1 00:00:01,569 --> 00:00:02,570 3, 2... 2 00:00:02,603 --> 00:00:04,672 [SHOW THEME MUSIC] 3 00:00:04,705 --> 00:00:07,275 HERE WITH US TODAY IS SUPERVISORY SPECIAL AGENT 4 00:00:07,308 --> 00:00:10,411 DAVID ROSSI, RENOWNED AUTHOR AND CO-FOUNDER 5 00:00:10,444 --> 00:00:13,547 OF THE FBI's FAMED BEHAVIORAL ANALYSIS UNIT. 6 00:00:13,581 --> 00:00:16,050 HIS LATEST BOOK, "UNDERSTANDING EVIL," 7 00:00:16,084 --> 00:00:19,520 IS AN IN-DEPTH PORTRAIT OF THE SERIAL KILLER TOMMY YATES. 8 00:00:19,553 --> 00:00:20,754 THANKS FOR JOINING US, AGENT ROSSI. 9 00:00:20,788 --> 00:00:22,056 MY PLEASURE, BRIAN. 10 00:00:22,090 --> 00:00:23,691 OF THE HUNDREDS OF MURDERERS 11 00:00:23,724 --> 00:00:24,825 THAT YOU'VE ENCOUNTERED, 12 00:00:24,858 --> 00:00:26,794 WHY DID YOU CHOOSE TO WRITE ABOUT YATES? 13 00:00:26,827 --> 00:00:29,263 WITH HIM IT WAS PERSONAL. 14 00:00:29,297 --> 00:00:31,165 WELL, EVERY YEAR ON YOUR BIRTHDAY, 15 00:00:31,199 --> 00:00:32,633 YOU WOULD VISIT YATES IN PRISON, 16 00:00:32,666 --> 00:00:34,535 AND HE'D GIVE YOU THE LOCATION OF A BODY 17 00:00:34,568 --> 00:00:36,204 OF ONE OF HIS VICTIMS. 18 00:00:36,237 --> 00:00:37,405 WHY IS THAT? 19 00:00:37,438 --> 00:00:40,341 TOMMY YATES WAS IN AN 8-BY-6-FOOT CELL. 20 00:00:40,374 --> 00:00:44,112 EVERY SECOND OF HIS LIFE WAS DICTATED. 21 00:00:44,145 --> 00:00:45,713 SO IT WAS A GAME TO HIM. 22 00:00:45,746 --> 00:00:47,681 IT WAS. AND I PLAYED ALONG 23 00:00:47,715 --> 00:00:49,083 IN ORDER TO PROVIDE CLOSURE 24 00:00:49,117 --> 00:00:50,584 TO THOSE FAMILIES. 25 00:00:50,618 --> 00:00:52,253 IT CAN'T BE EASY TO FIND COMMON GROUND 26 00:00:52,286 --> 00:00:54,088 WITH A SADISTIC MURDERER. 27 00:00:54,122 --> 00:00:55,323 HOW DID YOU DO THAT? 28 00:00:55,356 --> 00:00:56,724 OH, GOOD! WE DIDN'T MISS IT. 29 00:00:56,757 --> 00:00:58,126 GARCIA: NOPE, JUST STARTED. 30 00:00:58,159 --> 00:00:59,260 ROSSI: YOU HAVE TO SHOW RESPECT TO... 31 00:00:59,293 --> 00:01:00,828 WE'RE UP TO OUR EYEBALLS IN CASES. 32 00:01:00,861 --> 00:01:02,563 THE GUY NEVER TAKES A VACATION. 33 00:01:02,596 --> 00:01:04,698 I WANT TO KNOW WHEN HE'D FIND THE TIME 34 00:01:04,732 --> 00:01:05,933 TO WRITE ANOTHER BOOK. 35 00:01:05,966 --> 00:01:09,737 SOMEONE MUST HAVE PUT HIS MANDATORY 6 WEEKS OFF TO GOOD USE. 36 00:01:09,770 --> 00:01:11,239 ANYBODY HEARD FROM TARA? 37 00:01:11,272 --> 00:01:12,806 OH, SHE'S FINISHING UP WITH FLOYD FERELL. 38 00:01:12,840 --> 00:01:14,208 SHE'LL BE BACK IN D.C. SOON. 39 00:01:14,242 --> 00:01:15,409 I'M DVRing THIS FOR HER AND REID. 40 00:01:15,443 --> 00:01:16,777 THEY DIDN'T WANT TO MISS IT EITHER. 41 00:01:16,810 --> 00:01:19,347 OH, I HOPE HIS FIRST NIGHT TEACHING GOES WELL. 42 00:01:19,380 --> 00:01:21,515 HE WAS A LITTLE NERVOUS ABOUT IT. 43 00:01:21,549 --> 00:01:23,851 BRIAN: THIS BOOK FEELS LIKE IT'S PART MEMOIR, 44 00:01:23,884 --> 00:01:27,121 MORE SO THAN YOUR OTHERS. IS THAT ONLY BECAUSE OF YATES? 