1 00:00:04,372 --> 00:00:09,110 CAPTIONING MADE POSSIBLE BY CBS 2 00:01:08,802 --> 00:01:12,706 KEN, GO HOME. 3 00:01:12,740 --> 00:01:14,342 SANDRA, WAIT. WHAT? 4 00:01:14,375 --> 00:01:16,744 JUST TALK TO ME FOR A SECOND, OK? 5 00:01:16,777 --> 00:01:18,346 I CAN'T. 6 00:01:18,379 --> 00:01:20,448 PLEASE? 7 00:01:22,850 --> 00:01:24,318 FINE. 8 00:01:27,755 --> 00:01:28,589 WHAT? 9 00:01:28,622 --> 00:01:31,159 I JUST WANT TO KNOW WHERE YOU'RE GOING. 10 00:01:31,192 --> 00:01:32,626 IT'S NONE OF YOUR BUSINESS. WHY? 11 00:01:32,660 --> 00:01:34,395 BECAUSE I'M NOT YOUR GIRLFRIEND. 12 00:01:34,428 --> 00:01:37,531 WHAT, ARE YOU TOO GOOD FOR ME NOW? 13 00:01:39,567 --> 00:01:42,336 I GOTTA GO. THAT'S HIM? 14 00:01:43,571 --> 00:01:45,773 KEN, DON'T! 15 00:01:47,808 --> 00:01:50,178 KEN, STOP! 16 00:01:51,712 --> 00:01:52,780 KEN, DON'T! 17 00:01:52,813 --> 00:01:53,814 WHO THE HELL ARE YOU? 18 00:01:55,416 --> 00:01:56,784 KEN! 19 00:02:00,754 --> 00:02:04,158 OH, MY GOD. 20 00:02:05,693 --> 00:02:07,728 WHAT ARE YOU DOING? THAT'S MY EX-BOYFRIEND. 21 00:02:07,761 --> 00:02:09,263 GET IN. 22 00:02:30,551 --> 00:02:31,819 OH, NO, PLEASE! 23 00:02:31,852 --> 00:02:33,721 OW! OHH... 24 00:02:33,754 --> 00:02:35,389 AHH. 25 00:02:35,856 --> 00:02:36,757 GOOD MORNING, EMILY. 26 00:02:36,790 --> 00:02:38,426 HAVE A GOOD WEEKEND? 27 00:02:38,459 --> 00:02:40,194 YEAH. NO. 28 00:02:40,228 --> 00:02:40,828 YES. 29 00:02:40,861 --> 00:02:42,730 HA HA. OH, I'VE BEEN THERE. 30 00:02:42,763 --> 00:02:45,799 NO, IT WASN'T-- UGH. 31 00:02:45,833 --> 00:02:47,701 I DON'T WANT TO GET INTO IT. 32 00:02:47,735 --> 00:02:48,402 NO PROBLEM. 33 00:02:48,436 --> 00:02:50,238 IT--IT JUST FEELS WEIRD FOR ME 34 00:02:50,271 --> 00:02:52,573 TO TALK ABOUT MY PERSONAL LIFE HERE, YOU KNOW? 35 00:02:52,606 --> 00:02:54,908 I DON'T REALLY KNOW YOU GUYS ALL THAT WELL YET. 36 00:02:54,942 --> 00:02:57,378 I TOTALLY GET THAT. 37 00:03:02,650 --> 00:03:05,786 I THINK I TOTALLY SCREWED UP THIS DATE. 38 00:03:08,422 --> 00:03:09,223 OK. 39 00:03:09,257 --> 00:03:10,424 WHAT HAPPENED? 40 00:03:10,458 --> 00:03:11,892 YOU HAVE TO UNDERSTAND, 41 00:03:11,925 --> 00:03:12,826 I'M A NERD. 42 00:03:12,860 --> 00:03:14,862 LIKE, SERIOUSLY. 43 00:03:14,895 --> 00:03:16,730 AND I CAN FOOL PEOPLE FOR DAYS, 44 00:03:16,764 --> 00:03:17,531 WEEKS EVEN. 45 00:03:17,565 --> 00:03:19,467 BUT SOONER OR LATER, I BLOW MY COVER 46 00:03:19,500 --> 00:03:21,869 AND I SAY SOMETHING SO GEEKY. 47 00:03:21,902 --> 00:03:24,004 AND THEN HE DOESN'T RESPOND, 48 00:03:24,037 --> 00:03:25,839 AND I LOSE ALL CONFIDENCE. 49 00:03:25,873 --> 00:03:26,874 WHAT DID YOU SAY? 50 00:03:26,907 --> 00:03:29,243 "KILGORE TROUT." 51 00:03:29,277 --> 00:03:30,844 GUY HAS A PROBLEM WITH KURT VONNEGUT? 52 00:03:30,878 --> 00:03:32,246 YOU KNOW KILGORE TROUT? 53 00:03:32,280 --> 00:03:34,014 I READ SLAUGHTERHOUSE-FIVE WHEN I WAS 12 AND IT BLEW MY MIND. 54 00:03:34,047 --> 00:03:35,416 SERIOUSLY, I COULDN'T GET ENOUGH. 55 00:03:35,449 --> 00:03:37,251 SO I JUST KEPT GOING AND I READ 'EM ALL. 56 00:03:37,285 --> 00:03:38,218 YEAH, YEAH. ME, TOO. 57 00:03:38,252 --> 00:03:39,420 WHAT'S YOUR FAVORITE? OH, MOTHER NIGHT. 58 00:03:39,453 --> 00:03:40,588 THE ONE ABOUT THE AMERICAN SPY. 59 00:03:40,621 --> 00:03:41,622 WHO PRETENDS TO BE A NAZI. 60 00:03:41,655 --> 00:03:42,823 "YOU ARE WHO YOU PRETEND TO BE." 61 00:03:42,856 --> 00:03:43,891 "SO BE CAREFUL WHO YOU PRETEND TO BE." 62 00:03:43,924 --> 00:03:47,728 OH, MY GOD. I CAN'T BELIEVE YOU'RE A VONNEGUT FAN. 63 00:03:47,761 --> 00:03:48,829 YOU JUST MADE MY DAY. 64 00:03:48,862 --> 00:03:50,564 ANYTIME. 65 00:03:50,998 --> 00:03:53,801 CONFERENCE ROOM IN 5 MINUTES, PLEASE? 66 00:03:54,502 --> 00:03:55,969 GOT IT. 67 00:03:57,371 --> 00:03:58,105 SANDRA DAVIS, 68 00:03:58,138 --> 00:03:59,006 16 YEARS OLD. THIS IS HER SINGING 69 00:03:59,039 --> 00:04:01,675 AT HER HIGH SCHOOL TALENT SHOW A MONTH AGO. 70 00:04:01,709 --> 00:04:04,878 THIS IS HER ON-AGAIN, OFF-AGAIN BOYFRIEND 71 00:04:04,912 --> 00:04:05,646 KEN NEWCOMBE. 72 00:04:05,679 --> 00:04:06,980 THEIR BODIES WERE FOUND IN A PARK 73 00:04:07,014 --> 00:04:09,016 NEAR THE MALE VICTIM'S CAR IN GROTON, 74 00:04:09,049 --> 00:04:10,884 AN AFFLUENT, MOSTLY WHITE SUBURB 75 00:04:10,918 --> 00:04:12,986 OF NEW YORK CITY IN WESTCHESTER COUNTY. 76 00:04:13,020 --> 00:04:14,422 IT'S THE THIRD OF 3 KILLINGS 77 00:04:14,455 --> 00:04:16,324 BELIEVED TO BE A SERIES OF HATE CRIMES. 78 00:04:16,357 --> 00:04:18,025 HATE CRIMES? THE FIRST 2 VICTIMS 79 00:04:18,058 --> 00:04:20,828 WERE KEISHA ANDREWS, 15, AND VICKIE WILLIAMS, 17. 80 00:04:20,861 --> 00:04:22,363 THEY DISAPPEARED FROM THEIR HOMES 81 00:04:22,396 --> 00:04:23,931 IN CENTRAL WESTCHESTER ONE NIGHT. 82 00:04:23,964 --> 00:04:24,932 THEIR BODIES WERE FOUND IN A WOODED AREA 83 00:04:24,965 --> 00:04:28,302 IN A SOUTHERN PART OF THE COUNTY NEAR THE CITY. 84 00:04:31,672 --> 00:04:34,708 AND THIS WAS PAINTED ON THEIR FACES. 85 00:04:35,509 --> 00:04:37,077 WHAT ABOUT THIS COUPLE? 86 00:04:37,110 --> 00:04:38,512 HOW WERE THEIR BODIES FOUND? 87 00:04:38,546 --> 00:04:39,980 ANOTHER SWASTIKA. 88 00:04:40,013 --> 00:04:41,749 THIS ONE ON THE BOYFRIEND'S CAR. 89 00:04:41,782 --> 00:04:43,917 IT'S A DIFFERENT VICTIMOLOGY. 90 00:04:43,951 --> 00:04:45,052 MAYBE JUST AN ESCALATION. 91 00:04:45,085 --> 00:04:46,454 OR A DIFFERENT KILLER. 92 00:04:46,487 --> 00:04:47,755 AND IT DOESN'T END THERE. 93 00:04:47,788 --> 00:04:49,823 YESTERDAY AN AFRICAN-AMERICAN COMMUNITY LEADER, 94 00:04:49,857 --> 00:04:50,791 A REVEREND WILLIAMS, 95 00:04:50,824 --> 00:04:53,093 DECIDED TO TAKE THIS ON AS A POLITICAL ISSUE. 96 00:04:53,126 --> 00:04:54,728 RACIAL HATE IN THE SUBURBS. 97 00:04:54,762 --> 00:04:57,998 WHAT WE ARE SEEING IS PURE APATHY. 98 00:04:58,031 --> 00:04:59,633 BLACK KIDS ARE GETTING KILLED 99 00:04:59,667 --> 00:05:02,436 AND THE POLICE ARE DOING NOTHING TO STOP IT. 100 00:05:02,470 --> 00:05:04,472 WHEN WILL THESE RACISTS BE CONFRONTED? 101 00:05:04,505 --> 00:05:07,107 APPARENTLY, IN RESPONSE TO REVEREND WILLIAMS' MUCKRAKING, 102 00:05:07,140 --> 00:05:10,811 A BLACK KID WAS BEATEN ON THE STREETS OF GROTON THIS AFTERNOON. 103 00:05:10,844 --> 00:05:13,814 CONNECTICUT NEO-NAZI GROUP CALLED THE WHITE STALLIONS 104 00:05:13,847 --> 00:05:14,948 CLAIMED RESPONSIBILITY. 105 00:05:14,982 --> 00:05:16,950 THERE ARE NEO-NAZI GROUPS IN CONNECTICUT? 106 00:05:16,984 --> 00:05:18,886 THE MAYOR OF GROTON CALLED ME THIS MORNING, FRANTIC. 107 00:05:18,919 --> 00:05:20,988 HE'S DESPERATE TO SOLVE THESE CRIMES 108 00:05:21,021 --> 00:05:23,657 BEFORE IT ESCALATES EVEN MORE. 109 00:05:27,995 --> 00:05:30,531 WHAT ARE THE RACIAL DEMOGRAPHICS OF GROTON? 110 00:05:30,564 --> 00:05:33,501 POPULATION 42,000. 8% BLACK. 111 00:05:33,534 --> 00:05:36,670 I'D SAY THE MAYOR HAS REASON TO BE WORRIED. 112 00:05:36,704 --> 00:05:38,806 IF IT DOESN'T STOP SOON, IT COULD FLARE UP 113 00:05:38,839 --> 00:05:41,442 INTO A FULL-SCALE RACE RIOT. 114 00:06:18,812 --> 00:06:21,815 "FROM THE DEEPEST DESIRES 115 00:06:21,849 --> 00:06:25,919 "OFTEN COME THE DEADLIEST HATE." 116 00:06:25,953 --> 00:06:27,788 SOCRATES. 117 00:06:27,821 --> 00:06:28,556 NEW YORK, NEW YORK. 118 00:06:28,589 --> 00:06:31,492 TOO BAD WE'RE FLYING RIGHT PAST IT, 119 00:06:31,525 --> 00:06:33,160 STRAIGHT TO THE SUBURBS. 