1
00:00:00,968 --> 00:00:05,573
PREVIOUSLY ON
CRIMINAL MINDS...

2
00:00:05,606 --> 00:00:08,409
PLEASE, I DON'T WANT IT.
I DON'T WANT IT.

3
00:00:08,442 --> 00:00:10,744
IT HELPS.

4
00:00:22,556 --> 00:00:23,757
WHAT IS THE MATTER
WITH YOU?

5
00:00:23,791 --> 00:00:26,360
WHAT DO YOU MEAN,
WHAT'S THE MATTER WITH ME?

6
00:00:26,394 --> 00:00:27,728
I HAVE NEVER SEEN YOU
ACT LIKE THIS.

7
00:00:27,761 --> 00:00:29,163
REALLY? OH, IN THE MONTHS
THAT YOU KNOW ME,

8
00:00:29,197 --> 00:00:31,065
YOU'VE NEVER SEEN ME
ACT THIS WAY?

9
00:00:31,099 --> 00:00:32,200
HEY, NO OFFENSE, EMILY,
BUT...

10
00:00:32,233 --> 00:00:35,403
YOU DON'T REALLY KNOW WHAT
YOU'RE TALKING ABOUT, DO YOU?

11
00:00:35,436 --> 00:00:38,706
Radio: EARLIER THIS MORNING
KATRINA CRASHED INTO
THE GULF COAST,

12
00:00:38,739 --> 00:00:41,675
WITH SUSTAINED WINDS
ABOVE 125 AN HOUR.

13
00:00:41,709 --> 00:00:43,311
AS MANY HOUSES
ARE BEING DESTROYED.

14
00:00:43,344 --> 00:00:45,779
RESIDENTS ARE TRYING
TO EVACUATE.

15
00:00:45,813 --> 00:00:48,449
[THUNDER]

16
00:00:50,818 --> 00:00:51,752
ARE YOU LISTENING TO ME, POP?

17
00:00:51,785 --> 00:00:53,621
GRAB YOUR WALLET AND GET
THE HELL OUT OF THERE.

18
00:00:53,654 --> 00:00:54,722
THE BUSES ARE FILLING UP.

19
00:00:54,755 --> 00:00:57,391
THIS CASE IS EATIN'
AT ME, BILLY.

20
00:00:57,425 --> 00:00:57,925
DAD.

21
00:00:57,958 --> 00:00:59,193
FORGET THE DAMN CASE.

22
00:00:59,227 --> 00:01:00,761
WHAT THE HELL
AM I MISSING HERE?

23
00:01:00,794 --> 00:01:03,364
DAD, PEOPLE ARE DROWNING
IN THEIR HOMES.

24
00:01:03,397 --> 00:01:06,634
THE WHOLE WORLD'S
GONNA BE UNDERWATER.

25
00:01:06,667 --> 00:01:07,835
I GOT ANOTHER LETTER,
BILLY.

26
00:01:07,868 --> 00:01:10,438
SCREW THE LETTER.
FORGET THE SERIAL KILLER.

27
00:01:10,471 --> 00:01:11,839
THEY'RE OPENING
THE SUPERDOME.

28
00:01:11,872 --> 00:01:13,507
I WANT YOU TO MEET ME THERE.

29
00:01:13,541 --> 00:01:15,509
I'LL BE DAMNED.

30
00:01:15,543 --> 00:01:17,445
PLEASE, I'M BEGGING YOU, POP.

31
00:01:17,478 --> 00:01:18,879
[GLASS BREAKING]

32
00:01:18,912 --> 00:01:21,582
POP? POP?

33
00:01:58,819 --> 00:02:01,622
WE'VE GOT A SERIAL KILLER
IN NEW ORLEANS

34
00:02:01,655 --> 00:02:04,158
WHO KILLED AT LEAST 3 MEN
PRE-KATRINA.

35
00:02:04,192 --> 00:02:06,327
UNTIL NOW, THE NEW ORLEANS
POLICE DEPARTMENT

36
00:02:06,360 --> 00:02:08,662
BELIEVED THAT THE SERIAL KILLER
DIED IN THE STORM.

37
00:02:08,696 --> 00:02:09,797
WHAT'S HAPPENED
TO TELL THEM OTHERWISE?

38
00:02:09,830 --> 00:02:12,866
A FOURTH BODY WAS FOUND IN
THE FRENCH QUARTER LAST NIGHT.

39
00:02:12,900 --> 00:02:15,169
SAME M.O. ANOTHER MALE.

40
00:02:15,203 --> 00:02:16,604
THROAT SLASHED, EVISCERATED.

41
00:02:16,637 --> 00:02:18,806
A YEAR AND A HALF?
THAT'S A LONG
COOLING-OFF PERIOD.

42
00:02:18,839 --> 00:02:21,175
ARE WE SURE THIS IS
THE SAME UNSUB?

43
00:02:21,209 --> 00:02:22,009
HE CLAIMS TO BE.

44
00:02:22,042 --> 00:02:23,377
HE SENT A LETTER
TO WILLIAM LAMONTAGNE,

45
00:02:23,411 --> 00:02:25,213
THE HEAD DETECTIVE
ON THE CASE.

46
00:02:25,246 --> 00:02:26,814
DOES LAMONTAGNE
HAVE ANY LEADS?

47
00:02:26,847 --> 00:02:28,582
HE DIED IN KATRINA.

48
00:02:28,616 --> 00:02:31,585
HIS SON IS ACTUALLY
LEADING THE CASE NOW.

49
00:02:31,619 --> 00:02:32,420
HMM. THAT CAN'T BE EASY.

50
00:02:32,453 --> 00:02:33,921
WELL, WE NEED TO POUR OVER
THE EVIDENCE

51
00:02:33,954 --> 00:02:35,923
FROM THE FIRST 3 MURDERS
AND DETERMINE THE PATTERN.

52
00:02:35,956 --> 00:02:37,791
KATRINA WASHED
EVERYTHING AWAY.

53
00:02:37,825 --> 00:02:41,829
THE 3 VICTIMS WE KNOW OF,
THEIR AUTOPSY REPORTS,

54
00:02:41,862 --> 00:02:43,364
WITNESS STATEMENTS.

55
00:02:43,397 --> 00:02:44,498
DNA TEST RESULTS.

56
00:02:44,532 --> 00:02:47,535
SO, BASICALLY, ALL WE HAVE
TO GO ON IS THE LATEST VICTIM?

57
00:02:47,868 --> 00:02:48,769
YEAH.

58
00:02:48,802 --> 00:02:50,538
UNTIL HE KILLS AGAIN.

59
00:03:14,962 --> 00:03:20,668
CAPTIONING MADE POSSIBLE
BY CBS

60
00:03:28,008 --> 00:03:29,009
Gideon:
ROBERT KENNEDY ONCE SAID,

61
00:03:29,042 --> 00:03:32,246
"TRAGEDY IS A TOOL
FOR THE LIVING
TO GAIN WISDOM,

62
00:03:32,280 --> 00:03:35,649
NOT A GUIDE
BY WHICH TO LIVE."

63
00:03:37,518 --> 00:03:38,919
HEY, REID.

64
00:03:38,952 --> 00:03:39,887
WHAT'S GOIN' ON UP THERE?

65
00:03:39,920 --> 00:03:42,356
I WAS JUST THINKING
OF THIS OLD FRIEND OF MINE

66
00:03:42,390 --> 00:03:43,991
FROM LAS VEGAS--ETHAN.

67
00:03:44,024 --> 00:03:46,960
I'M PRETTY SURE
HE LIVES IN NEW ORLEANS NOW.

68
00:03:46,994 --> 00:03:48,028
REALLY?
GONNA GIVE HIM A CALL?

69
00:03:48,061 --> 00:03:49,430
GREW UP COMPETING
AGAINST EACH OTHER

70
00:03:49,463 --> 00:03:50,564
IN ABSOLUTELY EVERYTHING.

71
00:03:50,598 --> 00:03:51,799
SPELLING BEES, SCIENCE FAIRS.

72
00:03:51,832 --> 00:03:55,869
WE ALSO BOTH HAD OUR HEARTS SET
ON JOINING THE BUREAU, BUT...

73
00:03:55,903 --> 00:03:57,971
FIRST DAY AT QUANTICO
HE BACKED OUT.

74
00:03:58,005 --> 00:04:00,874
HE PROBABLY JUST COULDN'T
TAKE THE HEAT.

75
00:04:00,908 --> 00:04:04,278
IT'S NOT REALLY
FOR US TO JUDGE, IS IT?

76
00:04:04,612 --> 00:04:05,746
RIGHT.

77
00:04:05,779 --> 00:04:06,947
MY BAD.

78
00:04:06,980 --> 00:04:10,284
THESE ARE COPIES
OF THE NEWSPAPER ARTICLES
ON THE MURDERS,

79
00:04:10,318 --> 00:04:12,386
DATING BACK
TO EARLY AUGUST 2005.

80
00:04:12,420 --> 00:04:13,721
IT'S ALL WE HAVE TO GO ON.

81
00:04:13,754 --> 00:04:15,856
HE KILLED 3 TIMES,
HE STOPPED FOR 18 MONTHS,

82
00:04:15,889 --> 00:04:17,491
THEN HE STARTED
KILLING AGAIN.

83
00:04:17,525 --> 00:04:18,859
WE SHOULD HAVE GARCIA
RUN A LIST

84
00:04:18,892 --> 00:04:19,960
OF ANY OFFENDERS
IN THE AREA.

85
00:04:19,993 --> 00:04:22,696
ANYONE WHO SPENT
THE LAST YEAR AND A HALF
DOING TIME.

86
00:04:22,730 --> 00:04:25,766
OR ANYONE THAT RELOCATED
AFTER KATRINA
AND RECENTLY MOVED BACK.

87
00:04:25,799 --> 00:04:29,069
WHAT IS THE VICTIMOLOGY
IN KILLING A MECHANIC,

88
00:04:29,102 --> 00:04:30,871
A REAL ESTATE BROKER,
AND A COOK,

89
00:04:30,904 --> 00:04:33,607
WITH AGES RANGING
FROM 22 TO 45?

90
00:04:33,641 --> 00:04:36,577
AND THIS LATEST
IS A 33-YEAR-OLD TAXI DRIVER.

91
00:04:36,610 --> 00:04:38,912
THEY JUST DON'T SEEM TO HAVE
VERY MUCH IN COMMON.

92
00:04:38,946 --> 00:04:41,014
BESIDES BEING MALE AND
WALKING THE FRENCH QUARTER
LATE AT NIGHT.

93
00:04:41,048 --> 00:04:43,584
WHICH IS NOTORIOUS FOR MUGGINGS
OFF THE MAIN DRAG.

94
00:04:43,617 --> 00:04:47,588
YEAH, BUT THIS GUY ISN'T
IN A RUSH TO FLEE THE SCENE.

95
00:04:47,621 --> 00:04:48,956
A SLAUGHTER LIKE THIS
TAKES TIME.

96
00:04:48,989 --> 00:04:51,692
ANDREI CHIKATILO FANTASIZED
THAT THE MEN HE KILLED
WERE HIS CAPTIVES

97
00:04:51,725 --> 00:04:53,694
AND THEN TORTURING
AND MUTILATING THEM

98
00:04:53,727 --> 00:04:54,728
SOMEHOW MADE HIM A HERO.

99
00:04:54,762 --> 00:04:56,597
THE CITY'S BARELY
BACK TO LIFE.

100
00:04:56,630 --> 00:04:59,066
SOMETHING LIKE THIS
COULD CRIPPLE ITS PSYCHE.

101
00:04:59,099 --> 00:05:00,300
SO WHERE DO WE START?

102
00:05:00,334 --> 00:05:04,405
WELL, WITH NO CASE FILE
THERE'S ONLY ONE PLACE
WE CAN START.

103
00:05:04,905 --> 00:05:07,608
AT SQUARE ONE.

104
00:05:11,144 --> 00:05:14,415
YOU MUST BE B.A.U.

105
00:05:14,448 --> 00:05:15,315
BILL LAMONTAGNE.

106
00:05:15,349 --> 00:05:17,551
HI. JENNIFER JAREAU.
WE SPOKE ON THE PHONE.

107
00:05:17,585 --> 00:05:19,987
WELL, OK, THEN.

108
00:05:20,020 --> 00:05:21,922
I PICTURED YOU DIFFERENT.

