1
00:00:01,269 --> 00:00:02,603
PREVIOUSLY
ON CRIMINAL MINDS...

2
00:00:02,636 --> 00:00:04,705
ELLE, 2 WEEKS
OF PURE HEAVEN.

3
00:00:04,738 --> 00:00:05,606
DO NOT CALL ME
FOR ANYTHING.

4
00:00:05,639 --> 00:00:07,641
HAVE A GREAT TIME.
YOU ALL DESERVE A BREAK.

5
00:00:07,675 --> 00:00:08,642
WELCOME TO PARADISE.

6
00:00:08,676 --> 00:00:09,643
YOUR RESORT
IS BEAUTIFUL.

7
00:00:09,677 --> 00:00:13,581
A MAN SAID THERE HAD
BEEN A MURDER
IN ROOM 19.

8
00:00:13,614 --> 00:00:14,648
GET DOWN!
AAH!

9
00:00:14,682 --> 00:00:15,583
WHO ARE YOU?!

10
00:00:15,616 --> 00:00:17,218
WHERE IS
THE VICTIM'S HEAD?

11
00:00:17,251 --> 00:00:18,052
I'M HERE ON VACATION.

12
00:00:18,086 --> 00:00:19,620
FROM JAMAICA.
SOMEONE SENT YOU A HEAD?

13
00:00:19,653 --> 00:00:21,422
MORGAN AND ELLE ARE
IN JAMAICA RIGHT NOW.

14
00:00:21,455 --> 00:00:22,690
AGENT GREENAWAY
WASN'T EVEN HERE

15
00:00:22,723 --> 00:00:23,624
WHEN THIS MAN WAS KILLED.

16
00:00:23,657 --> 00:00:24,492
HOW DID HE KNOW
WHERE WE WERE?

17
00:00:24,525 --> 00:00:26,694
JJ: A MAN CAME TO THE DOOR
WITH SOMETHING

18
00:00:26,727 --> 00:00:27,795
HE SAID YOU WOULD NEED
RIGHT AWAY.

19
00:00:27,828 --> 00:00:28,662
HE CAME TO THE DOOR?

20
00:00:28,696 --> 00:00:29,763
Garcia: I WAS PLAYING
A GAME YESTERDAY.

21
00:00:29,797 --> 00:00:32,533
THE HACKER
COULD HAVE GOTTEN
INTO MY COMPUTER FIRST.

22
00:00:32,566 --> 00:00:35,436
I HAVE FAR LESS PROTECTION
ON MY OWN LAPTOP.

23
00:00:35,469 --> 00:00:36,704
HOW COULD YOU BE
THAT STUPID?

24
00:00:36,737 --> 00:00:38,272
I FOUND HIM.
YOU WHAT?

25
00:00:38,306 --> 00:00:39,540
I KNOW WHO HE IS,
THE HACKER,

26
00:00:39,573 --> 00:00:40,208
HIS NAME'S GEIST.

27
00:00:40,241 --> 00:00:41,742
Unsub:
NOW YOU'RE ON A QUEST.

28
00:00:41,775 --> 00:00:43,411
A YOUNG GIRL'S LIFE
DEPENDS

29
00:00:43,444 --> 00:00:45,479
ON THE SUCCESSFUL COMPLETION
OF IT.

30
00:00:45,513 --> 00:00:47,148
AAH! AAH!

31
00:00:47,181 --> 00:00:50,218
THE ONE RULE IS,
ONLY THE MEMBERS OF YOUR TEAM

32
00:00:50,251 --> 00:00:52,686
MAY PARTICIPATE
IN THE QUEST.

33
00:00:52,720 --> 00:00:53,821
Reid: HE'S
GIVEN US ALL THE CLUES

34
00:00:53,854 --> 00:00:56,090
NEEDED TO COMPLETE
THIS QUEST,

35
00:00:56,124 --> 00:00:57,358
INCLUDING THIS BOOK CODE.

36
00:00:57,391 --> 00:01:00,428
EACH ONE OF THESE SETS
OF NUMBERS REPRESENTS
A PARTICULAR WORD.

37
00:01:00,461 --> 00:01:01,429
FROM WHAT BOOK?

38
00:01:01,462 --> 00:01:02,696
JJ, GET SOME REPORTERS
HERE AS SOON AS POSSIBLE.

39
00:01:02,730 --> 00:01:05,366
Morgan: DIDN'T HE SAY
THAT WE HAD TO KEEP THIS
UNDER THE TEAM?

40
00:01:05,399 --> 00:01:06,700
WE'RE LOOKING
FOR THIS MAN...

41
00:01:06,734 --> 00:01:10,104
NO, NO, NO, NO,
I SAID NO OUTSIDERS.

42
00:01:10,138 --> 00:01:11,372
I'M AWAKE.

43
00:01:11,405 --> 00:01:12,740
ANDERSON,
TAKE GREENAWAY HOME.

44
00:01:12,773 --> 00:01:14,275
YES, SIR.
GET SOME SLEEP.

45
00:01:14,308 --> 00:01:17,178
I TOLD YOU,
IT WAS ONE RULE.

46
00:01:17,211 --> 00:01:18,679
ONE RULE!

47
00:01:21,715 --> 00:01:23,684
Gideon: "THE DEFECTS
AND FAULTS OF THE MIND

48
00:01:23,717 --> 00:01:25,486
"ARE LIKE WOUNDS
IN THE BODY.

49
00:01:25,519 --> 00:01:27,721
"AFTER ALL IMAGINABLE CARE
HAS BEEN TAKEN

50
00:01:27,755 --> 00:01:29,590
"TO HEAL THEM UP,

51
00:01:29,623 --> 00:01:32,793
STILL THERE WILL BE
A SCAR LEFT BEHIND."

52
00:01:32,826 --> 00:01:37,431
FRENCH WRITER
FRANCOIS LA ROCHEFOUCAULD.

53
00:01:42,303 --> 00:01:44,172
SIR, I THOUGHT
YOU'D WANT TO KNOW.

54
00:01:44,205 --> 00:01:46,674
WE IDENTIFIED
THE GIRL IN THE VIDEO--

55
00:01:46,707 --> 00:01:47,575
REBECCA BRYANT.

56
00:01:47,608 --> 00:01:49,810
LEAVE IT ON THE DESK.

57
00:02:07,595 --> 00:02:10,664
REID, HOW MANY BOOKS
DO YOU THINK ARE
PUBLISHED IN A YEAR?

58
00:02:10,698 --> 00:02:12,333
IN THE WHOLE WORLD?

59
00:02:12,366 --> 00:02:13,167
THOUSANDS.

60
00:02:13,201 --> 00:02:16,470
GREAT, AND ALL
WE GOTTA DO IS FIND ONE.

61
00:02:17,238 --> 00:02:18,739
YOU KNOW,
I CAN SEE THIS UNSUB

62
00:02:18,772 --> 00:02:20,341
GETTIN' OUR PHONE NUMBERS
AND ADDRESSES

63
00:02:20,374 --> 00:02:21,509
FROM THE BUREAU
PERSONNEL FILES,

64
00:02:21,542 --> 00:02:22,576
BUT COME ON, MAN,

65
00:02:22,610 --> 00:02:24,878
IT REALLY SAYS IN THERE
THAT GIDEON DIGS NELLIE FOX?

66
00:02:24,912 --> 00:02:26,614
OR THAT JJ COLLECTS
BUTTERFLIES?

67
00:02:26,647 --> 00:02:29,183
I DIDN'T EVEN KNOW
THESE THINGS ABOUT US.

68
00:02:29,217 --> 00:02:30,318
"EVER WOULD IT BE NIGHT,

69
00:02:30,351 --> 00:02:32,586
BUT ALWAYS CLEAR DAY
TO ANY MAN'S SIGHT."

70
00:02:32,620 --> 00:02:35,789
REID, NOT AGAIN WITH THE POEM
FROM THE MUSIC BOX, PLEASE.

71
00:02:35,823 --> 00:02:36,924
THERE'S SOMETHING
FAMILIAR ABOUT IT.

72
00:02:36,957 --> 00:02:39,860
I THINK I'VE HEARD
IT SOMEWHERE BEFORE.

73
00:02:39,893 --> 00:02:41,862
THOUGHT YOU HAD
A PHOTOGRAPHIC MEMORY.

74
00:02:41,895 --> 00:02:42,863
EIDETIC MEMORY,

75
00:02:42,896 --> 00:02:43,931
AND THAT'S
PRIMARILY RELATED
TO THINGS I READ.

76
00:02:43,964 --> 00:02:46,567
LIKE I SAID,
THIS IS SOMETHING
I THINK I'VE HEARD.

77
00:02:46,600 --> 00:02:47,368
WHICH LEAVES US...

78
00:02:47,401 --> 00:02:48,602
NOWHERE, THAT'S
WHERE IT LEAVES IS.

79
00:02:48,636 --> 00:02:49,770
Gideon: NOT NECESSARILY.

80
00:02:49,803 --> 00:02:50,538
HOW WOULD WE PROCEED

81
00:02:50,571 --> 00:02:52,973
IF WE DIDN'T HAVE
ALL THESE CLUES?

82
00:02:53,006 --> 00:02:55,309
WHAT'S THE FIRST THING
WE'D LOOK AT?

83
00:02:55,343 --> 00:02:56,344
VICTIMOLOGY.

84
00:02:56,377 --> 00:02:57,811
WHY THIS PARTICULAR VICTIM
IN THIS PARTICULAR PLACE

85
00:02:57,845 --> 00:02:58,746
AT THIS PARTICULAR TIME?

86
00:02:58,779 --> 00:03:00,614
WE HAVE A VICTIM,
DON'T WE?

87
00:03:00,648 --> 00:03:02,383
REBECCA BRYANT.

88
00:03:02,416 --> 00:03:04,318
MISSIN' OUT OF
SOUTH BOSTON, VIRGINIA.

89
00:03:04,352 --> 00:03:05,986
YOU CAN GET THERE
IN A FEW HOURS
IF YOU HURRY.

90
00:03:06,019 --> 00:03:09,390
TAKE JJ. FIND OUT
EVERYTHING THERE IS
TO KNOW ABOUT THIS GIRL.

91
00:03:09,423 --> 00:03:10,090
Morgan: YOU GO IT.

92
00:03:10,123 --> 00:03:10,891
BEEN LETTIN' HIM
LEAD US AROUND

93
00:03:10,924 --> 00:03:12,326
LIKE HE'S SOMETHIN'
MORE THAN HE IS.

94
00:03:12,360 --> 00:03:13,527
HE'S JUST
ANOTHER UNSUB.

95
00:03:13,561 --> 00:03:15,229
LET'S START PUTTIN'
TOGETHER A PROFILE.

96
00:03:15,263 --> 00:03:16,530
WHAT YOU WANT ME
TO DO?

97
00:03:16,564 --> 00:03:17,398
JUST KEEP
WORKIN' ON THIS.

98
00:03:17,431 --> 00:03:20,301
IF ANYBODY CAN
PUT IT TOGETHER, YOU CAN.

99
00:03:24,905 --> 00:03:27,675
[COUGHING]

100
00:03:42,290 --> 00:03:44,558
PLEASE HELP ME.

101
00:03:49,597 --> 00:03:50,130
ANDERSON?

102
00:03:50,163 --> 00:03:51,765
WHERE'S AGENT GREENAWAY?

103
00:03:51,799 --> 00:03:52,433
SIR?

104
00:03:52,466 --> 00:03:53,233
I TOLD YOU
TO TAKE HER HOME.

105
00:03:53,267 --> 00:03:54,802
I DROPPED HER OFF
HALF AN HOUR AGO.

106
00:03:54,835 --> 00:03:57,705
TAKE HER HOME
DOES NOT MEAN
DROP HER OFF.

107
00:03:57,738 --> 00:03:58,572
WE'RE DEALING
WITH AN UNSUB

108
00:03:58,606 --> 00:04:00,474
WHO HAS ALL OF OUR
PERSONAL INFORMATION,

109
00:04:00,508 --> 00:04:01,542
INCLUDING
OUR HOME ADDRESSES.

110
00:04:01,575 --> 00:04:02,843
GET BACK
OVER THERE NOW.

111
00:04:02,876 --> 00:04:05,446
BUT--
NOW.

112
00:04:07,948 --> 00:04:11,585
[AIRPLANE ENGINES]

113
00:04:13,354 --> 00:04:14,488
AGENT GREENAWAY?

114
00:04:14,522 --> 00:04:15,689
YES?

115
00:04:15,723 --> 00:04:17,057
CASE FILE, PLEASE.

116
00:04:17,090 --> 00:04:19,393
HOW DID I GET HERE?

117
00:04:19,427 --> 00:04:21,695
I'M SORRY, MA'AM.
WITHOUT A CASE FILE,

118
00:04:21,729 --> 00:04:23,631
YOU'LL HAVE TO GET OFF.