120 00:06:33,193 --> 00:06:34,194 HEY, THIS IS WEIRD. 121 00:06:34,227 --> 00:06:36,964 UH, THERE ARE TRACES OF G.H.B. FOUND 122 00:06:36,997 --> 00:06:37,765 IN THE FIRST 2 VICTIMS, 123 00:06:37,798 --> 00:06:40,868 BUT NO SIGN OF SEXUAL ASSAULT. SO-- 124 00:06:40,901 --> 00:06:43,871 WHY WOULD THE UNSUB USE A DATE-RAPE DRUG 125 00:06:43,904 --> 00:06:46,840 TO COMMIT A HATE CRIME? 126 00:06:49,743 --> 00:06:51,011 MAYBE HE WANTS TO WEAKEN THEM 127 00:06:51,044 --> 00:06:52,079 SO THEY CAN'T FIGHT BACK. 128 00:06:52,112 --> 00:06:52,946 BUT THERE WAS NO G.H.B. 129 00:06:52,980 --> 00:06:54,782 IN THE VICTIMS OF THE DOUBLE HOMICIDE. 130 00:06:54,815 --> 00:06:56,016 THERE'S A LOT THAT'S DIFFERENT 131 00:06:56,049 --> 00:06:57,618 ABOUT THE DOUBLE HOMICIDE. 132 00:06:57,651 --> 00:06:59,019 THE QUESTION IS WHY. 133 00:06:59,052 --> 00:07:00,454 ALL RIGHT, WE JUST GOT NEW INFORMATION. 134 00:07:00,488 --> 00:07:02,590 A FEW WEEKS BEFORE THE MURDER 135 00:07:02,623 --> 00:07:04,458 OF SANDRA DAVIS AND KEN NEWCOMBE, 136 00:07:04,492 --> 00:07:05,993 A THREATENING LETTER WAS DELIVERED 137 00:07:06,026 --> 00:07:08,061 TO SANDRA DAVIS' DOOR. 138 00:07:08,095 --> 00:07:09,229 SHE SHOWED IT TO HER PARENTS, 139 00:07:09,262 --> 00:07:10,898 WHO THEN NOTIFIED THE POLICE. 140 00:07:10,931 --> 00:07:13,133 THE POLICE NEVER FIGURED OUT WHO WROTE IT. 141 00:07:14,201 --> 00:07:17,705 "WE SEE KEN WITH YOU AND IT MAKES US SICK. 142 00:07:17,738 --> 00:07:19,607 "TAKE CARE TO STOP THIS NOW, 143 00:07:19,640 --> 00:07:20,541 "OR YOU WILL PAY. 144 00:07:20,574 --> 00:07:23,010 IF YOU TELL ANYONE ABOUT THIS, YOU WILL PAY." 145 00:07:23,043 --> 00:07:24,978 STRANGE. DOESN'T SEEM REAL. 146 00:07:25,012 --> 00:07:26,113 WHAT DO YOU MEAN? 147 00:07:26,146 --> 00:07:27,247 FIRST OF ALL, THE USE OF "WE" IN A THREAT THIS DIRECT 148 00:07:27,280 --> 00:07:28,281 IS ALMOST ALWAYS BOGUS. 149 00:07:28,315 --> 00:07:30,851 ONE INDIVIDUAL TRYING TO DIFFUSE RESPONSIBILITY. 150 00:07:30,884 --> 00:07:32,720 ALSO, THE MESSAGE ITSELF SEEMS CONTRADICTORY. 151 00:07:32,753 --> 00:07:35,723 ON THE ONE HAND, "TAKE CARE TO STOP THIS NOW, 152 00:07:35,756 --> 00:07:36,790 OR YOU WILL PAY"? PRESUMABLY, 153 00:07:36,824 --> 00:07:38,025 THEY WANT THEM TO STOP SEEING EACH OTHER. BUT THEN, 154 00:07:38,058 --> 00:07:41,529 ON THE OTHER HAND, THEY DON'T WANT THEM TO GO PUBLIC WITH IT. 155 00:07:41,562 --> 00:07:43,597 "IF YOU TELL ANYONE ABOUT THIS, YOU WILL PAY." 156 00:07:43,631 --> 00:07:45,599 THE POINT OF HATE CRIMES IS TO INCREASE PUBLICITY, 157 00:07:45,633 --> 00:07:47,601 NOT DECREASE IT. IT'S LIKE TERRORISM. 158 00:07:47,635 --> 00:07:50,037 AN EFFECTIVE THREAT LET'S EVERYBODY KNOW THAT THEY'RE IN DANGER 159 00:07:50,070 --> 00:07:51,204 IF THEY DO THIS BEHAVIOR. 160 00:07:51,238 --> 00:07:52,372 THE AUTHOR WOULD WANT SANDRA TO TELL PEOPLE ABOUT THE NOTE. 161 00:07:52,405 --> 00:07:56,610 DOESN'T SOUND LIKE A GUY WHO'S ACTUALLY PREPARED TO KILL. 162 00:07:56,644 --> 00:07:59,847 ACTUALLY, IT...DOESN'T SOUND LIKE A GUY AT ALL. 163 00:07:59,880 --> 00:08:01,782 "TAKE CARE TO STOP THIS" 164 00:08:01,815 --> 00:08:03,917 IMPLIES EMPATHY. 165 00:08:03,951 --> 00:08:04,752 "TAKE CARE"? 166 00:08:04,785 --> 00:08:05,886 MALES DON'T USE THIS TYPE OF LANGUAGE, 167 00:08:05,919 --> 00:08:07,921 ESPECIALLY WHEN THEY'RE TRAINED TO THREATEN SOMEBODY. 168 00:08:07,955 --> 00:08:09,757 THIS MESSAGE IS CERTAINLY WRITTEN BY A FEMALE, 169 00:08:09,790 --> 00:08:12,025 AND BASED ON THE LACK OF PSYCHOLOGICAL SOPHISTICATION, 170 00:08:12,059 --> 00:08:14,194 I'D SAY IT'S MOST LIKELY AN ADOLESCENT. 171 00:08:14,227 --> 00:08:16,129 YOU THINK A GIRL KILLED THESE KIDS? 172 00:08:16,163 --> 00:08:17,998 I THINK A GIRL WROTE THIS NOTE. 173 00:08:18,031 --> 00:08:20,000 LET'S CALL THAT MYSTERY NUMBER ONE. 174 00:08:20,033 --> 00:08:21,635 YOU GOT A NUMBER 2? 175 00:08:21,669 --> 00:08:22,803 MAYBE. 176 00:08:22,836 --> 00:08:25,272 SAYS HERE THE AUTOPSY ON SANDRA DAVIS WAS INCONCLUSIVE. 177 00:08:25,305 --> 00:08:27,841 SHE SUFFERED BLUNT FORCE TRAUMA TO THE FACE, 178 00:08:27,875 --> 00:08:29,276 SHE HAD SOME BRUISING AROUND HER NECK. 179 00:08:29,309 --> 00:08:30,711 CAUSE OF DEATH IS STILL UNCLEAR. 180 00:08:30,744 --> 00:08:31,845 CORONER'S WORKING ON IT. 181 00:08:31,879 --> 00:08:32,880 A LOT OF QUESTIONS. 182 00:08:32,913 --> 00:08:35,616 LET'S GET STARTED ON SOME ANSWERS. 183 00:08:45,025 --> 00:08:46,860 AGENT JAREAU, GREGORY HUGHES. 184 00:08:46,894 --> 00:08:47,628 MAYOR HUGHES. 185 00:08:47,661 --> 00:08:49,162 YES. THIS IS DETECTIVE RICK WARE 186 00:08:49,196 --> 00:08:50,297 FROM THE STATE POLICE DEPARTMENT. 187 00:08:50,330 --> 00:08:53,300 WE HAVEN'T HAD A MURDER HERE IN 2 YEARS, YOU UNDERSTAND. 188 00:08:53,333 --> 00:08:55,002 THIS WAS WAY ABOVE OUR HEADS. 189 00:08:55,035 --> 00:08:56,069 SO WE PUT RICK IN CHARGE. 190 00:08:56,103 --> 00:08:59,172 THESE ARE AGENTS GIDEON, HOTCHNER, 191 00:08:59,206 --> 00:09:00,440 MORGAN, AND PRENTISS. 192 00:09:00,473 --> 00:09:03,577 I HAVE TO SAY THAT WHAT'S BEEN HAPPENING HERE THE LAST FEW WEEKS 193 00:09:03,611 --> 00:09:05,012 IS--IT'S JUST HARD TO FATHOM. 194 00:09:05,045 --> 00:09:07,815 I MEAN, WE'RE 30 MINUTES FROM THE CITY. 195 00:09:07,848 --> 00:09:08,882 WHAT DO YOU MEAN? 196 00:09:08,916 --> 00:09:10,217 WELL, THIS ISN'T THE DEEP SOUTH. FOR THE MOST PART, 197 00:09:10,250 --> 00:09:11,852 THESE ARE SOPHISTICATED NEW YORKERS. 198 00:09:11,885 --> 00:09:13,921 ARE YOU SAYING YOU DON'T THINK THIS IS A RACE ISSUE? 199 00:09:13,954 --> 00:09:16,256 ALL WE'RE SAYING IS WHATEVER HAPPENED HERE 200 00:09:16,289 --> 00:09:17,257 IS WAY OUT OF THE NORM FOR THIS COMMUNITY. 201 00:09:17,290 --> 00:09:18,992 I WOULDN'T WANT YOU ENTERING THIS INVESTIGATION 202 00:09:19,026 --> 00:09:20,961 UNDER ASSUMPTIONS THAT--WELL, AREN'T TRUE. 203 00:09:20,994 --> 00:09:23,096 FACT IS, WE DON'T KNOW WHAT THIS IS ABOUT YET. 204 00:09:23,130 --> 00:09:24,231 WE NEED TO CONCENTRATE ON THE DOUBLE MURDER 205 00:09:24,264 --> 00:09:27,034 AND MAKE SURE THAT IT'S THE SAME KILLER, FIRST OF ALL. 206 00:09:27,067 --> 00:09:27,935 YOU MEAN THERE COULD BE MORE THAN ONE? 207 00:09:27,968 --> 00:09:29,937 WE DON'T KNOW THAT YET. ALL WE DO KNOW IS 208 00:09:29,970 --> 00:09:31,104 THE THREAT SENT TO SANDRA DAVIS 209 00:09:31,138 --> 00:09:32,105 WAS WRITTEN BY AN ADOLESCENT GIRL. 210 00:09:32,139 --> 00:09:34,041 YOU CAN TELL THAT JUST FROM A HALF A PAGE NOTE? 211 00:09:34,074 --> 00:09:36,944 IT'S PRETTY STRAIGHTFORWARD PROFILING. 212 00:09:38,011 --> 00:09:39,246 IS THERE A PROBLEM, OFFICER? 213 00:09:39,279 --> 00:09:42,282 UH, THERE WAS A GIRL THAT WE SUSPECTED AT FIRST, 214 00:09:42,315 --> 00:09:45,085 BUT THEN WE TALKED TO HER AND DISMISSED HER. 215 00:09:45,118 --> 00:09:46,019 I'D LIKE TO MEET HER. 216 00:09:46,053 --> 00:09:47,120 I THINK IT'S A WASTE OF TIME. 217 00:09:47,154 --> 00:09:49,757 I'D LIKE TO DECIDE THAT FOR MYSELF. 218 00:09:52,726 --> 00:09:54,061 SANDRA SHOWED US THE NOTE 2 WEEKS 219 00:09:54,094 --> 00:09:55,028 BEFORE SHE WAS KILLED. 220 00:09:55,062 --> 00:09:56,897 WE ASKED AROUND THE SCHOOL FOR WHO MIGHT HAVE 221 00:09:56,930 --> 00:09:58,198 A GRUDGE AGAINST SANDRA AND KEN. 222 00:09:58,231 --> 00:10:01,735 THE ONLY GIRL'S NAME THAT CAME UP WAS TONYA MATHIS. 