1 00:00:05,773 --> 00:00:08,309 NATIONAL NEWS NETWORK. HOW MAY I DIRECT YOUR CALL? 2 00:00:08,342 --> 00:00:10,544 THERE WILL BE AN EXPLOSION THIS MORNING. 3 00:00:10,578 --> 00:00:12,180 EXCUSE ME? 4 00:00:12,213 --> 00:00:14,182 I SAID, "THERE WILL BE 5 00:00:14,215 --> 00:00:16,317 AN EXPLOSION THIS MORNING." 6 00:00:16,350 --> 00:00:17,818 A BOMB. OH. 7 00:00:17,851 --> 00:00:21,155 SORRY. DID YOU SAY A...BOMB, SIR? 8 00:00:21,189 --> 00:00:21,889 ON A BUS 9 00:00:21,922 --> 00:00:24,358 IN THE CITY WHERE IT ALL BEGAN. 10 00:00:24,392 --> 00:00:26,427 GET MY MESSAGE OUT. 11 00:00:26,460 --> 00:00:28,762 MESSAGE 12 00:00:28,796 --> 00:00:31,165 THAT THIS IS ONLY THE BEGINNING. 13 00:00:31,199 --> 00:00:33,801 UNTIL IT IS BROUGHT BACK UNDER CONTROL, 14 00:00:33,834 --> 00:00:38,139 PEOPLE...WILL...DIE. 15 00:01:00,628 --> 00:01:02,096 HEY! MORNIN', J.J. 16 00:01:02,130 --> 00:01:04,098 HOW WAS YOUR... 17 00:01:04,132 --> 00:01:05,566 WEEKEND? 18 00:01:05,599 --> 00:01:06,534 YEAH? 19 00:01:06,567 --> 00:01:09,103 HOMELAND SECURITY JUST REPORTED A BOMB THREAT 20 00:01:09,137 --> 00:01:10,037 FOR AN UNSPECIFIED URBAN AREA. 21 00:01:10,070 --> 00:01:11,839 IT WAS PHONED INTO THE NATIONAL NEWS NETWORK. 22 00:01:11,872 --> 00:01:13,741 I'LL CALL YOU BACK. WHEN? 23 00:01:13,774 --> 00:01:14,542 LAST HALF HOUR. 24 00:01:14,575 --> 00:01:15,743 THEY NEED A THREAT ASSESSMENT ASAP. 25 00:01:15,776 --> 00:01:18,812 GET THE TEAM TOGETHER. YEAH. 26 00:01:18,846 --> 00:01:21,182 SORRY. DID YOU SAY A BOMB, SIR? 27 00:01:21,215 --> 00:01:24,885 ON A BUS IN THE CITY WHERE IT ALL BEGAN. 28 00:01:24,918 --> 00:01:26,687 GET MY MESSAGE OUT. 29 00:01:26,720 --> 00:01:28,422 MESSAGE 30 00:01:28,456 --> 00:01:30,891 THAT THIS IS ONLY THE BEGINNING. 31 00:01:30,924 --> 00:01:33,194 UNTIL IT IS BROUGHT BACK UNDER CONTROL, 32 00:01:33,227 --> 00:01:35,663 PEOPLE...WILL...DIE. 33 00:01:36,364 --> 00:01:37,765 IN THE LAST 20 MINUTES, 34 00:01:37,798 --> 00:01:39,867 VIRTUALLY IDENTICAL THREATS HAVE BEEN MADE 35 00:01:39,900 --> 00:01:42,436 TO MOST OF THE COAST-TO-COAST NEWS NETWORKS IN THE COUNTRY. 36 00:01:42,470 --> 00:01:46,574 IT'S THE SAME INFORMATION JUST SLIGHTLY DIFFERENT WORDS. 37 00:01:46,607 --> 00:01:48,442 SO IT'S NOT A RECORDED MESSAGE OR SCRIPT. 38 00:01:48,476 --> 00:01:49,677 DISPLAYS A MEASURE OF CONFIDENCE. 39 00:01:49,710 --> 00:01:51,879 HE COULD HAVE EASILY JUST CALLED ONE NETWORK. 40 00:01:51,912 --> 00:01:53,847 THIS GUY OBVIOUSLY WANTS ATTENTION. 41 00:01:53,881 --> 00:01:57,285 IT'S TYPICAL BEHAVIOR FOR A PERSONAL CAUSE BOMBER. 42 00:01:57,318 --> 00:01:59,153 ONE BOMB HAS A FINITE IMPACT-- 43 00:01:59,187 --> 00:02:02,790 IT'S JUST A LITTLE PACKAGE. MAKE BUNCH OF PHONE CALLS, 44 00:02:02,823 --> 00:02:04,725 THAT MAGNIFIES MY EXPLOSION 100 TIMES. 45 00:02:04,758 --> 00:02:07,795 WE HAVE THE ADDITIONAL RECORDED CALLS BEING GATHERED FOR ASSESSMENT. 46 00:02:07,828 --> 00:02:09,897 NETWORKS SAY THE CALLS CAME FROM A RESTRICTED NUMBER. 47 00:02:09,930 --> 00:02:13,301 2 HAVE GIVEN LIMITED PERMISSION TO TRAP AND TRACE THE LINES 48 00:02:13,334 --> 00:02:14,468 IF WE SHOULD NEED TO. 49 00:02:14,502 --> 00:02:17,405 YOU GOT A NEWS ORGANIZATION TO AGREE TO A TRAP AND TRACE? 50 00:02:17,438 --> 00:02:18,172 WHO COULD SAY "NO" TO ME? 51 00:02:18,206 --> 00:02:19,072 THIS IS NOT LIKELY AL-QAEDA. 52 00:02:19,106 --> 00:02:20,908 THEY DON'T CALL UNLESS THEY BOMB SOMETHING. 53 00:02:20,941 --> 00:02:22,743 AT HOMELAND SECURITY'S REQUEST, 54 00:02:22,776 --> 00:02:24,345 THE NETWORKS ARE GOING TO KEEP THIS QUIET 55 00:02:24,378 --> 00:02:25,813 UNTIL WE'VE ASSESSED THE SITUATION. 56 00:02:25,846 --> 00:02:28,716 IT DOESN'T FEEL LIKE A HOAX. HIS VOICE IS CALM, RESIGNED. 57 00:02:28,749 --> 00:02:30,651 HE'S MADE HIS DECISION. HE'S COMMITTED TO IT. 58 00:02:30,684 --> 00:02:33,821 PLUS HE SAID, "THIS IS ONLY THE BEGINNING." 59 00:02:33,854 --> 00:02:35,623 THE BEGINNING OF WHAT? AND HE ALSO SAID, 60 00:02:35,656 --> 00:02:38,259 "UNTIL IT IS BROUGHT BACK UNDER CONTROL..." 61 00:02:38,292 --> 00:02:40,561 WHAT'S IT? HE HAS TO CALL BACK. 62 00:02:40,594 --> 00:02:41,895 AND IF THIS THREAT ISN'T FOLLOWED BY AN EVENT, 63 00:02:41,929 --> 00:02:43,163 NO ONE WILL TAKE ANY FUTURE CALLS SERIOUSLY. 64 00:02:43,197 --> 00:02:47,701 SO, WE'RE GOING TO TELL THE MEDIA TO GO AHEAD WITH THE STORY? 65 00:02:47,735 --> 00:02:48,669 ABSOLUTELY NOT. 66 00:02:48,702 --> 00:02:51,339 THREATS LIKE THIS WITH AN UNSPECIFIED LOCATION 67 00:02:51,372 --> 00:02:53,307 WILL JUST CAUSE TREMENDOUS PANIC. 68 00:02:53,341 --> 00:02:57,245 THEN...WHAT ARE WE GONNA DO? 69 00:02:58,612 --> 00:03:01,815 UNFORTUNATELY, ALL WE CAN DO IS WAIT. 70 00:04:17,625 --> 00:04:22,363 CAPTIONING MADE POSSIBLE BY CBS 71 00:04:53,026 --> 00:04:53,927 ROBESPIERRE ONCE WROTE, 72 00:04:53,961 --> 00:04:56,564 "CRIME BUTCHERS INNOCENTS TO SECURE A PRIZE. 73 00:04:56,597 --> 00:05:02,736 AND INNOCENCE STRUGGLES WITH ALL ITS MIGHT AGAINST THE ATTEMPTS OF CRIME." 74 00:05:03,103 --> 00:05:05,005 SO SEATTLE'S WHERE IT ALL BEGAN. 75 00:05:05,038 --> 00:05:06,940 WE JUST NEED TO FIGURE OUT WHAT IT IS. 76 00:05:06,974 --> 00:05:08,008 AND OFF THE TOP OF MY HEAD, 77 00:05:08,041 --> 00:05:09,877 I CAN THINK OF GRUNGE MUSIC AND OVERPRICED COFFEE. 78 00:05:09,910 --> 00:05:12,680 THAT DOESN'T SEEM SIGNIFICANT ENOUGH FOR TERRORISM. 79 00:05:12,713 --> 00:05:13,614 IT'S A PERSONAL CAUSE BOMBER. 80 00:05:13,647 --> 00:05:17,851 IT ONLY NEEDS TO BE OF SIGNIFICANCE TO HIM. 81 00:05:19,019 --> 00:05:21,489 AGENT NICK CASEY, SEATTLE FIELD OFFICE. 82 00:05:21,522 --> 00:05:22,890 S.S.A. HOTCHNER. HOW DO YOU DO? 83 00:05:22,923 --> 00:05:26,059 THIS IS DR. SPENCER REID, S.S.A. MORGAN, 84 00:05:26,093 --> 00:05:27,961 AGENT JAREAU, AND S.S.A. GIDEON. 85 00:05:27,995 --> 00:05:29,497 HAVE YOU IDENTIFIED THE DEVICE? 86 00:05:29,530 --> 00:05:31,865 LOOKS LIKE A SMALL PIPE BOMB ATTACHED TO AN UMBRELLA. 87 00:05:31,899 --> 00:05:34,635 I'D LIKE TO TAKE A LOOK AT THOSE BOMB FRAGMENTS AS SOON AS POSSIBLE. 88 00:05:34,668 --> 00:05:36,003 I'VE GOT BOMB SQUAD EXPERIENCE. 89 00:05:36,036 --> 00:05:36,904 AS SOON AS THEY'RE CATALOGUED. 90 00:05:36,937 --> 00:05:38,472 HOW MANY PEOPLE WERE ON THE BUS 91 00:05:38,506 --> 00:05:40,073 WHEN THE EXPLOSION WENT OFF? 92 00:05:40,107 --> 00:05:41,709 25 INCLUDING THE DRIVER. 93 00:05:41,742 --> 00:05:43,043 EXPLOSION KILLED 2-- 94 00:05:43,076 --> 00:05:45,112 THE DRIVER AND A YOUNG MALE. 95 00:05:45,145 --> 00:05:45,879 INJURED 7. 96 00:05:45,913 --> 00:05:47,515 A PIPE BOMB ON A CROWDED CITY BUS 97 00:05:47,548 --> 00:05:48,882 AND ONLY 2 PEOPLE ARE KILLED? 98 00:05:48,916 --> 00:05:50,250 HAD A RELATIVELY SMALL CHARGE. 99 00:05:50,283 --> 00:05:54,488 THE 2 DEAD WERE FOUND CLOSEST TO THE BOMB AT THE TIME OF DETONATION. 100 00:05:54,522 --> 00:05:57,491 SYLVIA COHEN, AN ELDERLY PASSENGER, 101 00:05:57,525 --> 00:05:58,826 FOUND THE UMBRELLA ON THE FLOOR AT HER FEET. 102 00:05:58,859 --> 00:06:03,096 SHE SAID THE YOUNG MAN VOLUNTEERED TO TAKE IT TO THE DRIVER FOR HER. 103 00:06:03,130 --> 00:06:05,533 SHE'S PRETTY BROKEN UP ABOUT IT. 104 00:06:05,566 --> 00:06:06,800 HAVE YOU VETTED AND DEBRIEFED 105 00:06:06,834 --> 00:06:07,768 THE REST OF THE PASSENGERS? 106 00:06:07,801 --> 00:06:09,870 I HAVE THEIR INFO IF YOU WANT TO TALK TO THEM. 107 00:06:09,903 --> 00:06:11,071 DID YOU GET THEIR POSITIONS? 