45 00:01:27,155 --> 00:01:30,424 NOT NECESSARILY. SOME OF IT WAS NECESSITY. 46 00:01:30,458 --> 00:01:32,460 HOW SO? 47 00:01:32,493 --> 00:01:33,561 WELL, I'VE SPENT MY ENTIRE CAREER 48 00:01:33,594 --> 00:01:35,129 EXPLORING OTHER PEOPLE'S MINDS, 49 00:01:35,163 --> 00:01:37,298 BUT VERY LITTLE TIME EXPLORING MY OWN. 50 00:01:37,331 --> 00:01:39,533 AND WHAT DID YOU FIND? 51 00:01:39,567 --> 00:01:41,802 THAT OBSESSION IS NOT NECESSARILY 52 00:01:41,835 --> 00:01:45,239 A PATH TRAVELED ONLY BY SERIAL KILLERS. 53 00:01:45,273 --> 00:01:46,507 HOW COME? 54 00:01:46,540 --> 00:01:48,809 WELL, PROFILERS AND SERIAL KILLERS 55 00:01:48,842 --> 00:01:52,180 OVERLAP IN MORE WAYS THAN I WOULD HAVE IMAGINED. 56 00:01:52,213 --> 00:01:54,148 WE'RE BOTH MISSION-ORIENTED 57 00:01:54,182 --> 00:01:57,151 AND DRIVEN BY NEED-BASED DESIRES. 58 00:01:57,185 --> 00:01:59,920 AND THE KEY DIFFERENCE IS THAT WHILE THEY 59 00:01:59,953 --> 00:02:03,191 TAKE LIVES, WE DO OUR BEST TO PRESERVE THEM, 60 00:02:03,224 --> 00:02:05,326 SORRY TO INTERRUPT, BUT WE HAVE BREAKING NEWS. 61 00:02:05,359 --> 00:02:08,229 EARLIER TONIGHT WAS A THIRD IN WHAT MIAMI POLICE 62 00:02:08,262 --> 00:02:11,199 ARE CALLING A STRING OF ROBBERY-MURDERS. 63 00:02:11,232 --> 00:02:15,236 IT STARTED LAST WEEK NEAR CORAL GABLES UNIVERSITY. 64 00:02:15,269 --> 00:02:17,505 BUT I SHOULD WARN YOU IS, WHAT YOU'RE ABOUT TO SEE 65 00:02:17,538 --> 00:02:19,373 COULD BE CONSIDERED GRAPHIC. 66 00:02:19,407 --> 00:02:23,244 [INDISTINCT CHATTER, SIRENS] 67 00:02:23,277 --> 00:02:26,280 OFFICER: KEEP IT BLOCKED OFF. PLEASE, MA'AM. 68 00:02:26,314 --> 00:02:28,216 BRIAN: AGENT ROSSI, WOULD YOU CARE TO COMMENT? 69 00:02:28,249 --> 00:02:31,485 I WOULD LIKE TO TALK TO MIAMI POLICE BEFORE DOING SO. 70 00:02:31,519 --> 00:02:33,554 I UNDERSTAND. AGAIN, THE BOOK IS 71 00:02:33,587 --> 00:02:35,723 [CELL PHONE VIBRATES] "UNDERSTANDING EVIL." 72 00:02:35,756 --> 00:02:37,358 SHE WAS PARKED WHEN THE UNSUB CAME UP AND SHOT HER. 73 00:02:37,391 --> 00:02:38,826 SHE MIGHT NOT HAVE EVEN SEEN HIM COMING. 74 00:02:38,859 --> 00:02:40,661 LOCALS JUST SENT OVER THE DETAILS. 75 00:02:40,694 --> 00:02:42,496 THEY BELIEVE IT'S A SERIES OF ROBBERY-HOMICIDES, 76 00:02:42,530 --> 00:02:44,832 BUT HE ONLY ROBBED THE FIRST VICTIM. 77 00:02:44,865 --> 00:02:47,268 ROBBERY COULD BE A FORENSIC COUNTERMEASURE 78 00:02:47,301 --> 00:02:49,603 TO TRY AND KEEP THE COPS FROM TYING THE CASES TOGETHER. 79 00:02:49,637 --> 00:02:52,306 A BIG CITY LIKE MIAMI, HOW DO WE EVEN KNOW THEY'RE RELATED? 80 00:02:52,340 --> 00:02:55,209 BALLISTICS MATCH. HE USED A .44-CALIBER. 81 00:02:55,243 --> 00:02:57,345 BOLD CHOICE. THAT'S A BIG GUN. 82 00:02:57,378 --> 00:02:59,547 THEN THERE'S THE VICTIMS-- MAGGIE SWANSON, 83 00:02:59,580 --> 00:03:02,816 KATHERINE SHELTON, AND NOW JEANNETTE CLAUSON. 