223 00:10:01,769 --> 00:10:03,771 RUMOR WAS KEN DUMPED HER FOR SANDRA, 224 00:10:03,804 --> 00:10:05,338 ALTHOUGH KEN TOLD ME 225 00:10:05,372 --> 00:10:06,940 TONYA WAS NEVER HIS GIRLFRIEND. 226 00:10:06,974 --> 00:10:08,842 YOU SAID YOU TALKED TO TONYA ABOUT THE NOTE. 227 00:10:08,876 --> 00:10:09,943 WHAT'D SHE SAY? 228 00:10:09,977 --> 00:10:12,112 SHE SWORE UP AND DOWN SHE HAD NOTHING TO DO WITH IT. 229 00:10:12,145 --> 00:10:13,280 I FIND IT PRETTY HARD TO BELIEVE 230 00:10:13,313 --> 00:10:15,048 SHE'D WRITE A RACIST NOTE. 231 00:10:15,082 --> 00:10:16,850 WHY'S THAT? 232 00:10:17,818 --> 00:10:20,020 SEE FOR YOURSELF. 233 00:10:20,821 --> 00:10:22,823 THAT'S TONYA? 234 00:10:22,856 --> 00:10:24,024 IN THE FLESH. 235 00:10:24,057 --> 00:10:25,726 LEAVE HER IN THERE FOR A FEW MINUTES. 236 00:10:25,759 --> 00:10:28,729 YOU'RE GONNA MAKE A 17-YEAR-OLD GIRL SWEAT? 237 00:10:29,396 --> 00:10:32,900 I WANT TO SCARE THE HELL OUT OF HER. 238 00:10:38,171 --> 00:10:39,673 DID THESE KIDS LIVE NEAR HERE? 239 00:10:39,707 --> 00:10:42,843 SANDRA DAVIS LIVED ABOUT 1/2 MILE WEST. 240 00:10:42,876 --> 00:10:44,712 KEN NEWCOMBE ABOUT A MILE EAST. 241 00:10:44,745 --> 00:10:46,013 WHAT WERE THEY DOING HERE? 242 00:10:46,046 --> 00:10:47,447 WHEN I WAS A KID, I USED TO HANG OUT IN THE PARK 243 00:10:47,480 --> 00:10:49,316 AT NIGHT, DRINK BEERS, HOOK UP WITH A GIRL. 244 00:10:49,349 --> 00:10:52,285 MAYBE, BUT I DON'T THINK THESE TWO WERE OUT ON A DATE. 245 00:10:52,319 --> 00:10:53,086 WHY DO YOU SAY THAT? 246 00:10:53,120 --> 00:10:54,855 WELL, AS KEN WAS WEARING A SWEATSHIRT 247 00:10:54,888 --> 00:10:56,990 AND TENNIS SHOES, SANDRA WAS WEARING A DRESS, 248 00:10:57,024 --> 00:10:57,791 HIGH HEELS, AND MAKEUP. 249 00:10:57,825 --> 00:11:00,761 SHE WAS DEFINITELY DRESSED TO GO OUT. 250 00:11:01,294 --> 00:11:02,930 KEN'S BODY WAS FOUND HERE? 251 00:11:02,963 --> 00:11:04,898 YEAH. AND SANDRA HERE. 252 00:11:04,932 --> 00:11:06,700 BUT FROM THE BLOODSTAINS, IT WAS OBVIOUS 253 00:11:06,734 --> 00:11:09,202 THAT SHE WAS KILLED THERE 254 00:11:09,236 --> 00:11:11,238 AND THEN DRAGGED HERE. 255 00:11:13,106 --> 00:11:15,008 SO THE UNSUB SHOT KEN FIRST, 256 00:11:15,042 --> 00:11:18,278 SANDRA STARTED TO RUN AND HE CHASED HER DOWN. 257 00:11:19,246 --> 00:11:20,180 BEAT HER AND STRANGLED HER. 258 00:11:20,213 --> 00:11:22,750 HE HAD A GUN, WHY DIDN'T HE SHOOT HER, TOO? 259 00:11:22,783 --> 00:11:23,717 NO, PLEASE! 260 00:11:23,751 --> 00:11:25,052 HE COULD OVERPOWER HER, MAYBE HE DIDN'T THINK 261 00:11:25,085 --> 00:11:26,153 HE COULD OVERPOWER KEN. 262 00:11:26,186 --> 00:11:28,088 NO, IT'S MORE THAN THAT. 263 00:11:28,121 --> 00:11:29,790 THE KILLER TOOK THE TIME AND RISKED HER ESCAPING 264 00:11:29,823 --> 00:11:32,092 TO TRACK HER DOWN AND STRANGLE HER WITH HIS BARE HANDS. 265 00:11:32,125 --> 00:11:34,094 HE WAS COMPLETELY FOCUSED ON HER. 266 00:11:34,127 --> 00:11:37,497 SANDRA DIDN'T HAVE A DATE WITH KEN. 267 00:11:37,530 --> 00:11:41,301 SHE HAD A DATE WITH THE UNSUB. 268 00:11:44,404 --> 00:11:45,305 HELLO, TONYA. 269 00:11:45,338 --> 00:11:47,374 I'M AGENT MORGAN, THIS IS AGENT PRENTISS. 270 00:11:47,407 --> 00:11:48,942 WE'RE WITH THE F.B.I. 271 00:11:48,976 --> 00:11:50,010 F.B.I.? 272 00:11:50,043 --> 00:11:52,112 I'M GONNA GET RIGHT TO THE POINT. 273 00:11:52,145 --> 00:11:54,214 WRITING A THREAT LIKE THIS? 274 00:11:54,247 --> 00:11:56,083 IT'S A FEDERAL CRIME. 275 00:11:56,116 --> 00:11:57,951 I TOLD HIM I DIDN'T WRITE THAT NOTE. 276 00:11:57,985 --> 00:11:59,052 OH, I KNOW WHAT YOU TOLD HIM. 277 00:11:59,086 --> 00:12:01,121 BUT THIS IS NOT THE PRINCIPAL'S OFFICE, 278 00:12:01,154 --> 00:12:01,922 YOU UNDERSTAND? 279 00:12:01,955 --> 00:12:03,323 THE PEOPLE YOU THREATENED ARE DEAD. 280 00:12:03,356 --> 00:12:05,192 I DIDN'T KILL ANYBODY. 281 00:12:05,225 --> 00:12:06,093 I KNOW THAT. 282 00:12:06,126 --> 00:12:08,361 I GOT IT. 283 00:12:09,262 --> 00:12:13,100 BUT WE NEED TO KNOW WHY YOU WROTE THAT NOTE. 284 00:12:14,167 --> 00:12:16,003 YOU WERE ANGRY WITH KEN 285 00:12:16,036 --> 00:12:18,071 BECAUSE HE DIDN'T ACKNOWLEDGE YOU. 286 00:12:18,105 --> 00:12:19,072 I GET IT. 287 00:12:19,106 --> 00:12:21,308 HE DIDN'T ADMIT THAT YOU WERE HIS GIRLFRIEND. 288 00:12:21,341 --> 00:12:23,043 I WAS HIS GIRLFRIEND. 289 00:12:23,076 --> 00:12:24,077 YEAH. 290 00:12:24,111 --> 00:12:24,812 WHAT ABOUT SANDRA? 291 00:12:24,845 --> 00:12:27,547 SHE'S THE ONE WHO GOT THE NOTE. 292 00:12:27,580 --> 00:12:30,884 WHY WERE YOU SO ANGRY WITH HER, TONYA? 293 00:12:31,251 --> 00:12:34,254 OH, THIS ISN'T JUST ABOUT HER GOING WITH KEN, 294 00:12:34,287 --> 00:12:36,023 IS IT, TONYA? 295 00:12:36,056 --> 00:12:38,025 THAT NOTE SAYS "WE." 296 00:12:38,058 --> 00:12:39,927 YOU WANTED TO MAKE IT LOOK 297 00:12:39,960 --> 00:12:41,361 LIKE OTHER PEOPLE WERE IN ON IT. 298 00:12:41,394 --> 00:12:43,797 LIKE THE WHOLE TOWN WAS AGAINST HER. 299 00:12:43,831 --> 00:12:45,265 WHY? 300 00:12:45,298 --> 00:12:46,399 IS THAT THE WAY SHE MADE YOU FEEL? 301 00:12:46,433 --> 00:12:49,803 LIKE EVERYBODY WAS AGAINST YOU? 302 00:12:53,006 --> 00:12:56,309 IT WAS THAT STUPID TALENT SHOW. 303 00:12:58,111 --> 00:12:59,913 WHAT TALENT SHOW? 304 00:13:00,948 --> 00:13:03,416 I WAS JUST AS GOOD AS HER. 305 00:13:03,450 --> 00:13:06,286 SHE WAS JUST THIS QUIET LITTLE GIRL 306 00:13:06,319 --> 00:13:07,487 WHO NOBODY LIKED. 307 00:13:07,520 --> 00:13:10,357 THEN SHE SINGS, AND SUDDENLY SHE'S ALL LITTLE MISS POPULAR, 308 00:13:10,390 --> 00:13:13,093 AND KEN'S ALL OVER HER. 309 00:13:13,126 --> 00:13:15,162 IT'S NOT FAIR. 310 00:13:17,297 --> 00:13:18,598 SO, TONYA... 311 00:13:18,631 --> 00:13:20,600 LOOK AT ME. 312 00:13:20,633 --> 00:13:24,371 YOU WROTE THIS NOTE FOR REVENGE, DIDN'T YOU? 313 00:13:29,977 --> 00:13:31,945 I KNOW IT WAS STUPID. 314 00:13:33,046 --> 00:13:36,449 BUT I JUST WANTED TO SCARE THEM. 315 00:13:37,617 --> 00:13:40,020 I'M SORRY. 316 00:13:50,397 --> 00:13:51,865 WE CALLED TONYA'S FAMILY AND FRIENDS. 317 00:13:51,899 --> 00:13:55,068 WE'RE CHECKING HER OUT, BUT-- 318 00:13:55,102 --> 00:13:57,470 THAT GIRL DIDN'T KILL THOSE KIDS. 319 00:14:35,375 --> 00:14:37,510 IT'S HOW YOU'VE HAD TO LEARN. 320 00:14:42,082 --> 00:14:44,517 ANYBODY SEEN REID? 321 00:14:44,551 --> 00:14:46,987 WHERE'S REID? 322 00:14:50,323 --> 00:14:51,524 CORONER'S REPORT. 323 00:14:51,558 --> 00:14:53,026 "VICTIM HAD BEEN BEATEN SO EXTENSIVELY, 324 00:14:53,060 --> 00:14:54,461 "THE CAUSE OF DEATH WAS INDETERMINATE. 325 00:14:54,494 --> 00:14:57,164 POST-MORTEM STAB WOUNDS WERE ALSO DISCOVERED." 326 00:14:57,197 --> 00:14:58,698 POST-MORTEM STABS, HUH? 327 00:14:58,731 --> 00:14:59,532 WHAT? 328 00:14:59,566 --> 00:15:00,968 POST-MORTEM STAB WOUNDS ALMOST ALWAYS 329 00:15:01,001 --> 00:15:02,369 INDICATE SEXUAL HOMICIDE. 330 00:15:02,402 --> 00:15:04,304 UH, THIS IS ALSO A FAIRLY EXTREME OVERKILL, 331 00:15:04,337 --> 00:15:06,539 WHICH IS MARKEDLY DIFFERENT FROM THE OTHER 2 GIRLS. 332 00:15:06,573 --> 00:15:08,475 SO YOU'RE SAYING THIS WAS A DIFFERENT KILLER. 333 00:15:08,508 --> 00:15:09,776 NO, WE'RE SAYING IF IT WAS THE SAME KILLER, 334 00:15:09,809 --> 00:15:13,446 THE OVERKILL INDICATES HE DIDN'T GET WHAT HE WANTED FROM SOMEONE-- 335 00:15:17,117 --> 00:15:19,386 SEXUAL PREDATORS KILL FOR SEXUAL NEEDS. 