1 00:00:19,620 --> 00:00:24,358 CAPTIONING MADE POSSIBLE BY CBS 2 00:00:27,561 --> 00:00:28,662 * AT LAST 3 00:00:28,696 --> 00:00:30,364 RIB EYE, ADAM AND EVE ON A WRAP, 4 00:00:30,398 --> 00:00:32,166 STEAK-UMM, AND A STRAWBERRY SHAKE 5 00:00:32,200 --> 00:00:34,768 FOR THE GENTLEMAN AT TABLE 8. 6 00:00:34,802 --> 00:00:35,669 AH, FINALLY! 7 00:00:35,703 --> 00:00:36,837 YOU WALK INTO MY LIFE. 8 00:00:36,870 --> 00:00:39,573 WHAT TOOK YOU SO LONG, HANDSOME? 9 00:00:41,609 --> 00:00:43,277 HONEY? 10 00:00:44,312 --> 00:00:45,479 NO, THANKS. 11 00:00:45,513 --> 00:00:47,481 I DON'T NEED ANYTHING. 12 00:00:50,651 --> 00:00:53,254 MIND IF I SIT HERE? 13 00:00:53,287 --> 00:00:53,954 PLEASE. 14 00:00:59,627 --> 00:01:00,394 * OH 15 00:01:00,428 --> 00:01:02,430 YOU SHOULD TRY FAT SAM'S MILK SHAKES. 16 00:01:02,463 --> 00:01:04,132 I'M COLD AND TIRED. 17 00:01:04,165 --> 00:01:06,334 YOU'RE ALSO NOT FROM AROUND HERE. 18 00:01:06,367 --> 00:01:07,501 WHERE ARE YOU FROM? 19 00:01:07,535 --> 00:01:13,241 * THE SKIES ABOVE ARE BLUE 20 00:01:14,742 --> 00:01:16,710 YOU REALLY SHOULD TRY THE SHAKES. 21 00:01:19,280 --> 00:01:20,214 WHAT'S YOUR NAME? 22 00:01:20,248 --> 00:01:21,615 * IN CLOVERS 23 00:01:21,649 --> 00:01:22,683 COME ON. 24 00:01:22,716 --> 00:01:24,518 NAMES ARE A HOBBY OF MINE. 25 00:01:24,552 --> 00:01:27,121 JASON GIDEON. 26 00:01:27,155 --> 00:01:28,222 JASON. 27 00:01:28,256 --> 00:01:30,458 FROM GREEK MYTHOLOGY. 28 00:01:30,491 --> 00:01:31,592 TO HEAL. 29 00:01:31,625 --> 00:01:32,693 GIDEON. 30 00:01:32,726 --> 00:01:35,163 A HERO FROM THE OLD TESTAMENT 31 00:01:35,196 --> 00:01:38,499 WHO LED THE ISRAELITES AGAINST THE MIDIANITES. 32 00:01:38,532 --> 00:01:41,869 YOUR PARENTS HAD GREAT AMBITIONS FOR YOU. 33 00:01:42,770 --> 00:01:43,904 I'M FRANK. 34 00:01:43,937 --> 00:01:45,273 GERMANIC. 35 00:01:45,306 --> 00:01:46,174 THIRD CENTURY. 36 00:01:46,207 --> 00:01:50,544 DERIVED FROM THE NAME OF A TYPE OF SPEAR. 37 00:01:50,578 --> 00:01:54,315 I WONDER WHAT ASPIRATIONS MY PARENTS HAD FOR ME. 38 00:01:54,348 --> 00:01:56,450 WHY DON'T WE CUT THE CRAP, FRANK? 39 00:01:56,484 --> 00:01:57,385 WHERE IS SHE? 40 00:01:57,418 --> 00:01:59,420 NOW, THAT'S DIRECT. 41 00:01:59,453 --> 00:02:00,654 YOU'RE RIGHT. 42 00:02:00,688 --> 00:02:04,192 I'M NOT FROM AROUND HERE. 43 00:02:04,225 --> 00:02:06,394 I'M AN FBI AGENT. 44 00:02:07,395 --> 00:02:08,529 THE BAU? 45 00:02:08,562 --> 00:02:10,798 YOU DIDN'T DISAPPOINT YOUR PARENTS. 46 00:02:10,831 --> 00:02:12,533 WE'RE LOOKING FOR A MAN 47 00:02:12,566 --> 00:02:14,802 IN HIS MID- TO LATE-FIFTIES. 48 00:02:14,835 --> 00:02:16,670 LISTENS TO BEETHOVEN, 49 00:02:16,704 --> 00:02:19,907 WEARS A CORDUROY JACKET WITH FLEECE-LINED COLLAR. 50 00:02:19,940 --> 00:02:21,342 HE'S LEFT-HANDED. 51 00:02:21,375 --> 00:02:24,712 IN HIS RIGHT INSIDE JACKET POCKET 52 00:02:24,745 --> 00:02:26,180 WILL BE A NOTEBOOK, 53 00:02:26,214 --> 00:02:28,616 AND IT WILL GIVE THE EXTENSIVE DETAILED ACCOUNTS 54 00:02:28,649 --> 00:02:33,321 OF THE TORTURE INFLICTED ON EVERY ONE OF HIS VICTIMS. 55 00:02:33,354 --> 00:02:35,389 THAT'S QUITE A MAGIC TRICK. 56 00:02:35,423 --> 00:02:36,324 NO MAGIC TRICK, FRANK. 57 00:02:36,357 --> 00:02:39,760 JUST A PROFILE OF A SADISTIC SERIAL KILLER. 58 00:02:40,428 --> 00:02:41,462 GIDEON, THIS THING IS BRAND-NEW. 59 00:02:43,531 --> 00:02:45,899 "BLACK MALE, 220 POUNDS, PORTLY; 60 00:02:45,933 --> 00:02:47,735 WHITE FEMALE, EARLY TWENTIES." 61 00:02:47,768 --> 00:02:50,238 THIS DOESN'T PROVE ANYTHING. 62 00:02:51,905 --> 00:02:53,507 GUESS WHAT. 63 00:02:54,775 --> 00:02:57,278 WHEN I'M FINISHED WITH MY SHAKE, 64 00:02:57,311 --> 00:02:59,613 YOU'LL GET WHAT YOU'RE HERE FOR, 65 00:02:59,647 --> 00:03:01,349 BUT THEN... 66 00:03:01,382 --> 00:03:02,716 I'M GOING TO GET UP... 67 00:03:02,750 --> 00:03:06,387 AND I'M GOING TO WALK OUT OF HERE... 68 00:03:06,420 --> 00:03:07,255 AND YOU... 69 00:03:07,288 --> 00:03:10,624 AND YOUR LAPDOG... 70 00:03:10,658 --> 00:03:13,361 ARE GOING TO LET ME. 71 00:03:14,562 --> 00:03:17,698 YOU KNOW WHAT, FRANK? 72 00:03:17,731 --> 00:03:21,302 THAT WOULD BE A MAGIC TRICK. 73 00:04:08,882 --> 00:04:09,483 ARISTOTLE ONCE SAID 74 00:04:09,517 --> 00:04:11,285 EVIL BRINGS MEN TOGETHER. 75 00:04:11,319 --> 00:04:12,453 I DON'T GIVE A RAT'S ASS. 76 00:04:12,486 --> 00:04:13,321 FEDS OR NO FEDS-- 77 00:04:13,354 --> 00:04:16,690 THAT BASTARD DOESN'T GIVE HER BACK TO US 78 00:04:16,724 --> 00:04:17,991 IN THE NEXT 15 MINUTES, 79 00:04:18,025 --> 00:04:19,059 WE GO IN! AGREED?! 80 00:04:19,092 --> 00:04:20,060 AGREED! AGREED! 81 00:04:20,093 --> 00:04:21,862 AGREED?! AGREED! 82 00:04:29,837 --> 00:04:30,904 HE'S LOOKED AT THAT CLOCK 83 00:04:30,938 --> 00:04:31,872 3 TIMES IN AS MANY MINUTES. 84 00:04:31,905 --> 00:04:33,707 HE'S WAITING FOR SOMETHING. 85 00:04:33,741 --> 00:04:35,709 IF I HAD YOUR LOOKS... 86 00:04:35,743 --> 00:04:38,912 DO YOU KNOW HOW MUCH EASIER MY LIFE WOULD BE? 87 00:04:38,946 --> 00:04:40,648 IF YOU THINK YOU'RE GONNA NEGOTIATE 88 00:04:40,681 --> 00:04:42,916 YOU WAY OUT OF THIS ONE, 89 00:04:42,950 --> 00:04:45,419 YOU GOT A WHOLE NOTHER THING COMING. 90 00:04:47,054 --> 00:04:49,357 WANT TO KNOW HOW WE CAUGHT YOU? 91 00:04:49,390 --> 00:04:50,491 PLEASE. 92 00:04:50,524 --> 00:04:51,792 GIDEON, THOSE MEN OUT THERE WANT TO KILL THIS GUY. 93 00:04:51,825 --> 00:04:52,593 WE'RE IN THE MIDDLE. 94 00:04:52,626 --> 00:04:53,461 WE DON'T HAVE TIME FOR EXPLANATIONS. 95 00:04:53,494 --> 00:04:55,496 YOU HAVE THE TIME IT WILL TAKE ME 96 00:04:55,529 --> 00:04:56,864 TO FINISH THIS SHAKE. 97 00:04:56,897 --> 00:04:58,432 THAT'S ALL I NEED. 98 00:04:58,466 --> 00:05:02,302 WE GOT A REQUEST FROM SHERIFF GEORGIA DAVIS. 99 00:05:06,507 --> 00:05:07,908 1996. 100 00:05:07,941 --> 00:05:09,477 THE RIBCAGE OF A MALE WAS FOUND 101 00:05:09,510 --> 00:05:11,111 IN THE DESERT ROSE NATIONAL PARK. 102 00:05:11,144 --> 00:05:12,646 IT WAS NEVER IDENTIFIED. 103 00:05:12,680 --> 00:05:15,449 THIS MORNING, THE REMAINS OF TWO VICTIMS 104 00:05:15,483 --> 00:05:18,452 WERE FOUND IN ALMOST EXACTLY THE SAME AREA. 105 00:05:18,486 --> 00:05:21,655 WELL, ONE YEAR LATER IS CAUSE FOR CONCERN, 106 00:05:21,689 --> 00:05:22,656 BUT 10 YEARS? 107 00:05:22,690 --> 00:05:23,991 THAT COULD BE A COINCIDENCE. 108 00:05:24,024 --> 00:05:24,858 IT WOULD BE... 109 00:05:24,892 --> 00:05:27,761 IF THE UNIDENTIFIED MALE WASN'T MISSING 110 00:05:27,795 --> 00:05:28,829 A RIGHT RIB BONE. 111 00:05:28,862 --> 00:05:29,897 AND THE TORSO FOUND THIS MORNING 112 00:05:29,930 --> 00:05:31,965 IS MISSING EXACTLY THE SAME BONE. 113 00:05:31,999 --> 00:05:32,866 BOTH OF THEM SEEM TO BE 114 00:05:32,900 --> 00:05:33,701 SURGICALLY REMOVED, 115 00:05:33,734 --> 00:05:35,035 AND THE ADVANCED RATE OF DECOMPOSITION 116 00:05:35,068 --> 00:05:36,937 ON THE MALE MEANS THAT HE DIED 117 00:05:36,970 --> 00:05:38,406 FAR BEFORE THE FEMALE. 118 00:05:38,439 --> 00:05:39,206 OH, KATHERINE HALE. 119 00:05:39,239 --> 00:05:41,475 THEY FOUND A BRACELET ON HER WRIST. 120 00:05:41,509 --> 00:05:43,110 SHE RAN AWAY ABOUT TWO WEEKS AGO 121 00:05:43,143 --> 00:05:44,545 FROM HER SMALL COLORADO TOWN. 122 00:05:44,578 --> 00:05:46,146 UNSUB's CROSSING STATE LINES. 123 00:05:46,179 --> 00:05:47,247 HE'S MOBILE. 124 00:05:47,280 --> 00:05:48,882 IF THE REMAINS ARE RELATED TO THE SAME KILLER, 125 00:05:48,916 --> 00:05:50,918 WHERE'S HE BEEN FOR 10 YEARS? 126 00:05:50,951 --> 00:05:51,785 KILLING. 