108 00:06:11,104 --> 00:06:13,574 SORRY 109 00:06:13,607 --> 00:06:14,942 NO. 110 00:06:14,975 --> 00:06:18,912 J.J., MAYBE YOU CAN RECONTACT THE PASSENGERS AND MAP THEIR LOCATIONS. 111 00:06:18,946 --> 00:06:20,013 YEAH, YOU GOT IT. 112 00:06:20,047 --> 00:06:22,583 NOBODY SAW ANYONE LEAVE THE UMBRELLA? 113 00:06:22,616 --> 00:06:23,584 NO. 114 00:06:23,617 --> 00:06:26,086 BUT, YOU KNOW, FROM THE STYLE IT LOOKS LIKE, UH, 115 00:06:26,119 --> 00:06:28,155 REMOTE DETONATOR ON THE CORNER OVER THERE. 116 00:06:28,188 --> 00:06:30,157 YOU SAY REMOTE? 117 00:06:30,190 --> 00:06:32,426 LIMITED FREQUENCY REMOTE. 118 00:06:32,460 --> 00:06:34,695 LIKE A GARAGE DOOR OPENER? 119 00:06:34,728 --> 00:06:35,929 THAT'S AWFULLY RISKY. 120 00:06:35,963 --> 00:06:38,866 ANYONE ON THIS BUS COULD HAVE ACCIDENTALLY DETONATED THE BOMB 121 00:06:38,899 --> 00:06:42,436 JUST BY PULLING OUT OF THEIR GARAGE. 122 00:07:11,532 --> 00:07:13,767 HE USED A REMOTE FROM THE CORNER. 123 00:07:13,801 --> 00:07:16,870 DID HE WANT TO BE CLOSE ENOUGH TO SEE WHAT HAPPENED? 124 00:07:16,904 --> 00:07:18,472 OR DID HE NEED TO BE MECHANICALLY? 125 00:07:18,506 --> 00:07:20,073 THOSE REMOTES ARE PRETTY LIMITED. 126 00:07:20,107 --> 00:07:21,108 HE PROBABLY NEEDED TO BE. 127 00:07:21,141 --> 00:07:22,209 THEN HE MIGHT HAVE BEEN NERVOUS. 128 00:07:22,242 --> 00:07:23,911 MAYBE THAT MADE HIM STAND OUT. 129 00:07:23,944 --> 00:07:25,479 I COULD SET UP A PUBLIC SERVICE ANNOUNCEMENT 130 00:07:25,513 --> 00:07:30,217 ENCOURAGING ANYONE WHO WAS IN THE AREA OF THE TIME OF THE BOMBING TO CONTACT US. 131 00:07:30,250 --> 00:07:32,853 WELL, WE DO NEED A PRESS CONFERENCE. 132 00:07:32,886 --> 00:07:36,657 BUT IT'LL BE ABOUT GETTING THIS UNSUB TO CALL US. 133 00:07:36,690 --> 00:07:39,693 WE'RE STILL TRYING TO DETERMINE WHAT HAPPENED. 134 00:07:39,727 --> 00:07:41,795 INITIAL REPORTS CALLED IT A BOMB, 135 00:07:41,829 --> 00:07:43,230 BUT SINCE NO ONE HAS CLAIMED RESPONSIBILITY, 136 00:07:43,263 --> 00:07:46,500 WE CAN'T RULE OUT SOME KIND OF MECHANICAL FAILURE. 137 00:07:46,534 --> 00:07:47,935 SUPERVISORY SPECIAL AGENT GIDEON 138 00:07:47,968 --> 00:07:51,772 WILL BE HANDLING ANY FUTURE COMMUNICATION ON THIS INCIDENT. 139 00:07:51,805 --> 00:07:55,075 IF ANYONE HAS ANY INFORMATION THEY FEEL MIGHT BE HELPFUL, 140 00:07:55,108 --> 00:07:56,544 PLEASE CONTACT S.S.A. GIDEON 141 00:07:56,577 --> 00:07:58,211 AT THE NUMBER APPEARING ON YOUR SCREEN. 142 00:07:58,245 --> 00:08:02,249 WE WILL KEEP YOU POSTED WITH FUTURE DEVELOPMENTS. 143 00:08:02,282 --> 00:08:03,917 THANK YOU. 144 00:08:06,253 --> 00:08:07,621 THINK THAT WAS ENOUGH? 145 00:08:07,655 --> 00:08:08,388 IT WILL DEFINITELY STRESS HIM 146 00:08:08,421 --> 00:08:10,123 THAT HIS MESSAGE ISN'T GETTING OUT. 147 00:08:10,157 --> 00:08:11,024 WHAT IF HE DOESN'T CALL? 148 00:08:11,058 --> 00:08:12,726 REID AND MORGAN ARE GOING OVER THE DEVICE. 149 00:08:12,760 --> 00:08:15,963 MAYBE THEY'LL COME UP WITH SOMETHING. 150 00:08:20,133 --> 00:08:21,434 YOU KNOW, REID, 151 00:08:21,468 --> 00:08:24,972 THE BOMBER COULD HAVE BOUGHT THIS DETONATOR AT ANY OLD TOY STORE. 152 00:08:25,005 --> 00:08:28,275 YOU TAKE A REMOTE CONTROL CAR, PLANE, BOAT, 153 00:08:28,308 --> 00:08:30,944 ATTACH A DETONATOR LIKE THIS TO THE MOTOR, 154 00:08:30,978 --> 00:08:33,681 TOUCH THE REMOTE, BOOM! 155 00:08:33,714 --> 00:08:36,316 INSTANT FOURTH OF JULY. 156 00:08:36,349 --> 00:08:37,985 HOW YOU DOING? I'M DEREK MORGAN. 157 00:08:38,018 --> 00:08:40,287 THIS IS DR. SPENCER REID. WE'RE WITH THE B.A.U. 158 00:08:40,320 --> 00:08:43,924 SONDRA ATKINS. CASS OR CASSY WORKS, TOO. 159 00:08:43,957 --> 00:08:45,325 BOMB TECH. 160 00:08:45,358 --> 00:08:47,127 IT'S A REALLY NICE RECONSTRUCTION. 161 00:08:47,160 --> 00:08:49,196 OH, IT WASN'T THAT HARD. EXPLOSIVE WAS LIMITED 162 00:08:49,229 --> 00:08:52,866 AND THE FRAGMENTS WERE COMPARATIVELY EASY TO LOCATE. 163 00:08:52,900 --> 00:08:54,802 OK. SO TELL ME WHAT ELSE YOU GOT HERE? 164 00:08:54,835 --> 00:08:56,870 WELL, BESIDES THE LIGHT EXPLOSIVE LOAD, 165 00:08:56,904 --> 00:08:58,572 HE USED DRY PEAS. 166 00:08:58,606 --> 00:08:59,673 DRY PEAS. 167 00:08:59,707 --> 00:09:02,275 HE CHOSE A SHRAPNEL THAT WOULDN'T DO TOO MUCH DAMAGE 168 00:09:02,309 --> 00:09:03,243 OUTSIDE OF A LIMITED RANGE. WHY? 169 00:09:03,276 --> 00:09:05,278 WHAT'S HE DOING, TRYING TO MINIMIZE HIS KILLS? 170 00:09:05,312 --> 00:09:09,617 IT ALSO HAS A PICTURE ENGRAVED ON IT. RIGHT THERE. 171 00:09:10,017 --> 00:09:13,553 IT'S ROBOT WITH AN ARROW THROUGH IT. 172 00:09:16,690 --> 00:09:17,691 ANTI-ROBOTICS? 173 00:09:17,725 --> 00:09:21,161 DOESN'T THE CITY CENTER BUS STOP USE SMART BUSES? 174 00:09:21,194 --> 00:09:22,495 SMART BUSES? YEAH. 175 00:09:22,529 --> 00:09:25,232 HI-TECH BUSES THAT USE TIME SENSORS ON THE BUSES AND THE BUS STOPS 176 00:09:25,265 --> 00:09:26,900 TO GIVE OUT ARRIVAL AND DEPARTURE TIMES? 177 00:09:26,934 --> 00:09:28,802 YEAH. WENT AUTOMATED LAST YEAR. 178 00:09:28,836 --> 00:09:30,170 SO HE'S ANTI-TECHNOLOGY. 179 00:09:30,203 --> 00:09:31,872 MAYBE. 180 00:09:36,143 --> 00:09:39,279 HEY, DOLLFACE, READY TO WORK SOME MAGIC FOR ME? 181 00:09:39,312 --> 00:09:42,282 CHALLENGE ME, YOU BEAUTIFUL, BEHAVIORAL ANALYST. 182 00:09:42,315 --> 00:09:45,085 DOMESTIC TERRORIST ACTIVITY IN THE SEATTLE AREA. 183 00:09:45,118 --> 00:09:47,254 UGH, MORGAN, I SAID CHALLENGE ME. 184 00:09:47,287 --> 00:09:48,889 DOESN'T EVEN RAISE MY BLOOD PRESSURE. 185 00:09:48,922 --> 00:09:52,359 PACIFIC NORTHWEST IS, LIKE, RIPE WITH THE DISGRUNTLED. 186 00:09:52,392 --> 00:09:55,295 YOU HAVE ANIMAL RIGHTS, ZONING LAWS. 187 00:09:55,328 --> 00:09:57,164 SPECIFICALLY ANTI-TECHNOLOGY? 188 00:09:57,197 --> 00:10:00,233 AHH, YES. MY LOONEY OPPOSITES. 189 00:10:00,267 --> 00:10:03,336 HERE'S SOMETHING! MONTH AGO. TACOMA, WASHINGTON-- 190 00:10:03,370 --> 00:10:07,641 DISGUISED YOUNG GUY WENT CRAZY ON A BUNCH OF COMPUTERS 191 00:10:07,675 --> 00:10:08,976 AT A SCIENCE LAB, SCREAMING, 192 00:10:09,009 --> 00:10:13,346 "WE WILL SOON BE THE SLAVES AND THE MACHINES WILL BE THE MASTERS." 193 00:10:13,380 --> 00:10:14,047 YIKES. 194 00:10:14,081 --> 00:10:16,784 THAT WOULD TOTALLY SUCK FOR ME. 195 00:10:16,817 --> 00:10:17,851 I'M SURROUNDED IN HERE. 196 00:10:17,885 --> 00:10:19,019 COME ON, WHAT ARE YOU WORRIED ABOUT? 197 00:10:19,052 --> 00:10:20,353 YOU GOT ME TO PROTECT YOU. 198 00:10:20,387 --> 00:10:24,291 HA! NOW THAT GETS MY BLOOD UP. 199 00:10:24,324 --> 00:10:27,627 I'M UPLOADING THE VIDEO TO YOU NOW. 200 00:10:30,798 --> 00:10:32,165 WHAT ELSE DO YOU HAVE, GARCIA? 201 00:10:32,199 --> 00:10:36,169 I ALSO FOUND AN ARTICLE IN THE ST. DENNIS UNIVERSITY COLLEGE NEWSPAPER. 202 00:10:36,203 --> 00:10:38,772 LAST SPRING, CLOSE TO THE SCHOOL, 203 00:10:38,806 --> 00:10:40,874 AN INTERNET CAFE WAS ATTACKED. 204 00:10:40,908 --> 00:10:43,110 SOMEONE CREATED FLOPPY DISK BOMBS 205 00:10:43,143 --> 00:10:45,412 THAT WENT OFF IN 4 OF THE COMPUTERS. NO ONE WAS INJURED. 206 00:10:45,445 --> 00:10:47,380 WHO USES FLOPPY DISKS ANYMORE? 207 00:10:47,414 --> 00:10:48,448 RIGHT, AGENT BRAIN, 208 00:10:48,481 --> 00:10:50,050 THAT WAS THE POINT OF THE ATTACK. THEY LEFT A NOTE, 209 00:10:50,083 --> 00:10:51,752 "ULTIMATELY, YOU'LL BE AS OBSOLETE 210 00:10:51,785 --> 00:10:52,986 AS YOUR GRAVEYARD TECHNOLOGY." 211 00:10:53,020 --> 00:10:55,088 IS THE NOTE SIGNED? "F.F.T. BRIGADE." 212 00:10:55,122 --> 00:10:59,026 I'M FINDING REFERENCES TO A FREEDOM FROM TECHNOLOGY BRIGADE, 213 00:10:59,059 --> 00:11:01,194 A FRINGE GROUP THAT'S SHOWING UP LATELY. 