he ran out of room. 100 00:06:49,880 --> 00:06:52,040 We know that Jacob was abused as a child. 101 00:06:52,040 --> 00:06:53,420 What about Sarah Jean? 102 00:06:53,420 --> 00:06:56,380 Her mother refused to give any testimony in her defence. 103 00:06:56,380 --> 00:06:58,210 She never talked to anybody. 104 00:06:58,210 --> 00:06:59,880 Maybe she's willing to talk now. 105 00:06:59,880 --> 00:07:02,250 Let's go pay Sarah Jean's mother a visit. 106 00:07:02,250 --> 00:07:05,000 WARDEN: The guards call this dead man's alley. 107 00:07:06,250 --> 00:07:08,670 Has she had any contact with Jacob? 108 00:07:08,670 --> 00:07:11,580 Well, until today she's declined contact with anyone. 109 00:07:11,580 --> 00:07:15,040 For her own safety, we keep her away from the other prisoners. 110 00:07:15,040 --> 00:07:19,290 The hate for this woman is as fresh today as it was 15 years ago. 111 00:07:20,500 --> 00:07:22,080 Open on four. 112 00:07:22,080 --> 00:07:23,710 (LOCKS BUZZING) 113 00:07:34,420 --> 00:07:36,210 Accomplished work. 114 00:07:36,670 --> 00:07:38,120 I've had plenty of time. 115 00:07:46,540 --> 00:07:48,250 What is it you want to know? 116 00:07:49,830 --> 00:07:52,040 I think it's time the mothers of those girls learned 117 00:07:52,040 --> 00:07:54,420 why their children had to die. 118 00:07:55,120 --> 00:07:56,540 Don't you? 119 00:07:59,880 --> 00:08:01,420 (KNOCKING ON DOOR) 120 00:08:02,380 --> 00:08:03,580 Hello? 121 00:08:07,250 --> 00:08:08,790 Anybody? Hello? 122 00:08:12,250 --> 00:08:15,080 -MORGAN: Mrs. Mason? -Yeah? 123 00:08:15,080 --> 00:08:17,710 Are you Sarah Jean Dawes' mother? 124 00:08:17,710 --> 00:08:19,040 Who the hell are you? 125 00:08:19,040 --> 00:08:22,170 FBI. We're from the Behavioral Analysis Unit. 126 00:08:22,790 --> 00:08:25,290 My daughter and her son of a bitch husband 127 00:08:25,290 --> 00:08:28,290 buried a 13-year-old girl under my floor. 128 00:08:28,290 --> 00:08:30,040 What more do you need to know? 129 00:08:30,710 --> 00:08:32,880 Ma'am, Sarah Jean agreed to meet with our colleagues 130 00:08:32,880 --> 00:08:34,880 to talk about why they killed those girls. 131 00:08:34,880 --> 00:08:38,420 We'd like some background information, if you don't mind. 132 00:08:38,420 --> 00:08:40,330 Yeah. Come in. 133 00:08:43,330 --> 00:08:45,210 MORGAN: Extensive remodeling. 134 00:08:47,120 --> 00:08:49,290 Jacob built the original extension? 135 00:08:51,330 --> 00:08:52,750 I see he liked arches. 136 00:08:52,750 --> 00:08:55,120 Teenage girls is what he liked. 137 00:08:55,750 --> 00:08:57,420 How was Sarah Jean growing up? 138 00:08:57,420 --> 00:09:00,170 Fine, until she met Jacob. 139 00:09:04,000 --> 00:09:06,290 She was shy, quiet 140 00:09:07,790 --> 00:09:09,620 and oh, so smart. 141 00:09:09,620 --> 00:09:11,620 And her relationship with her father? 142 00:09:14,170 --> 00:09:15,710 Was Sarah Jean ever abused? 143 00:09:19,120 --> 00:09:23,000 He was strict. He was a military man. 144 00:09:23,000 --> 00:09:25,620 They didn't always see eye to eye. 145 00:09:26,460 --> 00:09:28,920 That's all history. He's dead. 146 00:09:31,250 --> 00:09:32,880 She's about to die. 147 00:09:35,960 --> 00:09:40,580 Mrs. Mason, if we better understand the dynamics of her relationships, 148 00:09:40,580 --> 00:09:43,170 we can get a better idea of why and what actually happened. 149 00:09:43,170 --> 00:09:44,500 Dynamics? 150 00:09:46,080 --> 00:09:49,000 Well, it might answer why Jacob never killed Sarah Jean. 151 00:09:49,000 --> 00:09:50,960 They shared something. 152 00:09:54,460 --> 00:09:56,250 They shared pain. 153 00:09:56,460 --> 00:09:58,920 How strict was your husband? 154 00:09:58,920 --> 00:10:01,500 How did he discipline Sarah Jean? Was he physical? 155 00:10:01,500 --> 00:10:06,210 He was a mean bastard, but he only hurt me. 156 00:10:06,790 --> 00:10:10,460 -Why didn't you leave? -Because we had no place to go. 157 00:10:10,460 --> 00:10:14,670 An anonymous caller tipped the police off about Jacob. Was it you? 158 00:10:15,250 --> 00:10:18,380 No, but I know who it was. 159 00:10:26,500 --> 00:10:28,500 This came this morning. 160 00:10:34,710 --> 00:10:36,380 What's it say? 161 00:10:36,380 --> 00:10:38,710 It's a statement of innocence. 162 00:10:44,210 --> 00:10:48,460 A doctor and so young. Your mother must be very proud. 