119
00:04:23,664 --> 00:04:25,333
THE RULES ARE VERY--

120
00:04:25,366 --> 00:04:25,999
CLEAR!

121
00:04:26,033 --> 00:04:29,570
[TELEPHONE RINGS]

122
00:04:30,438 --> 00:04:31,271
Female paramedic:
SHE'S BACK.

123
00:04:31,305 --> 00:04:32,573
Male paramedic: GET
A LARGE BORE GOING.

124
00:04:32,606 --> 00:04:34,041
IF WE DON'T GET
THIS PRESSURE UP,

125
00:04:34,074 --> 00:04:37,578
WE'RE GONNA
LOSE HER AGAIN...
PERMANENTLY.

126
00:05:16,950 --> 00:05:18,986
"POSSIBLE BOOK TITLES."

127
00:05:19,019 --> 00:05:23,724
THOUSANDS OF BOOKS
PUBLISHED EVERY YEAR.

128
00:05:25,659 --> 00:05:27,595
THIS IS IMPOSSIBLE.

129
00:05:30,431 --> 00:05:33,534
YEAR...EVERY YEAR.

130
00:05:37,805 --> 00:05:40,541
1963.

131
00:05:44,878 --> 00:05:46,547
AGENT HOTCHNER?

132
00:05:46,580 --> 00:05:47,280
YES?

133
00:05:47,314 --> 00:05:48,081
THE DELIVERY GUY'S
ON THE WAY UP.

134
00:05:48,115 --> 00:05:49,783
THE ONE FROM
THE PRESS CONFERENCE?

135
00:05:49,817 --> 00:05:52,052
THANK YOU.

136
00:05:54,655 --> 00:05:56,390
THE BOOK HAS TO BE
THE RIGHT VOLUME

137
00:05:56,424 --> 00:05:57,558
AND THE RIGHT
PUBLICATION DATE,

138
00:05:57,591 --> 00:05:59,427
OR THE CODE
WON'T WORK, RIGHT?

139
00:05:59,460 --> 00:06:00,227
OK.

140
00:06:00,260 --> 00:06:01,061
NOW WHEN YOU TALK
ABOUT NELLIE FOX,

141
00:06:01,094 --> 00:06:03,030
IT'S IN REGARDS
TO THE 1959 WHITE SOX.

142
00:06:03,063 --> 00:06:05,466
THAT'S THE YEAR THAT'S
IMPORTANT TO YOU,

143
00:06:05,499 --> 00:06:06,634
BUT FOR SOME REASON,

144
00:06:06,667 --> 00:06:08,068
THIS IS A 1963 CARD.

145
00:06:08,101 --> 00:06:09,269
WELL, MAYBE
HE COULDN'T FIND A '59.

146
00:06:09,302 --> 00:06:11,772
YOU THINK A PALE
CLOUDED YELLOW BUTTERFLY
WAS EASY TO FIND,

147
00:06:11,805 --> 00:06:15,909
OR A MUSIC BOX
THAT SPECIFICALLY PLAYS
THE TROUT QUINTET?

148
00:06:15,943 --> 00:06:18,879
SO A BOOK PUBLISHED
IN 1963.

149
00:06:18,912 --> 00:06:20,548
IT HAS TO BE.

150
00:06:21,081 --> 00:06:21,982
MAYBE.

151
00:06:22,015 --> 00:06:23,150
THE GUY WHO DELIVERED
THE PUZZLE TO MY HOUSE

152
00:06:23,183 --> 00:06:25,118
JUST TURNED HIMSELF IN.

153
00:06:30,758 --> 00:06:33,994
YOU DELIVERED A PACKAGE
TO MY HOUSE YESTERDAY.

154
00:06:34,027 --> 00:06:35,963
DO I NEED
A LAWYER HERE?

155
00:06:35,996 --> 00:06:37,565
LATE IN THE DAY
TO MY WIFE.

156
00:06:37,598 --> 00:06:39,933
I--I GUESS I COULD
CHECK MY LOGS.

157
00:06:39,967 --> 00:06:41,602
YOU KNOW EXACTLY
WHICH DELIVERY WE MEAN.

158
00:06:41,635 --> 00:06:46,940
LOOK, THIS GUY COMES
UP TO ME ON THE STREET
WITH THE PACKAGE.

159
00:06:46,974 --> 00:06:48,776
HE SAYS IT ONLY
NEEDS TO GO A FEW MILES,

160
00:06:48,809 --> 00:06:51,011
AND THAT A GIRL'S LIFE
DEPENDED ON IT.

161
00:06:51,044 --> 00:06:52,680
AND YOU DIDN'T
FIND THAT SUSPICIOUS?

162
00:06:52,713 --> 00:06:53,847
HE SAID A GIRL'S LIFE
DEPENDED ON IT, MAN.

163
00:06:53,881 --> 00:06:56,684
I WASN'T GONNA
TAKE NO CHANCES
WITH SOMETHIN' LIKE THAT.

164
00:06:56,717 --> 00:06:58,719
I SEE, SO YOU'RE
A HUMANITARIAN HERE THEN.

165
00:06:58,752 --> 00:07:02,523
YEAH, I GUESS
YOU COULD SAY THAT.

166
00:07:11,532 --> 00:07:13,601
HOW MUCH?

167
00:07:15,002 --> 00:07:16,470
THOUSAND...

168
00:07:16,504 --> 00:07:17,738
CASH.

169
00:07:17,771 --> 00:07:21,742
SERIOUSLY,
DO I NEED A LAWYER?

170
00:07:21,775 --> 00:07:23,577
THIS GUY IS
INFURIATINGLY GOOD.

171
00:07:23,611 --> 00:07:25,746
HE ROUTED
HIS IP THROUGH
MAJOR CORPORATIONS,

172
00:07:25,779 --> 00:07:27,481
CRISSCROSSED
IT THROUGH COUNTRIES,

173
00:07:27,515 --> 00:07:28,381
BOUNCED IT
OFF SATELLITES.

174
00:07:28,415 --> 00:07:29,316
I THOUGHT YOU
ALREADY TRACKED THE HACKER.

175
00:07:29,349 --> 00:07:30,050
NO, I ONLY FOUND
WHAT HE WANTED
ME TO FIND.

176
00:07:30,083 --> 00:07:32,119
APARTMENT
WHERE GILES WAS DEAD.

177
00:07:32,152 --> 00:07:34,154
REID, A HACKER
CAPABLE OF GETTING
INTO MY SYSTEMS

178
00:07:34,187 --> 00:07:36,590
IS GOING
TO HAVE AMAZINGLY
SOPHISTICATED EQUIPMENT.

179
00:07:36,624 --> 00:07:38,158
DID GILES'S APARTMENT
HAVE THAT?

180
00:07:38,191 --> 00:07:39,126
HE DIDN'T HAVE
A COUCH.

181
00:07:39,159 --> 00:07:41,028
EXACTLY. GILES WAS
A SMOKESCREEN

182
00:07:41,061 --> 00:07:41,962
I SHOULD
HAVE SEEN THROUGH.

183
00:07:41,995 --> 00:07:45,733
BUT NOW I HAVE
THIS GLORIOUS PROGRAM I WROTE,

184
00:07:45,766 --> 00:07:49,503
TRACKING THE HACKER
THROUGH HIS OTHER IDENTITY--

185
00:07:51,705 --> 00:07:52,740
SIR KNEIGHF.

186
00:07:52,773 --> 00:07:57,210
"K-N-E-I-G-H-F."

187
00:07:57,244 --> 00:07:59,079
THAT'S AN ODD SPELLING.

188
00:07:59,112 --> 00:08:02,750
DO YOU NEED SOMETHING?

189
00:08:03,016 --> 00:08:04,685
YEAH, IS
THERE A DATABASE,

190
00:08:04,718 --> 00:08:06,887
WHICH LISTS
ALL THE BOOKS PUBLISHED
IN A GIVEN YEAR?

191
00:08:06,920 --> 00:08:07,988
INDIVIDUAL PUBLISHERS
HAVE LISTS,

192
00:08:08,021 --> 00:08:09,823
BUT I DON'T THINK
THERE'S ANYTHING
LIKE A MASTER ONE,

193
00:08:09,857 --> 00:08:11,058
PLUS IT WOULD DEPEND
UPON THE YEAR,

194
00:08:11,091 --> 00:08:12,059
BECAUSE THE FURTHER BACK
YOU GO,

195
00:08:12,092 --> 00:08:14,728
THE LESS LIKELY THERE'LL
BE ANY DATABASE AT ALL.

196
00:08:14,762 --> 00:08:15,495
1963.

197
00:08:15,529 --> 00:08:16,997
YEAH, OK, THAT
WOULD BE AN EXAMPLE

198
00:08:17,030 --> 00:08:19,567
OF EXTREMELY LESS LIKELY.

199
00:08:19,600 --> 00:08:20,500
COULD YOU
DO ME A FAVOR?

200
00:08:20,534 --> 00:08:23,036
TYPE SOMETHING
INTO A SEARCH ENGINE
FOR ME?

201
00:08:23,070 --> 00:08:24,738
"NEVER
WOULD IT BE NIGHT,

202
00:08:24,772 --> 00:08:28,776
BUT ALWAYS CLEAR DAY
TO ANY MAN'S SIGHT."

203
00:08:29,142 --> 00:08:31,745
OK, THAT'S FROM A POEM,
"THE PARLIAMENT OF--"

204
00:08:31,779 --> 00:08:32,613
"FOWLS!"
YEAH, YEAH, YEAH, YEAH!

205
00:08:32,646 --> 00:08:37,250
CHAUCER, MY--MY MOM
USE TO READ ME THAT.

206
00:08:37,284 --> 00:08:38,218
IT'S WIDELY CONSIDERED

207
00:08:38,251 --> 00:08:39,720
AS THE FIRST
VALENTINE'S POEM.

208
00:08:39,753 --> 00:08:43,156
YOUR MOM READ YOU
VALENTINE'S POEMS?

209
00:08:43,190 --> 00:08:45,025
HELLO, THERAPY.

210
00:08:45,058 --> 00:08:45,726
CHAUCER.

211
00:08:45,759 --> 00:08:49,162
CHAUCER,
"PARLIAMENT OF FOWLS."

212
00:08:49,196 --> 00:08:51,799
FOWLS,
"PARLIAMENT OF FOWLS,"

213
00:08:51,832 --> 00:08:52,633
CHAUCER.

214
00:08:52,666 --> 00:08:55,703
IT HAS TO BE AT LEAST
283 PAGES LONG,

215
00:08:55,736 --> 00:08:56,837
BUT THE POEM
HAS TO BE LONGER.

216
00:08:56,870 --> 00:08:59,907
SOMETHING PUBLISHED
IN 1963.

217
00:08:59,940 --> 00:09:02,309
A BUTTERFLY INDIGENOUS
TO GREAT BRITAIN. WHY?

218
00:09:02,342 --> 00:09:06,546
SOMETHING BORN, SOMETHING
FROM GREAT BRITAIN.

219
00:09:07,648 --> 00:09:08,682
MEDIEVAL.

220
00:09:08,716 --> 00:09:09,983
MEDIEVAL, CHAUCER.

221
00:09:10,017 --> 00:09:11,819
CHAUCER WAS MIDDLE ENGLISH.

222
00:09:11,852 --> 00:09:15,255
MIDDLE ENGLISH SPELLING
OF THE WORD "FOWLS..."

223
00:09:16,757 --> 00:09:19,993
THERE WAS
A CONTEMPORARY BRITISH
AUTHOR--FOWLES.

224
00:09:20,027 --> 00:09:20,828
JOHN FOWLES.

225
00:09:20,861 --> 00:09:22,730
WILL YOU TYPE IT
INTO A SEARCH ENGINE?

226
00:09:22,763 --> 00:09:24,031
UH...

227
00:09:24,064 --> 00:09:25,098
HE WROTE THE MAGUS,

228
00:09:25,132 --> 00:09:26,667
HE WROTE THE FRENCH
LIEUTENANT'S WOMAN.

229
00:09:26,700 --> 00:09:29,002
ANYTHING IN 1963
IN GREAT BRITAIN?

230
00:09:29,036 --> 00:09:30,203
THE COLLECTOR.

231
00:09:30,237 --> 00:09:32,806
COLLECTOR--
BASEBALL CARDS,

232
00:09:32,840 --> 00:09:34,074
SKELETON KEYS,
MUSIC BOXES.

233
00:09:34,107 --> 00:09:36,844
THESE ARE THINGS
THAT ARE COLLECTED.

234
00:09:38,912 --> 00:09:40,981
REID.

235
00:09:42,916 --> 00:09:44,117
Hotchner:
WHAT'D HE LOOK LIKE?

236
00:09:44,151 --> 00:09:45,953
I DON'T REALLY KNOW.

237
00:09:45,986 --> 00:09:47,187
HE HAD A BIG COAT ON

238
00:09:47,220 --> 00:09:48,756
AND A HAT PULLED DOWN
OVER HIS FACE.