336 00:15:19,419 --> 00:15:20,587 AND IN THIS CASE, THERE'S NO SIGN 337 00:15:20,620 --> 00:15:22,155 OF SEXUAL ASSAULT ON HIS VICTIMS. 338 00:15:22,189 --> 00:15:23,991 THAT TELLS US THAT HE PROBABLY FETISHISES. 339 00:15:24,024 --> 00:15:25,658 TAKES SOME SOUVENIR FROM HIS VICTIMS 340 00:15:25,692 --> 00:15:27,594 THAT HE USES TO GET OFF. 341 00:15:27,627 --> 00:15:29,429 CORRECT ME IF I'M WRONG, BUT IT DOESN'T SOUND 342 00:15:29,462 --> 00:15:30,597 LIKE THE M.O. OF A HATE CRIME. 343 00:15:30,630 --> 00:15:32,432 NO, WE'RE PRETTY CERTAIN THAT HATE 344 00:15:32,465 --> 00:15:34,334 WASN'T THE PRIMARY MOTIVE AT ALL. 345 00:15:34,367 --> 00:15:36,069 HE HAS A SPECIFIC PHYSICAL TYPE 346 00:15:36,103 --> 00:15:38,071 AND HE TRIES TO COVER HIS TRACKS. 347 00:15:38,105 --> 00:15:40,507 HE IS A SERIAL KILLER. 348 00:15:53,553 --> 00:15:54,654 HI. 349 00:15:54,687 --> 00:15:55,488 HI, NAOMI. 350 00:15:55,522 --> 00:15:58,291 IT'S NICE TO SEE YOU AGAIN. HOP IN. 351 00:15:58,325 --> 00:16:00,160 THANKS. 352 00:16:02,462 --> 00:16:03,563 THANKS FOR PICKING ME UP. 353 00:16:03,596 --> 00:16:06,433 I WOULDN'T HAVE IT ANY OTHER WAY. 354 00:16:13,306 --> 00:16:16,043 AND WHEN DID THE F.B.I. FINALLY ARRIVE? 355 00:16:16,076 --> 00:16:20,280 ONLY AFTER A WHITE BOY WAS KILLED. 356 00:16:20,313 --> 00:16:24,451 WE CANNOT RELY ON THE POLICE. 357 00:16:24,484 --> 00:16:27,187 WE MUST PROTECT OURSELVES. 358 00:16:27,220 --> 00:16:29,422 LET THE PEOPLE WHO ARE TAKING OUR DAUGHTERS 359 00:16:29,456 --> 00:16:32,759 KNOW THEY WILL NOT GET AWAY WITH THIS. 360 00:16:32,792 --> 00:16:34,161 THAT'S ENOUGH. 361 00:16:34,194 --> 00:16:35,262 EXPLAIN THIS TO ME. 362 00:16:35,295 --> 00:16:37,630 THE SWASTIKAS ON THE BODIES. 363 00:16:37,664 --> 00:16:38,298 WHAT DO THEY MEAN? 364 00:16:38,331 --> 00:16:39,332 THEY'RE A DISTRACTION. 365 00:16:39,366 --> 00:16:42,069 PERHAPS THIS KILLER ISN'T DRIVEN BY HATE, 366 00:16:42,102 --> 00:16:42,835 BUT HE WANTS US TO THINK SO 367 00:16:42,869 --> 00:16:44,137 SO WE WON'T GUESS HIS REAL MOTIVE, 368 00:16:44,171 --> 00:16:45,372 WHICH IS SERIAL SEXUAL HOMICIDE. 369 00:16:45,405 --> 00:16:47,707 I'M CONFIDENT THE UNSUB'S FROM THIS COUNTY. 370 00:16:47,740 --> 00:16:49,409 HE KNEW THE KIND OF HYSTERIA 371 00:16:49,442 --> 00:16:51,144 THAT WOULD FLARE UP FROM THESE SWASTIKAS. 372 00:16:51,178 --> 00:16:52,545 REVEREND WILLIAMS TOOK THE BAIT. 373 00:16:52,579 --> 00:16:53,346 JUDGE IS TRYING TO BUY US SOME TIME. 374 00:16:53,380 --> 00:16:54,247 SHE'S TALKING TO THE REVEREND TO SEE 375 00:16:54,281 --> 00:16:56,649 IF HE'LL COOL HIS RHETORIC A LITTLE BIT. 376 00:16:56,683 --> 00:16:58,418 HATE CRIMES ARE POLITICAL. 377 00:16:58,451 --> 00:16:59,486 IF WE'RE RIGHT, 378 00:16:59,519 --> 00:17:01,121 THIS WAS PERSONAL. 379 00:17:01,154 --> 00:17:03,156 WELL, WE NEED TO CONFIRM THAT THE DOUBLE HOMICIDE 380 00:17:03,190 --> 00:17:04,491 IS LINKED TO THE FIRST 2 MURDERS. 381 00:17:04,524 --> 00:17:07,494 WE NEED TO SPEAK TO THE FAMILIES OF THE VICTIMS. 382 00:17:07,527 --> 00:17:10,530 WE KNOW HOW DIFFICULT THIS IS FOR YOU. 383 00:17:10,563 --> 00:17:11,798 THANKS FOR TALKING TO US. 384 00:17:11,831 --> 00:17:13,666 SHE JUST DISAPPEARED THAT NIGHT. 385 00:17:13,700 --> 00:17:16,236 I KNOW SHE MUST HAVE JUST WALKED OUT THE FRONT DOOR, 386 00:17:16,269 --> 00:17:17,670 BUT I THOUGHT WE'D HEAR THAT. 387 00:17:17,704 --> 00:17:20,107 WHAT ABOUT THE WINDOW IN YOUR DAUGHTER'S BEDROOM? 388 00:17:20,140 --> 00:17:21,441 SHE COULDN'T HAVE CLIMBED OUT THERE. 389 00:17:21,474 --> 00:17:22,642 IT'S BEEN PAINTED SHUT FOR YEARS. 390 00:17:22,675 --> 00:17:25,512 NO, IT HASN'T. 391 00:17:25,545 --> 00:17:27,747 WHAT ARE YOU TALKING ABOUT, BREE? 392 00:17:27,780 --> 00:17:30,450 I FIXED IT SO I COULD GET OUT. 393 00:17:30,483 --> 00:17:33,386 YOU'VE BEEN SNEAKING OUT IN THE MIDDLE OF THE NIGHT? 394 00:17:33,420 --> 00:17:34,454 I'M SORRY. 395 00:17:34,487 --> 00:17:35,722 YOU'RE NOT IN TROUBLE. 396 00:17:35,755 --> 00:17:37,624 BUT JUST TELL ME, 397 00:17:37,657 --> 00:17:39,292 DID SHE SNEAK OUT BEFORE? 398 00:17:39,326 --> 00:17:40,560 NO, I SWEAR. 399 00:17:40,593 --> 00:17:44,164 SHE ALWAYS TOLD ME NOT TO DO IT. 400 00:17:44,197 --> 00:17:47,367 SHE WAS THE GOOD ONE. 401 00:17:47,400 --> 00:17:49,502 SHE DIDN'T DESERVE THIS. 402 00:17:50,437 --> 00:17:52,739 NOBODY DESERVES THIS. 403 00:17:54,374 --> 00:17:56,609 YOUR DAUGHTER LIKED TO SING? 404 00:17:57,510 --> 00:17:59,246 WE DUG UP EVERYTHING ON THE FIRST 2 VICTIMS, 405 00:17:59,279 --> 00:18:01,214 AND BASICALLY THESE GIRLS WERE GOOD STUDENTS 406 00:18:01,248 --> 00:18:02,482 WHO STAYED OUT OF TROUBLE. 407 00:18:02,515 --> 00:18:03,550 JUST LIKE SANDRA DAVIS. 408 00:18:03,583 --> 00:18:05,452 AND WE FOUND SOMETHING ELSE. THEY BOTH LIKED TO SING. 409 00:18:05,485 --> 00:18:06,419 ONE IN CHURCH, AND ONE IN A BAND. 410 00:18:06,453 --> 00:18:08,855 THEIR PARENTS SAID THAT THIS WAS THEIR PASSION. 411 00:18:08,888 --> 00:18:10,490 JUST LIKE SANDRA DAVIS. 412 00:18:10,523 --> 00:18:11,491 AFRICAN-AMERICAN GIRLS 413 00:18:11,524 --> 00:18:13,460 BETWEEN THE AGES OF 15 AND 17 WHO LIKE TO SING? 414 00:18:13,493 --> 00:18:15,895 THAT'S A PRETTY SPECIFIC TYPE. 415 00:18:15,928 --> 00:18:17,697 SOUNDS LIKE THE SAME UNSUB TO ME. 416 00:18:17,730 --> 00:18:18,798 AND THE FACT THAT THEY ALL SING, 417 00:18:18,831 --> 00:18:20,533 THAT COULD BE PART OF HIS M.O. 418 00:18:20,567 --> 00:18:22,202 MAYBE PART OF A RUSE. 419 00:18:22,235 --> 00:18:23,203 ANOTHER GIRL WENT MISSING. 420 00:18:23,236 --> 00:18:24,871 A NAOMI DADE. 16 YEARS OLD. 421 00:18:24,904 --> 00:18:26,239 WHEN? LAST NIGHT. 422 00:18:26,273 --> 00:18:27,307 WHY ARE WE JUST FINDING OUT ABOUT IT NOW? 423 00:18:27,340 --> 00:18:29,209 FIRST VICTIMS WEREN'T FOUND FOR A COUPLE OF DAYS, 424 00:18:29,242 --> 00:18:30,443 THERE'S A CHANCE SHE'S STILL ALIVE. 425 00:18:30,477 --> 00:18:33,880 LET'S GET TO THE PROFILE BEFORE IT'S TOO LATE. 426 00:18:47,494 --> 00:18:49,229 HEY, I'M NAOMI. 427 00:19:02,809 --> 00:19:05,245 SUSPECT WE'RE LOOKING FOR IS A BLACK MALE, 428 00:19:05,278 --> 00:19:08,581 STATISTICALLY BETWEEN THE AGES OF 20 AND 35. 429 00:19:08,615 --> 00:19:10,583 WE KNOW HE'S BLACK BECAUSE OF HIS VICTIMS. 430 00:19:10,617 --> 00:19:13,386 SEXUALLY MOTIVATED KILLERS ALMOST ALWAYS KILL 431 00:19:13,420 --> 00:19:14,254 WITHIN THEIR OWN RACE. 432 00:19:14,287 --> 00:19:16,889 THE VICTIMS HE'S CHOSEN ARE GOOD GIRLS. 433 00:19:16,923 --> 00:19:18,525 THEY'RE GOOD STUDENTS. 434 00:19:18,558 --> 00:19:19,659 NO BEHAVIORAL PROBLEMS. 435 00:19:19,692 --> 00:19:21,428 THEY'RE WHAT WE CALL "LOW-RISK." 436 00:19:21,461 --> 00:19:23,230 AND THE LOWER THE RISK OF THE VICTIM, 437 00:19:23,263 --> 00:19:25,665 THE HIGHER THE INTELLIGENCE OF THE UNSUB. 438 00:19:25,698 --> 00:19:26,733 GUY'S A SMOOTH TALKER. 439 00:19:26,766 --> 00:19:29,702 MAKES PEOPLE FEEL AT EASE. GAINS THEIR CONFIDENCE. 440 00:19:29,736 --> 00:19:33,806 YOU'D BE AMAZED WHAT THESE GUYS CAN TALK PEOPLE INTO. 441 00:19:33,840 --> 00:19:36,909 JEFFREY DAHMER WAS ONCE PULLED OVER BY POLICE OFFICERS 442 00:19:36,943 --> 00:19:39,579 FOR DRIVING OVER THE CENTER LINE. 443 00:19:39,612 --> 00:19:41,681 HE'D THROWN THE GARBAGE BAG FULL OF BODY PARTS 444 00:19:41,714 --> 00:19:42,949 IN THE BACK SEAT OF HIS CAR, 445 00:19:42,982 --> 00:19:44,784 BUT HE WAS SO CALM AND SO SELF ASSURED, 446 00:19:44,817 --> 00:19:48,488 THAT HE CONVINCED THE OFFICERS NOT TO LOOK IN THE BAG. 447 00:19:48,521 --> 00:19:50,957 HE THEN WENT ON TO KILL AT LEAST 15 MORE PEOPLE. 