127 00:05:51,819 --> 00:05:55,055 UNSOLVED CASE FILES GOING BACK 30 YEARS. 128 00:05:56,457 --> 00:05:59,760 EVERY CASE, THE VICTIMOLOGY IS THE SAME. 129 00:05:59,793 --> 00:06:01,028 THE UNWANTED. 130 00:06:01,061 --> 00:06:02,996 THIS BOX IS JUST THE TIP OF THE ICEBERG. 131 00:06:03,030 --> 00:06:05,799 13 CASES SPANNING 30 YEARS. 132 00:06:05,833 --> 00:06:06,934 SAME M.O. 133 00:06:06,967 --> 00:06:10,003 RIGHT RIB BONE IS MISSING. 134 00:06:10,037 --> 00:06:11,772 IT'S HIM, HOTCH. IT'S THE SAME KILLER. 135 00:06:11,805 --> 00:06:13,841 ALL THE REMAINS WERE DUMPED IN REMOTE AREAS 136 00:06:13,874 --> 00:06:15,008 AND ALWAYS NEAR INTERSTATE 80. 137 00:06:15,042 --> 00:06:17,411 AND UP TILL NOW, NO REMAINS THIS INTACT 138 00:06:17,445 --> 00:06:19,680 OR THIS CLOSE TO THE ACTUAL TIME OF KILL 139 00:06:19,713 --> 00:06:20,548 HAVE BEEN FOUND. 140 00:06:20,581 --> 00:06:23,717 NEVER TWO VICTIMS DUMPED AT THE SAME TIME 141 00:06:23,751 --> 00:06:24,952 IN THE SAME PLACE. 142 00:06:24,985 --> 00:06:26,820 ALL OF THESE KILLINGS 143 00:06:26,854 --> 00:06:29,122 THE WORK OF JUST ONE MAN? 144 00:06:29,723 --> 00:06:33,160 THE MOST PROLIFIC SERIAL KILLER EVER. 145 00:06:33,927 --> 00:06:35,062 WOW. 146 00:06:35,095 --> 00:06:35,996 YOU TRULY THINK-- 147 00:06:36,029 --> 00:06:36,997 I KNOW IT. 148 00:06:37,030 --> 00:06:40,167 WHICH IS WHY WE CAME HERE... 149 00:06:40,200 --> 00:06:41,802 TO NEVADA. 150 00:06:54,882 --> 00:06:55,916 YOU SEEN ENOUGH, KID? 151 00:06:55,949 --> 00:06:58,051 GO ON, GET OUT OF HERE. 152 00:06:58,085 --> 00:06:59,520 GEORGE! 153 00:06:59,553 --> 00:07:00,220 THEY'RE HERE. 154 00:07:00,253 --> 00:07:02,055 THAT COP DRIVE 60 MILES 155 00:07:02,089 --> 00:07:03,090 JUST TO BARF. 156 00:07:03,123 --> 00:07:04,758 NO GOOD REASON TO BE HERE, 157 00:07:04,792 --> 00:07:05,659 NOT EVEN FROM THIS DEPARTMENT. 158 00:07:05,693 --> 00:07:08,596 WHAT IS IT ABOUT DEATH THAT FASCINATES US? 159 00:07:08,629 --> 00:07:10,864 HE DIDN'T CONTAMINATE THE SCENE, DID HE? 160 00:07:10,898 --> 00:07:11,665 NO, UH... 161 00:07:11,699 --> 00:07:13,867 SHERIFF GEORGIA DAVIS. 162 00:07:16,103 --> 00:07:18,739 PEOPLE CALL ME GEORGE. 163 00:07:19,106 --> 00:07:20,641 THIS IS DEPUTY RICK SILO. 164 00:07:20,674 --> 00:07:21,475 AARON HOTCHNER. 165 00:07:21,509 --> 00:07:22,476 THIS IS DEREK MORGAN, 166 00:07:22,510 --> 00:07:24,578 AND THE GUY WHO SOMETIMES FORGETS HIS MANNERS 167 00:07:24,612 --> 00:07:25,779 IS JASON GIDEON. 168 00:07:27,014 --> 00:07:29,483 STOOD HERE 10 YEARS AGO, 169 00:07:29,517 --> 00:07:31,552 THIS EXACT SPOT. 170 00:07:31,585 --> 00:07:33,654 SAME FEELING I HAVE NOW. 171 00:07:33,687 --> 00:07:34,888 WHICH IS WHAT? 172 00:07:34,922 --> 00:07:35,789 SOMEONE IN MY TOWN 173 00:07:35,823 --> 00:07:38,025 MIGHT BE RESPONSIBLE FOR IT. 174 00:07:38,726 --> 00:07:40,160 HOPE YOU TELL ME I'M WRONG. 175 00:07:41,194 --> 00:07:42,262 OH, MY CELL. THAT'S MY HUSBAND. 176 00:07:42,295 --> 00:07:44,064 THAT'S OUR SONG. EXCUSE ME. 177 00:07:44,097 --> 00:07:46,033 LUCKY WE FOUND ANYTHING. 178 00:07:46,066 --> 00:07:49,503 BEEN A RECENT SPIKE IN THE COYOTE POPULATION. 179 00:07:49,537 --> 00:07:51,004 MAYBE THAT'S WHY THE UNSUB 180 00:07:51,038 --> 00:07:52,773 DUMPS THE BODIES HERE. 181 00:07:53,807 --> 00:07:54,842 YOU PEOPLE REALLY THINK 182 00:07:54,875 --> 00:07:56,610 WE HAVE A SERIAL KILLER IN OUR TOWN? 183 00:07:56,644 --> 00:07:58,779 AT LEAST ONE THAT PASSES THROUGH 184 00:07:58,812 --> 00:08:00,514 FROM TIME TO TIME. 185 00:08:04,317 --> 00:08:06,186 IS IT JUST ME, OR DO YOU GET THE FEELING 186 00:08:06,219 --> 00:08:07,521 THAT WE'RE NOT WELCOME HERE. 187 00:08:07,555 --> 00:08:08,188 OH, IT'S NOT US. 188 00:08:08,221 --> 00:08:09,089 IT'S WHAT WE REPRESENT. 189 00:08:09,122 --> 00:08:12,025 GOVERNMENT'S NOT ALL THAT POPULAR OUT HERE. 190 00:08:12,059 --> 00:08:12,660 NO! 191 00:08:12,693 --> 00:08:13,994 NO, YOU CAN'T MAKE ME GO! 192 00:08:14,027 --> 00:08:15,028 I KNOW WHAT MY RIGHTS ARE! 193 00:08:15,062 --> 00:08:15,963 NO, DON'T MAKE ME GO! 194 00:08:15,996 --> 00:08:17,197 NO, I DON'T WANT TO GO HOME! 195 00:08:17,230 --> 00:08:18,766 I KNOW MY RIGHTS! COME ON! 196 00:08:18,799 --> 00:08:20,267 WHAT ARE YOU LOOKING AT, PRINCESS?! 197 00:08:22,169 --> 00:08:22,936 OK, OK! 198 00:08:22,970 --> 00:08:24,037 IF THAT'S THE WAY YOU WANT IT, JANE, 199 00:08:24,071 --> 00:08:26,039 BACK TO JAIL. OK, OK, OK. 200 00:08:26,073 --> 00:08:26,974 OK, OK, OK. 201 00:08:27,007 --> 00:08:29,142 HE'S COMING. HE'S COMING BACK, 202 00:08:29,176 --> 00:08:31,144 AND THERE'S NOTHING YOU CAN DO ABOUT IT! 203 00:08:31,178 --> 00:08:33,981 DO YOU HEAR ME?! NOTHING, NOTHING! 204 00:08:34,014 --> 00:08:35,916 COME ON, JANE! COME ON! 205 00:08:38,018 --> 00:08:39,186 EXCUSE ME. 206 00:08:39,219 --> 00:08:41,221 SHE DROPPED THIS. 207 00:08:41,989 --> 00:08:44,191 IT'S HARMLESS. 208 00:08:49,129 --> 00:08:51,064 THANK YOU. 209 00:08:51,098 --> 00:08:52,666 WHAT IS IT? 210 00:08:56,904 --> 00:08:58,271 A PSYCHO WITH A WHISTLE. 211 00:08:58,305 --> 00:09:00,340 THAT'S NOT TOO WEIRD. 212 00:09:01,675 --> 00:09:03,210 LOOKS LIKE PRISON GANG TATTOOS. 213 00:09:03,243 --> 00:09:06,246 THIS UNSUB HAS EXTENSIVE ANATOMIC ANOMALIES. 214 00:09:06,279 --> 00:09:08,081 WELL, THE PEN MARKS ARE A GUIDELINES 215 00:09:08,115 --> 00:09:10,217 FOR A SURGEON'S KNIFE. THAT'S FOR SURE. 216 00:09:10,250 --> 00:09:12,920 DID HE CAUTERIZE THE MAIN ARTERIES? 217 00:09:12,953 --> 00:09:14,187 YEAH, ALL OF THEM. 218 00:09:14,221 --> 00:09:15,088 WHAT DO YOU MEAN? 219 00:09:15,122 --> 00:09:18,058 HE CAUTERIZED THE ARTERIES BY BURNING THEM. 220 00:09:18,091 --> 00:09:18,892 WHY? 221 00:09:18,926 --> 00:09:20,093 IT STOPS THE BLOOD FLOW. 222 00:09:20,127 --> 00:09:21,662 THE VICTIMS WERE ALIVE 223 00:09:21,695 --> 00:09:24,097 WHEN HE CUT OFF THEIR LIMBS. 224 00:09:24,131 --> 00:09:26,166 GARCIA'S GONNA LOVE THIS. 225 00:09:29,770 --> 00:09:31,371 OH, THIS IS SO 226 00:09:31,404 --> 00:09:34,307 NOT A WAY TO A GIRL'S HEART. 227 00:09:35,709 --> 00:09:37,645 WHAT ARE YOU DOING? 228 00:09:37,678 --> 00:09:38,946 I'M MAPPING OUT 229 00:09:38,979 --> 00:09:40,981 WHERE ALL THE VICTIMS WERE FOUND-- 230 00:09:41,014 --> 00:09:44,051 STARTING WITH GIDEON'S FIRST CASE FILE. 231 00:09:44,084 --> 00:09:46,253 OW! STABBY. 232 00:09:48,221 --> 00:09:50,257 OK, SO KATHERINE HALE... 233 00:09:50,290 --> 00:09:53,026 WAS LAST SEEN HERE 234 00:09:53,060 --> 00:09:54,728 IN SALT LAKE CITY, UTAH, 235 00:09:54,762 --> 00:09:58,298 AND THEN FOUND RIGHT HERE 236 00:09:58,331 --> 00:09:59,933 IN GOLCONDA, NEVADA. 237 00:10:02,069 --> 00:10:02,903 AHH. 238 00:10:02,936 --> 00:10:04,271 WELL, THE TATTOO IS FROM A PRISON GANG. 239 00:10:04,304 --> 00:10:06,206 IT WAS PHOTOGRAPHED AND LOGGED 240 00:10:06,239 --> 00:10:07,040 IN SAN QUENTIN. 241 00:10:07,074 --> 00:10:10,811 THIS ONE BELONGS TO RENO RODRIGUEZ, 42. 242 00:10:10,844 --> 00:10:11,812 JUMPED BAIL 7 MONTHS AGO, 243 00:10:11,845 --> 00:10:14,247 PICKED UP BY COPS IN SALT LAKE CITY 5 WEEKS AGO. 244 00:10:14,281 --> 00:10:15,916 OK, SO SAY HE WAS ABDUCTED 245 00:10:15,949 --> 00:10:19,052 SOMEWHERE CLOSE TO WHERE HE WAS LAST SEEN. 246 00:10:19,086 --> 00:10:21,221 NEXT WAS KATHERINE HALE. 247 00:10:21,254 --> 00:10:22,923 IT APPEARS THIS UNSUB IS TRAVELING 248 00:10:22,956 --> 00:10:25,793 FROM EAST TO WEST TOWARDS GOLCONDA. 