239
00:09:48,789 --> 00:09:50,057
SO YOU CAN'T DESCRIBE
HIM AT ALL THEN?

240
00:09:50,090 --> 00:09:52,726
WELL, THE PART OF HIS FACE
THAT I COULD SEE

241
00:09:52,760 --> 00:09:54,695
WAS ALL MESSED UP.

242
00:09:54,728 --> 00:09:55,729
IT WAS MESSED UP?

243
00:09:55,763 --> 00:09:58,666
YEAH--SCARRED,
ALL BURNED UP.

244
00:09:58,699 --> 00:09:59,733
[LINE RINGING]

245
00:09:59,767 --> 00:10:01,368
Gideon: BURN SCARS.

246
00:10:01,401 --> 00:10:02,836
COULD EXPLAIN
THE TROUBLE MOVING.

247
00:10:02,870 --> 00:10:03,637
WE KNOW WHAT THE BOOK IS.

248
00:10:03,671 --> 00:10:06,774
THE COLLECTOR
BY JOHN FOWLES.

249
00:10:06,807 --> 00:10:07,841
YOU SURE?

250
00:10:07,875 --> 00:10:09,109
NOT ABSOLUTELY.
NOT UNTIL WE SEE
IF THE CODE WORKS,

251
00:10:09,142 --> 00:10:10,310
BUT I HAVE
4 SEPARATE LIBRARIES

252
00:10:10,343 --> 00:10:13,413
SEARCHING
FOR THE 1963 EDITION
PUBLISHED IN GREAT BRITAIN.

253
00:10:13,446 --> 00:10:14,414
WELL DONE, REID.

254
00:10:14,447 --> 00:10:16,750
AGENT GIDEON, THERE'S
A CALL FOR YOU ON LINE 2,

255
00:10:16,784 --> 00:10:18,318
SAYS IT'S
EXTREMELY URGENT.

256
00:10:18,351 --> 00:10:19,219
IS THERE A NAME?

257
00:10:19,252 --> 00:10:22,923
SORT OF. HE CALLS HIMSELF
THE FISHER KING.

258
00:10:29,096 --> 00:10:31,298
THIS COULD BE
THE UNSUB, GUYS.

259
00:10:31,331 --> 00:10:32,332
WHY?

260
00:10:32,365 --> 00:10:34,167
IN MYTHOLOGY,
THE FISHER KING
IS THE GRAIL KING.

261
00:10:34,201 --> 00:10:36,937
"SIR KNEIGHF,"
IT'S AN ANAGRAM...

262
00:10:36,970 --> 00:10:38,806
FOR "FISHER KING."

263
00:10:40,841 --> 00:10:45,078
FISHER KING'S
AT THE END
OF ALL GRAIL QUESTS.

264
00:10:45,879 --> 00:10:49,282
LINE 2 TRAPPED
AND TRACED.

265
00:10:52,986 --> 00:10:53,721
GIDEON.

266
00:10:53,754 --> 00:10:56,256
WHAT I HAD TO DO
WAS NOT MY FAULT.

267
00:10:56,289 --> 00:10:56,990
EXCUSE ME?

268
00:10:57,024 --> 00:11:00,060
IT WAS DISTASTEFUL
AND BARBARIC.

269
00:11:00,093 --> 00:11:02,796
WHO IS THIS?

270
00:11:02,830 --> 00:11:04,397
NO ONE ELSE
HAD TO BE HURT.

271
00:11:04,431 --> 00:11:06,133
CALL YOURSELF
"THE FISHER KING"?

272
00:11:06,166 --> 00:11:09,903
I TOLD YOU
THERE WERE RULES.

273
00:11:09,937 --> 00:11:15,976
I'M ACTUALLY MORE INTERESTED
IN EXACTLY HOW YOU GOT
ALL THOSE BURNS.

274
00:11:16,309 --> 00:11:18,946
REMEMBER THIS
NEXT TIME YOU DECIDE

275
00:11:18,979 --> 00:11:20,447
TO STEP OUTSIDE
MY INSTRUCTIONS.

276
00:11:20,480 --> 00:11:23,951
AGENT GREENAWAY DID NOT
HAVE TO DIE LIKE THAT.

277
00:11:34,862 --> 00:11:38,365
[LONG SLOW BREATHS
ECHOING]

278
00:11:48,041 --> 00:11:49,709
DADDY?

279
00:11:52,379 --> 00:11:54,414
Doctor: NOTIFY THE O.R.
SHE'S BLEEDING OUT.

280
00:11:54,447 --> 00:11:57,785
THEY'RE GONNA NEED
4 UNITS OF "O"
ON THE RAPID INFUSER.

281
00:11:57,818 --> 00:11:58,451
YES, MA'AM.

282
00:11:58,485 --> 00:12:00,821
FIGHT WITH ME HERE.
FIGHT.

283
00:12:00,854 --> 00:12:03,090
FBI, ONE OF MY AGENTS
WAS JUST BROUGHT IN.

284
00:12:03,123 --> 00:12:04,257
AGENT HOTCHNER,
I AM SORRY.

285
00:12:04,291 --> 00:12:05,225
ANDERSON, WHERE IS SHE?

286
00:12:05,258 --> 00:12:06,794
I GOT THERE JUST
AS THE AMBULANCE
WAS LEAVING.

287
00:12:06,827 --> 00:12:07,861
WHERE IS SHE,
ANDERSON?

288
00:12:07,895 --> 00:12:08,328
THEY JUST TOOK HER
UP TO SURGERY.

289
00:12:08,361 --> 00:12:09,229
THEN SHE'S ALIVE.

290
00:12:09,262 --> 00:12:10,230
WHAT DO WE KNOW?

291
00:12:10,263 --> 00:12:11,198
THE LOCAL P.D. SAID

292
00:12:11,231 --> 00:12:12,032
SOMEONE FORCED
HER BACK DOOR

293
00:12:12,065 --> 00:12:12,933
AND SURPRISED HER
IN THE LIVING ROOM.

294
00:12:12,966 --> 00:12:15,836
THEY WERE PROBABLY LAYING
IN WAIT FOR HER.

295
00:12:15,869 --> 00:12:16,970
AFTER SHE WAS...

296
00:12:17,004 --> 00:12:21,108
IT APPEARS
SHE DIALED 911 HERSELF
BEFORE SHE PASSED OUT.

297
00:12:21,141 --> 00:12:22,075
WHY WEREN'T WE
NOTIFIED?

298
00:12:22,109 --> 00:12:24,377
THE OFFENDER APPARENTLY
TOOK HER I.D. AND GUN.

299
00:12:24,411 --> 00:12:25,212
THE UNIFORM I TALKED TO

300
00:12:25,245 --> 00:12:26,780
DIDN'T EVEN KNOW
SHE WAS IN THE BUREAU

301
00:12:26,814 --> 00:12:27,848
UNTIL I ARRIVED ON SCENE.

302
00:12:27,881 --> 00:12:29,282
GET BACK OVER THERE.
THIS IS A FEDERAL
CRIME SCENE.

303
00:12:29,316 --> 00:12:31,351
NOBODY TOUCHED ANYTHING.
WE PROCESS IT.

304
00:12:31,384 --> 00:12:33,153
GO.
YES, SIR.

305
00:12:36,223 --> 00:12:36,824
[BEEP]

306
00:12:36,857 --> 00:12:37,757
MRS. VALEZ,
ARE YOU THERE?

307
00:12:37,791 --> 00:12:40,560
Woman, on speakerphone:
YES, DR. REID, I AM.

308
00:12:40,593 --> 00:12:43,063
I HAVE A FIRST EDITION
OF THE COLLECTOR,

309
00:12:43,096 --> 00:12:47,034
PUBLISHED IN GREAT BRITAIN
IN 1963, DOCTOR.

310
00:12:47,067 --> 00:12:48,101
WONDERFUL.

311
00:12:48,135 --> 00:12:51,171
MRS. VALEZ, I'M GONNA
READ YOU A SET
OF 3 NUMBERS.

312
00:12:51,204 --> 00:12:53,506
THE FIRST IS GONNA BE
A PAGE NUMBER,

313
00:12:53,540 --> 00:12:57,010
THE SECOND A LINE NUMBER
ON THAT PAGE,

314
00:12:57,044 --> 00:12:59,446
AND THE THIRD,
A WORD NUMBER
IN THAT LINE.

315
00:12:59,479 --> 00:13:00,848
DO YOU UNDERSTAND ME?

316
00:13:00,881 --> 00:13:02,382
YES, I UNDERSTAND.

317
00:13:02,415 --> 00:13:04,985
ALL RIGHT, THE FIRST
IS PAGE 222.

318
00:13:05,018 --> 00:13:07,220
Mrs. Valez:
PAGE 222. GOT IT.

319
00:13:07,254 --> 00:13:10,057
LINE 23.

320
00:13:10,090 --> 00:13:11,825
LINE 23. GOT IT.

321
00:13:11,859 --> 00:13:14,561
WHAT IS THE 16th WORD
ON THAT LINE, MS. VALEZ?

322
00:13:14,594 --> 00:13:16,063
"THE."

323
00:13:16,629 --> 00:13:18,065
"THE"?

324
00:13:18,098 --> 00:13:18,999
GREAT.

325
00:13:19,032 --> 00:13:21,334
PAGE 91,

326
00:13:21,368 --> 00:13:24,972
LINE 11, WORD 13.

327
00:13:25,005 --> 00:13:26,039
"PATH."

328
00:13:26,073 --> 00:13:27,040
DOES THAT MAKE SENSE?

329
00:13:27,074 --> 00:13:28,942
"THE PATH." YEAH,
THAT ABSOLUTELY
MAKES SENSE.

330
00:13:28,976 --> 00:13:32,345
ALL RIGHT, PLEASE
GO TO PAGE 31...

331
00:13:33,346 --> 00:13:36,116
TRAP AND TRACE
GOT NOTHIN'.

332
00:13:36,149 --> 00:13:40,020
UNSUB USED
A DISPOSABLE CELL.

333
00:13:40,053 --> 00:13:42,355
WE GOT OUR BEST
CSU TEAM.

334
00:13:42,389 --> 00:13:43,123
IF HE LEFT ANYTHING,

335
00:13:43,156 --> 00:13:45,893
A PRINT, A HAIR,
SWEAT, ANYTHING...

336
00:13:45,926 --> 00:13:47,060
THEY'LL FIND IT.

337
00:13:47,094 --> 00:13:49,897
I SENT HER HOME,
JASON.

338
00:13:49,930 --> 00:13:50,763
THIS WASN'T YOU.

339
00:13:50,797 --> 00:13:52,900
I SHOULD HAVE BEEN
CLEARER WITH ANDERSON.

340
00:13:52,933 --> 00:13:54,634
TRY MORGAN
AND JJ AGAIN.

341
00:13:54,667 --> 00:13:55,602
I TRIED 'EM 3 TIMES.

342
00:13:55,635 --> 00:13:56,937
THEY'RE OUT OF CELL RANGE.

343
00:13:56,970 --> 00:13:57,938
WELL, TRY 'EM AGAIN.

344
00:13:57,971 --> 00:13:59,039
I DON'T WANT 'EM
TO HEAR ABOUT THIS
ON THE NEWS.

345
00:13:59,072 --> 00:14:01,441
Woman, on P.A.: DR. BENDER
TO THE MENTAL WARD, PLEASE.

346
00:14:01,474 --> 00:14:03,043
DR. BENDER.

347
00:14:03,076 --> 00:14:05,278
SHE WAS 16
WHEN SHE WAS ABDUCTED.

348
00:14:05,312 --> 00:14:05,913
SHE'S 18 NOW.

349
00:14:05,946 --> 00:14:08,115
HER BIRTHDAY
WAS IN AUGUST.

350
00:14:08,148 --> 00:14:09,416
HELP ME!

351
00:14:09,449 --> 00:14:11,318
LET ME OUT!

352
00:14:11,351 --> 00:14:13,386
2 YEARS
IN THAT LITTLE CELL.

353
00:14:13,420 --> 00:14:16,156
ALL RIGHT,
LET'S GO OVER THIS
ONE MORE TIME.

354
00:14:16,189 --> 00:14:17,190
SHE TOOK OFF
FOR SCHOOL,

355
00:14:17,224 --> 00:14:18,225
BUT NEVER GOT THERE,
CORRECT?

356
00:14:18,258 --> 00:14:19,159
CORRECT.

357
00:14:19,192 --> 00:14:20,193
NONE OF THE NEIGHBORS
SAW HER THAT MORNING?

358
00:14:20,227 --> 00:14:23,263
IT DOESN'T EVEN APPEAR
THAT THEY CANVASSED AT ALL.

359
00:14:23,296 --> 00:14:25,899
OK, JJ, I NEED YOU
TO SEE IF THE
ORIGINATING DETECTIVE

360
00:14:25,933 --> 00:14:26,799
CAN MEET US
AT THE HOUSE

361
00:14:26,833 --> 00:14:28,135
'CAUSE THERE'S JUST
SOMETHING REALLY FUNKY

362
00:14:28,168 --> 00:14:29,469
ABOUT THIS WHOLE
INVESTIGATION.