448 00:19:50,990 --> 00:19:51,758 THIS GUY'S A HUSTLER. 449 00:19:51,791 --> 00:19:53,660 HE MAY NOT HAVE A LOT OF EDUCATION, 450 00:19:53,693 --> 00:19:56,996 BUT HE KNOWS HOW TO TREAT IMPRESSIONABLE YOUNG GIRLS. 451 00:19:57,029 --> 00:19:59,699 VICTOR PALEOLOGUS USED TO TROLL SHOPPING MALLS 452 00:19:59,732 --> 00:20:01,434 PRETENDING TO BE A MOVIE PRODUCER. 453 00:20:01,468 --> 00:20:03,970 HE TOLD KRISTINE JOHNSON HE COULD GET HER AN AUDITION 454 00:20:04,003 --> 00:20:05,605 FOR A JAMES BOND MOVIE. 455 00:20:05,638 --> 00:20:08,975 AND THAT WAS THE LAST TIME SHE WAS EVER SEEN ALIVE. 456 00:20:09,409 --> 00:20:10,977 WE THINK THAT BECAUSE ALL THESE GIRLS ARE SINGERS, 457 00:20:11,010 --> 00:20:13,546 THAT THE UNSUB MAY BE CONNECTED IN SOME WAY 458 00:20:13,580 --> 00:20:14,714 TO THE RECORDING INDUSTRY. 459 00:20:14,747 --> 00:20:17,550 WE KNOW THE UNSUB HAS A VEHICLE. 460 00:20:17,584 --> 00:20:19,319 BIG ENOUGH TO TRANSPORT A BODY. 461 00:20:19,352 --> 00:20:20,487 IT'S CLEAN. 462 00:20:20,520 --> 00:20:21,588 IT'S NOT TOO OLD. 463 00:20:21,621 --> 00:20:22,889 NICE ENOUGH TO MAKE A GIRL FEEL COMFORTABLE INSIDE, 464 00:20:22,922 --> 00:20:24,624 BUT IT'S NOT FLASHY. THIS IS NOT A GUY 465 00:20:24,657 --> 00:20:26,659 WHO WANTS TO ATTRACT ATTENTION TO HIMSELF. 466 00:20:26,693 --> 00:20:28,628 PROBABLY A LARGE, DARK SEDAN. 467 00:20:28,661 --> 00:20:29,929 WE RECOMMEND PUTTING THIS PROFILE ON THE NEWS, 468 00:20:29,962 --> 00:20:33,500 THE PAPER, ANYWHERE IT MIGHT BE SEEN BY THE PEOPLE IN THIS TOWN. 469 00:20:33,533 --> 00:20:35,768 THIS GUY'S RUSE DIDN'T WORK ON EVERYBODY. 470 00:20:35,802 --> 00:20:37,570 SOMEWHERE OUT THERE IS AT LEAST ONE WOMAN 471 00:20:37,604 --> 00:20:39,739 WHO DIDN'T FALL FOR HIS GAME, AND... 472 00:20:39,772 --> 00:20:40,507 THAT'S WHO WE NEED TO FIND. 473 00:20:40,540 --> 00:20:42,675 THE KEY TO THIS UNSUB'S PSYCHOLOGY 474 00:20:42,709 --> 00:20:43,676 IS THE SOUVENIR HE TAKES. 475 00:20:44,511 --> 00:20:46,579 WE DON'T KNOW WHAT IT IS YET, BUT... 476 00:20:46,613 --> 00:20:47,814 WE KNOW THAT ONCE HE HAS IT, 477 00:20:47,847 --> 00:20:49,616 HIS VICTIM THEN BECOMES DISPOSABLE, 478 00:20:49,649 --> 00:20:51,284 AND THAT'S WHEN HE KILLS HER. 479 00:20:51,318 --> 00:20:52,752 THE UNSUB'S RITUAL WAS INTERRUPTED 480 00:20:52,785 --> 00:20:54,621 WHEN HE KILLED SANDRA DAVIS. 481 00:20:54,654 --> 00:20:57,457 WE DON'T BELIEVE HE WAS ABLE TO TAKE A SOUVENIR FROM HER. 482 00:20:57,490 --> 00:20:59,892 WE THINK HE MAY REVISIT HER HOUSE 483 00:20:59,926 --> 00:21:02,061 OR ANY PLACE SHE MAY HAVE FREQUENTED. 484 00:21:02,094 --> 00:21:03,730 WE RECOMMEND SURVEILLANCE IN LOCATIONS 485 00:21:03,763 --> 00:21:05,932 WHERE THE UNSUB MIGHT APPROACH YOUNG GIRLS. 486 00:21:05,965 --> 00:21:07,934 CHURCHES, HIGH SCHOOLS, 487 00:21:07,967 --> 00:21:09,502 LIBRARIES, COFFEE SHOPS. 488 00:21:09,536 --> 00:21:10,770 STICK WITH THE COMMUNITY. 489 00:21:10,803 --> 00:21:11,638 THE PEOPLE OF THIS COUNTY 490 00:21:11,671 --> 00:21:13,406 SHOULD BE ABLE TO OFFER SOME GOOD LEADS. 491 00:21:13,440 --> 00:21:14,974 THANKS A LOT. GOOD LUCK. 492 00:21:15,007 --> 00:21:15,708 GID... 493 00:21:15,742 --> 00:21:16,709 WHOA. HOLD ON, HOLD ON, HOLD ON. 494 00:21:16,743 --> 00:21:20,313 YOU THINK COMMUNITY VIGILANCE WILL BE ENOUGH? 495 00:21:20,347 --> 00:21:21,781 IF IT WERE, WE'D BE OUT OF A JOB. 496 00:21:21,814 --> 00:21:23,650 I'M TELLING YOU NOT TO DO YOUR JOB. 497 00:21:23,683 --> 00:21:24,651 JASON. 498 00:21:24,684 --> 00:21:25,485 JUST WANT TO MAKE SURE 499 00:21:25,518 --> 00:21:28,455 THAT WE DON'T GET AHEAD OF OURSELVES. 500 00:21:28,488 --> 00:21:29,956 WHAT'S HE DOING? 501 00:21:29,989 --> 00:21:32,992 SO PLEASE JUST SIT TIGHT ONE MORE MINUTE. 502 00:21:33,025 --> 00:21:33,993 WHAT'S THE PROBLEM? 503 00:21:34,026 --> 00:21:35,495 WELL, THE PROBLEM IS I WOULD HAVE TO BE CRAZY 504 00:21:35,528 --> 00:21:37,063 TO RELEASE THIS PROFILE TO THE PUBLIC. 505 00:21:37,096 --> 00:21:38,197 WHAT ARE YOU TALKING ABOUT? 506 00:21:38,230 --> 00:21:40,733 REVEREND WILLIAMS HAS ALREADY STIRRED UP ENOUGH TROUBLE 507 00:21:40,767 --> 00:21:42,635 BY CHOOSING TO MAKE THIS TOWN A SOAPBOX 508 00:21:42,669 --> 00:21:43,770 FOR HIS ANTI-RACISM CAMPAIGN. 509 00:21:43,803 --> 00:21:45,972 WHAT DO YOU THINK IS GONNA HAPPEN IF I GO TO THE PRESS 510 00:21:46,005 --> 00:21:47,840 AND TELL THEM THE KILLER IS BLACK? 511 00:21:47,874 --> 00:21:50,109 HEY. THE BEST WAY TO STOP ALL THIS IS TO FIND THAT KILLER. 512 00:21:50,142 --> 00:21:52,545 AND WE JUST GAVE YOU THE BEST WAY TO DO THAT. 513 00:21:52,579 --> 00:21:53,913 RIGHT. BY TELLING EVERYBODY TO LOOK OUT 514 00:21:53,946 --> 00:21:54,814 FOR AN ANONYMOUS BLACK MAN? 515 00:21:54,847 --> 00:21:57,717 THEY'RE GONNA SAY THAT'S RACIAL PROFILING. 516 00:21:57,750 --> 00:21:58,951 IT'S NOT RACIAL PROFILING. 517 00:21:58,985 --> 00:22:01,754 RACIAL PROFILING IS TARGETING SUSPECTS BECAUSE OF THEIR RACE. 518 00:22:01,788 --> 00:22:04,090 WE GAVE YOU A COMPLETE PROFILE WHICH INCLUDES RACE. 519 00:22:04,123 --> 00:22:05,091 ALL RIGHT, LOOK. THE POINT IS 520 00:22:05,124 --> 00:22:06,325 I'VE NEVER EVEN HEARD OF A BLACK SERIAL KILLER. 521 00:22:06,359 --> 00:22:09,796 AND NEITHER HAVE ALL THE AFRICAN-AMERICANS IN THIS COMMUNITY 522 00:22:09,829 --> 00:22:11,764 ALREADY UPSET BY WHAT'S BEEN HAPPENING HERE. 523 00:22:11,798 --> 00:22:14,534 YOU CAN BELIEVE IN BLACK SERIAL KILLERS OR NOT, 524 00:22:14,567 --> 00:22:15,735 BUT THE FACT IS THEY DO EXIST. 525 00:22:15,768 --> 00:22:17,837 AND IT'S ONLY A MATTER OF TIME BEFORE HE KILLS ANOTHER GIRL. 526 00:22:17,870 --> 00:22:20,773 ALL RIGHT, LOOK. I AM NOT INTERESTED IN DEBATING THIS. 527 00:22:20,807 --> 00:22:22,542 DETECTIVE WARE IS MORE THAN CAPABLE 528 00:22:22,575 --> 00:22:24,811 OF HEADING THIS INVESTIGATION. 529 00:22:24,844 --> 00:22:26,078 YOU GONNA LET THIS HAPPEN? 530 00:22:26,112 --> 00:22:28,014 LET WHAT HAPPEN? MAKE EVERY BLACK MAN 531 00:22:28,047 --> 00:22:29,416 IN THIS COUNTY A TARGET? 532 00:22:29,449 --> 00:22:30,383 RICK. WHAT? 533 00:22:30,417 --> 00:22:31,918 WE FOUND NAOMI DADE'S BODY. 534 00:22:31,951 --> 00:22:32,752 DAMN IT. 535 00:22:32,785 --> 00:22:35,555 WE GOT A MASS OF REPORTERS OUT THERE. 536 00:22:36,122 --> 00:22:38,858 WHAT'S IT GONNA BE, DETECTIVE? 537 00:22:41,461 --> 00:22:42,795 PLEASE. 538 00:22:42,829 --> 00:22:45,097 LET US HELP YOU. 539 00:22:53,039 --> 00:22:55,608 FINALLY, I WANT TO ASSURE YOU WE CONSIDERED ALL OPTIONS, 540 00:22:55,642 --> 00:22:59,011 AND WE'RE CERTAIN THIS IS THE BEST COURSE OF ACTION. 541 00:22:59,045 --> 00:23:00,680 THANK YOU. 542 00:23:03,883 --> 00:23:05,552 DETECTIVE, I THINK YOU MADE THE RIGHT CHOICE. 543 00:23:05,585 --> 00:23:08,020 I HOPE THIS DOESN'T COME BACK TO BITE US IN THE ASS. 544 00:23:08,054 --> 00:23:08,888 WHY WOULD IT? 545 00:23:08,921 --> 00:23:10,790 WHY? LAST THING I NEED IS TO SPREAD FEAR 546 00:23:10,823 --> 00:23:12,725 THAT A DANGEROUS BLACK MAN RUNNING AROUND THIS COUNTY. 