249 00:10:25,826 --> 00:10:29,162 IF HE LIVES THERE, WHERE'S HE COMING FROM? 250 00:10:30,831 --> 00:10:31,832 THE ONLY THESE TWO VICTIMS 251 00:10:31,865 --> 00:10:33,233 HAVE IN COMMON IS THEY WERE KILLED 252 00:10:33,266 --> 00:10:35,168 BY THE SAME UNSUB. 253 00:10:36,904 --> 00:10:38,772 THERE IS ANOTHER CONNECTION. 254 00:10:38,806 --> 00:10:40,407 THE INTERSTATE. 255 00:10:59,359 --> 00:11:00,894 EXCUSE ME, MISS? 256 00:11:00,928 --> 00:11:02,395 YEAH? 257 00:11:02,963 --> 00:11:04,331 YOU EVER SEEN THAT MAN BEFORE? 258 00:11:04,364 --> 00:11:06,867 OVER THE YEARS, YEAH. 259 00:11:06,900 --> 00:11:07,701 HE NEVER EATS. 260 00:11:07,735 --> 00:11:11,138 HE JUST ORDERS A STRAWBERRY MILK SHAKE. 261 00:11:11,839 --> 00:11:13,006 THANK YOU. 262 00:11:13,040 --> 00:11:14,307 SURE. 263 00:11:17,878 --> 00:11:19,747 YOU WERE SAYING? 264 00:11:19,780 --> 00:11:21,081 THE STORY INVOLVES WIND CHIMES, 265 00:11:21,114 --> 00:11:23,851 TRAILERS, ALIEN ABDUCTIONS. 266 00:11:23,884 --> 00:11:24,584 GRIPPING. 267 00:11:24,617 --> 00:11:26,219 I THOUGHT I'D SEEN THE VERY WORST 268 00:11:26,253 --> 00:11:28,021 OF WHAT HUMANITY HAD TO OFFER 269 00:11:28,055 --> 00:11:29,790 UNTIL YOU. 270 00:11:31,024 --> 00:11:32,860 CAN I ASK YOU SOMETHING? 271 00:11:32,893 --> 00:11:35,195 PLEASE. 272 00:11:37,998 --> 00:11:41,101 DO YOU THINK ME INSANE? 273 00:11:42,102 --> 00:11:45,138 DO NOT PLAY ME. 274 00:11:45,172 --> 00:11:47,908 YOU KNOW EXACTLY WHAT YOU ARE, 275 00:11:47,941 --> 00:11:52,045 A PSYCHOPATHIC SEXUAL SADIST. 276 00:11:52,079 --> 00:11:56,349 YOU GET OFF ON THE BRUTAL TORTURE OF OTHERS. 277 00:11:56,383 --> 00:11:59,186 AND YOU KNEW THE MOMENT WE ARRIVED IN THIS TOWN 278 00:11:59,219 --> 00:12:01,989 YOU HAD NO WAY OUT. 279 00:12:02,022 --> 00:12:04,792 WHICH IS WHY YOU TOOK HER. 280 00:12:04,825 --> 00:12:06,526 WHO'S PLAYING WHO NOW? 281 00:12:06,559 --> 00:12:08,228 YOU DON'T CARE ABOUT HER. 282 00:12:08,261 --> 00:12:10,998 YOU ONLY EVER CARED ABOUT CATCHING ME. 283 00:12:11,031 --> 00:12:14,401 IT ISN'T THE VICTIMS THAT DRIVES YOU, JASON. 284 00:12:14,434 --> 00:12:16,804 IT'S THE HUNT. 285 00:12:17,838 --> 00:12:19,506 LOOK OUT THAT WINDOW, FRANK. 286 00:12:19,539 --> 00:12:20,774 HUNT'S OVER. 287 00:12:20,808 --> 00:12:22,910 YOU AREN'T DENYING IT. 288 00:12:25,979 --> 00:12:27,547 MEN, WOMEN, 289 00:12:27,580 --> 00:12:29,316 YOUNG, OLD. 290 00:12:29,349 --> 00:12:31,218 DIDN'T MATTER TO YOU. 291 00:12:31,251 --> 00:12:32,452 YOU TOOK THEM ALL. 292 00:12:32,485 --> 00:12:35,422 FROM SAN FRANCISCO'S MUIR WOODS 293 00:12:35,455 --> 00:12:38,025 TO THE HILLS OF THE POCONOS... 294 00:12:38,058 --> 00:12:39,960 YOU TOOK THEM ALL. 295 00:12:41,995 --> 00:12:44,798 IF THEY ARE ALL CONNECTED, 296 00:12:44,832 --> 00:12:47,000 HE'S KILLED HUNDREDS OF PEOPLE 297 00:12:47,034 --> 00:12:48,068 ALL OVER NORTH AMERICA. 298 00:12:48,101 --> 00:12:50,971 HOW MANY YEARS DO THEY GO BACK AGAIN? 299 00:12:51,004 --> 00:12:52,405 30. 300 00:12:52,439 --> 00:12:54,107 ALL RIGHT, KEEP GOING. 301 00:12:54,141 --> 00:12:56,109 SACRAMENTO, CALIFORNIA... 302 00:12:57,310 --> 00:12:59,947 LINCOLN, NEBRASKA... 303 00:13:00,848 --> 00:13:02,950 GARY, INDIANA... 304 00:13:03,416 --> 00:13:05,118 IF WE CAN FIGURE OUT WHERE HE'S BEEN, 305 00:13:05,152 --> 00:13:07,054 MAYBE WE CAN FIGURE OUT THE SIGNIFICANCE 306 00:13:07,087 --> 00:13:08,822 GOLCONDA HAS TO HIM. 307 00:13:09,589 --> 00:13:12,059 WANT TO HEAR THE REALLY BAD NEWS? 308 00:13:12,092 --> 00:13:13,026 CAN IT GET WORSE? 309 00:13:13,060 --> 00:13:15,195 JUST DID. 310 00:13:18,999 --> 00:13:21,034 EARLY TOXILOGICAL INVESTIGATIONS 311 00:13:21,068 --> 00:13:22,369 OF THE VICTIM'S BLOOD INDICATED 312 00:13:22,402 --> 00:13:24,004 HIGH LEVELS OF KETAMINE. 313 00:13:24,037 --> 00:13:26,573 KETAMINE IS PRIMARILY A HORSE TRANQUILIZER. 314 00:13:26,606 --> 00:13:29,476 IT'S ALSO USED AS A DATE-RAPE DRUG. 315 00:13:29,509 --> 00:13:30,310 IN STREET LINGO, 316 00:13:30,343 --> 00:13:31,979 IT'S KNOWN AS BEING STUCK IN A K-HOLE. 317 00:13:32,012 --> 00:13:34,614 SO HIS VICTIMS WERE COMPLETELY CONSCIOUS 318 00:13:34,647 --> 00:13:36,049 WHEN HE KILLED THEM? 319 00:13:36,083 --> 00:13:38,085 IMAGINE WHAT SHE MUST HAVE GONE THROUGH. 320 00:13:38,118 --> 00:13:40,020 IT'S ESSENTIAL FOR THIS UNSUB 321 00:13:40,053 --> 00:13:42,622 THAT HE SEES THE TERROR IN HIS VICTIM'S EYES. 322 00:13:42,655 --> 00:13:43,924 THAT IS WHAT GETS HIM OFF. 323 00:13:43,957 --> 00:13:45,092 HE'S EITHER HAD MEDICAL TRAINING, 324 00:13:45,125 --> 00:13:47,627 OR HE'S HONED HIS SKILLS OVER THE YEARS. 325 00:13:47,660 --> 00:13:51,064 LOOK FOR A MAN IN HIS MID- TO LATE-FIFTIES, 326 00:13:51,098 --> 00:13:51,831 HIGHLY INTELLIGENT, 327 00:13:51,865 --> 00:13:54,201 METHODICALLY AND OBSESSIVELY CLEAN. 328 00:13:54,234 --> 00:13:56,636 HIS VEHICLE IS MOST LIKELY AN RV, 329 00:13:56,669 --> 00:13:57,637 MUTED IN COLOR, 330 00:13:57,670 --> 00:13:59,172 NEITHER OLD NOR NEW, 331 00:13:59,206 --> 00:14:00,073 IN PERFECT WORKING ORDER. 332 00:14:00,107 --> 00:14:02,309 IT WILL HAVE A CB, RADAR DETECTORS, 333 00:14:02,342 --> 00:14:03,243 AND POLICE-BAND RADIO. 334 00:14:03,276 --> 00:14:05,178 ALL THESE THINGS HAVE HELPED HIM EVADE YOU. 335 00:14:05,212 --> 00:14:07,981 AND THIS VEHICLE IS HIS KILLING ROOM. 336 00:14:08,015 --> 00:14:08,815 IT'LL BE SOUNDPROOFED. 337 00:14:08,848 --> 00:14:11,184 SURGICAL INSTRUMENTS ARE ON THE WALLS. 338 00:14:11,218 --> 00:14:12,352 THERE'S A STIRRUP CHAIR 339 00:14:12,385 --> 00:14:13,486 OR AN AUTOPSY TABLE IN IT. 340 00:14:13,520 --> 00:14:16,123 ALL OF HIS KILLS ARE RECORDED-- 341 00:14:16,156 --> 00:14:17,590 IF NOT ON VIDEO, 342 00:14:17,624 --> 00:14:19,592 IN A JOURNAL 343 00:14:19,626 --> 00:14:20,460 THAT HE CARRIES WITH HIM 344 00:14:20,493 --> 00:14:24,131 IN HIS RIGHT-HAND INSIDE JACKET POCKET. 345 00:14:24,164 --> 00:14:25,432 HOW COULD YOU KNOW THAT? 346 00:14:25,465 --> 00:14:26,533 TOOL MARKS ON THE REMAINS 347 00:14:26,566 --> 00:14:28,168 INDICATE THAT HE'S LEFT-HANDED. 348 00:14:28,201 --> 00:14:32,605 THIS MAN IS VOID OF ALL NORMAL HUMAN FEELINGS. 349 00:14:34,141 --> 00:14:35,675 A KILLING MACHINE... 350 00:14:35,708 --> 00:14:38,045 INCAPABLE OF REMORSE, 351 00:14:38,078 --> 00:14:41,348 COMPASSION, LOVE. 352 00:14:46,186 --> 00:14:48,989 WHAT'S THE MATTER, FRANK? 353 00:14:51,524 --> 00:14:54,127 SOMETHING I SAID? 354 00:14:54,161 --> 00:14:56,629 GOT HIM ALL WORKED UP, GIDEON. 355 00:14:59,599 --> 00:15:00,968 BEAUTY... 356 00:15:01,001 --> 00:15:04,071 CAN COVER A MULTITUDE OF SINS, 357 00:15:04,104 --> 00:15:07,507 BUT UNDERNEATH... 358 00:15:07,540 --> 00:15:09,309 WE ALL LOOK... 359 00:15:09,342 --> 00:15:11,278 EXACTLY THE SAME. 360 00:15:11,311 --> 00:15:13,080 I KNOW WHAT GETS YOU OFF-- 361 00:15:13,113 --> 00:15:15,282 FEAR--SEEING IT AND FEELING IT. 362 00:15:15,315 --> 00:15:17,350 WELL, LOOK OUT THAT WINDOW, FRANK. 363 00:15:17,384 --> 00:15:19,652 YOU ARE NOT LEAVING THIS DINER. 364 00:15:19,686 --> 00:15:22,289 I DON'T WANT TO. 365 00:15:25,025 --> 00:15:28,395 NOT UNTIL THE STORY IS DONE. 366 00:15:28,428 --> 00:15:30,297 WE HAVE ROADBLOCKS ON EVERY INTERSTATE, 367 00:15:30,330 --> 00:15:32,265 TRACK OR LANED IN OR OUT OF THIS TOWN. 368 00:15:32,299 --> 00:15:34,001 WE'LL SHUT DOWN THIS STATE IF WE HAVE TO. 369 00:15:34,034 --> 00:15:37,070 STOP EVERY RV, TRUCK, AND TRAILER. 370 00:15:41,141 --> 00:15:43,510 SOMETHING TROUBLING YOU? 371 00:15:44,244 --> 00:15:45,045 THAT PROFILE YOU GAVE, 372 00:15:45,078 --> 00:15:48,615 IT REMINDS ME OF A STORY I ONCE HEARD. 