109
00:05:21,955 --> 00:05:24,758
UH, THESE ARE AGENTS
GIDEON AND MORGAN.

110
00:05:24,792 --> 00:05:26,760
THIS IS DETECTIVE
WILLIAM LAMONTAGNE JR.

111
00:05:26,794 --> 00:05:29,430
APPRECIATE YOU GUYS
BEING HERE.

112
00:05:29,463 --> 00:05:32,366
MY DADDY WAS TOO STUBBORN
TO EVER ASK FOR ANY HELP.

113
00:05:32,400 --> 00:05:34,568
SORRY FOR YOUR LOSS.

114
00:05:35,703 --> 00:05:37,137
I UNDERSTAND
YOU RECEIVED A LETTER.

115
00:05:37,170 --> 00:05:38,939
YEAH. BEFORE THEY WERE LOST
IN KATRINA,

116
00:05:38,972 --> 00:05:40,908
MY DADDY RECEIVED
2 LETTERS.

117
00:05:40,941 --> 00:05:43,677
THIS ONE CAME ADDRESSED
TO HIM YESTERDAY.

118
00:05:43,711 --> 00:05:44,445
THEY PASSED IT ON TO ME.

119
00:05:44,478 --> 00:05:46,046
YOU SURE IT'S FROM
THE SAME KILLER?

120
00:05:46,079 --> 00:05:47,548
IT'S A DETAILED ACCOUNT

121
00:05:47,581 --> 00:05:48,949
OF WHAT HE DID
TO THE BODY.

122
00:05:48,982 --> 00:05:53,421
4 LAYERS OF FATTY TISSUE
SLICED THROUGH LIKE BUTTER.

123
00:05:53,454 --> 00:05:55,656
I ONLY SEEN THAT
3 OTHER TIMES.

124
00:05:55,689 --> 00:05:56,524
YOU WORK THIS CASE
INITIALLY?

125
00:05:56,557 --> 00:05:59,693
NAH. YOU DON'T FORGET
VICTIMS LIKE THIS.

126
00:05:59,727 --> 00:06:00,528
IT'S LIKE
THEY WERE DISSECTED.

127
00:06:00,561 --> 00:06:02,796
I CAN STILL SMELL
THE ALCOHOL ON HIM.

128
00:06:02,830 --> 00:06:03,731
THIS IS NEW ORLEANS.

129
00:06:03,764 --> 00:06:05,599
DEAD OR ALIVE, IT'S
A SMELL YOU GET USED TO.

130
00:06:05,633 --> 00:06:07,468
THE VICTIM HAS NO
DEFENSE WOUNDS.

131
00:06:07,501 --> 00:06:11,472
MEANING THIS IS MOST
LIKELY A BLITZ ATTACK.

132
00:06:13,641 --> 00:06:17,044
NO HESITATION MARKS
OR RAPID THRUSTS.

133
00:06:17,077 --> 00:06:18,846
CUTS WERE METHODICAL.

134
00:06:18,879 --> 00:06:19,847
ALMOST PROCEDURAL.

135
00:06:19,880 --> 00:06:22,950
MY GUESS--WHOEVER GUTTED
THIS GUY WAS TAUGHT TO.

136
00:06:22,983 --> 00:06:24,518
SO YOU THINK HE MIGHT HAVE
SOME MEDICAL TRAINING?

137
00:06:24,552 --> 00:06:26,687
HOW ELSE COULD HE
CARVE AROUND EVERY ORGAN

138
00:06:26,720 --> 00:06:27,721
AND LEAVE EACH ONE INTACT?

139
00:06:27,755 --> 00:06:30,591
HAVE ANY OF HIS RELATIVES
COME TO CLAIM THE BODY?

140
00:06:30,624 --> 00:06:31,659
ANYONE WE COULD SPEAK WITH?

141
00:06:31,692 --> 00:06:34,595
NO. I'LL END UP BOXING UP
THE POOR BASTARD'S ASHES,

142
00:06:34,628 --> 00:06:36,497
LEFT TO COLLECT DUST
IN STORAGE.

143
00:06:36,530 --> 00:06:38,832
ALL THE BODIES I'VE BEEN THROUGH
IN THE LAST YEAR AND A HALF,

144
00:06:38,866 --> 00:06:42,570
IT'S A WONDER
I STILL HAVE ROOM.

145
00:06:47,107 --> 00:06:49,977
IT'D BE PRETTY EASY
TO HIDE OUT
IN ONE OF THESE ALCOVES,

146
00:06:50,010 --> 00:06:51,879
WAIT FOR THE VICTIM
WITHOUT EVER BEING SEEN.

147
00:06:51,912 --> 00:06:54,948
YEAH, ALL 4 MURDERS
OCCURRED WITHIN
A 10-BLOCK RADIUS

148
00:06:54,982 --> 00:06:56,149
HERE INSIDE
THE FRENCH QUARTER.

149
00:06:56,183 --> 00:06:59,720
ON ANY GIVEN NIGHT,
THERE'D HAVE TO BE
THOUSANDS OF PEOPLE

150
00:06:59,753 --> 00:07:01,221
WALKING THROUGH HERE
FROM THE BARS.

151
00:07:01,254 --> 00:07:02,723
TENS OF THOUSANDS.

152
00:07:02,756 --> 00:07:04,191
WHEN I FIRST STARTED
AS A COP,

153
00:07:04,224 --> 00:07:05,158
I WORKED THE QUARTER.

154
00:07:05,192 --> 00:07:06,927
IT'S LIKE BEING
IN THE RIOT SQUAD EVERY NIGHT.

155
00:07:06,960 --> 00:07:09,630
EVERY SUNDAY I'D GET OFF WORK
AROUND SUNRISE,

156
00:07:09,663 --> 00:07:10,764
I'M READY TO PASS OUT,

157
00:07:10,798 --> 00:07:12,933
MY DADDY'D BE WAITING FOR ME
AT MY HOUSE.

158
00:07:12,966 --> 00:07:15,603
MAKE ME DRIVE HIM UPTOWN
TO FRANKIE AND JOHNNY'S

159
00:07:15,636 --> 00:07:16,436
FOR POORBOYS.

160
00:07:16,470 --> 00:07:18,238
CALLED IT COMMUNING
WITH NEW ORLEANS.

161
00:07:18,271 --> 00:07:21,609
DID YOUR FATHER TELL YOU
ANYTHING ELSE ABOUT THIS CASE

162
00:07:21,642 --> 00:07:22,743
THAT WE SHOULD KNOW?

163
00:07:22,776 --> 00:07:23,644
HE TRIED TO.

164
00:07:23,677 --> 00:07:26,814
BUT YOU GUYS SHOULD
SEE THAT FOR YOURSELF.

165
00:07:29,683 --> 00:07:33,754
THIS WALL IS STILL STANDING
WHERE DADDY CARVED THE MESSAGE

166
00:07:33,787 --> 00:07:36,690
RIGHT BEFORE HE DIED.

167
00:07:38,659 --> 00:07:42,963
THERE'S NO DOUBT
HE'S STILL WORKING
FROM THE GRAVE.

168
00:07:43,263 --> 00:07:46,634
"JONES." THAT NAME
MEAN ANYTHING TO YOU?

169
00:07:46,667 --> 00:07:48,035
NO. I RAN IT THROUGH
THE DATABASE

170
00:07:48,068 --> 00:07:49,870
AGAINST EVERY OFFENDER
IN NEW ORLEANS.

171
00:07:49,903 --> 00:07:51,905
AND YOU CAN IMAGINE
HOW MANY HITS I GOT.

172
00:07:51,939 --> 00:07:54,942
BUT NOTHING CAME UP
IN CONNECTION WITH THIS CASE.

173
00:07:54,975 --> 00:07:56,009
BUT IN YOUR DAD'S
FINAL MOMENTS,

174
00:07:56,043 --> 00:07:58,812
IT WAS THE MOST
IMPORTANT THING
HE WANTED TO SAY.

175
00:07:58,846 --> 00:08:02,683
LEARNED HOW TO PLAY
THE DRUMS IN THIS HOUSE,

176
00:08:02,716 --> 00:08:05,553
GREW UP WITH 2 DOGS
IN THIS HOUSE.

177
00:08:05,586 --> 00:08:08,789
ALL IT'S GONNA BE NOW
IS THE WORD "JONES"
CARVED INTO THAT WALL.

178
00:08:08,822 --> 00:08:11,124
DETECTIVE, IF HE HAD
WRITTEN THE UNSUB'S NAME,

179
00:08:11,158 --> 00:08:12,993
I THINK YOU WOULD HAVE
FOUND HIM BY NOW.

180
00:08:13,026 --> 00:08:14,728
JONES IS THE ONE PIECE
OF THE PUZZLE

181
00:08:14,762 --> 00:08:15,863
THAT YOUR DADDY DID KNOW.

182
00:08:15,896 --> 00:08:18,732
HE TRUSTED YOU
TO FIGURE OUT THE REST.

183
00:08:18,766 --> 00:08:19,567
YEAH, I KNOW IT.

184
00:08:19,600 --> 00:08:21,535
BUT I'VE PORED OVER IT
A THOUSAND TIMES

185
00:08:21,569 --> 00:08:24,071
AND I STILL CAN'T
PUT IT TOGETHER.

186
00:08:24,104 --> 00:08:28,208
I CAN'T GET IT
OUT OF MY HEAD.

187
00:08:30,978 --> 00:08:32,880
YOU OK?

188
00:08:32,913 --> 00:08:33,914
YEAH.

189
00:08:33,947 --> 00:08:38,085
I JUST DON'T WANT
TO DISAPPOINT HIM.

190
00:08:41,789 --> 00:08:43,891
IS THAT THE LETTER
FROM THE UNSUB?

191
00:08:43,924 --> 00:08:44,825
YEAH.

192
00:08:44,858 --> 00:08:45,793
"I'M BACK WITH A VENGEANCE.

193
00:08:45,826 --> 00:08:46,794
"I WANTED YOU TO KNOW.

194
00:08:46,827 --> 00:08:49,730
"THE LAST GUY
MADE IT EASY,
BEING OUT SO LATE,

195
00:08:49,763 --> 00:08:50,764
"STUMBLING HOME DRUNK.

196
00:08:50,798 --> 00:08:52,800
"I ENJOYED SLICING
AROUND HIS ORGANS.

197
00:08:52,833 --> 00:08:53,834
"I THOUGHT ABOUT
SENDING YOU ONE.

198
00:08:53,867 --> 00:08:57,638
"HE WAS ASKING TO BE RIPPED,
DON'T YOU THINK, BOSS?

199
00:08:57,671 --> 00:08:58,806
YOURS TRULY."

200
00:08:58,839 --> 00:08:59,840
HEY.

201
00:08:59,873 --> 00:09:01,541
OK.

202
00:09:03,176 --> 00:09:05,813
TO SAY THAT THE VICTIMS
WERE ASKING TO BE KILLED

203
00:09:05,846 --> 00:09:06,847
DENIES ALL CULPABILITY.

204
00:09:06,880 --> 00:09:08,782
MOST SEXUAL SADISTS
RATIONALIZE THEIR OWN BEHAVIOR

205
00:09:08,816 --> 00:09:09,717
BY BLAMING THE VICTIMS
LIKE THAT.

206
00:09:09,750 --> 00:09:11,785
BUT THERE WAS NO EVIDENCE
OF SEXUAL ASSAULT

207
00:09:11,819 --> 00:09:12,753
IN THE AUTOPSY.

208
00:09:12,786 --> 00:09:14,988
HE COULD BE
A HOMOSEXUAL MALE

209
00:09:15,022 --> 00:09:17,758
STABBING BECAUSE
HE NEEDS VIOLENCE
FOR AROUSAL.

210
00:09:17,791 --> 00:09:21,161
EVERY KILL HE'S ACTING OUT
A FANTASY OF REVENGE.

211
00:09:21,194 --> 00:09:23,731
WHAT IF HE'S TRYING
TO ACT OUT SOMETHING ELSE?

212
00:09:23,764 --> 00:09:26,266
EXCEPT FOR THE VICTIMS WERE MEN,
IT'S THE SAME M.O.

213
00:09:26,299 --> 00:09:27,567
WHAT ARE YOU
TALKING ABOUT?