84 00:03:02,850 --> 00:03:05,353 EACH SHOT ONCE IN THE HEART, THEY DIED INSTANTLY. 85 00:03:05,386 --> 00:03:08,756 HE'S GOT A TYPE. AND THE UNSUB COULD BE A SCORNED LOVER. 86 00:03:08,789 --> 00:03:12,326 WE'RE GOING TO MEET DAVE IN MIAMI. WHEELS UP IN 10. 87 00:03:19,600 --> 00:03:21,835 THAT PLACE WAS COOL, RIGHT? 88 00:03:21,869 --> 00:03:23,271 YEAH. 89 00:03:23,304 --> 00:03:25,773 I TOOK MY SISTER THERE ONCE. 90 00:03:25,806 --> 00:03:27,908 SHE WAS VISITING FROM SEATTLE. 91 00:03:27,941 --> 00:03:29,777 WE HAD A REALLY GOOD TIME. 92 00:03:29,810 --> 00:03:33,247 YOU TOOK ME TO THE SAME PLACE YOU TOOK YOUR SISTER? 93 00:03:33,281 --> 00:03:35,916 WELL, UH, YEAH, BUT, 94 00:03:35,949 --> 00:03:40,321 I MEAN--I KNOW HOW THAT SOUNDS. 95 00:03:40,354 --> 00:03:42,590 LOOK, I KNOW THIS GREAT PUB 96 00:03:42,623 --> 00:03:44,325 NOT TOO FAR FROM HERE. 97 00:03:44,358 --> 00:03:47,528 MAYBE NEXT TIME INSTEAD OF JUST DINNER? 98 00:03:47,561 --> 00:03:50,298 UM, I SHOULD GO. 99 00:03:50,331 --> 00:03:54,302 UH, IT'S ONLY 9:30. 100 00:03:54,335 --> 00:03:56,470 YEAH, I'M SORRY. I JUST HAVE AN EARLY MORNING. 101 00:03:56,504 --> 00:03:58,372 I'M SURE YOU DO, TOO. 102 00:03:58,406 --> 00:04:01,342 YEAH. DO YOU NEED A RIDE? 103 00:04:01,375 --> 00:04:05,779 THANKS. I WOULD, BUT MY CAR IS JUST DOWN THE STREET. 104 00:04:05,813 --> 00:04:09,383 WELL, WHY DON'T YOU TEXT ME, THEN, WHEN YOU GET HOME. 105 00:04:09,417 --> 00:04:10,884 SO I KNOW YOU'RE SAFE. 106 00:04:10,918 --> 00:04:11,952 OK? 107 00:04:11,985 --> 00:04:14,455 YEAH, OK. 108 00:04:17,024 --> 00:04:20,361 UH--IT WAS NICE TO MEET YOU, STEVEN. 109 00:04:20,394 --> 00:04:21,495 GOOD NIGHT. 110 00:04:49,056 --> 00:04:51,425 [LINE RINGING] 111 00:04:51,459 --> 00:04:52,426 WOMAN: HELLO. 112 00:04:52,460 --> 00:04:53,494 HEY, IT'S ME. 113 00:04:53,527 --> 00:04:54,495 HOW'D IT GO? 114 00:04:54,528 --> 00:04:55,763 YEAH, I MEAN, IT STARTED OFF OK, 115 00:04:55,796 --> 00:04:57,998 BUT, I DON'T KNOW, IT JUST GOT WEIRD. 116 00:04:58,031 --> 00:04:59,900 I GOT THIS VIBE FROM HIM. 117 00:04:59,933 --> 00:05:01,335 [TAPS ON WINDOW] 118 00:05:01,369 --> 00:05:02,503 YOU THINK YOU CAN JUST BLOW ME OFF? 119 00:05:02,536 --> 00:05:03,737 WOMAN ON PHONE: WHO IS THAT? 120 00:05:03,771 --> 00:05:05,005 STEVEN, IT'S NOT LIKE THAT. 121 00:05:05,038 --> 00:05:06,807 WHAT THE HELL ARE YOU DOING? WOMAN: NATALIE? 122 00:05:06,840 --> 00:05:08,409 NATALIE? STOP IT, STEVEN! 123 00:05:08,442 --> 00:05:09,677 NO. OH, MY GOD. WHO IS THAT? 124 00:05:09,710 --> 00:05:10,944 NO. 125 00:05:10,978 --> 00:05:12,413 NATALIE, WHAT'S HAPPENING? 126 00:05:12,446 --> 00:05:13,414 STOP IT! NO! YOU DON'T GET TO TELL ME-- 127 00:05:13,447 --> 00:05:14,615 [GUNSHOT] 128 00:05:14,648 --> 00:05:16,850 OH, MY GOD! NATALIE! NATALIE! 