373 00:15:51,318 --> 00:15:53,286 THERE'S SOMEONE YOU SHOULD MEET. 374 00:15:55,188 --> 00:15:57,357 HOW YOU FEELING, JANE? 375 00:15:57,390 --> 00:15:59,426 I DON'T WANT TO GO HOME, GEORGE. 376 00:15:59,459 --> 00:16:03,130 PLEASE DON'T MAKE ME GO HOME. 377 00:16:03,163 --> 00:16:04,231 JANE... 378 00:16:04,264 --> 00:16:06,533 THESE PEOPLE ARE FROM THE FBI. 379 00:16:06,566 --> 00:16:08,601 I'D LIKE YOU TO TELL THEM YOUR STORY. 380 00:16:08,635 --> 00:16:11,671 WHY, SO THEY CAN MAKE FUN OF ME, TOO? 381 00:16:15,108 --> 00:16:16,376 IT'S VERY PRETTY. 382 00:16:16,409 --> 00:16:18,478 DID YOU MAKE IT? 383 00:16:22,615 --> 00:16:24,284 IT WAS A GIFT. 384 00:16:24,317 --> 00:16:25,752 OH. 385 00:16:28,821 --> 00:16:31,224 WHAT HAPPENED TO YOU? 386 00:16:40,567 --> 00:16:42,369 MY CAR BROKE DOWN. 387 00:16:42,402 --> 00:16:45,272 THE ENGINE WENT OUT ON ME AND... 388 00:16:45,305 --> 00:16:46,339 YOU KNOW, IN THOSE DAYS, 389 00:16:46,373 --> 00:16:47,440 THEY DIDN'T HAVE CELL PHONES, 390 00:16:47,474 --> 00:16:49,542 SO I TRIED TO FIX IT MYSELF. 391 00:16:55,315 --> 00:16:58,418 AND THEN EVERYTHING WENT WHITE. 392 00:16:59,252 --> 00:17:01,488 I WAS IN A SPACESHIP. 393 00:17:01,521 --> 00:17:05,258 AND I COULD SEE MYSELF. 394 00:17:05,292 --> 00:17:07,327 IT WAS LIKE TIME WAS SUSPENDED. 395 00:17:07,360 --> 00:17:08,528 I COULD FEEL EVERYTHING, 396 00:17:08,561 --> 00:17:12,232 AND THERE WERE STRANGE MAPS ON THE WALLS-- 397 00:17:12,265 --> 00:17:14,667 DIAGRAMS OF ALL THE STARS. 398 00:17:14,701 --> 00:17:16,203 I WAS COLD. 399 00:17:16,236 --> 00:17:18,405 IT WAS VERY, VERY COLD. 400 00:17:19,839 --> 00:17:23,476 AND THE ALIEN, HE DID THINGS TO ME. 401 00:17:23,510 --> 00:17:24,511 HE TOUCHED ME... 402 00:17:24,544 --> 00:17:28,215 VERY SOFTLY, AND HE STROKED MY HAIR, 403 00:17:28,248 --> 00:17:30,550 AND HE DREW LINES ALL OVER MY BODY, 404 00:17:30,583 --> 00:17:33,520 AND THE WHOLE TIME, HE WAS STANDING THERE 405 00:17:33,553 --> 00:17:36,289 SMILING DOWN ON ME. 406 00:17:36,756 --> 00:17:40,527 AND THEN I LOOKED INTO HIS EYES... 407 00:17:40,560 --> 00:17:44,164 AND I WASN'T AFRAID ANYMORE. 408 00:17:45,765 --> 00:17:48,067 I DON'T KNOW WHY. 409 00:17:49,669 --> 00:17:51,404 THEN WHAT DID HE DO? 410 00:17:51,438 --> 00:17:53,340 AND THEN I... 411 00:17:53,373 --> 00:17:54,507 WAS BACK IN MY OWN BED, 412 00:17:54,541 --> 00:17:55,742 AND IT WAS THE NEXT MORNING. 413 00:17:55,775 --> 00:17:58,811 HOW LONG AGO DID THIS HAPPEN? 414 00:17:58,845 --> 00:18:00,547 I WAS 19. 415 00:18:01,881 --> 00:18:03,883 IT WAS 30 YEARS AGO. 416 00:18:03,916 --> 00:18:06,486 AND DID YOU EVER SEE HIM AGAIN? 417 00:18:06,519 --> 00:18:08,688 OH, I SEE HIM. 418 00:18:08,888 --> 00:18:12,425 I SEE HIM EVERY TIME I SHUT MY EYES. 419 00:18:15,762 --> 00:18:17,164 THE STRANGE MAPS ON THE WALLS 420 00:18:17,197 --> 00:18:18,731 COULD HAVE BEEN ANATOMICAL DRAWINGS. 421 00:18:18,765 --> 00:18:21,534 WHAT ABOUT THE FACT THAT SHE COULD SEE HERSELF? 422 00:18:21,568 --> 00:18:24,371 A MIRRORED CEILING. 423 00:18:24,404 --> 00:18:25,905 SO HIS VICTIMS COULD SEE THEMSELVES 424 00:18:25,938 --> 00:18:28,241 BEING DISMEMBERED. 425 00:18:28,275 --> 00:18:31,244 EVERY TIME I THINK IT CAN'T GET ANY WORSE, IT DOES. 426 00:18:31,278 --> 00:18:32,645 HER SUBCONSCIOUS MIND 427 00:18:32,679 --> 00:18:35,182 HAS CREATED A DELUSION 428 00:18:35,215 --> 00:18:38,151 THAT SHE WAS ABDUCTED BY AN ALIEN. 429 00:18:38,185 --> 00:18:39,586 IT'S POSSIBLE SHE'S THE ONLY ONE 430 00:18:39,619 --> 00:18:40,920 WHO'S SURVIVED. 431 00:18:40,953 --> 00:18:42,489 WHY DID HE LET HER GO? 432 00:18:42,522 --> 00:18:45,325 SHE SAID WHEN SHE LOOKED INTO HIS EYES, 433 00:18:45,358 --> 00:18:46,493 SHE FELT RELAXED. 434 00:18:46,526 --> 00:18:47,460 AND IN THAT MOMENT, 435 00:18:47,494 --> 00:18:50,697 THE ONE THING THAT HE WANTED... 436 00:18:50,730 --> 00:18:53,366 SHE DIDN'T GIVE HIM. 437 00:18:53,400 --> 00:18:54,667 FEAR. 438 00:18:59,472 --> 00:19:00,273 I READ ABOUT A WOMAN 439 00:19:00,307 --> 00:19:03,243 WHOSE BODY WAS FOUND IN HER APARTMENT-- 440 00:19:03,276 --> 00:19:04,777 UPPER EAST SIDE, I THINK. 441 00:19:04,811 --> 00:19:05,545 IF THIS IS A CONFESSION, 442 00:19:05,578 --> 00:19:07,447 START WITH THE WOMAN YOU JUST TOOK. 443 00:19:07,480 --> 00:19:10,350 SHE HAD KILLED HERSELF. 444 00:19:10,917 --> 00:19:12,785 BUT HER BODY WASN'T FOUND 445 00:19:12,819 --> 00:19:13,853 FOR MORE THAN A YEAR. 446 00:19:13,886 --> 00:19:16,823 SURROUND BY OVER A MILLION PEOPLE, 447 00:19:16,856 --> 00:19:21,328 AND NOT ONE OF THEM MISSED HER. 448 00:19:21,361 --> 00:19:25,632 WHAT DOES THAT SAY ABOUT SOCIETY? 449 00:19:25,665 --> 00:19:28,835 FILLS ME WITH PROFOUND SADNESS... 450 00:19:28,868 --> 00:19:30,937 BUT IT DOESN'T MAKE YOU FEEL ANYTHING. 451 00:19:30,970 --> 00:19:34,907 THOSE THAT SOCIETY DOES NOT CARE FOR-- 452 00:19:34,941 --> 00:19:37,610 THE THROWAWAYS, THE RUNAWAYS, 453 00:19:37,644 --> 00:19:39,712 DESTITUTE, 454 00:19:39,746 --> 00:19:41,814 DISENFRANCHISED, 455 00:19:41,848 --> 00:19:44,751 THE FORGOTTEN-- 456 00:19:44,784 --> 00:19:47,820 ARE THE VERY PEOPLE YOU TARGET. 457 00:19:49,956 --> 00:19:52,559 BUT NOT LAST NIGHT. 458 00:19:53,593 --> 00:19:55,295 SOMETHING CHANGED. 459 00:19:55,328 --> 00:19:57,497 YOU TOOK A PERSON OF PROMINENCE, 460 00:19:57,530 --> 00:20:01,268 SOMEONE THAT MATTERED TO EVERYONE. 461 00:20:02,969 --> 00:20:03,770 WHY? 462 00:20:03,803 --> 00:20:07,540 THAT'S THE INTERESTING QUESTION, JASON. 463 00:20:08,475 --> 00:20:09,041 WHY? 464 00:20:09,075 --> 00:20:10,477 MARK, DON'T DO IT! 465 00:20:10,510 --> 00:20:11,711 BACK OFF, SILO! 466 00:20:11,744 --> 00:20:12,979 GIDEON! 467 00:20:13,012 --> 00:20:15,448 SIR, DO NOT COME ANY CLOSER! 468 00:20:15,482 --> 00:20:17,650 THAT MAN HAS MY WIFE. 469 00:20:17,684 --> 00:20:18,885 PLEASE PUT THE GUN DOWN. 470 00:20:18,918 --> 00:20:19,619 TELL ME WHERE MY WIFE IS, 471 00:20:19,652 --> 00:20:21,020 OR SO HELP ME, I WILL SHOOT YOU. 472 00:20:21,053 --> 00:20:23,290 SIR, I SAID PUT THE GUN DOWN NOW! 473 00:20:23,323 --> 00:20:24,090 WHERE'S MY WIFE?! 474 00:20:24,123 --> 00:20:25,558 SIR, WE ARE TRYING TO FIND YOUR WIFE! 475 00:20:25,592 --> 00:20:26,793 TELL ME WHERE SHE IS, YOU SON OF A BITCH! 476 00:20:26,826 --> 00:20:29,362 PUT THE GUN DOWN NOW! 477 00:20:31,298 --> 00:20:35,835 BUT YOU KNOW WHAT'S AN EVEN MORE INTERESTING QUESTION? 478 00:20:36,436 --> 00:20:40,940 WHAT'S THE PSYCHOPATH GOT IN THE BAG, JASON? 479 00:20:54,854 --> 00:20:55,755 OPEN IT. 480 00:20:55,788 --> 00:20:56,889 PUT IT DOWN! 481 00:20:56,923 --> 00:20:58,725 OPEN THE BAG! 482 00:21:00,893 --> 00:21:03,730 HAND OVER YOUR GUN. I'LL OPEN IT. 483 00:21:06,933 --> 00:21:08,601 I'LL KILL YOU. 484 00:21:08,635 --> 00:21:10,770 I WILL KILL YOU. 485 00:21:24,484 --> 00:21:26,052 IT'S NOT HER. 486 00:21:26,085 --> 00:21:27,620 OH, THANK GOD. 487 00:21:27,654 --> 00:21:28,488 WHO IS THIS? 488 00:21:32,759 --> 00:21:33,726 "WHO WAS THIS?" 489 00:21:33,760 --> 00:21:35,962 YOU ARE ONE CRAZY SON OF A BITCH! 490 00:21:35,995 --> 00:21:39,466 WE ARE ALL SONS OF BITCHES. 491 00:21:39,499 --> 00:21:40,633 OUTSIDE. 492 00:21:40,667 --> 00:21:41,801 OUTSIDE, PLEASE. 493 00:21:41,834 --> 00:21:43,002 LET US DEAL WITH HIM. 494 00:21:43,035 --> 00:21:45,872 LET US TRY TO FIND HER. 495 00:21:47,640 --> 00:21:49,075 WHAT IS THIS, FRANK? 