214
00:09:27,601 --> 00:09:30,270
ALL 4 VICTIMS WERE FOUND
WITH THEIR THROATS SLASHED,
EVISCERATED,

215
00:09:30,303 --> 00:09:33,874
AND THE MURDERS PERPETRATED
IN SEMI-PUBLIC PLACES
AFTER DARK.

216
00:09:33,907 --> 00:09:36,343
INVESTIGATORS TAUNTED
WITH THE LETTERS ADDRESSED
TO "BOSS."

217
00:09:36,376 --> 00:09:38,345
THE ONLY DIFFERENCE IS
THAT CASE WAS
100 YEARS AGO

218
00:09:38,378 --> 00:09:40,948
AND THE MURDERS
TOOK PLACE IN LONDON.

219
00:09:41,314 --> 00:09:42,750
JACK THE RIPPER.

220
00:09:42,783 --> 00:09:44,184
THE UNSUB WANTS US TO THINK

221
00:09:44,217 --> 00:09:47,387
THAT HE'S THE MODERN-DAY VERSION
LOOSE IN NEW ORLEANS.

222
00:09:47,420 --> 00:09:49,657
PLEASE.

223
00:09:49,690 --> 00:09:51,659
NO!

224
00:10:07,007 --> 00:10:09,977
SO THE 3 OF YOU WERE
OUT TOGETHER LAST NIGHT?

225
00:10:10,010 --> 00:10:11,211
MARK HAD JUST PAID
HIS TAB AT ONE BAR

226
00:10:11,244 --> 00:10:12,980
AND HE WAS ON HIS WAY
TO MEET US AT ANOTHER.

227
00:10:13,013 --> 00:10:15,015
YOU GUYS GET
IN ANY TROUBLE?

228
00:10:15,048 --> 00:10:17,384
DRUNKEN BRAWL?
ANYONE GET OUT OF HAND?

229
00:10:17,417 --> 00:10:19,419
WE WERE JUST OUT
TO HAVE FUN, YOU KNOW?

230
00:10:19,452 --> 00:10:20,721
MINDED OUR OWN BUSINESS.

231
00:10:20,754 --> 00:10:21,989
COULD MARK HAVE MET A GIRL?

232
00:10:22,022 --> 00:10:23,691
MAYBE UPSET HER BOYFRIEND?

233
00:10:23,724 --> 00:10:24,391
NO, SIR.

234
00:10:24,424 --> 00:10:27,127
HE STRUCK OUT
LIKE WE ALL DID.

235
00:10:27,160 --> 00:10:29,262
THANKS, GUYS.

236
00:10:32,199 --> 00:10:34,167
GETTING HARD TO KEEP UP
WITH THIS GUY.

237
00:10:34,201 --> 00:10:36,737
WELL, IF HE'S MIMICKING
JACK THE RIPPER,

238
00:10:36,770 --> 00:10:38,839
THAT MIGHT BE PRECISELY
THE POINT.

239
00:10:38,872 --> 00:10:40,240
HE TERRORIZED LONDON
FOR MONTHS

240
00:10:40,273 --> 00:10:41,141
WITHOUT EVER GETTING CAUGHT.

241
00:10:41,174 --> 00:10:42,976
I'D APPRECIATE IT IF
YOU'D GATHER YOUR MEN.

242
00:10:43,010 --> 00:10:46,046
WE'D LIKE TO GIVE YOU
A PROFILE OF WHO
YOU'RE UP AGAINST.

243
00:10:46,079 --> 00:10:49,282
THE OFFENDER WE'RE
LOOKING FOR IS FRIENDLY,

244
00:10:49,316 --> 00:10:52,452
AGILE, SOMEWHERE
BETWEEN 30 AND 35.

245
00:10:52,485 --> 00:10:54,922
HE'LL ALLURE WITH CHARM

246
00:10:54,955 --> 00:10:55,956
AND KILL WITH RAGE.

247
00:10:55,989 --> 00:10:58,025
WE BELIEVE
HE'S MURDERING MEN

248
00:10:58,058 --> 00:10:58,892
TO RECLAIM HIS POWER.

249
00:10:58,926 --> 00:11:00,327
THIS UNSUB SUFFERS
FROM LOW SELF-ESTEEM,

250
00:11:00,360 --> 00:11:01,929
BUT HE PROBABLY
COVERS IT WELL.

251
00:11:01,962 --> 00:11:04,932
HE DRESSES IMPECCABLY
TO FEED THE FACADE.

252
00:11:04,965 --> 00:11:06,099
JACK THE RIPPER HIMSELF

253
00:11:06,133 --> 00:11:08,201
WAS AN IMPETUOUS
LUST MURDERER,

254
00:11:08,235 --> 00:11:12,172
WHEREAS THIS OFFENDER
IS ORGANIZED,

255
00:11:12,205 --> 00:11:13,040
CALCULATING.

256
00:11:13,073 --> 00:11:15,843
HE MIGHT EVEN
STALK HIS VICTIMS FOR DAYS

257
00:11:15,876 --> 00:11:18,011
BEFORE THE ACTUAL KILL.

258
00:11:19,212 --> 00:11:22,850
WE BELIEVE THIS KILLER
IDENTIFIES WITH
JACK THE RIPPER

259
00:11:22,883 --> 00:11:25,753
BECAUSE HE'S LOST
HIS OWN IDENTITY.

260
00:11:25,786 --> 00:11:28,922
MAYBE THROUGH YEARS
OF CHILD ABUSE...

261
00:11:28,956 --> 00:11:31,091
OR SOME CATASTROPHIC EVENT.

262
00:11:31,124 --> 00:11:33,961
BECAUSE HE OVERCOMPENSATES
TO HIDE HIS INSECURITIES,

263
00:11:33,994 --> 00:11:36,429
WE BELIEVE HE MAY HOLD
A POSITION OF AUTHORITY
AT WORK.

264
00:11:36,463 --> 00:11:39,432
AND SINCE WE THINK
HE'S HAD MEDICAL
TRAINING,

265
00:11:39,466 --> 00:11:43,503
CONSIDER EMTs, DOCTORS,
VETERINARIANS.

266
00:11:43,536 --> 00:11:45,005
PLEASE BE CAREFUL.

267
00:11:45,038 --> 00:11:45,839
FOR THIS UNSUB,

268
00:11:45,873 --> 00:11:46,907
THE FRENCH QUARTER'S
A HUNTING GROUND.

269
00:11:46,940 --> 00:11:51,879
HE'S CERTAINLY ALREADY PROVEN
HE KNOWS THE TERRAIN.

270
00:12:09,062 --> 00:12:10,063
JEEZ!

271
00:12:10,097 --> 00:12:12,199
REID, YOU SCARED ME.

272
00:12:12,232 --> 00:12:13,967
ALWAYS BEEN ONE STEP
AHEAD OF YOU, MAN.

273
00:12:14,001 --> 00:12:16,804
YEAH, WHATEVER HELPS YOU
SLEEP AT NIGHT.

274
00:12:17,170 --> 00:12:20,173
I'M GLAD YOU CALLED.
IT'S GOOD TO SEE YOU.

275
00:12:20,207 --> 00:12:21,108
YOU, TOO.

276
00:12:21,141 --> 00:12:23,243
LET'S GET A DRINK.

277
00:12:23,276 --> 00:12:26,980
[CELL PHONE RINGS]

278
00:12:27,014 --> 00:12:27,848
PRENTISS.

279
00:12:27,881 --> 00:12:28,782
WHAT WAS THE THING

280
00:12:28,816 --> 00:12:30,951
JACK THE RIPPER TOOK
FROM ONE OF HIS VICTIMS?

281
00:12:30,984 --> 00:12:32,552
BESIDES, WELL,
YOU KNOW, HER LIFE?

282
00:12:32,585 --> 00:12:35,022
OH. UH--UH...

283
00:12:35,055 --> 00:12:35,923
MMM.

284
00:12:35,956 --> 00:12:37,991
TICK TOCK...

285
00:12:38,025 --> 00:12:39,292
TICK TOCK.

286
00:12:39,326 --> 00:12:42,129
I DON'T KNOW.

287
00:12:42,162 --> 00:12:42,896
A KIDNEY.

288
00:12:42,930 --> 00:12:44,564
HOW HORRIFYINGLY
FANTASTIC IS THAT?

289
00:12:44,597 --> 00:12:47,300
MM-HMM. AND ARE YOU
GOING ANYWHERE WITH THIS?

290
00:12:47,334 --> 00:12:51,304
JUST THAT I FOUND
AN UNSOLVED MURDER
THAT HAPPENED 4 MONTHS AGO

291
00:12:51,338 --> 00:12:52,940
IN GALVESTON, TEXAS,

292
00:12:52,973 --> 00:12:54,107
WITH THE SAME M.O.,

293
00:12:54,141 --> 00:12:55,308
THE VICTIM MISSING

294
00:12:55,342 --> 00:12:58,145
THAT VERY ORGAN.

295
00:12:58,178 --> 00:12:59,012
[BLOWS]

296
00:12:59,046 --> 00:13:00,881
I AMAZE MYSELF.

297
00:13:00,914 --> 00:13:02,983
YEAH. ME, TOO.

298
00:13:03,016 --> 00:13:04,151
GREAT WORK.

299
00:13:04,184 --> 00:13:05,152
WHAT'S THAT?

300
00:13:05,185 --> 00:13:08,055
GARCIA FOUND A SIMILAR CASE
IN GALVESTON, TEXAS.

301
00:13:08,088 --> 00:13:10,190
A LOT OF KATRINA REFUGEES
RELOCATED THERE.

302
00:13:10,223 --> 00:13:11,191
IT COULD BE THE SAME GUY.

303
00:13:11,224 --> 00:13:13,827
HE REMOVED THE KIDNEY
JUST LIKE JACK THE RIPPER.

304
00:13:13,861 --> 00:13:14,828
CALL REID AND MORGAN.

305
00:13:14,862 --> 00:13:17,164
I WANT THE 3 OF YOU
ON A PLANE TO TEXAS TONIGHT.

306
00:13:17,197 --> 00:13:18,298
OK.

307
00:13:18,331 --> 00:13:21,068
[CELL PHONE RINGS]

308
00:13:21,101 --> 00:13:23,170
[RING]

309
00:13:27,107 --> 00:13:28,575
SO...

310
00:13:28,608 --> 00:13:30,911
ARE YOU GONNA
ASK THE QUESTION?

311
00:13:30,944 --> 00:13:32,913
WHAT QUESTION?

312
00:13:32,946 --> 00:13:33,981
COME ON, MAN.

313
00:13:34,014 --> 00:13:34,882
IT'S ME HERE.

314
00:13:34,915 --> 00:13:37,084
WE HAVEN'T TALKED
TO EACH OTHER IN YEARS.

315
00:13:37,117 --> 00:13:38,385
I KNOW IT'S WHY
YOU CALLED ME.

316
00:13:38,418 --> 00:13:40,921
ASK THE QUESTION.

317
00:13:40,954 --> 00:13:44,925
WHY DID YOU QUIT
AFTER ONLY ONE DAY
OF FBI TRAINING?

318
00:13:46,093 --> 00:13:48,361
WELL...

319
00:13:48,395 --> 00:13:52,199
I'M SURE YOU'VE
CONSIDERED THE EVIDENCE,

320
00:13:52,232 --> 00:13:55,635
ANALYZED THE SIGNS.

321
00:13:55,668 --> 00:13:56,970
WHAT'S YOUR THEORY?

322
00:13:57,004 --> 00:13:58,205
YOU WERE BATTLING
YOUR OWN DEMONS.

323
00:13:58,238 --> 00:14:01,308
YOU DIDN'T HAVE TIME
TO ANALYZE SOMEONE ELSE'S.

324
00:14:01,341 --> 00:14:02,409
NOT BAD. NOT BAD.

325
00:14:02,442 --> 00:14:06,613
THOSE DAYS, I DID PREFER
JACK DANIEL'S TO JEFF DAHMER.

326
00:14:06,646 --> 00:14:10,884
THEY BOTH WEIGH ON YOUR SOUL
EVENTUALLY.

327
00:14:11,118 --> 00:14:14,354
[CELL PHONE RINGS]

328
00:14:17,457 --> 00:14:19,927
THE BAT PHONE.

329
00:14:20,961 --> 00:14:23,530
LET ME ASK YOU THIS,
ETHAN.