129 00:05:16,884 --> 00:05:19,887 [NATALIE SCREAMING] 130 00:05:19,920 --> 00:05:21,522 [GUNSHOT] 131 00:05:56,857 --> 00:05:58,125 PRENTISS: "THE SPECTACLE IS CAPITAL, 132 00:05:58,158 --> 00:06:01,629 ACCUMULATED TO THE POINT WHERE IT BECOMES IMAGE." 133 00:06:01,662 --> 00:06:03,897 GUY DEBORD. 134 00:06:03,931 --> 00:06:05,899 ALL 3 VICTIMS LIVED IN THE SAME AREA 135 00:06:05,933 --> 00:06:07,535 AND LED LOW-RISK LIFESTYLES. 136 00:06:07,568 --> 00:06:09,837 THE PHYSICAL TYPE IS WHAT ATTRACTS HIM. 137 00:06:09,870 --> 00:06:12,573 THERE DOESN'T SEEM TO BE ANY OTHER OBVIOUS LINK ON PAPER. 138 00:06:12,606 --> 00:06:14,542 ALVEZ: YEAH, THERE WERE NO RED FLAGS 139 00:06:14,575 --> 00:06:15,676 ON ANY OF THEIR BACKGROUNDS. 140 00:06:15,709 --> 00:06:17,144 THEY WERE JUST LIVING THEIR LIVES. 141 00:06:17,177 --> 00:06:19,112 WHICH IS MOSTLY JUST WORK AND HANGING OUT WITH FRIENDS. 142 00:06:19,146 --> 00:06:21,014 MAGGIE LOVED CATS, KATHERINE WAS A HIKER, 143 00:06:21,048 --> 00:06:22,783 AND JEANNETTE LOVED THE RAMONES. 144 00:06:22,816 --> 00:06:25,586 BETTER GET IN LINE THERE, BROTHER. WHO DOESN'T LOVE THEM? 145 00:06:25,619 --> 00:06:28,155 SORRY TO STARTLE YOU. WE JUST GOT BUZZED BY MIAMI PD. 146 00:06:28,188 --> 00:06:29,823 CRIME-FIGHTERS, THERE'S A BALLISTIC MATCH 147 00:06:29,857 --> 00:06:32,693 ON TWO MORE VICTIMS THAT WERE SHOT TONIGHT. 148 00:06:32,726 --> 00:06:34,528 AND CHECK IT OUT--THE GIRL. 149 00:06:34,562 --> 00:06:36,597 SHE LOOKS JUST LIKE THE OTHERS, IN THEIR 20s, BRUNETTE. 150 00:06:36,630 --> 00:06:38,699 GARCIA: YEAH, NATALIE CORBIS WAS A NURSE, 151 00:06:38,732 --> 00:06:40,668 STEVEN O'MALLEY WAS A MECHANICAL ENGINEER. 152 00:06:40,701 --> 00:06:42,503 BOTH WERE VERY WELL-LIKED, AND ACCORDING TO FRIENDS 153 00:06:42,536 --> 00:06:44,505 ON SOCIAL MEDIA, THEY WERE ON A FIRST DATE. 154 00:06:44,538 --> 00:06:46,574 WELL, THERE'S A COUPLE OTHER FIRSTS HERE. 155 00:06:46,607 --> 00:06:49,577 TWO BODIES AT THE SAME TIME AND ONE OF THEM'S MALE. 156 00:06:49,610 --> 00:06:51,745 SO WAS HE COLLATERAL DAMAGE OR A TARGET? 157 00:06:51,779 --> 00:06:55,215 5 VICTIMS IN ONE WEEK, 3 IN THE LAST 12 HOURS. 158 00:06:55,248 --> 00:06:57,217 IT FEELS LIKE OUR UNSUB'S ON A SPREE. 159 00:06:57,250 --> 00:06:59,052 PRENTISS: DAVE'S ALREADY ON HIS WAY TO THE M.E. 160 00:06:59,086 --> 00:07:00,488 MATT, YOU AND I WILL SET UP AT THE STATION. 161 00:07:00,521 --> 00:07:02,723 JJ, LUKE, GO TO THE LATEST CRIME SCENE. 162 00:07:10,931 --> 00:07:15,235 SO STEVEN'S STANDING HERE, NATALIE'S INSIDE THE CAR, 163 00:07:15,268 --> 00:07:18,238 BANG AND BANG. 164 00:07:18,271 --> 00:07:20,173 IT FEELS LIKE THEY WERE SAYING GOOD NIGHT, 165 00:07:20,207 --> 00:07:22,743 BUT WE KNOW STEVEN WASN'T GOING HOME WITH HER. 166 00:07:22,776 --> 00:07:24,745 THE UNSUB WOULDN'T KNOW THAT. 167 00:07:24,778 --> 00:07:28,115 IF HE'S A JILTED LOVER, HE'D SEE STEVEN AS A SURROGATE, 168 00:07:28,148 --> 00:07:30,050 THE GUY WHO STOLE HIS GIRL. 169 00:07:30,083 --> 00:07:31,585 IF HE HAD HIS HEART BROKEN RECENTLY, 170 00:07:31,619 --> 00:07:33,220 THAT COULD BE THE REASON FOR THE SPREE. 