363
00:14:29,502 --> 00:14:34,174
WELL, I WILL AS SOON
AS WE RE-ENTER THE WORLD
OF CELL PHONE SERVICE.

364
00:14:38,211 --> 00:14:40,480
"THE PATH TO THE END
BEGAN AT HIS START.

365
00:14:40,513 --> 00:14:43,316
"TO FIND HER FIRST CALM
HER LONG BROKEN HEART.

366
00:14:43,350 --> 00:14:46,353
"SHE SITS IN A WINDOW
WITH SECRETS FROM HER KNIGHT.

367
00:14:46,386 --> 00:14:50,457
IS IT ADVENTURE THAT KEEPS
HIM OUT OF HER SIGHT?"

368
00:14:50,490 --> 00:14:51,524
ANOTHER PUZZLE?

369
00:14:51,558 --> 00:14:53,093
IT'S A RIDDLE.

370
00:14:53,126 --> 00:14:56,063
"BEGAN AT HIS START."

371
00:14:56,096 --> 00:14:58,065
"THE YOUNGEST
HOLDS THE KEY."

372
00:14:58,098 --> 00:14:59,299
"SITS IN A WINDOW.

373
00:14:59,332 --> 00:15:02,135
SECRETS, ADVENTURE."

374
00:15:03,436 --> 00:15:04,671
Morgan's voice:
IT REALLY SAYS IN THERE

375
00:15:04,704 --> 00:15:07,207
THAT GIDEON DIGS
NELLIE FOX?

376
00:15:07,240 --> 00:15:09,909
"SECRETS
FROM HER KNIGHT"?

377
00:15:10,243 --> 00:15:11,144
"SITS IN THE WINDOW."

378
00:15:11,178 --> 00:15:13,546
Woman's voice:
TELL SOME OF YOUR ADVENTURES.

379
00:15:15,682 --> 00:15:17,317
"EVER WOULD IT BE NIGHT,
BUT ALWAYS CLEAR DAY."

380
00:15:17,350 --> 00:15:19,286
THAT'D BE--
THAT'D BE BRIGHT LIGHTS.

381
00:15:19,319 --> 00:15:23,256
JJ: SOMEONE DELIVERED THIS
TO THE DESK LAST NIGHT.

382
00:15:24,391 --> 00:15:26,259
IT'S NEVER NIGHT
IN LAS VEGAS.

383
00:15:26,293 --> 00:15:28,161
EXCUSE ME?

384
00:15:29,129 --> 00:15:31,064
I NEED TO BE CONNECTED
TO THE FIELD OFFICE

385
00:15:31,098 --> 00:15:34,167
CLOSEST TO LAS VEGAS,
NEVADA, IMMEDIATELY.

386
00:15:34,201 --> 00:15:36,203
HI. THIS IS
DR. SPENCER REID

387
00:15:36,236 --> 00:15:38,305
AT THE BEHAVIORAL
ANALYSIS UNIT
AT QUANTICO.

388
00:15:38,338 --> 00:15:39,639
LOOK, I NEED
MY MOTHER PICKED UP

389
00:15:39,672 --> 00:15:42,709
AND BROUGHT TO VIRGINIA
IN PROTECTIVE CUSTODY
AS SOON AS POSSIBLE.

390
00:15:42,742 --> 00:15:45,412
WE'RE SEARCHING
FOR AN UNSUB

391
00:15:45,445 --> 00:15:46,513
WHO SHOT ONE
OF OUR AGENTS TODAY,

392
00:15:46,546 --> 00:15:48,148
AND I THINK HE MIGHT
KNOW MY MOTHER,

393
00:15:48,181 --> 00:15:50,650
AND I BELIEVE
SHE MAY BE IN DANGER.

394
00:15:51,584 --> 00:15:52,552
YES.

395
00:15:52,585 --> 00:15:58,158
SHE'S AT THE BENNINGTON
SANITARIUM IN LAS VEGAS.

396
00:15:58,191 --> 00:15:59,659
HER NAME'S DIANA REID.

397
00:15:59,692 --> 00:16:03,630
SHE'S A PATIENT THERE.

398
00:16:05,732 --> 00:16:06,433
DIANA?

399
00:16:06,466 --> 00:16:09,002
THERE'S SOMEONE
HERE TO SEE YOU.

400
00:16:15,742 --> 00:16:16,743
YES, SIR.

401
00:16:16,776 --> 00:16:20,180
IF THERE'S ANYTHING
WE CAN DO.

402
00:16:20,213 --> 00:16:21,381
YES, SIR.

403
00:16:21,414 --> 00:16:23,550
WE WILL.

404
00:16:25,218 --> 00:16:27,320
WHAT'S UP?

405
00:16:27,820 --> 00:16:29,156
UH, THAT WAS HOTCH.

406
00:16:29,189 --> 00:16:30,257
DON'T TELL ME. REID
ALREADY FIGURED IT OUT,

407
00:16:30,290 --> 00:16:32,692
AND WE DROVE
ALL THE WAY OUT HERE
FOR NOTHING, RIGHT?

408
00:16:32,725 --> 00:16:33,293
DEREK...

409
00:16:33,326 --> 00:16:35,095
WHAT?

410
00:16:35,128 --> 00:16:36,563
WHAT?

411
00:16:36,596 --> 00:16:40,200
THE--THE UNSUB...

412
00:16:40,800 --> 00:16:44,537
ELLE WAS SHOT
IN HER APARTMENT
THIS MORNING.

413
00:16:44,571 --> 00:16:46,239
[SLAMS ON BRAKES]

414
00:16:48,775 --> 00:16:51,044
WHAT?

415
00:16:57,450 --> 00:16:58,585
WHAT ARE YOU DOING?

416
00:16:58,618 --> 00:16:59,686
I'M GOIN' BACK.

417
00:16:59,719 --> 00:17:01,221
NO, NO, NO.
HOTCH SAID NOT TO.

418
00:17:01,254 --> 00:17:03,090
I DON'T GIVE A DAMN
WHAT HOTCH SAID.

419
00:17:03,123 --> 00:17:04,057
BUT, DEREK, HE'S RIGHT.

420
00:17:04,091 --> 00:17:06,293
THERE'S NOTHING WE CAN DO
AT THE HOSPITAL, OK?

421
00:17:06,326 --> 00:17:09,229
BUT MAYBE WE CAN FIND
THE UNSUB THROUGH--
THROUGH HER,

422
00:17:09,262 --> 00:17:12,765
THROUGH THE VICTIM'S PROFILE,
THROUGH REBECCA.

423
00:17:14,867 --> 00:17:16,203
HOW BAD?

424
00:17:16,236 --> 00:17:17,604
SHE'S IN SURGERY.

425
00:17:17,637 --> 00:17:19,372
THAT'S ALL THEY KNOW.

426
00:17:19,406 --> 00:17:22,242
[HEART MONITOR BEEPING]

427
00:17:29,282 --> 00:17:31,618
[HEART MONITOR
BEEPING CONTINUOUS TONE]

428
00:17:31,651 --> 00:17:34,354
DADDY, IT WAS HARD
GROWING UP WITHOUT YOU.

429
00:17:34,387 --> 00:17:35,255
I'M SORRY.

430
00:17:35,288 --> 00:17:39,559
NO, IT WASN'T YOUR FAULT.

431
00:17:41,561 --> 00:17:43,663
I JUST MISSED
YOU SO MUCH.

432
00:17:43,696 --> 00:17:45,432
I'M ALWAYS WITH YOU.

433
00:17:45,465 --> 00:17:47,434
WHAT'S GONNA HAPPEN
TO ME?

434
00:17:47,467 --> 00:17:48,034
HAPPEN?

435
00:17:48,067 --> 00:17:52,472
THAT'S UP TO YOU,
BABY.

436
00:17:52,505 --> 00:17:55,108
THAT'S UP TO YOU.

437
00:17:55,142 --> 00:17:57,144
ANY WORD?

438
00:17:57,177 --> 00:17:58,778
NO.

439
00:17:58,811 --> 00:17:59,846
I CALLED JJ.

440
00:17:59,879 --> 00:18:02,549
I TOLD HER
THAT WE'D CALL THEM
IF ANYTHING CHANGED.

441
00:18:04,584 --> 00:18:05,285
WHAT'S ALL THAT?

442
00:18:05,318 --> 00:18:07,654
THIS UNSUB'S
EXTREMELY ORGANIZED.

443
00:18:07,687 --> 00:18:10,457
SOUNDED TRULY SHOCKED
THAT WE DIDN'T
FOLLOW THE RULES.

444
00:18:10,490 --> 00:18:14,594
HONESTLY BELIEVED
WE WOULD SIMPLY LISTEN
TO HIS DIRECTIONS.

445
00:18:14,627 --> 00:18:15,395
HE'S DELUSIONAL.

446
00:18:15,428 --> 00:18:16,329
HE THINKS
HE'S A MYTHOLOGICAL KING.

447
00:18:16,363 --> 00:18:19,332
BUT DELUSION
AND THIS LEVEL
OF ORGANIZATION

448
00:18:19,366 --> 00:18:20,467
ARE ALMOST
MUTUALLY EXCLUSIVE.

449
00:18:20,500 --> 00:18:23,503
YOU DON'T METICULOUSLY
PLAN CONTACTS
IN THE REAL WORLD

450
00:18:23,536 --> 00:18:27,440
IF YOU'RE SUFFERING
PSYCHOTIC BREAKS
FROM REALITY.

451
00:18:27,740 --> 00:18:28,841
HOW IS SHE?

452
00:18:28,875 --> 00:18:30,610
NO WORD YET.

453
00:18:30,643 --> 00:18:31,811
IS THE SCENE PROCESSED?

454
00:18:31,844 --> 00:18:34,447
THEY'RE FINISHED.
WE STILL HAVE IT
LOCKED UP TIGHT, THOUGH.

455
00:18:34,481 --> 00:18:35,348
YOU FIND ANYTHING?

456
00:18:35,382 --> 00:18:36,416
CSU FOUND
A PARTIAL PRINT.

457
00:18:36,449 --> 00:18:38,585
THE SHOOTER WROTE
A MESSAGE ON THE WALL
IN BLOOD,

458
00:18:38,618 --> 00:18:41,488
AND IN ONE
OF THE SMUDGES, THEY
FOUND A WHIRL PATTERN.

459
00:18:41,521 --> 00:18:42,555
THEY MADE A LIFT.

460
00:18:42,589 --> 00:18:43,256
THEY AREN'T SURE
WHETHER IT'S ENOUGH
TO GET A HIT,

461
00:18:43,290 --> 00:18:46,526
BUT THEY ARE
PROCESSING IT NOW.

462
00:18:52,199 --> 00:18:53,800
RULES.

463
00:18:59,239 --> 00:19:02,675
SHE'S OK--YOUR MOM.

464
00:19:03,410 --> 00:19:04,511
AGENTS PICKED HER UP.

465
00:19:04,544 --> 00:19:06,613
SHE'S FLYING HERE
RIGHT NOW.

466
00:19:06,646 --> 00:19:10,883
I FORGOT SHE
USED TO ALWAYS
READ ME THIS POEM.

467
00:19:11,818 --> 00:19:13,653
IT'S FUNNY, HUH?

468
00:19:13,686 --> 00:19:14,487
FUNNY?

469
00:19:14,521 --> 00:19:15,755
SHOULD HAVE REALIZED
SOONER THAN THAT.

470
00:19:15,788 --> 00:19:17,890
NOBODY KNOWS THINGS
LIKE THE FACT THAT JJ
COLLECTS BUTTERFLIES

471
00:19:17,924 --> 00:19:18,825
EXCEPT FOR ME.

472
00:19:18,858 --> 00:19:20,693
PEOPLE TELL ME
THEIR SECRETS
ALL THE TIME.

473
00:19:20,727 --> 00:19:21,561
THINK IT'S
'CAUSE THEY KNOW

474
00:19:21,594 --> 00:19:24,864
I DON'T HAVE ANYONE
TO BETRAY THEM TO...

475
00:19:25,398 --> 00:19:26,199
EXCEPT MY MOTHER.

476
00:19:26,233 --> 00:19:29,802
I...I TELL HER
PRETTY MUCH EVERYTHING.

477
00:19:29,836 --> 00:19:31,471
I DON'T THINK
ANYONE WOULD MIND.

478
00:19:31,504 --> 00:19:34,274
DO YOU KNOW THAT
I WRITE HER A LETTER
EVERY DAY?

479
00:19:34,307 --> 00:19:34,974
THAT'S NICE.

480
00:19:35,007 --> 00:19:38,645
IT DEPENDS ON
WHY I WRITE HER.

481
00:19:38,678 --> 00:19:39,612
WHAT DO YOU MEAN?