547 00:23:12,759 --> 00:23:14,861 BEST WAY TO SOLVE YOUR PROBLEM IS TO STAY FOCUSED 548 00:23:14,894 --> 00:23:17,163 ON WHAT WE NEED TO DO TO CATCH THIS GUY. 549 00:23:17,196 --> 00:23:18,898 TELL ME. 550 00:23:18,931 --> 00:23:20,800 TELL ME WHAT TO DO. 551 00:23:20,833 --> 00:23:22,902 WE NEED TO GET THE WORD OUT-- 552 00:23:22,935 --> 00:23:23,803 NOT JUST ON THE NEWS. 553 00:23:23,836 --> 00:23:26,205 WE NEED TO TALK TO THESE KIDS FACE TO FACE. 554 00:23:26,238 --> 00:23:27,640 GOTTA GIVE THEM THE PROFILE. 555 00:23:27,674 --> 00:23:30,543 WHAT ABOUT THE TALENT SHOW THAT SANDRA DAVIS SANG IN AT HER HIGH SCHOOL, 556 00:23:30,577 --> 00:23:32,612 THAT COULD BE WHERE THE UNSUB SAW HER SING. 557 00:23:32,645 --> 00:23:36,716 THAT'S A GOOD IDEA. TALK TO THE KIDS AT HER HIGH SCHOOL. 558 00:23:36,749 --> 00:23:39,886 SET UP A TIP LINE. YEAH, YOU GOT IT. 559 00:23:40,587 --> 00:23:43,790 WELL, I HATE WAITING AROUND. SO, WHAT DO YOU SAY, WARE? 560 00:23:43,823 --> 00:23:44,924 WANT TO JOIN THE PATROLS? 561 00:23:44,957 --> 00:23:48,160 GET BACK ON THE STREET 562 00:23:48,194 --> 00:23:49,261 YEAH. 563 00:23:49,295 --> 00:23:51,464 BEATS WAITING AROUND HERE FOR MORE BODIES, DON'T IT? 564 00:23:51,498 --> 00:23:53,666 LET'S DO IT. 565 00:23:56,836 --> 00:23:57,804 TIPS HAVE JUST STARTED TO COME IN. 566 00:23:57,837 --> 00:24:01,541 SO FAR, WE HAVE FINGERS POINTED AT A MINISTER... 567 00:24:01,574 --> 00:24:03,676 YOU DON'T HAVE TO DO THIS. 568 00:24:04,844 --> 00:24:06,212 A JANITOR AT HIS SCHOOL, AND... 569 00:24:06,245 --> 00:24:07,947 OH! THE REVEREND JESSE JACKSON. 570 00:24:07,980 --> 00:24:09,015 IS ANYTHING USEFUL? 571 00:24:09,048 --> 00:24:10,783 NOT SO MUCH. KEEP DIGGIN'. 572 00:24:10,817 --> 00:24:12,118 HEY, UH, I GOT SOMEONE WHO REMEMBERS SEEING 573 00:24:12,151 --> 00:24:15,722 A BLACK GUY THEY DIDN'T RECOGNIZE DRIVING AROUND IN A BLACK LINCOLN 574 00:24:15,755 --> 00:24:17,524 IN FRONT OF OUR LAST VICTIM'S HOUSE YESTERDAY. 575 00:24:17,557 --> 00:24:18,891 THAT'S THE SECOND SIGHTING FOR THAT VEHICLE. 576 00:24:18,925 --> 00:24:21,160 IT FITS THE PROFILE-- LARGE, DARK SEDAN. 577 00:24:21,193 --> 00:24:22,895 INCLUDE IT IN THE PRESS RELEASE. 578 00:24:22,929 --> 00:24:24,163 YEAH. 579 00:24:24,196 --> 00:24:26,032 YEAH, I GOT IT. 580 00:24:27,099 --> 00:24:29,869 SUSPECT MAY BE DRIVING A BLACK TOWN CAR. 581 00:24:29,902 --> 00:24:32,171 MAY BE? 582 00:24:32,204 --> 00:24:34,974 IT'S SOMETHING. 583 00:24:41,080 --> 00:24:43,015 NO, I'M GOOD. 584 00:24:45,752 --> 00:24:48,788 FOR WHAT IT'S WORTH, UM... 585 00:24:49,288 --> 00:24:51,658 TOOK BALLS TO STAND UP TO THE MAYOR LIKE THAT. 586 00:24:51,691 --> 00:24:55,695 YOU WOULD'VE DONE THE SAME THING. 587 00:24:55,728 --> 00:24:58,097 I DON'T HAVE TO WORK FOR THE GUY. 588 00:24:58,130 --> 00:25:01,100 I KNOW THAT WAS A TOUGH DECISION. 589 00:25:03,335 --> 00:25:06,939 DON'T YOU EVER WISH IT DIDN'T MATTER? 590 00:25:08,040 --> 00:25:08,975 IT? 591 00:25:09,008 --> 00:25:11,210 COLOR. 592 00:25:12,779 --> 00:25:14,013 HMPH. 593 00:25:14,046 --> 00:25:17,784 JUDGE ME BY THE CONTENT OF MY CHARACTER. 594 00:25:17,817 --> 00:25:21,020 I MEAN, WHY DOES IT EVEN HAVE TO BE PART OF THE EQUATION? 595 00:25:21,053 --> 00:25:23,856 PEOPLE ARE DYING. WE NEED TO GET THE BAD GUY. 596 00:25:23,890 --> 00:25:25,024 THAT SHOULD BE IT. 597 00:25:25,057 --> 00:25:26,859 NO HALF-COCKED REVERENDS RUNNING AROUND, 598 00:25:26,893 --> 00:25:29,562 GETTING PEOPLE MAD ABOUT THE WRONG THING. 599 00:25:29,596 --> 00:25:32,865 NO MAYORS SO AFRAID OF OFFENDING BLACK FOLKS, 600 00:25:32,899 --> 00:25:37,003 HE DOESN'T EVEN WANT TO TELL THE COMMUNITY WHAT TO LOOK OUT FOR. 601 00:25:38,905 --> 00:25:40,607 TSS. 602 00:25:40,973 --> 00:25:43,242 IT'S EXHAUSTING SOMETIMES. 603 00:25:45,011 --> 00:25:47,880 IT'S THE WAY IT'S ALWAYS BEEN, MAN. 604 00:25:47,914 --> 00:25:53,152 POLITICIANS, COMMUNITY LEADERS-- THEY DO WHAT THEY DO. 605 00:25:53,185 --> 00:25:55,588 YOU AND ME-- WE DO WHAT WE DO. 606 00:25:55,622 --> 00:26:00,226 WE'RE THE FOOT SOLDIERS IN THESE STREETS GETTING THE JOB DONE. 607 00:26:00,993 --> 00:26:03,763 HMPH. FOOT SOLDIERS. 608 00:26:05,898 --> 00:26:06,699 RIGHT. 609 00:26:06,733 --> 00:26:08,000 ONLY ONES WHO EVER REALLY GET RESULTS, 610 00:26:08,034 --> 00:26:09,301 YOU KNOW WHAT I'M SAYIN'? 611 00:26:14,406 --> 00:26:15,708 WARE. 612 00:26:15,742 --> 00:26:16,275 RIGHT THERE. 613 00:26:16,308 --> 00:26:17,309 IT'S A BLACK TOWN CAR. 614 00:26:17,343 --> 00:26:20,379 YEAH, JUST A FEW BLOCKS FROM SANDRA DAVIS' HOUSE. 615 00:26:23,315 --> 00:26:25,084 HE'S TURNING RIGHT. 616 00:26:25,117 --> 00:26:27,153 TURN RIGHT HERE. 617 00:26:30,389 --> 00:26:32,725 THERE IT IS. 618 00:26:48,708 --> 00:26:50,009 NOTHIN'. 619 00:26:50,042 --> 00:26:52,044 YOU HEAR THAT? 620 00:27:32,084 --> 00:27:32,985 YEAH. 621 00:27:33,019 --> 00:27:36,723 IT'S A FALSE ALARM. IT'S JUST A CAR SERVICE. 622 00:27:36,756 --> 00:27:40,159 ALL RIGHT. I'LL BE RIGHT OUT. 623 00:27:49,769 --> 00:27:50,770 I GOT HIM! I GOT HIM! 624 00:27:50,803 --> 00:27:52,004 WHAT THE HELL ARE YOU DOING?! 625 00:27:52,038 --> 00:27:53,906 FREEZE! PUT DOWN YOUR WEAPON. 626 00:27:53,940 --> 00:27:57,143 THE COPS, DAMN IT. I'M F.B.I. 627 00:27:57,176 --> 00:27:59,045 WHAT? LISTEN TO ME. DO NOT SHOOT. 628 00:27:59,078 --> 00:28:03,082 I'M GONNA REACH IN MY BACK POCKET AND GRAB MY WALLET. 629 00:28:03,115 --> 00:28:04,851 ALL RIGHT? 630 00:28:04,884 --> 00:28:06,252 ALL RIGHT?! 631 00:28:09,421 --> 00:28:11,090 I'M F.B.I., MAN. 632 00:28:13,793 --> 00:28:15,194 I DIDN'T KNOW. 633 00:28:15,227 --> 00:28:17,029 GIVE ME YOUR GUN. 634 00:28:17,063 --> 00:28:18,164 GIVE ME YOUR GUN! 635 00:28:18,197 --> 00:28:20,066 CALL 9-1-1. THIS MAN NEEDS HELP. 636 00:28:20,099 --> 00:28:22,802 GO! CALL 9-1-1! 637 00:28:23,102 --> 00:28:25,471 WARE, NAH, NAH, NAH. COME ON, MAN. 638 00:28:25,504 --> 00:28:27,173 NAH. HEY. LOOK AT ME. LOOK AT ME. 639 00:28:27,206 --> 00:28:29,075 WARE, YOU'RE GOING TO BE ALL RIGHT. 640 00:28:29,108 --> 00:28:31,110 I'LL GET YOU SOME HELP, WARE. 641 00:28:31,143 --> 00:28:31,944 TALK TO ME. 642 00:28:31,978 --> 00:28:34,280 HEY, JUST TALK TO ME. I'M RIGHT HERE. 643 00:28:34,313 --> 00:28:36,115 TELL ME ABOUT THAT FAMILY OF YOURS. 644 00:28:36,148 --> 00:28:38,317 HUH 645 00:28:38,350 --> 00:28:40,820 YEAH. I SAW THOSE PICTURES IN YOUR CAR. 646 00:28:40,853 --> 00:28:42,822 WHAT'S YOUR LITTLE ONE'S NAME? 647 00:28:42,855 --> 00:28:44,090 HUH? 648 00:28:44,123 --> 00:28:46,158 D-DWAYNE. 649 00:28:46,192 --> 00:28:47,827 DWAYNE. ALL RIGHT, THAT'S GOOD. 650 00:28:47,860 --> 00:28:49,228 THAT'S GOOD. COME ON. I GOT YOU, MAN. 651 00:28:49,261 --> 00:28:51,097 YOU AIN'T GOING NOWHERE. 652 00:28:51,130 --> 00:28:52,164 ALL RIGHT 653 00:28:52,198 --> 00:28:55,201 TELL ME ABOUT DWAYNE 654 00:28:55,234 --> 00:28:57,436 UHH. UH... 655 00:28:57,469 --> 00:29:00,539 COME ON. WARE, TALK TO ME. SAY IT. 656 00:29:00,572 --> 00:29:02,108 HEY--HEY. DON'T YOU LEAVE ME. NO. 657 00:29:02,141 --> 00:29:03,109 COME ON. DON'T YOU DO THIS. 658 00:29:03,142 --> 00:29:06,212 WARE! WARE! NO. COME ON, MAN. 659 00:29:06,245 --> 00:29:08,915 WARE! WARE! 660 00:29:40,913 --> 00:29:43,482 WHAT THE HELL HAPPENED? 661 00:29:43,515 --> 00:29:45,051 I DIDN'T KNOW HE WAS A COP. 662 00:29:45,084 --> 00:29:50,022 W-WE SAW THIS BLACK CAR PARKED IN FRONT OF OUR HOUSE. 