496 00:21:49,108 --> 00:21:50,510 HE'S IRRELEVANT 497 00:21:50,543 --> 00:21:52,879 BEYOND BEING MY TICKET OUT OF HERE. 498 00:21:52,912 --> 00:21:54,113 YOUR TICKET OUT OF HERE? 499 00:21:54,146 --> 00:21:55,682 EVEN IF YOU THINK YOU CAN 500 00:21:55,715 --> 00:21:56,683 GET OUT OF THAT BOOTH AND PASS US, 501 00:21:56,716 --> 00:21:58,618 I PROMISE YOU THOSE MEN OUT THERE 502 00:21:58,651 --> 00:21:59,952 WILL TEAR YOU TO PIECES. 503 00:21:59,986 --> 00:22:02,355 I RATHER DOUBT THAT. 504 00:22:02,389 --> 00:22:04,857 FINISH THE STORY, JASON. 505 00:22:04,891 --> 00:22:06,092 WE SET UP A NATIONWIDE TIP LINE, 506 00:22:06,125 --> 00:22:07,627 BUT ALL WE'VE REALLY GOT SO FAR IS 507 00:22:07,660 --> 00:22:09,396 WHITE MALE, MID- TO LATE-FIFTIES, 508 00:22:09,429 --> 00:22:10,663 TALL, WITH A MEDIUM BUILD. 509 00:22:10,697 --> 00:22:12,665 FROM THE REMAINS DISCOVERED THIS MORNING, 510 00:22:12,699 --> 00:22:15,134 WE KNOW HE DOESN'T KEEP HIS VICTIMS LONG. 511 00:22:15,167 --> 00:22:16,669 WE'VE GOT MORE COPS ARRIVING 512 00:22:16,703 --> 00:22:17,904 BY THE HOUR TO HELP FIND THIS GUY. 513 00:22:17,937 --> 00:22:20,006 WE ALSO PUT OUT A NATIONWIDE A.P.B. 514 00:22:20,039 --> 00:22:21,641 IF HE IS STILL IN THIS TOWN, 515 00:22:21,674 --> 00:22:22,341 AND WE BELIEVE HE IS, 516 00:22:22,375 --> 00:22:23,676 HE HAS ABSOLUTELY NO WAY OUT. 517 00:22:23,710 --> 00:22:24,711 WHAT ARE WE WAITING FOR? 518 00:22:24,744 --> 00:22:26,946 LET'S GO CATCH THIS S.O.B. 519 00:22:54,841 --> 00:22:56,876 THANK YOU VERY MUCH FOR YOUR TIME. 520 00:22:59,779 --> 00:23:01,848 HOW CAN YOU EVEN BE SO SURE HE'S HERE? 521 00:23:01,881 --> 00:23:02,915 HE COULD HAVE LEFT TOWN 522 00:23:02,949 --> 00:23:03,816 WHEN WE FOUND THOSE REMAINS. 523 00:23:03,850 --> 00:23:06,953 OF ALL THE CASES WHERE REMAINS WERE FOUND, 524 00:23:06,986 --> 00:23:09,155 YESTERDAY'S DISCOVERY WAS UNIQUE. 525 00:23:09,188 --> 00:23:10,657 THAT'S ONE WAY OF PUTTING IT. 526 00:23:10,690 --> 00:23:11,791 HE'S NEVER DUMPED THE REMAINS 527 00:23:11,824 --> 00:23:14,060 OF TWO VICTIMS BEFORE. WHY? 528 00:23:14,093 --> 00:23:15,728 I WANT TO KNOW WHY HE'S MANAGED 529 00:23:15,762 --> 00:23:16,896 TO GET AWAY WITH IT FOR SO LONG. 530 00:23:16,929 --> 00:23:18,498 TO GET AWAY WITH MURDER, 531 00:23:18,531 --> 00:23:19,932 YOU SIMPLY DON'T TELL ANYONE. 532 00:23:19,966 --> 00:23:21,133 AND THE ONLY PEOPLE HE TOLD 533 00:23:21,167 --> 00:23:22,068 WERE THE PEOPLE HE KILLED, 534 00:23:22,101 --> 00:23:24,036 AND THEN HE TOOK FROM THEM WHAT HE NEEDED-- 535 00:23:24,070 --> 00:23:25,872 CASH, CREDIT CARDS. 536 00:23:25,905 --> 00:23:27,039 I'M GONNA CALL GARCIA 537 00:23:27,073 --> 00:23:29,041 AND SEE IF ANYTHING KATHERINE HALE OWNED 538 00:23:29,075 --> 00:23:30,810 WAS USED AFTER HER DEATH. 539 00:23:32,144 --> 00:23:33,012 AND THEN HE MOVED ON 540 00:23:33,045 --> 00:23:35,214 TO HIS NEXT VICTIM... 541 00:23:35,247 --> 00:23:37,784 ...TILL HE REACH GOLCONDA. 542 00:23:37,817 --> 00:23:39,852 AND FOR SOME REASON, 543 00:23:39,886 --> 00:23:40,887 EMPTIED HIS VEHICLE 544 00:23:40,920 --> 00:23:41,754 BEFORE DRIVING IN... 545 00:23:41,788 --> 00:23:43,623 ...WHERE HE DUMPS HIS FIRST TWO VICTIMS 546 00:23:43,656 --> 00:23:44,857 IN THE EXACT SAME SPOT. 547 00:23:44,891 --> 00:23:45,758 YOU KNOW... 548 00:23:45,792 --> 00:23:47,727 IT'S ALMOST LIKE HE'S PURGING HIS VEHICLE 549 00:23:47,760 --> 00:23:49,095 BEFORE HE DRIVES INTO TOWN. 550 00:23:49,128 --> 00:23:49,796 YEAH, I DON'T KNOW. 551 00:23:49,829 --> 00:23:51,564 IT ALMOST SEEMS LIKE THE UNSUB 552 00:23:51,598 --> 00:23:54,100 IS ALWAYS TRAVELING FROM EAST TO WEST, 553 00:23:54,133 --> 00:23:56,569 PASSING THROUGH EVERY STATE 554 00:23:56,603 --> 00:23:58,805 THE SAME MONTH EVERY YEAR. 555 00:24:00,439 --> 00:24:01,407 THE REMAINS THAT WERE DISCOVERED 556 00:24:01,440 --> 00:24:03,543 10 YEARS AGO WAS THE SAME MONTH AS THIS, RIGHT? 557 00:24:03,576 --> 00:24:05,011 RIGHT, AND THEN FOR A WEEK AFTER THAT, 558 00:24:05,044 --> 00:24:06,012 THE TRAIL GOES DEAD. 559 00:24:06,045 --> 00:24:06,746 YEAH, IT'S LIKE 560 00:24:06,779 --> 00:24:08,748 HE TAKES A VACATION IN GOLCONDA. 561 00:24:08,781 --> 00:24:10,550 SO WHERE IS HIS RV? 562 00:24:16,856 --> 00:24:18,858 MAYBE HE'S NOT USING AN RV. 563 00:24:18,891 --> 00:24:20,727 MAYBE HE'S TOWING A TRAILER. 564 00:24:20,760 --> 00:24:22,929 THAT WAY HE COULD UNHOOK AND MOVE ABOUT FREELY. 565 00:24:22,962 --> 00:24:23,596 HE COULD ALSO HIDE IT. 566 00:24:23,630 --> 00:24:24,463 THAT'S WHY WE CAN'T FIND HIM. 567 00:24:24,497 --> 00:24:26,833 HE'S WAITING FOR THE ROADBLOCKS TO CLEAR. 568 00:24:26,866 --> 00:24:27,634 OK, IF HE HAS A TRUCK, 569 00:24:27,667 --> 00:24:28,868 IT'S GONNA BE JUST LIKE HIS TRAILER-- 570 00:24:28,901 --> 00:24:30,903 MUTED IN COLOR AND AMERICAN-MADE. 571 00:24:30,937 --> 00:24:31,671 IT'S GONNA BE DARK SOON. 572 00:24:31,704 --> 00:24:33,840 WE SHOULD TO BACK AND CALL GIDEON. 573 00:24:33,873 --> 00:24:35,875 I THINK THE UNSUB's IN TOWN SOMEWHERE. 574 00:24:35,908 --> 00:24:36,843 YEAH. 575 00:24:40,046 --> 00:24:42,549 WE HAVE TO GET BACK INTO TOWN 576 00:24:42,582 --> 00:24:44,050 AND SEARCH GARAGES, WAREHOUSES, 577 00:24:44,083 --> 00:24:46,218 ANY PLACE SOMEONE COULD HIDE A LARGE TRAILER. 578 00:24:46,252 --> 00:24:49,255 LIKE YOU SAID, HE NEVER TAKES VICTIMS 579 00:24:49,288 --> 00:24:49,922 WHEN HE'S HERE. 580 00:24:49,956 --> 00:24:52,258 SO IF HE'S NOT GOING ANYWHERE 581 00:24:52,291 --> 00:24:53,760 AND HE HASN'T GOT ANYONE, 582 00:24:53,793 --> 00:24:55,294 WE CAN WAIT TILL THE MORNING. 583 00:24:55,327 --> 00:24:56,929 WAIT? WE CAN'T WAIT. 584 00:24:56,963 --> 00:24:58,565 THE MEN ARE TIRED, I'M TIRED. 585 00:24:58,598 --> 00:25:00,266 WE GOT ROADBLOCKS ON EVERY ROAD. 586 00:25:00,299 --> 00:25:01,100 GIDEON, SHE'S RIGHT. 587 00:25:01,133 --> 00:25:01,934 WE COULD WAIT TILL FIRST LIGHT, GIDEON. 588 00:25:01,968 --> 00:25:03,970 DO WHAT YOU LIKE. I'M GONNA FIND HIM. 589 00:25:04,003 --> 00:25:06,573 IT'S GONNA BE A LONG NIGHT. 590 00:25:06,606 --> 00:25:07,173 I'M SORRY. 591 00:25:07,206 --> 00:25:08,107 I GOT TO RELIEVE MY MEN 592 00:25:08,140 --> 00:25:08,841 AND GET BACK TO THE OFFICE. 593 00:25:08,875 --> 00:25:11,711 I UNDERSTAND. I'LL TALK TO HIM. 594 00:25:16,082 --> 00:25:17,216 HEY, GARCIA-- 595 00:25:17,249 --> 00:25:18,885 AAH! 596 00:25:19,586 --> 00:25:20,853 I LIKE KNOCKING. 597 00:25:20,887 --> 00:25:23,122 OH, WELL, I HAVE BEEN GOING OVER THE TIP LINE 598 00:25:23,155 --> 00:25:25,091 FOR HOURS GOING OVER ALL THE CALLS, 599 00:25:25,124 --> 00:25:25,992 AND I THINK I FOUND SOMETHING. 600 00:25:26,025 --> 00:25:29,028 AN ANONYMOUS CALLER CLAIMED THEY SAW AN RV 601 00:25:29,061 --> 00:25:29,796 THAT MATCHED THE DESCRIPTION 602 00:25:29,829 --> 00:25:32,264 OF THE ONE WE GAVE TO THE MEDIA... 603 00:25:32,298 --> 00:25:33,933 LEAVING GOLCONDA. 604 00:25:33,966 --> 00:25:35,968 THANK YOU. 605 00:25:36,002 --> 00:25:36,769 YEAH? 606 00:25:36,803 --> 00:25:38,938 FIRSTLY, NOT A SINGLE RV OR TRAILER 607 00:25:38,971 --> 00:25:40,339 HAS PASSED THROUGH ANY OF THE ROADBLOCKS-- 608 00:25:40,372 --> 00:25:41,140 I CHECKED. 609 00:25:41,173 --> 00:25:43,876 SECONDLY 610 00:25:43,910 --> 00:25:45,945 I NEED YOU TO TRACE THIS NUMBER. 611 00:25:45,978 --> 00:25:49,148 IT'S 303-555-0126. 612 00:25:50,082 --> 00:25:52,151 IT'S A CELL PHONE... 613 00:25:52,184 --> 00:25:54,887 BELONGING TO... 614 00:25:54,921 --> 00:25:56,956 KATHERINE HALE? 615 00:25:57,890 --> 00:25:59,158 IT'S FROM GOLCONDA. 616 00:25:59,191 --> 00:26:01,894 THIS GUY, HE COULD HAVE JUST KEPT ON GOING. 