163 00:10:48,460 --> 00:10:51,460 Sarah Jean. Sarah Jean. 164 00:10:54,000 --> 00:10:56,330 You look so fine, baby cakes. 165 00:10:57,670 --> 00:11:00,210 This was meant to be. Our names will live forever. 166 00:11:00,210 --> 00:11:01,460 HOTCH: Let's go. 167 00:11:01,460 --> 00:11:03,290 -It's a beautiful thing. -Let's go! 168 00:11:03,290 --> 00:11:05,460 It's a beautiful thing. 169 00:11:09,670 --> 00:11:11,920 You designed that to happen. 170 00:11:13,670 --> 00:11:15,500 Did you learn anything, Agent? 171 00:11:26,170 --> 00:11:27,580 You want to see a trick? 172 00:11:30,540 --> 00:11:32,040 Pick a card. 173 00:11:34,540 --> 00:11:36,290 You're a diagnosed psychopath. 174 00:11:36,290 --> 00:11:38,080 Sexual psychopath. 175 00:11:39,040 --> 00:11:41,750 -Now pick a card. -How many other girls did you kill? 176 00:11:43,880 --> 00:11:46,500 Do you ever smile? 177 00:11:46,500 --> 00:11:48,920 I mean, it's hard to trust a guy who never smiles. 178 00:11:48,920 --> 00:11:50,830 Are there more bodies? 179 00:11:51,460 --> 00:11:55,790 If I told you that, what would I have left for myself? 180 00:11:56,500 --> 00:12:00,380 You can help these families get closure before you die. 181 00:12:02,710 --> 00:12:08,620 Oh, pass. Come on. Just one trick. 182 00:12:09,250 --> 00:12:12,210 It's a good one. Pick a card. 183 00:12:13,120 --> 00:12:16,620 Come on. Just one card. 184 00:12:18,580 --> 00:12:20,830 So what did you see in Jacob? 185 00:12:21,420 --> 00:12:23,670 -Freedom. -Freedom from what? 186 00:12:27,000 --> 00:12:29,080 (CELL PHONE RINGING) 187 00:12:30,290 --> 00:12:31,790 -Garcia. -Hey, it's Elle. 188 00:12:31,790 --> 00:12:33,080 -Hey, Elle. -I need Gideon, please. 189 00:12:33,080 --> 00:12:34,830 Yeah. Yeah, I'll patch you through. 190 00:12:35,330 --> 00:12:37,500 Gideon? It's Elle. She says it's urgent. 191 00:12:40,170 --> 00:12:41,670 We're at the mother's house. 192 00:12:41,670 --> 00:12:43,750 She gave me a letter I want to read to you. 193 00:12:46,380 --> 00:12:48,120 -Read the letter, Elle. -What? 194 00:12:48,120 --> 00:12:50,120 "Mom, I know how difficult this must be." 195 00:12:50,120 --> 00:12:51,960 "...difficult this must be." 196 00:12:51,960 --> 00:12:54,000 "Things between us were never what they should be..." 197 00:12:54,000 --> 00:12:55,330 "...between a mother and her daughter." 198 00:12:55,330 --> 00:12:56,460 That is a private letter. 199 00:12:56,460 --> 00:12:58,210 "I want you to know that the best part of me, 200 00:12:58,210 --> 00:12:59,540 "the most important part of me..." 201 00:12:59,540 --> 00:13:02,330 "...is now in a better place than you or I will ever be." 202 00:13:02,330 --> 00:13:03,880 -Stop it! -"I am responsible..." 203 00:13:03,880 --> 00:13:05,420 REID: "...for the deaths of those girls. 204 00:13:05,420 --> 00:13:07,750 "I neglected my duty as a woman and as a mother." 205 00:13:07,750 --> 00:13:08,960 (PANTING) 206 00:13:08,960 --> 00:13:11,000 -Stop it. -Take it easy. 207 00:13:19,170 --> 00:13:22,830 You neglected your duty? That doesn't make you responsible. 208 00:13:22,830 --> 00:13:24,670 You didn't kill those girls. 209 00:13:30,000 --> 00:13:32,540 Why didn't you say this in court? 210 00:13:33,830 --> 00:13:36,500 I knew he brought women back to his workshop. 211 00:13:37,670 --> 00:13:40,290 That's a long way from knowing he was killing them. 212 00:13:43,920 --> 00:13:46,580 They died as a result of my neglect. 213 00:13:50,250 --> 00:13:52,380 This letter suggests to me 214 00:13:53,580 --> 00:13:56,500 that an innocent woman is about to be executed 215 00:13:56,500 --> 00:13:58,830 for crimes she did not commit. 216 00:14:07,830 --> 00:14:10,120 SARAH JEAN: They died as a result of my neglect. 217 00:14:10,120 --> 00:14:11,210 MONDAY, 9PM 24 Hours Remaining 218 00:14:11,210 --> 00:14:13,170 This letter suggests to me 219 00:14:13,670 --> 00:14:16,210 that an innocent woman is about to be executed 220 00:14:16,210 --> 00:14:18,540 for crimes she did not commit. 221 00:14:19,380 --> 00:14:22,290 Well, I can tell you right now, it's not enough to get a stay. 222 00:14:22,290 --> 00:14:24,210 You want facts? Reid. 223 00:14:24,670 --> 00:14:27,790 Human sexuality is a complex dynamic of three components, 224 00:14:27,790 --> 00:14:30,540 biological, physiological and emotional. 