330
00:14:23,563 --> 00:14:25,999
DO YOU EVER REGRET IT?

331
00:14:26,199 --> 00:14:29,202
YOU KNOW, I MAY NOT
BE CHANGING THE WORLD, BUT...

332
00:14:29,236 --> 00:14:30,237
MY MUSIC MAKES ME HAPPY.

333
00:14:30,270 --> 00:14:34,507
IT DOESN'T TAKE A PROFILER
TO SEE THAT YOU'RE NOT.

334
00:14:37,377 --> 00:14:39,212
IT'S NOT EASY.
AND IT'S NOT--

335
00:14:39,246 --> 00:14:44,251
I...DON'T THINK YOU'D
BELIEVE SOME OF THE THINGS
THAT I'VE SEEN.

336
00:14:45,252 --> 00:14:47,020
JOHN COLTRANE.

337
00:14:47,054 --> 00:14:48,521
HE WAS A GENIUS, TOO.

338
00:14:48,555 --> 00:14:49,556
DIED OF CANCER.

339
00:14:49,589 --> 00:14:52,325
BUT MOST PEOPLE THINK
IT WAS THE BOOZE AND HEROIN

340
00:14:52,359 --> 00:14:53,260
THAT DID HIM IN.

341
00:14:53,293 --> 00:14:55,262
WHAT ARE YOU
TRYING TO SAY?

342
00:14:55,295 --> 00:14:57,497
YOU LOOK LIKE HELL.

343
00:14:58,231 --> 00:14:59,199
I'M FINE.

344
00:14:59,232 --> 00:15:00,000
COME ON, MAN.

345
00:15:00,033 --> 00:15:01,534
I'M A JAZZ MUSICIAN
IN NEW ORLEANS.

346
00:15:01,568 --> 00:15:04,271
I KNOW WHAT IT LOOKS LIKE
WHEN SOMEONE'S NOT WELL.

347
00:15:04,304 --> 00:15:07,975
THIS MAY BE THE ONE TIME
I CAN TELL YOU SOMETHING

348
00:15:08,008 --> 00:15:11,211
THAT YOU DON'T ALREADY KNOW.

349
00:15:11,244 --> 00:15:12,479
THAT MIGHT HELP YOU FORGET,

350
00:15:12,512 --> 00:15:14,614
BUT IT WON'T MAKE IT
GO AWAY.

351
00:15:14,647 --> 00:15:16,483
AND IF I CAN TELL...

352
00:15:16,516 --> 00:15:19,519
YOU'RE SURROUNDED BY
SOME OF THE BEST MINDS
IN THE WORLD,

353
00:15:19,552 --> 00:15:23,423
AND IF YOU THINK
THEY DON'T NOTICE...

354
00:15:23,456 --> 00:15:25,325
WELL...

355
00:15:25,358 --> 00:15:27,594
FOR A GENIUS,

356
00:15:27,627 --> 00:15:28,695
THAT'S JUST DUMB.

357
00:15:28,728 --> 00:15:33,466
* BUT I JUST DON'T KNOW
WHAT TO DO... *

358
00:15:34,467 --> 00:15:37,204
HEY.
HEY.

359
00:15:39,772 --> 00:15:41,141
WHERE'S REID?

360
00:15:41,174 --> 00:15:43,343
I WAS HOPING
HE WAS WITH YOU.

361
00:15:43,376 --> 00:15:45,312
I THOUGHT YOU SAID
YOU CALLED HIM.

362
00:15:45,345 --> 00:15:48,015
I DID, 4 TIMES.
NOTHING.

363
00:15:48,281 --> 00:15:51,284
THE VICTIM'S FIANCEE
IS EXPECTING US.

364
00:15:51,318 --> 00:15:54,221
WHAT ARE WE
SUPPOSED TO DO?

365
00:15:55,722 --> 00:15:58,025
WE GOT ONE OPTION.

366
00:15:58,058 --> 00:15:59,592
WHEELS UP.

367
00:16:03,563 --> 00:16:04,364
THANK YOU.

368
00:16:04,397 --> 00:16:05,832
IT'S NOT RIGHT.

369
00:16:05,865 --> 00:16:10,203
THE FRENCH QUARTER'S ONE OF
THE ONLY PARTS OF THE CITY
THAT DODGED KATRINA.

370
00:16:10,237 --> 00:16:12,072
NOW THERE'S
A SERIAL KILLER LOOSE.

371
00:16:12,105 --> 00:16:12,905
IT'S A SMALL AREA,

372
00:16:12,939 --> 00:16:15,342
AND WE'RE NARROWING
DOWN THE PROFILE.

373
00:16:15,375 --> 00:16:17,610
WE'LL FIND HIM.

374
00:16:18,445 --> 00:16:22,282
YOU ALWAYS DRINK
WHILE YOU'RE STILL
ON THE CLOCK?

375
00:16:22,315 --> 00:16:24,151
THIS IS NEW ORLEANS,
HONEY.

376
00:16:24,184 --> 00:16:25,685
IT'S A CULTURAL THING.

377
00:16:25,718 --> 00:16:28,621
WHERE ARE YOU FROM?

378
00:16:28,655 --> 00:16:30,057
PENNSYLVANIA.

379
00:16:30,090 --> 00:16:31,358
I TAKE IT THE FOLKS

380
00:16:31,391 --> 00:16:36,063
ARE A LITTLE RIGID
ABOUT THE RULES UP THAT WAY.

381
00:16:36,396 --> 00:16:39,099
WELL, IF IT MAKES YOU
FEEL BETTER...

382
00:16:39,132 --> 00:16:41,334
* JUST TAKE ME BACK...

383
00:16:41,368 --> 00:16:44,404
WE'LL PLAY IT
PENNSYLVANIA STYLE TONIGHT.

384
00:16:44,437 --> 00:16:47,707
I JUST HATE THAT THIS GUY
HAS A LEG UP ON US, YOU KNOW?

385
00:16:47,740 --> 00:16:53,313
I PROMISE, AS SOON AS
MY TEAM KNOWS ANYTHING,
WE'LL HEAR.

386
00:16:53,346 --> 00:16:54,114
OK?

387
00:16:54,147 --> 00:16:56,516
* AND YOU WERE
RIGHT BY MY SIDE *

388
00:16:56,549 --> 00:16:57,750
WHY AREN'T YOU MARRIED?

389
00:16:57,784 --> 00:17:01,354
* ...THE DAYS WHEN YOU
HAD NOTHING TO HIDE *

390
00:17:01,388 --> 00:17:05,358
UH, THAT INVOLVES
THIS CASE HOW?

391
00:17:05,392 --> 00:17:06,759
IT DOESN'T.

392
00:17:06,793 --> 00:17:09,028
I'M JUST FLIRTIN'.

393
00:17:09,629 --> 00:17:11,064
IT'S UNPROFESSIONAL.

394
00:17:11,098 --> 00:17:13,533
YOU DON'T HAVE TO
ANSWER THAT.

395
00:17:13,566 --> 00:17:14,401
EXCUSE ME.

396
00:17:14,434 --> 00:17:19,139
COMPLIMENTS OF THE WOMAN
IN THE BLUE TOP.

397
00:17:21,774 --> 00:17:24,444
WOW. THAT WAS...BOLD.

398
00:17:24,477 --> 00:17:28,315
SHE MIGHT HAVE THOUGHT
WE WERE JUST WORKING.

399
00:17:29,316 --> 00:17:30,450
WE ARE.

400
00:17:30,483 --> 00:17:32,752
ARE YOU JEALOUS?

401
00:17:32,785 --> 00:17:34,654
[LAUGHS]

402
00:17:34,687 --> 00:17:36,756
NO. I JUST--I...

403
00:17:36,789 --> 00:17:38,391
I'M SURPRISED,
THAT'S ALL.

404
00:17:38,425 --> 00:17:41,661
AND YOU'RE A LOUSY LIAR, TOO.

405
00:17:41,694 --> 00:17:44,264
YOU HAVEN'T HAD
MUCH PRACTICE, HUH?

406
00:17:44,297 --> 00:17:47,267
IT'S A CULTURE THING.

407
00:17:47,800 --> 00:17:49,402
YOU SEE.

408
00:17:49,436 --> 00:17:50,703
THERE YOU GO.

409
00:17:50,737 --> 00:17:51,671
EVERYBODY KEPT SAYING

410
00:17:51,704 --> 00:17:55,708
CRIME'S GONNA SKYROCKET
AFTER THE RELOCATION.

411
00:17:55,742 --> 00:17:59,379
YOU JUST NEVER THINK
IT'S GONNA HAPPEN TO YOU.

412
00:17:59,412 --> 00:18:01,748
THE REPORT SAID
THAT YOUR FIANCE

413
00:18:01,781 --> 00:18:04,484
WAS BAR-HOPPING
FOR HIS BACHELOR PARTY

414
00:18:04,517 --> 00:18:07,387
ON THE NIGHT
HE WAS KILLED.

415
00:18:07,420 --> 00:18:10,623
WE WERE SUPPOSED TO BE
MARRIED IN OCTOBER.

416
00:18:10,657 --> 00:18:13,493
HE WAS JUST OUT
CELEBRATING THAT WITH FRIENDS.

417
00:18:13,526 --> 00:18:16,329
WAS THERE ANYONE AT
LEONARD'S BACHELOR PARTY

418
00:18:16,363 --> 00:18:17,864
YOU DIDN'T KNOW?

419
00:18:17,897 --> 00:18:19,899
WE ALL GREW UP TOGETHER.

420
00:18:19,932 --> 00:18:21,501
THEY'RE LIKE FAMILY
TO ME.

421
00:18:21,534 --> 00:18:24,171
WHETHER THEY MET
SOMEBODY OUT, YOU KNOW,

422
00:18:24,204 --> 00:18:25,472
THAT'S A DIFFERENT STORY.

423
00:18:25,505 --> 00:18:28,775
THEY'RE A ROWDY BUNCH.

424
00:18:28,808 --> 00:18:32,545
AND THEY'D PARTY
WITH ANYBODY.

425
00:18:33,746 --> 00:18:37,284
EACH OF THE LAST 2 VICTIMS
WAS TRAVELING IN A GROUP.

426
00:18:37,317 --> 00:18:40,453
BOTH WERE DRINKING,
BOTH IN PUBLIC ARENAS,
BAR-HOPPING.

427
00:18:40,487 --> 00:18:44,257
SO HOW COULD THEIR FRIENDS
NOT SEE ANYTHING?

428
00:18:44,557 --> 00:18:47,760
IT LIKE WHEN A LION
PREYS UPON AN ANTELOPE.

429
00:18:47,794 --> 00:18:50,530
YOU LOST ME.

430
00:18:50,563 --> 00:18:52,532
[LAUGHS] THAT'S BECAUSE
YOU, EMILY PRENTISS,

431
00:18:52,565 --> 00:18:54,434
HAVE NEVER BEEN
ONE OF THE ANTELOPE.

432
00:18:54,467 --> 00:18:57,404
OH, SCRATCH THAT.
YOU TOTALLY LOST ME.

433
00:18:57,437 --> 00:18:58,738
OK. CHECK THIS OUT.

434
00:18:58,771 --> 00:19:01,441
THE ANTELOPE
TRAVEL IN PACKS.

435
00:19:01,474 --> 00:19:04,611
SO THE LION
JUST SITS AND WAITS.

436
00:19:04,644 --> 00:19:06,646
WAITS FOR JUST ONE
OF THE ANTELOPE

437
00:19:06,679 --> 00:19:09,316
TO BREAK AWAY
FROM ITS HERD.

438
00:19:09,349 --> 00:19:10,183
SO WHEN HE'S ALONE,

439
00:19:10,217 --> 00:19:12,752
VULNERABLE, AND
COMPLETELY UNPROTECTED,

440
00:19:12,785 --> 00:19:14,387
THAT'S WHEN
THE LION STRIKES.

441
00:19:14,421 --> 00:19:16,223
THAT'S WHEN
SHE MAKES HER MOVE.

442
00:19:16,256 --> 00:19:18,225
WAIT A MINUTE.
HER MOVE?

443
00:19:18,258 --> 00:19:19,526
PRENTISS,
THERE'S ONLY ONE THING

444
00:19:19,559 --> 00:19:20,793
THAT'S GONNA MAKE
A STRAIGHT MAN

445
00:19:20,827 --> 00:19:22,529
LEAVE HIS FRIENDS
ON GUYS NIGHT OUT.