171 00:07:33,253 --> 00:07:35,556 MAYBE HIS EX GOT ENGAGED. 172 00:07:35,589 --> 00:07:37,625 OR PREGNANT. AND THAT'S WHY HE'S LASHING OUT. 173 00:07:37,658 --> 00:07:39,627 SO TIME OF DEATH WAS 174 00:07:39,660 --> 00:07:41,028 JUST BEFORE THEY WERE FOUND. 175 00:07:41,061 --> 00:07:42,229 IT WAS LIKE, WHAT, 5 MINUTES? 176 00:07:42,262 --> 00:07:43,664 NO, TWO. 177 00:07:43,697 --> 00:07:45,833 JEEZ, THIS GUY'S CUTTING IT CLOSE. 178 00:07:45,866 --> 00:07:51,605 WELL, A .44 MAGNUM HAS GOT A BIG BANG. 179 00:07:51,639 --> 00:07:53,741 MAYBE THAT'S THE POINT. 180 00:07:53,774 --> 00:07:56,243 HE WANTS THE ATTENTION. 181 00:07:56,276 --> 00:07:58,946 LOUD GUN. ATTRACTS A BIG CROWD. 182 00:07:58,979 --> 00:08:01,281 RIGHT? ADDS TO HIS THRILL. 183 00:08:01,314 --> 00:08:04,718 YEAH. SO WOULD STICKING AROUND TO WATCH HIS WORK. 184 00:08:04,752 --> 00:08:06,286 DON'T THINK OF HIM AS A SPREE KILLER, 185 00:08:06,319 --> 00:08:07,888 THINK OF HIM AS A FIRE-STARTER. 186 00:08:07,921 --> 00:08:11,258 THAT'S WHY NO ONE SEES HIM FLEE THE SCENE. 187 00:08:11,291 --> 00:08:13,794 COULD BE A FIRST RESPONDER. 188 00:08:13,827 --> 00:08:16,964 BUT POLICE, PARAMEDICS, WITNESSES, 189 00:08:16,997 --> 00:08:18,666 THEY'D HAVE TO GIVE A STATEMENT. 190 00:08:18,699 --> 00:08:20,801 YEAH, IF HE WAS ON MORE THAN ONE POLICE REPORT, 191 00:08:20,834 --> 00:08:23,136 HE'D BE ON OUR RADAR. 192 00:08:23,170 --> 00:08:25,238 WELL, MAYBE HE STICKS AROUND TO WATCH 193 00:08:25,272 --> 00:08:28,809 AND JUST DOESN'T DRAW ATTENTION TO HIMSELF. 194 00:08:28,842 --> 00:08:31,679 THIS GUY HIDES IN PLAIN SIGHT. 195 00:08:59,707 --> 00:09:02,710 [INDISTINCT CHATTER] 196 00:09:02,743 --> 00:09:04,712 MAN: EXCUSE ME. OVER HERE, PLEASE. 197 00:09:04,745 --> 00:09:07,047 [OVERLAPPING CONVERSATIONS] 198 00:09:07,080 --> 00:09:08,649 WOMAN: WHEN WILL YOU BE RELEASING... 199 00:09:08,682 --> 00:09:10,117 SECOND WOMAN: WHY DID THE POLICE CALL IN THE FBI? 200 00:09:10,150 --> 00:09:11,318 SECOND MAN: WHAT CAN YOU TELL US ABOUT THE LATEST VICTIMS? 201 00:09:11,351 --> 00:09:12,886 HEY, IS IT SAFE TO GO OUT AT NIGHT? 202 00:09:12,920 --> 00:09:14,855 WE APPRECIATE YOUR INTEREST AND CONCERN, 203 00:09:14,888 --> 00:09:17,324 BUT THE FBI HAS NO COMMENT AT THIS TIME. 204 00:09:17,357 --> 00:09:19,727 NO COMMENT? 205 00:09:19,760 --> 00:09:21,862 WALLENBERG: SORRY ABOUT THE VULTURES OUTSIDE. 206 00:09:21,895 --> 00:09:24,264 WE'RE DOING EVERYTHING WE CAN TO KEEP THEM AT BAY. 207 00:09:24,297 --> 00:09:26,767 IT'S OK. THEY'VE GOT A JOB TO DO. SO DO WE. 208 00:09:26,800 --> 00:09:28,702 WE DID SOME INITIAL INTERVIEWS WITH THE FAMILIES 209 00:09:28,736 --> 00:09:30,604 AND FOUND SOMETHING INTERESTING. 