225 00:14:30,540 --> 00:14:33,750 Jacob's needs were informed by the emotional and sexual abuse 226 00:14:33,750 --> 00:14:35,330 that he received at the hand of his mother. 227 00:14:35,330 --> 00:14:38,750 Long-term repetitive abuse informed the template of his love map, 228 00:14:38,750 --> 00:14:42,540 something we refer to as a signature. Jacob was an only child... 229 00:14:42,540 --> 00:14:44,670 Thus he was alone when the abuse occurred. 230 00:14:44,670 --> 00:14:49,080 So in order for him to fulfil his fantasy, he has got to be alone with his victims. 231 00:14:49,080 --> 00:14:52,670 If I told you that, what would I have left for myself? 232 00:14:53,210 --> 00:14:54,460 He said, "myself." 233 00:14:54,460 --> 00:14:57,540 If Sarah Jean was present, it would have destroyed his fantasy. 234 00:14:57,540 --> 00:14:59,170 She confessed to killing her son. 235 00:14:59,170 --> 00:15:02,380 Yes, true, but we're also convinced that she was the anonymous caller 236 00:15:02,380 --> 00:15:04,500 that made the phone call that nailed Jacob. 237 00:15:04,500 --> 00:15:08,420 Guilt-ridden, filled with remorse, she called the police. 238 00:15:09,500 --> 00:15:12,290 GIDEON: That's not the profile of a woman who would then kill her child. 239 00:15:12,290 --> 00:15:14,250 -What else do you need? -Evidence. 240 00:15:14,250 --> 00:15:17,040 If we prove Jacob killed Riley, would that get a stay? 241 00:15:17,040 --> 00:15:18,500 Absolutely. 242 00:15:19,380 --> 00:15:22,670 She protects the painting. She protects the boy. 243 00:15:23,000 --> 00:15:24,170 What? 244 00:15:24,750 --> 00:15:28,420 The paintings are a statement. We need to figure out what they say. 245 00:15:30,580 --> 00:15:31,920 (PEOPLE SHOUTING) 246 00:15:33,960 --> 00:15:38,120 Tension is mounting here as the FBI'S BAU team presence means 247 00:15:38,120 --> 00:15:41,290 that they are conducting a series of deathbed interviews 248 00:15:41,290 --> 00:15:43,880 in an attempt to find if there are any more victims. 249 00:15:43,880 --> 00:15:47,210 Now, it is rumored they are calling for a stay of execution. 250 00:15:47,210 --> 00:15:49,830 -Who the hell told them that? -It doesn't matter. 251 00:15:49,830 --> 00:15:51,750 I don't see Hotch getting anything out of Jacob. 252 00:15:51,750 --> 00:15:55,250 ...for both condemned inmates up until the very last minute. 253 00:15:55,250 --> 00:15:57,080 -The last second. -Thank you, Lara. 254 00:15:57,580 --> 00:15:59,290 Maybe I can help. 255 00:16:00,710 --> 00:16:03,790 -What are you doing? -Just get Hotch in here. 256 00:16:14,080 --> 00:16:17,710 Oh, I know, I know, one day these are going to kill me. 257 00:16:18,500 --> 00:16:20,960 Come on, Hotch. That was funny. 258 00:16:22,580 --> 00:16:23,790 (DOOR OPENING) 259 00:16:26,330 --> 00:16:28,620 And who are you? 260 00:16:29,830 --> 00:16:31,460 My friends call me JJ. 261 00:16:31,460 --> 00:16:33,500 -Well... -Sit down. 262 00:16:34,460 --> 00:16:35,790 Sit down! 263 00:16:36,880 --> 00:16:39,750 Hello, JJ. 264 00:16:40,380 --> 00:16:43,540 You're not my friend. You can call me Jennifer. 265 00:16:46,120 --> 00:16:47,420 Ouch. 266 00:16:56,080 --> 00:16:59,880 Sorry about before. You know, breaking your ear thing and... 267 00:17:04,170 --> 00:17:06,210 You have a lovely smile. 268 00:17:08,170 --> 00:17:10,880 -Thank you. -But you don't smile much. 269 00:17:13,210 --> 00:17:14,790 Neither do you. 270 00:17:15,170 --> 00:17:16,960 What's your excuse? 271 00:17:18,290 --> 00:17:20,330 I took the liberty of getting these from your cell. 272 00:17:20,330 --> 00:17:22,250 No, those are private. 273 00:17:22,880 --> 00:17:24,250 Thank you. 274 00:17:30,330 --> 00:17:32,580 Riley running free. 275 00:17:38,080 --> 00:17:41,290 The river. Flowing positive energy, maybe. 276 00:17:42,790 --> 00:17:46,170 Twelve roses. One for each girl Jacob killed. 277 00:17:47,830 --> 00:17:52,210 Twelve. Not 13. We found number 13. 278 00:17:53,120 --> 00:17:55,380 You didn't know about her. 279 00:17:55,380 --> 00:17:56,960 You didn't really know about any of them. 280 00:17:56,960 --> 00:17:58,750 I never said I did. 281 00:18:01,210 --> 00:18:04,330 That was a nice touch, bringing in the hottie. 282 00:18:05,620 --> 00:18:09,460 You really want to know if there was others, don't you? 283 00:18:09,460 --> 00:18:12,620 I tell you what. Draw poker. 