446
00:19:22,562 --> 00:19:25,665
AND IT'LL MAKE HIM LEAVE
EVERY TIME.

447
00:19:26,533 --> 00:19:30,203
ONE OF THE VICTIMS
WAS OUT FOR HIS
BACHELOR PARTY.

448
00:19:30,237 --> 00:19:31,003
[CELL PHONE BEEPS]

449
00:19:31,037 --> 00:19:32,872
ANOTHER ONE OUT
WITH JUST THE GUYS.

450
00:19:32,905 --> 00:19:33,906
WHAT'S THE ONLY
TEMPTATION

451
00:19:33,940 --> 00:19:37,277
THAT'S GONNA LURE
THESE MEN AWAY
FROM EACH OTHER?

452
00:19:37,744 --> 00:19:38,878
J.J.

453
00:19:38,911 --> 00:19:41,714
* AND SHE ROCKS...

454
00:19:41,748 --> 00:19:42,782
OK.

455
00:19:42,815 --> 00:19:45,518
YEAH, HE'S RIGHT HERE
WITH ME.

456
00:19:46,853 --> 00:19:47,687
THANKS.

457
00:19:47,720 --> 00:19:49,589
WHAT'S GOING ON?

458
00:19:49,622 --> 00:19:53,260
THE UNSUB WE'RE
LOOKING FOR IS A WOMAN.

459
00:20:04,637 --> 00:20:05,638
HEY.

460
00:20:05,672 --> 00:20:07,307
SO I ALERTED THE DEPARTMENT
AND UPDATED THE BOLO.

461
00:20:07,340 --> 00:20:09,476
GOOD. WE NEED TO SET UP
A PRESS CONFERENCE.

462
00:20:09,509 --> 00:20:11,644
WE'RE NOT MAKING
A MEDIA SPECTACLE
OUT OF THIS.

463
00:20:11,678 --> 00:20:14,714
PEOPLE NEED TO KNOW
THAT THIS KILLER
IS A WOMAN.

464
00:20:14,747 --> 00:20:15,648
WHAT?

465
00:20:15,682 --> 00:20:16,616
LISTEN.

466
00:20:16,649 --> 00:20:19,286
TOURISTS ARE JUST STARTING
TO FILTER BACK HERE.

467
00:20:19,319 --> 00:20:20,820
THAT'S NOT THE ISSUE.

468
00:20:20,853 --> 00:20:23,323
I CAN'T CREATE MASS HYSTERIA
IN A CITY TRYING TO REBUILD.

469
00:20:23,356 --> 00:20:26,559
BESIDES, WE'LL BE PLAYING
RIGHT INTO HER HANDS.

470
00:20:26,593 --> 00:20:28,261
SO BE IT.

471
00:20:28,828 --> 00:20:29,696
LOOK, UM...

472
00:20:29,729 --> 00:20:32,699
I'M TRYING NOT TO GO
ABOVE YOUR HEAD HERE.

473
00:20:32,732 --> 00:20:35,468
YEAH.

474
00:20:35,802 --> 00:20:37,970
I GOT THAT.

475
00:20:38,004 --> 00:20:41,341
THEN SET UP
THE PRESS CONFERENCE.

476
00:20:42,609 --> 00:20:44,644
HEY, YOU GUYS ARE BACK
FROM GALVESTON?

477
00:20:44,677 --> 00:20:46,279
FIRST LIGHT THIS MORNING.
WHERE WERE YOU?

478
00:20:46,313 --> 00:20:49,015
I WAS OUT WITH A FRIEND.
I ALREADY TOLD YOU.

479
00:20:49,048 --> 00:20:49,882
I CALLED YOU
4 TIMES.

480
00:20:49,916 --> 00:20:51,718
I DIDN'T HAVE
ANY CELL PHONE RECEPTION,

481
00:20:51,751 --> 00:20:54,287
SO I DIDN'T GET
YOUR MESSAGE UNTIL LATE.

482
00:20:54,321 --> 00:20:55,788
RIGHT.

483
00:20:55,822 --> 00:20:57,790
WHAT'S GOING ON?

484
00:20:57,824 --> 00:21:01,594
OUR UNSUB'S A WOMAN.

485
00:21:01,628 --> 00:21:04,997
WE JUST FOUND ANOTHER BODY
IN THE QUARTER.

486
00:21:05,565 --> 00:21:06,966
THROAT'S BEEN CUT.

487
00:21:06,999 --> 00:21:10,570
HE'S BEEN DISEMBOWELED, TOO.

488
00:21:11,338 --> 00:21:13,340
REEKS OF BOOZE.

489
00:21:13,373 --> 00:21:14,774
IT'S MORE
THAN A PATTERN.

490
00:21:14,807 --> 00:21:16,609
ONLY THIS TIME HE
CUT OFF THE EARLOBE.

491
00:21:16,643 --> 00:21:19,646
SHE'S STICKING WITH
THE RIPPER'S PARADIGM.

492
00:21:19,679 --> 00:21:20,613
Prentiss:
WHAT DO YOU MEAN?

493
00:21:20,647 --> 00:21:21,914
IN ONE LETTER
OF CORRESPONDENCE,

494
00:21:21,948 --> 00:21:24,584
JACK THE RIPPER PROMISED
TO CUT THE EARLOBE OFF

495
00:21:24,617 --> 00:21:25,785
OF HIS NEXT VICTIM.

496
00:21:25,818 --> 00:21:26,653
HE DID.

497
00:21:26,686 --> 00:21:28,455
IT WAS THE ONE DAY
THAT HE KILLED TWICE.

498
00:21:28,488 --> 00:21:31,324
SO SHE'S GONNA KILL AGAIN
BY THE END OF THE DAY.

499
00:21:31,358 --> 00:21:34,060
OK, WHAT DO WE KNOW
ABOUT FEMALE SERIAL KILLERS?

500
00:21:34,093 --> 00:21:36,563
BASICALLY,
YOU HAVE 2 TYPES.

501
00:21:36,596 --> 00:21:38,331
THE SANTE KIMES MODEL.

502
00:21:38,365 --> 00:21:39,399
COLD, CALCULATING.

503
00:21:39,432 --> 00:21:40,232
PREYS ON MEN FOR MONEY.

504
00:21:40,266 --> 00:21:41,801
TAKES HER TIME
BUILDING RELATIONSHIPS.

505
00:21:41,834 --> 00:21:43,436
IT'S MORE LIKELY
WE'RE DEALING WITH

506
00:21:43,470 --> 00:21:44,637
THE AILEEN WUORNOS
ARCHETYPE,

507
00:21:44,671 --> 00:21:46,573
MOTIVATED BY PARANOIA
AND FEAR,

508
00:21:46,606 --> 00:21:47,507
LURING MEN WITH SEX.

509
00:21:47,540 --> 00:21:49,476
OUR UNSUB'S ORGANIZED.
SHE FOLLOWS A ROUTINE.

510
00:21:49,509 --> 00:21:53,346
SHE MEETS MEN IN A BAR,
FLIRTS WITH THEM OVER DRINKS,

511
00:21:53,380 --> 00:21:57,016
AND SUGGESTS THAT
THEY CONSUMMATE THE EVENING
IN AN ALLEY.

512
00:21:57,049 --> 00:21:59,051
WE NEED TO BE
IN THOSE STREETS.

513
00:21:59,085 --> 00:22:02,722
OFFICE JUST
BROUGHT ME THIS.

514
00:22:03,122 --> 00:22:03,956
"DEAR BOSS,

515
00:22:03,990 --> 00:22:07,794
"BY NOW I HAVE RID
THE WORLD OF ONE MORE.

516
00:22:07,827 --> 00:22:10,463
"SO MANY MEN,
SO LITTLE TIME.

517
00:22:10,497 --> 00:22:11,831
"I HOPE YOU DON'T MIND
THE MESS.

518
00:22:11,864 --> 00:22:13,366
"THEY MAKE IS SO EASY,

519
00:22:13,400 --> 00:22:15,802
"I JUST CAN'T HELP MYSELF.

520
00:22:15,835 --> 00:22:17,036
YOURS TRULY."

521
00:22:17,069 --> 00:22:19,706
[JAZZ PLAYING]

522
00:22:23,009 --> 00:22:26,546
SO WERE LOOKING FOR A WOMAN
WHO WILL APPROACH MEN,

523
00:22:26,579 --> 00:22:28,448
COMFORTABLE BEING
THE AGGRESSOR, NO?

524
00:22:28,481 --> 00:22:32,018
AND I'M GUESSING
SHE'D HAVE TO BE
QUITE ATTRACTIVE

525
00:22:32,051 --> 00:22:34,854
IN ORDER TO LURE THEM AWAY.

526
00:22:37,724 --> 00:22:38,725
MOST OF THE WOMEN
ARE OUT IN GROUPS,

527
00:22:38,758 --> 00:22:41,928
SO KEEP YOUR EYES OPEN
FOR SOMEONE
ON THEIR OWN.

528
00:22:44,864 --> 00:22:48,167
"SO MANY MEN,
SO LITTLE TIME."

529
00:22:48,200 --> 00:22:49,969
SO SHE'S ON A QUEST...

530
00:22:50,002 --> 00:22:52,405
TO WIPE OUT THE RACE.

531
00:22:52,439 --> 00:22:55,107
OR...THE FATHER
WHO MOLESTED HER?

532
00:22:55,141 --> 00:22:57,844
SOME PEOPLE THINK
JACK THE RIPPER
MUTILATED WOMEN

533
00:22:57,877 --> 00:23:01,614
AFTER HIS MOTHER
SEXUALLY ABUSED HIM
FOR YEARS.

534
00:23:01,648 --> 00:23:04,417
FOR SOMEONE SO ENRAGED...

535
00:23:04,451 --> 00:23:06,853
THIS UNSUB SOUNDS
ODDLY APOLOGETIC

536
00:23:06,886 --> 00:23:10,623
FOR LEAVING
A BLOODY CRIME SCENE.

537
00:23:10,657 --> 00:23:11,491
WHY?

538
00:23:11,524 --> 00:23:15,528
THAT MIGHT BE WHAT
LAMONTAGNE FIGURED OUT

539
00:23:15,562 --> 00:23:16,629
RIGHT BEFORE HE DIED.

540
00:23:16,663 --> 00:23:19,799
YOU GOTTA ADMIT,
THESE GUYS ARE
MAKING IT PRETTY EASY.

541
00:23:19,832 --> 00:23:22,034
I WOULDN'T FOLLOW
A STRANGER INTO AN ALLEY

542
00:23:22,068 --> 00:23:23,603
NO MATTER HOW WASTED
I WAS.

543
00:23:23,636 --> 00:23:24,537
YEAH, BUT YOU'RE NOT A MAN.

544
00:23:24,571 --> 00:23:27,206
TESTOSTERONE WILL FOLLOW
A WOMAN TO THAILAND.

545
00:23:27,239 --> 00:23:28,040
BAREFOOT.

546
00:23:28,074 --> 00:23:30,677
IT'S JUST A FACT.

547
00:23:34,847 --> 00:23:37,216
DID YOU GIVE THAT
NEWEST LETTER TO REID?

548
00:23:37,249 --> 00:23:40,820
HE KNOWS THAT RIPPER CASE
INSIDE OUT.

549
00:23:40,853 --> 00:23:42,922
HE MIGHT SEE SOMETHING
I'M MISSING.

550
00:23:42,955 --> 00:23:44,757
I DON'T THINK, UH...

551
00:23:44,791 --> 00:23:46,092
WHAT IS IT?

552
00:23:46,125 --> 00:23:47,694
NOTHING.

553
00:23:47,727 --> 00:23:48,795
COME ON.

554
00:23:48,828 --> 00:23:53,132
YOU THINK I'M NOT AWARE
SOMETHING'S GOING ON WITH HIM?

555
00:23:56,836 --> 00:24:00,807
YOU GONNA TELL ME WHY
YOU MISSED THAT FLIGHT
TO GALVESTON?

556
00:24:00,840 --> 00:24:01,774
I ALREADY TOLD YOU.

557
00:24:01,808 --> 00:24:04,043
IT WAS NO CELL RECEPTION.

558
00:24:04,076 --> 00:24:06,513
RIGHT.

559
00:24:06,546 --> 00:24:07,313
WHAT?

