1
00:00:10,711 --> 00:00:14,315
[ALARM BEEPING]

2
00:00:14,348 --> 00:00:14,815
[GROANS]

3
00:00:14,848 --> 00:00:16,750
WHOOP, THERE WE GO.

4
00:00:16,784 --> 00:00:18,786
GET YOUR MAMA. GET HER.

5
00:00:18,819 --> 00:00:20,354
OHH!

6
00:00:20,388 --> 00:00:22,490
DENIED.

7
00:00:23,157 --> 00:00:26,560
MOMMY, WAKE UP.
IT'S TIME TO PLAY.

8
00:00:26,594 --> 00:00:28,462
[LAUGHS] OH, HENRY.

9
00:00:28,496 --> 00:00:29,830
I'M LATE FOR WORK
AND YOU PROMISED.

10
00:00:29,863 --> 00:00:32,766
OK, BUDDY, GO GET
YOUR SHOES. GO ON.

11
00:00:32,800 --> 00:00:33,767
YAY!

12
00:00:33,801 --> 00:00:34,735
[GROANS]

13
00:00:34,768 --> 00:00:38,606
WHEN WILL A DAY OFF EVER
ACTUALLY BE A DAY OFF?

14
00:00:38,639 --> 00:00:40,174
IN ABOUT 14 YEARS.

15
00:00:40,208 --> 00:00:43,111
[CHUCKLES]
COME ON.

16
00:00:48,349 --> 00:00:51,685
OH, UH, SO, REMEMBER,
WE HAVE THE PLAY DATE
WITH CAMERON.

17
00:00:51,719 --> 00:00:54,122
SO...YOU'RE ON YOUR OWN
FOR DINNER.

18
00:00:54,155 --> 00:00:55,856
OH, I'LL MANAGE SOMEHOW.

19
00:00:55,889 --> 00:00:56,524
MM.

20
00:00:56,557 --> 00:00:58,459
I LOVE YOU, TOO.
I LOVE YOU.

21
00:00:58,492 --> 00:00:59,693
I LOVE YOU THREE.

22
00:00:59,727 --> 00:01:00,794
JUMP!
COME ON.

23
00:01:00,828 --> 00:01:02,796
OHH! I LOVE YOU FOUR.

24
00:01:02,830 --> 00:01:05,533
YOU HAVE TO GO
TO YOUR MAMA, OK?

25
00:01:05,566 --> 00:01:06,367
OK.

26
00:01:06,400 --> 00:01:07,568
YEAH!
ARE YOU READY
TO PLAY SOCCER?

27
00:01:07,601 --> 00:01:09,703
LET'S PLAY SOCCER.
READY?

28
00:01:09,737 --> 00:01:11,805
ALL RIGHT, KICK IT TO MOMMY.

29
00:01:11,839 --> 00:01:12,740
KICK IT.

30
00:01:12,773 --> 00:01:15,109
WHOA! SCORE!

31
00:01:15,143 --> 00:01:16,544
SAY, BYE, DADDY!

32
00:01:16,577 --> 00:01:17,478
BYE, DADDY.

33
00:01:17,511 --> 00:01:20,748
ALL RIGHT.
KICK IT AGAIN.

34
00:01:22,183 --> 00:01:25,353
[DOORBELL RINGS]

35
00:01:27,855 --> 00:01:29,123
GOOD MORNING.

36
00:01:29,157 --> 00:01:30,458
BREAKFAST IS SERVED.

37
00:01:30,491 --> 00:01:31,359
THANK YOU.

38
00:01:31,392 --> 00:01:32,092
MM. AM I EARLY?

39
00:01:32,126 --> 00:01:33,527
NO, NO, NO.
WE'RE RUNNING LATE.

40
00:01:33,561 --> 00:01:35,229
WE'RE JUST HAVING
TOO GOOD OF A TIME.

41
00:01:35,263 --> 00:01:36,164
HEY!
BETH!

42
00:01:36,197 --> 00:01:37,898
COME AND LOOK
AT OUR FORT.

43
00:01:37,931 --> 00:01:39,333
WOW! YOU GUYS!

44
00:01:39,367 --> 00:01:41,769
THIS IS INSPIRED.

45
00:01:41,802 --> 00:01:43,237
WHERE'S YOUR CAPE?

46
00:01:43,271 --> 00:01:45,173
I'M WEARING IT.

47
00:01:45,206 --> 00:01:46,574
[LAUGHS]

48
00:01:46,607 --> 00:01:48,776
YEAH!
COME AND SEE INSIDE.

49
00:01:48,809 --> 00:01:50,144
WOW. OHH!

50
00:01:50,178 --> 00:01:51,279
WE SLEPT IN HERE
ALL NIGHT.

51
00:01:51,312 --> 00:01:54,315
IT SOUNDS SO MUCH FUN.
I'M JEALOUS.

52
00:01:54,348 --> 00:01:56,817
WE'RE GOING TO DO IT
AGAIN TONIGHT, RIGHT, DAD?

53
00:01:56,850 --> 00:01:59,153
SURE, BUDDY.
NO PROBLEM.

54
00:01:59,187 --> 00:02:02,156
COULD BETH SLEEP OVER?

55
00:02:02,190 --> 00:02:03,157
[CHUCKLES]

56
00:02:03,191 --> 00:02:04,658
COULD SHE?

57
00:02:04,692 --> 00:02:05,893
[LAUGHS]

58
00:02:05,926 --> 00:02:07,828
I...

59
00:02:07,861 --> 00:02:09,197
[INDISTINCT CHATTER]

60
00:02:09,230 --> 00:02:11,665
I WANT TO SEE IT.
IT'S SO COOL.

61
00:02:11,699 --> 00:02:14,902
OK, OK, UH, THE TV MOVIE
IS IN HALL H AT 9:00.

62
00:02:14,935 --> 00:02:16,404
ABSOLUTELY.
CAN WE GO TO THAT?

63
00:02:16,437 --> 00:02:19,673
YOU THINK WE CAN WE MAKE IT
TO THE CAPTAINS OF THE
ENTERPRISE PANEL AT 11:00?

64
00:02:19,707 --> 00:02:20,741
OBS. THANKS FOR
COMING WITH ME.

65
00:02:20,774 --> 00:02:24,345
OF COURSE. I'VE BEEN
KNITTING THIS SCARF
FOR WEEKS.

66
00:02:24,378 --> 00:02:25,846
PENELOPE.

67
00:02:25,879 --> 00:02:27,548
KEVIN. HI.

68
00:02:27,581 --> 00:02:28,482
YOU CAME.

69
00:02:28,516 --> 00:02:29,783
AND YOU BROUGHT A FRIEND.

70
00:02:29,817 --> 00:02:32,586
CSU TECHNICIAN SHARP,
HOW ARE YOU?

71
00:02:32,620 --> 00:02:33,754
FINE. YOU?

72
00:02:33,787 --> 00:02:34,855
I AM ALSO FINE.

73
00:02:34,888 --> 00:02:36,724
OK, WELL, SEE YA.

74
00:02:36,757 --> 00:02:37,758
YOU'RE NOT GONNA GO IN?

75
00:02:37,791 --> 00:02:40,661
NO. ACTUALLY, WE JUST WENT IN
AND IT'S SUPER LAME,

76
00:02:40,694 --> 00:02:42,230
SO WE'RE LEAVING.

77
00:02:42,263 --> 00:02:43,631
OH, OK.

78
00:02:43,664 --> 00:02:45,633
OH, GREAT COSTUME.

79
00:02:45,666 --> 00:02:46,800
YEAH, YOU, TOO.

80
00:02:46,834 --> 00:02:47,668
THAT WAS AWKWARD.

81
00:02:47,701 --> 00:02:48,536
OH, MY GOD.
WE USED TO COME EVERY YEAR.

82
00:02:48,569 --> 00:02:50,604
I CAN'T BELIEVE
HE BROUGHT SOMEONE ELSE.

83
00:02:50,638 --> 00:02:51,839
WELL, YOU BROUGHT
SOMEONE ELSE.

84
00:02:51,872 --> 00:02:55,576
YEAH. SOMEONE
I COULDN'T POSSIBLY
BE SEXUALLY ATTRACTED TO.

85
00:02:55,609 --> 00:02:58,346
YOU'RE WELCOME?

86
00:02:58,379 --> 00:03:00,448
WHOA, ROSSI!

87
00:03:01,715 --> 00:03:03,651
WHY DOESN'T THIS
SURPRISE ME?

88
00:03:03,684 --> 00:03:05,253
ARE YOU HERE
FOR THE CONVENTION?

89
00:03:05,286 --> 00:03:08,422
WHO SCHEDULES A CIGAR
AFICIONADO EVENT

90
00:03:08,456 --> 00:03:11,392
BACK TO BACK WITH...
THIS?

91
00:03:11,425 --> 00:03:13,761
I KNOW, RIGHT?
IT'S THE GREATEST
PARTY EVER.

92
00:03:13,794 --> 00:03:15,263
WELL, IT WAS GONNA BE.

93
00:03:15,296 --> 00:03:17,531
UNLESS IT INVOLVES
GENTLEMAN JACK

94
00:03:17,565 --> 00:03:18,899
AND PRE-EMBARGO
CUBAN CIGARS,

95
00:03:18,932 --> 00:03:22,470
I FIND THAT STATEMENT
TO BE HIGHLY DUBIOUS.

96
00:03:22,503 --> 00:03:23,371
KEVIN BROUGHT ANOTHER WOMAN.

97
00:03:23,404 --> 00:03:26,340
I'M PLOTTING REVENGE.
DO YOU WANT TO HELP?

98
00:03:27,541 --> 00:03:28,542
NO.

99
00:03:28,576 --> 00:03:29,977
NOW, YOU KNOW
I LOVE YOU BOTH,

100
00:03:30,010 --> 00:03:32,980
BUT THIS IS SATURDAY
AND IT IS MY DAY OFF,

101
00:03:33,013 --> 00:03:35,983
SO I'D PREFER
TO LOVE YOU FROM AFAR.

102
00:03:36,016 --> 00:03:38,619
SO, HAVE FUN.

103
00:03:38,652 --> 00:03:40,354
IT'S MY BEDTIME.

104
00:03:40,388 --> 00:03:41,489
IT'S 9 A.M.

105
00:03:41,522 --> 00:03:43,824
YOU'RE JUDGING ME?

106
00:04:04,978 --> 00:04:06,314
THANK YOU.

107
00:04:06,347 --> 00:04:08,282
THANKS.

108
00:04:09,717 --> 00:04:11,552
I DON'T KNOW.

109
00:04:11,585 --> 00:04:13,321
EMILY,
WHAT'S NOT TO KNOW?

110
00:04:13,354 --> 00:04:14,655
IT'S A BEAUTIFUL PLACE.

111
00:04:14,688 --> 00:04:18,459
THERE ARE CRACKS
IN THE FOUNDATION.

112
00:04:18,492 --> 00:04:20,294
CRACKS CAN BE FIXED.

113
00:04:20,328 --> 00:04:22,996
NO, THEY CAN
ONLY BE HIDDEN.

114
00:04:23,030 --> 00:04:24,031
THEY'RE STILL THERE.

115
00:04:24,064 --> 00:04:26,634
WHAT, ARE YOU AFRAID
THE PLACE IS GONNA FALL DOWN?

116
00:04:26,667 --> 00:04:29,703
I'M AFRAID IT'S NEVER
GONNA BE AS STRONG
AS IT WAS.

117
00:04:29,737 --> 00:04:33,574
OK, SOMEBODY'S HEART
IS NOT INTO IT.

118
00:04:33,607 --> 00:04:34,708
WHAT'S GOING ON?

119
00:04:34,742 --> 00:04:36,910
[SIGHS] I DON'T KNOW.

120
00:04:36,944 --> 00:04:38,412
WHEN I FIRST CAME HERE,

121
00:04:38,446 --> 00:04:41,315
I FELT LIKE I WAS HOME.

122
00:04:41,349 --> 00:04:46,820
AND NOW, IT'S JUST
AN UPHILL BATTLE.

123
00:04:48,822 --> 00:04:51,892
PEOPLE KILL FOR
OPPORTUNITIES LIKE THIS.

124
00:04:51,925 --> 00:04:53,861
AM I CRAZY
TO WALK AWAY?

125
00:04:53,894 --> 00:04:56,730
WELL, YOU GOTTA DO
WHAT'S BEST FOR YOU.

126
00:04:56,764 --> 00:04:58,031
FOLLOW YOUR GUT.

127
00:04:58,065 --> 00:05:00,901
WHAT'S IT TRYING
TO TELL YOU?

128
00:05:46,747 --> 00:05:48,782
THANK YOU.

129
00:05:56,156 --> 00:05:57,425
[BEEPING]

130
00:05:57,458 --> 00:05:59,159
IT'S OK, MA'AM.
GO AHEAD.

131
00:05:59,192 --> 00:06:01,662
DID YOU REMEMBER
TO BRING YOUR KEY?

132
00:06:01,695 --> 00:06:02,830
YES.

133
00:06:02,863 --> 00:06:05,433
DID YOU REMEMBER
YOUR GLASSES?

134
00:06:05,466 --> 00:06:08,436
YES. NAG, NAG, NAG.

135
00:06:09,537 --> 00:06:10,404
[BEEPING]

136
00:06:10,438 --> 00:06:12,940
OVER HERE, SIR.

137
00:06:13,441 --> 00:06:15,543
I'M GONNA NEED
TO SEE YOUR BAG.

138
00:06:15,576 --> 00:06:17,077
OK, SURE.

139
00:06:17,110 --> 00:06:19,813
[BEEPING]

140
00:06:19,847 --> 00:06:20,948
OVER HERE, SIR.

141
00:06:20,981 --> 00:06:23,484
IT LOOKS LIKE
EVERYONE'S SETTING
THAT THING OFF TODAY.

142
00:06:23,517 --> 00:06:25,453
SIR, OVER HERE.

143
00:06:27,488 --> 00:06:29,089
HEY!

144
00:06:29,122 --> 00:06:30,558
[SCREAMING]

145
00:06:30,591 --> 00:06:31,892
OH, GOD.

146
00:06:31,925 --> 00:06:33,894
I WANT TO SEE HANDS
IN THE SKY!

147
00:06:33,927 --> 00:06:34,995
NOW!

148
00:06:35,028 --> 00:06:37,765
TRY TO TRIGGER ANY ALARM
OR GIVE ME ANY DAMN DYE PACKS

149
00:06:37,798 --> 00:06:40,734
AND YOU'RE DEAD.
YOU UNDERSTAND?
DO YOU UNDERSTAND?!

150
00:06:40,768 --> 00:06:42,603
YES!

151
00:06:42,636 --> 00:06:45,473
CASH IN HERE.

152
00:06:45,506 --> 00:06:46,874
CASH IN HERE.

153
00:06:46,907 --> 00:06:48,141
GO, BUDDY.

154
00:06:48,175 --> 00:06:50,444
COME ON!

155
00:06:50,478 --> 00:06:51,178
TIME!

156
00:06:51,211 --> 00:06:53,180
1:45. YES,
LADIES AND GENTLEMEN,

157
00:06:53,213 --> 00:06:56,116
WE ARE THE FACE CARDS.
MAYBE YOU'VE HEARD OF US.

158
00:06:56,149 --> 00:06:57,851
[SPEAKING GERMAN]

159
00:06:57,885 --> 00:07:00,220
[SPEAKING GERMAN]

160
00:07:00,253 --> 00:07:02,990
GET YOUR FACES
ON THE FLOOR ALREADY.

161
00:07:03,023 --> 00:07:06,193
I SEE EYES,
YOU SEE BULLETS. GET IT?

162
00:07:06,226 --> 00:07:08,228
GET DOWN ON THE GROUND!

163
00:07:08,261 --> 00:07:10,197
GET DOWN ON THE GROUND!

164
00:07:10,230 --> 00:07:11,999
1:30.

165
00:07:12,600 --> 00:07:14,134
WHAT THE HELL IS THAT?!

166
00:07:14,167 --> 00:07:16,870
I SAID NO DYE PACKS.

167
00:07:16,904 --> 00:07:18,506
WHAT THE HELL IS THIS?

168
00:07:18,539 --> 00:07:19,740
I'M SORRY.

169
00:07:19,773 --> 00:07:21,875
OH, SHE'S SORRY.
SORRY?

170
00:07:21,909 --> 00:07:22,409
OHH!

171
00:07:22,442 --> 00:07:23,844
YOU'RE GONNA BE SORRY.

172
00:07:23,877 --> 00:07:25,979
PLEASE. WE'LL COOPERATE.

173
00:07:26,013 --> 00:07:27,848
JUST TELL ME WHAT YOU NEED.

174
00:07:27,881 --> 00:07:30,217
WHAT I NEED?

175
00:07:30,250 --> 00:07:33,186
WELL...

176
00:07:33,687 --> 00:07:34,855
LYNNE...

177
00:07:34,888 --> 00:07:38,926
THIS IS A BANK,
RIGHT?

178
00:07:39,860 --> 00:07:43,030
WHAT DO YOU THINK
I NEED?

179
00:07:43,063 --> 00:07:43,864
[LAUGHS]

180
00:07:43,897 --> 00:07:48,702
OH. TAKE ME TO
THE VAULT, SWEETIE PIE.

181
00:07:48,736 --> 00:07:51,505
GO. GO!

182
00:07:55,709 --> 00:07:57,678
ONE MINUTE.

183
00:08:01,281 --> 00:08:03,684
Dispatcher: ALL UNITS
IN THE VICINITY
OFF PENN AND SOUTHEAST,

184
00:08:03,717 --> 00:08:06,286
ROBBERY IN PROGRESS
AT COLONIAL LIBERTY BANK.

185
00:08:06,319 --> 00:08:07,721
THAT'S ONE BLOCK OVER.

186
00:08:07,755 --> 00:08:11,592
SHOT FIRED. REPEAT, SHOTS
FIRED AT THE COLONIAL
LIBERTY BANK. ALL UNITS.

187
00:08:11,625 --> 00:08:14,795
426 RESPONDING.

188
00:08:14,828 --> 00:08:17,931
[SIREN]

189
00:08:22,570 --> 00:08:24,004
30 SECONDS, BOSS.

190
00:08:24,037 --> 00:08:25,072
ALL RIGHT, COMING.

191
00:08:25,105 --> 00:08:28,108
ON THE GROUND
WITH THE OTHERS.

192
00:08:29,009 --> 00:08:31,178
WHAT DO YOU MEAN?
WE GOT TROUBLE!

193
00:08:31,211 --> 00:08:32,245
BLACK-AND-WHITE.

194
00:08:32,279 --> 00:08:34,181
GET DOWN. DOWN! DOWN!

195
00:08:34,214 --> 00:08:36,283
SIDE DOOR. LET'S GO!

196
00:08:37,317 --> 00:08:39,052
FACES ON THE GROUND.

197
00:08:39,086 --> 00:08:44,157
COUNT TO 100.
DON'T EVEN THINK OF MOVING.

198
00:08:44,191 --> 00:08:46,860
I SAID COUNT!

199
00:08:58,606 --> 00:09:02,009
BETTER PULL BACK
AND SEE IF THEY RESPOND.

200
00:09:07,080 --> 00:09:09,016
10-13. OFFICER DOWN.

201
00:09:09,049 --> 00:09:12,552
SHOTS FIRED.
REPEAT, SHOTS FIRED.

202
00:09:48,088 --> 00:09:50,390
[SHOUTING, SIREN,
HORN HONKING]

203
00:09:50,423 --> 00:09:54,194
JJ: "FEAR IS MET
AND DESTROYED WITH COURAGE."

204
00:09:54,227 --> 00:09:56,764
JAMES F. BELL.

205
00:09:56,797 --> 00:09:59,032
[SIREN]

206
00:10:16,984 --> 00:10:19,219
[SIREN]

207
00:10:19,252 --> 00:10:22,723
[INDISTINCT RADIO
COMMUNICATIONS]

208
00:10:23,423 --> 00:10:24,424
YOU OK?

209
00:10:24,457 --> 00:10:26,727
YEAH.

210
00:10:26,760 --> 00:10:27,728
IT'S DEFINITELY THEM.

211
00:10:27,761 --> 00:10:29,296
I ONLY SAW THE KING
AND THE JACK,

212
00:10:29,329 --> 00:10:30,731
BUT I FIGURE
THE QUEEN'S INSIDE, TOO.

213
00:10:30,764 --> 00:10:32,866
THE MEDIA'S CALLING THEM
THE FACE CARDS.

214
00:10:32,900 --> 00:10:33,767
7 BANK ROBBERIES
IN 7 MONTHS.

215
00:10:33,801 --> 00:10:36,870
THEY'VE KILLED ONE PERSON
AT EACH ROBBERY.

216
00:10:36,904 --> 00:10:38,038
Rossi: M.O.?

217
00:10:38,071 --> 00:10:39,907
SINGLE GUNSHOT WOUND.
EACH OF THE VICTIMS
HAS BLED OUT.

218
00:10:39,940 --> 00:10:42,876
SERIAL KILLERS WITH
A 30-DAY COOLING-OFF PERIOD

219
00:10:42,910 --> 00:10:44,277
AND WE'RE ONLY JUST
HEARING ABOUT THIS NOW?

220
00:10:44,311 --> 00:10:46,213
WELL, HEADQUARTERS HAS
ALWAYS CHARACTERIZED THEM

221
00:10:46,246 --> 00:10:47,480
ROBBERS FIRST
AND KILLERS SECOND.

222
00:10:47,514 --> 00:10:50,818
NO ONE KILLS 7 PEOPLE
WITHOUT SERIOUS
PSYCHOPATHIC TENDENCIES.

223
00:10:50,851 --> 00:10:53,320
I DISAGREED WITH
THE ORIGINAL ASSESSMENT.
I WAS OVERRULED.

224
00:10:53,353 --> 00:10:54,722
SO WHY ARE WE HERE NOW?

225
00:10:54,755 --> 00:10:56,389
BECAUSE CRISIS NEGOTIATION
IS OVERSEAS.

226
00:10:56,423 --> 00:10:57,791
WHAT MORE DO WE KNOW
ABOUT THEM?

227
00:10:57,825 --> 00:11:01,094
THEY'RE ORGANIZED, THEY'RE
EFFICIENT. EACH STRIKE
LASTS ABOUT 2 MINUTES.

228
00:11:01,128 --> 00:11:03,296
THEY GOTTA BE SCOUTING
THE BANKS IN ADVANCE.

229
00:11:03,330 --> 00:11:06,033
WHY HAVEN'T WE
BEEN ABLE TO I.D. THEM
OFF OF SURVEILLANCE FOOTAGE?