663 00:29:50,056 --> 00:29:52,992 THIS BLACK GUY WITH A GUN SNEAKING AROUND THE YARD. 664 00:29:53,025 --> 00:29:54,460 SO, YOU SHOT HIM? 665 00:29:54,493 --> 00:29:56,262 I--I WAS SCARED. 666 00:29:56,295 --> 00:29:57,997 I GOT A FAMILY. 667 00:29:58,030 --> 00:30:00,066 SO DID DETECTIVE WARE. 668 00:30:00,332 --> 00:30:03,102 WHERE'S MORGAN? BACK HERE. 669 00:30:11,010 --> 00:30:13,112 YOU OK? 670 00:30:22,088 --> 00:30:23,589 YEAH, J.J. 671 00:30:23,622 --> 00:30:26,092 YOU'RE KIDDING. 672 00:30:26,125 --> 00:30:27,626 ANOTHER GIRL JUST WENT MISSING. 673 00:30:27,659 --> 00:30:31,130 ALL RIGHT, WE'RE ON OUR WAY. 674 00:30:33,933 --> 00:30:35,101 THE GIRL'S NAME IS ALLY HADLEY. 675 00:30:35,134 --> 00:30:37,069 SHE TOLD HER MOM SHE WAS SLEEPING OVER AT A FRIEND'S HOUSE, 676 00:30:37,103 --> 00:30:37,970 BUT SHE NEVER SHOWED UP THERE. 677 00:30:38,004 --> 00:30:39,405 WELL, I'M SURE SHE'S JUST OUT 678 00:30:39,438 --> 00:30:41,240 WITH SOME OTHER FRIENDS OR A GUY OR-- 679 00:30:41,273 --> 00:30:43,075 SHE SAYS SHE NEVER DOES THIS. SHE A-- 680 00:30:43,109 --> 00:30:44,010 GOOD GIRL. 681 00:30:44,043 --> 00:30:45,945 YEAH. SHE'S AFRICAN-AMERICAN. 682 00:30:45,978 --> 00:30:48,047 15 YEARS OLD. SHE LOVES TO SING. 683 00:30:49,315 --> 00:30:52,051 GUYS WE GOT A WITNESS. A GIRL WHO SAW THE REPORT ON THE NEWS. 684 00:30:52,084 --> 00:30:53,119 SHE SAYS A GUY CAME UP TO HER ABOUT A MONTH AGO, 685 00:30:53,152 --> 00:30:54,954 CLAIMING TO WORK FOR A RECORD COMPANY. 686 00:30:54,987 --> 00:30:55,687 SHE'S ON THE WAY IN. 687 00:30:55,721 --> 00:30:57,456 I'LL CALL THE OTHERS. 688 00:30:57,489 --> 00:31:00,292 IT WAS AFTER CHOIR PRACTICE AT THE CHURCH. 689 00:31:00,326 --> 00:31:02,962 HE CAME UP TO ME OUTSIDE-- 690 00:31:02,995 --> 00:31:04,030 THIS BLACK GUY. 691 00:31:04,063 --> 00:31:07,533 TOLD ME HE WAS AN EXECUTIVE AT SOME RECORD COMPANY 692 00:31:07,566 --> 00:31:10,002 AND HE GOES TO CHURCHES IN THE AREA TO SCOUT TALENT. 693 00:31:10,036 --> 00:31:14,907 HE SAID I HAD A GREAT VOICE, AND HE'D LIKE TO RECORD ME. 694 00:31:14,941 --> 00:31:16,208 WHAT DID YOU SAY? 695 00:31:16,242 --> 00:31:18,510 I TOLD HIM I WASN'T INTERESTED. 696 00:31:18,544 --> 00:31:20,179 HE GAVE ME SOME KIND OF BUSINESS CARD 697 00:31:20,212 --> 00:31:22,915 AND TOLD ME TO CALL HIM IF I CHANGED MY MIND. 698 00:31:22,949 --> 00:31:25,351 IT DIDN'T EVEN HAVE A COMPANY NAME ON IT-- 699 00:31:25,384 --> 00:31:28,220 JUST HIS NAME AND A PHONE NUMBER. 700 00:31:28,254 --> 00:31:30,456 IT LOOKED SO FAKE. 701 00:31:30,489 --> 00:31:32,458 HOW COULD ANYONE FALL FOR THAT? 702 00:31:32,491 --> 00:31:34,393 DO YOU HAVE THE CARD? 703 00:31:34,426 --> 00:31:38,064 I DIDN'T HAVE TO KEEP THE CARD. 704 00:31:38,097 --> 00:31:39,565 WHY? 705 00:31:41,567 --> 00:31:43,402 I KNEW HIM. 706 00:31:49,308 --> 00:31:50,309 I WAS BEGINNING TO THINK YOU GUYS HAD FORGOTTEN ALL ABOUT ME. 707 00:31:50,342 --> 00:31:52,979 WELL, WE NEED YOU NOW MORE THAN EVER, HOT STUFF. 708 00:31:53,012 --> 00:31:56,048 AWW, IT'S LIKE CANDY TO MY EARS, SUGAR. GO. 709 00:31:56,082 --> 00:31:57,116 ALL RIGHT, HERE'S THE SCOOP. 710 00:31:57,149 --> 00:31:58,184 THE GUY'S A FREELANCE MUSICIAN. 711 00:31:58,217 --> 00:32:00,686 PLAYED KEYBOARD FOR THE GIRLS' HIGH SCHOOL MUSICAL. 712 00:32:00,719 --> 00:32:02,688 WE CONTACTED THE SCHOOL, AND THEY GAVE US A NAME-- 713 00:32:02,721 --> 00:32:03,689 TERRANCE WAKELAND. 714 00:32:03,722 --> 00:32:05,291 TERRANCE WAKELAND. 715 00:32:05,324 --> 00:32:07,259 IN THE NEW YORK METROPOLITAN AREA 716 00:32:07,293 --> 00:32:10,129 INCLUDING WESTCHESTER COUNTY. 717 00:32:10,162 --> 00:32:11,197 COMPUTER SAYS 3. 718 00:32:11,230 --> 00:32:13,565 HE MAY WORK AT A RECORDING STUDIO OR RECORD COMPANY. 719 00:32:13,599 --> 00:32:19,138 OK, I'M GOING TO CROSS REFERENCE WITH I.R.S. RECORDS. 720 00:32:19,171 --> 00:32:19,972 GOTCHA. 721 00:32:20,006 --> 00:32:21,240 MOUNT VERNON, JUST OUTSIDE THE BRONX. 722 00:32:21,273 --> 00:32:25,344 A & L STUDIOS--LOOKS LIKE THEY WENT BELLYUP A FEW MONTHS AGO. 723 00:32:25,377 --> 00:32:28,380 BUT HE STILL WORKS THERE AS A SECURITY GUARD. 724 00:32:28,414 --> 00:32:31,650 THANKS, MAMA. YOU'RE THE BEST. LET'S GO. 725 00:32:33,285 --> 00:32:36,488 YOU'RE LUCKY THE STUDIO WAS AVAILABLE TONIGHT. 726 00:32:36,522 --> 00:32:39,225 YOU'RE NOT NERVOUS, ARE YOU, ALLY? 727 00:32:39,258 --> 00:32:39,891 NO. GOOD. 728 00:32:39,925 --> 00:32:41,127 GOOD. GOOD. DON'T YOU WORRY. 729 00:32:41,160 --> 00:32:44,696 I'LL HAVE YOU BACK BEFORE YOUR PARENTS EVEN KNOW YOU'RE GONE. 730 00:32:44,730 --> 00:32:46,398 HEY. LET'S GO. 731 00:32:46,432 --> 00:32:48,367 ALL UNITS TO A & L STUDIOS, 732 00:32:48,400 --> 00:32:50,502 5663 VINCENT BOULEVARD. MOUNT VERNON. 733 00:32:50,536 --> 00:32:55,107 WHAT ARE THE CHANCES OF US CATCHING THIS PSYCHO IN TIME? 734 00:32:57,209 --> 00:33:00,646 * MAMA MAY HAVE 735 00:33:00,679 --> 00:33:04,350 * PAPA MAY HAVE 736 00:33:04,383 --> 00:33:08,254 * BUT GOD BLESS THE CHILD 737 00:33:08,287 --> 00:33:11,090 * THAT'S GOT HIS OWN 738 00:33:11,123 --> 00:33:16,228 * THAT'S GOT HIS OWN 739 00:33:16,262 --> 00:33:20,199 OH, THAT WAS IT. YOU KILLED THAT LAST TAKE! 740 00:33:20,232 --> 00:33:22,768 I'LL--I'LL BE RIGHT OUT. 741 00:33:27,306 --> 00:33:31,610 I'VE NEVER BEEN IN A REAL RECORDING STUDIO BEFORE. 742 00:33:31,643 --> 00:33:33,812 YEAH. WELL, YOU WOULDN'T KNOW IT. 743 00:33:33,845 --> 00:33:34,980 I MEAN, YOU'RE SO COMFORTABLE. 744 00:33:35,013 --> 00:33:38,284 IT SOUNDED LIKE YOU WERE IN YOUR OWN LIVING ROOM SINGING. 745 00:33:38,317 --> 00:33:40,186 IT FELT GOOD. 746 00:33:40,219 --> 00:33:41,220 YEAH. 747 00:33:41,253 --> 00:33:44,123 HEY, I'M SORRY. YOUR--YOUR THROAT MUST BE TIRED. 748 00:33:44,156 --> 00:33:47,025 YOU WANT SOME WATER? SURE. 749 00:34:00,206 --> 00:34:02,074 HEY, OUR ROAD'S CLOSED. CONSTRUCTION. 750 00:34:02,108 --> 00:34:03,242 ISN'T THERE A FASTER WAY? 751 00:34:03,275 --> 00:34:05,477 NOT THAT I KNOW OF. NO. 752 00:34:05,511 --> 00:34:07,279 HEY, YOU KNOW NOT A LOT OF GIRLS YOUR AGE 753 00:34:07,313 --> 00:34:08,814 WOULD HAVE CHOSEN A SONG LIKE THIS. 754 00:34:08,847 --> 00:34:09,781 REALLY? 755 00:34:09,815 --> 00:34:10,549 OH, YEAH. 756 00:34:10,582 --> 00:34:11,517 AND THAT LOOK-- THAT FACE YOU GOT. 757 00:34:11,550 --> 00:34:14,253 I MEAN, YOU GOT THIS REAL SMOKEY KIND OF TONE. 758 00:34:14,286 --> 00:34:17,289 LIKE SOMETHING YOU HEAR IN A THIRTIES HARLEM SUPPER CLUB. 759 00:34:17,323 --> 00:34:19,858 I MEAN, DO YOU HAVE ANY IDEA WHAT YOUR MUSIC DOES TO ME. 760 00:34:19,891 --> 00:34:21,160 NO. 761 00:34:21,193 --> 00:34:22,261 IT TAKES HOLD. 762 00:34:23,562 --> 00:34:24,630 YOU GET A SONG STUCK IN YOUR HEAD. 763 00:34:24,663 --> 00:34:27,833 BUT FOR ME, IT GETS STUCK RIGHT HERE. 764 00:34:27,866 --> 00:34:29,235 ONCE IT'S THERE, 765 00:34:29,268 --> 00:34:30,836 THERE'S JUST NO LETTING IT GO. 766 00:34:30,869 --> 00:34:34,573 IT'S JUST... 767 00:34:48,887 --> 00:34:50,222 YOU ALL RIGHT? 768 00:34:50,256 --> 00:34:54,593 YEAH. JUST... A LITTLE DIZZY. 769 00:34:54,793 --> 00:34:57,229 WHAT I'M SAYING IS THAT IT'S SO BEAUTIFUL. 