560
00:24:07,346 --> 00:24:08,280
I MEAN, ANYTIME
YOU WANT TO COME UP

561
00:24:08,314 --> 00:24:11,984
WITH A BETTER ANSWER,
I'M STANDING RIGHT HERE.

562
00:24:13,853 --> 00:24:15,788
DARK CURLS, 3 O'CLOCK.

563
00:24:15,822 --> 00:24:17,690
I GOT IT.

564
00:24:20,627 --> 00:24:23,996
SHE'S EYEING THOSE GUYS
OUTSIDE THAT BAR.

565
00:24:27,934 --> 00:24:29,736
LET'S GO.

566
00:24:35,107 --> 00:24:37,009
OH! OH, I'M--I'M SORRY.

567
00:24:37,043 --> 00:24:39,045
I HATE IT WHEN THAT HAPPENS.

568
00:24:39,078 --> 00:24:39,779
YOU ALL RIGHT?

569
00:24:39,812 --> 00:24:42,982
WHAT CAN I DO
TO SAY I'M SORRY?

570
00:24:43,015 --> 00:24:45,552
HOW ABOUT A DRINK?

571
00:24:45,585 --> 00:24:48,187
HAVE A DRINK.
THAT'S COOL.

572
00:24:48,220 --> 00:24:49,956
THAT'S COOL.

573
00:24:50,690 --> 00:24:51,290
SURE.

574
00:24:51,323 --> 00:24:53,560
YEAH,
THAT'S TOTALLY FINE.

575
00:24:53,593 --> 00:24:54,861
YEAH.

576
00:24:56,929 --> 00:24:57,964
YEAH.

577
00:24:57,997 --> 00:24:59,832
DANNY.

578
00:24:59,866 --> 00:25:01,033
YOU FOOL.

579
00:25:01,067 --> 00:25:03,903
YOU DROPPED YOUR WALLET
OUT THERE.

580
00:25:03,936 --> 00:25:04,704
THANKS.

581
00:25:04,737 --> 00:25:07,039
NEXT DRINK IS ON ME.

582
00:25:11,143 --> 00:25:12,244
SO...

583
00:25:12,278 --> 00:25:14,981
WHERE ARE YOUR FRIENDS
TONIGHT?

584
00:25:15,281 --> 00:25:17,684
I DIDN'T BRING ANY.

585
00:25:17,717 --> 00:25:20,119
THEY GET IN THE WAY.

586
00:25:20,152 --> 00:25:21,854
NOW, SEE, I LIKE THAT.

587
00:25:21,888 --> 00:25:24,223
'CAUSE, UH, MOST GIRLS,

588
00:25:24,256 --> 00:25:28,194
THEY WON'T GO NOWHERE
ALONE.

589
00:25:30,329 --> 00:25:34,066
I'M NOT MOST GIRLS.

590
00:25:44,744 --> 00:25:46,012
WE GOT NOTHIN'.

591
00:25:46,045 --> 00:25:46,946
WELL, THE DAY'S
ALMOST OVER,

592
00:25:46,979 --> 00:25:49,982
SO IF YOU'RE RIGHT,
WE JUST RAN OUT OF TIME.

593
00:25:57,223 --> 00:26:00,059
YOUR HAIR'S WET.

594
00:26:05,665 --> 00:26:16,609
[SCREAMING]

595
00:26:16,643 --> 00:26:18,645
SHE'S MOCKING US.

596
00:26:18,678 --> 00:26:22,148
AND SHE'S TRUE TO HER WORD.

597
00:26:23,182 --> 00:26:25,351
DO YOU HAVE ANY TWEEZERS?

598
00:26:25,384 --> 00:26:27,854
THANK YOU.

599
00:26:29,789 --> 00:26:30,857
WHAT IS THAT?

600
00:26:30,890 --> 00:26:32,859
I HAVE NO IDEA.

601
00:26:35,327 --> 00:26:38,264
IT'S A NOTE FROM THE UNSUB,

602
00:26:38,297 --> 00:26:39,766
ADDRESSED TO YOUR FATHER.

603
00:26:39,799 --> 00:26:41,701
LET'S SEE IT.

604
00:26:41,734 --> 00:26:43,302
"DEAR BOSS,

605
00:26:43,335 --> 00:26:44,170
"HE WANTED IT,

606
00:26:44,203 --> 00:26:46,105
"WITH THAT SHARP TONGUE
AND VULGAR HAND.

607
00:26:46,138 --> 00:26:48,140
"THOUGHT YOU'D LIKE TO KNOW

608
00:26:48,174 --> 00:26:50,677
"ANOTHER WILL SOON GET
WHAT HE DESERVES.

609
00:26:50,710 --> 00:26:51,878
YOURS TRULY."

610
00:26:51,911 --> 00:26:55,147
IT'S WEIRD. TYPICALLY,
OFFENDERS WRITE LETTERS
TO BE HEARD.

611
00:26:55,181 --> 00:26:57,149
JACK THE RIPPER BRAGGED
ABOUT NOT BEING CAUGHT.

612
00:26:57,183 --> 00:26:59,018
THIS UNSUB ISN'T USING
CORRESPONDENCE

613
00:26:59,051 --> 00:27:00,720
TO FLAUNT HER LATEST KILL,

614
00:27:00,753 --> 00:27:01,754
ONLY TO EXPLAIN
WHY SHE DID IT.

615
00:27:01,788 --> 00:27:05,091
IT'S POSSIBLE
SHE CONSIDERS HERSELF
A VIGILANTE.

616
00:27:05,124 --> 00:27:08,260
THAT THE MEN SHE'S KILLING
DESERVE TO DIE.

617
00:27:08,294 --> 00:27:10,362
OR MAYBE SHE'S CONTACTING
YOUR FATHER,

618
00:27:10,396 --> 00:27:12,732
NOT BECAUSE HE WAS
THE LEAD DETECTIVE

619
00:27:12,765 --> 00:27:14,433
ON THE CASE, BUT...

620
00:27:14,466 --> 00:27:17,036
BECAUSE SHE BELIEVES
HE'D UNDERSTAND.

621
00:27:17,069 --> 00:27:18,671
YOU THINK
HE KNEW HER SOMEHOW?

622
00:27:18,705 --> 00:27:20,840
CAN YOU THINK OF A WOMAN
IN YOUR DAD'S LIFE

623
00:27:20,873 --> 00:27:23,776
HE HELPED THROUGH
A TOUGH TIME?

624
00:27:23,810 --> 00:27:24,911
MIGHT BE ANOTHER
POLICE OFFICER,

625
00:27:24,944 --> 00:27:27,880
I DON'T KNOW, A PROSTITUTE
HE HELPED GET OFF THE STREET?

626
00:27:27,914 --> 00:27:29,849
HE HASN'T DEALT
WITH PROSTITUTES

627
00:27:29,882 --> 00:27:31,317
SINCE HE WORKED
SEX CRIMES.

628
00:27:31,350 --> 00:27:34,420
THE UNSUB WROTE,
"HE WAS ASKING TO BE RIPPED."

629
00:27:34,453 --> 00:27:37,156
"I JUST COULDN'T HELP MYSELF,"
AND HE WANTED IT."

630
00:27:37,189 --> 00:27:41,093
WHAT IF SHE'S MIRRORING
THE MAN WHO RAPED HER?

631
00:27:41,127 --> 00:27:43,896
WHERE ARE THE FILES STORED
FROM YOUR SEX CRIME
DIVISION?

632
00:27:43,930 --> 00:27:45,998
THEY WERE HOUSED
THE SAME PLACE
AS HOMICIDE.

633
00:27:46,032 --> 00:27:47,900
MOST OF THEM
WERE WASHED AWAY.

634
00:27:47,934 --> 00:27:50,269
DID YOUR DAD
HAVE A PARTNER?

635
00:27:50,302 --> 00:27:51,403
YEAH. J.R. SMITH.

636
00:27:51,437 --> 00:27:52,471
SMITTY, THEY CALLED HIM.

637
00:27:52,504 --> 00:27:53,906
HE MIGHT REMEMBER
SOMETHING.

638
00:27:53,940 --> 00:27:57,009
YEAH, BUT THEY HAD
A FALLING OUT.

639
00:27:57,043 --> 00:27:58,210
WHAT ABOUT?

640
00:27:58,244 --> 00:28:00,813
I DON'T KNOW.
THEY STOPPED TALKING
WHEN HE LEFT SEX CRIMES.

641
00:28:00,847 --> 00:28:01,881
THAT WAS 9 YEARS AGO.

642
00:28:01,914 --> 00:28:04,751
THE GUY DIDN'T EVEN COME
TO MY DADDY'S FUNERAL, SO...

643
00:28:04,784 --> 00:28:06,953
DO YOU HAVE A PROBLEM
CALLING HIM?

644
00:28:06,986 --> 00:28:09,856
NOT IF IT MEANS
BREAKING THIS CASE.

645
00:28:12,925 --> 00:28:15,962
MAY I BORROW YOUR HAND
FOR A MINUTE?

646
00:28:22,802 --> 00:28:25,004
I'LL BE DAMNED.

647
00:28:25,037 --> 00:28:26,038
WHAT IS IT?

648
00:28:26,072 --> 00:28:27,206
THE STAMP
ON THE VICTIM'S HAND--

649
00:28:27,239 --> 00:28:28,808
IT'S ADMITTANCE
INTO THE MON CHERIE.

650
00:28:28,841 --> 00:28:30,743
IT'S A BAR
IN THE FRENCH QUARTER.

651
00:28:30,777 --> 00:28:31,978
OH, YEAH?

652
00:28:32,011 --> 00:28:32,711
YEAH.

653
00:28:32,745 --> 00:28:36,015
9 YEARS AGO
IT WAS CALLED JONES.

654
00:28:37,884 --> 00:28:39,051
BINGO.

655
00:28:39,085 --> 00:28:41,854
GET GARCIA ON THE HORN.

656
00:28:44,056 --> 00:28:44,957
[BEEP]

657
00:28:44,991 --> 00:28:46,225
O CAPTAIN, MY CAPTAIN.

658
00:28:46,258 --> 00:28:46,793
I NEED YOU.

659
00:28:46,826 --> 00:28:48,227
ANYTHING.
TALK TO ME.

660
00:28:48,260 --> 00:28:49,461
IS THERE ANY
NEWSPAPER REPORTS

661
00:28:49,495 --> 00:28:53,065
ABOUT A RAPE
AT A BAR CALLED JONES?

662
00:28:55,201 --> 00:28:56,135
ZILCH.

663
00:28:56,168 --> 00:28:57,536
YOU SURE?
IT WOULD HAVE BEEN

664
00:28:57,569 --> 00:28:59,005
ABOUT 9 YEARS AGO.

665
00:28:59,038 --> 00:29:00,306
NADA.

666
00:29:00,339 --> 00:29:02,174
OK. UH...

667
00:29:02,208 --> 00:29:04,243
CROSS-REFERENCE
WILLIAM LAMONTAGNE

668
00:29:04,276 --> 00:29:06,212
WITH JONES BAR.

669
00:29:07,947 --> 00:29:08,747
BULL'S-EYE.

670
00:29:08,781 --> 00:29:10,917
POLICE BLOTTER--
ANSWERED A DISTURBANCE

671
00:29:10,950 --> 00:29:12,484
AT JONES BAR
IN THE FRENCH QUARTER,

672
00:29:12,518 --> 00:29:14,854
FEBRUARY 19, 1998.

673
00:29:14,887 --> 00:29:17,023
LOOKS LIKE IT WAS DURING
MARDI GRAS.

674
00:29:17,056 --> 00:29:18,791
YOU ARE THE BEST EVER.

675
00:29:18,825 --> 00:29:21,894
OHH...AND YOU'RE THE MOST
PERCEPTIVE.

676
00:29:21,928 --> 00:29:23,796
[BEEPING]

677
00:29:25,364 --> 00:29:26,966
SMITTY.

678
00:29:26,999 --> 00:29:28,367
HOW ARE YOU?

679
00:29:28,400 --> 00:29:31,270
I HOPE YOU GOT
A GOOD REASON

680
00:29:31,303 --> 00:29:32,404
DREDGING THIS CRAP UP.