230
00:11:06,066 --> 00:11:07,801
THEY HACK THE SECURITY FEED
AND TURN OFF THE CAMERAS,

231
00:11:07,835 --> 00:11:10,804
BOTH DURING THE INITIAL CANVASS
AND DURING THE ROBBERY,

232
00:11:10,838 --> 00:11:13,907
UNTIL THE MASKS COME BACK ON,
AND THEN WE'RE ALLOWED TO WATCH.

233
00:11:13,941 --> 00:11:16,810
I CAN'T FIND ANYTHING.
NO DOORS, NO GRATES,
NOTHING.

234
00:11:16,844 --> 00:11:20,347
YO! LYNNE! WHAT'S
ANOTHER WAY OUT OF HERE?

235
00:11:20,380 --> 00:11:23,016
JUST THE MAIN ENTRANCE
AND THE SIDE DOOR.
IT'S FOR SECURITY.

236
00:11:23,050 --> 00:11:25,886
I KNOW THAT.
YOU THINK I'M STUPID?

237
00:11:25,919 --> 00:11:28,321
WHAT WENT WRONG?
WE WERE ON COUNT.

238
00:11:28,355 --> 00:11:29,422
I NEED A DOCTOR.

239
00:11:29,456 --> 00:11:31,158
IS ANYONE A DOCTOR?!

240
00:11:31,191 --> 00:11:32,259
[BABY CRYING]

241
00:11:32,292 --> 00:11:33,160
WOULD YOU SHUT
THAT KID UP!

242
00:11:33,193 --> 00:11:34,962
HE'S A BABY. WHAT DO YOU
EXPECT HER TO DO?

243
00:11:34,995 --> 00:11:36,229
IT'S OK, BABY.
IT'S OK.

244
00:11:36,263 --> 00:11:40,133
NO ONE ASKED
FOR YOUR OPINION.

245
00:11:40,868 --> 00:11:44,838
IT'S NOT JUST THE COPS.
WE'VE GOT THE FEDS NOW,
TOO. WE'RE SCREWED.

246
00:11:44,872 --> 00:11:46,206
YOU HAVE TO APPLY PRESSURE.

247
00:11:46,239 --> 00:11:47,207
I CAN'T EVEN FEEL IT.

248
00:11:47,240 --> 00:11:48,842
YEAH, I KNOW. JUST PUSH DOWN
AS HARD AS YOU CAN.

249
00:11:48,876 --> 00:11:51,078
WOULD YOU FOCUS
ON WHAT'S IMPORTANT.

250
00:11:51,111 --> 00:11:53,814
SHUT THE HELL UP!
HE'S BLEEDING OUT.

251
00:11:53,847 --> 00:11:55,248
IT'S HIS FAULT
WE'RE IN THIS MESS.

252
00:11:55,282 --> 00:11:56,884
NICE HEADS-UP
ON THE COPS, OLLY.

253
00:11:56,917 --> 00:12:00,253
MAYBE THINK IT WAS YOUR COUNT
THAT WAS OFF, HUH?

254
00:12:00,287 --> 00:12:01,889
HOW BAD IS IT?

255
00:12:01,922 --> 00:12:03,824
YOU'RE GONNA BE FINE.

256
00:12:03,857 --> 00:12:05,125
I DON'T WANT TO DIE.

257
00:12:05,158 --> 00:12:09,196
WE'RE ALL GONNA DIE
IF WE DON'T GET OUT
OF HERE. YOU SHOT A COP.

258
00:12:09,229 --> 00:12:10,397
SHUT THE HELL UP!

259
00:12:10,430 --> 00:12:11,865
YOU'RE NOT GONNA DIE.

260
00:12:11,899 --> 00:12:13,533
WE'RE TRAPPED IN HERE, OK.

261
00:12:13,566 --> 00:12:16,303
BUT WE GOT ONE THING
THEY WANT--

262
00:12:16,336 --> 00:12:18,305
ALL THEM.

263
00:12:19,406 --> 00:12:21,975
Rossi: THEY'RE
USING THE HOSTAGES
AS HUMAN SHIELDS.

264
00:12:22,009 --> 00:12:24,945
THIS IS THE FIRST TIME
THEY'VE BEEN INTERRUPTED.
WHAT WENT WRONG?

265
00:12:24,978 --> 00:12:25,813
IT'S A BIG BANK.
IT'S POSSIBLE

266
00:12:25,846 --> 00:12:27,848
THEY WEREN'T
ABOUT TO ROUND EVERYBODY UP

267
00:12:27,881 --> 00:12:29,216
BEFORE SOMEONE
TRIGGERED AN ALARM.

268
00:12:29,249 --> 00:12:30,517
WHY HAVEN'T THEY
CUT THE FEED

269
00:12:30,550 --> 00:12:31,618
NOW THAT THEY'VE
BEEN CORNERED?

270
00:12:31,651 --> 00:12:33,987
LETTING US SEE INSIDE
GIVES UP A TACTICAL
ADVANTAGE.

271
00:12:34,021 --> 00:12:34,922
THEY GOTTA KNOW THAT.

272
00:12:34,955 --> 00:12:35,823
Hotch: THEY DON'T SEEM TO CARE.

273
00:12:35,856 --> 00:12:37,858
JJ: THEY'RE OVERCONFIDENT.
ARROGANT, EVEN.

274
00:12:37,891 --> 00:12:39,993
THE FACE CARD MASKS
ADD TO THEIR NARCISSISM.

275
00:12:40,027 --> 00:12:42,129
THEIR PERSONAS ARE
THE ROYALTY OF POKER.

276
00:12:42,162 --> 00:12:44,031
JJ, REID, AND PRENTISS,
LOOK AT PAST ROBBERIES.

277
00:12:44,064 --> 00:12:44,832
THAT'S GONNA BE
OUR VICTIMOLOGY.

278
00:12:44,865 --> 00:12:46,566
PULL ANOTHER ANALYST
IF YOU NEED TO.

279
00:12:46,599 --> 00:12:48,101
DAVE, I WANT YOU TO HANDLE
NEGOTIATIONS.

280
00:12:48,135 --> 00:12:52,072
AND, MORGAN, STRATEGIZE
TACTICAL OPTIONS WITH MPD.

281
00:12:55,475 --> 00:12:56,509
CHIEF STRAUSS.

282
00:12:56,543 --> 00:13:00,280
THE DIRECTOR ORDERED ME
TO SUPERVISE YOUR OPERATION.

283
00:13:00,313 --> 00:13:01,982
PUTS YOU RIGHT IN
THE SPOTLIGHT.

284
00:13:02,015 --> 00:13:05,452
WELL, YOU'VE GOT GUNMEN
WITH HOSTAGES
IN THE CAPITAL.

285
00:13:05,485 --> 00:13:06,386
THE HILL'S CONCERNED.

286
00:13:06,419 --> 00:13:09,256
WE'RE ABOUT TO OPEN
LINES OF COMMUNICATION.

287
00:13:09,289 --> 00:13:10,891
WHAT ABOUT
A TACTICAL ASSAULT?

288
00:13:10,924 --> 00:13:11,992
I DON'T THINK
IT'S A GOOD IDEA.

289
00:13:12,025 --> 00:13:14,094
THERE ARE HOSTAGES
IN FRONT OF THE DOORS
AND WINDOWS.

290
00:13:14,127 --> 00:13:16,296
WHAT'S YOUR
NEGOTIATION STRATEGY?

291
00:13:16,329 --> 00:13:17,330
THE JACK'S BLEEDING OUT.

292
00:13:17,364 --> 00:13:18,598
THEY'LL ASK FOR MEDICAL
ATTENTION.

293
00:13:18,631 --> 00:13:21,969
Hotch: THE FEMALE UNSUB
MIGHT HAVE SOMETHING
TO SAY ABOUT THAT.

294
00:13:22,002 --> 00:13:22,970
LOOK AT HER BODY LANGUAGE.

295
00:13:23,003 --> 00:13:25,973
MM. SHE IS COLD
AND DETACHED.

296
00:13:26,006 --> 00:13:30,610
THE KING SEEMS GENUINELY
CONCERNED ABOUT
HIS PARTNER'S WELFARE.

297
00:13:30,643 --> 00:13:32,545
BUT SHE COULDN'T
GIVE A DAMN.

298
00:13:32,579 --> 00:13:34,915
THE MEN PROBABLY
KNOW EACH OTHER.

299
00:13:34,948 --> 00:13:35,983
YES.
GARCIA?

300
00:13:36,016 --> 00:13:38,451
SHUFFLING MY TECHNOFABULOUS
DECK OF DATABASES, SIR.

301
00:13:38,485 --> 00:13:41,021
HEY, DON'T LOOK.

302
00:13:41,054 --> 00:13:41,955
IT'S GONNA BE OK.

303
00:13:41,989 --> 00:13:45,625
WE'RE ALL GONNA DIE,
AREN'T WE?

304
00:13:45,658 --> 00:13:49,863
I'M SURE THE POLICE
WILL GIVE THEM
WHAT THEY WANT.

305
00:13:49,897 --> 00:13:52,099
STOP TALKING!

306
00:13:52,132 --> 00:13:53,233
[RING]

307
00:13:53,266 --> 00:13:54,601
IT'S GOTTA BE THE FEDS.

308
00:13:54,634 --> 00:13:55,102
[RING]

309
00:13:55,135 --> 00:13:57,570
I'LL BE RIGHT BACK.

310
00:13:57,604 --> 00:13:58,071
[RING]

311
00:13:58,105 --> 00:13:58,972
WHO THE HELL'S THIS?

312
00:13:59,006 --> 00:14:02,442
MY NAME IS DAVID ROSSI.
I'M WITH THE FBI.

313
00:14:02,475 --> 00:14:03,243
TO WHOM AM I SPEAKING?

314
00:14:03,276 --> 00:14:06,113
ALL RIGHT, I WANT
A DOCTOR SENT IN,

315
00:14:06,146 --> 00:14:07,547
AND THEN I WANT OUT OF HERE.

316
00:14:07,580 --> 00:14:10,217
WELL, WE CERTAINLY
CAN DISCUSS THAT.

317
00:14:10,250 --> 00:14:12,352
LET THE HOSTAGES GO
AND WE'LL GIVE YOU

318
00:14:12,385 --> 00:14:14,121
ALL THE MEDICAL HELP
YOU NEED.

319
00:14:14,154 --> 00:14:17,324
[LAUGHS] I CAN'T DO THAT.
I NEED THE LEVERAGE.

320
00:14:17,357 --> 00:14:19,492
HOW ABOUT A SIGN
OF GOOD FAITH?

321
00:14:19,526 --> 00:14:20,994
SEND OUT THE WOMEN
AND CHILDREN

322
00:14:21,028 --> 00:14:23,296
AND I'LL SEE
WHAT I CAN DO.

323
00:14:24,297 --> 00:14:25,665
HE'S TRYING TO NEGOTIATE.

324
00:14:25,698 --> 00:14:30,070
NEGOTIATE?
WE'RE NOT PLAYING GAMES.

325
00:14:40,147 --> 00:14:43,116
NO, NO, NO, PLEASE!
DADDY!

326
00:14:43,150 --> 00:14:44,317
EITHER WE GET WHAT WE WANT

327
00:14:44,351 --> 00:14:47,354
OR EVERYONE IN THIS ROOM DIES.

328
00:14:47,387 --> 00:14:49,122
DO THAT
AND YOU GET NOTHING.

329
00:14:49,156 --> 00:14:52,926
TAKE ME INSTEAD.
PLEASE.

330
00:14:53,226 --> 00:14:56,096
TAKE ME.

331
00:15:02,002 --> 00:15:04,371
IT'S OK, BABY.

332
00:15:05,238 --> 00:15:07,207
OH!
AAH!

333
00:15:07,240 --> 00:15:08,108
DADDY!

334
00:15:08,141 --> 00:15:09,309
YOU BETTER SEND IN SOME HELP

335
00:15:09,342 --> 00:15:12,279
OR MORE PEOPLE ARE GONNA DIE.

336
00:15:17,150 --> 00:15:18,551
WE'RE SENDING IN A MEDIC.

337
00:15:18,585 --> 00:15:20,553
THAT'S JUST GONNA GIVE THEM
ANOTHER HOSTAGE.

338
00:15:20,587 --> 00:15:22,389
IF THEY STOP SHOOTING
PEOPLE, IT'S WORTH IT.

339
00:15:22,422 --> 00:15:25,325
IF WE GIVE IN TO ONE DEMAND,
WE'LL HAVE TO GIVE IN
TO THEM ALL.

340
00:15:25,358 --> 00:15:26,326
THE DIRECTOR DISAGREES.

341
00:15:26,359 --> 00:15:27,527
AT LEAST MAKE IT AN AGENT
WITH MEDICAL TRAINING.

342
00:15:27,560 --> 00:15:32,099
THAT WAY HE CAN TAKE ADVANTAGE
OF AN OPPORTUNITY IF IT COMES.

343
00:15:32,132 --> 00:15:34,367
FINE.

344
00:15:34,401 --> 00:15:36,336
THE BRASS THINKS
THEY'LL ACT RATIONALLY,

345
00:15:36,369 --> 00:15:38,171
BUT THERE'S NO EVIDENCE
OF THAT.

346
00:15:38,205 --> 00:15:39,506
THIS IS PERSONAL
FOR THE MEN.

347
00:15:39,539 --> 00:15:42,275
THE KING COULD HAVE RUN
AFTER THE INITIAL GUNFIGHT,
BUT HE DIDN'T.

348
00:15:42,309 --> 00:15:44,744
INSTEAD, HE PULLED THE PARTNER
INSIDE OUT OF HARM'S WAY.

349
00:15:44,777 --> 00:15:47,214
AND STAYED WITH HIM,
WHILE THE WOMAN
SEARCHED THE BANK,

350
00:15:47,247 --> 00:15:48,615
PRESUMABLY
FOR A WAY OUT.

351
00:15:48,648 --> 00:15:50,750
HE'S MORE WORRIED ABOUT
THE PARTNER THAN HE IS
ABOUT HER RUNNING AWAY.

352
00:15:50,783 --> 00:15:56,023
GARCIA, NARROW YOUR SEARCH.
I THINK THE MALE UNSUBS
MIGHT EVEN BE RELATED.

353
00:15:56,056 --> 00:15:57,090
ROGER THAT.

354
00:15:57,124 --> 00:15:59,259
IN 6 ROBBERIES NO ONE'S
BEEN ABLE TO BUILD A SKETCH

355
00:15:59,292 --> 00:16:01,194
OF THE UNSUBS BEFORE
THEY PUT THEIR MASKS ON.

356
00:16:01,228 --> 00:16:03,396
THESE WITNESS DESCRIPTIONS
ARE ALL OVER THE MAP.

357
00:16:03,430 --> 00:16:05,732
PROBABLY BECAUSE OF
THE TRAUMA SUFFERED INSIDE.

358
00:16:05,765 --> 00:16:07,367
THEY'VE BEEN ZIG-ZAGGING
NORTH AND SOUTH

359
00:16:07,400 --> 00:16:10,503
BUT IN A RELATIVE STRAIGHT
PATTERN FROM WASHINGTON, D.C.

360
00:16:10,537 --> 00:16:11,838
THIS IS THE LARGEST
BANK THEY'VE HIT.

361
00:16:11,871 --> 00:16:14,674
BEFORE TODAY, IT'S JUST
BEEN SMALL BRANCHES
IN RURAL COMMUNITIES.

362
00:16:14,707 --> 00:16:17,144
SO TODAY WAS ALWAYS
A PART OF THEIR PLAN.

363
00:16:17,177 --> 00:16:19,146
BUT WHY THE NATION'S
CAPITAL?

364
00:16:19,179 --> 00:16:20,080
TO MAKE A STATEMENT?

365
00:16:20,113 --> 00:16:21,781
I PULLED SCHEMATICS
FROM THE PREVIOUS BANKS.

366
00:16:21,814 --> 00:16:24,251
THIS IS THE FIRST ONE
WITH METAL DETECTORS.

367
00:16:24,284 --> 00:16:25,485
MAYBE THAT'S
WHAT WENT WRONG?

368
00:16:25,518 --> 00:16:28,088
NO, THEY CASED
THE BRANCHES
TOO WELL IN ADVANCE.

369
00:16:28,121 --> 00:16:30,257
THEY'D KNOW
TO BE READY FOR THEM.

370
00:16:30,290 --> 00:16:31,724
THESE ARE
TAKEOVER ROBBERIES.

371
00:16:31,758 --> 00:16:34,427
NO FACES, NO PASSING
NOTES, NO PRINTS.

372
00:16:34,461 --> 00:16:35,662
THEY'RE PROFESSIONALS.

373
00:16:35,695 --> 00:16:39,332
HEY, THERE IS SOMETHING
ALL THESE ROBBERIES
HAVE IN COMMON.

374
00:16:39,366 --> 00:16:42,635
THE QUEEN'S THE ONLY ONE
WHO PULLS THE TRIGGER.

375
00:16:43,470 --> 00:16:46,339
SIR, I FOUND A THING.
SEE, I TOOK HEIGHT
AND WEIGHT MEASUREMENTS

376
00:16:46,373 --> 00:16:48,708
AND I CROSSED WITH
KNOWN RELATED OFFENDERS

377
00:16:48,741 --> 00:16:51,044
WHO SPECIALIZE IN BANK JOBS
AND HOME BURGLARIES--

378
00:16:51,078 --> 00:16:51,978
YES.
SHOW ME.

379
00:16:52,011 --> 00:16:53,313
THESE ARE BROTHERS
CHRIS AND OLIVER STRATTON.

380
00:16:53,346 --> 00:16:57,184
THEY ARE PETTY THIEVES
FROM PHILLY, TURNED
BANK ROBBERS IN JERSEY.

381
00:16:57,217 --> 00:16:58,418
THEY WERE PUT IN JAIL
FOR TWO YEARS

382
00:16:58,451 --> 00:16:59,786
AFTER AN ATTEMPTED HEIST
WENT SOUR,

383
00:16:59,819 --> 00:17:03,590
AND THEY WERE RELEASED
TWO MONTHS BEFORE THE FIRST
FACE CARD ROBBERY,

384
00:17:03,623 --> 00:17:04,491
AND THEIR MEASUREMENTS
ARE A MATCH.

385
00:17:04,524 --> 00:17:06,393
WHEN DIDN'T THE NCIC
DATABASE CONNECT THEM?

386
00:17:06,426 --> 00:17:08,495
BECAUSE THE BROTHERS
HAVE NEVER USED
A THIRD PARTNER,

387
00:17:08,528 --> 00:17:10,297
AND SHOOTING PEOPLE'S
NOT PART OF THEIR M.O.

388
00:17:10,330 --> 00:17:12,399
IT LOOKS LIKE THEY WEREN'T
VERY SUCCESSFUL CRIMINALS.

389
00:17:12,432 --> 00:17:14,501
MAYBE ADDING A WOMAN
TO THEIR TEAM
IMPROVED THEIR GAME.

390
00:17:14,534 --> 00:17:18,471
Reid: THE WOMAN
CHOSE A DIFFERENT
TYPE OF VICTIM EACH TIME.

391
00:17:18,505 --> 00:17:19,506
IT'S NOT JUST
THE SECURITY GUARD.

392
00:17:19,539 --> 00:17:22,542
IT'S BEEN A MOTHER,
A MANAGER, AND A YOUNG CHILD.

393
00:17:22,575 --> 00:17:23,710
SHE SHOOTS THEM IN THE GUT.

394
00:17:23,743 --> 00:17:24,777
THEY BLEED OUT
WHILE THEY ROB THE BANK.

395
00:17:24,811 --> 00:17:27,780
SHE'S SADISTIC.
SHE GETS OFF ON
HER VICTIMS' PAIN

396
00:17:27,814 --> 00:17:30,650
AND THE FEAR IT INCITES
IN THOSE AROUND HER.

397
00:17:30,683 --> 00:17:32,552
MOVE HIM OUT OF HERE.

398
00:17:32,585 --> 00:17:34,587
[COUGHING]

399
00:17:34,621 --> 00:17:36,089
STAY WITH ME, OLLY.

400
00:17:36,123 --> 00:17:37,624
WHERE'S MY MEDIC?

401
00:17:37,657 --> 00:17:38,758
I DON'T SEE HIM.

402
00:17:38,791 --> 00:17:42,329
KILL SOMEONE ELSE, THEN.
MAKE THEM LISTEN.

403
00:17:42,362 --> 00:17:44,797
IT ALSO APPEARS
THE KING IS IN CHARGE OF
THE MONEY-GRABBING OPERATION

404
00:17:44,831 --> 00:17:48,101
WHILE THE QUEEN KEEPS TRACK
OF TIME, MAKING SURE
THEY'RE IN AN OUT

405
00:17:48,135 --> 00:17:49,269
IN UNDER TWO MINUTES.

406
00:17:49,302 --> 00:17:51,471
SHE'S MORE IN CONTROL
OF THE OPERATION
THAN THEY LET ON.

407
00:17:51,504 --> 00:17:52,805
TURNING THE KING AND QUEEN
AGAINST EACH OTHER

408
00:17:52,839 --> 00:17:54,374
COULD BE THE KEY
TO DISARMING THEM.

409
00:17:54,407 --> 00:17:56,843
HE'S NOT A KILLER.
THAT COULD BE OUR IN.

410
00:17:56,876 --> 00:17:58,878
ONLY IF THE JACK
DOESN'T DIE.

411
00:17:58,911 --> 00:18:00,747
IF HE DOES...

412
00:18:03,383 --> 00:18:05,518
NO, NO, NO. I WANT YOU
TO PUT THAT IN YOUR BAG.

413
00:18:05,552 --> 00:18:07,654
THE WOMAN'S PROBABLY GOING
TO WANT TO SEARCH YOU.

414
00:18:07,687 --> 00:18:10,357
BUT CHRIS IS GONNA BE
TOO FOCUSED ON GETTING
AID TO HIS BROTHER

415
00:18:10,390 --> 00:18:13,493
TO DELAY LONG ENOUGH
FOR HER TO CHECK
THE BAG, TOO.

416
00:18:13,526 --> 00:18:14,461
ALL RIGHT.

417
00:18:14,494 --> 00:18:16,196
YOU'RE GOING IN TO PROVIDE
MEDICAL ASSISTANCE.

418
00:18:16,229 --> 00:18:17,464
NO UNNECESSARY RISKS,
YOU HEAR ME?

419
00:18:17,497 --> 00:18:21,501
ONCE YOU STABILIZE OLIVER,
CHECK ON THE HOSTAGE
THEY JUST SHOT.