214 00:11:01,228 --> 00:11:03,296 ANYTHING ELSE IN THE NOTE? 215 00:11:03,330 --> 00:11:04,364 YEAH. THERE'S A... 216 00:11:04,397 --> 00:11:07,801 NOT VERY ARTISTIC DRAWING OF WHAT KIND OF LOOKS LIKE 217 00:11:07,835 --> 00:11:10,270 A ROBOT WITH AN ARROW THROUGH IT. 218 00:11:10,303 --> 00:11:13,373 I'M UPLOADING IT TO YOU NOW. 219 00:11:17,310 --> 00:11:18,478 YOU KNOW, SEATTLE'S THE BIRTHPLACE 220 00:11:18,511 --> 00:11:21,281 OF SOME OF THE MOST CUTTING EDGE TECHNOLOGY IN THE WORLD. 221 00:11:21,314 --> 00:11:23,183 WHERE IT BEGAN. 222 00:11:23,216 --> 00:11:27,354 I THINK WE'RE READY TO GIVE A PROFILE. 223 00:11:28,121 --> 00:11:30,057 WE BELIEVE THE UNSUB RESIDES IN SEATTLE. 224 00:11:30,090 --> 00:11:34,161 ALL OF THE ATTACKS, MOST OF WHICH HAVE JUST INVOLVED PROPERTY DAMAGE, 225 00:11:34,194 --> 00:11:35,362 HAVE TAKEN PLACE HERE, 226 00:11:35,395 --> 00:11:37,798 AND THE TIMING AND LOCATION INDICATE KNOWLEDGE OF THE AREA. 227 00:11:37,831 --> 00:11:40,400 EVEN THOUGH HE ESCALATED TO A LETHAL BOMBING TODAY, 228 00:11:40,433 --> 00:11:42,870 WE DON'T BELIEVE THAT THAT WAS NECESSARILY HIS INTENTION. 229 00:11:42,903 --> 00:11:47,875 IN FACT, ANYONE NOT DIRECTLY NEXT TO THE DEVICE RECEIVED MINOR INJURIES. 230 00:11:47,908 --> 00:11:50,210 SO WE THINK FEAR MAY HAVE BEEN THE LARGER MOTIVE. 231 00:11:50,243 --> 00:11:51,478 SO HE'S A TERRORIST THEN. 232 00:11:51,511 --> 00:11:55,148 HE IS. BUT THAT'S TOO VAGUE OF A DESCRIPTION FOR OUR PURPOSES. 233 00:11:55,182 --> 00:11:58,385 DOUGLAS AND OLSHAKER CATEGORIZE BOMBERS AS CRIMINAL, 234 00:11:58,418 --> 00:12:01,421 GROUP CAUSE, PSYCHOLOGICALLY DISORGANIZED, 235 00:12:01,454 --> 00:12:02,522 AND PERSONAL CAUSE BOMBERS. 236 00:12:02,555 --> 00:12:05,358 AND WE BELIEVE THIS GUY TO BE A PERSONAL CAUSE BOMBER. 237 00:12:05,392 --> 00:12:07,460 AND PERSONAL CAUSE BOMBERS ARE MOTIVATED BY 238 00:12:07,494 --> 00:12:09,062 AN UNDERLYING EMOTIONAL CONFLICT. 239 00:12:09,096 --> 00:12:11,431 IN AN INTERVIEW FROM PRISON, THE UNABOMBER, TED KACZYNKSI, 240 00:12:11,464 --> 00:12:15,402 ADMITTED THAT WHILE HE WAS A GRADUATE STUDENT AT THE UNIVERSITY OF MICHIGAN, 241 00:12:15,435 --> 00:12:17,805 HE STARTED HAVING FANTASIES OF BECOMING A WOMAN. 242 00:12:17,838 --> 00:12:20,507 EVEN GOT ON A LIST TO GET A SEX-CHANGE OPERATION 243 00:12:20,540 --> 00:12:24,177 BUT, DURING A MANDATORY PSYCHOLOGICAL EXAM PRIOR TO THE PROCEDURE, 244 00:12:24,211 --> 00:12:27,781 HE CHANGED HIS MIND. HE TOLD THE PSYCHOLOGIST THAT HE MADE A MISTAKE. 245 00:12:27,815 --> 00:12:31,384 FROM THAT MOMENT THROUGH THE NEXT 3 DECADES OF HIS LIFE, 246 00:12:31,418 --> 00:12:35,956 TED KACZYNKSI CARRIED OUT A CAMPAIGN OF ISOLATION AND MURDER. 247 00:12:35,989 --> 00:12:39,426 THIS UNSUB IS MALE. HE LIVES ALONE. 248 00:12:39,459 --> 00:12:41,261 HE'S POSSIBLY SELF-EMPLOYED. 249 00:12:41,294 --> 00:12:44,264 HE'S HIGHLY ORGANIZED. HE'S METICULOUS. 250 00:12:44,297 --> 00:12:45,265 AND HE'S VERY SMART. 251 00:12:45,298 --> 00:12:48,035 AND HE SEEMS ODD TO THOSE WHO KNOW HIM. 252 00:12:48,068 --> 00:12:50,403 ANGRY, DISTANT, 253 00:12:50,437 --> 00:12:51,872 PRONE TO SUDDEN VIOLENT RAGE. 254 00:12:51,905 --> 00:12:54,474 THIS IS NOT THE KIND OF GUY WHOSE NEIGHBORS WILL BE SURPRISED TO FIND OUT 255 00:12:54,507 --> 00:12:59,112 WHAT HE'S ARRESTED FOR. THIS GUY'S NEIGHBORS WILL HAVE NO TROUBLE BELIEVING IT. 256 00:12:59,146 --> 00:13:00,513 TARGETS APPEAR TO BE TECHNOLOGY, 257 00:13:00,547 --> 00:13:05,518 BUT NOT THE HI-TECH VARIETY. THE KIND OF TECHNOLOGY WE'RE SURROUNDED BY. 258 00:13:06,586 --> 00:13:08,388 IN A CITY THE SIZE OF SEATTLE, WE'RE TALKING-- 259 00:13:08,421 --> 00:13:11,458 10,000 POSSIBLE TARGETS. 260 00:13:11,491 --> 00:13:15,362 AGENT GIDEON, YOU GOT A CALL ON THE TIP LINE. 261 00:13:22,469 --> 00:13:23,871 OK, GO AHEAD. 262 00:13:23,904 --> 00:13:24,804 THIS IS AGENT GIDEON. 263 00:13:24,838 --> 00:13:27,374 WHY DID YOU SAY NO ONE TOOK RESPONSIBILITY?! 264 00:13:27,407 --> 00:13:28,441 I'M SORRY. 265 00:13:28,475 --> 00:13:31,278 WE CALLED THEM ALL-- ALL THE NETWORKS-- 266 00:13:31,311 --> 00:13:34,447 BEFORE ANYTHING HAPPENED. THEY DIDN'T TELL ANYONE?! 267 00:13:34,481 --> 00:13:35,615 WELL, THE NETWORKS ARE INCOMPETENT. 268 00:13:35,648 --> 00:13:39,452 IF YOU NEED TO GET YOUR MESSAGE OUT OR YOU HAVE A DEMAND, 269 00:13:39,486 --> 00:13:42,389 I'M IN A MUCH BETTER POSITION TO DO THAT FOR YOU. 270 00:13:42,422 --> 00:13:43,991 YOU HAVE A NAME, SIR? 271 00:13:44,024 --> 00:13:45,425 WE'RE THE F.F.T. BRIGADE. 272 00:13:45,458 --> 00:13:47,427 NO. NO. NO. I MEAN YOU SPECIFICALLY. 273 00:13:47,460 --> 00:13:49,897 WHAT... WHAT CAN I CALL YA? 274 00:13:49,930 --> 00:13:51,398 THIS IS NOT ABOUT INDIVIDUALS. 275 00:13:51,431 --> 00:13:53,000 F.F.T.'s A MAJOR ORGANIZATION-- 276 00:13:53,033 --> 00:13:54,367 WE HAVE HUNDREDS OF MEMBERS. 277 00:13:54,401 --> 00:13:56,503 BUT YOU-- YOU HAVE A NAME. 278 00:13:56,536 --> 00:13:58,471 YOU MAY CALL ME ALLEGRO. 279 00:13:58,505 --> 00:14:00,307 SO, ALLEGRO, LET'S MEET SOMEWHERE. 280 00:14:00,340 --> 00:14:03,877 WE CAN TALK ABOUT YOUR MESSAGE, UH, TRY TO HELP YOU-- 281 00:14:03,911 --> 00:14:05,345 IF THE NETWORKS WON'T GET OUR MESSAGE OUT, 282 00:14:05,378 --> 00:14:07,314 THEN IT IS UP TO YOU. IT'S YOUR RESPONSIBILITY. 283 00:14:07,347 --> 00:14:10,617 SO CALL THIS NUMBER. THEY'LL PUT YOU THROUGH TO ME IMMEDIATELY. 284 00:14:10,650 --> 00:14:12,252 I WON'T NEED TO CALL AGAIN. 285 00:14:12,285 --> 00:14:13,987 MY MESSAGE WILL BE HERE WHEN YOU ARRIVE. 286 00:14:14,021 --> 00:14:17,024 I'M SORRY, WHEN I ARRIVE? 287 00:14:21,494 --> 00:14:23,596 WHAT'S THAT? 288 00:14:23,630 --> 00:14:24,898 ALLEGRO? 289 00:14:24,932 --> 00:14:28,168 HELLO 290 00:14:57,730 --> 00:14:59,967 CAN YOU SMELL THAT? 291 00:15:00,000 --> 00:15:02,302 SAME EXPLOSIVE, JUST MORE OF IT. 292 00:15:02,335 --> 00:15:04,071 YEAH. AND SAME DETONATION DEVICE, TOO. 293 00:15:04,104 --> 00:15:07,307 THE GAS STATION CLOSED 15 MINUTES PRIOR TO THE EXPLOSION. 294 00:15:07,340 --> 00:15:09,709 FORTUNATELY, THE WORKER HAD ALREADY GONE HOME. 295 00:15:09,742 --> 00:15:13,113 NO CASUALTIES, AN ESCALATION IN THE SIZE OF THE EXPLOSION, 296 00:15:13,146 --> 00:15:15,548 AND A DECREASE IN THE NUMBER OF VICTIMS. 297 00:15:15,582 --> 00:15:18,151 WE NEED TO DO A GRID SEARCH AS SOON AS POSSIBLE. 298 00:15:18,185 --> 00:15:19,686 WHAT DO I TELL THEM WE'RE LOOKING FOR? 299 00:15:19,719 --> 00:15:24,657 SAID HIS MESSAGE WOULD BE HERE WHEN WE ARRIVED. 300 00:15:43,043 --> 00:15:45,045 CLEAR! 301 00:15:46,713 --> 00:15:49,349 IT'S A BOOK. 302 00:15:51,418 --> 00:15:53,553 SAYS, "MANIFESTO." 303 00:15:53,586 --> 00:15:55,655 BAG IT. 304 00:15:59,192 --> 00:16:02,062 HIS MANIFESTO'S MAIN DEMAND IS COMPLETELY UNREALISTIC-- 305 00:16:02,095 --> 00:16:07,334 STOP ALL AUTOMATED MACHINERY THAT'S REPLACED AMERICAN WORKERS WITHIN A WEEK. 306 00:16:07,367 --> 00:16:08,201 AND IF HIS DEMANDS AREN'T MET, 307 00:16:08,235 --> 00:16:10,470 HE SAYS HE'LL DETONATE EVEN LARGER BOMBS. 308 00:16:10,503 --> 00:16:12,272 SO WE HAVE AN ANTI-TECHNOLOGY BOMBER 309 00:16:12,305 --> 00:16:13,673 WHO SO FAR HAS ATTACKED COMPUTERS, 310 00:16:13,706 --> 00:16:16,443 AN AUTOMATED CASHIER, AN AUTOMATED GAS STATION, 311 00:16:16,476 --> 00:16:17,477 AND A SMART BUS. 312 00:16:17,510 --> 00:16:19,512 WHO CALLS HIMSELF ALLEGRO. 313 00:16:19,546 --> 00:16:20,213 WH--WHAT WAS THAT? 314 00:16:20,247 --> 00:16:22,382 HE TOLD ME TO CALL HIM ALLEGRO. 