482
00:19:39,646 --> 00:19:42,482
I WRITE HER LETTERS
SO I WON'T
FEEL SO GUILTY

483
00:19:42,515 --> 00:19:44,884
ABOUT NOT VISITING HER.

484
00:19:48,688 --> 00:19:53,660
DID YOU KNOW
THAT SCHIZOPHRENIA
IS GENETICALLY PASSED?

485
00:19:59,999 --> 00:20:02,802
ALL OF HER THINGS
ARE STILL RIGHT HERE.

486
00:20:02,835 --> 00:20:04,637
WE KEPT IT ALL.

487
00:20:04,671 --> 00:20:06,439
EVERYTHING THAT
WAS IN HER ROOM,

488
00:20:06,473 --> 00:20:08,675
IN CASE SHE EVER...

489
00:20:09,942 --> 00:20:12,345
YOU SAID THERE'S
A VIDEOTAPE?

490
00:20:12,379 --> 00:20:13,380
YES, MA'AM.

491
00:20:13,413 --> 00:20:16,416
THE MAN WHO ABDUCTED
YOUR DAUGHTER
SENT IT TO US.

492
00:20:16,983 --> 00:20:19,286
YOU'RE SURE
IT'S REBECCA?

493
00:20:19,319 --> 00:20:20,653
YES, MA'AM,
WE'RE SURE.

494
00:20:20,687 --> 00:20:22,655
MA'AM I DON'T
MEAN TO IMPOSE,

495
00:20:22,689 --> 00:20:25,258
BUT WE'VE HAD OURSELVES
A REALLY LONG DRIVE.

496
00:20:25,292 --> 00:20:26,826
YOU GOT ANY COFFEE?

497
00:20:26,859 --> 00:20:27,460
EXCUSE ME?

498
00:20:27,494 --> 00:20:29,028
I'LL COME WITH YOU,
MA'AM.

499
00:20:29,061 --> 00:20:31,664
OH, CERTAINLY. SURE.

500
00:20:36,403 --> 00:20:38,638
DETECTIVE...

501
00:20:39,472 --> 00:20:41,641
I'VE SEEN KIDS MISSIN'
FOR A DECADE,

502
00:20:41,674 --> 00:20:44,744
AND THEIR ROOMS LOOK
EXACTLY THE WAY THEY DID

503
00:20:44,777 --> 00:20:45,678
THE DAY THAT THEY LEFT.

504
00:20:45,712 --> 00:20:47,680
PARENTS DON'T JUST
PACK UP THEIR KID'S STUFF

505
00:20:47,714 --> 00:20:49,749
AND PUT 'EM IN BOXES
IN THE GARAGE.

506
00:20:49,782 --> 00:20:52,519
PARENTS DON'T GIVE UP,
EVER.

507
00:20:52,552 --> 00:20:53,753
WHAT THE HELL
IS GOIN' ON HERE?

508
00:20:53,786 --> 00:20:56,756
THIS WASN'T EXACTLY
A CUT AND DRIED MISSING.

509
00:20:56,789 --> 00:20:58,991
THIS REBECCA
IS NO ANGEL.

510
00:20:59,025 --> 00:20:59,892
SHE WAS IN TROUBLE,

511
00:20:59,926 --> 00:21:01,561
A LOT OF IT
ALL THE TIME.

512
00:21:01,594 --> 00:21:02,462
WHAT KIND OF TROUBLE?

513
00:21:02,495 --> 00:21:05,598
NAME IT.
DOPE, VANDALISM,
THEFT, TRUANCY.

514
00:21:05,632 --> 00:21:08,735
NOBODY EVEN BLINKED
WHEN SHE DIDN'T SHOW UP
FOR SCHOOL THAT DAY.

515
00:21:08,768 --> 00:21:11,604
SHE WAS A PART-TIME
ATTENDEE AT BEST.

516
00:21:11,638 --> 00:21:13,506
NONE OF THAT
WAS IN THE REPORT.

517
00:21:13,540 --> 00:21:14,707
AND WHY WOULD IT BE?

518
00:21:14,741 --> 00:21:16,709
BECAUSE IT'S RELEVANT,
DETECTIVE.

519
00:21:16,743 --> 00:21:20,012
LOOK, UNIFORMS FILED
THE INITIAL REPORT.

520
00:21:20,046 --> 00:21:21,648
MISSING PERSONS NEVER
DID A SUPPLEMENTAL

521
00:21:21,681 --> 00:21:24,717
BECAUSE THE GIRL
HAD RUN AWAY
5 OR 6 TIMES BEFORE.

522
00:21:24,751 --> 00:21:26,553
SHE DIDN'T RUN AWAY
THIS TIME, DID SHE?

523
00:21:26,586 --> 00:21:27,687
OH, YEAH,
APPARENTLY NOT.

524
00:21:27,720 --> 00:21:31,791
NOBODY EVEN BOTHERED
TO LOOK FOR THIS GIRL
FOR 2 YEARS?

525
00:21:31,824 --> 00:21:32,759
NO.

526
00:21:32,792 --> 00:21:34,627
WHY? WHY WAS SHE
ACTIN' OUT?

527
00:21:34,661 --> 00:21:35,895
WAS THERE
A PROBLEM AT HOME?

528
00:21:35,928 --> 00:21:37,364
WAS THERE ABUSE?

529
00:21:37,397 --> 00:21:38,765
ABUSE?

530
00:21:38,798 --> 00:21:40,767
FROM THE MOMENT
WE BROUGHT HER
INTO THE HOUSE,

531
00:21:40,800 --> 00:21:42,802
WE TREATED REBECCA
LIKE AN ANGEL.

532
00:21:42,835 --> 00:21:45,572
YOU JUST SAID
"BROUGHT HER
INTO THE HOUSE."

533
00:21:45,605 --> 00:21:46,673
WHEN SHE WAS
5 YEARS OLD,

534
00:21:46,706 --> 00:21:48,675
WE TOOK REBECCA IN
AS A FOSTER CHILD.

535
00:21:48,708 --> 00:21:51,778
AND AFTER
A COUPLE OF YEARS,
WE ADOPTED HER.

536
00:21:51,811 --> 00:21:53,746
WHERE ARE
HER BIRTH PARENTS?

537
00:21:53,780 --> 00:21:55,648
SOMETHING HAPPENED
TO THE WHOLE FAMILY.

538
00:21:55,682 --> 00:21:57,750
DID SHE
EVER TALK ABOUT IT?

539
00:21:57,784 --> 00:21:59,719
I DON'T EVEN THINK
SHE REMEMBERED IT.

540
00:21:59,752 --> 00:22:01,354
SHE WAS
JUST A LITTLE GIRL.

541
00:22:01,388 --> 00:22:04,591
SO HER NAME HASN'T
ALWAYS BEEN BRYANT.

542
00:22:04,624 --> 00:22:06,926
NO. IT WAS...

543
00:22:06,959 --> 00:22:08,695
GARNER.

544
00:22:08,728 --> 00:22:10,463
REBECCA GARNER.

545
00:22:10,497 --> 00:22:12,665
[COUGHING]

546
00:22:12,699 --> 00:22:14,133
PLEASE.

547
00:22:14,166 --> 00:22:16,603
I BROUGHT YOU DINNER.

548
00:22:16,636 --> 00:22:18,471
IT'S CHICKEN.

549
00:22:18,505 --> 00:22:19,539
I'M SICK.

550
00:22:19,572 --> 00:22:20,907
I NEED A DOCTOR.

551
00:22:20,940 --> 00:22:22,742
I KNEW
YOU LIKED CHICKEN.

552
00:22:22,775 --> 00:22:24,811
NO, NO.

553
00:22:24,844 --> 00:22:26,913
JUST TAKE THE CHAINS
OFF ME.

554
00:22:26,946 --> 00:22:28,481
NO, YOU'LL
TRY TO ESCAPE.

555
00:22:28,515 --> 00:22:29,048
PLEASE, NO.

556
00:22:29,081 --> 00:22:29,982
I WON'T.
I PROMISE.

557
00:22:30,016 --> 00:22:33,920
I'LL BE BACK
FOR YOUR TRAY
IN HALF AN HOUR.

558
00:22:34,554 --> 00:22:38,591
WHY DON'T YOU
JUST KILL ME, YOU
SON OF A BITCH?!

559
00:22:40,593 --> 00:22:43,730
BECAUSE I LOVE YOU
TOO MUCH, REBECCA.

560
00:22:48,935 --> 00:22:49,936
[CELL DOOR SLAMS]

561
00:22:53,706 --> 00:22:55,542
[TELEPHONE RINGS]

562
00:22:55,575 --> 00:22:58,144
[RING]

563
00:22:58,177 --> 00:23:00,112
[RING]

564
00:23:00,146 --> 00:23:01,448
GARCIA.

565
00:23:01,481 --> 00:23:02,415
HEY, IT'S MORGAN.

566
00:23:02,449 --> 00:23:03,349
DEREK, WHAT DO YOU NEED?

567
00:23:03,382 --> 00:23:05,685
GARCIA, I NEED
INFORMATION
ON AN ADOPTION.

568
00:23:05,718 --> 00:23:06,385
NAME?

569
00:23:06,419 --> 00:23:07,920
ADOPTED NAME
IS REBECCA BRYANT,

570
00:23:07,954 --> 00:23:09,456
BIRTH NAME IS GARNER.

571
00:23:09,489 --> 00:23:10,757
WHERE?

572
00:23:10,790 --> 00:23:12,859
SOMEWHERE AROUND
SOUTH BOSTON, VIRGINIA,

573
00:23:12,892 --> 00:23:14,427
13 YEARS AGO.

574
00:23:14,461 --> 00:23:15,528
NOTHING.

575
00:23:15,562 --> 00:23:16,429
NOTHING?

576
00:23:16,463 --> 00:23:18,831
I'LL TRY JUST THE NAME
WITH A WIDER SEARCH.

577
00:23:18,865 --> 00:23:21,067
OK, THERE'S
A REBECCA GARNER

578
00:23:21,100 --> 00:23:24,136
WHO WAS ADOPTED BY
A MR. AND MRS. JOSEPH BRYANT

579
00:23:24,170 --> 00:23:28,741
ON DECEMBER 4, 1993,
IN CLARK COUNTY, NEVADA.

580
00:23:28,775 --> 00:23:29,609
WAIT. NEVADA?

581
00:23:29,642 --> 00:23:30,910
THAT'S WHAT IT SAYS.
THE REST IS SEALED.

582
00:23:30,943 --> 00:23:31,978
Morgan:
GARCIA, UNSEAL IT.

583
00:23:32,011 --> 00:23:33,713
I NEED TO KNOW
WHAT HAPPENED
TO THAT GIRL'S FAMILY

584
00:23:33,746 --> 00:23:34,981
TO CAUSE HER
TO NEED ADOPTING.

585
00:23:35,014 --> 00:23:36,015
OK, I'LL WORK ON IT.

586
00:23:36,048 --> 00:23:37,850
[TELEPHONE
BEEPS OFF]

587
00:23:39,786 --> 00:23:41,087
COFFEE?

588
00:23:42,088 --> 00:23:44,791
NO.

589
00:23:44,824 --> 00:23:47,994
WE DON'T HAVE ENOUGH
FOR A PROFILE YET,

590
00:23:48,027 --> 00:23:49,796
NOT A GOOD ONE.

591
00:23:49,829 --> 00:23:51,163
NO.

592
00:23:51,197 --> 00:23:52,832
SOME GENERALITIES.

593
00:23:52,865 --> 00:23:55,001
NOT ENOUGH
TO CATCH HIM.

594
00:23:55,034 --> 00:23:59,138
PRESS CONFERENCE WAS
THE THING TO DO, RIGHT?

595
00:23:59,171 --> 00:24:02,141
SORRY?

596
00:24:02,842 --> 00:24:04,577
BROUGHT THE UNSUB
OUT INTO THE OPEN,

597
00:24:04,611 --> 00:24:05,612
HE MADE A MISTAKE,

598
00:24:05,645 --> 00:24:06,245
LEFT A PARTIAL PRINT.

599
00:24:06,278 --> 00:24:08,815
WE WOULDN'T
HAVE HAD THAT.

600
00:24:08,848 --> 00:24:10,683
NO.

601
00:24:10,717 --> 00:24:13,520
IT WAS REALLY
THE ONLY WAY TO GO.

602
00:24:13,553 --> 00:24:16,823
I DID THE RIGHT THING.
I DID MY JOB.

603
00:24:17,590 --> 00:24:19,058
ELLE WILL
UNDERSTAND THAT.

604
00:24:19,091 --> 00:24:21,794
SHE'LL UNDERSTAND.

605
00:24:23,863 --> 00:24:27,800
HOPIN'
SHE'LL UNDERSTAND.

606
00:24:29,736 --> 00:24:31,904
[HEART MONITOR BEEPING]

607
00:24:31,938 --> 00:24:33,239
Greenaway: I'M AFRAID.