420
00:18:21,534 --> 00:18:23,736
UNDERSTOOD.
HE MIGHT STILL BE ALIVE.

421
00:18:23,770 --> 00:18:25,071
DO NOT DRAW YOUR WEAPON

422
00:18:25,104 --> 00:18:28,575
UNLESS YOU CAN SUBDUE
THE UNSUBS WITHOUT
ENDANGERING THE HOSTAGES.

423
00:18:28,608 --> 00:18:30,610
YES, SIR.

424
00:18:32,645 --> 00:18:35,648
[TELEPHONE RINGS]

425
00:18:35,682 --> 00:18:36,849
[RING]

426
00:18:36,883 --> 00:18:38,251
WHY HASN'T ANYONE
COME IN YET?

427
00:18:38,285 --> 00:18:42,555
WE'RE SENDING IN THE MEDIC
NOW, CHRIS. TELL OLIVER
HELP IS ON THE WAY.

428
00:18:42,589 --> 00:18:44,157
HURRY.

429
00:18:44,191 --> 00:18:47,460
THEY KNOW OUR NAMES.

430
00:18:50,797 --> 00:18:54,634
NOT ALL OUR NAMES.

431
00:18:59,872 --> 00:19:02,942
IS SHE PUTTING ON LIPSTICK?

432
00:19:02,975 --> 00:19:06,379
THEY'RE SENDING SOMEONE IN.

433
00:19:07,580 --> 00:19:08,548
CHRIS. [GROANS]

434
00:19:08,581 --> 00:19:10,683
OLLY, OLLY, NO.

435
00:19:10,717 --> 00:19:12,452
NO, NO, NO, STAY WITH ME.

436
00:19:12,485 --> 00:19:13,486
WHAT ARE YOU DOING?

437
00:19:13,520 --> 00:19:15,655
THEY'RE SENDING IN A MEDIC.
YOU'RE GONNA BE FINE.

438
00:19:15,688 --> 00:19:16,956
I DON'T FEEL SO FINE.

439
00:19:16,989 --> 00:19:20,527
NO! NO! NO!

440
00:19:20,560 --> 00:19:22,662
GET OVER HERE!

441
00:19:23,963 --> 00:19:26,733
YOU'RE GONNA SAVE HIM,
RIGHT?

442
00:19:26,766 --> 00:19:27,567
I'M GONNA TRY.

443
00:19:27,600 --> 00:19:30,570
OLIVER, CAN YOU HEAR ME?

444
00:19:33,973 --> 00:19:35,742
COME ON, OLLY.

445
00:19:35,775 --> 00:19:38,678
STAY WITH ME, OLIVER.

446
00:19:40,713 --> 00:19:42,749
THIS IS NOT GOOD, AARON.

447
00:19:42,782 --> 00:19:45,385
MORGAN, TELL GREEN
TO MAKE A MOVE
BEFORE CHRIS DOES.

448
00:19:45,418 --> 00:19:47,687
GREEN, YOU GOTTA GO.

449
00:19:47,720 --> 00:19:49,656
GREEN, GO.

450
00:20:00,300 --> 00:20:01,834
OH, MY GOD.

451
00:20:11,678 --> 00:20:15,715
[INDISTINCT RADIO
COMMUNICATION]

452
00:20:16,616 --> 00:20:18,351
Morgan: TACTICAL'S
BEEN DEPLOYED,

453
00:20:18,385 --> 00:20:19,519
SNIPERS ARE MOVING
INTO POSITION.

454
00:20:19,552 --> 00:20:22,789
Strauss: THE DIRECTOR'S
ORDERED A FULL
TACTICAL ASSAULT.

455
00:20:22,822 --> 00:20:24,524
HIS LAST ORDERS
COST US AN AGENT.

456
00:20:24,557 --> 00:20:25,758
SWAT'S GETTING
ITCHY FINGERS.

457
00:20:25,792 --> 00:20:28,461
YOU REMIND SWAT THAT
BANK ROBBERIES ARE
FEDERAL JURISDICTION.

458
00:20:28,495 --> 00:20:30,530
RIGHT.
NO ONE FIRES UNTIL
THEY'RE ORDERED TO.

459
00:20:30,563 --> 00:20:33,533
ALL RIGHT,
WHEN THE CROSSFIRE STARTS,
WHAT'S GONNA HAPPEN

460
00:20:33,566 --> 00:20:34,834
TO THE HOSTAGES
CAUGHT IN THE MIDDLE?

461
00:20:34,867 --> 00:20:37,003
THAT'S THE WRONG CALL,
ERIN, AND YOU KNOW IT.

462
00:20:37,036 --> 00:20:37,770
IT'S NOT MY CALL.

463
00:20:37,804 --> 00:20:39,372
YOU'RE HERE
AND YOU'RE IN CHARGE.

464
00:20:39,406 --> 00:20:41,408
SO YOU WANT ME TO DISOBEY
THE DIRECTOR?

465
00:20:41,441 --> 00:20:42,342
YES.

466
00:20:42,375 --> 00:20:44,411
NO, I JUST WANT YOU
TO BUY US A LITTLE TIME.

467
00:20:44,444 --> 00:20:46,846
DON'T BE QUITE SO EFFICIENT.

468
00:20:47,614 --> 00:20:50,750
WHATEVER YOU'RE GONNA DO,
DO IT FAST.

469
00:20:50,783 --> 00:20:53,820
ALL RIGHT.
REASONING WITH THEM
IS STILL OUR BEST OPTION.

470
00:20:53,853 --> 00:20:56,423
THAT'LL BE DIFFICULT.
CHRIS JUST LOST HIS BROTHER

471
00:20:56,456 --> 00:20:58,358
AND MURDERED SOMEONE
IN RETALIATION.

472
00:20:58,391 --> 00:21:00,460
WE'RE DEALING WITH
TWO KILLERS NOW.

473
00:21:00,493 --> 00:21:01,794
WE HAVE PROBLEMS, SIRS.

474
00:21:01,828 --> 00:21:03,229
OUTSIDE NEFARIOUS SOURCES
HAVE HACKED INTO
THE SURVEILLANCE FEEDS.

475
00:21:03,262 --> 00:21:07,434
I'M TRYING TO I.D. THEM NOW.
AT LEAST A COUPLE OF THEM
ARE MEDIA OUTLETS.

476
00:21:07,467 --> 00:21:08,368
CAN YOU BLOCK THEM?

477
00:21:08,401 --> 00:21:11,571
NO, NOT WITHOUT BLOCKING
OURSELVES, TOO, SIR.

478
00:21:13,940 --> 00:21:16,909
PUT HIM WITH THE OTHERS.

479
00:21:22,615 --> 00:21:24,517
HEY! EVERYBODY MOVE
FORWARD 5 FEET.

480
00:21:24,551 --> 00:21:27,086
COME ON!
MOVE FORWARD 5 FEET!

481
00:21:27,119 --> 00:21:30,490
LINE UP!

482
00:21:38,565 --> 00:21:39,966
I'M SORRY ABOUT OLLY.

483
00:21:39,999 --> 00:21:41,233
JUST SHUT UP, WOULD YOU.

484
00:21:41,267 --> 00:21:43,736
WE'VE GOT TO PULL OURSELVES
TOGETHER, FIGURE A WAY
OUT OF HERE.

485
00:21:43,770 --> 00:21:45,004
WHAT HAPPENED? HMM?

486
00:21:45,037 --> 00:21:49,075
WHO TRIGGERED THE ALARM?

487
00:21:51,744 --> 00:21:52,612
WAS IT YOU?

488
00:21:52,645 --> 00:21:54,581
CALM DOWN. WE NEED TO FOCUS.

489
00:21:54,614 --> 00:21:58,618
CALL THEM BACK.
DEMAND AN ARMORED TRUCK.

490
00:21:58,651 --> 00:22:02,489
WHAT, YOU THINK
THEY'RE GONNA LET US GO?

491
00:22:02,522 --> 00:22:03,823
WE KILLED 4 PEOPLE.
TWO COPS.

492
00:22:03,856 --> 00:22:08,528
SO WHAT? WE DON'T TRY?
THAT'S JUST GREAT.

493
00:22:08,561 --> 00:22:10,630
WHY DON'T YOU
WALK OVER THERE.

494
00:22:10,663 --> 00:22:12,064
I GOTTA THINK
FOR A MINUTE.

495
00:22:12,098 --> 00:22:15,468
WHATEVER YOU SAY...

496
00:22:15,502 --> 00:22:17,837
BOSS.

497
00:22:21,474 --> 00:22:23,009
OHH!
OH!

498
00:22:27,680 --> 00:22:30,550
WHY'D YOU HAVE TO
MAKE IT SO QUICK?

499
00:22:30,583 --> 00:22:33,686
IT'S BETTER
WHEN THEY SUFFER.

500
00:22:33,720 --> 00:22:37,023
I DON'T GET OFF ON IT
LIKE YOU DO.

501
00:22:37,056 --> 00:22:38,425
YOU WILL.

502
00:22:38,458 --> 00:22:39,626
[CHUCKLES]

503
00:22:39,659 --> 00:22:41,761
LOOK.

504
00:22:41,794 --> 00:22:44,697
WE'RE GONNA BE FAMOUS.

505
00:22:45,765 --> 00:22:49,536
AGENT PRENTISS,
THERE'S A CALL FOR YOU
FROM INTERPOL.

506
00:22:49,569 --> 00:22:50,870
TAKE A MESSAGE, PLEASE.

507
00:22:50,903 --> 00:22:53,973
IT'S CLYDE EASTER.

508
00:22:54,941 --> 00:22:55,975
YOUR OLD UNIT CHIEF?

509
00:22:56,008 --> 00:22:57,477
HE SAYS HE HAS INFORMATION

510
00:22:57,510 --> 00:23:00,447
ABOUT THE QUEEN OF DIAMONDS.

511
00:23:02,715 --> 00:23:04,884
[SPEAKING FRENCH]

512
00:23:04,917 --> 00:23:05,752
[CHUCKLES]

513
00:23:05,785 --> 00:23:07,487
SORRY I MISSED YOUR FUNERAL,
BY THE WAY.

514
00:23:07,520 --> 00:23:08,154
I WAS HELD UP IN PRAGUE.

515
00:23:08,187 --> 00:23:09,856
SO YOU'RE NOT SURPRISED.

516
00:23:09,889 --> 00:23:10,957
OF COURSE NOT.

517
00:23:10,990 --> 00:23:12,992
KEEPING TABS
ON MY FORMER ASSETS

518
00:23:13,025 --> 00:23:15,127
IS A PARTICULAR SKILL
OF MINE.

519
00:23:15,161 --> 00:23:17,730
OK, WHAT CAN YOU TELL ME
ABOUT MY MYSTERY WOMAN?

520
00:23:17,764 --> 00:23:21,133
AH, YES. WELL, UM,
IF SHE SEEMS FAMILIAR
TO YOU, SHE SHOULD.

521
00:23:21,167 --> 00:23:24,036
WE DON'T KNOW HER IDENTITY,
BUT WE'VE SEEN HER BEFORE.

522
00:23:24,070 --> 00:23:26,706
SHE'S STRUCK A NUMBER
OF BANKS WORLDWIDE,
INCLUDING--

523
00:23:26,739 --> 00:23:30,810
PARIS! THERE WAS A ROBBERY
WHEN I WAS RELOCATED THERE.

524
00:23:30,843 --> 00:23:31,744
SOMEONE DIED.

525
00:23:31,778 --> 00:23:33,813
OH, YES.
THE BANK MANAGER,
GLENN HARRISON.

526
00:23:33,846 --> 00:23:34,781
GUT SHOT?

527
00:23:34,814 --> 00:23:36,115
YES.
HOW DID YOU KNOW?

528
00:23:36,148 --> 00:23:39,552
I DON'T REMEMBER HEARING
ANYTHING ABOUT THE ROBBER
WEARING A MASK.

529
00:23:39,586 --> 00:23:40,853
THAT'S BECAUSE SHE DIDN'T.

530
00:23:40,887 --> 00:23:42,254
SHE SEEMS TO BE WEARING
DISGUISES.

531
00:23:42,288 --> 00:23:46,593
HER FACES HAS BEEN SEEN
ON CAMERA BY 6 DIFFERENT
INTELLIGENCE AGENCIES

532
00:23:46,626 --> 00:23:47,794
AND NO ONE CAN IDENTIFY HER.

533
00:23:47,827 --> 00:23:51,831
HOW IS THAT POSSIBLE?
WAIT, WHO WERE HER
PARTNERS OVERSEAS?

534
00:23:51,864 --> 00:23:53,466
SHE DIDN'T NEED ANY.

535
00:23:53,500 --> 00:23:56,836
THEN WHY WOULD SHE NOW?

536
00:23:57,136 --> 00:23:59,806
WHAT IF THE SMALLER BANKS
WERE TRAINING RUNS

537
00:23:59,839 --> 00:24:01,541
FROM THE STRATTON BROTHERS?

538
00:24:01,574 --> 00:24:04,243
WELL, IT COULD BE.
SHE TOOK TWO RELATIVELY
AMATEUR THUGS

539
00:24:04,276 --> 00:24:07,547
AND TURNED THEM INTO
AN ELITE TEAM OF
EFFICIENT BANK ROBBERS.

540
00:24:07,580 --> 00:24:09,982
BUT WHY? TO TURN THEM
INTO PATSIES?

541
00:24:10,016 --> 00:24:11,518
ALL RIGHT, OK,
SO LET'S LOOK AT IT.

542
00:24:11,551 --> 00:24:13,152
UP UNTIL NOW THEY'VE BEEN
HIGHLY ORGANIZED,

543
00:24:13,185 --> 00:24:14,487
STRIKING
ONLY ON DEPOSIT DAYS,

544
00:24:14,521 --> 00:24:15,555
WHEN THE MOST AMOUNT
OF CASH IS ON HAND.

545
00:24:15,588 --> 00:24:16,889
BUT TODAY'S DIFFERENT.
IT'S THEIR FIRST SATURDAY HIT,

546
00:24:16,923 --> 00:24:21,093
WHERE FAMILIES ARE PRESENT,
MORE FOOT TRAFFIC
THROUGHOUT THE DAY.

547
00:24:21,127 --> 00:24:22,028
IT'S A RISKIER ATTACK.

548
00:24:22,061 --> 00:24:22,962
WE SHOULD CONSIDER THE
MEDIA ATTENTION, TOO.

549
00:24:22,995 --> 00:24:24,931
IT'S THE FIRST TIME
THEY'VE HAD AN AUDIENCE.

550
00:24:24,964 --> 00:24:28,535
THAT MIGHT BE WHY
THE FEMALE UNSUB IS SO VAIN.

551
00:24:28,568 --> 00:24:29,936
SHE WANTS TO LOOK GOOD
FOR THE CAMERAS.

552
00:24:29,969 --> 00:24:35,207
SHE SEARCHES THE BANK
BUT DOESN'T ACTUALLY LOOK
FOR A MEANS OF ESCAPE.

553
00:24:35,241 --> 00:24:38,745
SHE APPEARS TO BE ALMOST
ENJOYING THE SITUATION.

554
00:24:38,778 --> 00:24:42,782
WE KNOW THE BROTHERS
ARE IN IT FOR THE MONEY.
WHAT'S SHE IN IT FOR?

555
00:24:42,815 --> 00:24:45,752
[FOOTSTEPS APPROACH]

556
00:24:45,785 --> 00:24:47,554
WHERE THE HELL
HAVE YOU BEEN?

557
00:24:47,587 --> 00:24:49,088
I'VE BEEN LOOKING
FOR AN ESCAPE ROUTE.

558
00:24:49,121 --> 00:24:50,422
THERE ISN'T ONE.

559
00:24:50,456 --> 00:24:54,126
SO MUCH FOR YOUR
NO BACK DOORS, NO SURPRISES
PLAN. YOU SCREWED US.

560
00:24:54,160 --> 00:24:55,261
[TELEPHONE RINGS]

561
00:24:55,294 --> 00:24:58,598
THEN WHY DON'T YOU
NEGOTIATE A WAY OUT
OF HERE ALREADY?

562
00:24:58,631 --> 00:25:00,032
[RING]

563
00:25:01,000 --> 00:25:02,068
[RING]

564
00:25:02,101 --> 00:25:02,869
WHAT?

565
00:25:02,902 --> 00:25:05,137
HOW DO YOU WANT
TO END THIS, CHRIS?

566
00:25:05,171 --> 00:25:06,172
I WANT OUT OF HERE.

567
00:25:06,205 --> 00:25:07,707
HOW DO YOU PROPOSE
TO DO THAT?

568
00:25:07,740 --> 00:25:08,808
I WANT AN ARMORED TRUCK

569
00:25:08,841 --> 00:25:12,278
AND A PLANE WITH
A CLEAR FLIGHT PATH
TO SWITZERLAND.

570
00:25:12,311 --> 00:25:14,146
NO, NO, NO. CHAD.

571
00:25:14,180 --> 00:25:16,616
WE WANT TO GO TO CHAD.

572
00:25:16,649 --> 00:25:19,652
YEAH. NO AGENTS
WITH GUNS THIS TIME.

573
00:25:19,686 --> 00:25:21,554
WE'LL FLY OURSELVES.

574
00:25:24,791 --> 00:25:27,594
DON'T DO THAT AGAIN.

575
00:25:27,627 --> 00:25:30,096
I'M IN CHARGE HERE.

576
00:25:34,166 --> 00:25:35,668
HUH.

577
00:25:35,702 --> 00:25:37,303
OK, SO WHAT'S
THE SIGNIFICANCE OF CHAD?

578
00:25:37,336 --> 00:25:40,673
A 2008 COUP ATTEMPT
PLUNGED THEM INTO
POLITICAL INSTABILITY.

579
00:25:40,707 --> 00:25:42,842
THEY'RE CURRENTLY
IN THE MIDDLE OF
A CIVIL WAR.

580
00:25:42,875 --> 00:25:45,578
THERE'S GOTTA BE
MORE TO IT THAN THAT.

581
00:25:45,612 --> 00:25:47,213
OUR GHOST
WANTS TO GO TO CHAD.

582
00:25:47,246 --> 00:25:50,583
I'M FIGURING YOU'RE MY BEST
CHANCE OF FINDING OUT WHY.

583
00:25:50,617 --> 00:25:51,618
CHAD? THAT'S AN ODD CHOICE.

584
00:25:51,651 --> 00:25:54,186
THEY'RE NOT EXACTLY
HOSPITABLE THIS TIME OF YEAR.

585
00:25:54,220 --> 00:25:55,922
THEY SAID THEY COULD
FLY THEMSELVES THERE.

586
00:25:55,955 --> 00:25:59,659
NOTHING SUGGESTS THAT CHRIS
WOULD HAVE THAT ABILITY,
SO SHE MUST.

587
00:25:59,692 --> 00:26:03,029
HMM. WELL, UNFORTUNATELY,
INTERPOL DOESN'T HAVE
MANY ASSETS

588
00:26:03,062 --> 00:26:04,396
IN THAT PARTICULAR REGION
IN AFRICA.

589
00:26:04,430 --> 00:26:09,168
MAYBE THAT'S SOMETHING
THAT YOU COULD HELP ME WITH
WHEN THIS IS OVER.

590
00:26:09,201 --> 00:26:12,271
WORK FOR INTERPOL AGAIN?
THAT'LL BE THE DAY.

591
00:26:12,304 --> 00:26:14,106
NOT WORK, DARLING. RUN.

592
00:26:14,140 --> 00:26:15,842
YOU SEE, I'VE BEEN PROMOTED.

593
00:26:15,875 --> 00:26:18,377
SO, THE TEAM'S YOURS
WHENEVER YOU WANT IT.

594
00:26:18,410 --> 00:26:20,613
IT'S A HELL OF A TIME
TO BRING THAT UP.

595
00:26:20,647 --> 00:26:24,350
WELL, YOU KNOW,
IN OUR LINE OF WORK,
THERE'S NEVER A GOOD TIME.

596
00:26:24,383 --> 00:26:26,152
THINK ABOUT IT.

597
00:26:26,185 --> 00:26:27,419
PLEASE?

598
00:26:27,453 --> 00:26:32,358
YOU FIND ME A CONNECTION
I CAN USE AND MAYBE
WE'LL DISCUSS IT.

599
00:26:37,129 --> 00:26:41,067
[INDISTINCT RADIO COMMUNICATION]

600
00:26:49,341 --> 00:26:52,211
THE FBI's MAKING GOOD
ON ITS PROMISE.

601
00:26:52,244 --> 00:26:53,780
WE'LL BE OUT OF HERE SOON.

602
00:26:53,813 --> 00:26:56,749
WE'RE TAKING HIM
WITH US.

603
00:26:57,383 --> 00:26:59,652
THESE GUYS
WERE TOO GOOD
TO GET CAUGHT,

604
00:26:59,686 --> 00:27:00,887
SO WHY DID THEY?

605
00:27:00,920 --> 00:27:03,956
911 RECEIVED A CALL
ALERTING THEM
TO A ROBBERY IN PROGRESS.

606
00:27:03,990 --> 00:27:06,158
Garcia:
ACTUALLY, IT WAS A TEXT.

607
00:27:06,192 --> 00:27:10,362
D.C. ADD 911 MESSAGING
AFTER THE VIRGINIA
TECH STUDENTS TEXTS

608
00:27:10,396 --> 00:27:12,732
WENT UNANSWERED
DURING THE MASSACRE.

609
00:27:12,765 --> 00:27:13,666
CAN YOU TRACE IT, GARCIA?

610
00:27:13,700 --> 00:27:16,435
YEAH. THE MESSAGE
WAS SENT FROM A CELL PHONE

611
00:27:16,468 --> 00:27:17,336
THAT IS CURRENTLY
INSIDE THE BANK

612
00:27:17,369 --> 00:27:20,306
AND WAS REGISTERED
TO A LARRY PHILLIPS JR.

613
00:27:20,339 --> 00:27:21,908
WHY DOES THAT NAME
SOUND FAMILIAR?

614
00:27:21,941 --> 00:27:23,042
THAT'S THE NAME
OF ONE OF THE GUNMEN

615
00:27:23,075 --> 00:27:27,246
FROM THE '97 NORTH HOLLYWOOD
BANK SHOOTOUT IN CALIFORNIA.

616
00:27:27,279 --> 00:27:28,614
SO IS THIS AN HOMAGE?

617
00:27:28,647 --> 00:27:31,117
Garcia: GUYS, THAT TEXT
WAS SENT 30 SECONDS
BEFORE THEY BLACKED OUT

618
00:27:31,150 --> 00:27:32,852
THE SECURITY FEEDS FOR ENTRY.