315 00:16:22,415 --> 00:16:26,019 OF COURSE... YEAH. IT'S A BOOK. 316 00:16:26,053 --> 00:16:27,187 YEAH. IT OUGHT TO BE. 317 00:16:27,220 --> 00:16:28,588 NO, NO. IT'S AN ACTUAL BOOK-- A NOVEL I READ IT AS A KID. 318 00:16:28,621 --> 00:16:32,359 IT'S CALLED EMPTY PLANET BY ONE-HIT-WONDER AUTHOR DAVID HANSBERRY. 319 00:16:32,392 --> 00:16:35,428 IT'S GOT IT ALL-- TECHNOIDS, MINUTIANS. ALL THAT STUFF'S IN THERE. 320 00:16:35,462 --> 00:16:37,497 IT'S ROBOTS THAT TAKE OVER THE WORLD 321 00:16:37,530 --> 00:16:39,499 ONCE THEY FIGURE OUT HOW TO REPRODUCE WITH HUMANS. 322 00:16:39,532 --> 00:16:41,401 ESSENTIALLY, HUMANITY'S LOST TO TECHNOLOGY. 323 00:16:41,434 --> 00:16:44,504 AND THE HERO OF THE BOOK IS A 12-YEAR-OLD BOY NAMED ALLEGRO 324 00:16:44,537 --> 00:16:46,173 WHO BUILDS AN ARMY AND FIGHTS FOR THE HUMANS. 325 00:16:46,206 --> 00:16:48,508 MORGAN, HAVE GARCIA GET AS MUCH INFORMATION AS POSSIBLE 326 00:16:48,541 --> 00:16:51,478 ON THE AUTHOR OF EMPTY PLANET. DAVID HANSBERRY? 327 00:16:51,511 --> 00:16:52,645 UH, HANSBERRY, YEAH. 328 00:16:52,679 --> 00:16:53,580 I'M ON IT. 329 00:16:53,613 --> 00:16:56,649 THERE WAS A PASSENGER ON THE BUS YESTERDAY, 330 00:16:56,683 --> 00:16:57,717 A DR. EMORY COOKE. 331 00:16:57,750 --> 00:16:59,486 HE'S SUPPOSED TO BE SOME KIND OF COMPUTER GENIUS, 332 00:16:59,519 --> 00:17:00,487 PIONEER IN ARTIFICIAL LIFE. 333 00:17:00,520 --> 00:17:02,522 YEAH, COOKE. HE DEVELOPED SOFTWARE THAT MIRRORS 334 00:17:02,555 --> 00:17:03,723 THE HUMAN REPRODUCTIVE SYSTEM. 335 00:17:03,756 --> 00:17:05,658 COMPUTERS THAT CAN REPLICATE THEMSELVES. 336 00:17:05,692 --> 00:17:07,460 SO MAYBE COOKE WAS THE TARGET AND NOT THE SMART BUS. 337 00:17:07,494 --> 00:17:10,330 IF SO, THAT WOULD DEFINITELY BE IMITATING EVENTS FROM THE BOOK. 338 00:17:10,363 --> 00:17:13,166 ALLEGRO AND HIS ARMY NOT ONLY DESTROYED ROBOTS, 339 00:17:13,200 --> 00:17:14,367 BUT THEY ASSASSINATE THE SCIENTISTS 340 00:17:14,401 --> 00:17:16,536 THAT ARE RESPONSIBLE FOR CREATING THEM. 341 00:17:16,569 --> 00:17:18,638 DR. COOKE WAS SITTING RIGHT IN FRONT OF SYLVIA COHEN. 342 00:17:18,671 --> 00:17:19,772 AND THE UMBRELLA WAS INITIALLY FOUND 343 00:17:19,806 --> 00:17:21,774 UNDERNEATH DR. COOKE'S SEAT. 344 00:17:21,808 --> 00:17:23,676 YEAH. 345 00:17:23,710 --> 00:17:25,478 THANK YOU FOR COMING SO QUICKLY, DR. COOKE. 346 00:17:25,512 --> 00:17:29,382 PEOPLE, PARTICULARLY SOME RELIGIOUS FUNDAMENTALISTS, 347 00:17:29,416 --> 00:17:30,450 OPPOSE THE WORK YOU DO. 348 00:17:30,483 --> 00:17:34,254 DO YOU RECEIVE ANY THREATENING LETTERS OR PHONE CALLS 349 00:17:34,287 --> 00:17:35,422 FROM ANYONE ABOUT YOUR WORK? 350 00:17:35,455 --> 00:17:36,656 NEVER. REALLY? 351 00:17:36,689 --> 00:17:39,759 I'VE MANAGED TO PUT TO REST CERTAIN ANXIETIES 352 00:17:39,792 --> 00:17:42,529 ABOUT THE GODLESSNESS OF ARTIFICIAL LIFE 353 00:17:42,562 --> 00:17:45,532 BY OPENLY SHARING MY OWN PERSONAL BELIEFS. 354 00:17:45,565 --> 00:17:46,566 WHICH ARE? 355 00:17:46,599 --> 00:17:47,567 NO SCIENTIFIC KNOWLEDGE 356 00:17:47,600 --> 00:17:49,436 PRECLUDES THE EXISTENCE OF GOD. 357 00:17:49,469 --> 00:17:53,373 THERE ARE ALSO THOSE WITH VERY STRONG ETHICAL CONCERNS. 358 00:17:53,406 --> 00:17:55,808 ETHICAL CONCERNS REVOLVE MAINLY AROUND 359 00:17:55,842 --> 00:17:59,712 THE MANIPULATION OF ALREADY-EXISTING LIFE FORMS . 360 00:17:59,746 --> 00:18:02,549 MY WORK IS ON CREATING ARTIFICIAL LIFE, 361 00:18:02,582 --> 00:18:05,852 WHICH PRESENTS FAR LESS ETHICAL DILEMMA. 362 00:18:05,885 --> 00:18:08,588 NOT FROM THE MAN THAT PUT THE BOMB ON THE BUS YESTERDAY. 363 00:18:08,621 --> 00:18:12,759 HE SEEMS TO BE OBSESSED WITH THE SCIENCE FICTION NOVEL BY DAVID HANSBERRY 364 00:18:12,792 --> 00:18:13,893 CALLED EMPTY PLANET. 365 00:18:13,926 --> 00:18:15,462 ARE YOU FAMILIAR WITH THE BOOK? 366 00:18:15,495 --> 00:18:18,298 I'M FRIENDS WITH THE AUTHOR. 367 00:18:19,299 --> 00:18:25,338 THE AUTHOR OF THE EMPTY PLANET USED DAVID HANSBERRY AS A PSEUDONYM. 368 00:18:25,372 --> 00:18:28,141 COME ON, GARCIA, I KNOW YOU GOT HIS NAME, SO GIVE IT UP. 369 00:18:28,175 --> 00:18:31,211 HER NAME, YOU CUTE LITTLE CHAUVINIST, 370 00:18:31,244 --> 00:18:32,145 IS URSULA KENT, 371 00:18:32,179 --> 00:18:35,615 AND SHE'S A LITERATURE PROFESSOR AT...OH, MY. 372 00:18:35,648 --> 00:18:37,317 IN SEATTLE, ST. DENNIS UNIVERSITY. 373 00:18:37,350 --> 00:18:39,586 WHERE THE FLOPPY DISC BOMBS WERE SET. 374 00:18:39,619 --> 00:18:40,553 UH-HUH. 375 00:18:40,587 --> 00:18:42,422 OH, YOU ARE THE LIGHT OF MY LIFE, SWEET LADY. 376 00:18:44,524 --> 00:18:45,558 DRIVES ME CRAZY WHEN YOU TALK THAT 377 00:18:45,592 --> 00:18:47,327 VOULEZ COUCHER STUFF TO ME. 378 00:18:47,360 --> 00:18:49,529 STOP IT. HMM. 379 00:18:49,562 --> 00:18:51,364 URSULA KENT IS A BRILLIANT WOMAN. 380 00:18:51,398 --> 00:18:53,466 SHE'S A POST-MODERNIST LITERATURE PROFESSOR. 381 00:18:53,500 --> 00:18:56,503 EVERY SEMESTER I GIVE A GUEST LECTURE IN HER CLASS. 382 00:18:56,536 --> 00:18:59,706 SHE--SHE'S HERE 383 00:18:59,739 --> 00:19:02,575 IS THAT NOT WHAT I JUST SAID? 384 00:19:04,677 --> 00:19:08,281 SIR, THIS GUY READS EMPTY PLANET LIKE IT'S PROPHECY. 385 00:19:08,315 --> 00:19:10,783 HE'S TARGETING WHAT HE CONSIDERS THREATS 386 00:19:10,817 --> 00:19:12,084 TO THE SURVIVAL OF HUMAN BEINGS, 387 00:19:12,118 --> 00:19:15,555 AND I BELIEVE THAT HE FINDS YOU ONE OF THESE THREATS, DR. COOKE. 388 00:19:15,588 --> 00:19:17,857 AS I'VE SAID, I RATHER DOUBT THAT. 389 00:19:17,890 --> 00:19:20,493 DO YOU THINK THE FACT THAT YOU WERE ON THAT BUS 390 00:19:20,527 --> 00:19:22,962 AND YOU'RE FRIENDS WITH THE AUTHOR IS A COINCIDENCE? 391 00:19:22,995 --> 00:19:26,266 A COGNITIVE SCIENTIST AT M.I.T. ONCE SAID, 392 00:19:26,299 --> 00:19:28,401 "COINCIDENCES SEEM TO BE THE SOURCE 393 00:19:28,435 --> 00:19:31,538 FOR SOME OF OUR GREATEST IRRATIONALITIES." 394 00:19:31,571 --> 00:19:33,640 OUR MINDS SEE COINCIDENCES AND-- 395 00:19:33,673 --> 00:19:35,308 I UNDERSTOOD HIM. 396 00:19:35,342 --> 00:19:36,609 I'D LIKE TO ATTACH A PROTECTIVE DETAIL 397 00:19:36,643 --> 00:19:38,711 FOR YOU, DR. COOKE, UNTIL WE FIND THE GUY. 398 00:19:38,745 --> 00:19:40,880 NO. THANK YOU. EXCUSE ME? 399 00:19:40,913 --> 00:19:43,483 REALLY, NOW. DO I SEEM LIKE THE SORT 400 00:19:43,516 --> 00:19:44,851 WHO WOULD WANT TO BE FOLLOWED AROUND ALL DAY 401 00:19:44,884 --> 00:19:50,490 BY A GOVERNMENT GOON SQUAD? I DON'T THINK SO. 402 00:19:53,693 --> 00:19:56,296 GOON SQUAD? 403 00:19:56,729 --> 00:19:57,664 EVER TALK TO SOMEONE WHO WANTS 404 00:19:57,697 --> 00:20:00,267 TO CONTINUALLY SHOW YOU HE'S SMARTER THAN YOU? 405 00:20:00,300 --> 00:20:02,769 EVERYDAY. 406 00:20:02,802 --> 00:20:03,570 I REALLY HATE THAT. 407 00:20:03,603 --> 00:20:05,638 GARCIA FOUND THE AUTHOR OF THE BOOK. 408 00:20:05,672 --> 00:20:07,307 DAVID HANSBERRY'S JUST A PEN NAME. 409 00:20:07,340 --> 00:20:08,608 THE REAL NAME IS URSULA-- URSULA KENT. 410 00:20:08,641 --> 00:20:11,544 THE PROFESSOR OF POST-MODERN LITERATURE AT ST. DENNIS UNIVERSITY 411 00:20:11,578 --> 00:20:12,679 WHERE THE FLOPPY DISC BOMBS WERE SENT. 412 00:20:12,712 --> 00:20:15,014 HMM. ANYWAY, J.J.'S CONTACTING HER. 413 00:20:15,047 --> 00:20:16,383 WE CAN GO SEE HER ANY TIME. LET'S GO. 414 00:20:16,416 --> 00:20:19,386 WE NEED TO STOP BY A BOOKSTORE AND GET A COPY OF EMPTY PLANET. 415 00:20:19,419 --> 00:20:21,254 I WANT TO RE-READ BEFORE WE TALK TO THE AUTHOR. 