608
00:24:33,272 --> 00:24:36,242
WHAT IF I DON'T
COME OUT OF IT?

609
00:24:36,275 --> 00:24:37,944
WHAT IF I DON'T
WAKE UP?

610
00:24:37,977 --> 00:24:41,781
YOU KEEP TALKIN'
LIKE YOU DON'T HAVE
ANY CHOICE, PEANUT.

611
00:24:41,814 --> 00:24:43,850
YOU CAN CHOOSE TO FIGHT,

612
00:24:43,883 --> 00:24:45,685
TO BEAT THE ODDS.

613
00:24:45,718 --> 00:24:48,487
IT'S UP TO YOU.

614
00:24:50,757 --> 00:24:54,493
WHAT IF I WANT
TO STAY WITH YOU?

615
00:24:55,628 --> 00:24:58,631
WELL, THAT'S
A CHOICE, TOO.

616
00:25:04,771 --> 00:25:07,707
THAT'S WHY YOU'RE
SO SKINNY, YOU KNOW?

617
00:25:07,740 --> 00:25:09,542
TOO MUCH COFFEE.

618
00:25:09,576 --> 00:25:12,545
THANKS A LOT, GUYS.
I'VE GOT HER.

619
00:25:16,248 --> 00:25:18,851
YOU KNOW I'M
TERRIFIED OF FLYING.

620
00:25:18,885 --> 00:25:19,952
I KNOW, MOM.
I'M SORRY.

621
00:25:19,986 --> 00:25:22,655
WELL, THEN WHY DID YOU
HAVE THOSE FASCISTS
ARREST ME?

622
00:25:22,689 --> 00:25:24,190
MOM, THEY'RE
NOT FASCISTS,

623
00:25:24,223 --> 00:25:25,858
AND YOU WERE NOT ARRESTED.

624
00:25:25,892 --> 00:25:27,594
I'M TRYING
TO PROTECT YOU.

625
00:25:27,627 --> 00:25:30,663
BY FORCING ME TO DO
THE ONE THING
THAT FRIGHTENS ME

626
00:25:30,697 --> 00:25:31,598
MORE THAN ANYTHING ELSE?

627
00:25:31,631 --> 00:25:34,901
I NEED TO SHOW
YOU SOMETHING.

628
00:25:34,934 --> 00:25:36,803
FOLLOW ME.

629
00:25:45,211 --> 00:25:46,779
WHOA.

630
00:25:48,815 --> 00:25:50,149
Morgan, on speakerphone:
YEAH, TALK TO ME.

631
00:25:50,182 --> 00:25:51,150
NOT ONLY DID I FIND
HER RECORDS,

632
00:25:51,183 --> 00:25:54,320
I FOUND SOME NEWSPAPER
ARTICLES ABOUT YOUR GIRL.

633
00:25:54,353 --> 00:25:55,354
NEWSPAPER ARTICLES?

634
00:25:55,387 --> 00:25:56,889
YEAH. APPARENTLY MOST
OF REBECCA GARNER'S FAMILY

635
00:25:56,923 --> 00:25:58,825
DIED IN A HOUSE FIRE
IN 1992.

636
00:25:58,858 --> 00:26:01,894
FAULTY ELECTRICAL WIRING
IN THEIR TRACT HOUSE.

637
00:26:01,928 --> 00:26:03,863
SO WHEN SHE WAS 4.

638
00:26:03,896 --> 00:26:06,165
YEAH, MRS. GARNER,
BOTH GARNER BOYS,

639
00:26:06,198 --> 00:26:07,333
ONE OF THE GARNER GIRLS.

640
00:26:07,366 --> 00:26:09,969
REBECCA WAS FOUND
IN THE BACKYARD CRYING,
BUT UNHARMED.

641
00:26:10,002 --> 00:26:11,604
HOW'D SHE GET THERE?

642
00:26:11,638 --> 00:26:12,504
HER FATHER PROBABLY.

643
00:26:12,538 --> 00:26:14,106
HE WAS A TEACHER
AT A VEGAS PUBLIC SCHOOL,

644
00:26:14,140 --> 00:26:15,141
AND HE TRIED TO SAVE
THE REST OF THE FAMILY,

645
00:26:15,174 --> 00:26:17,677
BUT HE SUFFERED
MASSIVE BURNS
TO HIS ENTIRE BODY

646
00:26:17,710 --> 00:26:18,611
AND NEARLY DIED.

647
00:26:18,645 --> 00:26:20,813
SPENT YEARS
IN A BURN ICU,

648
00:26:20,847 --> 00:26:21,848
AND IT WAS
DURING THAT TIME

649
00:26:21,881 --> 00:26:24,917
THAT HE GAVE UP
HIS PARENTAL RIGHTS
TO REBECCA,

650
00:26:24,951 --> 00:26:26,619
SO THAT SHE COULD BE
PUT UP FOR ADOPTION

651
00:26:26,653 --> 00:26:27,854
BECAUSE THERE
WAS NO OTHER FAMILY.

652
00:26:27,887 --> 00:26:29,188
COULD EXPLAIN
HER ACTING OUT.

653
00:26:29,221 --> 00:26:31,157
YOU WATCH YOUR WHOLE FAMILY
DIE IN FRONT OF YOU?

654
00:26:31,190 --> 00:26:33,359
THE FATHER WAS AWARDED
A HUGE SETTLEMENT

655
00:26:33,392 --> 00:26:35,294
FROM THE CONTRACTORS
WHO BUILT THE DEVELOPMENT.

656
00:26:35,327 --> 00:26:37,129
THEY WERE USING
FAULTY MATERIALS.

657
00:26:37,163 --> 00:26:38,631
GOOD WORK, GARCIA.

658
00:26:38,665 --> 00:26:39,699
PRINT THAT UP
FOR ME, ALL RIGHT?

659
00:26:39,732 --> 00:26:42,168
WE'LL BE BACK
PRETTY SOON.

660
00:26:42,201 --> 00:26:42,735
HUH.

661
00:26:42,769 --> 00:26:44,170
WHAT?
SOMETHIN' ELSE?

662
00:26:44,203 --> 00:26:48,274
NO. IT JUST SAYS HERE
THAT, AFTER THE FATHER LEFT
THE MEDICAL HOSPITAL,

663
00:26:48,307 --> 00:26:51,177
HE SPENT A FEW YEARS
AT A VEGAS SANITARIUM.

664
00:26:51,210 --> 00:26:51,844
BENNINGTON.

665
00:26:51,878 --> 00:26:53,245
THAT MEAN SOMETHIN'
TO YOU?

666
00:26:53,279 --> 00:26:55,014
YEAH. THAT'S WHERE--

667
00:26:55,047 --> 00:26:57,116
GARCIA?

668
00:26:57,149 --> 00:26:58,084
I GOTTA GO.

669
00:26:58,117 --> 00:27:00,119
[DISCONNECTS]

670
00:27:00,152 --> 00:27:02,221
COULD THAT BE...?

671
00:27:10,997 --> 00:27:14,133
OH, MY GOD.

672
00:27:16,703 --> 00:27:18,170
THIS IS
WHERE YOU WORK?

673
00:27:18,204 --> 00:27:19,839
THIS IS WHERE WE MEET.

674
00:27:19,872 --> 00:27:21,407
UH, MY DESK,
YOU CAN SEE IT,

675
00:27:21,440 --> 00:27:24,410
IT'S RIGHT OUT THERE
IN THE BULLPEN AREA.

676
00:27:24,443 --> 00:27:26,913
THE TABLE'S ROUND.

677
00:27:26,946 --> 00:27:29,448
YEAH, JUST LIKE I WROTE
YOU IN MY LETTERS.

678
00:27:29,481 --> 00:27:34,253
YES, JUST LIKE YOU WROTE
IN YOUR LETTERS.

679
00:27:34,286 --> 00:27:37,857
DR. JESSEN GAVE ME
THE BOOK YOU BROUGHT.

680
00:27:37,890 --> 00:27:40,426
MARJORIE KEMP.

681
00:27:40,459 --> 00:27:41,861
SHE'S YOUR FAVORITE.

682
00:27:41,894 --> 00:27:46,799
THAT PARTICULAR BOOK
IS ONE OF HER MINOR WORKS.

683
00:27:47,934 --> 00:27:49,301
MOM, NO!
DON'T TA--DON'T.

684
00:27:49,335 --> 00:27:52,104
YOU CAN'T GRAB STUFF
OFF THE BOARD.

685
00:27:52,138 --> 00:27:54,273
THIS KEY IS EVIDENCE.

686
00:27:55,207 --> 00:27:57,376
MOM, THE UNSUB THAT
WE'RE LOOKING FOR...

687
00:27:57,409 --> 00:27:58,410
THE--THE BAD GUY

688
00:27:58,444 --> 00:28:01,848
KNOWS THINGS
ABOUT MY COLLEAGUES'
PERSONAL LIVES,

689
00:28:01,881 --> 00:28:03,983
THINGS THAT
ONLY YOU WOULD KNOW.

690
00:28:04,016 --> 00:28:06,218
DO YOU WRITE ABOUT THEM
IN YOU JOURNALS?

691
00:28:06,252 --> 00:28:09,722
MY JOURNALS ARE NONE
OF THE GOVERNMENT'S BUSINESS!

692
00:28:09,756 --> 00:28:10,790
I'M NOT
THE GOVERNMENT, MOM.

693
00:28:10,823 --> 00:28:13,392
WELL, THIS CERTAINLY LOOKS
LIKE A GOVERNMENT OFFICE.

694
00:28:13,425 --> 00:28:17,163
MOTHER, DO YOU WRITE
ABOUT MY COLLEAGUES'
PERSONAL LIVES?

695
00:28:17,196 --> 00:28:20,332
WHY DID YOU
BRING ME HERE, SPENCER?

696
00:28:23,202 --> 00:28:24,904
I NEED TO ASK
YOU SOME THINGS
ABOUT A MAN

697
00:28:24,937 --> 00:28:25,671
I THINK YOU MIGHT KNOW.

698
00:28:25,704 --> 00:28:27,740
A BAD MAN.
HE'S KILLED SOME PEOPLE,

699
00:28:27,774 --> 00:28:29,208
AND HE'S HOLDING
A GIRL HOSTAGE.

700
00:28:29,241 --> 00:28:32,078
YOU THINK I KNOW
SOMEONE LIKE THAT?

701
00:28:33,079 --> 00:28:34,113
WILL YOU JUST WATCH
THE TAPE

702
00:28:34,146 --> 00:28:36,382
AND SEE IF HE SOUNDS
FAMILIAR?

703
00:28:48,160 --> 00:28:50,496
I HAD TO MAKE SURE
I HAD YOUR COMPLETE ATTENTION.

704
00:28:50,529 --> 00:28:55,101
I ASSURE YOU, YOU WILL
ALL UNDERSTAND IN THE END

705
00:28:55,134 --> 00:28:56,435
WHY IT MUST BE THIS WAY.

706
00:28:56,468 --> 00:28:59,038
YOU MIGHT
EVEN THANK ME.

707
00:28:59,972 --> 00:29:01,540
[STOPS TAPE]

708
00:29:01,573 --> 00:29:02,842
YOU DO KNOW HIM?

709
00:29:02,875 --> 00:29:05,912
I'M SURE IT'S...

710
00:29:05,945 --> 00:29:07,379
RANDALL GARNER.

711
00:29:07,413 --> 00:29:08,314
RANDALL GARNER?

712
00:29:08,347 --> 00:29:09,481
HE WAS WITH ME
AT THE HOSPITAL.

713
00:29:09,515 --> 00:29:12,785
HE'S A VERY EMOTIONALLY
DISTURBED MAN.

714
00:29:12,819 --> 00:29:16,455
REID, I GOT TO THE END
OF THE IP STRING.

715
00:29:16,488 --> 00:29:18,324
SIR KNEIGHF,
THE FISHER KING,

716
00:29:18,357 --> 00:29:19,191
HIS NAME IS RANDALL GARNER.

717
00:29:19,225 --> 00:29:24,196
HE'S REBECCA BRYANT'S
BIOLOGICAL FATHER.

718
00:29:31,871 --> 00:29:34,206
REID AND GARCIA THINK
THEY'VE I.D.'d THE UNSUB.

719
00:29:34,240 --> 00:29:35,307
HOW?

720
00:29:35,341 --> 00:29:36,575
I DON'T KNOW,
BUT THEY WANT TO KNOW
HOW TO PROCEED.

721
00:29:36,608 --> 00:29:38,344
WELL, ONE OF US
SHOULD BE THERE.

722
00:29:38,377 --> 00:29:39,378
YOU GO.

723
00:29:39,411 --> 00:29:41,280
I WANT TO BE HERE
WHEN SHE COMES
OUT OF SURGERY.

724
00:29:41,313 --> 00:29:42,815
CALL ME IMMEDIATELY.

725
00:29:42,849 --> 00:29:44,350
IMMEDIATELY.