681
00:29:32,438 --> 00:29:34,506
* I KNOW YOU GOT
A NEW MAN NOW... *

682
00:29:34,540 --> 00:29:35,541
WELL, I WAS HOPING

683
00:29:35,574 --> 00:29:37,409
YOU MIGHT REMEMBER
BEING CALLED HERE

684
00:29:37,443 --> 00:29:39,178
WITH MY DADDY 9 YEARS AGO.

685
00:29:39,211 --> 00:29:41,013
IS THAT A JOKE?

686
00:29:41,047 --> 00:29:41,580
NO.

687
00:29:41,613 --> 00:29:42,982
MY NAME'S JASON GIDEON.

688
00:29:43,015 --> 00:29:43,883
WE'RE FROM THE FBI.

689
00:29:43,916 --> 00:29:46,118
WE'RE INVESTIGATING
THE SERIES OF MURDERS

690
00:29:46,152 --> 00:29:46,819
IN THE FRENCH QUARTER.

691
00:29:46,853 --> 00:29:48,487
WHAT'S THAT GOT TO DO
WITH ME?

692
00:29:48,520 --> 00:29:49,655
WE NEED YOU TO TELL US
WHAT HAPPENED

693
00:29:49,688 --> 00:29:52,458
THE NIGHT YOU
AND DETECTIVE LAMONTAGNE
ANSWERED THE CALL

694
00:29:52,491 --> 00:29:54,560
IN THIS BAR.

695
00:29:55,194 --> 00:29:57,129
AM I MISSING SOMETHING?

696
00:29:57,163 --> 00:30:00,199
YOU REALLY DON'T KNOW, DO YOU?

697
00:30:00,232 --> 00:30:01,901
AFTER THAT NIGHT,
YOUR DADDY

698
00:30:01,934 --> 00:30:04,103
TRIED TO BRING ME UP
ON SANCTIONS.

699
00:30:04,136 --> 00:30:04,971
WHY?

700
00:30:05,004 --> 00:30:05,972
IT WAS MARDI GRAS.

701
00:30:06,005 --> 00:30:07,539
SOME GIRL CLAIMED
SHE WAS RAPED.

702
00:30:07,573 --> 00:30:08,407
IN THIS BAR.

703
00:30:08,440 --> 00:30:09,842
I WASN'T BUYING IT.

704
00:30:09,876 --> 00:30:11,944
WHAT DID SHE SAY
HAPPENED TO HER?

705
00:30:11,978 --> 00:30:13,445
BRASS BACKED ME UP.

706
00:30:13,479 --> 00:30:15,948
THEY ENDED UP
TRANSFERRING YOUR DADDY OUT

707
00:30:15,982 --> 00:30:17,349
TO SHUT HIM UP.

708
00:30:17,383 --> 00:30:19,251
WHAT HAPPENED HERE?

709
00:30:19,285 --> 00:30:21,854
IT ALMOST COST ME MY CAREER.

710
00:30:21,888 --> 00:30:24,223
DO YOU MIND TELLING US
WHAT HAPPENED?

711
00:30:24,556 --> 00:30:25,291
MY BEST RECOLLECTION,

712
00:30:25,324 --> 00:30:27,927
SHE SAID SHE WAS SITTING
AT THE BAR

713
00:30:27,960 --> 00:30:29,095
WITH 2 FRIENDS.

714
00:30:29,128 --> 00:30:34,500
ONE OF THE BOYS ASKED HER
IF SHE WANTED TO PLAY SOME POOL.

715
00:30:34,533 --> 00:30:37,569
WITNESSES CLAIM
SHE WAS UP FOR ANYTHING.

716
00:30:37,603 --> 00:30:39,271
* SOME FUNKY MUSIC

717
00:30:39,305 --> 00:30:43,075
* THAT THEY CALL...

718
00:30:43,109 --> 00:30:45,978
SHE FOLLOWED HIM
UP HERE?

719
00:30:46,012 --> 00:30:49,281
HIS FRIEND NOT FAR BEHIND.

720
00:30:49,315 --> 00:30:52,151
SHE KNEW HE WAS THERE.

721
00:31:02,261 --> 00:31:04,196
THAT GIRL WAS A TEASE.

722
00:31:04,230 --> 00:31:05,998
SHE WAS LOOKING FOR
A GOOD TIME.

723
00:31:06,032 --> 00:31:10,970
ANYWAY, A COUPLE OF GUYS
WERE GOING ALONG WITH THAT.

724
00:31:11,470 --> 00:31:13,105
DID SHE YELL FOR HELP?

725
00:31:13,139 --> 00:31:14,406
SHE SAID SHE DID.

726
00:31:14,440 --> 00:31:18,110
BUT NOT A SINGLE PERSON
CLAIMED THAT THEY HEARD HER.

727
00:31:18,144 --> 00:31:21,013
[WOMAN SCREAMING]

728
00:31:21,047 --> 00:31:22,281
[SLAPS HER]

729
00:31:22,314 --> 00:31:23,215
[SCREAMING]

730
00:31:23,249 --> 00:31:26,552
THAT'S WHAT YOU REGISTERED
AS A DISTURBANCE?

731
00:31:26,585 --> 00:31:29,455
IT WAS MARDI GRAS.

732
00:31:29,488 --> 00:31:30,456
LISTEN TO ME.

733
00:31:30,489 --> 00:31:32,591
THAT GIRL HAD ENOUGH BEADS
HANGING FROM HER NECK

734
00:31:32,624 --> 00:31:33,559
TO JEWEL A SMALL CITY.

735
00:31:33,592 --> 00:31:38,130
ANYONE EXPOSES THEMSELVES
THAT MUCH IN ONE DAY

736
00:31:38,164 --> 00:31:39,999
IS NOT A CREDIBLE WITNESS
IN MY BOOK.

737
00:31:40,032 --> 00:31:41,233
BUT SHE WANTED
TO PRESS CHARGES.

738
00:31:41,267 --> 00:31:43,035
I TOLD HER
IT WAS A WASTE OF TIME.

739
00:31:43,069 --> 00:31:45,037
I KNEW
ONE OF THE ACCUSED.

740
00:31:45,071 --> 00:31:45,972
HE WAS A GOOD KID.

741
00:31:46,005 --> 00:31:48,474
HE DIDN'T NEED THE STINK
OF THAT ACCUSATION.

742
00:31:48,507 --> 00:31:51,643
SO YOU PROTECTED A RAPIST?

743
00:31:51,677 --> 00:31:53,045
[SCOFFS]

744
00:31:53,079 --> 00:31:54,046
WELL, THAT RIGHT THERE

745
00:31:54,080 --> 00:31:56,715
WAS A BONE OF CONTENTION
BETWEEN HIS DADDY AND I.

746
00:31:56,748 --> 00:31:58,084
AS FAR AS I WAS CONCERNED,

747
00:31:58,117 --> 00:31:59,952
NO SUCH RAPE
EVER TOOK PLACE.

748
00:31:59,986 --> 00:32:01,087
ARE YOU GONNA TELL ME

749
00:32:01,120 --> 00:32:05,124
WHY YOU WENT AND DRAGGED
THIS DIRT BACK THROUGH MY LIFE?

750
00:32:06,692 --> 00:32:07,559
YOU KNOW THE SERIAL KILLER

751
00:32:07,593 --> 00:32:11,163
WHO'S CUTTING UP MEN
IN THE FRENCH QUARTER?

752
00:32:11,197 --> 00:32:13,299
SHE WAS YOUR VICTIM.

753
00:32:15,367 --> 00:32:18,470
WE'RE TRYING TO FIND
A NAME.

754
00:32:19,005 --> 00:32:21,007
YOU DON'T EVEN
REMEMBER HER NAME?

755
00:32:21,040 --> 00:32:22,474
IT WAS 9 YEARS AGO.

756
00:32:22,508 --> 00:32:26,378
WHAT ABOUT THE NAME
OF THE "GOOD KID"
WHO RAPED HER?

757
00:32:28,680 --> 00:32:29,915
SMITTY...

758
00:32:29,948 --> 00:32:33,152
YOU TELL ME RIGHT NOW
OR I'LL FILE
A NEW SANCTION AGAINST YOU,

759
00:32:33,185 --> 00:32:37,256
AND I GUARANTEE YOU,
THIS TIME IT'LL STICK.

760
00:32:40,592 --> 00:32:43,329
MR. TIBIDEAUX,
WE NEED YOU TO ANSWER
A FEW QUESTIONS

761
00:32:43,362 --> 00:32:46,532
ABOUT A DISTURBANCE
YOU WERE INVOLVED
WITH IN 1998.

762
00:32:46,565 --> 00:32:50,269
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

763
00:32:50,302 --> 00:32:52,604
AT A BAR CALLED JONES.

764
00:32:53,339 --> 00:32:55,341
IT WAS MARDI GRAS.

765
00:32:55,807 --> 00:32:59,111
WELL, THEN, I MUST HAVE BEEN
DRINKING SOME,

766
00:32:59,145 --> 00:33:00,712
'CAUSE I DON'T
REMEMBER A THING.

767
00:33:00,746 --> 00:33:02,348
WE JUST NEED
TO KNOW THE NAME
OF YOUR ACCUSER.

768
00:33:02,381 --> 00:33:05,684
LOOK, I TOLD YOU,
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

769
00:33:05,717 --> 00:33:08,254
THE STATUTE
OF LIMITATIONS IS UP.

770
00:33:08,287 --> 00:33:09,621
WE JUST NEED A NAME.

771
00:33:09,655 --> 00:33:13,659
SOMEONE ACCUSES ME
OF RAPE,

772
00:33:13,692 --> 00:33:16,095
I'M GOING TO REMEMBER
HER NAME.

773
00:33:16,128 --> 00:33:17,563
WHAT CAN I TELL YOU,
CHER?

774
00:33:17,596 --> 00:33:20,266
I GUESS SHE DIDN'T MAKE
THAT GOOD OF AN IMPRESSION.

775
00:33:20,299 --> 00:33:22,601
UNLIKE YOURSELF,
RIGHT NOW.

776
00:33:22,634 --> 00:33:24,170
YOU KNOW, I'M GUESSING
IF SOMEONE

777
00:33:24,203 --> 00:33:27,506
DID DO SOMETHING
TO THAT GIRL THAT NIGHT,

778
00:33:27,539 --> 00:33:31,210
THEN SHE WAS PROBABLY
ASKING FOR IT.

779
00:33:31,243 --> 00:33:33,279
MAYBE EVEN LIKED IT.

780
00:33:33,312 --> 00:33:37,649
GUY'S NOT GIVING UP
ANYTHING.

781
00:33:37,683 --> 00:33:38,717
RIGHT AFTER
THE DOUBLE MURDER,

782
00:33:38,750 --> 00:33:40,152
WHAT WAS THE RIPPER'S
NEXT MOVE?

783
00:33:40,186 --> 00:33:41,753
HE MUTILATED
AND DISMEMBERED
MARY KELLY

784
00:33:41,787 --> 00:33:44,290
IN HER ONE-ROOM FLAT
UNTIL SHE WAS
UNRECOGNIZABLE.

785
00:33:44,323 --> 00:33:46,792
IT'S BELIEVED TO BE
HIS MOST VICIOUS
KILL OF ALL.

786
00:33:46,825 --> 00:33:47,859
'CAUSE HE HAD PRIVACY.

787
00:33:47,893 --> 00:33:51,363
AND TIME
TO TORTURE HIS VICTIM
BEFORE KILLING HER.

788
00:33:51,397 --> 00:33:54,066
MAYBE WE'RE NOT
TOO LATE.

789
00:33:59,605 --> 00:34:03,209
SHE MURDERED THESE MEN,

790
00:34:03,242 --> 00:34:06,612
AND I'M GUESSING
IT'S ONLY A MATTER OF TIME

791
00:34:06,645 --> 00:34:08,680
BEFORE SHE WORKS HER WAY
BACK TO THE ONE

792
00:34:08,714 --> 00:34:11,750
SHE REALLY WANTS TO KILL.

793
00:34:11,783 --> 00:34:14,220
SHE MAKE
AN IMPRESSION NOW?

794
00:34:16,288 --> 00:34:17,289
[BEEPS]
WORK ME.

795
00:34:17,323 --> 00:34:21,427
WE HAVE A NAME--
SARAH DANLIN.
I NEED AN ADDRESS.

796
00:34:21,460 --> 00:34:24,230
1141 SHERMAN AVENUE.