617 00:26:01,928 --> 00:26:03,129 WE MAY HAVE NEVER CAUGHT HIM. 618 00:26:03,162 --> 00:26:04,296 WITH ALL THIS HEAT ON HIM, 619 00:26:04,330 --> 00:26:06,098 WHATEVER IS KEEPING HIM IN THAT TOWN 620 00:26:06,132 --> 00:26:08,935 MUST BE FREAKY SPECIAL. 621 00:26:09,702 --> 00:26:11,638 MARK'S AWAY AT HIS MOTHER'S. 622 00:26:11,671 --> 00:26:12,905 TOOK TOMMY WITH HIM. 623 00:26:12,939 --> 00:26:16,108 COME ON IN. 624 00:26:16,142 --> 00:26:18,110 YOU'RE SAFE HERE. 625 00:26:20,112 --> 00:26:21,981 WELL, YOU SAID YOU DIDN'T WANT TO GO HOME, 626 00:26:22,014 --> 00:26:23,916 AND I COULDN'T LEAVE YOU IN JAIL. 627 00:26:23,950 --> 00:26:25,017 YOU HAVE ONE NEW MESSAGE. 628 00:26:25,051 --> 00:26:27,053 I'LL MAKE UP THE GUEST BEDROOM. 629 00:26:27,086 --> 00:26:28,988 CAN I GET YOU SOMETHING, A SODA? 630 00:26:29,021 --> 00:26:31,123 THANK YOU FOR BEING SO KIND. 631 00:26:31,157 --> 00:26:32,825 HEY, GORGEOUS GEORGE! 632 00:26:32,859 --> 00:26:35,061 I LOVE YOU, WIFE. I MISS YOU. 633 00:26:35,094 --> 00:26:36,028 TOMMY MISSES YOU. 634 00:26:36,062 --> 00:26:38,731 YEAH, I GUESS YOU'RE BUSY CATCHING BAD GUYS... 635 00:26:38,765 --> 00:26:39,666 IS HE GOOD TO YOU? 636 00:26:39,699 --> 00:26:40,800 EVER SINCE I MET HIM. 637 00:26:40,833 --> 00:26:44,103 WE WERE BOTH 15. GRAPE JUICE? 638 00:26:44,136 --> 00:26:45,204 WHAT THE HELL?! 639 00:26:45,237 --> 00:26:47,039 HEY, TOMMY? 640 00:26:47,073 --> 00:26:47,974 HE'S HERE, GEORGE. 641 00:26:48,007 --> 00:26:50,142 MOMMY, I WANT TO COME HOME. 642 00:26:50,176 --> 00:26:51,844 WHO THE HELL ARE YOU?! 643 00:26:51,878 --> 00:26:53,179 YOU KNOW WHO I AM. 644 00:26:53,212 --> 00:26:53,880 DON'T YOU, JANE? 645 00:26:53,913 --> 00:26:55,381 STAY RIGHT WHERE YOU ARE, JANE. 646 00:26:55,414 --> 00:26:56,949 I WANT YOU TO BACK OFF. 647 00:26:56,983 --> 00:27:00,119 COME WITH ME, JANE. 648 00:27:01,120 --> 00:27:02,088 HE CAME FOR ME. 649 00:27:02,121 --> 00:27:03,690 THIS MAN IS NOT AN ALIEN. 650 00:27:03,723 --> 00:27:04,523 HE'S A MURDERER. 651 00:27:04,556 --> 00:27:06,192 IT'S ALL RIGHT. HE CAME FOR ME! 652 00:27:08,227 --> 00:27:11,964 OH, MOM, DAD LET ME EAT CANDY. 653 00:27:11,998 --> 00:27:12,598 JANE, RUN. 654 00:27:12,631 --> 00:27:14,266 DON'T BE MAD AT HIM. 655 00:27:14,300 --> 00:27:16,068 RUN, JANE! 656 00:27:16,102 --> 00:27:18,070 RUN, PLEASE! 657 00:27:18,104 --> 00:27:18,705 JANE, NO! 658 00:27:18,738 --> 00:27:22,041 ...TWICE. LOVE YOU. 659 00:27:23,142 --> 00:27:24,043 JANE! 660 00:27:24,076 --> 00:27:26,879 I LOVE YOU, MOMMY. 661 00:27:26,913 --> 00:27:28,380 GOOD NIGHT, MOM. 662 00:27:28,414 --> 00:27:30,082 BYE! 663 00:27:56,976 --> 00:27:58,978 HE KEEPS CHECKING THAT CLOCK 664 00:27:59,011 --> 00:28:00,446 BECAUSE WHATEVER IT IS HE CAME FOR 665 00:28:00,479 --> 00:28:02,014 IS COMING HERE TO THIS DINER. 666 00:28:02,048 --> 00:28:03,983 OK, THEN WE NEED TO FIGURE OUT 667 00:28:04,016 --> 00:28:05,451 WHAT WE MISSED, GIDEON. 668 00:28:05,484 --> 00:28:07,019 AND SOON. 669 00:28:07,386 --> 00:28:10,089 I'M ALMOST FINISHED. 670 00:28:22,101 --> 00:28:23,135 IT'S CLEAR. 671 00:28:23,169 --> 00:28:24,003 ALL CLEAR. 672 00:28:24,036 --> 00:28:26,906 SILO, SILO, DON'T TOUCH ANYTHING. 673 00:28:26,939 --> 00:28:28,274 WE NEED TO PROFILE THIS ROOM. 674 00:28:28,307 --> 00:28:29,108 PROFILE?! 675 00:28:29,141 --> 00:28:31,077 YOU SAID THE CALL WAS MADE 5 HOURS AGO 676 00:28:31,110 --> 00:28:33,245 BY THE UNSUB RIGHT OUTSIDE THIS HOUSE! 677 00:28:33,279 --> 00:28:35,381 NOW WHAT'S THE PROFILE?! 678 00:28:35,414 --> 00:28:36,949 HE TOOK GEORGE! 679 00:28:36,983 --> 00:28:37,817 WHY? 680 00:28:37,850 --> 00:28:38,684 ALL RIGHT, WE NEED TO WORK FAST. 681 00:28:38,717 --> 00:28:40,019 ALL RIGHT, SHE ENTERS THE HOUSE, 682 00:28:40,052 --> 00:28:40,719 AND THEN IT'S HABITUAL. 683 00:28:40,753 --> 00:28:42,154 OK, SHE DROPS HER KEYS, 684 00:28:42,188 --> 00:28:43,422 HITS THE ANSWERING MACHINE, 685 00:28:43,455 --> 00:28:44,991 TAKES OFF HER GUN BELT. 686 00:28:45,024 --> 00:28:45,958 THEN MOVES THROUGHOUT THE KITCHEN. 687 00:28:45,992 --> 00:28:48,828 HE'S NEVER TAKEN ANYONE OF PROMINENCE. 688 00:28:48,861 --> 00:28:50,262 WHY TAKE THE SHERIFF? 689 00:28:50,296 --> 00:28:51,130 AND NOT HER GUN. 690 00:28:51,163 --> 00:28:51,998 SILO, CALL YOUR OFFICE. 691 00:28:52,031 --> 00:28:53,432 SEE IF SHE WAS PLANNING TO MEET ANYONE. 692 00:28:53,465 --> 00:28:54,934 NO WAY A COP WOULD TAKE CHASE 693 00:28:54,967 --> 00:28:56,035 WITHOUT THEIR GUN. 694 00:28:56,068 --> 00:28:56,735 DEFINITELY LOOKS LIKE 695 00:28:56,769 --> 00:28:58,938 SHE TRIED TO MAKE A GO FOR IT. 696 00:28:58,971 --> 00:29:01,140 BUT SHE DIDN'T MAKE IT. 697 00:29:01,974 --> 00:29:03,776 GUYS... 698 00:29:03,810 --> 00:29:06,512 GEORGE BROUGHT CRAZY JANE HOME WITH HER. 699 00:29:06,545 --> 00:29:08,047 SO, HE TAKES CONTROL OF GEORGE, 700 00:29:08,080 --> 00:29:10,216 THEN GOES AFTER WHAT HE CAME HERE FOR. 701 00:29:10,249 --> 00:29:11,350 CRAZY JANE. 702 00:29:11,383 --> 00:29:12,318 THOSE FOOTPRINTS, 703 00:29:12,351 --> 00:29:14,186 THEY GOT TO BE JANE'S. 704 00:29:14,220 --> 00:29:15,354 THEY GO TO THE BACK. 705 00:29:15,387 --> 00:29:16,355 SHE ESCAPES. 706 00:29:16,388 --> 00:29:18,524 THE UNSUB KNOWS THE KETAMINE'S GONNA WEAR OFF, 707 00:29:18,557 --> 00:29:19,959 SO HE'S GOT TO ACT. 708 00:29:19,992 --> 00:29:22,094 NO. HE HASN'T GOT WHAT HE CAME HERE FOR. 709 00:29:22,128 --> 00:29:23,996 SO FOR LEVERAGE, HE TAKES THE SHERIFF, 710 00:29:24,030 --> 00:29:28,034 WHICH MEANS SOONER OR LATER, HE'LL CONTACT US. 711 00:29:31,303 --> 00:29:32,905 IT TURNED BACK ON! 712 00:29:32,939 --> 00:29:33,739 IT JUST-- 713 00:29:33,772 --> 00:29:35,341 JJ, THE CELL PHONE, IT TURNED BACK ON! 714 00:29:35,374 --> 00:29:37,476 WHAT? KATHERINE HALE'S CELL PHONE, 715 00:29:37,509 --> 00:29:39,812 IT TURNED BACK ON. 716 00:29:42,081 --> 00:29:42,915 KATHERINE HALE'S CELL PHONE 717 00:29:42,949 --> 00:29:45,351 JUST CAME BACK ON IN THE MIDDLE OF TOWN. 718 00:29:45,384 --> 00:29:46,452 LET'S DO THIS. 719 00:29:46,485 --> 00:29:47,386 HE THINKS WE HAVE JANE. 720 00:29:47,419 --> 00:29:48,620 WHICH MEANS HE WANTS A TRADE. 721 00:29:48,654 --> 00:29:50,256 WHATEVER HE WANTS, WE NEED TO FIND JANE AND THE SHERIFF FAST. 722 00:29:50,289 --> 00:29:53,392 YOU GO TO TOWN, WE'LL GO TO JANE'S. 723 00:30:01,533 --> 00:30:03,069 OK, LISTEN UP! 724 00:30:03,102 --> 00:30:04,470 HE SHOULD BE DRIVING A TRUCK OR SUV 725 00:30:04,503 --> 00:30:07,273 MUTED IN COLOR-- BLACK, DARK BROWN. 726 00:30:07,306 --> 00:30:09,275 OR BLUE! 727 00:30:12,211 --> 00:30:12,945 LIKE YOU BOYS SAID, 728 00:30:12,979 --> 00:30:15,214 HE'LL HAVE A CB, POLICE-BAND RADIO, 729 00:30:15,247 --> 00:30:15,982 AND RADAR DETECTOR. 730 00:30:16,015 --> 00:30:19,251 HOTCH BETTER FIND JANE, AND FAST. 731 00:30:48,414 --> 00:30:49,181 GUYS! 732 00:30:49,215 --> 00:30:51,550 THESE WIND CHIMES ARE MADE OF BONE! 733 00:30:51,583 --> 00:30:54,954 I THINK IT'S HUMAN RIB BONES. 734 00:31:02,294 --> 00:31:03,395 HE'S WAITING FOR US. 735 00:31:03,429 --> 00:31:05,064 WELL, LET'S GO GET THAT BASTARD. 736 00:31:05,097 --> 00:31:06,398 NO, WE STILL DON'T HAVE THE SHERIFF. 737 00:31:06,432 --> 00:31:08,167 WELL, WHEN I GET A HOLD OF HIM, WE WILL. 738 00:31:08,200 --> 00:31:09,902 HEY, WAIT A MINUTE. WAIT A MINUTE! 739 00:31:09,936 --> 00:31:12,004 HE'S SMART. WE GOT TO BE SMARTER. 