619
00:27:32,885 --> 00:27:34,086
HOW IS THAT POSSIBLE?

620
00:27:34,120 --> 00:27:36,923
IT DIDN'T COME FROM A HOSTAGE.
IT CAME FROM ONE OF THE ROBBERS.

621
00:27:36,956 --> 00:27:39,058
SHE WANTED US HERE.

622
00:27:45,264 --> 00:27:47,333
[SIREN]

623
00:27:47,366 --> 00:27:48,801
THERE'S NO LINE OF SIGHT
TO THE VAULT.

624
00:27:48,835 --> 00:27:51,437
NO, BUT IF WE COME IN,
THAT'S WHERE THEY'LL GO.
WE NEED TO BE READY FOR IT.

625
00:27:51,470 --> 00:27:54,440
GARCIA CAUGHT US UP.
WHY INSTIGATE
A HOSTAGE SITUATION?

626
00:27:54,473 --> 00:27:57,443
WHAT'S A NARCISSIST
WITHOUT ATTENTION?
SHE THRIVES ON IT.

627
00:27:57,476 --> 00:27:59,345
SHE MUST HAVE SOMETHING
BIGGER IN MIND.

628
00:27:59,378 --> 00:28:01,447
WE NEED TO SEPARATE
CHRIS AND THE FEMALE

629
00:28:01,480 --> 00:28:02,481
TO FIND OUT
WHAT THAT IS.

630
00:28:02,514 --> 00:28:04,984
IT'S NOT GOING TO BE HARD.
THEY'RE ALREADY ON EDGE.

631
00:28:05,017 --> 00:28:06,252
IT'S MORE THAN
THE MEDIA OUTLETS, SIR.

632
00:28:06,285 --> 00:28:10,289
ANONYMOUS INTERNATIONAL
ENTITIES ARE HACKING
THE FEEDS AS WELL.

633
00:28:10,322 --> 00:28:13,192
[CELL PHONE RINGS]

634
00:28:13,225 --> 00:28:15,194
[TURNS OFF CELL]

635
00:28:16,362 --> 00:28:17,730
YOU WERE SAYING?

636
00:28:17,764 --> 00:28:19,065
I WAS TAGGING
I.P. ADDRESSES

637
00:28:19,098 --> 00:28:22,001
AND SOMEONE HACKED
THE SURVEILLANCE CAMERAS
AT 7 A.M. THIS MORNING.

638
00:28:22,034 --> 00:28:23,970
WAS THAT HOW THEY
SHUT DOWN THE CAMERAS
FOR ENTRY?

639
00:28:24,003 --> 00:28:27,774
SO, SIR. THIS IS AN ENTIRELY
DIFFERENT HACK,
ONE THAT'S STILL RECEIVING.

640
00:28:27,807 --> 00:28:30,943
SOMEBODY ELSE
IS WATCHING. WHO?

641
00:28:30,977 --> 00:28:32,912
WHOEVER IT IS
SHE'S DRESSING UP FOR.

642
00:28:32,945 --> 00:28:33,913
I THOUGHT THAT
WAS FOR THE MEDIA.

643
00:28:33,946 --> 00:28:36,315
THE MEDIA DIDN'T HAVE
EYES INSIDE BEFORE TODAY.

644
00:28:36,348 --> 00:28:38,985
BUT SHE DRESSES UP
EVERY TIME.

645
00:28:39,018 --> 00:28:42,188
BECAUSE SOMEONE
IS ALWAYS WATCHING.

646
00:28:42,789 --> 00:28:44,523
HER REAL PARTNER,
A FOURTH UNSUB.

647
00:28:44,556 --> 00:28:46,793
I DOUBT
IF SHE WAS FORTHCOMING

648
00:28:46,826 --> 00:28:48,494
ABOUT THIS OTHER PARTNER
TO CHRIS.

649
00:28:48,527 --> 00:28:53,065
I THINK IT'S TIME
WE BRING CHRIS UP TO SPEED.

650
00:28:53,099 --> 00:28:56,202
YOU KNOW MY FAVORITE CARD
IN POKER, CHRIS?

651
00:28:56,235 --> 00:28:57,770
WHAT'S THAT?

652
00:28:57,804 --> 00:28:58,470
THE WILD CARD.

653
00:28:58,504 --> 00:28:59,839
I DON'T BELIEVE
IN WILD CARDS.

654
00:28:59,872 --> 00:29:00,639
THEY DUMB DOWN THE GAME.

655
00:29:00,672 --> 00:29:01,673
WELL, I COULDN'T AGREE
WITH YOU MORE,

656
00:29:01,707 --> 00:29:05,077
BUT, UH, IN THIS CASE,
YOU'RE THE ONE THAT'S DUMB.

657
00:29:05,111 --> 00:29:08,547
THIS YOUR NEW
NEGOTIATION TACTIC,
INSULTING ME?

658
00:29:08,580 --> 00:29:10,449
OH, IT'S NOT A TACTIC.

659
00:29:10,482 --> 00:29:11,550
IT'S A FACT.

660
00:29:11,583 --> 00:29:13,920
DIDN'T YOU WONDER
WHY YOU GOT CAUGHT,

661
00:29:13,953 --> 00:29:17,089
WHAT WENT WRONG
WHEN YOU DID EVERYTHING RIGHT?

662
00:29:17,123 --> 00:29:22,194
WE GOT A MESSAGE
FROM SOMEONE IN THE BANK
BEFORE YOU STARTED SHOOTING.

663
00:29:22,228 --> 00:29:23,029
IMPOSSIBLE.

664
00:29:23,062 --> 00:29:24,263
NOW, I KNOW IT WASN'T YOU,

665
00:29:24,296 --> 00:29:26,833
AND I'M HOPING
IT WASN'T YOUR BROTHER.

666
00:29:26,866 --> 00:29:29,368
SO, WHO DOES THAT LEAVE?

667
00:29:29,401 --> 00:29:31,070
YOU'RE LYING.

668
00:29:31,103 --> 00:29:33,806
ASK HER.

669
00:29:33,840 --> 00:29:34,740
DID YOU CALL THE POLICE?

670
00:29:34,773 --> 00:29:37,543
[CHUCKLES] IS THAT WHAT
THEY'RE TELLING YOU?

671
00:29:37,576 --> 00:29:38,945
Rossi: THAT'S NOT AN ANSWER.

672
00:29:38,978 --> 00:29:40,479
OF COURSE NOT.
WHAT DO YOU THINK?

673
00:29:40,512 --> 00:29:42,915
THEY'RE TRYING TO TURN US
AGAINST ONE ANOTHER.

674
00:29:42,949 --> 00:29:46,185
WHY WOULD YOU EVEN DO THAT?
OLLY'S DEAD 'CAUSE OF THAT.

675
00:29:46,218 --> 00:29:49,822
I WOULDN'T.
I'M TRAPPED HERE, TOO.

676
00:29:49,856 --> 00:29:51,557
ARE YOU LYING TO ME?

677
00:29:51,590 --> 00:29:55,027
WE'VE COME TO FAR
FOR YOU TO START
DOUBTING ME NOW.

678
00:29:55,061 --> 00:29:57,997
LOST TOO MUCH.

679
00:29:58,030 --> 00:29:58,965
HEY.

680
00:29:58,998 --> 00:30:01,267
HEY...

681
00:30:01,300 --> 00:30:03,836
DON'T LET THEM
TEAR US APART

682
00:30:03,870 --> 00:30:07,874
RIGHT AS
WE'RE ABOUT TO WIN.

683
00:30:08,908 --> 00:30:10,476
IF YOU DO THAT,

684
00:30:10,509 --> 00:30:15,948
OLLY'S DEATH
WON'T MEAN ANYTHING.

685
00:30:19,118 --> 00:30:20,386
ENOUGH. I'M DONE
TALKING TO YOU.

686
00:30:20,419 --> 00:30:24,891
I WANT TO TALK TO SOMEONE
WHO WON'T JERK ME AROUND
FACE TO FACE.

687
00:30:24,924 --> 00:30:25,858
NO MORE FEDS.

688
00:30:25,892 --> 00:30:29,428
I WANT TO TALK TO THE COP
WHO SHOT MY BROTHER.

689
00:30:31,663 --> 00:30:33,866
NO. NO, FORGET IT.

690
00:30:33,900 --> 00:30:36,135
JJ, IF IT MEANS
WE CAN END THIS...

691
00:30:36,168 --> 00:30:38,137
WHAT MAKES YOU THINK
HE WON'T SHOOT YOU

692
00:30:38,170 --> 00:30:39,338
THE MINUTE YOU WALK INSIDE?

693
00:30:39,371 --> 00:30:42,975
LOOK, HE WANTS OUT OF THERE
JUST AS MUCH AS WE WANT HIM OUT.

694
00:30:43,009 --> 00:30:44,343
IT'S NOT HAPPENING.
FORGET IT.

695
00:30:44,376 --> 00:30:47,379
THERE'S NO GUARANTEE
HE WON'T RETALIATE FOR
THE DEATH OF HIS BROTHER.

696
00:30:47,413 --> 00:30:50,249
I KNOW YOU'D DO IT
IF YOU WERE ME.

697
00:30:50,282 --> 00:30:51,350
WILL, I GET
WHAT YOU'RE FEELING,

698
00:30:51,383 --> 00:30:54,086
BUT YOU ARE TOO CLOSE
TO THIS CASE TO MAKE THAT CALL.

699
00:30:54,120 --> 00:30:55,654
YOU'RE DAMN RIGHT I'M CLOSE.

700
00:30:55,687 --> 00:30:58,424
4 PEOPLE ARE DEAD
BECAUSE I SHOT HIS BROTHER.

701
00:30:58,457 --> 00:31:01,460
AND NO ONE ELSE NEEDS TO DIE
'CAUSE OF WHAT I DID.

702
00:31:01,493 --> 00:31:02,328
THIS ISN'T ABOUT YOU.

703
00:31:02,361 --> 00:31:04,897
RISKING YOUR LIFE
WON'T BRING THEM BACK.

704
00:31:04,931 --> 00:31:06,665
SORRY, WILL.

705
00:31:06,698 --> 00:31:09,401
WHERE'S THAT COP, HUH?
I AIN'T GOT ALL DAY.

706
00:31:09,435 --> 00:31:11,971
WHAT YOU'RE ASKING
IS DIFFICULT.

707
00:31:12,004 --> 00:31:13,439
WELL,
I'LL MAKE IT EASY.

708
00:31:13,472 --> 00:31:14,406
SEND IN THE COP,

709
00:31:14,440 --> 00:31:16,242
I'LL LET A COUPLE
HOSTAGES GO.

710
00:31:16,275 --> 00:31:18,044
A SIGN OF GOOD FAITH.
ISN'T THAT WHAT YOU SAID?

711
00:31:18,077 --> 00:31:20,947
RELEASING THE HOSTAGES
IS A GREAT FIRST STEP

712
00:31:20,980 --> 00:31:25,484
IN RESOLVING THIS CONFLICT,
BUT WE CAN'T SEND SOMEONE
ELSE IN TO BE KILLED.

713
00:31:25,517 --> 00:31:28,988
THIS AIN'T A FRIGGIN' DEBATE.

714
00:31:31,623 --> 00:31:34,693
COME ON, BUD. LET'S GO!

715
00:31:34,726 --> 00:31:36,395
PICK UP THE PHONE.

716
00:31:36,428 --> 00:31:37,596
WHY?

717
00:31:37,629 --> 00:31:39,665
PICK UP THE PHONE!

718
00:31:43,035 --> 00:31:43,936
HELLO?

719
00:31:43,970 --> 00:31:46,705
TELL HIM YOUR NAME.

720
00:31:46,738 --> 00:31:49,008
IT'S...

721
00:31:49,041 --> 00:31:50,676
IT'S SHAWN HARPER.

722
00:31:50,709 --> 00:31:53,012
[SCREAMING]

723
00:31:53,345 --> 00:31:58,017
UCCH. YOU JUST KILLED
SHAWN HARPER. NOT ME, YOU.

724
00:31:58,050 --> 00:32:01,053
I'M GONNA SHOOT ANOTHER
HOSTAGE EVERY 60 SECONDS

725
00:32:01,087 --> 00:32:03,555
UNTIL YOU SEND IN THE COP.

726
00:32:03,589 --> 00:32:05,557
EVERY 60 SECONDS.

727
00:32:09,095 --> 00:32:10,496
WHO'S NEXT? HUH?

728
00:32:10,529 --> 00:32:14,033
HE'S THREATENING
TO SHOOT MORE HOSTAGES
UNLESS HE HAS WILL.

729
00:32:14,066 --> 00:32:15,667
SCREW THIS. I'M GOING IN.

730
00:32:15,701 --> 00:32:17,069
NO, YOU'RE NOT.

731
00:32:17,103 --> 00:32:18,170
WE ARE.

732
00:32:18,204 --> 00:32:21,573
WHO'S THE LUCKY ONE?

733
00:32:23,109 --> 00:32:28,981
NAH. NAH. NAH.
NAH. NAH.

734
00:32:30,382 --> 00:32:31,350
YOU!

735
00:32:31,383 --> 00:32:32,985
NO!

736
00:32:33,685 --> 00:32:37,289
[SOBBING] NO.

737
00:32:37,323 --> 00:32:38,390
PICK IT UP.

738
00:32:38,424 --> 00:32:40,692
COME ON.

739
00:32:40,726 --> 00:32:42,061
WHAT'S YOUR NAME?

740
00:32:42,094 --> 00:32:42,728
NO, PLEASE.

741
00:32:42,761 --> 00:32:44,630
TELL HIM YOUR NAME!

742
00:32:44,663 --> 00:32:45,731
ANNIE.

743
00:32:45,764 --> 00:32:46,698
IT'S ANNIE.

744
00:32:46,732 --> 00:32:49,601
YOU HANG IN THERE, ANNIE.
HELP IS ON THE WAY.

745
00:32:49,635 --> 00:32:51,737
YOU GOT ABOUT 30 SECONDS,
ANNIE.

746
00:32:51,770 --> 00:32:56,142
I HOPE AGENT ROSSI
DOESN'T MAKE ME SHOOT YOU, TOO.

747
00:33:01,313 --> 00:33:02,348
YOU OK?

748
00:33:02,381 --> 00:33:03,415
YES.

749
00:33:03,449 --> 00:33:05,151
HEY, YOU.

750
00:33:05,184 --> 00:33:06,352
COME OVER HERE.

751
00:33:06,385 --> 00:33:09,188
IT'S OK.
NO, I--

752
00:33:11,790 --> 00:33:14,693
JUST LET THE WOMEN
AND CHILDREN GO.

753
00:33:14,726 --> 00:33:17,129
THEY DON'T
NEED TO SEE THIS.

754
00:33:17,163 --> 00:33:18,430
[CHRIS LAUGHS]

755
00:33:18,464 --> 00:33:21,200
PRETTY SOON THEY'RE
GONNA BE DOING A LOT MORE
THAN JUST SEEING.

756
00:33:21,233 --> 00:33:25,037
ANNIE! YOU JUST GOT
YOURSELF A REPRIEVE.

757
00:33:25,071 --> 00:33:27,673
GET IN LINE OVER THERE.

758
00:33:29,608 --> 00:33:32,111
LOOK AT OUR NEW CONTENDER.

759
00:33:32,144 --> 00:33:34,413
LET'S GO!

760
00:33:35,714 --> 00:33:37,416
GO, GO, GO!

761
00:33:37,449 --> 00:33:39,085
[INDISTINCT]

762
00:33:45,757 --> 00:33:47,093
WHAT IS HE DOING?

763
00:33:47,126 --> 00:33:47,793
NO. NO, NO, NO.

764
00:33:47,826 --> 00:33:49,328
NO, NO.
MORGAN--

765
00:33:49,361 --> 00:33:50,329
LET ME GO, PLEASE!

766
00:33:50,362 --> 00:33:51,363
I CAN'T DO THAT.

767
00:33:51,397 --> 00:33:54,800
WILL! WILL! WILL!

768
00:33:54,833 --> 00:33:58,370
WILL...STOP.

769
00:33:58,570 --> 00:34:00,172
MY NAME IS MATTHEW DOWNS.

770
00:34:00,206 --> 00:34:03,209
HUH.
Queen: LOOK.

771
00:34:09,881 --> 00:34:12,151
LET THOSE PEOPLE GO.

772
00:34:12,184 --> 00:34:16,722
ALL RIGHT, YOU, YOU, YOU.
THE KIDS. GET OUT.

773
00:34:19,225 --> 00:34:22,561
GOT 3 COMING OUT.
HOLD YOUR FIRE.

774
00:34:24,496 --> 00:34:26,232
THANK YOU.

775
00:34:29,135 --> 00:34:30,102
HEY.

776
00:34:30,136 --> 00:34:32,204
WHAT'S YOUR NAME?

777
00:34:32,471 --> 00:34:36,175
WILLIAM LAMONTAGNE JR.

778
00:34:36,208 --> 00:34:38,344
MPD.

779
00:34:44,383 --> 00:34:46,852
OHH! OH!

780
00:35:03,902 --> 00:35:08,407
DID YOU SEE
WHERE HE WAS SHOT?

781
00:35:09,541 --> 00:35:12,478
IS HE ALIVE OR DEAD, GARCIA?

782
00:35:12,511 --> 00:35:13,412
I DON'T KNOW.

783
00:35:13,445 --> 00:35:14,913
HE WAS WEARING A VEST.

784
00:35:14,946 --> 00:35:16,915
HE MIGHT BE OK.

785
00:35:16,948 --> 00:35:19,685
MIGHT BE.

786
00:35:19,718 --> 00:35:21,653
THEY'RE NOT ANSWERING.

787
00:35:21,687 --> 00:35:23,289
ALL RIGHT,
WE NEED TO GET INSIDE.

788
00:35:23,322 --> 00:35:24,089
JJ, IT'S TOO RISKY.

789
00:35:24,122 --> 00:35:26,758
WE DON'T HAVE EYES
IN THERE ANYMORE.

790
00:35:27,893 --> 00:35:30,562
AARON...

791
00:35:30,596 --> 00:35:33,165
LET'S GO IN.

792
00:35:42,541 --> 00:35:45,544
HOLD YOUR HANDS
RIGHT THERE.

793
00:35:45,577 --> 00:35:48,447
WHAT ARE YOU DOING?

794
00:35:48,480 --> 00:35:53,185
A DEAD COP ISN'T GOING TO BE
MUCH OF A NEGOTIATION TOOL.

795
00:35:53,219 --> 00:35:53,919
HUH.

796
00:35:53,952 --> 00:35:58,557
BOSS, ARE YOU GOOD
WITH THIS?

797
00:35:58,590 --> 00:36:01,793
WHAT? YEAH, FINE.

798
00:36:06,598 --> 00:36:07,866
YOU OK?

799
00:36:07,899 --> 00:36:09,301
I SHOULDN'T HAVE
DONE THAT.

800
00:36:09,335 --> 00:36:11,637
THEY'RE NEVER GONNA
LET US OUT OF HERE NOW.

801
00:36:11,670 --> 00:36:13,572
WHO KNOWS? MAYBE
THEY'LL SAVE HIM

802
00:36:13,605 --> 00:36:17,343
AND HE'LL BE
OUR TICKET OUT OF HERE.

803
00:36:17,376 --> 00:36:19,545
YOU TOOK MY ADVICE.

804
00:36:20,512 --> 00:36:22,581
HOW'S THAT?

805
00:36:22,614 --> 00:36:26,352
YOU DIDN'T
GO FOR THE KILL SHOT.

806
00:36:26,385 --> 00:36:27,353
HMM.

807
00:36:27,386 --> 00:36:28,920
RIGHT.

808
00:36:28,954 --> 00:36:32,824
I NEED TO CHECK THE BACK AGAIN.
THERE'S GOTTA BE AN ESCAPE
WE HAVEN'T THOUGHT OF.

809
00:36:32,858 --> 00:36:33,525
OK.

810
00:36:33,559 --> 00:36:36,628
HIS BLOOD PRESSURE'S
DROPPING.

811
00:36:36,662 --> 00:36:39,565
HOLD THAT.
ARE YOU HOLDING IT
AS TIGHT AS YOU CAN?

812
00:36:39,598 --> 00:36:41,199
YEAH.

813
00:36:41,900 --> 00:36:43,302
HOW'S JJ?

814
00:36:43,335 --> 00:36:44,503
IT'S BAD, REID.

815
00:36:44,536 --> 00:36:45,404
I SHOULD BE THERE.

816
00:36:45,437 --> 00:36:46,672
WE'VE LEARNED EVERYTHING
WE CAN FROM HERE.

817
00:36:46,705 --> 00:36:47,973
NO, YOU CAN HELP MORE
BY HELPING ME.

818
00:36:48,006 --> 00:36:49,107
THERE'S A LOT TO GOT OVER
AND YOUR BRAIN WORKS
FASTER THAN MINE.

819
00:36:49,140 --> 00:36:54,613
SEEING WHAT'S GOING ON
OUTSIDE DOESN'T HELP US
INSIDE.

820
00:36:55,481 --> 00:36:58,517
KEVIN, CAN YOU POSSIBLY
PULL UP EACH OF
THE SURVEILLANCE FEEDS

821
00:36:58,550 --> 00:36:59,751
PRIOR TO WILL BEING SHOT?

822
00:36:59,785 --> 00:37:01,019
SURE. WHAT ARE WE LOOKING FOR?

823
00:37:01,052 --> 00:37:02,654
THE FEMALE UNSUB
DISAPPEARED ONCE BEFORE.

824
00:37:02,688 --> 00:37:05,023
IF SHE WAS LOOKING
FOR AN ESCAPE,

825
00:37:05,056 --> 00:37:07,826
WHAT WAS SHE DOING?

826
00:37:11,730 --> 00:37:12,931
[WILL GROANS]
I'M SORRY.

827
00:37:12,964 --> 00:37:15,667
KEEP THE PRESSURE.
KEEP THE PRESSURE.
THE PAIN WON'T KILL HIM,

828
00:37:15,701 --> 00:37:17,436
BUT THE LOSS OF BLOOD
COULD.

829
00:37:17,469 --> 00:37:20,739
JUST HANG IN THERE,
BUDDY.

830
00:37:20,772 --> 00:37:23,275
ARE YOU ARMED?

831
00:37:23,309 --> 00:37:24,042
NO.

832
00:37:24,075 --> 00:37:25,076
DAMN.

833
00:37:25,110 --> 00:37:27,713
I THINK WE MIGHT HAVE
SOMETHING OF A CHANCE HERE.

834
00:37:27,746 --> 00:37:28,647
WHAT?