284 00:18:13,330 --> 00:18:17,250 -You win, I'll give you another girl. -So there are more? 285 00:18:17,250 --> 00:18:19,880 -Do we have a bet? -What if you win? 286 00:18:24,380 --> 00:18:28,120 I get to smell Jennifer's hair. 287 00:18:28,120 --> 00:18:29,670 -No. -Oh, come on. 288 00:18:29,670 --> 00:18:31,920 All she has to do is lean over and I get to smell her hair. 289 00:18:31,920 --> 00:18:33,330 No! 290 00:18:35,670 --> 00:18:38,620 -I thought you wanted answers. -Go to hell. 291 00:18:38,960 --> 00:18:40,670 It's okay, Hotch. 292 00:18:42,120 --> 00:18:45,710 You see that? "It's okay, Hotch." 293 00:18:49,460 --> 00:18:51,170 Come on. 294 00:18:55,620 --> 00:18:59,000 JJ deals. You think I'd let you deal from your own deck? 295 00:19:09,080 --> 00:19:11,460 You confessed to killing Riley. 296 00:19:13,540 --> 00:19:16,170 Why would you lie about killing your own son? 297 00:19:16,170 --> 00:19:17,830 I didn't. 298 00:19:17,830 --> 00:19:19,830 Well, where's the body? 299 00:19:22,250 --> 00:19:25,380 -Do you have any children? -That's irrelevant. 300 00:19:26,420 --> 00:19:29,210 Do you carry pictures of your children, Agent Gideon? 301 00:19:29,210 --> 00:19:31,750 -We're getting off point. -Are we? 302 00:19:33,120 --> 00:19:37,580 You know how long it's been since I could actually play with someone? 303 00:19:37,960 --> 00:19:40,120 All I've had is solitaire. 304 00:19:42,750 --> 00:19:44,710 -DAWES: Cards? -Two. 305 00:19:52,460 --> 00:19:54,500 I think I'll play these. 306 00:19:59,880 --> 00:20:02,210 How old would your son be now? 307 00:20:04,670 --> 00:20:07,750 Seventeen? Imagine what he could have become. 308 00:20:10,000 --> 00:20:12,210 Jacob put an end to any chance of that. 309 00:20:14,250 --> 00:20:17,540 Does the strain of your work affect your marriage? 310 00:20:18,420 --> 00:20:20,960 -I'm not married. -You wear a ring. 311 00:20:25,040 --> 00:20:27,790 Why would you still be protecting Jacob? 312 00:20:27,790 --> 00:20:31,460 Did you divorce because of putting people like me away? 313 00:20:31,830 --> 00:20:33,880 I think you're innocent. 314 00:20:34,750 --> 00:20:36,670 We're all guilty of something. 315 00:20:38,330 --> 00:20:43,500 But it's our children that suffers for our sins, isn't it? 316 00:20:46,380 --> 00:20:48,290 You'd have to ask him. 317 00:20:48,750 --> 00:20:50,290 How old is he? 318 00:20:52,920 --> 00:20:54,420 -He's 25. -Oh! 319 00:20:56,330 --> 00:20:59,420 -Do you have a picture of him? -In my office. 320 00:21:01,420 --> 00:21:04,000 -You don't carry him with you? -No. 321 00:21:04,380 --> 00:21:06,000 To protect him. 322 00:21:07,750 --> 00:21:12,330 You want to leave him somewhere safe. Somewhere clean. 323 00:21:14,460 --> 00:21:17,080 You killed Riley to protect him from Jacob? 324 00:21:17,080 --> 00:21:19,830 I protect my son as you protect yours. 325 00:21:20,920 --> 00:21:22,500 Where's he buried? 326 00:21:22,500 --> 00:21:25,080 All that matters is that he's safe. 327 00:21:25,080 --> 00:21:27,290 -Where is he? -He's in a better place. 328 00:21:31,420 --> 00:21:33,750 The chaplain's here to see you. 329 00:21:40,210 --> 00:21:43,210 -DAWES: What do you got? -I got aces and eights. Two pair. 330 00:21:44,710 --> 00:21:46,040 (DAWES CHUCKLES) 331 00:21:46,460 --> 00:21:48,290 The dead man's hand. 332 00:21:48,920 --> 00:21:52,710 I should have had that, but then, of course, I would have lost. 333 00:21:52,710 --> 00:21:55,920 Straight to the jack. 334 00:21:57,080 --> 00:22:00,920 And unless the rules of poker have changed since I've been in here, 335 00:22:00,920 --> 00:22:02,580 you lose. 336 00:22:04,790 --> 00:22:08,750 Oh, sorry. Full house. Aces over eights. 337 00:22:11,920 --> 00:22:13,080 Man, 338 00:22:14,750 --> 00:22:17,830 it would have been so nice. 339 00:22:21,080 --> 00:22:24,960 But to answer your question, there are no other bodies. 340 00:22:31,420 --> 00:22:32,960 JJ. 341 00:22:36,210 --> 00:22:38,880 The Governor's just granted a stay of execution to Sarah Jean. 342 00:22:38,880 --> 00:22:40,790 What? They can't do that. 343 00:22:40,790 --> 00:22:44,250 -They don't believe she killed your son. -She killed him. 344 00:22:44,250 --> 00:22:46,500 I can tell you exactly where he's buried. 