210 00:09:30,638 --> 00:09:31,939 THIS GUY MIGHT BE-- 211 00:09:31,972 --> 00:09:34,107 WHAT? 212 00:09:34,141 --> 00:09:36,810 AGAIN? EXCUSE ME. 213 00:09:36,844 --> 00:09:38,779 I'LL BE RIGHT BACK. 214 00:09:52,059 --> 00:09:54,061 HAIR CLIPS. 215 00:09:54,094 --> 00:09:55,996 WHAT ABOUT THEM? 216 00:09:56,029 --> 00:09:58,298 NO, ALL THE VICTIMS ARE WEARING THEM. 217 00:09:58,331 --> 00:09:59,933 THEY'RE GENERIC. 218 00:09:59,967 --> 00:10:01,902 BUT THEY'RE ALL PLACED IN THE SAME SPOT 219 00:10:01,935 --> 00:10:03,403 RIGHT HERE BEHIND THE LEFT EAR. 220 00:10:03,436 --> 00:10:05,238 OH, THAT MUST BE WHAT DETECTIVE WALLENBERG 221 00:10:05,272 --> 00:10:06,907 FOUND OUT FROM THE FAMILY INTERVIEWS. 222 00:10:06,940 --> 00:10:09,710 THE VICS DIDN'T WEAR THESE, SO THE UNSUB PLACED THEM. 223 00:10:09,743 --> 00:10:11,344 RITUAL ASPECT WOULD KEEP HIM AT THE SCENE LONGER, 224 00:10:11,378 --> 00:10:13,914 ESCALATE HIS RISK, WHICH HE MAY GET OFF ON. 225 00:10:13,947 --> 00:10:15,983 AND GOING WITH LUKE'S THEORY, 226 00:10:16,016 --> 00:10:18,652 THE WOMAN HE PINES FOR MAY WEAR SOMETHING LIKE THIS. 227 00:10:18,686 --> 00:10:20,688 UM, THEY'RE PRETTY DATED. 228 00:10:20,721 --> 00:10:22,890 I'M NOT SURE WE SHOULD LIMIT IT TO ROMANCE. 229 00:10:22,923 --> 00:10:26,694 THESE FEEL MORE LIKE SOMETHING A MOTHER OR A TEACHER WOULD WEAR. 230 00:10:26,727 --> 00:10:28,228 IT'S ALSO STRANGE HOW PRIVATE HE MADE IT. 231 00:10:28,261 --> 00:10:29,797 I MEAN, THE PLACEMENT OF THESE CLIPS 232 00:10:29,830 --> 00:10:31,832 MAKES IT REALLY DIFFICULT TO SEE. 233 00:10:31,865 --> 00:10:35,102 EVERYTHING HE DOES IS TO BE SEEN. 234 00:10:35,135 --> 00:10:39,106 SO WHY IS THE UNSUB HIDING THIS? 235 00:10:39,139 --> 00:10:40,808 WELL, LET'S CHECK WITH THE MANUFACTURER OF THOSE CLIPS, 236 00:10:40,841 --> 00:10:42,409 SEE WHERE THEY'RE SOLD. 237 00:10:42,442 --> 00:10:43,543 THAT COULD BE A GOOD STARTING POINT. 238 00:10:43,576 --> 00:10:46,780 MY GUESS IS ONLINE AND IN EVERY DRUGSTORE ACROSS MIAMI. 239 00:10:46,814 --> 00:10:49,349 WELL, THE GOOD NEWS IS, THEY'RE ONLY VISIBLE IN OFFICIAL CSPs. 240 00:10:49,382 --> 00:10:51,184 THEY CAN'T BE SEEN ANYWHERE IN MEDIA COVERAGE. 241 00:10:51,218 --> 00:10:52,920 GREAT. THAT'LL BUY US SOME TIME 242 00:10:52,953 --> 00:10:55,889 BEFORE THE PUBLIC FINDS OUT. 243 00:10:55,923 --> 00:10:57,424 WHAT THE... 244 00:11:02,229 --> 00:11:04,798 HOW DOES CHANNEL 3 KNOW? 245 00:11:04,832 --> 00:11:07,134 LET'S FIND OUT. 246 00:11:10,237 --> 00:11:13,406 THIS IS EXACTLY THE KIND OF THING THAT WE NEEDED. 247 00:11:13,440 --> 00:11:15,142 GREAT WORK, KAL. 248 00:11:15,175 --> 00:11:16,409 MM-HMM. 249 00:11:16,443 --> 00:11:17,845 SO NOW WE HAVE TO NAME HIM-- 250 00:11:17,878 --> 00:11:20,313 SOMETHING EVOCATIVE, LIKE SON OF SAM 251 00:11:20,347 --> 00:11:23,216 OR BTK OR ZODIAC. 