835
00:37:28,680 --> 00:37:31,450
THE GIRL'S GONE,
AND THE GUY'S OFF HIS HEAD.

836
00:37:31,483 --> 00:37:33,051
HE DOESN'T KNOW
WHO TO TRUST.

837
00:37:33,084 --> 00:37:34,786
WE CAN WORK THEM
AGAINST EACH OTHER.

838
00:37:34,820 --> 00:37:37,756
WAIT, ARE YOU A COP?

839
00:37:37,789 --> 00:37:39,591
A FORMER MARINE.

840
00:37:41,092 --> 00:37:42,661
YOU GOTTA LISTEN TO ME.

841
00:37:42,694 --> 00:37:45,297
I NEED YOU TO GET A MESSAGE
TO MY GIRLFRIEND.

842
00:37:45,331 --> 00:37:48,367
ALL RIGHT, YOU CAN
TELL HER YOURSELF WHEN
WE GET YOU OUT OF HERE.

843
00:37:48,400 --> 00:37:50,436
ONLY I'M NOT GETTING OUT.

844
00:37:50,469 --> 00:37:53,572
YOU NEED SOMEONE
TO CAUSE A DISTRACTION.

845
00:37:53,605 --> 00:37:54,740
[GROANS]

846
00:37:54,773 --> 00:37:56,508
HER NAME IS JENNIFER,

847
00:37:56,542 --> 00:38:00,846
AND SHE'S A FEDERAL AGENT.

848
00:38:00,879 --> 00:38:03,449
YOU TELL HER I'M SORRY.

849
00:38:03,482 --> 00:38:04,516
SORRY?

850
00:38:04,550 --> 00:38:06,685
DON'T YOU WANT TO TELL HER
YOU LOVE HER OR SOMETHING?

851
00:38:06,718 --> 00:38:10,722
SHE ALREADY KNOWS THAT.

852
00:38:14,660 --> 00:38:17,496
THE WOMAN.

853
00:38:17,529 --> 00:38:19,598
WHAT HAPPENED TO HER?

854
00:38:19,631 --> 00:38:21,700
AREN'T YOU DEAD YET?

855
00:38:21,733 --> 00:38:22,868
YOU CAN'T TRUST HER.

856
00:38:22,901 --> 00:38:25,604
SHE'S TAKING ORDERS
FROM SOMEONE ELSE.

857
00:38:25,637 --> 00:38:28,407
NO, SHE TAKES ORDERS
FROM ME.

858
00:38:28,440 --> 00:38:29,708
LOOK AROUND.

859
00:38:29,741 --> 00:38:33,044
ANY SECOND AGENTS
ARE GONNA STORM INTO
THIS PLACE,

860
00:38:33,078 --> 00:38:34,846
AND THE ONLY BAD GUY
I SEE IS YOU.

861
00:38:34,880 --> 00:38:38,950
SHE'S SETTING YOU UP
TO TAKE THE FALL
FOR THIS, BOY.

862
00:38:38,984 --> 00:38:40,752
THAT'S NOT TRUE.

863
00:38:40,786 --> 00:38:42,854
THEN WHERE IS SHE?

864
00:38:42,888 --> 00:38:44,856
SHE'S BACK THERE.

865
00:38:44,890 --> 00:38:46,592
HUH.

866
00:38:46,625 --> 00:38:48,760
ALL RIGHT. YOU.

867
00:38:48,794 --> 00:38:49,895
COME HERE.

868
00:38:49,928 --> 00:38:51,830
I'LL SHOW YOU.

869
00:38:51,863 --> 00:38:54,065
GO ON.

870
00:38:55,467 --> 00:38:57,369
COME ON!

871
00:38:58,737 --> 00:38:59,971
WHERE ARE THEY GOING?

872
00:39:00,005 --> 00:39:03,375
HE'S GIVING US OUR CHANCE.

873
00:39:05,944 --> 00:39:07,379
WE'VE GOT MOVEMENT.

874
00:39:07,413 --> 00:39:10,382
SOMEBODY'S COMING OUT.
BE READY.

875
00:39:10,416 --> 00:39:11,049
IT'S HOSTAGES.

876
00:39:11,082 --> 00:39:13,652
COPY.
STANDING BY FOR ENTRY.

877
00:39:29,701 --> 00:39:31,503
WHAT THE HELL
ARE YOU DOING DOWN HERE?

878
00:39:31,537 --> 00:39:34,172
CALM DOWN.
YOU'LL FIND OUT SOON.

879
00:39:34,205 --> 00:39:36,408
TELL ME.

880
00:39:37,843 --> 00:39:39,945
WE'RE GOING IN.

881
00:39:39,978 --> 00:39:43,114
[INDISTINCT RADIO
COMMUNICATION]

882
00:39:57,963 --> 00:40:01,066
SHE WAS FOLLOWING
THE ELECTRICAL LINES...

883
00:40:01,099 --> 00:40:02,501
GAS MAINS. OH, NO.

884
00:40:02,534 --> 00:40:04,836
GARCIA, GET THEM
OUT OF THERE!

885
00:40:04,870 --> 00:40:05,871
ABORT! ABORT!

886
00:40:05,904 --> 00:40:09,608
[HIGH-PITCHED WHINE]

887
00:40:50,582 --> 00:40:52,951
[SOUND DISTORTED] JJ!

888
00:40:52,984 --> 00:40:56,555
JJ, ARE YOU ALL RIGHT?

889
00:40:56,588 --> 00:40:57,489
ARE YOU OK?

890
00:40:57,523 --> 00:40:58,824
WHERE'S WILL?

891
00:40:58,857 --> 00:41:02,928
WHERE IS WILL?
DID HE GET OUT OF THERE?

892
00:41:07,799 --> 00:41:09,801
WHERE'S EMILY?

893
00:41:10,602 --> 00:41:12,538
JJ!

894
00:41:13,071 --> 00:41:16,542
[RADIO COMMUNICATIONS,
SHOUTING]

895
00:41:16,575 --> 00:41:18,176
[SIREN]

896
00:41:19,277 --> 00:41:21,647
HERE I COME! POLICE!

897
00:41:21,680 --> 00:41:23,649
[SHOUTING]

898
00:41:23,682 --> 00:41:24,850
WILL!

899
00:41:24,883 --> 00:41:27,185
EMILY!

900
00:41:44,803 --> 00:41:48,139
THERE'S BEEN AN EXPLOSION
AT COLONIAL LIBERTY BANK
IN THE JUDICIAL DISTRICT.

901
00:41:48,173 --> 00:41:51,276
AUTHORITIES RIGHT NOW
AT THE SCENE SAY THEY
DON'T YET HAVE A CASUALTY...

902
00:41:51,309 --> 00:41:54,045
I CAN'T GET THROUGH.
EVEN THE SAT PHONE'S
GOT A BUSY SIGNAL.

903
00:41:54,079 --> 00:41:56,047
WHAT DO WE DO?
WHAT ARE WE SUPPOSED TO DO?

904
00:41:56,081 --> 00:41:57,816
I'M GONNA GET OVER THERE.

905
00:41:57,849 --> 00:42:00,752
TV: AGAIN, BREAKING NEWS--
AN EXPLOSION AT
COLONIAL LIBERTY BANK,

906
00:42:00,786 --> 00:42:06,124
KILLING A POSSIBLE 24 HOSTAGES
AND AN UNKNOWN NUMBER
OF LAW ENFORCEMENT AGENTS.

907
00:42:06,858 --> 00:42:07,793
WHAT IS GOING ON HERE?

908
00:42:07,826 --> 00:42:10,629
YOU DIDN'T PROFILE THIS
AS A SUICIDE MISSION.

909
00:42:10,662 --> 00:42:12,864
BECAUSE IT WASN'T.
THEY'D NEVER
KILL THEMSELVES.

910
00:42:12,898 --> 00:42:14,165
WHAT THE HELL
DO YOU CALL THAT, THEN?

911
00:42:14,199 --> 00:42:15,667
THEY DIDN'T IMPROVISE
A WAY OUT.

912
00:42:15,701 --> 00:42:17,769
THEY'VE HAD AN EXIT
STRATEGY IN PLACE.

913
00:42:17,803 --> 00:42:20,038
YOU DON'T LEARN
EXPLOSIVES OVERNIGHT.

914
00:42:20,071 --> 00:42:21,907
WE'RE LOOKING FOR SIGNATURES
ON THE BOMBS.

915
00:42:21,940 --> 00:42:24,275
I NEED EVERY FRAGMENT OF
EVERY DEVICE THAT YOU CAN FIND,

916
00:42:24,309 --> 00:42:25,510
NO MATTER HOW SMALL
OR DESTROYED IT LOOKS.

917
00:42:25,543 --> 00:42:29,080
I ALSO NEED EYES ON EVERY ANGLE
IN, OUT, AND AROUND THE BANK.

918
00:42:29,114 --> 00:42:30,015
YOU HAVE PHOTOS
OF THE SUSPECTS.

919
00:42:30,048 --> 00:42:31,917
WE'RE GOING TO CONTINUE
TO CROSS-CHECK THOSE

920
00:42:31,950 --> 00:42:33,585
AGAINST INTERNATIONAL
CONNECTIONS.

921
00:42:33,619 --> 00:42:34,853
DO YOU HAVE A POSITIVE
I.D. ON THE WOMAN YET?

922
00:42:34,886 --> 00:42:36,822
WE NEED MORE AGENTS.
NO. NOT YET.

923
00:42:36,855 --> 00:42:38,189
WHERE'S HOMELAND SECURITY?

924
00:42:38,223 --> 00:42:39,791
THEY JUST GOT HERE.

925
00:42:39,825 --> 00:42:40,892
[COUGHING]

926
00:42:40,926 --> 00:42:43,662
SIR, I'VE SEE MORGAN AND JJ,
BUT I HAVEN'T SEEN EMILY.

927
00:42:43,695 --> 00:42:45,063
Morgan: EMILY?

928
00:42:45,096 --> 00:42:47,933
OVER HERE!

929
00:42:48,767 --> 00:42:49,500
YOU ALL RIGHT?

930
00:42:49,534 --> 00:42:52,370
YEAH. THEY WERE
HIDING BACK HERE.

931
00:42:52,403 --> 00:42:53,739
Morgan:
CAN WE MOVE THEM?

932
00:42:53,772 --> 00:42:55,841
YEAH, WITH HELP.
HE'S UNCONSCIOUS.

933
00:42:55,874 --> 00:42:58,744
JUST LET ME STAY WITH HIM.

934
00:42:58,777 --> 00:43:01,179
PLEASE.

935
00:43:01,379 --> 00:43:03,949
I CAN'T FIND WILL.
HAVE YOU SEEN HIM?

936
00:43:03,982 --> 00:43:05,751
HE MIGHT BE
DOWN BELOW.

937
00:43:05,784 --> 00:43:08,854
WE'RE GONNA
GET YOU OUT OF HERE.

938
00:43:08,887 --> 00:43:14,626
HE'S MY LOVE OF 66 YEARS.

939
00:43:14,660 --> 00:43:18,930
MY STORY.

940
00:43:25,837 --> 00:43:28,674
YEAH. NO, IT'S BAD,
BUT I'M ALL RIGHT.

941
00:43:28,707 --> 00:43:30,909
YEAH, JUST DON'T COME
INTO THE CITY.

942
00:43:30,942 --> 00:43:33,812
AND CAN YOU TAKE JACK
ON THE BIKE RIDE TODAY?

943
00:43:33,845 --> 00:43:36,948
RIGHT. AND CAN YOU
PUT HIM ON?

944
00:43:36,982 --> 00:43:38,750
HEY, BUDDY, LISTEN,
UM, I GOTTA WORK,

945
00:43:38,784 --> 00:43:41,419
SO BETH'S GONNA TAKE YOU
ON THE BIKE RIDE, OK?

946
00:43:41,452 --> 00:43:44,723
ALL RIGHT,
I'LL SEE YOU LATER.

947
00:43:44,756 --> 00:43:46,124
CAN YOU KEEP
THE MEDIA BUSY?

948
00:43:46,157 --> 00:43:47,793
FOR NOW.
IS THAT ALL?

949
00:43:47,826 --> 00:43:48,960
YEAH. YOU?
YOU ALL RIGHT.

950
00:43:48,994 --> 00:43:52,898
DO ME A FAVOR.
HAVE THAT EAR LOOKED AT.

951
00:44:22,260 --> 00:44:24,329
IF THIS ONE'S PARALLEL
TO SOME METRO TUNNEL,

952
00:44:24,362 --> 00:44:26,064
THERE'S A GOOD CHANCE
IT BRANCHES OFF.

953
00:44:26,097 --> 00:44:27,899
ALL RIGHT,
THEN WE SPLIT UP.

954
00:44:27,933 --> 00:44:28,934
UNLESS IT'S A TRICK.

955
00:44:28,967 --> 00:44:31,803
WELL, THEN WE'RE SCREWED.

956
00:44:32,203 --> 00:44:35,173
[INDISTINCT SHOUTING]

957
00:44:39,110 --> 00:44:42,380
[SIREN]

958
00:44:54,059 --> 00:44:58,730
[OVERLAPPING CHATTER,
SIRENS]

959
00:44:58,764 --> 00:44:59,965
IS THIS THE WORK
OF A TERRORIST CELL?

960
00:44:59,998 --> 00:45:04,369
WE DO NOT BELIEVE
THAT THEY ARE PART
OF ANY TERRORIST CELLS.

961
00:45:04,402 --> 00:45:08,907
THE BANK HEISTS POINT TO THEM
BEING INDEPENDENT ANARCHISTS

962
00:45:08,940 --> 00:45:09,707
WITH HOMICIDAL TENDENCIES.

963
00:45:09,741 --> 00:45:12,143
DO YOU CONSIDER THEM
SERIAL KILLERS?

964
00:45:12,177 --> 00:45:12,978
WHAT WAS THAT?

965
00:45:13,011 --> 00:45:14,112
ARE THEY SERIAL KILLERS?

966
00:45:14,145 --> 00:45:16,882
YES. WITHOUT A DOUBT,
THE SUSPECTS
ARE SERIAL KILLERS.

967
00:45:16,915 --> 00:45:19,785
AS AGENT HOTCHNER TOLD YOU,
THEY WANT YOU TO ADMIRE THEM.

968
00:45:19,818 --> 00:45:22,087
LEAVING THE CAMERAS ON
WAS THEIR WAY TO BRAG

969
00:45:22,120 --> 00:45:24,155
ABOUT HOW MUCH FEAR
THEY WERE CREATING.

970
00:45:24,189 --> 00:45:27,893
WE NEED TO KNOW WHAT
HAPPENED, SPECIFICALLY
THE UNSUBS' BEHAVIOR

971
00:45:27,926 --> 00:45:29,828
IN THE MINUTES
LEADING UP TO THE BLAST.

972
00:45:29,861 --> 00:45:31,462
YOU'LL BE INTERVIEWING
THE SURVIVORS.

973
00:45:31,496 --> 00:45:33,431
THEY'LL BE IN VARIOUS
STAGES OF SHOCK,

974
00:45:33,464 --> 00:45:35,266
BUT ANY INFORMATION
YOU MIGHT GET

975
00:45:35,300 --> 00:45:39,170
COULD BE THE KEY
TO APPREHENDING
THESE SUSPECTS.

976
00:45:41,472 --> 00:45:45,276
AGENT HOTCHNER HAS COMPILED
A SERIES OF QUESTIONS
FOR YOU TO ASK THEM.

977
00:45:45,310 --> 00:45:47,345
THESE QUESTIONS
ARE ON YOUR PHONES NOW.

978
00:45:47,378 --> 00:45:49,114
Hotch: THANK YOU.

979
00:45:49,147 --> 00:45:49,948
YOU'RE ALL RIGHT.

980
00:45:49,981 --> 00:45:52,183
WHAT ARE YOU DOING HERE?
IT ISN'T SAFE.

981
00:45:52,217 --> 00:45:53,885
I DIDN'T WANT YOU
TO BE ALONE.

982
00:45:53,919 --> 00:45:56,021
I'M NOT. YOU KNOW,
THEY SEPARATE THE PRESIDENT

983
00:45:56,054 --> 00:45:58,223
AND THE VICE PRESIDENT
AT TIMES LIKE THIS.

984
00:45:58,256 --> 00:46:00,792
WHAT...ARE YOU COMPARING US
TO POTUS?

985
00:46:00,826 --> 00:46:04,262
I'M SAYING THAT YOU
SHOULD BE AT QUANTICO
RUNNING POINT.

986
00:46:04,295 --> 00:46:05,931
WELL, I'M HERE RIGHT NOW.

987
00:46:05,964 --> 00:46:06,932
WHAT CAN I DO?

988
00:46:06,965 --> 00:46:08,834
OK. I NEED TO ANALYZE
EVERY FRAME OF THIS VIDEO.

989
00:46:08,867 --> 00:46:10,936
MORGAN AND JJ SAID THAT
THE BLAST CREATED A HOLE

990
00:46:10,969 --> 00:46:13,004
BETWEEN THE UNDERGROUND VAULTS
AND THESE TUNNELS.

991
00:46:13,038 --> 00:46:14,239
YOU KNOW, MOST OF THESE
OLDER BANKS

992
00:46:14,272 --> 00:46:16,141
ARE MADE OF GRANITE
OR LIMESTONE
FOR LONGEVITY.

993
00:46:16,174 --> 00:46:19,210
SO SHE KNEW TO USE
A COMBINATION
OF C-4 AND SEMTEX

994
00:46:19,244 --> 00:46:20,311
TO OPEN HER ESCAPE ROUTE.

995
00:46:20,345 --> 00:46:22,213
THE TUNNELS LET OUT
AT MULTIPLE POINTS
RUNNING WEST.

996
00:46:22,247 --> 00:46:23,915
SHE COULD STILL
BE UNDERGROUND.

997
00:46:23,949 --> 00:46:25,516
I KNOW.
THIS IS WHAT SHE DOES.

998
00:46:25,550 --> 00:46:28,820
SHE PROBABLY WAITED
TILL THE LAST MINUTE TO EXIT.
SHE WANTS TO SEE ALL THIS CHAOS.

999
00:46:28,854 --> 00:46:30,421
WE NEED TO FIND THE TUNNEL
EXIT CLOSEST TO THE BANK.

1000
00:46:30,455 --> 00:46:35,994
LOOKS LIKE IT'S TWO BLOCKS HERE,
JUST OUTSIDE THE PERIMETER.

1001
00:46:45,603 --> 00:46:46,671
WHAT YOU GOT?

1002
00:46:46,704 --> 00:46:49,040
WILL ALWAYS SAY,
IF YOU CAN, YOU LEAVE
A BREAD CRUMB.

1003
00:46:49,074 --> 00:46:51,409
OK, SO HE WAS HERE,
AND CLEARHEADED ENOUGH
TO LEAVE US A CLUE.

1004
00:46:51,442 --> 00:46:53,444
THEY SHOT HIM, MORGAN.
WHY WOULD THEY TAKE HIM?

1005
00:46:53,478 --> 00:46:56,447
JJ, I DON'T KNOW,
BUT WE DIDN'T SEE
ANY BLOOD DOWN THERE

1006
00:46:56,481 --> 00:46:57,815
AND HE'S NOT HERE.
BOTH ARE GOOD SIGNS.

1007
00:46:57,849 --> 00:47:03,955
YEAH, BUT THEY HAVE HIM,
GOD ONLY KNOWS WHERE
OR WHY. HOW'S NOT GOOD?

1008
00:47:05,290 --> 00:47:07,926
[GUNSHOT, SCREAMING]

1009
00:47:09,360 --> 00:47:13,431
WHAT THE HELL IS THAT?
YOU RECORDING IT?

1010
00:47:13,464 --> 00:47:17,168
I'M TALKING TO YOU, IZZY!

1011
00:47:17,202 --> 00:47:18,937
YOU PLANNED
THIS WHOLE THING.

1012
00:47:18,970 --> 00:47:19,737
YOU DIDN'T TELL US
ANY OF IT.

1013
00:47:19,770 --> 00:47:22,340
YOU SET US UP.
YOU KILLED MY BROTHER.

1014
00:47:22,373 --> 00:47:23,141
NO, THAT WOULD BE HIM.

1015
00:47:23,174 --> 00:47:27,012
HOW DO I KNOW
HE ISN'T YOUR PARTNER?

1016
00:47:27,045 --> 00:47:28,546
WHY WOULD I WORK
WITH THIS GUY?

1017
00:47:28,579 --> 00:47:32,617
WHY WOULD YOU
DO ANY OF THIS?

1018
00:47:33,118 --> 00:47:36,654
FBI SAID YOU GOT
SOMEBODY ELSE.

1019
00:47:36,687 --> 00:47:39,257
YOU SOUND JEALOUS.

1020
00:47:39,290 --> 00:47:40,191
WHO IS IT?

1021
00:47:40,225 --> 00:47:41,159
PUT THAT AWAY.

1022
00:47:41,192 --> 00:47:44,062
THIS ISN'T ABOUT REVENGE,
IT'S ABOUT SURVIVAL.

1023
00:47:44,095 --> 00:47:45,563
IF YOU HAVEN'T
FIGURED IT OUT BY NOW,

1024
00:47:45,596 --> 00:47:48,633
I'M YOUR ONLY WAY
OUT OF THIS MESS.

1025
00:47:48,666 --> 00:47:50,568
ALL RIGHT.

1026
00:47:50,601 --> 00:47:53,038
LET ME KILL HIM
SO WE CAN GET ON WITH IT.

1027
00:47:53,071 --> 00:47:54,072
WE NEED HIM.

1028
00:47:54,105 --> 00:47:54,839
FOR WHAT?

1029
00:47:54,872 --> 00:47:55,740
LEVERAGE.
WE HAVE TO PATCH HIM UP.

1030
00:47:55,773 --> 00:47:59,077
WHAT, ARE YOU GONNA
WALK HIM INTO AN E.R.?

1031
00:47:59,110 --> 00:48:02,213
[SIREN]

1032
00:48:03,148 --> 00:48:08,153
JJ AND MORGAN SAID THE UNSUBS
WERE IN AN ALLEY
NORTHWEST OF THE PERIMETER.

1033
00:48:08,186 --> 00:48:08,987
YEAH, THIS FOOTAGE
CONFIRMS IT.

1034
00:48:09,020 --> 00:48:12,090
OK, I CAN SEE TWO FIGURES
IN THE CAR.

1035
00:48:12,123 --> 00:48:13,658
PLEASE TELL ME
ONE OF THEM IS WILL.

1036
00:48:13,691 --> 00:48:14,792
SEE HOW SHE'S TURNED.