345 00:22:50,710 --> 00:22:53,710 MORGAN: It's got to be here. Jacob built this gazebo. 346 00:22:53,710 --> 00:22:56,120 We've searched everywhere else. 347 00:22:59,500 --> 00:23:02,290 The workshop and extension in Deb Mason's house had arches. 348 00:23:02,290 --> 00:23:05,420 I know he had to have built this one for Riley. 349 00:23:08,380 --> 00:23:10,460 Hey, got something here. 350 00:23:26,790 --> 00:23:28,880 Guys, the body's ID's coming through. 351 00:23:28,880 --> 00:23:29,880 TUESDAY, 1PM 8 Hours Remaining 352 00:23:38,620 --> 00:23:40,170 It's not Riley Dawes. 353 00:23:40,170 --> 00:23:43,670 It's Ashley Farley. She was 14 when she was killed. 354 00:23:43,670 --> 00:23:45,830 Why would Jacob give us another victim? 355 00:23:45,830 --> 00:23:49,420 It completely goes against his need for power, manipulation and control. 356 00:23:49,420 --> 00:23:52,500 Taking the secret of an old victim to his grave satisfies that need. 357 00:23:52,500 --> 00:23:54,250 Why give it up? I mean, what's the payoff? 358 00:23:54,250 --> 00:23:57,380 Sarah Jean's the payoff. Sarah Jean will be his last victim. 359 00:23:57,380 --> 00:23:59,540 That'd be the ultimate of control. 360 00:23:59,540 --> 00:24:00,750 Gideon, check this out. 361 00:24:00,750 --> 00:24:03,040 Guess who used to be the Farleys' house cleaner? 362 00:24:11,830 --> 00:24:12,880 (LOCKS BUZZING) 363 00:24:17,000 --> 00:24:20,330 My last supper. Like some? 364 00:24:20,750 --> 00:24:23,040 Look, came with a toy. 365 00:24:24,880 --> 00:24:26,960 -May I sit down? -Please. 366 00:24:32,620 --> 00:24:34,580 Ashley Farley. 367 00:24:34,580 --> 00:24:37,500 You cleaned her parents' house. Remember? 368 00:24:38,120 --> 00:24:39,380 Fondly. 369 00:24:40,290 --> 00:24:43,580 We found her buried beneath a children's gazebo. 370 00:24:44,080 --> 00:24:47,540 At another house Jacob renovated. He put her there. 371 00:24:49,080 --> 00:24:52,250 I might as well have brought her home to that bastard. 372 00:24:52,460 --> 00:24:53,920 Thanks, Doc. 373 00:24:56,000 --> 00:24:58,670 You lied to me. It wasn't Riley. 374 00:24:58,670 --> 00:25:01,420 -It wasn't? -But she was 14 years old. 375 00:25:02,250 --> 00:25:04,250 Oh, and really pretty. 376 00:25:05,250 --> 00:25:07,380 How many others are there? 377 00:25:09,710 --> 00:25:13,170 I only have a few hours left and, though I like you, 378 00:25:13,170 --> 00:25:16,170 and I do like you, 379 00:25:17,460 --> 00:25:19,540 I'd like to be alone now. 380 00:25:20,580 --> 00:25:22,620 Good meeting you, Hotch. 381 00:25:25,880 --> 00:25:28,460 -I'm not done yet. -Oh, me neither. 382 00:25:39,960 --> 00:25:43,380 The high reeds. The river. 383 00:25:47,120 --> 00:25:50,290 This here, what is this, a basket? 384 00:25:52,670 --> 00:25:55,380 The boy in that painting is what, 10? 385 00:25:55,880 --> 00:25:57,330 Maybe more. 386 00:26:00,290 --> 00:26:03,210 Is that how you see him, or how he is? 387 00:26:04,670 --> 00:26:06,960 I only have a few hours left. 388 00:26:08,330 --> 00:26:10,670 I'm respectfully asking you to leave. 389 00:26:11,330 --> 00:26:14,710 Where is he? Where is Riley? 390 00:26:17,670 --> 00:26:19,460 Please see Agent Gideon out. 391 00:26:19,460 --> 00:26:20,830 Open four. 392 00:26:27,960 --> 00:26:29,540 (DOOR CLOSING) 393 00:26:36,250 --> 00:26:38,620 Garcia, pull up the interview with Sarah Jean. 394 00:26:38,620 --> 00:26:40,670 -REID: What is it? -Exodus 2:3. 395 00:26:40,670 --> 00:26:42,040 Moses? 396 00:26:42,040 --> 00:26:44,330 Hebrew sons were supposed to be drowned. 397 00:26:44,710 --> 00:26:47,960 Moses' mother sent him down the Nile in a basket. 398 00:26:47,960 --> 00:26:49,750 Where's he buried? 399 00:26:50,000 --> 00:26:51,790 All that matters is that he's safe. 400 00:26:52,460 --> 00:26:55,170 -Where is he? -He's in a better place. 401 00:26:57,380 --> 00:26:59,830 Jacob didn't bury Riley anywhere. 402 00:27:00,420 --> 00:27:02,380 Sarah Jean had already taken care of him. 403 00:27:02,380 --> 00:27:03,750 Then she did kill him. 404 00:27:03,750 --> 00:27:07,080 No, she sent him somewhere where she believed he'd be safe. 405 00:27:07,080 --> 00:27:08,620 He's alive. 406 00:27:11,620 --> 00:27:13,790 We're running out of time. 407 00:27:14,380 --> 00:27:16,710 GIDEON: This is the proof we need to save Sarah Jean. 408 00:27:37,830 --> 00:27:41,170 Check all police and hospital records dating back to September, 1990. 