252 00:11:23,250 --> 00:11:24,952 ANYONE? 253 00:11:24,985 --> 00:11:26,153 THE MIAMI MAULER? 254 00:11:26,186 --> 00:11:28,822 WHAT IS HE, AN ESCAPED LION FROM THE ZOO? 255 00:11:28,856 --> 00:11:30,123 [LAUGHTER] 256 00:11:30,157 --> 00:11:32,893 WHAT DO YOU SEE? 257 00:11:34,494 --> 00:11:36,830 SHOT-OUT WINDOW. 258 00:11:36,864 --> 00:11:39,032 A NEON LIGHT. 259 00:11:40,167 --> 00:11:42,235 THE NEON TERROR 260 00:11:42,269 --> 00:11:44,838 STRIKES AGAIN. 261 00:11:44,872 --> 00:11:46,506 NAMING THE UNSUB IS A GRAVE MISTAKE. 262 00:11:46,539 --> 00:11:48,475 IT ROMANTICIZES HIM IN THE PUBLIC'S MIND 263 00:11:48,508 --> 00:11:51,011 AND IN TURN GIVES HIM A SENSE OF POWER AND CONTROL 264 00:11:51,044 --> 00:11:52,512 HE DESPERATELY CRAVES. 265 00:11:52,545 --> 00:11:55,916 AGENTS, I'M SANDRA MADSEN. 266 00:11:55,949 --> 00:11:57,384 I'M THE NEWS DIRECTOR HERE. 267 00:11:57,417 --> 00:11:59,386 WHAT CAN I DO FOR YOU? 268 00:11:59,419 --> 00:12:01,889 IS THERE SOMEPLACE WE CAN TALK? 269 00:12:01,922 --> 00:12:03,423 SURE. FOLLOW ME. 270 00:12:03,456 --> 00:12:04,858 BACK TO WORK, EVERYONE. 271 00:12:04,892 --> 00:12:07,795 WE CAN TALK OVER HERE. 272 00:12:07,828 --> 00:12:10,998 I'VE NEVER HAD A VISIT FROM THE FBI BEFORE. 273 00:12:11,031 --> 00:12:12,532 IT MUST BE IMPORTANT. 274 00:12:12,565 --> 00:12:14,968 HOW CAN I HELP YOU, AGENTS? 275 00:12:15,002 --> 00:12:17,771 WELL, WE SAW YOUR REPORT ON THE MATCHING CLIPS 276 00:12:17,805 --> 00:12:19,306 FOUND IN THE FEMALE VICTIMS' HAIR. 277 00:12:19,339 --> 00:12:20,974 THAT WAS GREAT WORK. 278 00:12:21,008 --> 00:12:22,475 SEE, WE ACTUALLY JUST MADE 279 00:12:22,509 --> 00:12:24,344 THAT SAME CONNECTION OURSELVES. 280 00:12:24,377 --> 00:12:26,546 HOW DID YOU DO IT? 281 00:12:26,579 --> 00:12:27,948 WELL, WE HERE AT CHANNEL 3 282 00:12:27,981 --> 00:12:29,349 ARE ABLE TO MAKE DEDUCTIONS 283 00:12:29,382 --> 00:12:32,385 BASED ON THE FOOTAGE, SAME AS THE FBI. 284 00:12:32,419 --> 00:12:34,922 ROSSI: OF COURSE. BUT THE THING IS, 285 00:12:34,955 --> 00:12:37,925 YOU CAN'T SEE THE CLIPS IN THE MEDIA FOOTAGE, 286 00:12:37,958 --> 00:12:41,094 ONLY IN THE OFFICIAL CRIME SCENE PHOTOS. 287 00:12:41,128 --> 00:12:42,830 JJ: THE KILLER MUST HAVE REACHED OUT 288 00:12:42,863 --> 00:12:44,264 TO ONE OF YOUR REPORTERS? 289 00:12:44,297 --> 00:12:46,566 NO, IF HE DID, I'D KNOW. 290 00:12:46,599 --> 00:12:49,569 WE GOT THOSE PHOTOS FROM A PROTECTED SOURCE. 291 00:12:49,602 --> 00:12:51,939 MEANING SOMEONE ON THE POLICE FORCE. 292 00:12:51,972 --> 00:12:54,975 OK, I'M NOT ANSWERING ANY MORE QUESTIONS 293 00:12:55,008 --> 00:12:57,077 UNTIL THERE'S A LAWYER ON MY SIDE OF THE ROOM 294 00:12:57,110 --> 00:12:58,946 AND A WARRANT ON YOURS. 295 00:12:58,979 --> 00:13:01,348 MA'AM, PEOPLE ARE DYING. 296 00:13:01,381 --> 00:13:04,017 YES, I KNOW. AND IT'S MY JOB 297 00:13:04,051 --> 00:13:05,418 TO KEEP THE PUBLIC INFORMED. 