726
00:29:45,084 --> 00:29:46,152
HOTCH?
YEAH?

727
00:29:46,185 --> 00:29:48,955
THE ONLY WAY FOR
THE ORGANIZATION LEVEL
TO BE SO HIGH

728
00:29:48,988 --> 00:29:50,256
IS THE UNSUB BELIEVES
IT'S ALL REAL.

729
00:29:50,289 --> 00:29:52,358
HE BELIEVES HE'S
THE KEEPER OF THE GRAIL,

730
00:29:52,391 --> 00:29:53,826
NEEDS US TO FIND IT.

731
00:29:53,860 --> 00:29:57,396
WE HAVE TO
MAKE HIM UNDERSTAND
IT ISN'T REAL.

732
00:29:57,429 --> 00:29:59,165
[ELEVATOR BELL RINGS]

733
00:29:59,198 --> 00:30:00,532
RIGHT.

734
00:30:02,935 --> 00:30:05,504
I CAN'T BELIEVE
SHE'S REAL.

735
00:30:05,537 --> 00:30:06,238
WHAT DO YOU MEAN?

736
00:30:06,272 --> 00:30:08,107
WHENEVER HE TALKED
ABOUT REBECCA,

737
00:30:08,140 --> 00:30:10,576
HE NEVER SAID
SHE WAS HIS DAUGHTER.

738
00:30:10,609 --> 00:30:13,379
HE SAID ALL HIS CHILDREN
DIED IN THE FIRE.

739
00:30:13,412 --> 00:30:15,882
HE SPOKE OF A REBECCA,

740
00:30:15,915 --> 00:30:17,984
MORE IN THE ABSTRACT.

741
00:30:18,017 --> 00:30:21,420
I REALLY THOUGHT
SHE WAS A METAPHOR,

742
00:30:21,453 --> 00:30:24,190
NOT AN ACTUAL HUMAN BEING.

743
00:30:24,223 --> 00:30:26,025
AN IDEAL.

744
00:30:26,058 --> 00:30:26,725
A GRAIL.

745
00:30:26,758 --> 00:30:29,028
HE THINKS HE'S
THE FISHER KING.

746
00:30:29,061 --> 00:30:29,962
WHO DOES?

747
00:30:29,996 --> 00:30:31,197
RANDALL GARNER,
OUR UNSUB.

748
00:30:31,230 --> 00:30:36,002
HE BELIEVES YOU'RE
ALL MODERN-DAY KNIGHTS
OF THE ROUND TABLE.

749
00:30:36,035 --> 00:30:40,506
UH, DEREK MORGAN,
THIS IS MY MOTHER,
DIANA REID.

750
00:30:40,539 --> 00:30:42,041
IT'S YOUR MOTHER?

751
00:30:42,074 --> 00:30:44,376
MA'AM, IT'S A...
IT'S A PLEASURE
TO MEET YOU.

752
00:30:44,410 --> 00:30:47,213
SO WHERE ARE WE ON FINDING
THIS SON OF A BITCH?

753
00:30:47,246 --> 00:30:48,414
I RECHECKED
ALL THE CLUES.

754
00:30:48,447 --> 00:30:50,182
THERE'S NOTHING THAT POINTS
TO AN ADDRESS.

755
00:30:50,216 --> 00:30:52,184
THE ADOPTION RECORDS
FOR REBECCA

756
00:30:52,218 --> 00:30:53,619
LISTED AN ADDRESS
OF THE FIRE,

757
00:30:53,652 --> 00:30:54,420
SO I MADE A CALL
TO NEVADA,

758
00:30:54,453 --> 00:30:56,255
AND IT'S VACANT.
NO ONE EVER REBUILT.

759
00:30:56,288 --> 00:30:58,390
NEVADA? SO WE DON'T EVEN
KNOW WHAT STATE HE'S IN?

760
00:30:58,424 --> 00:30:59,992
I'LL SEARCH
THE TAX RECORDS,

761
00:31:00,026 --> 00:31:01,593
SEE IF HE OWNS
ANY PROPERTY.

762
00:31:01,627 --> 00:31:02,594
EXCUSE ME.

763
00:31:02,628 --> 00:31:03,595
MOM, WE'RE--

764
00:31:03,629 --> 00:31:06,198
JUST BEFORE THE AGENTS
GOT ME FROM THE HOSPITAL,

765
00:31:06,232 --> 00:31:08,200
A MAN DELIVERED
THIS TO ME.

766
00:31:08,234 --> 00:31:12,138
IT'S A PHOTO OF A HOUSE
WITH AN ADDRESS
ON THE BACK.

767
00:31:12,171 --> 00:31:16,142
SHILOH, VIRGINIA?
THAT'S ONLY 10 MILES FROM HERE.

768
00:31:27,553 --> 00:31:30,389
THAT'S IT, GUYS.
IT'S OPEN.

769
00:31:47,139 --> 00:31:48,574
HOTCH?

770
00:31:51,343 --> 00:31:52,244
GUYS, LISTEN UP.

771
00:31:52,278 --> 00:31:54,646
T WANTS US TO KNOW
WE'RE IN THE RIGHT PLACE,

772
00:31:54,680 --> 00:31:56,415
SO KEEP YOUR EYES OPEN.

773
00:31:56,448 --> 00:31:58,550
[DOG BARKING OUTSIDE]

774
00:31:58,584 --> 00:32:00,652
LET'S GO.

775
00:32:18,504 --> 00:32:21,307
IT'S MORGAN. WE'RE CLEAR.

776
00:32:23,075 --> 00:32:24,576
[FLOOR CREAKS]

777
00:32:24,610 --> 00:32:27,546
[FOOTSTEPS]

778
00:32:33,252 --> 00:32:35,521
[WHISPERING]
There's someone
upstairs.

779
00:32:35,554 --> 00:32:38,724
[DOOR SQUEAKS]

780
00:32:40,192 --> 00:32:41,060
WHERE?

781
00:32:41,093 --> 00:32:42,094
I SAW A SHADOW.

782
00:32:42,128 --> 00:32:44,163
RANDALL GARNER?!

783
00:32:44,196 --> 00:32:46,032
FBI!

784
00:32:48,800 --> 00:32:50,436
GARNER?!

785
00:32:50,569 --> 00:32:52,571
COME OUT, GARNER!

786
00:33:02,581 --> 00:33:03,349
He's in there.

787
00:33:03,382 --> 00:33:05,117
All right, cover me.
I'm gonna go in.

788
00:33:05,151 --> 00:33:07,119
What?
Wait, wait, wait, wait.

789
00:33:07,153 --> 00:33:07,919
WHAT?

790
00:33:07,953 --> 00:33:09,588
MR. GARNER?
MY NAME'S SPENCER REID.

791
00:33:09,621 --> 00:33:11,223
YOU WERE IN THE HOSPITAL
WITH MY MOTHER.

792
00:33:11,257 --> 00:33:14,193
I THINK...I THINK
SHE MIGHT HAVE
CONFUSED YOU.

793
00:33:14,226 --> 00:33:17,029
ALL WE WANT TO DO
IS HELP REBECCA.

794
00:33:17,063 --> 00:33:18,264
THAT'S EXACTLY WHAT
YOU WANT, RIGHT?

795
00:33:18,297 --> 00:33:19,698
THAT'S WHY YOU SENT US
THE PUZZLES?

796
00:33:19,731 --> 00:33:23,269
THAT'S WHY YOU SAID
YOU HOPED YOU'D BE
SEEING US SOON?

797
00:33:23,302 --> 00:33:24,170
Garner:
ASK THE QUESTION.

798
00:33:24,203 --> 00:33:27,339
THERE IS
NO MAGICAL QUESTION,
MR. GARNER.

799
00:33:27,373 --> 00:33:30,109
He believes
if I ask him
the right question,

800
00:33:30,142 --> 00:33:32,144
it'll heal
all of his wounds.

801
00:33:32,178 --> 00:33:33,712
Do you know the question?

802
00:33:33,745 --> 00:33:36,082
I know what he wants.

803
00:33:36,115 --> 00:33:37,749
I'm gonna move
to where he can see me.

804
00:33:37,783 --> 00:33:39,751
Reid!
Reid, no!

805
00:33:39,785 --> 00:33:40,719
FALL BACK.

806
00:33:40,752 --> 00:33:42,521
Reid!
Reid, no!

807
00:33:42,554 --> 00:33:45,057
Reid, Reid!

808
00:33:45,091 --> 00:33:45,824
Wait a minute.

809
00:33:45,857 --> 00:33:47,759
STAY CALM, MR. GARNER.

810
00:33:47,793 --> 00:33:49,761
ASK THE QUESTION,
SIR PERCIVAL.

811
00:33:49,795 --> 00:33:51,730
I TOLD YOU,
I'M NOT PERCIVAL.

812
00:33:51,763 --> 00:33:55,134
MY NAME
IS DR. SPENCER REID
FROM THE FBI.

813
00:33:55,167 --> 00:33:58,170
YOU WERE IN THE HOSPITAL
WITH MY MOTHER, DIANA?

814
00:33:58,204 --> 00:34:00,439
Garner:
IF YOU WANT THE GRAIL--

815
00:34:00,472 --> 00:34:01,307
SHE'S NOT A GRAIL!

816
00:34:01,340 --> 00:34:01,940
SHE'S YOUR DAUGHTER.
HER NAME'S REBECCA.

817
00:34:01,973 --> 00:34:04,743
MY DAUGHTERS
DIED IN A FIRE

818
00:34:04,776 --> 00:34:07,446
AND MY SON
AND MY WIFE.

819
00:34:07,479 --> 00:34:08,414
REBECCA LIVED.

820
00:34:08,447 --> 00:34:10,516
NO. YOUR MOTHER,
SHE EXPLAINED
IT ALL TO ME.

821
00:34:10,549 --> 00:34:12,751
MY MOTHER'S
A PARANOID SCHIZOPHRENIC
WHO'D FORGET TO EAT

822
00:34:12,784 --> 00:34:15,321
IF SHE WASN'T
PROPERLY MEDICATED
AND SUPERVISED.

823
00:34:15,354 --> 00:34:16,822
SHE MADE ME REALIZE
NONE OF IT WAS REAL.

824
00:34:16,855 --> 00:34:18,257
I DIDN'T LOSE REBECCA.

825
00:34:18,290 --> 00:34:20,592
SHE--SHE NEVER EXISTED
IN THE FIRST PLACE.

826
00:34:20,626 --> 00:34:23,829
SHE DOES EXIST,
MR. GARNER,

827
00:34:23,862 --> 00:34:26,698
AND WE'RE HERE
TO HELP HER.

828
00:34:35,474 --> 00:34:36,108
HOTCH, MORGAN?

829
00:34:36,142 --> 00:34:39,678
I THINK MAYBE
IT'D BE BETTER

830
00:34:39,711 --> 00:34:41,780
IF YOU GUYS
WAITED DOWNSTAIRS.

831
00:34:41,813 --> 00:34:42,848
What?

832
00:34:42,881 --> 00:34:45,684
MR. GARNER AND I
ARE JUST GONNA
TALK ALONE UP HERE.

833
00:34:45,717 --> 00:34:46,818
Morgan:
GO AHEAD AND TALK, REID,

834
00:34:46,852 --> 00:34:48,787
BUT WE'RE NOT GOIN'
ANYWHERE.

835
00:34:48,820 --> 00:34:50,422
ASK THE QUESTION.
I'LL BE HEALED,

836
00:34:50,456 --> 00:34:51,723
AND YOU MAY
TAKE THE GRAIL.

837
00:34:51,757 --> 00:34:55,361
JUST ASK THE QUESTION,
SIR KNIGHT.

838
00:34:56,362 --> 00:34:57,396
I CAN'T.

839
00:34:57,429 --> 00:34:58,764
HEAL ME!

840
00:34:59,465 --> 00:35:02,701
MR. GARNER,
A FISHER KING WOUND

841
00:35:02,734 --> 00:35:05,271
CANNOT BE HEALED
BY SOMEBODY ELSE.

842
00:35:05,304 --> 00:35:08,307
IT'S NOT A WOUND
TO THE BODY.

843
00:35:08,340 --> 00:35:09,775
IT'S A WOUND
TO THE MEMORY.

844
00:35:09,808 --> 00:35:11,377
WOUND TO THE MIND.

845
00:35:11,410 --> 00:35:16,348
IT'S...IT'S A WOUND
THAT ONLY YOU CAN FIND,

846
00:35:16,382 --> 00:35:18,884
AND A WOUND THAT
ONLY YOU CAN HEAL.

847
00:35:18,917 --> 00:35:21,587
JUST ASK THE QUESTION.

848
00:35:21,620 --> 00:35:26,558
THERE'S ONLY ONE QUESTION
THAT MATTERS, MR. GARNER.

849
00:35:26,592 --> 00:35:30,896
THERE'S ONLY ONE
REALLY IMPORTANT QUESTION.

850
00:35:31,697 --> 00:35:34,600
CAN YOU FORGIVE YOURSELF?