416 00:20:21,288 --> 00:20:22,289 I HAVEN'T READ IT SINCE I WAS 6. 417 00:20:22,322 --> 00:20:25,358 6? I WAS STILL RIDIN' BY BIG WHEEL AT 6 YEARS OLD. 418 00:20:25,392 --> 00:20:27,494 DO YOU MIND? IT'LL ONLY TAKE 10 MINUTES. 419 00:20:27,527 --> 00:20:28,728 TO BUY IT OR READ IT? 420 00:20:28,761 --> 00:20:29,762 UH, BOTH, ACTUALLY. 421 00:20:29,796 --> 00:20:32,665 HAVE AGENT CASEY SET UP PROTECTION FOR DR. COOKE. 422 00:20:32,699 --> 00:20:35,735 LIKE HIM OR NOT, HE'S IN DANGER. 423 00:21:21,681 --> 00:21:23,550 HE USED A COMPRESSION DETONATOR. 424 00:21:23,583 --> 00:21:24,884 LOOKS LIKE IT WAS UNDER THE SEAT. 425 00:21:24,917 --> 00:21:26,419 ONCE HE SAT DOWN, IT ARMS. 426 00:21:26,453 --> 00:21:28,655 DETONATED WHEN HE RELEASED THE PRESSURE BY GETTING UP. 427 00:21:28,688 --> 00:21:32,058 WE WANTED TO MAKE SURE NOTHING WENT WRONG THIS TIME. 428 00:21:32,091 --> 00:21:34,361 NOBODY MOVED THE UMBRELLA. 429 00:21:34,394 --> 00:21:37,029 HOTCH, GIDEON JUST TALKED TO THIS GUY. 430 00:21:37,063 --> 00:21:38,965 OFFERED HIM SECURITY BUT HE REFUSED. 431 00:21:38,998 --> 00:21:41,534 WE WERE GONNA SET IT UP ANYWAY. 432 00:21:41,568 --> 00:21:42,802 I DOUBT IT WOULD HAVE HELPED. 433 00:21:42,835 --> 00:21:44,671 WHAT DO YOU MEAN? 434 00:21:44,704 --> 00:21:45,605 COMPRESSION DETONATOR. 435 00:21:45,638 --> 00:21:47,407 IT HAD TO HAVE BEEN SET WHEN HE WAS WITH US 436 00:21:47,440 --> 00:21:48,441 OR IT WOULD HAVE DETONATED 437 00:21:48,475 --> 00:21:49,308 WHEN HE ARRIVED AT THE FIELD OFFICE. 438 00:21:49,342 --> 00:21:50,677 I'LL GET SECURITY TO START RUNNING TAPES 439 00:21:50,710 --> 00:21:53,012 OF THE LAB FOR THE LAST 2 HOURS. 440 00:21:53,045 --> 00:21:54,981 GOOD. 441 00:21:59,752 --> 00:22:00,653 GIDEON. 442 00:22:00,687 --> 00:22:03,690 I'M GLAD NO ONE BUT DR. COOKE WAS HURT. 443 00:22:04,657 --> 00:22:06,826 DR. COOKE WASN'T HURT. 444 00:22:06,859 --> 00:22:08,528 HE WAS MURDERED. 445 00:22:08,561 --> 00:22:10,062 MURDER IS NOT MURDER DURING WAR. 446 00:22:10,096 --> 00:22:11,431 BUT THIS-- THIS ISN'T A WAR. 447 00:22:11,464 --> 00:22:15,001 YOU'RE--YOU'RE... YOU'RE LIVIN' A NOVEL. 448 00:22:15,034 --> 00:22:16,703 YOU'RE LIVIN' A FICTION. 449 00:22:16,736 --> 00:22:18,605 WILL YOU MEET MY DEMANDS? I CAN'T. 450 00:22:18,638 --> 00:22:20,106 STOPPING ALL AUTOMATION AT A WEEK, 451 00:22:20,139 --> 00:22:21,741 YOU KNOW THAT'S IMPOSSIBLE. 452 00:22:21,774 --> 00:22:22,909 AND I WANT MY MANIFESTO PRINTED 453 00:22:22,942 --> 00:22:24,544 IN THE SEATTLE LEDGER BY TONIGHT. 454 00:22:24,577 --> 00:22:26,846 NOT THE NEW YORK TIMES, WASHINGTON POST? 455 00:22:26,879 --> 00:22:30,717 SOMEBODY IN SEATTLE IMPORTANT TO YOU? 456 00:22:32,151 --> 00:22:33,920 THERE'S MORE WORK TO BE DONE. 457 00:22:33,953 --> 00:22:35,087 MUCH, MUCH MORE. 458 00:22:35,121 --> 00:22:36,188 IN FACT, I'M GOING TO VISIT AN OLD ACQUAINTANCE RIGHT NOW. 459 00:22:36,222 --> 00:22:40,059 I'D INVITE YOU, BUT YOU'RE ALL GOING TO BE VERY BUSY. 460 00:22:40,092 --> 00:22:42,729 GOT IT. IT WAS THE LAST COPY LEFT. 461 00:22:42,762 --> 00:22:44,497 ACCORDING TO THE CLERK, IT'S ACTUALLY BECOME 462 00:22:44,531 --> 00:22:46,165 A PRETTY POPULAR NOVEL IN SCIENCE FICTION CIRCLES. 463 00:22:46,198 --> 00:22:48,167 HOTCH. 464 00:22:48,200 --> 00:22:50,069 A SUSPICIOUS PACKAGE WAS FOUND AT THE WATER WORKS. 465 00:22:50,102 --> 00:22:51,771 THE REPORT SAYS IT LOOKS LIKE A PIPE BOMB. 466 00:22:51,804 --> 00:22:53,606 WE'RE ON OUR WAY THERE NOW. 467 00:22:53,640 --> 00:22:54,641 OK, KEEP ME POSTED. 468 00:22:54,674 --> 00:22:57,510 UNSUB SAYS WE'RE GONNA BE BUSY. 469 00:22:57,544 --> 00:22:58,845 GOT IT. 470 00:22:58,878 --> 00:23:00,847 LOOKS LIKE A PIPE BOMB AT THE WATER WORKS. 471 00:23:00,880 --> 00:23:02,014 ARE WE GONNA GO THERE? 472 00:23:02,048 --> 00:23:05,918 NO, WE'LL STILL GO SEE PROFESSOR KENT. 473 00:23:05,952 --> 00:23:08,087 SEATBELTS. 474 00:23:10,890 --> 00:23:13,593 HELLO. URSULA KENT. 475 00:23:13,626 --> 00:23:14,894 HI. MY PLEASURE, PROFESSOR KENT. 476 00:23:14,927 --> 00:23:17,797 JASON GIDEON, F.B.I. THIS IS DR. REID. 477 00:23:17,830 --> 00:23:19,065 IT'S A REAL PLEASURE TO MEET YOU. 478 00:23:19,098 --> 00:23:19,866 I'M A FAN OF YOUR WORK. 479 00:23:19,899 --> 00:23:21,434 WELL, THAT'S VERY NICE OF YOU TO SAY. 480 00:23:21,468 --> 00:23:25,672 UM, WE CAN SPEAK IN MY OFFICE. LEAD THE WAY. 481 00:23:26,706 --> 00:23:30,877 YOUR BOOK HAS BECOME A SIGNIFICANT PART OF OUR INVESTIGATION. 482 00:23:30,910 --> 00:23:32,879 SO YOUR COLLEAGUE EXPLAINED. 483 00:23:32,912 --> 00:23:33,846 I CAN'T IMAGINE HOW, THOUGH. 484 00:23:33,880 --> 00:23:37,216 BOMBER SEES IT AS SOME KIND OF PROPHETIC WORK. 485 00:23:37,249 --> 00:23:39,652 HE'S ATTEMPTING TO SAVE HUMANITY 486 00:23:39,686 --> 00:23:41,153 BY STOPPING THE PROLIFERATION 487 00:23:41,187 --> 00:23:42,755 OF ROBOTIC TECHNOLOGY. 488 00:23:42,789 --> 00:23:44,591 WELL, THAT'S ABSURD. 489 00:23:44,624 --> 00:23:45,925 HE'S WRITTEN A DOCUMENT-LIKE MANIFESTO 490 00:23:45,958 --> 00:23:47,827 CALLED A GUIDE TO PRACTICAL LIVING, 491 00:23:47,860 --> 00:23:48,728 AND SEVERAL SECTIONS OF IT 492 00:23:48,761 --> 00:23:49,696 ARE LIFTED DIRECTLY FROM EMPTY PLANET. 493 00:23:49,729 --> 00:23:53,800 HE'S TAKEN UP WHAT HE BELIEVES TO BE YOUR CAUSE 494 00:23:53,833 --> 00:23:58,437 AND HE'S KILLING PEOPLE FOR THE SAKE OF IT. 495 00:23:59,839 --> 00:24:02,809 BUT EMPTY PLANET IS A FANTASY. 496 00:24:02,842 --> 00:24:04,143 NOT TO THIS MAN. 497 00:24:04,176 --> 00:24:06,579 HOW COULD ANYONE THINK IT'S MORE THAN THAT? 498 00:24:06,613 --> 00:24:08,615 UNFORTUNATELY, IT'S IMPOSSIBLE TO PREDICT 499 00:24:08,648 --> 00:24:11,050 HOW AN UNSTABLE MIND WILL INTERPRET SOMETHING. 500 00:24:11,083 --> 00:24:14,787 AND IT'S CAUSED HIM TO KILL PEOPLE? 501 00:24:16,022 --> 00:24:18,791 DO YOU KNOW DR. EMORY COOKE? 502 00:24:18,825 --> 00:24:19,726 VERY WELL. 503 00:24:19,759 --> 00:24:20,760 HE SPOKE TO YOUR CLASSES? YES. 504 00:24:20,793 --> 00:24:25,965 DR. COOKE WAS MURDERED BY THE BOMBER AN HOUR AGO. 505 00:24:28,100 --> 00:24:31,103 NO... 506 00:24:34,240 --> 00:24:36,909 CLEAR! 507 00:24:36,943 --> 00:24:39,912 IT'S SAFE NOW. ANOTHER SMALL CHARGE. 508 00:24:39,946 --> 00:24:43,149 MORE MEANT TO SCARE THAN TO HARM. 509 00:24:45,017 --> 00:24:47,520 DEFINITELY THE SAME UNSUB. 510 00:24:47,554 --> 00:24:49,522 SAME SIGNATURE. 511 00:24:49,556 --> 00:24:51,057 CASEY. 512 00:24:51,257 --> 00:24:53,192 WE'LL GET THERE A.S.A.P. 513 00:24:53,225 --> 00:24:56,128 THERE'S ANOTHER BOMB AT THE POST OFFICE. 514 00:24:56,162 --> 00:24:58,531 LET'S GO. 515 00:25:02,001 --> 00:25:04,236 PROFESSOR, WHAT IS THAT? 516 00:25:04,270 --> 00:25:05,972 OH, UH... 517 00:25:06,005 --> 00:25:09,141 THIS IS SOMETHING SOMEONE-- A BRILLIANT MAN 518 00:25:09,175 --> 00:25:11,578 GAVE ME A LONG TIME AGO BEFORE HE DIED. 519 00:25:11,611 --> 00:25:16,616 ACTUALLY, IT'S PART OF THE INSPIRATION FOR EMPTY PLANET. 520 00:25:16,649 --> 00:25:17,817 JAMES WAS A RATHER EARLY ALARMIST 521 00:25:17,850 --> 00:25:22,955 ABOUT HOW MUCH WE WERE LETTING TECHNOLOGY CONTROL OUR LIVES. 522 00:25:22,989 --> 00:25:25,892 IT'S BECOME A SORT OF TALISMAN FOR ME. 523 00:25:25,925 --> 00:25:28,561 YOU WEAR IT WHEN YOU TEACH? 524 00:25:28,595 --> 00:25:30,162 SOMETIMES, YES. 525 00:25:33,165 --> 00:25:37,069 THIS HAS BEEN ETCHED ON THE BOMBER'S DEVICES. 526 00:25:38,104 --> 00:25:39,939 OH, MY GOD. 527 00:25:39,972 --> 00:25:43,910 BOMBER'S WRITTEN A MANIFESTO HE WANTS PUBLISHED, 528 00:25:43,943 --> 00:25:45,878 BUT NOT IN THE NATIONAL NEWSPAPER. 