1037
00:48:14,825 --> 00:48:16,995
IT'S LIKE SHE'S KEEPING
AN EYE ON SOMEONE
IN THE BACK.

1038
00:48:17,028 --> 00:48:18,096
DOES THIS MEAN
WILL'S IN THE CAR?

1039
00:48:18,129 --> 00:48:21,166
THERE'S SOMEBODY BACK THERE.
WHAT'S THE LICENSE PLATE?

1040
00:48:21,199 --> 00:48:24,135
THAT'S WEIRD.
THEY'RE GOVERNMENT TAGS.

1041
00:48:24,169 --> 00:48:26,204
FEDERAL.
Reid: FEDERAL OR DISTRICT?

1042
00:48:26,237 --> 00:48:27,973
WELL, THEY'RE EITHER STOLEN
OR FORGED.

1043
00:48:28,006 --> 00:48:29,140
WHO THE HELL
ARE THESE PEOPLE?

1044
00:48:29,174 --> 00:48:31,709
THEY SET UP ROADBLOCKS
IN THE DISTRICT FROM 66
TO DULLES.

1045
00:48:31,742 --> 00:48:35,413
WAIT. SO WE'RE LOOKING FOR
A BLACK SUV WITH ITS SIRENS ON.

1046
00:48:35,446 --> 00:48:37,315
THAT'S GONNA STAND OUT.

1047
00:48:37,348 --> 00:48:40,285
WILL'S WITH THEM.
I FOUND HIS WALLET.

1048
00:48:40,318 --> 00:48:42,320
IT BENEFITS THEM
TO KEEP WILL ALIVE.

1049
00:48:42,353 --> 00:48:43,588
THEY MUST HAVE
A SAFE HOUSE SET UP.

1050
00:48:43,621 --> 00:48:47,192
WHOEVER THEIR OUTSIDE
MAN IS, THAT'S WHERE
THEY'RE HEADING NOW.

1051
00:48:47,225 --> 00:48:48,526
BUT WHERE?
WHAT'S THEIR END GAME?

1052
00:48:48,559 --> 00:48:51,529
THERE'S NO LOGICAL REASON.
THEY WANT TO CREATE PANIC.

1053
00:48:51,562 --> 00:48:52,998
SHE'S STRUCK
ALL OVER THE WORLD,

1054
00:48:53,031 --> 00:48:54,332
WHICH SAYS SHE MIGHT NOT
BE AMERICAN,

1055
00:48:54,365 --> 00:48:56,334
BUT HER IDEOLOGY CERTAINLY
SPEAKS TO WASHINGTON.

1056
00:48:56,367 --> 00:48:58,203
WHATEVER POINT
SHE AND HER PARTNER
ARE MAKING,

1057
00:48:58,236 --> 00:48:59,637
IT'S IMPORTANT
THAT D.C.'s THE SETTING.

1058
00:48:59,670 --> 00:49:01,306
THE BROTHERS WERE
FROM PHILADELPHIA.

1059
00:49:01,339 --> 00:49:03,274
THE OTHER PARTNER
MIGHT BE HOMEGROWN
AS WELL.

1060
00:49:03,308 --> 00:49:05,276
HOMELAND'S SENDING OVER
A LIST OF POSSIBILITIES.

1061
00:49:05,310 --> 00:49:06,644
THEY'RE NOT
ON ANYONE'S LIST.

1062
00:49:06,677 --> 00:49:08,179
THEN HOW
DO WE FIND THEM?

1063
00:49:08,213 --> 00:49:12,017
WE FIND THE COMMON DENOMINATORS
BETWEEN ALL 14 ROBBERIES
AND WE GO FROM THERE.

1064
00:49:12,050 --> 00:49:14,119
SO SHE'S OUR ONLY ANSWER.

1065
00:49:14,152 --> 00:49:14,885
FOR NOW.

1066
00:49:14,919 --> 00:49:16,121
I'LL CALL EASTER
AT INTERPOL AGAIN.

1067
00:49:16,154 --> 00:49:21,092
NOW THAT THERE'S BEEN
AN EXPLOSION, HE MIGHT
HAVE SOME IDEAS.

1068
00:49:27,198 --> 00:49:30,535
I'M SO SORRY
ABOUT WHAT HAPPENED.
IS YOUR TEAM ALL RIGHT?

1069
00:49:30,568 --> 00:49:34,005
NO. ONE OF OUR OWN
WAS TAKEN HOSTAGE
DURING THE ESCAPE.

1070
00:49:34,039 --> 00:49:35,740
THEY MADE IT OUT OF THAT?

1071
00:49:35,773 --> 00:49:37,775
YEAH. IN A STOLEN
GOVERNMENT VEHICLE.

1072
00:49:37,808 --> 00:49:40,378
AH. WE'VE SEEN THAT BEFORE.

1073
00:49:40,411 --> 00:49:42,180
REMEMBER SCOTLAND YARD '04?

1074
00:49:42,213 --> 00:49:44,115
A SEDAN WAS STOLEN
FROM THE IMPOUND LOT.

1075
00:49:44,149 --> 00:49:47,285
YEAH, UH, SECURITY FOOTAGE
VERIFIED IT WAS A WOMAN,

1076
00:49:47,318 --> 00:49:48,619
EVEN THOUGH
SHE WAS NEVER CAUGHT.

1077
00:49:48,653 --> 00:49:49,554
NO, BUT THEY FOUND THE CAR.

1078
00:49:49,587 --> 00:49:51,389
SHE LEFT BEHIND SOME
FAKE I.D.s AND WEAPONS,

1079
00:49:51,422 --> 00:49:53,224
AND THAT'S WHERE SHE GOT
HER MONIKER, LADY X.

1080
00:49:53,258 --> 00:49:56,661
RIGHT. EVERYBODY FIGURED
WITH THAT ARSENAL
AND HER ABILITY TO EVADE,

1081
00:49:56,694 --> 00:49:59,564
SHE WAS TRAINED,
PROBABLY AN ASSASSIN.

1082
00:49:59,597 --> 00:50:01,632
TWO DAYS LATER
AN AMBASSADOR WAS KILLED.

1083
00:50:01,666 --> 00:50:03,768
SHOT IN THE STOMACH.
THE QUESTION IS,

1084
00:50:03,801 --> 00:50:06,137
WHAT ASSASSIN DOESN'T
GO FOR THE KILL SHOT?

1085
00:50:06,171 --> 00:50:07,338
THIS ONE. SHE'S SADISTIC.

1086
00:50:07,372 --> 00:50:08,606
YEAH. FITS YOUR PROFILE,
I TAKE IT.

1087
00:50:08,639 --> 00:50:11,109
WELL, YEAH, IT'S GOTTA BE
THE SAME WOMAN.

1088
00:50:11,142 --> 00:50:12,243
SHE KILLED AT EACH ROBBERY.

1089
00:50:12,277 --> 00:50:17,282
THE BANKS WERE SIMPLY A MEANS
TO FUND TODAY'S EXPLOSION.

1090
00:50:17,315 --> 00:50:18,416
HMM. EVEN IF
SHE WEARS WIGS,

1091
00:50:18,449 --> 00:50:19,784
SHE DOESN'T MIND
SHOWING HER FACE,

1092
00:50:19,817 --> 00:50:21,052
BECAUSE SHE KNOWS
WE WON'T FIND IT.

1093
00:50:21,086 --> 00:50:23,754
WE'VE ONLY GOT
ONE OTHER THING TO GO ON--
WHAT SHE LEFT BEHIND.

1094
00:50:23,788 --> 00:50:26,224
WHAT ABOUT CHAD?
IS THERE ANY CONNECTION?

1095
00:50:26,257 --> 00:50:27,625
NO, NO, NOTHING YET.

1096
00:50:27,658 --> 00:50:29,794
BUT, UM,
IF I HAD MORE HELP,

1097
00:50:29,827 --> 00:50:32,263
SAY, RUNNING THE LONDON
GATEWAY OFFICE,

1098
00:50:32,297 --> 00:50:34,432
YOU'D HAVE YOUR ANSWER
MUCH QUICKER.

1099
00:50:34,465 --> 00:50:35,800
YES, YOU SHOULD FIX THAT.

1100
00:50:35,833 --> 00:50:37,335
WELL, I'M TRYING.

1101
00:50:37,368 --> 00:50:40,671
YOU HAVE ALWAYS
HAD BAD TIMING.

1102
00:50:40,705 --> 00:50:42,307
OH, COME ON, EMILY.

1103
00:50:42,340 --> 00:50:44,542
DON'T YOU MISS THIS?

1104
00:50:44,575 --> 00:50:46,511
THINK ABOUT IT.

1105
00:50:47,145 --> 00:50:50,448
YEAH, I WILL.

1106
00:50:51,449 --> 00:50:53,284
ALL RIGHT.
YEAH, I GOT IT.

1107
00:50:53,318 --> 00:50:56,287
THAT WAS THE LAB.
SEMTEX AND C-4
LIKE WE THOUGHT.

1108
00:50:56,321 --> 00:50:58,423
RED, BLUE, AND YELLOW
WIRES IN EACH,

1109
00:50:58,456 --> 00:51:00,258
OLD CELL PHONE
USED AS A DETONATOR.

1110
00:51:00,291 --> 00:51:01,759
10 YEARS.
HOW OLD IS THE PHONE?

1111
00:51:01,792 --> 00:51:04,362
THAT'S SPECIFIC AND RARE.

1112
00:51:04,395 --> 00:51:05,463
Morgan: RIDICULOUSLY.

1113
00:51:05,496 --> 00:51:06,497
WELL, HAS ANYONE
SEEN IT BEFORE?

1114
00:51:06,531 --> 00:51:08,866
IT WAS LAST SEEN
IN A NUMBER OF
BOMBINGS IN CHAD.

1115
00:51:08,899 --> 00:51:10,268
FOR A SIGNATURE
THAT SPECIFIC,

1116
00:51:10,301 --> 00:51:11,702
THEY MUST HAVE BEEN THERE
TO LEARN IT.

1117
00:51:11,736 --> 00:51:13,104
DID EASTER HAVE
ANY INSIGHT?

1118
00:51:13,138 --> 00:51:16,507
A WOMAN THEY CALLED LADY X
STOLE A SEDAN FROM
SCOTLAND YARD 8 YEARS AGO.

1119
00:51:16,541 --> 00:51:21,179
THE INVESTIGATION CONCLUDED
SHE WAS A TRAINED ASSASSIN.
SHE DISAPPEARED.

1120
00:51:21,212 --> 00:51:24,182
SO LADY X AND QUEEN OF DIAMONDS
IS THE SAME PERSON?

1121
00:51:24,215 --> 00:51:25,015
IT SOUNDS LIKE IT.

1122
00:51:25,049 --> 00:51:26,817
GARCIA, LOOK AT
ASSASSINATION ATTEMPTS

1123
00:51:26,851 --> 00:51:28,153
AROUND THE CIVIL UNREST IN CHAD.

1124
00:51:28,186 --> 00:51:31,156
IF SHE WAS A HIRED GUN,
SHE WAS LIKELY TAKING
ORDERS FROM SOMEONE.

1125
00:51:31,189 --> 00:51:32,690
MAYBE SHE'S STILL WORKING
FOR THE SAME GUY NOW

1126
00:51:32,723 --> 00:51:34,359
AND HE'S STILL
PULLING THE STRINGS.

1127
00:51:34,392 --> 00:51:35,760
OR MAYBE SHE'S FOUND
HER EQUAL.

1128
00:51:35,793 --> 00:51:37,728
THEIR OBSESSION WITH
KILLING AND DOMINATION

1129
00:51:37,762 --> 00:51:39,096
HAS CULMINATED IN WHAT
WE'VE SEEN TODAY.

1130
00:51:39,130 --> 00:51:42,600
GETTING OFF ON THE DISASTER
THEY'VE CREATED.
CLASSIC SYMPHORPHILIACS.

1131
00:51:42,633 --> 00:51:44,101
THEN THIS ISN'T OVER.
FAR FROM IT.

1132
00:51:44,135 --> 00:51:49,274
NO. NOW THAT THEY'VE
GOTTEN AWAY WITH THIS, WHERE
ARE THEY GONNA STRIKE NEXT?

1133
00:52:00,551 --> 00:52:01,519
MORNING.

1134
00:52:01,552 --> 00:52:02,253
WE NEED HELP.
YEAH?

1135
00:52:02,287 --> 00:52:03,521
OBVIOUSLY.
OH, IS THAT A GUNSHOT?

1136
00:52:03,554 --> 00:52:07,792
HE'S GONNA NEED FLUIDS.
THERE'S A HOSPITAL
3 BLOCKS FROM HERE.

1137
00:52:07,825 --> 00:52:09,494
THERE'S NO TIME.

1138
00:52:09,527 --> 00:52:11,562
FIX HIM.

1139
00:52:17,902 --> 00:52:20,738
WILL'S DEFINITELY WITH THEM,
AND IT LOOKS LIKE HE CAN
MOVE WITHOUT A PROBLEM.

1140
00:52:20,771 --> 00:52:22,607
CAMERAS CAUGHT EVERYTHING?

1141
00:52:22,640 --> 00:52:24,675
YEAH. THE WOMAN
KILLED THE MEDIC.

1142
00:52:24,709 --> 00:52:25,943
HEY, AT LEAST WILL'S OK.

1143
00:52:25,976 --> 00:52:27,478
YEAH, FOR NOW.

1144
00:52:27,512 --> 00:52:29,247
DID THEY LEAVE
IN THE SAME VEHICLE?

1145
00:52:29,280 --> 00:52:32,283
YEAH, BUT IT'S BEEN AN HOUR
SINCE THE EXPLOSION.

1146
00:52:32,317 --> 00:52:34,352
WHY HAVEN'T THEY
LEFT THE CITY?

1147
00:52:34,385 --> 00:52:37,755
THE NEXT ATTACK
COULD BE HERE.

1148
00:52:38,723 --> 00:52:40,425
KEVIN, WHAT HAVE YOU GOT?

1149
00:52:40,458 --> 00:52:41,792
JUST GOING THROUGH...

1150
00:52:41,826 --> 00:52:43,528
THEY DID THAT ON PURPOSE,
RIGHT?

1151
00:52:43,561 --> 00:52:45,663
AND YOU SAW EVERYTHING
UNTIL THEY HAD WILL.

1152
00:52:45,696 --> 00:52:47,097
WELL, THEY MADE A MISTAKE.

1153
00:52:47,131 --> 00:52:49,567
LEAVING THE CAMERAS ON
GAVE US MUCH MORE INFORMATION
THAN THEY REALIZED.

1154
00:52:49,600 --> 00:52:51,702
WHAT TIME DID
THE 911 TEXT COME IN?

1155
00:52:51,736 --> 00:52:52,670
9:23.

1156
00:52:52,703 --> 00:52:53,804
THE BANK OPENED AT 9:00.

1157
00:52:53,838 --> 00:52:56,241
LET'S GO BACK TO THE BEGINNING.
I NEED YOU BOTH ON THIS.

1158
00:52:56,274 --> 00:52:58,676
YES, SIR.

1159
00:52:58,709 --> 00:53:00,711
HE SAID HE'D CALL
BY NOW.

1160
00:53:00,745 --> 00:53:04,982
[CELL PHONE RINGS]

1161
00:53:05,015 --> 00:53:07,252
HEY.

1162
00:53:07,285 --> 00:53:08,586
YEAH.

1163
00:53:08,619 --> 00:53:10,688
GOT IT.

1164
00:53:10,721 --> 00:53:11,689
THAT WAS FAST.

1165
00:53:11,722 --> 00:53:13,624
CHANGE IN LOCATION.

1166
00:53:13,658 --> 00:53:15,960
GET BACK ON PENNSYLVANIA AV.

1167
00:53:21,932 --> 00:53:27,338
I'M NOT GOING ANYWHERE
TILL YOU TELL ME THE PLAN.

1168
00:53:30,375 --> 00:53:32,410
WHAT ARE YOU DOING?

1169
00:53:32,443 --> 00:53:33,478
HE TALKS TOO MUCH.

1170
00:53:33,511 --> 00:53:36,614
GO AHEAD, OFFICER,
GET HIM OUT.

1171
00:53:36,647 --> 00:53:38,549
AND DO WHAT,
JUST LEAVE HIM HERE?

1172
00:53:38,583 --> 00:53:41,252
YES, PLEASE.

1173
00:53:53,831 --> 00:53:56,967
SORRY FOR THE MESS.

1174
00:54:00,805 --> 00:54:04,409
GO AHEAD. DRIVE.

1175
00:54:04,442 --> 00:54:06,844
[COUGHING]

1176
00:54:06,877 --> 00:54:10,348
THE EXPLOSION WAS A DISTRACTION
SO THEY COULD ESCAPE. WATCH.

1177
00:54:10,381 --> 00:54:12,717
ALLOW ME TO FAST-FORWARD.

1178
00:54:12,750 --> 00:54:17,655
ALL RIGHT, HERE'S
WHERE CHRIS STARTED
SHOOTING HOSTAGES.

1179
00:54:18,756 --> 00:54:21,792
THE FELLA NEXT TO HIM
DIDN'T EVEN FLINCH.

1180
00:54:21,826 --> 00:54:23,761
DOESN'T EVEN
BREAK A SWEAT.

1181
00:54:23,794 --> 00:54:25,763
WE KNOW HE'S EX-MILITARY,
BUT STILL...

1182
00:54:25,796 --> 00:54:27,798
HIS NAME IS MATTHEW DOWNS.

1183
00:54:27,832 --> 00:54:30,668
THAT'S WHAT HE TOLD ROSSI
AND HE WASN'T LYING.

1184
00:54:30,701 --> 00:54:35,806
HISTORY SHOWS DISHONORABLE
DISCHARGE FROM USMC IN '04.

1185
00:54:36,574 --> 00:54:37,908
HI, WILL.

1186
00:54:38,509 --> 00:54:39,644
YOU SEE THAT?

1187
00:54:39,677 --> 00:54:40,845
I WANT TO DO IT AGAIN.

1188
00:54:40,878 --> 00:54:42,613
WE WILL.

1189
00:54:44,749 --> 00:54:46,083
DRIVE.

1190
00:54:46,116 --> 00:54:48,553
YOU KNOW THE WAY.

1191
00:54:48,586 --> 00:54:50,888
DRIVE.

1192
00:54:52,022 --> 00:54:53,991
OK, DO ME A FAVOR.

1193
00:54:54,024 --> 00:54:54,992
KEEP GOING.

1194
00:54:55,025 --> 00:54:58,729
TO WHERE WILL WALKS IN.

1195
00:54:58,763 --> 00:55:01,799
OK, NOW WATCH HIM.

1196
00:55:01,832 --> 00:55:03,868
AND THEN...

1197
00:55:03,901 --> 00:55:05,770
LOOK AT HER.

1198
00:55:06,136 --> 00:55:08,038
HER PARTNER WAS IN THERE
THE WHOLE TIME,

1199
00:55:08,072 --> 00:55:09,740
JUST NOT IN THE WAY
THAT WE THOUGHT.

1200
00:55:09,774 --> 00:55:12,042
THEY SHOT THIS WHOLE THING
LIKE A HOME MOVIE.

1201
00:55:12,076 --> 00:55:13,478
HE COULD HAVE BEEN KILLED.

1202
00:55:13,511 --> 00:55:14,745
NO, SHE WOULDN'T
LET THAT HAPPEN.

1203
00:55:14,779 --> 00:55:16,447
WHAT THE HELL
ARE THEY DOING?

1204
00:55:16,481 --> 00:55:17,815
IT'S ALL PART OF THEIR PLAN.

1205
00:55:17,848 --> 00:55:20,718
THEY'VE CREATED SCENARIOS
THAT ARE PRACTICALLY
IMPOSSIBLE TO SURVIVE.

1206
00:55:20,751 --> 00:55:22,720
WHEN THEY MAKE IT,
IT'S THE ULTIMATE HIGH.

1207
00:55:22,753 --> 00:55:24,722
LIKE AN ADRENALINE
JUNKIE.

1208
00:55:24,755 --> 00:55:25,756
NOBODY CAN FIND
MATTHEW DOWNS.

1209
00:55:25,790 --> 00:55:27,725
ERT SAID THAT HE HELPED
THEM, THEN HE DISAPPEARED.

1210
00:55:27,758 --> 00:55:29,694
SEE YOU LATER?

1211
00:55:29,727 --> 00:55:31,929
YOU BETTER.

1212
00:55:34,999 --> 00:55:37,568
COME ON, OFFICER.

1213
00:55:37,602 --> 00:55:39,604
HE'S A DETECTIVE.

1214
00:55:39,637 --> 00:55:42,373
I'M SORRY, DICK.

1215
00:55:50,748 --> 00:55:54,852
YOU BETTER PLAY NICE,
JUST LIKE WE TALKED ABOUT.

1216
00:55:55,920 --> 00:55:57,121
CLOSE THE GATE.

1217
00:55:57,154 --> 00:55:58,823
DADDY.

1218
00:55:59,757 --> 00:56:01,526
HEY, PAL.

1219
00:56:01,559 --> 00:56:02,493
HEY, WILL.

1220
00:56:02,527 --> 00:56:03,628
HOW ARE YOU?

1221
00:56:03,661 --> 00:56:06,030
THANKS FOR TAKING CARE
OF THE LITTLE MAN.

1222
00:56:06,063 --> 00:56:08,899
LET ME PUT YOU DOWN
WHILE I TALK TO MISS KATE.

1223
00:56:08,933 --> 00:56:09,700
OK, DADDY.

1224
00:56:09,734 --> 00:56:11,101
YOU HAVEN'T BEEN WATCHING
THE NEWS?

1225
00:56:11,135 --> 00:56:15,406
I HEARD ABOUT WHAT HAPPENED,
BUT NO, I DIDN'T WANT
THE KIDS TO SEE IT.

1226
00:56:15,440 --> 00:56:17,107
YOU GUYS WORKING THE CASE?

1227
00:56:17,141 --> 00:56:18,208
IN SHIFTS, YEAH.

1228
00:56:18,242 --> 00:56:21,011
OK, WELL, IF YOU NEED
HENRY TO STAY,
IT'S NO PROBLEM.

1229
00:56:21,045 --> 00:56:21,812
WELL, UH--

1230
00:56:21,846 --> 00:56:22,613
I'M IZZY, WILL'S COUSIN.

1231
00:56:22,647 --> 00:56:25,716
OH, HI. I'M KATE.
NICE TO MEET YOU.

1232
00:56:27,017 --> 00:56:27,985
SHE JUST--SHE JUST FLEW IN.

1233
00:56:28,018 --> 00:56:31,856
SHE'S GONNA TAKE CARE OF HIM,
SO IT'S ALL GOOD.