851
00:35:34,633 --> 00:35:37,269
I COULDN'T
GET TO THEM.

852
00:35:37,303 --> 00:35:39,671
IF YOU TELL ME
WHERE SHE IS,

853
00:35:39,705 --> 00:35:42,641
YOU CAN SAVE REBECCA NOW.

854
00:35:44,410 --> 00:35:46,312
TELL ME WHERE REBECCA IS.

855
00:35:46,345 --> 00:35:47,213
YOU ALREADY KNOW.

856
00:35:47,246 --> 00:35:49,881
I SENT YOU
MY OTHER MAP.

857
00:35:50,916 --> 00:35:51,783
WHAT MAP?

858
00:35:51,817 --> 00:35:54,720
CAN I FORGIVE MYSELF?

859
00:35:55,621 --> 00:35:57,789
NO, I CAN'T.

860
00:35:58,724 --> 00:36:00,759
[BEEPING]
RUN!

861
00:36:05,697 --> 00:36:07,833
[SHOUTING]

862
00:36:07,866 --> 00:36:08,634
IT'S ALL RIGHT.
IT'S OK.

863
00:36:08,667 --> 00:36:09,901
LET'S GO!

864
00:36:09,935 --> 00:36:13,305
[COUGHING]

865
00:36:13,339 --> 00:36:14,540
WHAT THE HELL
WAS THAT?

866
00:36:14,573 --> 00:36:15,441
HE HAD A BOMB.

867
00:36:15,474 --> 00:36:16,642
YOU DIDN'T
THINK WE NEEDED
TO KNOW THAT?

868
00:36:16,675 --> 00:36:17,676
I TOLD YOU
TO GO DOWNSTAIRS.

869
00:36:17,709 --> 00:36:19,445
WELL, YOU DIDN'T SAY BOMB.
YOU LEFT THAT PART OUT.

870
00:36:19,478 --> 00:36:20,812
STOP, STOP, STOP,
STOP, STOP.

871
00:36:20,846 --> 00:36:22,314
STOP? THE HOUSE
IS ON FIRE, REID.

872
00:36:22,348 --> 00:36:23,048
LET'S GO!

873
00:36:23,081 --> 00:36:23,915
JUST LET ME THINK,
LET ME THINK!

874
00:36:23,949 --> 00:36:25,351
HE'S THE FISHER KING,
THIS IS HIS HOUSE,

875
00:36:25,384 --> 00:36:26,452
SO REBECCA'S
GOT TO BE HERE.

876
00:36:26,485 --> 00:36:27,886
REID, THERE
MAY NOT BE TIME
FOR A SEARCH. LET'S GO.

877
00:36:27,919 --> 00:36:29,488
LOCATION'S ON THE MAP
THAT HE GAVE TO MY MOM.

878
00:36:29,521 --> 00:36:31,823
REID, ALL SHE
TOLD US ABOUT
WAS THAT PHOTO.

879
00:36:31,857 --> 00:36:33,459
LET'S GO!

880
00:36:34,760 --> 00:36:36,828
DOWN--SHE'S
IN THE BASEMENT DOWNSTAIRS!

881
00:36:36,862 --> 00:36:38,930
Morgan: HOW DO YOU
KNOW THAT?!

882
00:36:39,465 --> 00:36:40,799
REBECCA!

883
00:36:40,832 --> 00:36:42,868
IS THE HOUSE
ON FIRE!?

884
00:36:42,901 --> 00:36:44,503
REBECCA!

885
00:36:44,536 --> 00:36:46,004
REBECCA!

886
00:36:46,037 --> 00:36:47,906
UNCHAIN ME!

887
00:36:47,939 --> 00:36:49,975
GET US
OUT OF HERE!

888
00:36:51,877 --> 00:36:52,478
HURRY!

889
00:36:52,511 --> 00:36:53,879
HE CALLED ME
SIR PERCIVAL.

890
00:36:53,912 --> 00:36:54,946
Rebecca: HURRY!

891
00:36:54,980 --> 00:36:55,847
REID, HURRY.

892
00:36:55,881 --> 00:36:56,548
THE KEY. THE KEY.

893
00:36:56,582 --> 00:36:57,683
THE YOUNGEST ONE
HOLDS THE KEY.

894
00:36:57,716 --> 00:36:58,750
TELL ME
YOU GOT THE KEY.

895
00:36:58,784 --> 00:37:00,452
COME ON! LET'S GO!

896
00:37:00,486 --> 00:37:02,688
LET'S GO!
WE GOT NO TIME!

897
00:37:02,721 --> 00:37:04,490
GET IT OFF!

898
00:37:05,957 --> 00:37:06,992
YOU GOT HER?

899
00:37:07,025 --> 00:37:09,328
COME ON.
LET'S GO.

900
00:37:15,801 --> 00:37:19,305
Gideon: "IT HAS BEEN SAID
THAT TIME HEALS ALL WOUNDS.

901
00:37:19,338 --> 00:37:20,606
"I DO NOT AGREE.

902
00:37:20,639 --> 00:37:21,740
"THE WOUNDS REMAIN.

903
00:37:21,773 --> 00:37:24,743
"IN TIME, THE MIND,
PROTECTING ITS SANITY,

904
00:37:24,776 --> 00:37:26,278
"COVERS THEM
WITH SCAR TISSUE,

905
00:37:26,312 --> 00:37:29,815
AND THE PAIN LESSENS,
BUT IT IS NEVER GONE."

906
00:37:29,848 --> 00:37:32,284
ROSE KENNEDY.

907
00:37:34,686 --> 00:37:36,388
DAD, THERE'S SOMETHING...

908
00:37:36,422 --> 00:37:37,289
IT'S OK.

909
00:37:37,323 --> 00:37:39,825
NO, I WANT TO SAY IT.

910
00:37:39,858 --> 00:37:40,992
THAT DAY...

911
00:37:41,026 --> 00:37:43,895
I WAS JUST MAD
THAT DAY.

912
00:37:43,929 --> 00:37:45,931
I WANTED YOU TO TEACH ME
TO RIDE MY BIKE.

913
00:37:45,964 --> 00:37:47,533
I KNEW THAT YOU
HAD TO WORK.

914
00:37:47,566 --> 00:37:52,771
I WAS JUST BEING
SELFISH AND CHILDISH.

915
00:37:52,804 --> 00:37:54,973
BABY, YOU WERE 8.

916
00:37:55,006 --> 00:37:58,076
I SAID,
"I HATE YOU, DADDY."

917
00:37:58,109 --> 00:38:01,447
THOSE ARE THE LAST WORDS
THAT I EVER SAID TO YOU.

918
00:38:01,480 --> 00:38:02,981
SHH. IT'S OK, BABY.

919
00:38:03,014 --> 00:38:05,651
I'VE THOUGHT
SO MANY TIMES
THAT I WISH--

920
00:38:05,684 --> 00:38:09,755
I WISH THAT I HAD SAID...

921
00:38:10,922 --> 00:38:12,057
I LOVE YOU, DADDY.

922
00:38:12,090 --> 00:38:14,860
I LOVE YOU, TOO,
PEANUT,

923
00:38:14,893 --> 00:38:17,028
VERY MUCH.

924
00:38:22,834 --> 00:38:25,837
I CAN'T STAY
WITH YOU.

925
00:38:26,372 --> 00:38:28,540
THAT'S ALL RIGHT.

926
00:38:28,574 --> 00:38:29,875
WILL I EVER SEE YOU
AGAIN?

927
00:38:29,908 --> 00:38:33,512
I'LL BE HERE
WHEN IT'S TIME.

928
00:38:35,914 --> 00:38:37,983
I LOVE YOU.

929
00:38:49,561 --> 00:38:51,897
Doctor:
THERE YOU ARE.

930
00:38:51,930 --> 00:38:52,898
YOU CAN SLEEP.

931
00:38:52,931 --> 00:38:55,033
YOU'RE
GONNA BE FINE.

932
00:39:14,085 --> 00:39:15,621
ELLE'S
OUT OF SURGERY.

933
00:39:15,654 --> 00:39:17,956
SHE'S GONNA BE OK.

934
00:39:17,989 --> 00:39:18,690
GOOD.

935
00:39:18,724 --> 00:39:20,892
IS GIDEON STILL
AT THE HOSPITAL?

936
00:39:20,926 --> 00:39:21,927
YEAH.
HOW'S REBECCA?

937
00:39:21,960 --> 00:39:24,896
SHE'S IN THE HOSPITAL,
BUT SHE SHOULD BE ALL RIGHT.

938
00:39:24,930 --> 00:39:26,998
PHYSICALLY, MAYBE.

939
00:39:28,900 --> 00:39:30,669
THANK YOU, EVERYONE.

940
00:39:30,969 --> 00:39:32,971
ALL OF YOU.

941
00:39:33,004 --> 00:39:37,709
WELL, WE COULD HAVE
ONLY GONE SO FAR
WITHOUT MRS. REID.

942
00:39:51,857 --> 00:39:53,692
MOM, WE FOUND HER.

943
00:39:53,725 --> 00:39:55,994
REBECCA'S SAFE.

944
00:39:56,027 --> 00:39:59,498
YOU HELPED US
SAVE HER LIFE.

945
00:40:05,637 --> 00:40:08,073
IS IT TIME
FOR LUNCH YET?

946
00:40:08,106 --> 00:40:09,007
WHAT?

947
00:40:09,040 --> 00:40:11,443
I'M LECTURING EVERYONE
IN TRISTAN AND ISEULT.

948
00:40:11,477 --> 00:40:15,981
THEY'RE ALL GATHERING
IN MY ROOM AFTER LUNCH.

949
00:40:16,882 --> 00:40:18,617
CAN I ATTEND
THE LECTURE, TOO?

950
00:40:18,650 --> 00:40:20,586
HAVE YOU READ
ANY OF THE MATERIAL?

951
00:40:20,619 --> 00:40:23,154
I'VE HAD THEM
READ TO ME.

952
00:40:23,188 --> 00:40:24,990
WONDERFUL.

953
00:40:25,023 --> 00:40:27,993
THAT'S THE BEST WAY,
ISN'T IT?

954
00:40:28,026 --> 00:40:28,994
YES, MA'AM.

955
00:40:29,027 --> 00:40:30,261
BY FAR.

956
00:40:30,295 --> 00:40:34,232
Five For Fighting:
* THE BATTER SWINGS
AND THE SUMMER FLIES *

957
00:40:34,265 --> 00:40:37,869
* AS I LOOK
INTO MY ANGEL'S EYES *

958
00:40:37,903 --> 00:40:42,207
* A SONG PLAYS ON
WHILE THE MOON IS HIGH *

959
00:40:42,240 --> 00:40:46,512
* OVER ME,
SOMETHING COMES OVER ME *

960
00:40:46,545 --> 00:40:50,582
* I GUESS WE'RE BIG,
AND I GUESS WE'RE SMALL *

961
00:40:50,616 --> 00:40:52,050
* IF YOU THINK
ABOUT IT, MAN *

962
00:40:52,083 --> 00:40:53,084
* YOU KNOW,
WE GOT IT ALL *

963
00:40:53,118 --> 00:40:58,657
* 'CAUSE WE'RE ALL WE GOT
ON THIS BOUNCIN' BALL *

964
00:40:58,690 --> 00:41:00,826
* AND I LOVE YA FREE

965
00:41:00,859 --> 00:41:04,029
* I LOVE YOU FREELY

966
00:41:04,062 --> 00:41:09,535
* AND HE SAID,
HERE'S A RIDDLE FOR YA *

967
00:41:09,568 --> 00:41:12,604
* FIND THE ANSWER

968
00:41:12,638 --> 00:41:16,842
* THERE'S A REASON
FOR THE WORLD *

969
00:41:16,875 --> 00:41:20,612
* YOU AND I

970
00:41:26,251 --> 00:41:34,025
* THERE ARE SECRETS THAT WE
STILL HAVE LEFT TO FIND *

971
00:41:34,259 --> 00:41:37,095
* THERE HAVE BEEN
MYSTERIES *

972
00:41:37,128 --> 00:41:41,633
* FROM THE BEGINNING
OF TIME *

973
00:41:41,667 --> 00:41:45,070
* THERE ARE ANSWERS

974
00:41:45,103 --> 00:41:49,174
* WE'RE NOT WISE ENOUGH
TO SEE *

975
00:41:49,207 --> 00:41:52,878
* HE SAID,
YOU'RE LOOKIN' FOR A CLUE *

976
00:41:52,911 --> 00:41:56,815
* I LOVE YOU FREE

977
00:41:58,149 --> 00:42:02,320
* HERE'S A RIDDLE FOR YA

978
00:42:02,353 --> 00:42:04,255
* FIND THE ANSWER

979
00:42:04,289 --> 00:42:09,761
* THERE'S A REASON
FOR THE WORLD *

980
00:42:09,795 --> 00:42:11,797
* YOU AND I