529 00:25:45,912 --> 00:25:48,581 HE WANTS IT PUBLISHED IN THE SEATTLE LEDGER. 530 00:25:48,615 --> 00:25:50,216 HE WANTS SOMEONE HERE TO READ IT. 531 00:25:50,249 --> 00:25:54,220 HAVE YOU EVER HAD A STUDENT YOU THINK MIGHT BE CAPABLE OF DOING SOMETHING LIKE THIS? 532 00:25:54,253 --> 00:25:56,956 ONE OF MY STUDENTS 533 00:25:56,989 --> 00:26:00,026 I'M A POST-MODERNIST. IN MY AREA OF STUDY, 534 00:26:00,059 --> 00:26:04,296 TECHNOLOGICAL INVENTIONS ARE OFTEN VIEWED AS ART OBJECTS. 535 00:26:04,330 --> 00:26:05,798 THAT'S TRUE, BUT OFTENTIMES 536 00:26:05,832 --> 00:26:07,099 THE BIGGEST CRITICS OF TECHNOLOGY 537 00:26:07,133 --> 00:26:08,601 ARE THOSE WITH SCIENTIFIC BACKGROUNDS, 538 00:26:08,635 --> 00:26:10,236 AND YOUR STUDENTS DEFINITELY FIT THAT CATEGORY. 539 00:26:10,269 --> 00:26:12,204 I NEED YOU TO READ THIS. 540 00:26:12,238 --> 00:26:14,173 TELL ME IF THE WRITING SEEMS 541 00:26:14,206 --> 00:26:16,943 AT ALL FAMILIAR TO YOU. 542 00:26:16,976 --> 00:26:18,845 WE'LL WAIT. 543 00:26:24,951 --> 00:26:25,952 MORGAN. 544 00:26:25,985 --> 00:26:27,820 GIDEON, THIS GUY'S PISSING ME OFF RIGHT ABOUT NOW. 545 00:26:27,854 --> 00:26:30,823 THIS IS THE FOURTH LOCATION IN THE LAST 50 MINUTES. 546 00:26:30,857 --> 00:26:33,259 ALL OF THEM HAVE BEEN VERY SMALL BOMBS. 547 00:26:33,292 --> 00:26:34,727 WHAT KIND OF LOCATIONS? 548 00:26:34,761 --> 00:26:35,628 MUNICIPAL. WATER WORKS, 549 00:26:35,662 --> 00:26:37,964 MAIN POST OFFICE, SOCIAL SECURITY OFFICE, 550 00:26:37,997 --> 00:26:39,866 AND NOW WE'RE AT THE MAIN BRANCH OF THE LIBRARY. 551 00:26:39,899 --> 00:26:42,935 GOVERNMENT BUILDINGS. NOTHING INVOLVING TECHNOLOGY. 552 00:26:42,969 --> 00:26:45,037 NO, NOTHIN'. THEN WHAT'S THE PURPOSE? 553 00:26:45,071 --> 00:26:47,173 DISTRACT US, KEEP US MOVIN'. 554 00:26:47,206 --> 00:26:49,141 HE'S DOING A DAMN GOOD JOB, GIDEON. 555 00:26:49,175 --> 00:26:50,209 I DON'T LIKE THIS AT ALL. 556 00:26:50,242 --> 00:26:51,343 WE'RE CHASIN' THIS GUY. 557 00:26:51,377 --> 00:26:52,979 WE GOTTA DO SOMETHIN' TO GET AHEAD OF HIM. 558 00:26:53,012 --> 00:26:55,848 PROFESSOR KENT IS READING THE MANIFESTO. 559 00:26:55,882 --> 00:26:58,718 I HOPE SHE READS AS FAST AS REID. 560 00:26:59,218 --> 00:27:02,388 NO ONE READS AS FAST AS REID. 561 00:27:09,929 --> 00:27:12,031 IS THIS THE SYLLABUS FOR YOUR CLASS? 562 00:27:12,064 --> 00:27:13,199 YES. 563 00:27:13,232 --> 00:27:14,901 IS IT THE SAME EVERY SEMESTER? 564 00:27:14,934 --> 00:27:17,336 MOSTLY, MAYBE A BOOK OR PROJECT CHANGED. 565 00:27:17,369 --> 00:27:19,271 YOU ONLY HAVE 2 GUEST LECTURERS LISTED. 566 00:27:19,305 --> 00:27:22,341 YES. UH, DR. COOKE AND DR. BRASIER. 567 00:27:22,374 --> 00:27:23,976 I ALWAYS HAVE THOSE TWO, 568 00:27:24,010 --> 00:27:25,812 THEY'RE THE ONLY TWO I INVITE. 569 00:27:25,845 --> 00:27:27,013 THEY SPEAK TO EVERY NEW CLASS. 570 00:27:27,046 --> 00:27:30,883 DR. COOKE IS-- WAS AN EXPERT 571 00:27:30,917 --> 00:27:34,120 ON ARTIFICIAL LIFE, AND DR. BRASIER-- 572 00:27:34,153 --> 00:27:34,921 ARTIFICIAL INTELLIGENCE. 573 00:27:34,954 --> 00:27:36,355 DR. BRASIER HAVE AN OFFICE ON CAMPUS? 574 00:27:36,388 --> 00:27:38,457 NO, UM, IT'S CROSS TOWN 575 00:27:38,490 --> 00:27:40,893 AT ROLLING HILLS. 576 00:27:44,396 --> 00:27:47,066 MORGAN, I MAY HAVE SOMETHING. 577 00:27:50,502 --> 00:27:52,238 HEY, SHELLY. 578 00:27:52,271 --> 00:27:55,441 I'M ON MY WAY TO THE SYMPOSIUM NOW. 579 00:27:55,474 --> 00:27:58,077 THEN SAVE ME A SEAT. 580 00:27:58,110 --> 00:27:59,245 IT'S NOT RUDE. 581 00:27:59,278 --> 00:28:01,714 FINE, THEN TELL THEM A V.I.P. IS COMING 582 00:28:01,748 --> 00:28:04,751 AND YOU'LL LOSE YOUR JOB IF YOU DON'T SAVE THE SEAT. 583 00:28:04,784 --> 00:28:06,919 HOW LONG AGO DID HER ASSISTANT SAY SHE LEFT? 584 00:28:06,953 --> 00:28:07,754 MINUTES. 585 00:28:07,787 --> 00:28:09,889 GOOD, MAYBE SHE'S NOT IN THE CAR YET. 586 00:28:10,823 --> 00:28:12,792 YEAH. 587 00:28:14,861 --> 00:28:16,829 HEY, SHELLY. 588 00:28:16,863 --> 00:28:18,464 I'M THE V.I.P. 589 00:28:18,497 --> 00:28:19,999 YES, I AM. 590 00:28:20,032 --> 00:28:22,268 I DON'T CARE WHAT YOU TELL THEM. 591 00:28:22,301 --> 00:28:24,036 STOP THE CAR! STOP THE CAR! 592 00:28:24,070 --> 00:28:25,805 SEE, I'M TIRED AND I NEED A SEAT. 593 00:28:25,838 --> 00:28:27,740 STOP THE CAR, MA'AM! STOP THE CAR! 594 00:28:29,008 --> 00:28:31,778 LISTEN TO ME. DO NOT TOUCH THE IGNITION. PUT THE CAR IN PARK. 595 00:28:31,811 --> 00:28:35,848 MA'AM, PUT THE CAR IN PARK, DON'T TOUCH THE IGNITION. 596 00:28:35,882 --> 00:28:38,117 DON'T PANIC. I'M F.B.I. 597 00:28:38,150 --> 00:28:39,251 F.B.I.?! 598 00:28:39,285 --> 00:28:41,754 ARE YOU DR. BRASIER? YES, I'M DR. BRASIER. 599 00:28:41,788 --> 00:28:45,291 IT'S HER. GIRL, LET ME CALL YOU BACK. 600 00:28:46,893 --> 00:28:49,095 DOCTOR, DO NOT MOVE. 601 00:28:49,128 --> 00:28:50,062 EXCUSE ME? 602 00:28:50,096 --> 00:28:52,965 I NEED YOU TO SIT AS STILL AS YOU CAN, PLEASE. 603 00:28:52,999 --> 00:28:55,367 PLEASE. 604 00:28:59,806 --> 00:29:02,074 DAMN IT. 605 00:29:03,910 --> 00:29:06,078 OK, DOCTOR, LISTEN CAREFULLY. 606 00:29:06,112 --> 00:29:09,148 YOU MUST SIT AS STILL AS YOU POSSIBLY CAN, 607 00:29:09,181 --> 00:29:10,416 YOU UNDERSTAND? 608 00:29:10,449 --> 00:29:11,550 WHY? 609 00:29:11,583 --> 00:29:14,753 THERE IS A BOMB UNDER YOUR SEAT. 610 00:29:27,499 --> 00:29:33,940 BE OF GOOD COURAGE AND HE WILL STRENGTHEN THINE HEART. 611 00:29:33,973 --> 00:29:36,142 DOCTOR... 612 00:29:36,608 --> 00:29:40,379 YOU'RE GONNA BE JUST FINE. 613 00:29:40,947 --> 00:29:43,482 HE WILL STRENGTHEN THINE HEART. 614 00:29:43,515 --> 00:29:45,484 EVERY DEVICE THIS GUY HAS MADE 615 00:29:45,517 --> 00:29:47,086 HAS BEEN FAIRLY BASIC. 616 00:29:47,119 --> 00:29:48,888 I'M GUESSING THIS IS A SIMPLE 617 00:29:48,921 --> 00:29:51,190 LEVER ACTION COMPRESSION DETONATOR. 618 00:29:51,223 --> 00:29:52,491 KINDA LIKE A DOOR LATCH. 619 00:29:52,524 --> 00:29:55,194 I'M GONNA USE THIS, PUT IT BETWEEN THE LATCH AND THE SEAT BOTTOM 620 00:29:55,227 --> 00:29:59,065 TO DEPRESS THE LATCH, AND I THINK WE SHOULD BE OK. 621 00:29:59,098 --> 00:30:00,232 SHOULD? 622 00:30:00,266 --> 00:30:03,369 WELL, IF THERE'S MERCURY, WE GOT PROBLEMS. 623 00:30:11,911 --> 00:30:16,115 THANKS, HOTCH. YEAH, I'M RIGHT HERE. 624 00:30:16,148 --> 00:30:17,249 SO? 625 00:30:17,283 --> 00:30:19,318 BOMB TECH'S JUST ABOUT READY. 626 00:30:19,351 --> 00:30:20,186 MAYBE WE SHOULD GET OVER THERE. 627 00:30:20,219 --> 00:30:23,923 NO. I THINK WE WOULD JUST BE IN THE WAY. 628 00:30:23,956 --> 00:30:24,590 WHAT ABOUT MORGAN? 629 00:30:24,623 --> 00:30:27,393 HE HASN'T CHANGED HIS MIND. 630 00:30:29,461 --> 00:30:30,362 MORGAN? 631 00:30:30,396 --> 00:30:32,865 I'M ORDERING YOU TO STEP AWAY FROM THE CAR. 632 00:30:32,899 --> 00:30:35,534 HOTCH, YOU KNOW I RESPECT YOU. 633 00:30:36,202 --> 00:30:38,905 I'M NOT LEAVIN' HER. 634 00:30:44,043 --> 00:30:46,112 YOU SHOULD LISTEN TO YOUR FRIENDS. 635 00:30:46,145 --> 00:30:48,247 HEY... 636 00:30:48,280 --> 00:30:50,216 DON'T DO THAT. 637 00:30:50,249 --> 00:30:52,284 DON'T YOU TURN ON ME, DOC. 638 00:30:52,318 --> 00:30:57,223 I'M RIGHT HERE. WITH YOU. 639 00:30:57,256 --> 00:30:59,391 GOT IT? 640 00:31:01,060 --> 00:31:01,760 OK. 641 00:31:01,793 --> 00:31:04,964 MY GIRL IS USING ONE OF MY HANDS. 