797
00:34:24,263 --> 00:34:27,366
IT LOOKS LIKE SHE WAS
A MED STUDENT AT TULANE,

798
00:34:27,399 --> 00:34:28,500
BUT SHE DROPPED OUT.

799
00:34:28,534 --> 00:34:31,670
LET ME GUESS--
FEBRUARY 1998.

800
00:34:32,804 --> 00:34:34,106
YEAH.
THANKS.

801
00:34:34,140 --> 00:34:36,342
WE GOT HER.

802
00:34:41,813 --> 00:34:43,515
I'M JOHN,
BY THE WAY.

803
00:34:43,549 --> 00:34:45,784
JOHN.

804
00:34:46,352 --> 00:34:49,388
TAKE OFF YOUR CLOTHES.

805
00:34:50,756 --> 00:34:52,858
YES, MA'AM.

806
00:35:18,684 --> 00:35:22,888
SARAH DANLIN, FBI!
OPEN THE DOOR.

807
00:35:30,796 --> 00:35:33,832
THE THINGS I'M GONNA
DO TO YOU.

808
00:35:36,935 --> 00:35:38,870
ME FIRST.

809
00:35:39,805 --> 00:35:41,773
FBI!

810
00:35:42,941 --> 00:35:45,143
[CRASH]

811
00:35:47,279 --> 00:35:49,348
CLEAR.
CLEAR.

812
00:35:49,981 --> 00:35:50,749
SHE'S NOT HERE.

813
00:35:50,782 --> 00:35:52,751
GUYS, THERE ARE
SOME RIPPEROLOGISTS

814
00:35:52,784 --> 00:35:54,453
WHO SPECULATE
THAT MARY KELLY

815
00:35:54,486 --> 00:35:55,354
WAS ACTUALLY KILLED
IN A FLAT

816
00:35:55,387 --> 00:35:56,822
THAT JACK THE RIPPER
RENTED FOR THE NIGHT.

817
00:35:56,855 --> 00:35:58,824
I'M GOING TO HAVE GARCIA
CHECK SARAH DANLIN'S

818
00:35:58,857 --> 00:36:00,459
CREDIT CARD ACCOUNTS.
IT'S A LONG SHOT,

819
00:36:00,492 --> 00:36:03,829
BUT MAYBE WE CAN TRACE HER ROOM
BACK TO HER CHARGE CARDS.

820
00:36:11,303 --> 00:36:12,438
AAH!

821
00:36:12,471 --> 00:36:14,306
WHAT THE HELL WAS THAT?

822
00:36:14,340 --> 00:36:15,441
SHH.

823
00:36:15,474 --> 00:36:16,575
YOU'RE CRAZY.

824
00:36:16,608 --> 00:36:22,614
YOU NEVER DID EXPLAIN THOSE
"THINGS" YOU COULD DO TO ME.

825
00:36:24,683 --> 00:36:25,551
SOUVENIRS.

826
00:36:25,584 --> 00:36:27,686
THESE ARE FROM BARS
IN THE FRENCH QUARTER.

827
00:36:27,719 --> 00:36:29,455
THIS IS FROM MON CHERIE.

828
00:36:29,488 --> 00:36:32,958
SHE'S TROLLING FOR VICTIMS
IN THE PLACE WHERE IT ALL BEGAN.

829
00:36:32,991 --> 00:36:33,892
SHE CAN'T MOVE ON.

830
00:36:33,925 --> 00:36:35,494
THE RAPE
ISN'T THE WHOLE STORY.

831
00:36:35,527 --> 00:36:36,962
I'LL BET THERE'S A HISTORY
OF SEXUAL ABUSE

832
00:36:36,995 --> 00:36:38,864
THAT CONTRIBUTES
TO HER RAGE AS WELL.

833
00:36:38,897 --> 00:36:40,466
IT'S ALMOST LIKE BY TAKING
ON THE RIPPER PERSONA,

834
00:36:40,499 --> 00:36:43,802
SHE WAS TRYING TO KILL
SOMETHING WITHIN HERSELF.

835
00:36:43,835 --> 00:36:44,836
[CELL PHONE RINGS]

836
00:36:44,870 --> 00:36:45,971
YEAH, MAMA, WHAT DO YOU GOT?

837
00:36:46,004 --> 00:36:47,506
SARAH DANLIN'S VISA
WAS CHARGED

838
00:36:47,539 --> 00:36:48,940
AN HOUR AGO
AT THE ROYAL RUBY INN.

839
00:36:48,974 --> 00:36:51,577
AH, BABY GIRL,
YOU NEVER DISAPPOINT.
THANK YOU.

840
00:36:51,610 --> 00:36:52,711
ROYAL RUBY INN.

841
00:36:52,744 --> 00:36:56,715
THAT'S 2 BLOCKS FROM HERE.

842
00:36:57,849 --> 00:36:58,950
[SIREN]

843
00:36:58,984 --> 00:37:00,852
[GASPING]

844
00:37:00,886 --> 00:37:03,021
PLEASE!

845
00:37:03,054 --> 00:37:04,756
PLEASE. PLEASE.

846
00:37:04,790 --> 00:37:06,958
I HAVE--I HAVE CHILDREN.

847
00:37:06,992 --> 00:37:08,827
PLEASE.

848
00:37:08,860 --> 00:37:10,829
YOU ASKED...

849
00:37:10,862 --> 00:37:12,331
FBI!

850
00:37:12,364 --> 00:37:13,565
DROP THE KNIFE.

851
00:37:13,599 --> 00:37:14,500
DROP THE WEAPON.

852
00:37:14,533 --> 00:37:17,903
HE WANTED IT...
AND HE GOT IT.

853
00:37:17,936 --> 00:37:18,637
PUT IT DOWN NOW.

854
00:37:18,670 --> 00:37:21,873
WE NEED AN EMT TECH
RIGHT AWAY.

855
00:37:22,874 --> 00:37:23,909
WHAT ARE YOU WAITING FOR?

856
00:37:23,942 --> 00:37:25,977
MA'AM, WE DON'T WANT
TO SHOOT YOU.

857
00:37:26,011 --> 00:37:30,849
BE SUCH A SHAME
TO WASTE THIS.

858
00:37:30,882 --> 00:37:31,817
DO YOU WANT IT, TOO?

859
00:37:31,850 --> 00:37:34,019
WHAT I WANT IS FOR YOU
TO PUT THAT KNIFE DOWN.

860
00:37:34,052 --> 00:37:35,854
Sarah: COME ON.

861
00:37:35,887 --> 00:37:37,656
DON'T FIGHT IT.

862
00:37:37,689 --> 00:37:40,992
SARAH, WE DON'T WANT
TO HURT YOU.

863
00:37:44,363 --> 00:37:45,163
MEN.

864
00:37:45,196 --> 00:37:50,035
SARAH, MY NAME'S
WILLIAM LAMONTAGNE JR.

865
00:37:50,936 --> 00:37:54,272
YOU KNEW MY DADDY?

866
00:37:56,041 --> 00:37:58,009
YEAH, YEAH.

867
00:37:58,043 --> 00:38:02,514
YOU TRUSTED HIM.
SO TRUST ME.

868
00:38:03,982 --> 00:38:05,584
WHERE IS HE?

869
00:38:05,617 --> 00:38:08,987
THE STORM TOOK HIM.

870
00:38:12,090 --> 00:38:15,861
COME ON. IT'S OVER.

871
00:38:20,799 --> 00:38:22,934
IT'S OVER.
[CRYING]

872
00:38:38,016 --> 00:38:39,585
HEY.

873
00:38:39,618 --> 00:38:42,388
HEY THERE.

874
00:38:43,121 --> 00:38:47,058
THE MEDIC SAYS THAT HER
VICTIM'S GOING TO BE OK.

875
00:38:49,060 --> 00:38:52,464
I HEARD WHAT
YOU DID IN THERE.

876
00:38:53,098 --> 00:38:56,067
YOUR DAD WOULD BE
REALLY PROUD.

877
00:38:56,968 --> 00:38:58,136
IT'S WEIRD.

878
00:38:58,169 --> 00:39:03,642
I SPENT ALL THIS TIME FOCUSED ON
CLOSING THIS CASE FOR HIM...

879
00:39:03,675 --> 00:39:06,111
AND NOW IT'S OVER.

880
00:39:06,144 --> 00:39:07,112
YEAH.

881
00:39:07,145 --> 00:39:11,650
I THOUGHT I'D FEEL HAPPY,
BUT I JUST FEEL LOST.

882
00:39:11,683 --> 00:39:14,620
BECAUSE YOU'VE
GOTTA TO MOVE ON.

883
00:39:14,653 --> 00:39:16,988
AND NOW YOU'RE LEAVING?

884
00:39:17,022 --> 00:39:22,861
HOW WILL I SURVIVE A WOMAN LIKE
YOU GOING SO FAR AWAY?

885
00:39:23,161 --> 00:39:28,133
WELL, DESPITE WHAT
YOU MAY HAVE HEARD...

886
00:39:29,167 --> 00:39:33,939
CELL PHONES CAN BE
VERY GOOD FOR YOUR HEALTH.

887
00:39:37,008 --> 00:39:39,010
SEE YA.

888
00:39:42,180 --> 00:39:46,718
[JAZZ PIANO PLAYING]

889
00:40:01,933 --> 00:40:03,134
HOW'D YOU FIND ME?

890
00:40:03,168 --> 00:40:07,839
YOU'RE NOT ALL THAT HARD
TO PROFILE.

891
00:40:11,109 --> 00:40:13,945
YOUR FRIEND IS GOOD.

892
00:40:19,885 --> 00:40:23,755
I MISSED THAT PLANE
ON PURPOSE.

893
00:40:23,789 --> 00:40:25,857
I KNOW.

894
00:40:28,994 --> 00:40:30,496
I'M STRUGGLING.

895
00:40:30,529 --> 00:40:32,931
WELL...ANYBODY
WHO'S BEEN THROUGH

896
00:40:32,964 --> 00:40:35,967
WHAT YOU'VE BEEN THROUGH
RECENTLY...

897
00:40:36,001 --> 00:40:37,168
WOULD.

898
00:40:37,202 --> 00:40:39,104
THIS IS ALL
I WAS GROOMED FOR.

899
00:40:39,137 --> 00:40:40,238
I NEVER EVEN...

900
00:40:40,271 --> 00:40:42,474
I NEVER EVEN CONSIDERED
ANOTHER OPTION.

901
00:40:42,508 --> 00:40:44,075
NOW YOU'RE QUESTIONING
WHETHER OR NOT

902
00:40:44,109 --> 00:40:47,045
YOU'RE STRONG ENOUGH
TO BE HERE?

903
00:40:47,078 --> 00:40:48,480
YEAH.

904
00:40:48,514 --> 00:40:51,650
I HAVE BEEN
PLAYING AT THIS JOB

905
00:40:51,683 --> 00:40:56,154
IN ONE WAY OR ANOTHER
FOR ALMOST 30 YEARS.

906
00:40:56,755 --> 00:40:59,558
I'VE FELT LOST.

907
00:40:59,591 --> 00:41:01,560
I'VE FELT GREAT.

908
00:41:01,593 --> 00:41:05,797
I HAVE FELT SCARED,

909
00:41:05,831 --> 00:41:08,199
SICK,

910
00:41:08,233 --> 00:41:11,770
AND INSANE.

911
00:41:13,639 --> 00:41:15,674
I DON'T KNOW.

912
00:41:16,241 --> 00:41:22,781
I GUESS THE DAY THIS JOB STOPS
GNAWING AT YOUR SOUL AND...

913
00:41:22,814 --> 00:41:29,555
HANDS...YOUR HANDS
STOP FEELING COLD...

914
00:41:31,623 --> 00:41:35,160
MAYBE THAT'S THE TIME
TO LEAVE.

915
00:41:36,227 --> 00:41:38,964
I GUESS I JUST NEEDED
TO TRY TO FIGURE OUT

916
00:41:38,997 --> 00:41:42,167
IF I COULD STEP AWAY
FROM THIS JOB.

917
00:41:43,168 --> 00:41:45,737
AND?

918
00:41:46,738 --> 00:41:50,776
I'LL NEVER MISS
ANOTHER PLANE AGAIN.

919
00:41:56,214 --> 00:41:59,250
CAPTIONING MADE POSSIBLE BY CBS

920
00:41:59,284 --> 00:42:03,789
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--