740 00:31:12,038 --> 00:31:13,105 HE TURNED THAT CELL PHONE ON 741 00:31:13,139 --> 00:31:14,606 BECAUSE BY NOW, HE KNOWS WE'RE ONTO HIM. 742 00:31:14,640 --> 00:31:16,943 WELL, YOU BOYS HAVE JUST 15 MINUTES, 743 00:31:16,976 --> 00:31:18,010 THEN WE'RE COMING IN. 744 00:31:18,044 --> 00:31:21,347 15 MINUTES. THAT'S ALL I NEED. 745 00:31:26,185 --> 00:31:27,053 * AT LAST 746 00:31:27,086 --> 00:31:29,188 RIB EYE, ADAM AND EVE ON A WRAP, 747 00:31:29,221 --> 00:31:30,990 STEAK-UMM, AND A STRAWBERRY SHAKE 748 00:31:31,023 --> 00:31:33,259 FOR THE GENTLEMAN AT TABLE 8. 749 00:31:33,292 --> 00:31:35,461 FINALLY YOU WALK INTO MY LIFE. 750 00:31:35,494 --> 00:31:38,297 WHAT TOOK YOU SO LONG, HANDSOME? 751 00:31:40,232 --> 00:31:41,567 HONEY? 752 00:31:43,235 --> 00:31:44,203 NO, THANKS. 753 00:31:44,236 --> 00:31:45,504 I DON'T NEED ANYTHING. 754 00:31:45,537 --> 00:31:48,607 * ARE OVER 755 00:31:49,475 --> 00:31:51,677 MIND IF I SIT HERE? 756 00:31:51,710 --> 00:31:53,445 PLEASE. 757 00:31:54,280 --> 00:31:55,247 COMPLETELY EMPTY. 758 00:31:55,281 --> 00:31:56,048 SHE'S NOT HERE. 759 00:31:56,082 --> 00:31:58,117 WELL, HE'S OBVIOUSLY BEEN HERE BEFORE 760 00:31:58,150 --> 00:32:00,186 AND LEFT THESE GIFTS FOR HER. 761 00:32:00,219 --> 00:32:01,487 HOW ROMANTIC. 762 00:32:01,520 --> 00:32:03,089 HIS VERSION OF ROMANCE. 763 00:32:03,122 --> 00:32:04,490 WHAT--ARE YOU TRYING TO SAY 764 00:32:04,523 --> 00:32:05,457 YOU THINK HE KEEPS COMING BACK HERE 765 00:32:05,491 --> 00:32:07,126 BECAUSE HE'S IN LOVE WITH HER? 766 00:32:07,159 --> 00:32:08,094 THAT'S IMPOSSIBLE. 767 00:32:08,127 --> 00:32:09,728 A SEXUAL SADIST CAN'T FEEL LOVE. 768 00:32:09,761 --> 00:32:10,696 WELL, DEFINE LOVE. 769 00:32:10,729 --> 00:32:12,664 CHEMICALLY, IT INVOLVES SURGING BRAIN ELEMENTS 770 00:32:12,698 --> 00:32:14,200 CALLED MONOAMINES, DOPAMINES, 771 00:32:14,233 --> 00:32:15,134 NOREPINEPHRINE, AND SEROTONIN. 772 00:32:15,167 --> 00:32:18,204 LOVE CHEMICALS CONTROLLED BY PHENETHYLAMINE, 773 00:32:18,237 --> 00:32:19,238 ALSO FOUND IN-- 774 00:32:19,271 --> 00:32:20,306 CHOCOLATE. 775 00:32:20,339 --> 00:32:21,073 I LOVE CHOCOLATE. 776 00:32:21,107 --> 00:32:23,209 PEAS, TOO! IT'S ALSO FOUND IN PEAS! 777 00:32:23,242 --> 00:32:24,043 PEAS 778 00:32:24,076 --> 00:32:25,978 INDEED, SOME VERITABLE-- REID, STOP. 779 00:32:26,012 --> 00:32:26,778 PLEASE. 780 00:32:26,812 --> 00:32:29,348 SPREAD OUT, EVERYBODY. KEEP LOOKING. 781 00:32:34,286 --> 00:32:36,355 FBI! 782 00:33:15,294 --> 00:33:16,562 CLEAR. 783 00:33:23,235 --> 00:33:26,038 I THOUGHT I'D SEEN EVERYTHING. 784 00:33:27,739 --> 00:33:28,540 GUYS. 785 00:33:28,574 --> 00:33:29,441 WHAT IS IT? 786 00:33:29,475 --> 00:33:31,210 IT'S A COFFIN. 787 00:33:37,216 --> 00:33:37,949 HOTCH, 788 00:33:37,983 --> 00:33:40,152 THERE'S ANOTHER COFFIN OVER HERE. 789 00:33:46,692 --> 00:33:48,560 IT'S OK. DON'T TRY TO SPEAK. 790 00:33:48,594 --> 00:33:49,728 WE'VE GOT YOU. 791 00:33:49,761 --> 00:33:51,197 THANK GOD. 792 00:33:57,336 --> 00:33:58,837 AHH. 793 00:33:58,870 --> 00:34:01,807 ONE IS PERFECTION. 794 00:34:01,840 --> 00:34:02,741 TWO IS DECADENT. 795 00:34:02,774 --> 00:34:05,511 YOU TAKE ANOTHER STEP, AND I WILL SHOOT YOU. 796 00:34:05,544 --> 00:34:06,178 NO, YOU WON'T. 797 00:34:06,212 --> 00:34:07,846 WAS IT THAT JANE SAID TO YOU? 798 00:34:07,879 --> 00:34:09,315 SHE LOOKED INTO YOUR EYES. 799 00:34:09,348 --> 00:34:10,716 THAT WOULDN'T HAVE BEEN ENOUGH. 800 00:34:10,749 --> 00:34:12,551 SHE SAID SOMETHING. 801 00:34:12,584 --> 00:34:13,585 WHAT? 802 00:34:13,619 --> 00:34:14,820 IT'S IMPORTANT. 803 00:34:14,853 --> 00:34:17,789 I'M A SEXUAL SADIST. 804 00:34:17,823 --> 00:34:19,825 I CAN'T FEEL ANYTHING. 805 00:34:19,858 --> 00:34:20,692 REMEMBER? 806 00:34:21,827 --> 00:34:23,195 YOU SAID SO. 807 00:34:23,229 --> 00:34:24,230 YEAH, HOTCH? 808 00:34:24,263 --> 00:34:24,963 THERE ARE NO ABSOLUTES 809 00:34:24,996 --> 00:34:26,498 WHEN IT COMES TO THE HUMAN MIND. 810 00:34:26,532 --> 00:34:28,467 THEY JUST FOUND HIS TRAILER, 811 00:34:28,500 --> 00:34:29,701 THE REMAINS OF ANOTHER WOMAN 812 00:34:29,735 --> 00:34:30,736 AND THE SHERIFF ALIVE. 813 00:34:30,769 --> 00:34:32,604 HE DOESN'T CARE ABOUT THE SHERIFF. 814 00:34:32,638 --> 00:34:34,206 TO WALK OUT OF HERE WITH JANE, 815 00:34:34,240 --> 00:34:35,674 HE'D NEED MORE THAN THAT. 816 00:34:35,707 --> 00:34:37,676 JANE SAID... 817 00:34:37,709 --> 00:34:40,546 HOW BEAUTIFUL MY EYES WERE. 818 00:34:41,713 --> 00:34:42,548 I LOOKED AT HER 819 00:34:42,581 --> 00:34:46,852 LIKE I'VE NEVER LOOKED AT A WOMAN BEFORE. 820 00:34:46,885 --> 00:34:49,688 MY HANDS BEGAN TO SWEAT. 821 00:34:49,721 --> 00:34:52,158 I DROPPED THE KNIFE. 822 00:34:52,724 --> 00:34:55,227 I TRIED TO PICK IT UP, BUT... 823 00:34:55,261 --> 00:34:57,563 IT FELL AGAIN. 824 00:34:57,863 --> 00:35:02,301 I GOT BUTTERFLIES IN MY STOMACH. 825 00:35:02,334 --> 00:35:05,237 ISN'T THAT LOVE? 826 00:35:06,372 --> 00:35:06,972 GIDEON! 827 00:35:07,005 --> 00:35:08,240 FOUND GEORGE. SHE'S ALIVE. 828 00:35:08,274 --> 00:35:09,375 GET ON THE FLOOR! 829 00:35:09,408 --> 00:35:10,309 TAKE IT EASY! NO! 830 00:35:10,342 --> 00:35:11,377 TAKE IT EASY! 831 00:35:20,886 --> 00:35:22,554 WHAT?! 832 00:35:22,588 --> 00:35:24,390 NO. 833 00:35:24,423 --> 00:35:26,392 THAT'S IMPOSSIBLE. 834 00:35:27,426 --> 00:35:29,428 MAGIC TIME. 835 00:35:58,490 --> 00:35:59,858 GEORGE?! 836 00:35:59,891 --> 00:36:01,527 GEORGE, BABY?! 837 00:36:01,860 --> 00:36:03,329 YOU ALL RIGHT?! 838 00:36:03,362 --> 00:36:03,862 HA! 839 00:36:03,895 --> 00:36:06,865 THANK GOD. THANK GOD. 840 00:36:06,898 --> 00:36:10,236 HE KILLED TOMMY'S TEACHER. 841 00:36:10,269 --> 00:36:11,570 I SAW IT. 842 00:36:11,603 --> 00:36:13,205 OH. ANNIE. 843 00:36:13,239 --> 00:36:16,242 SHE WAS JUST 22. 844 00:36:17,743 --> 00:36:19,745 WHAT'S WRONG? 845 00:36:19,778 --> 00:36:21,913 THEY FOUND THE SCHOOL BUS ABANDONED 846 00:36:21,947 --> 00:36:22,814 JUST OUTSIDE OF TOWN. 847 00:36:22,848 --> 00:36:24,850 TOMMY'S SUPPOSED TO BE ON THAT FIELD TRIP. 848 00:36:24,883 --> 00:36:26,852 WHERE IS HE? SAFE. HE'S FINE. 849 00:36:26,885 --> 00:36:29,221 HE'S WITH MY MOM. 850 00:36:29,255 --> 00:36:30,856 BUT THAT MAN, HE ALSO KILLED 851 00:36:30,889 --> 00:36:32,724 THE SCHOOL BUS DRIVER. 852 00:36:32,758 --> 00:36:33,859 HOW?! 853 00:36:33,892 --> 00:36:35,927 WE HAD THE WHOLE TOWN SHUT DOWN. 854 00:36:35,961 --> 00:36:36,962 THERE WAS NO WAY OUT. 855 00:36:36,995 --> 00:36:37,996 WHAT WAS THE ONE VEHICLE 856 00:36:38,029 --> 00:36:39,698 WE WEREN'T LOOKING FOR? 857 00:36:39,731 --> 00:36:40,699 A SCHOOL BUS. 858 00:36:40,732 --> 00:36:43,235 MORE IMPORTANTLY, WHERE ARE THE CHILDREN? 859 00:36:44,736 --> 00:36:47,473 YOU HAVE THE TOWN'S CHILDREN. 860 00:36:47,506 --> 00:36:49,541 JUST THE LITTLE ONES. 861 00:36:49,808 --> 00:36:51,310 YOU PROFILED ME, JASON. 862 00:36:51,343 --> 00:36:53,579 YOU KNOW I HAVE NO INTEREST 863 00:36:53,612 --> 00:36:54,780 IN HARMING CHILDREN. 864 00:36:54,813 --> 00:36:55,914 WE WILL FIND THEM. 865 00:36:55,947 --> 00:36:57,583 WE HAVE HELICOPTERS, DOGS... 866 00:36:57,616 --> 00:37:00,886 THE DESERT IS OVER 25,000 SQUARE MILES. 867 00:37:00,919 --> 00:37:01,887 YOU SHUT UP! 868 00:37:01,920 --> 00:37:04,623 AND WHAT WITH THE RISING COYOTE POPULATION... 869 00:37:04,656 --> 00:37:06,392 IF IT'S JANE YOU'RE AFTER, 870 00:37:06,425 --> 00:37:07,726 WE DON'T HAVE HER. 871 00:37:07,759 --> 00:37:09,027 YES, YOU DO. 872 00:37:18,437 --> 00:37:21,006 SIR, I FOUND HER WALKING THE STREETS. 