1234
00:56:31,889 --> 00:56:34,124
ALL RIGHT, WELL,
IF YOU NEED ANYTHING,
LET ME KNOW.

1235
00:56:34,158 --> 00:56:36,794
OK.
SURE THING.

1236
00:56:37,227 --> 00:56:39,630
HEY, WILL.
GET SOME SLEEP.

1237
00:56:39,664 --> 00:56:41,899
YOU LOOK LIKE HELL.

1238
00:56:44,201 --> 00:56:46,003
HE'S STILL IN DIAPERS?

1239
00:56:46,036 --> 00:56:47,438
I DON'T REALLY DO THOSE.

1240
00:56:47,472 --> 00:56:51,642
YOU TOUCH MY KID,
I SWEAR TO GOD
I'LL KILL YOU.

1241
00:56:51,676 --> 00:56:53,110
I ALREADY TOLD YOU,

1242
00:56:53,143 --> 00:56:54,612
YOU TOUCH ME,

1243
00:56:54,645 --> 00:56:55,513
HE KILLS HER, THEN YOU.

1244
00:56:55,546 --> 00:56:57,615
DO YOU REALLY WANT
TO DO THAT TO YOUR KID,

1245
00:56:57,648 --> 00:57:00,017
BE THE REASON
HE'S AN ORPHAN?

1246
00:57:00,050 --> 00:57:03,688
DADDY, LET'S PLAY.

1247
00:57:03,721 --> 00:57:05,923
DADDY CAN'T PLAY
RIGHT NOW.

1248
00:57:05,956 --> 00:57:07,925
I GOTTA GO TO WORK.

1249
00:57:07,958 --> 00:57:09,660
BUT THIS IS, UH--

1250
00:57:09,694 --> 00:57:10,861
IZZY.

1251
00:57:10,895 --> 00:57:11,729
IZZY.

1252
00:57:11,762 --> 00:57:13,931
CAN YOU SAY HI TO IZZY?

1253
00:57:13,964 --> 00:57:14,999
HI, IZZY.

1254
00:57:15,032 --> 00:57:18,736
SHE'S GONNA STAY WITH YOU
TILL MAMA COMES HOME, OK?

1255
00:57:18,769 --> 00:57:20,070
OK.

1256
00:57:20,104 --> 00:57:21,539
HEY.

1257
00:57:21,572 --> 00:57:24,174
I LOVE YOU.

1258
00:57:24,208 --> 00:57:26,844
I LOVE YOU.

1259
00:57:26,877 --> 00:57:28,946
COME HERE.

1260
00:57:29,880 --> 00:57:30,981
IT'S GONNA BE OK.

1261
00:57:31,015 --> 00:57:32,983
IT'S GONNA BE OK.

1262
00:57:33,017 --> 00:57:35,720
ALL RIGHT. I LOVE YOU.

1263
00:57:35,753 --> 00:57:38,589
GO PLAY BACK THERE.

1264
00:57:47,164 --> 00:57:51,235
OF COURSE WILL THOUGHT
MATTHEW WAS A HOSTAGE.
WHY WOULDN'T HE?

1265
00:57:51,268 --> 00:57:54,038
THERE'S A GOOD CHANCE
WILL TRIED TO HELP HIM OUT.

1266
00:57:54,071 --> 00:57:55,239
HE TOLD HIM WHEN
TO GO FOR THE DOORS

1267
00:57:55,272 --> 00:57:57,908
OR OFFERED TO BE A HOSTAGE
TO SAVE THE OTHERS.

1268
00:57:57,942 --> 00:57:58,676
I'M SURE HE DID.

1269
00:57:58,709 --> 00:57:59,610
WELL, THERE'S
A FLIP SIDE TO THIS.

1270
00:57:59,644 --> 00:58:01,045
THIS GUY COULD HAVE
GOTTEN INTO WILL'S HEAD.

1271
00:58:01,078 --> 00:58:04,281
IS THERE ANYTHING YOU WANT
TO TELL YOUR FAMILY
IN CASE YOU DON'T MAKE IT?

1272
00:58:04,314 --> 00:58:06,651
YOU THINK WILL TOLD THEM
ABOUT JJ AND HENRY?

1273
00:58:06,684 --> 00:58:08,819
Hotch: UNKNOWINGLY.

1274
00:58:08,853 --> 00:58:10,888
WHAT'S WRONG?

1275
00:58:10,921 --> 00:58:13,558
WILL'S LICENSE IS GONE.

1276
00:58:13,591 --> 00:58:15,893
THEY KNOW WHERE WE LIVE.

1277
00:58:25,603 --> 00:58:27,605
HEY, CHECK IT OUT, WILL.
MINE LOOKS...

1278
00:58:27,638 --> 00:58:30,040
IT LOOKS ALMOST
AS GOOD AS YOURS, HUH?

1279
00:58:30,074 --> 00:58:32,577
I WASN'T SURE IF I WAS
GONNA NEED YOU AT ALL,

1280
00:58:32,610 --> 00:58:35,813
BUT THIS WAY,
IT'S MORE FUN.

1281
00:58:35,846 --> 00:58:37,915
WHAT DO YOU WANT?

1282
00:58:37,948 --> 00:58:38,583
WELL, IT'S SIMPLE.

1283
00:58:38,616 --> 00:58:40,918
YOU DO EVERYTHING
I TELL YOU

1284
00:58:40,951 --> 00:58:43,821
OR IZZY KILLS YOUR BOY.

1285
00:58:43,854 --> 00:58:45,623
THERE IS NO WAY OUT.

1286
00:58:45,656 --> 00:58:48,759
LET'S DON'T BELIEVE THE HYPE
YOU'RE THE HERO.

1287
00:58:48,793 --> 00:58:51,829
TODAY'S NOT THE DAY
FOR THAT, WILL.

1288
00:58:51,862 --> 00:58:55,099
COME ON, WE'RE LATE.

1289
00:59:05,843 --> 00:59:07,845
[TIRES SCREECH]

1290
00:59:10,981 --> 00:59:12,116
DON'T DO THAT.

1291
00:59:12,149 --> 00:59:13,718
WHAT?

1292
00:59:13,751 --> 00:59:15,185
GO ALL QUIET.

1293
00:59:15,219 --> 00:59:18,723
WHAT AM I SUPPOSED TO DO?

1294
00:59:18,756 --> 00:59:21,158
YELL.

1295
00:59:21,191 --> 00:59:22,627
I CAN'T.

1296
00:59:22,660 --> 00:59:24,629
YOU CAN'T BLAME YOURSELF.

1297
00:59:24,662 --> 00:59:26,997
WANT TO BET?

1298
00:59:27,031 --> 00:59:29,667
I SHOULD HAVE NEVER
LEFT HENRY TODAY.

1299
00:59:29,700 --> 00:59:31,068
YOU WERE DOING YOUR JOB.

1300
00:59:31,101 --> 00:59:31,969
I'M A MOM.

1301
00:59:32,002 --> 00:59:32,970
AND A FEDERAL AGENT.

1302
00:59:33,003 --> 00:59:34,171
I'M A MOM FIRST.

1303
00:59:34,204 --> 00:59:39,744
WHO HAD NO POSSIBLE
WAY OF KNOWING
HOW THIS THING WOULD GO.

1304
00:59:43,080 --> 00:59:45,716
WE MADE THIS DEAL,

1305
00:59:45,750 --> 00:59:46,416
WILL AND I.

1306
00:59:46,450 --> 00:59:49,353
THAT HENRY
WOULD NEVER BE ALONE

1307
00:59:49,386 --> 00:59:52,222
WITHOUT EITHER OF US.

1308
00:59:52,256 --> 00:59:55,059
I BROKE THAT.

1309
00:59:56,293 --> 00:59:59,697
HE'LL FORGIVE YOU.

1310
01:00:02,166 --> 01:00:05,269
WHY ARE YOU DOING THIS?

1311
01:00:05,302 --> 01:00:08,372
WHY AM I DOING THIS?

1312
01:00:08,405 --> 01:00:11,742
YOU EVER BEEN IN COMBAT?

1313
01:00:11,776 --> 01:00:12,877
NO.

1314
01:00:12,910 --> 01:00:14,945
BUT YOU THINK YOU KNOW
WHAT HAPPENS
TO THE SOULS OF MEN?

1315
01:00:14,979 --> 01:00:17,014
I NEVER SAID THAT.
YOU HAVE NO IDEA.

1316
01:00:17,047 --> 01:00:21,185
SOLDIERS DON'T COME BACK
AND KILL INNOCENT PEOPLE.

1317
01:00:21,218 --> 01:00:24,221
YOU WERE SICK BEFORE
YOU EVER WENT TO WAR.

1318
01:00:24,254 --> 01:00:27,191
YOU'VE NEVER BEEN.

1319
01:00:27,858 --> 01:00:31,128
IT WASN'T THE SAME AFTER.

1320
01:00:31,161 --> 01:00:33,831
THEY JUST CUT YOU OFF,
YOU KNOW?

1321
01:00:33,864 --> 01:00:38,035
EVERYONE. YOUR FAMILY.
THE CORPS. THE COUNTRY.

1322
01:00:38,068 --> 01:00:39,303
GOODBYE.

1323
01:00:39,336 --> 01:00:40,237
WE USED YOU.

1324
01:00:40,270 --> 01:00:41,438
IT'S A BETRAYAL.

1325
01:00:41,471 --> 01:00:42,707
SO WHAT DID I DO?

1326
01:00:42,740 --> 01:00:46,176
I FOUND A NEW HOME.

1327
01:00:50,380 --> 01:00:52,349
DETECTIVE.

1328
01:00:52,382 --> 01:00:53,517
YOU ON LOCKDOWN?

1329
01:00:53,550 --> 01:00:56,320
NO. WE'RE DIVERTING
ALL TRAFFIC.
OFFICIAL VEHICLES ONLY.

1330
01:00:56,353 --> 01:00:59,089
WE'RE JUST HERE
TO DO A SWEEP.

1331
01:01:01,959 --> 01:01:05,229
YES, SIR.
GO ON THROUGH.

1332
01:01:25,415 --> 01:01:28,352
I THIRSTY.

1333
01:01:41,365 --> 01:01:43,400
YOU NEED TO DRAW IT.

1334
01:01:43,433 --> 01:01:46,837
* RING AROUND THE ROSEY

1335
01:01:46,871 --> 01:01:50,440
* POCKETFUL OF POSIES

1336
01:01:50,474 --> 01:01:54,211
* ASHES, ASHES

1337
01:01:54,244 --> 01:01:59,149
* WE ALL FALL DOWN

1338
01:02:00,184 --> 01:02:01,251
YOU'RE SILLY.

1339
01:02:01,285 --> 01:02:05,322
CAN WE PLAY
HIDE-AND-SEEK?

1340
01:02:05,355 --> 01:02:07,424
IN A MINUTE.

1341
01:02:07,457 --> 01:02:10,327
COME HERE.

1342
01:02:16,000 --> 01:02:20,004
MY GRANDFATHER'S NAME
WAS HENRY.

1343
01:02:20,337 --> 01:02:23,407
HE HAD BLOND HAIR
JUST LIKE YOU.

1344
01:02:23,440 --> 01:02:26,443
HE WAS A SCARY MAN.

1345
01:02:26,476 --> 01:02:28,813
WHY?

1346
01:02:29,446 --> 01:02:34,184
LET ME TELL YOU A STORY.

1347
01:02:41,325 --> 01:02:43,060
SO WHY DIDN'T THEY
TAKE ALL THE MONEY?

1348
01:02:43,093 --> 01:02:46,096
Morgan: THEY WERE A MAN DOWN
AND THEY HAD TO GET OUT
IN A HURRY.

1349
01:02:46,130 --> 01:02:48,532
BUT FOR HER, TODAY
WAS LESS ABOUT THE MONEY

1350
01:02:48,565 --> 01:02:50,134
AND MORE ABOUT
THE SPECTACLE.

1351
01:02:50,167 --> 01:02:51,568
EVERYTHING THEY'VE SAID
AND DONE WAS FOR A REASON.

1352
01:02:51,601 --> 01:02:55,505
BUT WHAT DOESN'T MAKE
ANY SENSE IS SHE SWITCHED
THE NEGOTIATION DEMAND.

1353
01:02:55,539 --> 01:02:58,075
CHRIS WANTED TO GO
TO SWITZERLAND.
SHE CHANGED IT TO CHAD.

1354
01:02:58,108 --> 01:03:01,311
THEY ALSO REQUESTED
A PRIVATE PLANE,
BUT NO MENTION OF A PILOT.

1355
01:03:01,345 --> 01:03:02,880
GUYS, IF YOU
THINK ABOUT IT,

1356
01:03:02,913 --> 01:03:04,348
EVEN THE DATES
MEAN SOMETHING.

1357
01:03:04,381 --> 01:03:07,417
IN 2004, WHILE SHE WAS
WREAKING HAVOC ABROAD,

1358
01:03:07,451 --> 01:03:08,252
HE WAS DISHONORABLY
DISCHARGED.

1359
01:03:08,285 --> 01:03:11,421
THEN IN 2008,
THEY LIKELY MET IN CHAD.

1360
01:03:11,455 --> 01:03:13,257
AND NOW THIS IN 2012.

1361
01:03:13,290 --> 01:03:17,294
OK, SO IS IT A COINCIDENCE
THAT THOSE ARE ALL
ELECTION YEARS

1362
01:03:17,327 --> 01:03:18,462
AND THEY ATTACKED D.C.?

1363
01:03:18,495 --> 01:03:20,364
MAYBE THIS IS
A POLITICAL STATEMENT.

1364
01:03:20,397 --> 01:03:24,301
NO. IT'S MORE PERSONAL
THAN THAT.

1365
01:03:24,334 --> 01:03:26,871
IT'S THEIR STORY.

1366
01:03:26,904 --> 01:03:27,804
WHAT?

1367
01:03:27,838 --> 01:03:32,009
ALL OF THE DETAILS
ARE A PART OF THEIR STORY.

1368
01:03:32,042 --> 01:03:32,943
THEIR TIMELINE SUGGESTS

1369
01:03:32,977 --> 01:03:34,144
THEY WERE BOTH
DESTRUCTIVE
BEFORE THEY MET.

1370
01:03:34,178 --> 01:03:37,481
SO WE'RE TALKING ABOUT
EX-MILITARY TURNING ON
THEIR COUNTRY.

1371
01:03:37,514 --> 01:03:39,917
IT'S RARE, BUT SOLDIERS
BECOME DISENFRANCHISED

1372
01:03:39,950 --> 01:03:40,918
NO MATTER
WHAT THE NATIONALITY.

1373
01:03:40,951 --> 01:03:43,420
AND IF HE MET SOMEONE
LIKE-MINDED AT THAT TIME,

1374
01:03:43,453 --> 01:03:44,788
THERE'D BE
NO STOPPING THEM.

1375
01:03:44,821 --> 01:03:47,391
SO YOU'RE THINKING THEY MET
DURING THE CIVIL UNREST
IN CHAD IN '08.

1376
01:03:47,424 --> 01:03:48,893
YEAH, AND ONE
OR BOTH OF THEM ARE PILOTS.

1377
01:03:48,926 --> 01:03:51,395
SO IF GARCIA CONCENTRATES
ON THAT REGION,

1378
01:03:51,428 --> 01:03:53,297
SPECIFICALLY WEAPONS
RUNNING IN AND OUT
OF LIBYA,

1379
01:03:53,330 --> 01:03:56,100
THERE'S A GOOD CHANCE
WE'LL FIND
THEIR PATHS CROSSED.

1380
01:03:56,133 --> 01:03:58,068
OK, MULTIPLE ENTRIES
INTO LIBYA

1381
01:03:58,102 --> 01:04:01,972
FOR A PRIVATE PILOT NAMED
MATTHEW DOWNS IN '08,
BUT I DON'T HAVE HER NAME.

1382
01:04:02,006 --> 01:04:03,573
WELL, BECAUSE
SHE HAD ALIASES.

1383
01:04:03,607 --> 01:04:04,975
IT'S THE ONLY WAY
TO STAY A GHOST.

1384
01:04:05,009 --> 01:04:07,477
HERE'S THE THING--
THEY ARE A COUPLE.

1385
01:04:07,511 --> 01:04:08,578
REGARDLESS OF WHAT
WE BELIEVE OF THEM,

1386
01:04:08,612 --> 01:04:12,249
THEY WILL CELEBRATE
THEMSELVES
AND THEIR CONNECTION.

1387
01:04:12,282 --> 01:04:16,386
IS THERE ANYTHING
THAT HAPPENED
ON THIS DATE IN CHAD?

1388
01:04:16,420 --> 01:04:19,456
OH, YOU ARE GOOD,
EMILY PRENTISS.

1389
01:04:19,489 --> 01:04:20,624
BUT THIS NEWS IS NOT.

1390
01:04:20,657 --> 01:04:24,261
YES, THERE WERE
MULTIPLE EXPLOSIONS
ON THIS DATE IN '08.

1391
01:04:24,294 --> 01:04:26,263
WHERE WERE THE MOST CASUALTIES?

1392
01:04:26,296 --> 01:04:27,364
AT A CHURCH--
NO, NO, A TRAIN.

1393
01:04:27,397 --> 01:04:28,665
YEP.
Morgan; SEMTEX AND C-4?

1394
01:04:28,698 --> 01:04:30,667
ARE TRAINS STILL ARRIVING
AT UNION STATION?

1395
01:04:30,700 --> 01:04:33,170
YES, BUT ONLY THE
AUTHORITIES ARE ALLOWED IN.

1396
01:04:33,203 --> 01:04:35,906
THAT'S WHY
THEY NEEDED WILL.

1397
01:04:44,081 --> 01:04:45,549
SHE DOESN'T HAVE HER CELL.

1398
01:04:45,582 --> 01:04:49,053
KATE WOULD NEVER
TAKE HER EYES OFF HENRY
LIKE THIS.

1399
01:04:49,086 --> 01:04:50,654
THEY MUST HAVE HIM.

1400
01:04:50,687 --> 01:04:51,555
WAIT.

1401
01:04:51,588 --> 01:04:54,391
WE NEED A DISTRACTION.

1402
01:05:03,200 --> 01:05:07,671
I THOUGHT YOU CARED
MORE ABOUT YOUR FAMILY, WILL.

1403
01:05:07,704 --> 01:05:10,907
[SIREN]

1404
01:05:18,415 --> 01:05:21,385
HE'S GONNA WANT TO STAY
CLOSE TO WATCH.

1405
01:05:26,590 --> 01:05:30,627
P.A.: PROCEED WITH CAUTION
TO THE NEAREST EXIT.

1406
01:05:33,430 --> 01:05:39,103
[P.A. ANNOUNCEMENT
IN SPANISH]

1407
01:05:40,504 --> 01:05:45,209
[P.A. ANNOUNCEMENT
IN GERMAN]

1408
01:05:57,754 --> 01:06:02,392
P.A.: PLEASE PROCEED WITH
CAUTION TO THE NEAREST EXIT.

1409
01:06:02,426 --> 01:06:04,561
THANK YOU.

1410
01:06:07,097 --> 01:06:10,367
HOTCH, I GOT THE SUSPECT
GOING OUT THE EAST WING.

1411
01:06:10,400 --> 01:06:12,336
COPY.

1412
01:06:19,576 --> 01:06:21,611
I FOUND WILL.

1413
01:06:21,645 --> 01:06:23,347
Hotch: IS HE MOBILE?

1414
01:06:23,380 --> 01:06:28,085
NEGATIVE. HE'S GOT
6 TRANSMITTERS ON HIM

1415
01:06:28,118 --> 01:06:29,619
AND THIS WHOLE PLACE
IS GONNA BLOW.

1416
01:06:29,653 --> 01:06:30,820
ALL RIGHT, WHERE ARE YOU?
I'M ON MY WAY.

1417
01:06:30,854 --> 01:06:33,590
NO, YOU GOTTA GET EVERYONE OUT.
IS THE BOMB SQUAD HERE YET?

1418
01:06:33,623 --> 01:06:35,525
THEY'RE 3 MINUTES AWAY.

1419
01:06:35,559 --> 01:06:36,160
COPY.

1420
01:06:36,193 --> 01:06:38,262
EMILY, YOU GOTTA GET HENRY.

1421
01:06:38,295 --> 01:06:41,031
THEY'RE AT THE HOUSE.

1422
01:07:20,870 --> 01:07:24,441
TURN AROUND.

1423
01:07:25,475 --> 01:07:26,776
MOMMY!

1424
01:07:45,129 --> 01:07:47,531
HENRY!

1425
01:08:11,888 --> 01:08:14,491
COME HERE.
MOMMY.

1426
01:08:23,767 --> 01:08:25,669
JUST GET EVERYBODY
OUT OF HERE.

1427
01:08:25,702 --> 01:08:28,538
I'M NOT GONNA LEAVE YOU.
JUST GIVE ME A MINUTE.

1428
01:08:28,572 --> 01:08:30,140
JUST ABOUT ALL YOU GOT.

1429
01:08:30,174 --> 01:08:33,410
OK, EVERYTHING THEY DID
AND SAID WAS ABOUT THEM.

1430
01:08:33,443 --> 01:08:34,778
NARCISSISTS.

1431
01:08:34,811 --> 01:08:36,313
ROMANTICS.

1432
01:08:36,346 --> 01:08:39,716
THEY MET IN 2008.

1433
01:08:39,749 --> 01:08:41,751
OH, WHAT ARE YOU DOING?

1434
01:08:41,785 --> 01:08:45,789
SERIOUSLY, EMILY, GO.

1435
01:08:45,822 --> 01:08:47,791
GO.

1436
01:08:52,729 --> 01:08:55,432
OK, HOLD ON. CHAD.

1437
01:08:55,465 --> 01:08:58,702
2-4-2-3.

1438
01:08:58,735 --> 01:08:59,436
OH! DAMN IT.

1439
01:08:59,469 --> 01:09:01,905
OK, THESE ARE VALENTINES
FOR HER,

1440
01:09:01,938 --> 01:09:05,442
SO A 4-LETTER WORD.
LOVE, LIFE, SOUL.

1441
01:09:05,475 --> 01:09:06,743
IZZY.

1442
01:09:06,776 --> 01:09:08,512
HER NAME IS IZZY.

1443
01:09:11,481 --> 01:09:13,483
I-Z-Z-Y.

1444
01:09:13,517 --> 01:09:14,918
OH!

1445
01:09:15,952 --> 01:09:18,488
OH, GOD!