770 00:34:57,263 --> 00:34:58,797 ALLY, I JUST CAN'T-- 771 00:34:58,830 --> 00:34:59,965 LET IT LIVE. 772 00:34:59,998 --> 00:35:03,469 YOU EVER FEEL THAT? LIKE THERE'S SOMETHING SO BEAUTIFUL-- 773 00:35:03,502 --> 00:35:07,606 SO BEAUTIFUL YOU CAN'T LET IT LIVE TO SHOW YOU-- 774 00:35:07,639 --> 00:35:09,708 TO REMIND YOU OF HOW UGLY YOU ARE? 775 00:35:09,741 --> 00:35:11,810 I--I DON'T FEEL SO GOOD. 776 00:35:15,581 --> 00:35:16,882 SON OF A BITCH! 777 00:35:16,915 --> 00:35:19,351 YOU THINK I'M UGLY? 778 00:35:19,385 --> 00:35:21,820 AAH! 779 00:35:37,803 --> 00:35:39,871 HELP! 780 00:35:39,905 --> 00:35:44,676 SOMEBODY HELP! 781 00:35:50,949 --> 00:35:54,253 I'LL COVER THE DOOR. 782 00:35:58,957 --> 00:36:00,292 RIGHT THERE. 783 00:36:00,326 --> 00:36:02,228 GO. 784 00:36:04,863 --> 00:36:07,933 CHECK THE BACK. 785 00:36:29,788 --> 00:36:31,823 MORGAN! 786 00:36:35,394 --> 00:36:37,363 YEAH. 787 00:36:38,330 --> 00:36:41,400 DOOR ARE WIDE OPEN, LIGHTS ARE ON. SOMEBODY LEFT IN A HURRY. 788 00:36:41,433 --> 00:36:43,269 THERE WAS DEFINITELY A STRUGGLE. 789 00:36:43,302 --> 00:36:44,236 SO, MAYBE SHE'S STILL ALIVE. 790 00:36:44,270 --> 00:36:45,371 THEY WERE HERE. AND MAYBE SHE TRIED TO FLEE. 791 00:36:45,404 --> 00:36:47,506 SHE COULD BE IN THE NEIGHBORHOOD, TRYING TO GET AWAY. 792 00:36:47,539 --> 00:36:49,275 HOTCH, LOOK AT THIS. 793 00:36:49,308 --> 00:36:50,876 IT'S THE VOICES, MAN, 794 00:36:50,909 --> 00:36:52,811 HIS SOUVENIRS. 795 00:36:54,980 --> 00:36:57,949 LET'S GO. 796 00:36:59,985 --> 00:37:00,886 HELP ME. 797 00:37:00,919 --> 00:37:03,289 WHAT'S THE MATTER? 798 00:37:05,457 --> 00:37:07,826 WHERE--WHERE AM I? 799 00:37:07,859 --> 00:37:09,928 WHOA. WHAT DID YOU TAKE? 800 00:37:09,961 --> 00:37:12,264 ALLY! ALLY, THERE YOU ARE! 801 00:37:12,298 --> 00:37:13,198 YOU KNOW THIS GIRL? 802 00:37:13,231 --> 00:37:15,601 THANK YOU, OFFICER. THIS IS MY BABY COUSIN. 803 00:37:15,634 --> 00:37:16,902 HER PARENTS ARE OUT OF TOWN, 804 00:37:16,935 --> 00:37:17,936 AND I'M TAKING CARE OF HER RIGHT NOW. 805 00:37:17,969 --> 00:37:20,005 AND, UH, SHE SNUCK OUT AND OBVIOUSLY GOT HERSELF 806 00:37:20,038 --> 00:37:22,674 SOME KIND OF WASTED. I'M VERY, VERY SORRY. 807 00:37:22,708 --> 00:37:24,910 COME ON, ALLY. COME ON. PARTY'S OVER. 808 00:37:24,943 --> 00:37:26,712 HEY, YOU WANT ME TO TELL YOUR PARENTS 809 00:37:26,745 --> 00:37:28,013 WHAT YOU'VE DONE? 810 00:37:28,046 --> 00:37:29,915 I MEAN, LOOK AROUND YOU. THIS IS A DANGEROUS NEIGHBORHOOD, ALLY. 811 00:37:29,948 --> 00:37:31,650 YOU COULD HAVE GOTTEN YOURSELF KILLED. 812 00:37:31,683 --> 00:37:33,319 YOU KNOW THIS MAN? 813 00:37:33,352 --> 00:37:35,521 AGAIN, OFFICER, I'M VERY, VERY SORRY. 814 00:37:35,554 --> 00:37:37,423 SHE'S--SHE'S REALLY OUT OF IT. 815 00:37:37,456 --> 00:37:39,024 COME ON, ALLY, YOU CAN SLEEP IT OFF WHEN YOU GET HOME. 816 00:37:39,057 --> 00:37:42,494 CAN I GO NOW? OR AM I GONNA HAVE TO STAND HERE ALL NIGHT 817 00:37:42,528 --> 00:37:43,929 WHILE YOU MESS WITH THIS KID? 818 00:37:43,962 --> 00:37:44,996 THERE THEY ARE. 819 00:37:52,971 --> 00:37:55,874 WAKELAND, F.B.I.! DON'T MOVE! 820 00:37:55,907 --> 00:37:57,543 WHATS GOING ON? LET HER GO. 821 00:37:57,576 --> 00:37:59,010 WHAT DID I DO? LET HER GO. 822 00:37:59,044 --> 00:38:04,450 I KNOW YOU THINK THIS IS ABOUT THOSE MURDERED GIRLS, RIGHT? 823 00:38:04,483 --> 00:38:06,385 RIGHT?! 824 00:38:08,420 --> 00:38:10,789 HE WON'T LET HER GO. HE COULD BE ARMED. 825 00:38:10,822 --> 00:38:11,657 JUST CALM DOWN! 826 00:38:11,690 --> 00:38:12,491 HEY, WHAT THE HELL ARE YOU WAITING FOR?! 827 00:38:12,524 --> 00:38:14,092 DO NOT SHOOT! I WANT YOU TO CALM DOWN, 828 00:38:14,125 --> 00:38:17,496 PUT YOUR WEAPONS DOWN SO WE CAN MOVE IN. 829 00:38:17,529 --> 00:38:18,497 DO IT! 830 00:38:18,530 --> 00:38:20,566 DO IT! 831 00:38:23,068 --> 00:38:26,505 WAKELAND, GET AWAY FROM THE GIRL. 832 00:38:26,538 --> 00:38:27,373 TURN AROUND. 833 00:38:27,406 --> 00:38:29,307 HANDS ON YOUR HEAD. 834 00:38:38,116 --> 00:38:39,918 LET'S GO. 835 00:39:50,556 --> 00:39:52,858 YOU ALL RIGHT? 836 00:39:55,461 --> 00:39:58,129 I WAS JUST THINKING. 837 00:39:58,163 --> 00:40:02,167 I KNOW WHAT IT'S LIKE TO GROW UP WITHOUT A FATHER. 838 00:40:03,168 --> 00:40:06,738 THEIR FATHER DIED A HERO. 839 00:40:08,474 --> 00:40:10,909 SO DID MINE. 840 00:40:11,209 --> 00:40:14,179 DOESN'T MAKE IT ANY EASIER. 841 00:40:21,753 --> 00:40:26,792 "THE LIFE OF THE DEAD IS PLACED IN THE MEMORY OF THE LIVING." 842 00:40:26,825 --> 00:40:28,994 CICERO. 843 00:40:33,699 --> 00:40:36,434 OOPS! SORRY. 844 00:40:38,036 --> 00:40:41,507 OH, WAIT A MINUTE. 845 00:40:41,540 --> 00:40:43,041 NO, YOU DIDN'T. 846 00:40:43,074 --> 00:40:43,842 WHERE DID YOU FIND THIS? 847 00:40:43,875 --> 00:40:45,511 IN THE AIRPORT. CAN YOU BELIEVE IT? 848 00:40:45,544 --> 00:40:48,514 HAVEN'T READ THIS IN FIFT--LIKE--12 YEARS. 849 00:40:48,547 --> 00:40:50,115 OK, THAT'S FUNNY. HMM. 850 00:40:50,148 --> 00:40:51,583 CHAPTER 3'S WHERE IT STARTS TO GET GOOD. 851 00:40:51,617 --> 00:40:54,586 OK. I WILL LET YOU KNOW WHEN I GET THERE. 852 00:40:54,620 --> 00:40:56,688 ALL RIGHT, YOU DO THAT. 853 00:41:03,762 --> 00:41:05,697 YOU ALL RIGHT? 854 00:41:06,665 --> 00:41:08,233 REID. 855 00:41:08,266 --> 00:41:09,601 HMM? 856 00:41:09,635 --> 00:41:11,870 I SAID, ARE YOU ALL RIGHT? 857 00:41:12,538 --> 00:41:14,072 I'M FINE. 858 00:41:15,807 --> 00:41:17,275 THANKS FOR BROADCASTING IT. 859 00:41:17,308 --> 00:41:20,579 HEY, TALK TO ME. 860 00:41:20,612 --> 00:41:23,181 WHATEVER YOU SAY TO ME IN CONFIDENCE IS BETWEEN US. 861 00:41:23,214 --> 00:41:23,949 YOU KNOW THAT RIGHT? 862 00:41:23,982 --> 00:41:27,018 I DON'T HAVE ANYTHING TO TELL YOU. 863 00:41:30,822 --> 00:41:32,891 REID, LISTEN TO ME. 864 00:41:33,792 --> 00:41:34,793 WHAT YOU WENT THROUGH OUT THERE, 865 00:41:34,826 --> 00:41:36,027 NOBODY EXPECTS YOU TO REBOUND-- 866 00:41:36,061 --> 00:41:37,228 I CAN STILL DO MY JOB, ALL RIGHT. 867 00:41:37,262 --> 00:41:39,264 I'M NOT GONNA FREAK OUT. 868 00:41:39,831 --> 00:41:42,267 YOU THINK I DON'T KNOW THAT. 869 00:41:56,181 --> 00:41:59,585 IT'S THE CRIME SCENE PHOTOS. 870 00:42:00,351 --> 00:42:02,721 CRIME SCENE PHOTOS? 871 00:42:04,656 --> 00:42:08,660 THE DEAD GIRLS IN THE LEAVES. 872 00:42:10,261 --> 00:42:12,263 REID, WE'VE SEEN WORSE. 873 00:42:12,297 --> 00:42:14,199 I KNOW. 874 00:42:14,232 --> 00:42:16,902 I KNOW WE'VE SEEN WORSE, BUT... 875 00:42:18,637 --> 00:42:23,108 FOR THE FIRST TIME, I KNOW. 876 00:42:23,609 --> 00:42:26,878 I LOOK AT THEM, AND... 877 00:42:27,178 --> 00:42:30,215 I LOOK AT THEM AND I-- I KNOW WHAT THEY WERE THINKING. 878 00:42:30,248 --> 00:42:33,985 AND I KNOW WHAT THEY WERE FEELING, LIKE, RIGHT BEFORE. 879 00:42:37,388 --> 00:42:39,324 THAT'S CALLED EMPATHY. 880 00:42:39,357 --> 00:42:42,694 AND IT'S A GOOD THING. 881 00:42:45,831 --> 00:42:47,866 IT'S NOT. IT'S GOT ME ALL MESSED UP. 882 00:42:47,899 --> 00:42:48,934 I DON'T KNOW HOW TO FOCUS. 883 00:42:48,967 --> 00:42:51,803 I CAN'T DO MY JOB AS WELL. 884 00:42:57,643 --> 00:42:58,777 SO, WHAT DO I DO? 885 00:42:58,810 --> 00:43:00,746 YOU USE IT. 886 00:43:01,212 --> 00:43:04,315 LET IS MAKE YOU A BETTER PROFILER, 887 00:43:04,349 --> 00:43:07,285 A BETTER PERSON. 888 00:43:12,057 --> 00:43:14,626 A BETTER PERSON. 889 00:43:17,328 --> 00:43:18,997 HMPH. 890 00:43:19,030 --> 00:43:21,833 CAPTIONING MADE POSSIBLE BY CBS 891 00:43:21,867 --> 00:43:25,771 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--