642 00:31:04,997 --> 00:31:07,934 NOW, CASSIE. YEAH? 643 00:31:07,967 --> 00:31:10,202 YOU MIGHT THE OTHER ONE, SO COME ON. 644 00:31:10,236 --> 00:31:14,006 DO WHAT YOU GOTTA DO, LET'S DO THIS. 645 00:31:14,040 --> 00:31:16,208 STEP BACK. 646 00:31:19,545 --> 00:31:22,081 Thank you. 647 00:31:23,182 --> 00:31:27,486 ASIDE FROM THE SECTIONS OF MY NOVEL THAT WERE BLATANTLY PLAGIARIZED, 648 00:31:27,519 --> 00:31:29,188 I DIDN'T RECOGNIZE ANYTHING. 649 00:31:29,221 --> 00:31:33,125 IT'S JUST PAGE AFTER PAGE OF THE RAVINGS OF A LUNATIC. 650 00:31:35,494 --> 00:31:38,364 RIGHT NOW, A YOUNG MAN I GREATLY RESPECT AND ADMIRE 651 00:31:38,397 --> 00:31:42,201 IS PUTTING HIS LIFE ON THE LINE BECAUSE OF THAT LUNATIC. 652 00:31:42,234 --> 00:31:47,373 I'LL... LOOK THROUGH IT AGAIN. 653 00:31:47,974 --> 00:31:50,609 THANK YOU. 654 00:31:51,277 --> 00:31:54,046 YOU'RE GONNA BE JUST FINE. 655 00:32:17,369 --> 00:32:22,041 WAIT ON THE LORD, I SAY. 656 00:32:40,759 --> 00:32:42,394 THAT WAS LUCKY. 657 00:32:42,428 --> 00:32:45,031 YEAH, THIS TIME. 658 00:32:45,664 --> 00:32:48,600 YEAH. YEAH, THEY'RE OK. 659 00:32:48,634 --> 00:32:50,136 GOOD. 660 00:32:50,169 --> 00:32:52,738 NOW BLOW THE CAR UP. 661 00:32:53,339 --> 00:32:56,442 YOU'RE BLOWING IT UP? 662 00:32:56,775 --> 00:32:58,044 BEST WAY TO KEEP DR. BRASIER SAFE 663 00:32:58,077 --> 00:33:02,714 IS BY LETTING THE BOMBER THINK HE WAS SUCCESSFUL IN KILLING HER. 664 00:33:02,748 --> 00:33:04,383 NEIGHBORS WILL HEAR AN EXPLOSION, 665 00:33:04,416 --> 00:33:05,484 IT'LL BE ON THE NEWS. 666 00:33:05,517 --> 00:33:08,420 YOU HAVE A COMPLICATED LIFE. 667 00:33:08,720 --> 00:33:11,323 IT'S A COMPLICATED WORLD. 668 00:33:11,690 --> 00:33:15,194 I'M SORRY I COULDN'T BE MORE HELP. 669 00:33:15,227 --> 00:33:17,763 YEAH, ME, TOO. 670 00:33:18,330 --> 00:33:20,299 GIVE THE MANIFESTO A LITTLE MORE THOUGHT. 671 00:33:20,332 --> 00:33:21,500 MAYBE SOMETHING WILL OCCUR TO YOU 672 00:33:21,533 --> 00:33:23,535 WITHOUT THE PRESSURE OF US LOOMING OVER YOU. 673 00:33:23,569 --> 00:33:25,537 YOU COULD GO BACK OVER YOUR STUDENT LIST. 674 00:33:25,571 --> 00:33:30,209 THINK ABOUT THE MALES. ANYTHING ODD ABOUT THEM. 675 00:33:30,242 --> 00:33:31,310 GUY PROBABLY HAD A TEMPER. 676 00:33:31,343 --> 00:33:35,114 SOMETHIN' YOU MAYBE HAVEN'T THOUGHT ABOUT FOR YEARS. 677 00:33:35,147 --> 00:33:37,316 I'VE HAVE MY T.A. PULL THE FILES. 678 00:33:37,349 --> 00:33:40,252 MAY I ASK YOU SOMETHING, MA'AM? 679 00:33:40,286 --> 00:33:41,553 OF COURSE. 680 00:33:41,587 --> 00:33:44,356 WHY DIDN'T YOU EVER WRITE ANOTHER BOOK? 681 00:33:44,390 --> 00:33:49,661 I GUESS IT WAS THE ONLY STORY I NEEDED TO TELL. 682 00:33:51,263 --> 00:33:53,432 I'LL BE WORKING IN MY OFFICE MOST OF THE NIGHT. 683 00:33:53,465 --> 00:33:56,102 DON'T HESITATE TO CALL. 684 00:33:56,635 --> 00:33:57,736 THANK YOU. 685 00:33:57,769 --> 00:34:01,573 HAVE A GOOD NIGHT. YOU, TOO. 686 00:34:25,631 --> 00:34:30,469 MELISSA, I NEED YOU TO PULL THE FILE AND THESIS PAPER 687 00:34:30,502 --> 00:34:32,704 ON A STUDENT FROM LAST YEAR. 688 00:34:32,738 --> 00:34:37,276 YEAH, HIS NAME IS KENNETH ROBERTS. 689 00:34:37,609 --> 00:34:40,579 GREAT, THANKS. 690 00:35:01,833 --> 00:35:05,171 SO IT BEGINS WITH THE FATHER'S SUICIDE-- 691 00:35:05,204 --> 00:35:06,905 OK, WE GOT 5 CRIME SCENES' WORTH 692 00:35:06,938 --> 00:35:08,039 OF NEW INFORMATION TO GO THROUGH. 693 00:35:08,073 --> 00:35:10,642 AND THE TARGETS THAT UNSUB CHOSE FOR THE DECOY BOMBS-- 694 00:35:10,676 --> 00:35:12,311 DO THEY FORCE A CHANGE IN THE PROFILE? 695 00:35:12,344 --> 00:35:13,779 I DON'T THINK SO. I THINK THEY ARE WHAT THE ARE. 696 00:35:13,812 --> 00:35:16,248 DECOYS TO THROW US OFF THE TRAIL OF DR. BRASIER. 697 00:35:16,282 --> 00:35:17,316 REID, WHAT'S THAT? 698 00:35:17,349 --> 00:35:18,850 IT'S THE SUBPLOT OF THE EMPTY PLANET BOOK. 699 00:35:18,884 --> 00:35:20,552 ALLEGRO KILLS HIS MOTHER? 700 00:35:20,586 --> 00:35:22,521 YEAH, AT THE END, HE DISCOVERS HE'S ADOPTED. 701 00:35:22,554 --> 00:35:23,722 HE'S REUNITED WITH HIS BIRTH MOM. 702 00:35:23,755 --> 00:35:25,591 HE THANKS HER FOR HAVING THE STRENGTH 703 00:35:25,624 --> 00:35:26,825 TO GIVE HIM A BETTER LIFE, BUT... 704 00:35:26,858 --> 00:35:31,230 IRONICALLY, HE REALIZES THAT SHE HERSELF HAS BECOME A ROBOT, 705 00:35:31,263 --> 00:35:32,398 SO HE KILLS HER. 706 00:35:32,431 --> 00:35:34,566 HE SACRIFICES THE ONE PERSON IN THE WORLD 707 00:35:34,600 --> 00:35:35,934 HE HAS A BIOLOGICAL CONNECTION WITH 708 00:35:35,967 --> 00:35:37,203 FOR THE GREATER GOOD. 709 00:35:37,236 --> 00:35:38,537 WOW. I THOUGHT WE WERE TALKING ABOUT 710 00:35:38,570 --> 00:35:40,672 SOME GEEKY SCI-FI BOOK HERE. 711 00:35:40,706 --> 00:35:42,374 THAT SOUNDS LIKE GREEK TRAGEDY. 712 00:35:42,408 --> 00:35:43,542 IT'S NOT PLAYED AS A TRAGEDY AT ALL THOUGH. 713 00:35:43,575 --> 00:35:45,677 IN FACT, HIS MOTHER'S INCREDIBLY PROUD OF THIS FINAL ACT, 714 00:35:45,711 --> 00:35:48,580 LIKE IT'S THE ULTIMATE FULFILLMENT OF HIS DESTINY, 715 00:35:48,614 --> 00:35:49,881 PROOF THAT-- PROOF THAT SHE WAS RIGHT 716 00:35:49,915 --> 00:35:52,384 TO HAVE GIVEN HIM UP IN THE FIRST PLACE. 717 00:35:52,418 --> 00:35:53,519 WAIT A MINUTE. IF HE KILLS HER, 718 00:35:53,552 --> 00:35:54,253 HOW DO YOU KNOW SHE WAS PROUD? 719 00:35:54,286 --> 00:35:55,887 IT'S TOLD FROM HER POINT OF VIEW. 720 00:35:55,921 --> 00:35:56,855 THE WHOLE BOOK IS. 721 00:35:56,888 --> 00:35:58,724 IT'S KIND OF LIKE SHE'S TALKING 722 00:35:58,757 --> 00:35:59,691 TO THE READER FROM HEAVEN. 723 00:35:59,725 --> 00:36:01,727 MOTHER'S THE NARRATOR. 724 00:36:01,760 --> 00:36:02,461 YEAH... 725 00:36:02,494 --> 00:36:04,330 IT'S REALLY HER STORY. 726 00:36:04,363 --> 00:36:05,964 ONLY STORY SHE NEEDED TO TELL. 727 00:36:05,997 --> 00:36:07,699 AND IN ORDER TO FULFILL THE STORY, 728 00:36:07,733 --> 00:36:10,702 HE'S GOTTA KILL HIS MOTHER. 729 00:36:12,404 --> 00:36:14,172 DON'T HATE THE BOOK. 730 00:36:14,606 --> 00:36:17,676 WITHOUT THIS, I NEVER WOULD HAVE KNOWN YOU AT ALL. 731 00:36:19,811 --> 00:36:21,813 MOTHER. 732 00:36:31,990 --> 00:36:33,925 KENNETH, DID YOU DO THIS? 733 00:36:33,959 --> 00:36:36,262 DID YOU KILL DR. COOKE? 734 00:36:36,295 --> 00:36:38,864 YOU'VE READ MY MANIFESTO. 735 00:36:38,897 --> 00:36:39,965 YES, AND, UH, 736 00:36:39,998 --> 00:36:42,868 I THOUGHT SOME THINGS SEEMED FAMILIAR. 737 00:36:42,901 --> 00:36:46,338 AND I KNOW WHY YOU WROTE EMPTY PLANET. 738 00:36:46,905 --> 00:36:50,208 I KNOW WHAT YOU'VE BEEN TRYING TO SAY. 739 00:36:50,942 --> 00:36:53,245 KENNETH. 740 00:36:53,779 --> 00:36:56,014 YOU'VE MISUNDERSTOOD. 741 00:36:56,047 --> 00:37:00,752 I DON'T...THINK SO. 742 00:37:05,924 --> 00:37:06,592 KENNETH... 743 00:37:06,625 --> 00:37:10,662 THE BOOK IS A WORK OF FICTION. 744 00:37:10,696 --> 00:37:11,630 THE BOOK IS A GIFT! 745 00:37:11,663 --> 00:37:13,865 NO, IT ISN'T. IT'S JUST A STORY. 746 00:37:13,899 --> 00:37:17,269 THEN LET ME TELL YOU A STORY, PROFESSOR. 747 00:37:17,969 --> 00:37:21,239 MY MOTHER DIED WHEN I WAS EIGHT. 748 00:37:22,007 --> 00:37:22,774 AND THEN SEVERAL YEARS AGO, 749 00:37:22,808 --> 00:37:24,943 MY FATHER NEEDED A BLOOD TRANSFUSION, 750 00:37:24,976 --> 00:37:27,045 AND I TRIED TO DONATE, ONLY TO DISCOVER 751 00:37:27,078 --> 00:37:29,815 THAT WE HAD NOTHING GENETICALLY IN COMMON. 752 00:37:29,848 --> 00:37:32,418 I HAD TO WATCH HIM WITHER AWAY, 753 00:37:32,451 --> 00:37:35,621 BUT BEFORE HE DIED, HE TOLD ME I WAS ADOPTED. 754 00:37:35,654 --> 00:37:36,755 THIS IS NOT WHAT YOU THINK. 