1446
01:09:24,428 --> 01:09:28,398
[HORN HONKS, BRAKES SCREECH]

1447
01:09:42,679 --> 01:09:45,915
[GUNSHOT]

1448
01:09:54,691 --> 01:09:56,560
PRENTISS, WHAT'S YOUR STATUS?

1449
01:09:56,593 --> 01:09:59,363
PRENTISS, DO YOU COPY?

1450
01:09:59,396 --> 01:10:01,731
THE STORYTELLING'S
IN THE DETAILS.

1451
01:10:01,765 --> 01:10:03,533
THOSE WIRES MEAN SOMETHING.

1452
01:10:03,567 --> 01:10:04,234
LIKE WHAT?

1453
01:10:04,268 --> 01:10:06,736
THE COLORS
OF THE FLAG OF CHAD.

1454
01:10:06,770 --> 01:10:07,771
RED, YELLOW, AND BLUE.

1455
01:10:07,804 --> 01:10:09,773
ONLY ONE IS DIFFERENT
FROM THE U.S. FLAG--YELLOW.

1456
01:10:09,806 --> 01:10:11,675
WHAT DO YOU THINK?

1457
01:10:15,879 --> 01:10:18,548
OHH!

1458
01:10:21,618 --> 01:10:24,588
HOW DID YOU DO THAT?

1459
01:10:24,621 --> 01:10:27,524
I DIDN'T OVERTHINK IT.

1460
01:11:03,893 --> 01:11:08,465
THEY SAY I NEED
ANOTHER X-RAY.

1461
01:11:14,070 --> 01:11:15,805
HEY.

1462
01:11:16,840 --> 01:11:18,475
HEY, COME ON.

1463
01:11:18,508 --> 01:11:22,045
NO TEARS. IT'S OK.

1464
01:11:22,078 --> 01:11:26,950
HENRY'S SAFE.
IT'S ALL GONNA BE FINE.

1465
01:11:29,453 --> 01:11:31,488
ASK ME AGAIN.

1466
01:11:31,521 --> 01:11:33,457
WHAT?

1467
01:11:33,490 --> 01:11:35,792
ASK ME.

1468
01:11:40,830 --> 01:11:45,101
JENNIFER JAREAU,
WILL YOU MARRY ME?

1469
01:11:45,134 --> 01:11:47,604
YEAH.

1470
01:11:47,637 --> 01:11:51,775
OH, IT'S ABOUT DAMN TIME.

1471
01:11:52,141 --> 01:11:54,444
THERE'S A CHAPLAIN HERE.
LET'S JUST DO IT NOW.

1472
01:11:54,478 --> 01:11:55,679
LET'S JUST GET IT
OVER WITH.

1473
01:11:55,712 --> 01:11:58,915
HELL, NO. I'M NOT THE ONE
THAT'S SUPPOSED TO BE
IN THE GOWN.

1474
01:11:58,948 --> 01:12:00,149
ALL RIGHT, FINE.
MONDAY, THEN.

1475
01:12:00,183 --> 01:12:05,655
CLEAR YOUR CALENDAR,
'CAUSE WE HAVE A DATE
AT THE COURTHOUSE.

1476
01:12:24,173 --> 01:12:27,444
THE CONVENTION'S STILL
HAPPENING TOMORROW
IF YOU WANT TO GO.

1477
01:12:27,477 --> 01:12:28,945
THAT WHOLE CITY ON THE BRINK
OF DESTRUCTION THING

1478
01:12:28,978 --> 01:12:31,114
KIND OF TOOK THE WIND
OUT OF MY SAILS, YOU KNOW?

1479
01:12:31,147 --> 01:12:32,115
THAT'LL DO IT EVERY TIME.

1480
01:12:32,148 --> 01:12:34,884
WE DIDN'T FINISH
THE INSPECTION.

1481
01:12:34,918 --> 01:12:35,685
NO NEED.

1482
01:12:35,719 --> 01:12:36,720
Reid: WHAT HAPPENED?

1483
01:12:36,753 --> 01:12:39,923
UM, THERE IS A HORIZONTAL
CRACK IN THE FOUNDATION.

1484
01:12:39,956 --> 01:12:43,427
IT JUST WEAKENS THE ENTIRE BASE
THAT THE HOUSE IS SITTING ON.

1485
01:12:43,460 --> 01:12:44,894
YEAH. THAT DOES NOT
SOUND GOOD.

1486
01:12:44,928 --> 01:12:49,599
SO, OUR UNSUB IS IZZY ROGERS.

1487
01:12:49,633 --> 01:12:52,502
SHE'LL BE CHARGED WITH
MULTIPLE COUNTS DOMESTICALLY,

1488
01:12:52,536 --> 01:12:56,473
AND OUR INTERNATIONAL
COUNTERPARTS WILL HAVE
THEIR TURN WITH HER.

1489
01:12:56,506 --> 01:12:58,107
SHE WILL NEVER SEE
THE LIGHT OF DAY.

1490
01:12:58,141 --> 01:13:00,143
I JUST THOUGHT
YOU'D LIKE TO KNOW THAT.

1491
01:13:00,176 --> 01:13:04,448
AGENT MORGAN, A WORD?

1492
01:13:11,154 --> 01:13:12,756
I, UH...

1493
01:13:12,789 --> 01:13:14,791
I HAVEN'T HAD A CHANCE
TO SPEAK WITH YOU.

1494
01:13:14,824 --> 01:13:18,428
I SORT OF HIT THE GROUND
RUNNING.

1495
01:13:20,196 --> 01:13:23,066
IT TOOK A LOT OF COURAGE
TO CONFRONT ME

1496
01:13:23,099 --> 01:13:25,469
ABOUT MY DRINKING.

1497
01:13:25,502 --> 01:13:27,837
YOU CHANGED MY LIFE.

1498
01:13:27,871 --> 01:13:29,005
THANK YOU.

1499
01:13:29,038 --> 01:13:31,775
HONESTLY, MA'AM,
THAT'S NOT NECESSARY.

1500
01:13:31,808 --> 01:13:34,811
A SIMPLE "YOU'RE WELCOME"
WOULD SUFFICE.

1501
01:13:34,844 --> 01:13:38,047
I'M JUST GLAD YOU'RE BACK.

1502
01:13:38,081 --> 01:13:40,517
NO, YOU'RE NOT.

1503
01:13:40,550 --> 01:13:41,485
HANG ON, LET ME CHECK.

1504
01:13:41,518 --> 01:13:42,619
OH, WAIT, SHE'S HERE.
ERIN, DON'T GO ANYWHERE.

1505
01:13:42,652 --> 01:13:44,788
DAVE WANTS TO KNOW
IF EVERYONE IS FREE
TOMORROW NIGHT?

1506
01:13:44,821 --> 01:13:48,692
WELL, IT DEPENDS ON
IF HE'S BUYING.
THEN I'M DEFINITELY IN.

1507
01:13:48,725 --> 01:13:50,527
YEAH, ME, TOO.

1508
01:13:50,560 --> 01:13:52,662
YOU HEAR THAT? WE'RE IN.

1509
01:13:52,696 --> 01:13:55,532
EMILY, LOOK, I KNOW
YOU DON'T WANT
TO TALK ABOUT IT,

1510
01:13:55,565 --> 01:13:57,801
BUT IT'S EXACTLY WHY
WE NEED TO TALK ABOUT IT.

1511
01:13:57,834 --> 01:14:00,637
THIS HAS NOTHING TO DO
WITH CRACKS IN THE FOUNDATION.

1512
01:14:00,670 --> 01:14:03,607
NO. BUT IT'S A SIGN.

1513
01:14:03,640 --> 01:14:05,909
OH, PLEASE DON'T GET
ALL FREE SPIRIT ON ME.

1514
01:14:05,942 --> 01:14:10,480
I ALMOST BLEW UP
YESTERDAY, TWICE.

1515
01:14:10,514 --> 01:14:11,347
I KNOW.

1516
01:14:11,380 --> 01:14:13,617
THAT'S ABOUT AS GROUNDED
AS YOU CAN GET.

1517
01:14:13,650 --> 01:14:17,787
YOU WANT TO LEAVE,
DON'T YOU?

1518
01:14:17,821 --> 01:14:18,855
I DIDN'T SAY THAT.

1519
01:14:18,888 --> 01:14:20,857
IT'S THE ONLY REASON
YOU WOULD BE THIS QUIET,
EMILY.

1520
01:14:20,890 --> 01:14:24,928
CAN WE PLEASE
TALK ABOUT THIS LATER?

1521
01:14:24,961 --> 01:14:25,862
NO.

1522
01:14:25,895 --> 01:14:29,766
HOW LONG HAVE YOU
BEEN THINKING ABOUT THIS?

1523
01:14:29,799 --> 01:14:32,569
HONESTLY...

1524
01:14:32,602 --> 01:14:35,505
SINCE I GOT BACK.

1525
01:14:37,073 --> 01:14:37,841
REALLY?

1526
01:14:37,874 --> 01:14:41,244
IT'S NOT YOU GUYS.

1527
01:14:41,277 --> 01:14:42,879
I LOVE YOU.

1528
01:14:42,912 --> 01:14:46,516
I JUST CAN'T GRAB ON
TO MY OLD LIFE

1529
01:14:46,550 --> 01:14:50,253
AND PRETEND
THAT NOTHING HAPPENED.

1530
01:14:50,286 --> 01:14:52,589
IS THIS ABOUT EASTER?

1531
01:14:52,622 --> 01:14:53,823
NO.

1532
01:14:53,857 --> 01:14:58,528
BUT HE DID ASK ME
TO RUN THE LONDON OFFICE.

1533
01:14:58,562 --> 01:14:59,796
AND YOU'RE GONNA DO IT.

1534
01:14:59,829 --> 01:15:02,566
HE JUST ASKED YESTERDAY.

1535
01:15:02,599 --> 01:15:04,233
BUT YOU'RE THINKING
ABOUT IT.

1536
01:15:04,267 --> 01:15:05,735
I DON'T KNOW YET.

1537
01:15:05,769 --> 01:15:06,703
I--

1538
01:15:06,736 --> 01:15:10,940
I THOUGHT BUYING A HOUSE
AND PUTTING DOWN ROOTS

1539
01:15:10,974 --> 01:15:13,643
WAS GONNA FIX THIS FEELING,

1540
01:15:13,677 --> 01:15:17,847
IT WAS GONNA GIVE ME
WHAT I WANTED.

1541
01:15:17,881 --> 01:15:20,850
BUT IT HASN'T.

1542
01:15:21,651 --> 01:15:24,821
IT'S BIGGER THAN THAT.

1543
01:15:26,022 --> 01:15:28,992
YOU THINK I SHOULD STAY.

1544
01:15:29,759 --> 01:15:33,697
I THINK I MISS YOU ALREADY.

1545
01:15:36,032 --> 01:15:37,233
WHAT?

1546
01:15:37,266 --> 01:15:39,168
UH--UH--
I'LL TELL YOU LATER.

1547
01:15:39,202 --> 01:15:42,338
I DO NOT LIKE THE SOUND
OF "I'LL TELL YOU LATER."

1548
01:15:42,371 --> 01:15:45,709
IT'S JJ's NIGHT,
AND I DON'T WANT TO...

1549
01:15:45,742 --> 01:15:46,976
ALL RIGHT,
IF YOU ARE TELLING ME

1550
01:15:47,010 --> 01:15:48,745
THAT THERE IS SOMETHING
BAD HAPPENING RIGHT NOW

1551
01:15:48,778 --> 01:15:50,880
TO BALANCE OUT THE GOODNESS
THAT IS TONIGHT,

1552
01:15:50,914 --> 01:15:53,783
I WILL HAVE NONE OF IT,
BECAUSE I DON'T BELIEVE
IN THAT.

1553
01:15:53,817 --> 01:15:56,853
ALTHOUGH IT'S TOTALLY
ONE OF THE TRUTHS OF LIFE.

1554
01:15:56,886 --> 01:15:59,589
ISN'T IT? THE BITTER
AND THE SWEET
MIXED UP TOGETHER

1555
01:15:59,623 --> 01:16:01,057
IN A COSMIC SOUP THAT
WE'VE ALL SIGNED UP FOR.

1556
01:16:01,090 --> 01:16:02,626
BREATHE. BREATHE.
I THINK KEVIN'S
HERE TONIGHT.

1557
01:16:02,659 --> 01:16:05,028
IT WOULD MAKE SENSE THAT
HE WOULD COME TONIGHT--

1558
01:16:05,061 --> 01:16:08,598
HE'S HERE.
HE'S HERE AND HE'S WITH HER,

1559
01:16:08,632 --> 01:16:10,667
SO I'M GONNA GO SOMEWHERE
WHICH IS NOT--

1560
01:16:10,700 --> 01:16:11,601
MM--

1561
01:16:11,635 --> 01:16:13,603
GO SOMEWHERE THAT IS NOT--
THAT IS NOT HERE.

1562
01:16:13,637 --> 01:16:16,606
HELLO. HELLO. HI.
HI, PENELOPE.

1563
01:16:16,640 --> 01:16:18,074
HI.
HELLO.

1564
01:16:18,107 --> 01:16:19,342
HELLO, EMILY.

1565
01:16:19,375 --> 01:16:20,910
HI. IT'S NICE
TO SEE YOU AGAIN.

1566
01:16:20,944 --> 01:16:22,679
OH, IT'S NICE
TO SEE YOU, TOO.
HEY, DEREK.

1567
01:16:22,712 --> 01:16:24,013
HEY, BETH.
WHAT'S UP, HOTCH?

1568
01:16:24,047 --> 01:16:26,149
OH, LOOK OUT.
LOOK WHO IT IS.

1569
01:16:26,182 --> 01:16:27,817
LITTLE MAN JACK.
GIVE ME SOME.

1570
01:16:27,851 --> 01:16:28,818
HEY, GUESS WHAT.

1571
01:16:28,852 --> 01:16:31,120
THEY GOT A REALLY COOL
FOUNTAIN RIGHT OVER THERE.

1572
01:16:31,154 --> 01:16:33,156
YOU WANT TO CHECK IT OUT
WITH ME?

1573
01:16:33,189 --> 01:16:33,923
SURE.

1574
01:16:33,957 --> 01:16:35,258
I WANT TO SEE, TOO.

1575
01:16:35,291 --> 01:16:38,127
ALL RIGHT, COME.
GO. GO, GO, GO, GO.

1576
01:16:39,162 --> 01:16:40,229
HOW ARE YOU?

1577
01:16:40,263 --> 01:16:43,132
[EXHALES]

1578
01:16:43,166 --> 01:16:44,768
THAT BAD?

1579
01:16:44,801 --> 01:16:45,769
WHAT?

1580
01:16:45,802 --> 01:16:47,737
THAT'S YOUR TELL.

1581
01:16:47,771 --> 01:16:48,705
IT IS?

1582
01:16:48,738 --> 01:16:49,405
MM-HMM.

1583
01:16:49,438 --> 01:16:50,373
FOR HOW LONG?

1584
01:16:50,406 --> 01:16:53,710
UH, EVERY SINCE
I'VE KNOWN YOU.

1585
01:16:53,743 --> 01:16:54,944
OH.

1586
01:16:54,978 --> 01:16:56,913
WELL, YOU HAVE ONE, TOO.

1587
01:16:56,946 --> 01:16:57,847
I DO?

1588
01:16:57,881 --> 01:16:59,783
YEAH. ONLY I'M NOT GONNA
TELL YOU WHAT IT IS

1589
01:16:59,816 --> 01:17:01,985
I SEE.
OR YOU'LL STOP DOING IT.

1590
01:17:02,018 --> 01:17:05,054
DO YOU WANT TO TALK ABOUT IT?

1591
01:17:05,088 --> 01:17:07,891
ABSOLUTELY.

1592
01:17:08,424 --> 01:17:10,226
BUT NOT NOW.

1593
01:17:10,259 --> 01:17:11,294
FIRST THING TOMORROW.

1594
01:17:11,327 --> 01:17:13,196
IT'S A DATE.

1595
01:17:13,229 --> 01:17:15,631
OK.

1596
01:17:27,877 --> 01:17:29,212
WOW.

1597
01:17:29,245 --> 01:17:30,914
HEY.

1598
01:17:30,947 --> 01:17:33,016
SOMEONE KNOWS
HOW TO THROW A PARTY.

1599
01:17:33,049 --> 01:17:34,017
YOU DON'T MESS AROUND.

1600
01:17:34,050 --> 01:17:36,986
WHAT CAN I TELL YOU?
I'M THE HOST WITH THE MOST.

1601
01:17:37,020 --> 01:17:38,454
NO KIDDING.

1602
01:17:38,487 --> 01:17:41,657
HEY, LOOK WHO'S HERE.

1603
01:17:42,225 --> 01:17:43,960
MOM...

1604
01:17:45,494 --> 01:17:47,463
OK, WHAT'S--WHAT'S GOING ON?

1605
01:17:47,496 --> 01:17:50,066
WELL, WE COULDN'T GET
MARRIED WITHOUT YOUR MAMA.

1606
01:17:50,099 --> 01:17:54,470
I MIGHT HAVE OVERHEARD
A LITTLE PROPOSAL YESTERDAY.

1607
01:17:54,503 --> 01:17:56,005
AND I COULDN'T WAIT
TILL MONDAY.

1608
01:17:56,039 --> 01:18:00,309
OK, SO THIS IS WHY YOU GUYS
ARE SO DRESSED UP, HUH?

1609
01:18:00,343 --> 01:18:02,311
YES. AND YOU WILL BE, TOO.

1610
01:18:02,345 --> 01:18:04,280
I BROUGHT SOMETHING BORROWED.

1611
01:18:04,313 --> 01:18:06,015
MOM, IS THAT YOUR DRESS?

1612
01:18:06,049 --> 01:18:07,851
YES.

1613
01:18:07,884 --> 01:18:10,386
LET'S GO SEE
IF IT STILL FITS.

1614
01:18:10,419 --> 01:18:12,856
OK.

1615
01:18:12,889 --> 01:18:14,190
MOM...

1616
01:18:14,223 --> 01:18:16,259
SO, NERVOUS?

1617
01:18:16,292 --> 01:18:19,495
ONLY IF SHE DOESN'T
COME BACK DOWN.

1618
01:18:19,528 --> 01:18:21,965
[PIANO PLAYING]

1619
01:18:26,102 --> 01:18:28,805
[NO DIALOGUE AUDIO]

1620
01:19:31,134 --> 01:19:33,769
[TAPPING GLASS]

1621
01:19:34,403 --> 01:19:38,041
THEY SAY THAT GOOD THINGS
HAPPEN TO GOOD PEOPLE.

1622
01:19:38,074 --> 01:19:40,376
TODAY IS ONE OF THOSE DAYS,

1623
01:19:40,409 --> 01:19:43,179
AND THESE ARE
TWO OF THOSE PEOPLE.

1624
01:19:43,212 --> 01:19:44,981
WE LOVE YOU.

1625
01:19:45,014 --> 01:19:45,982
CHEERS.

1626
01:19:46,015 --> 01:19:46,950
CHEERS.
CHEERS.

1627
01:19:46,983 --> 01:19:49,585
[LAUGHTER AND CHATTER]

1628
01:19:49,618 --> 01:19:53,056
[GUITAR PLAYING]

1629
01:19:55,058 --> 01:19:56,159
* WELL, I KNOW

1630
01:19:56,192 --> 01:19:59,028
* WHAT I DIDN'T WANT TO KNOW

1631
01:19:59,062 --> 01:20:03,933
* AND I SAW
WHERE I DIDN'T WANT TO GO *

1632
01:20:03,967 --> 01:20:06,970
* SO I TOOK THE PATH

1633
01:20:07,003 --> 01:20:08,104
* LESS TRAVELED ON

1634
01:20:08,137 --> 01:20:16,112
* AND I'LL LET MY STORIES
BE WHISPERED WHEN I'M GONE *

1635
01:20:16,145 --> 01:20:19,949
* WHEN I'M GONE

1636
01:20:21,217 --> 01:20:26,122
* WHEN I'M GONE

1637
01:20:26,155 --> 01:20:32,328
* WHEN I'M GONE

1638
01:20:35,298 --> 01:20:37,200
* WHEN HE WALKED INTO MY LIFE

1639
01:20:37,233 --> 01:20:39,402
* AND IN I LET HIM DIVE

1640
01:20:39,435 --> 01:20:43,139
* BECAUSE THE WAY
THAT HE LOOKED AT ME *

1641
01:20:43,172 --> 01:20:46,042
* MADE ME FEEL ALIVE

1642
01:20:46,075 --> 01:20:48,044
* AND NOW I KNOW

1643
01:20:48,077 --> 01:20:51,414
* NOTHING I KNOW
WOULD RELEASE THAT *

1644
01:20:51,447 --> 01:20:56,585
* COMES WHEN
YOU'RE IN THE FOLD *

1645
01:20:56,619 --> 01:21:01,324
* IN THE FOLD

1646
01:21:01,357 --> 01:21:06,996
* IN THE FOLD

1647
01:21:07,030 --> 01:21:13,569
* IN THE FOLD

1648
01:21:16,039 --> 01:21:17,473
* 'CAUSE IN THIS LIFE

1649
01:21:17,506 --> 01:21:19,909
* YOU MUST FIND
SOMETHING TO LIVE FOR *

1650
01:21:19,943 --> 01:21:23,079
* 'CAUSE WHEN THE DARKNESS
COMES A-CALLIN' *

1651
01:21:23,112 --> 01:21:26,215
* YOU'LL GO BACK TO WHERE
YOU WERE BEFORE *

1652
01:21:26,249 --> 01:21:30,619
* 'CAUSE THIS LIFE
IS AS FRAGILE AS A DREAM *

1653
01:21:30,653 --> 01:21:34,190
* AND NOTHING'S EVER REALLY

1654
01:21:34,223 --> 01:21:38,094
* AS IT SEEMS

1655
01:21:38,127 --> 01:21:43,199
* AS IT SEEMS

1656
01:21:43,232 --> 01:21:48,204
* AS IT SEEMS

1657
01:21:48,237 --> 01:21:51,975
* AS IT SEEMS

1658
01:21:52,008 --> 01:21:55,178
Prentiss: I'VE ALWAYS
HEARD EVERY ENDING

1659
01:21:55,211 --> 01:21:56,245
IS ALSO A BEGINNING

1660
01:21:56,279 --> 01:21:58,647
AND WE JUST DON'T KNOW IT
AT THE TIME.

1661
01:21:58,681 --> 01:22:02,218
I'D LIKE TO BELIEVE
THAT'S TRUE.

1662
01:22:02,585 --> 01:22:05,388
CAPTIONING MADE POSSIBLE BY
CBS, INC.

1663
01:22:05,421 --> 01:22:07,423
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--