409 00:27:41,170 --> 00:27:43,250 REID: You know, you should check local newspapers, too. 410 00:27:43,250 --> 00:27:45,250 See if anyone reported any abandoned babies. 411 00:27:45,250 --> 00:27:47,120 Yeah, I don't give a damn where the Governor is. 412 00:27:47,120 --> 00:27:49,330 We may have found proof that Sarah Jean is innocent. 413 00:27:49,330 --> 00:27:53,080 REID: She really only had a maximum of three hours between police visits. 414 00:27:53,670 --> 00:27:56,080 It was 4:00 p.m., so traffic was pretty heavy. 415 00:27:56,080 --> 00:27:57,920 Whatever she did with Riley, it had to be local. 416 00:27:57,920 --> 00:28:00,170 1990. Three babies were abandoned in September. 417 00:28:00,170 --> 00:28:01,920 Two-year-old boys? 418 00:28:04,330 --> 00:28:05,670 None. 419 00:28:05,670 --> 00:28:07,670 Why doesn't she just tell us where Riley is? 420 00:28:07,670 --> 00:28:09,620 She'll protect him for as long as Jacob is alive. 421 00:28:09,620 --> 00:28:11,920 Look, they're being executed within an hour of each other. 422 00:28:11,920 --> 00:28:13,750 What hope do we even have of finding him in time? 423 00:28:13,750 --> 00:28:16,290 You know, it's quite possible she doesn't even know where he is anyway. 424 00:28:16,290 --> 00:28:19,670 No. She'd know. We've got to get into her cell. 425 00:28:27,670 --> 00:28:29,960 DAWES: You come to see the show? 426 00:28:31,250 --> 00:28:33,330 We need to get into Sarah Jean's cell. 427 00:28:33,330 --> 00:28:35,460 -I believe the proof we... -I can't do that. 428 00:28:35,460 --> 00:28:38,540 All official lines of communication are now over. 429 00:28:38,540 --> 00:28:40,670 -I just need five minutes. -Agent, 430 00:28:41,210 --> 00:28:44,710 they want the memory of these two individuals erased. 431 00:28:49,620 --> 00:28:52,210 Five minutes. That's all I need. 432 00:28:53,380 --> 00:28:54,540 -Five minutes. -Thank you. 433 00:28:54,540 --> 00:28:55,960 Come on. 434 00:29:01,830 --> 00:29:06,080 -I thought it was against regulations. -Well, don't tell anybody. 435 00:29:09,580 --> 00:29:10,960 It's cold. 436 00:29:11,880 --> 00:29:14,540 You need a jacket. Vincent, give me your jacket. 437 00:29:14,540 --> 00:29:19,670 Oh, no. I'm fine, really. It makes me feel, you know, alive. 438 00:29:45,120 --> 00:29:48,380 -How are your sons, Warden? -Well, they're good. 439 00:29:48,380 --> 00:29:49,750 Good. 440 00:29:49,750 --> 00:29:52,040 -Darren just graduated. -Yeah? 441 00:29:53,420 --> 00:29:56,710 Did you ever tell them about the man in the moon? 442 00:29:57,080 --> 00:29:58,290 Sure. 443 00:29:58,710 --> 00:30:00,540 I used to tell Riley 444 00:30:01,580 --> 00:30:03,920 that no matter where we were, 445 00:30:04,290 --> 00:30:07,330 the man in the moon would be looking down on both of us. 446 00:30:47,210 --> 00:30:49,000 We should get back. 447 00:30:50,500 --> 00:30:55,290 Sarah, if there's something you know that can save you... 448 00:30:55,290 --> 00:30:57,120 Thank you, Warden. 449 00:30:59,170 --> 00:31:01,540 This has been wonderful. 450 00:31:01,920 --> 00:31:05,040 Your kindness to me... I thank you. 451 00:31:09,880 --> 00:31:14,500 That's Riley. That's her son. Isn't it? Someone tell me it's him, please. 452 00:31:16,540 --> 00:31:20,620 JJ, circulate this photo to the press. See if anybody recognizes this boy. 453 00:31:20,620 --> 00:31:22,170 Do I say who we think he is? 454 00:31:22,170 --> 00:31:24,040 No, just put him out as a Missing Persons. 455 00:31:24,040 --> 00:31:25,290 Okay. 456 00:31:25,290 --> 00:31:26,460 (BEEPING) 457 00:31:26,460 --> 00:31:28,040 What does that mean? 458 00:31:28,040 --> 00:31:31,670 It means Jacob is being moved to the execution chamber. 459 00:31:35,330 --> 00:31:39,540 Sarah Jean! I'll be waiting for you. 460 00:31:40,290 --> 00:31:43,460 Do you wish to make your peace with God, Jacob? 461 00:31:45,710 --> 00:31:50,830 I've made my peace 18 times, and each one was prettier than him. 462 00:31:51,210 --> 00:31:53,540 Why take them with you, Jacob? 463 00:31:54,000 --> 00:31:55,500 You know why. 464 00:31:56,880 --> 00:31:58,420 Take him down. 465 00:31:58,710 --> 00:32:01,670 If you don't mind, gentlemen, 466 00:32:03,080 --> 00:32:05,920 this is one walk I can make myself. 