873 00:37:21,873 --> 00:37:25,010 JANE, HE'S BEEN COMING BACK TO THIS TOWN FOR YEARS 874 00:37:25,043 --> 00:37:25,977 TO SEE YOU. 875 00:37:26,011 --> 00:37:27,546 ALL THOSE YEARS 876 00:37:27,579 --> 00:37:30,048 HE SAYS HE'S IN LOVE WITH YOU. 877 00:37:30,081 --> 00:37:32,017 HE'S IN LOVE WITH ME ! 878 00:37:32,050 --> 00:37:32,718 THAT'S WHAT HE SAYS. 879 00:37:32,751 --> 00:37:35,521 HE HIDES OUT IN YOUR OLD BARN, 880 00:37:35,554 --> 00:37:36,488 AND HE WATCHES YOU, 881 00:37:36,522 --> 00:37:37,323 AND WHEN HE LEAVES, 882 00:37:37,356 --> 00:37:39,458 HE LEAVES THESE WIND CHIMES AS GIFTS. 883 00:37:39,491 --> 00:37:40,826 THEY'RE BEAUTIFUL, AREN'T THEY? 884 00:37:40,859 --> 00:37:41,660 THEY'RE NOT BEAUTIFUL. 885 00:37:41,693 --> 00:37:44,830 THEY ARE THE REMAINS OF PEOPLE HE TOOK, 886 00:37:44,863 --> 00:37:46,465 TORTURED, AND KILLED. 887 00:37:46,498 --> 00:37:47,533 HE IS NOT AN ALIEN. 888 00:37:47,566 --> 00:37:50,068 YOU WERE ABDUCTED BY A SERIAL KILLER. 889 00:37:50,101 --> 00:37:53,405 BUT HE DID COME FOR ME, DIDN'T HE? 890 00:37:53,439 --> 00:37:55,707 NOT GEORGE! HE CAME FOR ME, DIDN'T HE? 891 00:37:55,741 --> 00:37:56,942 THAT'S WHAT HE SAYS. 892 00:37:56,975 --> 00:37:58,744 YOU TOLD ME TO RUN, 893 00:37:58,777 --> 00:38:00,746 BUT I DIDN'T WANT TO RUN. 894 00:38:00,779 --> 00:38:02,047 I WANTED TO SEE HIM AGAIN, 895 00:38:02,080 --> 00:38:03,949 TO SEE HIS EYES AND SEE HIS FACE. 896 00:38:03,982 --> 00:38:04,883 AND I DON'T KNOW-- 897 00:38:04,916 --> 00:38:08,554 SOMEHOW IT JUST FELT LIKE I WAS COMING HOME. 898 00:38:10,422 --> 00:38:11,723 JANE! 899 00:38:12,524 --> 00:38:15,394 OH! HE HAS THE CHILDREN, JANE! 900 00:38:15,427 --> 00:38:16,528 HE HAS OUR CHILDREN. 901 00:38:16,562 --> 00:38:17,629 AND WE WILL FIND THEM. 902 00:38:17,663 --> 00:38:18,229 AND IF WE DON'T, 903 00:38:18,263 --> 00:38:19,498 THEY'LL DIE OF EXPOSURE! 904 00:38:19,531 --> 00:38:21,667 HE HASN'T GOT TOMMY, GEORGE, 905 00:38:21,700 --> 00:38:23,034 BUT WHAT IF HE DID? 906 00:38:23,068 --> 00:38:23,769 HAND HIM OVER. 907 00:38:23,802 --> 00:38:25,804 SILO. WHAT CHOICE DO WE HAVE? 908 00:38:25,837 --> 00:38:27,373 NOT THIS ONE! 909 00:38:27,406 --> 00:38:28,474 TELL THEM, JASON. 910 00:38:28,507 --> 00:38:30,008 TELL THEM I'M NOT INTERESTED 911 00:38:30,041 --> 00:38:31,042 IN HARMING CHILDREN. 912 00:38:31,076 --> 00:38:33,044 YOU'VE STUDIED ME FOR YEARS. 913 00:38:33,078 --> 00:38:36,081 HAVE I EVER ONCE HARMED A CHILD? 914 00:38:36,615 --> 00:38:39,084 IT DOES NOTHING FOR ME. 915 00:38:39,117 --> 00:38:40,619 GIVE ME JANE... 916 00:38:40,652 --> 00:38:42,621 AND THEY'LL HAVE THEIR CHILDREN BACK. 917 00:38:42,654 --> 00:38:43,755 IS SHE PART OF THIS WITH YOU? 918 00:38:43,789 --> 00:38:45,123 LOOK AT HER, RICK. 919 00:38:45,156 --> 00:38:46,358 SHE'S NOT A PART OF ANYTHING. 920 00:38:46,392 --> 00:38:48,660 SHE'S AS MUCH HIS VICTIM AS YOU ARE. 921 00:38:48,694 --> 00:38:50,362 WITH JANE IN MY LIFE, 922 00:38:50,396 --> 00:38:53,565 I WILL NEVER HARM ANOTHER HUMAN BEING. 923 00:38:53,599 --> 00:38:54,633 OH. 924 00:38:54,666 --> 00:38:55,467 LEAVE HER ALONE! 925 00:38:55,501 --> 00:38:58,670 HEY! DON'T EVEN THINK ABOUT IT. 926 00:38:59,137 --> 00:39:00,939 NO MATTER WHAT YOU DO TO HIM, 927 00:39:00,972 --> 00:39:04,443 HE WILL NEVER GIVE YOU WHAT YOU WANT. 928 00:39:05,677 --> 00:39:06,978 I'M TELLING YOU, RICK, 929 00:39:07,012 --> 00:39:08,580 THEY'LL FIND THE CHILDREN. 930 00:39:08,614 --> 00:39:09,515 TRUST ME. 931 00:39:09,548 --> 00:39:11,883 TAKE ME WITH YOU, FRANK. 932 00:39:11,917 --> 00:39:13,385 JUST YOU AND ME. 933 00:39:13,419 --> 00:39:15,654 AND MY JANE? 934 00:39:16,054 --> 00:39:19,157 YOU'LL TAKE ME TO WHERE THE KIDS ARE? 935 00:39:19,190 --> 00:39:20,659 HAPPILY. 936 00:39:20,692 --> 00:39:24,129 I COULDN'T HAVE THAT ON MY CONSCIENCE. 937 00:39:30,436 --> 00:39:33,104 I WILL TAKE A VEHICLE OF MY CHOICE. 938 00:39:33,138 --> 00:39:35,641 JASON WILL DRIVE. 939 00:39:37,042 --> 00:39:39,778 ONCE I'M SATISFIED NO ONE IS FOLLOWING, 940 00:39:39,811 --> 00:39:42,748 I WILL TAKE JASON TO WHERE I HAVE THE CHILDREN. 941 00:39:42,781 --> 00:39:44,416 HE WILL THEN CALL. 942 00:39:46,217 --> 00:39:47,553 IF ANYONE FOLLOWS, 943 00:39:47,586 --> 00:39:50,556 THE STORY WILL END IN TEARS. 944 00:40:02,701 --> 00:40:06,104 I'VE BEEN COMING TO SEE YOU FOR SO MANY YEARS TO-- 945 00:40:06,137 --> 00:40:09,107 TO TRY AND MAKE SENSE OF WHAT I FEEL. 946 00:40:09,140 --> 00:40:12,110 JASON SAYS I'M INCAPABLE OF FEELING ANYTHING, 947 00:40:12,143 --> 00:40:14,746 BUT HERE I AM. 948 00:40:14,780 --> 00:40:16,815 AND I FEEL. 949 00:40:17,916 --> 00:40:19,618 WHERE WILL WE GO? 950 00:40:19,651 --> 00:40:22,588 WHEREVER WE WANT. 951 00:40:27,793 --> 00:40:29,595 STOP THE CAR. 952 00:40:42,674 --> 00:40:44,676 WHAT HE'S FEELING RIGHT NOW WILL PASS, 953 00:40:44,710 --> 00:40:47,679 AND WHEN IT DOES, LIKE ALL THE OTHERS... 954 00:40:47,713 --> 00:40:49,715 HE'LL TAKE YOUR LIFE, 955 00:40:49,748 --> 00:40:52,718 AND THEN HE WILL REALLY FEEL. 956 00:40:52,751 --> 00:40:54,753 I DON'T BELIEVE HE WILL. 957 00:40:54,786 --> 00:40:57,756 I DON'T BELIEVE YOU KNOW WHAT THIS FEELS LIKE. 958 00:40:57,789 --> 00:40:59,525 IF YOU DID, 959 00:40:59,558 --> 00:41:00,759 YOU WOULD NOT BE HERE. 960 00:41:00,792 --> 00:41:04,162 YOU'D BE WITH THE ONE YOU LOVE. 961 00:41:06,231 --> 00:41:08,534 WHERE ARE THE CHILDREN? 962 00:41:10,101 --> 00:41:11,637 THAT WAY. 963 00:41:11,670 --> 00:41:13,772 TWO MILES. 964 00:41:16,575 --> 00:41:17,442 NO DEAL. 965 00:41:17,475 --> 00:41:19,745 SO YOU'RE JUST GOING TO STAND HERE WITH ME 966 00:41:19,778 --> 00:41:21,680 WHILE THE CHILDREN SUFFER EXPOSURE 967 00:41:21,713 --> 00:41:22,380 TO THE ELEMENTS? 968 00:41:22,413 --> 00:41:24,716 IT'S GONNA BE DARK REAL SOON. 969 00:41:24,750 --> 00:41:25,917 YOU ARE NOT THE HERO 970 00:41:25,951 --> 00:41:28,053 YOUR PARENTS THOUGHT YOU'D BE. 971 00:41:28,086 --> 00:41:31,056 I WILL NEVER STOP HUNTING YOU. 972 00:41:32,724 --> 00:41:33,759 NOT EVER. 973 00:41:33,792 --> 00:41:36,662 THEN I PROMISE THE SAME THING. 974 00:41:36,695 --> 00:41:39,731 I WILL NEVER STOP LOVING JANE... 975 00:41:41,132 --> 00:41:43,168 UNTIL YOU CATCH ME. 976 00:41:43,201 --> 00:41:45,837 YOU ARE INSANE. 977 00:41:45,871 --> 00:41:47,939 LOVE IS INSANITY, ISN'T IT? 978 00:41:47,973 --> 00:41:50,709 BUT A GOOD INSANITY. 979 00:41:51,810 --> 00:41:52,944 MY HOPE IS THAT ONE DAY 980 00:41:52,978 --> 00:41:54,713 YOU'LL FEEL THE WAY I DO, TOO. 981 00:41:54,746 --> 00:41:59,618 IF I EVER FIND MYSELF FEELING THE WAY YOU DO... 982 00:41:59,651 --> 00:42:01,820 I'LL KILL MYSELF. 983 00:42:02,320 --> 00:42:03,889 CALL ME FIRST. 984 00:42:03,922 --> 00:42:06,992 I'D LOVE TO PICK YOUR BRAINS. 985 00:42:57,008 --> 00:42:58,810 HE TOLD YOU WHERE THEY WERE? 986 00:42:58,844 --> 00:43:00,746 THEY WERE JUST OVER THAT RIDGE. 987 00:43:04,683 --> 00:43:05,851 WHICH WAY DID HE GO? 988 00:43:05,884 --> 00:43:06,852 WEST. 989 00:43:06,885 --> 00:43:07,919 ALL UNITS, ALL UNITS, 990 00:43:07,953 --> 00:43:08,987 WE HAVE THE CHILDREN. 991 00:43:09,020 --> 00:43:10,021 GET SEARCH PLANES UP. 992 00:43:10,055 --> 00:43:13,859 START A GRID SEARCH WESTBOUND FROM THIS LOCATION. 993 00:43:21,867 --> 00:43:24,369 THE TRACKS, THEY DISAPPEAR. 994 00:43:27,806 --> 00:43:28,774 WE'LL FIND THEM. 995 00:43:28,807 --> 00:43:31,943 CAPTIONING MADE POSSIBLE BY CBS 996 00:43:31,977 --> 00:43:36,748 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--