755 00:37:36,788 --> 00:37:39,991 I NEEDED TO FIND MY MOTHER, BUT THE RECORDS WERE SEALED. 756 00:37:40,025 --> 00:37:41,593 ALL I KNEW WAS THAT 757 00:37:41,627 --> 00:37:46,031 I WAS ADOPTED IN YOUNGSTOWN, OHIO. 758 00:37:48,367 --> 00:37:50,969 AND THEN I CAME ACROSS AN ARTICLE ABOUT 759 00:37:51,002 --> 00:37:53,605 PROFESSOR URSULA KENT. 760 00:37:53,639 --> 00:37:55,741 FAVORITE DAUGHTER OF YOUNGSTOWN, 761 00:37:55,774 --> 00:37:57,676 FAMOUS WRITER OF EMPTY PLANET, 762 00:37:57,709 --> 00:38:02,681 AND DO YOU KNOW, DO YOU KNOW, WHAT THAT ARTICLE SAID? 763 00:38:03,415 --> 00:38:05,417 IT--IT SAID... 764 00:38:05,451 --> 00:38:07,853 THAT YOU HAD GIVEN UP A BABY FOR ADOPTION 765 00:38:07,886 --> 00:38:10,989 AND THAT BABY WAS THE INSPIRATION FOR THE BOOK. 766 00:38:11,022 --> 00:38:12,458 THAT IS TRUE. THAT IS TRUE. 767 00:38:12,491 --> 00:38:15,494 BUT THAT IS NOT THE WHOLE STORY. 768 00:38:32,143 --> 00:38:36,081 WHEN DID YOU GIVE UP YOUR BABY FOR ADOPTION? 769 00:38:36,982 --> 00:38:39,818 WASN'T IT 26 YEARS AGO? 770 00:38:40,586 --> 00:38:44,055 IN YOUNGSTOWN, OHIO? 771 00:38:45,791 --> 00:38:48,026 KENNETH, LISTEN TO ME-- 772 00:38:48,059 --> 00:38:48,927 NO! 773 00:38:48,960 --> 00:38:51,129 IT'S YOUR TURN TO LISTEN. 774 00:38:51,162 --> 00:38:53,599 AAH! AAH! 775 00:38:56,001 --> 00:38:57,769 UHH! UHH! 776 00:38:57,803 --> 00:39:00,071 COME ON! 777 00:39:14,052 --> 00:39:17,389 I CAME OUT HERE TO TAKE YOUR CLASS. 778 00:39:17,423 --> 00:39:19,124 FOR A YEAR, I SAT RIGHT THERE. 779 00:39:19,157 --> 00:39:20,626 RIGHT THERE! 780 00:39:20,659 --> 00:39:21,960 AND YOU NEVER SAW ME! 781 00:39:21,993 --> 00:39:22,694 IF YOU'D JUST-- 782 00:39:22,728 --> 00:39:24,095 HOW COULD YOU NOT RECOGNIZE ME? 783 00:39:24,129 --> 00:39:24,930 IF YOU'D JUST COME TO ME, 784 00:39:24,963 --> 00:39:26,865 I COULD'VE EXPLAINED-- THEN I REALIZED, 785 00:39:26,898 --> 00:39:28,133 THE ONLY WAY TO GET YOU TO SEE ME 786 00:39:28,166 --> 00:39:29,100 WAS TO LIVE OUT THE BOOK. 787 00:39:29,134 --> 00:39:30,602 BUT GUESS WHAT? I DID THAT. 788 00:39:30,636 --> 00:39:32,504 AND NOW, 789 00:39:32,538 --> 00:39:34,973 YOU SEE ME, DON'T YOU? 790 00:39:35,006 --> 00:39:36,041 THIS IS OUR DESTINY! 791 00:39:36,074 --> 00:39:37,142 MORGAN, STAIRS. GO AROUND. 792 00:39:37,175 --> 00:39:38,043 NO MATTER WHAT HAPPENED, 793 00:39:38,076 --> 00:39:39,077 I NEVER COULD HAVE SEEN YOU. 794 00:39:39,110 --> 00:39:42,748 KENNETH, THE BABY I GAVE UP, 795 00:39:42,781 --> 00:39:44,850 IT WAS A GIRL. 796 00:39:47,486 --> 00:39:50,722 IT WAS A DAUGHTER. 797 00:39:50,989 --> 00:39:52,023 THAT'S A LIE. 798 00:39:52,057 --> 00:39:54,025 IT WAS A GIRL. THAT'S A LIE! 799 00:39:54,059 --> 00:39:56,695 I'M SO SORRY. I KNOW THE PAIN YOU'RE IN-- 800 00:39:56,728 --> 00:39:58,830 WHY DO YOU KEEP LYING TO ME?! 801 00:39:58,864 --> 00:40:01,567 YOU'RE NOT MY SON! 802 00:40:01,600 --> 00:40:04,035 I PROMISE I WILL DO EVERYTHING I CAN 803 00:40:04,069 --> 00:40:05,471 TO HELP YOU FIND YOUR BIRTH-- 804 00:40:05,504 --> 00:40:06,071 STOP IT! 805 00:40:06,104 --> 00:40:08,006 ALLEGRO! 806 00:40:09,808 --> 00:40:11,209 WAIT. 807 00:40:11,242 --> 00:40:13,178 WAIT! 808 00:40:16,582 --> 00:40:18,183 WAIT. 809 00:40:18,584 --> 00:40:19,951 DON'T WANT TO HURT ANYONE. 810 00:40:19,985 --> 00:40:20,852 YOU'VE GONE TO GREAT LENGTHS 811 00:40:20,886 --> 00:40:22,153 NOT TO HURT ANYONE UNDER UNINTENTIONALLY-- 812 00:40:22,187 --> 00:40:22,854 LEAVE US ALONE! 813 00:40:22,888 --> 00:40:24,556 NO, WE CAN'T DO THAT, ALLEGRO. 814 00:40:24,590 --> 00:40:25,657 WE CANNOT LEAVE YOU ALONE. 815 00:40:25,691 --> 00:40:28,460 I'M OK. LISTEN, I'M--I'M-- 816 00:40:28,494 --> 00:40:29,127 I'M OK. 817 00:40:29,160 --> 00:40:30,128 DOESN'T HAVE TO END THIS WAY. 818 00:40:30,161 --> 00:40:31,530 THIS IS HOW IT ENDS! 819 00:40:31,563 --> 00:40:32,898 YOU CAN CHANGE THE ENDING-- 820 00:40:32,931 --> 00:40:33,865 THIS IS HOW IT ENDS! 821 00:40:33,899 --> 00:40:34,800 HOW DOES IT BEGIN? I DON'T EVEN KNOW THE STORY. 822 00:40:34,833 --> 00:40:37,102 TELL ME THE STORY. YOU DON'T KNOW THE STORY! 823 00:40:37,135 --> 00:40:38,604 TELL ME THE STORY. I WANT TO KNOW. 824 00:40:38,637 --> 00:40:39,738 I'M IN THE STORY RIGHT NOW. LEAVE US ALONE! 825 00:40:39,771 --> 00:40:41,740 ARE YOU WITH ME? I DON'T UNDERSTAND. 826 00:40:41,773 --> 00:40:42,808 TELL ME THE STORY. 827 00:40:42,841 --> 00:40:45,677 LEAVE US ALONE! 828 00:40:49,848 --> 00:40:51,850 GET AN AMBULANCE. 829 00:40:54,853 --> 00:40:57,823 IT'S YOUR SHOULDER. 830 00:40:57,856 --> 00:40:58,757 HE'S LOST. 831 00:40:58,790 --> 00:41:00,626 HE'S JUST LOST. 832 00:41:00,659 --> 00:41:02,193 JUST RELAX. 833 00:41:02,227 --> 00:41:03,762 IT'LL BE ALL RIGHT. 834 00:41:03,795 --> 00:41:04,630 CAN'T BLAME HIM. 835 00:41:04,663 --> 00:41:07,198 YOUR EYES, URSULA. I WANNA SEE YOUR EYES. 836 00:41:07,232 --> 00:41:10,468 THERE THEY ARE. THERE YOU GO. 837 00:41:10,802 --> 00:41:12,270 YOU LISTENING? I'M LISTENING. 838 00:41:12,303 --> 00:41:15,641 HE JUST WANTS TO KNOW WHO HE IS. 839 00:41:15,674 --> 00:41:16,942 THAT'S ALL. 840 00:41:16,975 --> 00:41:20,045 I UNDERSTAND. OPEN THOSE EYES. 841 00:41:20,078 --> 00:41:21,279 THERE YOU GO. 842 00:41:21,312 --> 00:41:22,881 RIGHT. KEEP LOOKING AT ME. 843 00:41:22,914 --> 00:41:26,652 IT'S GONNA BE ALL RIGHT. 844 00:41:27,085 --> 00:41:28,987 JUST RELAX. 845 00:41:34,926 --> 00:41:36,061 I'LL BE RIGHT BACK. 846 00:41:36,094 --> 00:41:38,029 DO NOT CHEAT. 847 00:41:39,731 --> 00:41:41,900 J.J., A LOT OF SCIENCE FICTION'S DEEPER 848 00:41:41,933 --> 00:41:43,168 THAN YOU MIGHT THINK. 849 00:41:43,201 --> 00:41:44,135 MM-HMM. 850 00:41:44,169 --> 00:41:44,970 I MEAN, THERE ARE SOME GENUINE HUMAN EMOTIONS-- 851 00:41:45,003 --> 00:41:47,272 YEAH, LET ME SAVE YOU THE TIME, REID. 852 00:41:47,305 --> 00:41:51,076 I AM NEVER GOING TO COMICON WITH YOU. 853 00:41:51,109 --> 00:41:52,544 AHEM. I-- 854 00:41:52,578 --> 00:41:54,112 GIN. 855 00:41:56,147 --> 00:41:57,949 WHAT, YOU DON'T TRUST ME? 856 00:41:57,983 --> 00:41:58,984 UH... COME ON. 857 00:41:59,017 --> 00:41:59,851 LET'S JUST MAKE SURE. 858 00:41:59,885 --> 00:42:01,787 EIGHT... LET'S JUST MAKE-- 859 00:42:01,820 --> 00:42:03,154 IT'S FUN BEATING A GENIUS. 860 00:42:03,188 --> 00:42:05,090 GENIUS DR. REID LET YOU WIN. 861 00:42:06,191 --> 00:42:07,058 LET'S PLAY AGAIN. 862 00:42:07,092 --> 00:42:08,827 IF I REMEMBER, YOU'RE BORDERLINE RETARDED. 863 00:42:12,831 --> 00:42:15,801 I HEAR YOU WERE WORRIED ABOUT ME. 864 00:42:17,969 --> 00:42:18,737 'SCUSE ME? 865 00:42:18,770 --> 00:42:21,773 THE BOMB AT THE GARAGE UNDER THE CAR? 866 00:42:22,373 --> 00:42:24,576 "A YOUNG MAN THAT I GREATLY ADMIRE AND RESPECT 867 00:42:24,610 --> 00:42:27,979 IS PUTTING HIS LIFE ON THE LINE." 868 00:42:29,380 --> 00:42:32,283 WHAT 869 00:42:32,317 --> 00:42:33,752 I DO SOMETHING? 870 00:42:33,785 --> 00:42:36,988 WHAT YOU DID WITH THE BOMB, STUPID. 871 00:42:41,292 --> 00:42:42,894 GIDEON, I COULDN'T LEAVE THAT LADY 872 00:42:42,928 --> 00:42:45,864 OUT THERE BY HERSELF LIKE THAT. 873 00:42:46,932 --> 00:42:49,968 I DIDN'T SAY YOU WERE WRONG. 874 00:42:52,638 --> 00:42:54,606 AND WHAT HE SAID I SAID... 875 00:42:54,640 --> 00:42:56,041 MM-HMM? 876 00:42:56,074 --> 00:42:58,309 I SAID. 877 00:43:03,048 --> 00:43:05,984 I KNEW THAT. 878 00:43:52,764 --> 00:43:55,400 CAPTIONING MADE POSSIBLE BY CBS 879 00:43:55,433 --> 00:43:55,500 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--