467 00:32:08,960 --> 00:32:10,420 Sarah Jean, 468 00:32:12,000 --> 00:32:14,920 I told you we'd be together forever! 469 00:32:17,580 --> 00:32:20,380 He's just confessed to killing four more girls. 470 00:32:20,380 --> 00:32:22,460 There's nothing I can do. 471 00:32:47,000 --> 00:32:49,120 DAWES: Are you ready, Sarah Jean? 472 00:32:49,710 --> 00:32:52,250 Going to ride the lightning, baby! 473 00:33:09,290 --> 00:33:12,880 She cut around the photo so no one can read the text. 474 00:33:12,880 --> 00:33:15,040 He was two when he disappeared. 475 00:33:15,040 --> 00:33:16,750 This boy's 16 or 17. 476 00:33:16,750 --> 00:33:18,920 If it's Riley, it would mean it's a recent photo. 477 00:33:18,920 --> 00:33:20,210 Once Jacob's dead, 478 00:33:20,210 --> 00:33:22,790 you think Sarah Jean will tell us if this is Riley? 479 00:34:16,790 --> 00:34:18,380 Any last words? 480 00:34:20,460 --> 00:34:21,920 Bring it on. 481 00:34:31,000 --> 00:34:32,460 Riley. 482 00:34:35,580 --> 00:34:36,960 You lose. 483 00:34:37,250 --> 00:34:38,420 No! 484 00:35:16,500 --> 00:35:18,080 Jacob is gone. 485 00:35:20,080 --> 00:35:22,670 He's no longer any threat to Riley. 486 00:35:23,460 --> 00:35:27,670 Tell me where he is. We can stop this madness. 487 00:35:28,380 --> 00:35:32,380 There is no greater gift in life than that of being a parent. 488 00:35:35,250 --> 00:35:38,500 Yet so many of us abuse and squander that gift. 489 00:35:39,580 --> 00:35:41,670 You can change that right now. 490 00:35:41,670 --> 00:35:44,080 I made my decision 15 years ago. 491 00:35:44,790 --> 00:35:47,250 This has never been about Jacob. 492 00:35:48,080 --> 00:35:49,920 It's always been about Riley. 493 00:35:50,420 --> 00:35:52,250 That's why I can't let you do this. 494 00:35:52,250 --> 00:35:55,420 -This isn't about you or me. -I know it isn't. 495 00:35:56,540 --> 00:35:58,120 That's why I'm not going to let Riley lose 496 00:35:58,120 --> 00:35:59,830 the greatest gift he never knew he had. 497 00:35:59,830 --> 00:36:03,420 But that is my gift to him. And I'll not let you destroy that. 498 00:36:06,380 --> 00:36:08,330 The only people Jacob allowed Sarah Jean to know 499 00:36:08,330 --> 00:36:09,620 were the families she cleaned for. 500 00:36:09,620 --> 00:36:10,920 Sarah Jean worked for wealthy families, 501 00:36:10,920 --> 00:36:12,120 all of whom lived in Hampton. 502 00:36:12,120 --> 00:36:14,080 Let's go over all the families in the state of Florida 503 00:36:14,080 --> 00:36:15,500 who were looking to adopt in 1990 504 00:36:15,500 --> 00:36:16,750 and let's see how many lived in Hampton. 505 00:36:16,750 --> 00:36:18,620 Families looking to adopt? Hundreds. 506 00:36:18,620 --> 00:36:20,580 -How many from Hampton? -Three families. 507 00:36:20,580 --> 00:36:23,120 The Jameses, the Kopples and the Sheffields. 508 00:36:23,120 --> 00:36:25,380 Looks like the Sheffields removed themselves from the list 509 00:36:25,380 --> 00:36:27,710 in October 1990 and then moved out of Hampton. 510 00:36:27,710 --> 00:36:29,960 That's one month after Riley vanished. Where'd they go? 511 00:36:29,960 --> 00:36:31,790 Keystone Heights. 512 00:36:31,790 --> 00:36:34,420 We got a match on the photo. It was in the local daily news. 513 00:36:34,420 --> 00:36:37,420 Call Morgan and Elle. Tell them to get to the Sheffield house. 514 00:36:37,420 --> 00:36:38,710 REID: Byron Sheffield. 515 00:36:39,210 --> 00:36:42,380 "Local cello prodigy, 17-year-old Byron Sheffield, 516 00:36:42,380 --> 00:36:44,170 "won a scholarship to play cello." 517 00:36:48,670 --> 00:36:51,000 -How many miles to Keystone Heights? -Way too many. 518 00:36:51,000 --> 00:36:52,330 We're never going to make it in time. 519 00:36:52,330 --> 00:36:53,880 Not if you keep running your mouth. 520 00:36:53,880 --> 00:36:56,210 Well, you better buckle up. 521 00:36:56,210 --> 00:36:57,500 (SIREN WAILING) 522 00:36:59,830 --> 00:37:02,880 We found him, Warden Diehl. We found her son. 523 00:37:02,880 --> 00:37:06,210 Unless I receive an official stay of execution from the Governor, 524 00:37:06,210 --> 00:37:08,330 I am duty-bound to see this through. 525 00:37:08,330 --> 00:37:10,210 My son is dead, Agent Gideon. 526 00:37:10,210 --> 00:37:12,460 I have agents on the way to his house as we speak, 527 00:37:12,460 --> 00:37:13,830 and the Governor is standing by. 528 00:37:13,830 --> 00:37:17,920 -Why can you not accept the truth? -I can. This isn't it. 529 00:37:21,540 --> 00:37:24,330 My agents are within minutes of finding her son alive. 530 00:37:26,120 --> 00:37:27,830 I am truly sorry. 531 00:37:29,460 --> 00:37:30,880 Hold here. 532 00:37:35,580 --> 00:37:38,170 What wouldn't you do for your son to give him a life 533 00:37:38,170 --> 00:37:39,920 you could never hope to dream of? 534 00:37:42,290 --> 00:37:44,670 I am at peace in the knowledge 535 00:37:45,750 --> 00:37:49,250 that my son is free to be whatever he chooses to be. 536 00:37:50,500 --> 00:37:52,580 If he knew who you were, 537 00:37:54,500 --> 00:37:57,250 do you think he'd choose to allow you to walk in there? 538 00:37:58,710 --> 00:38:01,170 If he knew who his parents were, 539 00:38:02,880 --> 00:38:06,420 can you imagine the damage my legacy would leave him? 540 00:38:07,620 --> 00:38:10,210 Can you imagine what he would feel 541 00:38:10,830 --> 00:38:14,040 knowing his mother spent 15 years on death row, 542 00:38:14,380 --> 00:38:18,750 innocent of all charges, just so he could be free of her? 543 00:38:18,750 --> 00:38:20,040 Not me. 544 00:38:20,750 --> 00:38:22,080 Jacob. 545 00:38:23,710 --> 00:38:28,880 It isn't just my life you have in your hands, it's Riley's life, too. 546 00:38:31,170 --> 00:38:34,670 You have the chance to save my son's life. 547 00:38:35,960 --> 00:38:38,210 I choose to save yours, too. 548 00:38:39,710 --> 00:38:42,290 My life ended the day I met Jacob. 549 00:38:51,460 --> 00:38:53,500 Garcia. We made it. 550 00:38:54,670 --> 00:38:58,290 Hello? Open up, FBI. Hello? 551 00:38:58,580 --> 00:39:01,000 Garcia, tell Gideon we're here. 552 00:39:01,420 --> 00:39:05,170 Yeah, but I'm afraid nobody else is. Garcia, patch us through. 553 00:39:05,170 --> 00:39:06,330 Gideon, I've got Elle. 554 00:39:06,330 --> 00:39:08,710 She says they're at the Sheffield house. 555 00:39:08,710 --> 00:39:10,330 It's time. 556 00:39:10,330 --> 00:39:12,460 Take your hands off her. 557 00:39:12,460 --> 00:39:14,000 Tell Morgan to kick the door down if he has to. 558 00:39:14,000 --> 00:39:16,210 Morgan, you're gonna get in the house, whatever it takes. 559 00:39:16,210 --> 00:39:17,500 FBI! 560 00:39:17,500 --> 00:39:19,620 -I said take your hands off her. -Agent Gideon. 561 00:39:19,620 --> 00:39:21,040 A few moments, please. 562 00:39:23,460 --> 00:39:24,620 (KNOCKING ON DOOR) 563 00:39:24,620 --> 00:39:25,920 FBI! 564 00:39:28,040 --> 00:39:29,380 Morgan. 565 00:39:40,290 --> 00:39:43,460 Just stay in the car. Can I help you? 566 00:39:43,460 --> 00:39:45,120 Frank Sheffield? 567 00:39:45,620 --> 00:39:48,170 -What is this about? -This is about your son. 568 00:39:48,170 --> 00:39:49,580 My son. 569 00:39:52,830 --> 00:39:55,120 Is that your son in the car? 570 00:39:55,960 --> 00:39:59,250 I don't understand. What is this about? Tell me. 571 00:39:59,620 --> 00:40:02,040 -We're federal agents. -Hey, Hotch. 572 00:40:02,040 --> 00:40:04,170 We got him. He's here. What do we do? 573 00:40:04,170 --> 00:40:07,040 Gideon, they've got him. What are we doing here, Gideon? 574 00:40:07,040 --> 00:40:10,170 I am standing here because of choices I made. 575 00:40:13,420 --> 00:40:15,880 Don't let my son be Jacob's last victim. 576 00:40:18,960 --> 00:40:22,920 Let me go. Let us both go. 577 00:40:52,920 --> 00:40:54,330 Tell Morgan 578 00:40:56,210 --> 00:40:57,920 it's not her son. 579 00:40:59,040 --> 00:41:00,960 That we made a mistake. 580 00:41:01,920 --> 00:41:03,210 Let him go. It's not the boy. 581 00:41:06,790 --> 00:41:08,330 Hey, Derek. 582 00:41:11,960 --> 00:41:13,670 Wait there, sir. 583 00:41:15,960 --> 00:41:17,330 (WHISPERING) 584 00:41:28,460 --> 00:41:32,330 Mr. Sheffield, I'm very sorry. We have the wrong house. 585 00:41:34,460 --> 00:41:36,920 I apologize for any inconvenience. 586 00:41:40,330 --> 00:41:41,540 Agent? 587 00:41:46,750 --> 00:41:48,120 Thank you. 588 00:42:11,290 --> 00:42:14,790 Would it be too much to ask if yours is the last face I see? 589 00:43:53,540 --> 00:43:55,080 GIDEON: Albert Pine said, 590 00:43:55,080 --> 00:43:58,210 "What we do for ourselves dies with us. 591 00:43:58,210 --> 00:44:02,670 "What we do for others and the world remains and is immortal."