298 00:13:05,452 --> 00:13:07,220 IT'S YOUR JOB TO KEEP THEM SAFE. 299 00:13:07,254 --> 00:13:09,056 BUT WHEN YOU NEED ME TO COMPROMISE 300 00:13:09,089 --> 00:13:11,491 MY JOURNALISTIC INTEGRITY, 301 00:13:11,524 --> 00:13:13,827 I HAVE TO DRAW THE LINE. 302 00:13:15,362 --> 00:13:18,198 WELL, UM, IF YOU CHANGE YOUR MIND, 303 00:13:18,231 --> 00:13:20,033 WE'D REALLY APPRECIATE A CALL. 304 00:13:20,067 --> 00:13:21,268 SURE. 305 00:13:21,301 --> 00:13:23,436 ROSSI: THANK YOU. 306 00:13:30,477 --> 00:13:33,113 NOW WE HAVE A SERIAL KILLER AND A NARCISSIST. 307 00:13:33,146 --> 00:13:34,982 DID YOU SEE THAT WALL OF FAME? 308 00:13:35,015 --> 00:13:36,616 UH, YEAH. EVERY INCH WAS COVERED 309 00:13:36,649 --> 00:13:38,451 WITH PHOTOS OF HER ON CAMERA. 310 00:13:38,485 --> 00:13:40,320 AND SHE HAS COVERED EVERYTHING, 311 00:13:40,353 --> 00:13:43,290 FROM HURRICANES, THE VERSACE MURDERS, CARTEL WARS, 312 00:13:43,323 --> 00:13:45,893 SUBURBAN HOMICIDES TO GANG VIOLENCE. 313 00:13:45,926 --> 00:13:48,028 SANDRA LOVES BEING ON THE FRONT LINES. 314 00:13:48,061 --> 00:13:50,630 BUT FROM WHAT I SAW, THE AWARDS STOPPED COMING. 315 00:13:50,663 --> 00:13:52,900 THEN BECOMING A NEWS DIRECTOR 316 00:13:52,933 --> 00:13:54,601 WOULD BE A DEMOTION FOR SOMEONE LIKE HER. 317 00:13:54,634 --> 00:13:57,370 NO DOUBT. SHE'S PROBABLY USING THIS STORY 318 00:13:57,404 --> 00:13:59,372 TO GOOSE CHANNEL 3's PROFILE. 319 00:13:59,406 --> 00:14:01,474 WELL, ONCE THAT NAME GOES PUBLIC, 320 00:14:01,508 --> 00:14:04,011 HE'S GOING TO GET ALL THE ATTENTION HE WANTS. 321 00:14:04,044 --> 00:14:06,179 AND THAT'S ONLY GOING TO MAKE THE UNSUB TAKE BIGGER RISKS, 322 00:14:06,213 --> 00:14:09,282 AND BIGGER RISKS MEANS MORE VICTIMS. 323 00:14:09,316 --> 00:14:11,084 WOMAN, REPORTING: LAST NIGHT, NATALIE CORBIS 324 00:14:11,118 --> 00:14:13,320 AND STEVEN O'MALLEY WERE BOTH SHOT AND KILLED 325 00:14:13,353 --> 00:14:15,022 IN A TRENDY ENCLAVE OF MIAMI 326 00:14:15,055 --> 00:14:16,556 FILLED WITH CLUBS AND BARS. 327 00:14:16,589 --> 00:14:18,658 CORBIS WAS INSIDE HER CAR, 328 00:14:18,691 --> 00:14:20,961 AND O'MALLEY WAS OUTSIDE NATALIE'S CAR 329 00:14:20,994 --> 00:14:23,931 AND WERE BOTH SHOT ONCE WITH A .44-CALIBER HANDGUN. 330 00:14:23,964 --> 00:14:25,498 REPORTER: OVER HERE! OVER HERE! 331 00:14:25,532 --> 00:14:27,134 SECOND REPORTER: HEY, RIGHT HERE, KID! 332 00:14:27,167 --> 00:14:29,136 [CAMERAS FLASHING] 333 00:14:29,169 --> 00:14:30,503 WOMAN, REPORTING: THIS IS THE FOURTH TIME 334 00:14:30,537 --> 00:14:32,572 IN RECENT DAYS THAT MIAMI RESIDENTS HAVE BEEN SHOT 335 00:14:32,605 --> 00:14:34,441 WITH THIS CALIBER FIREARM. 336 00:14:34,474 --> 00:14:38,245 IT IS UNKNOWN AT THIS TIME WHAT THE OFFENDER'S MOTIVE IS. 337 00:14:38,278 --> 00:14:39,512 CORBIS, A NURSE, 338 00:14:39,546 --> 00:14:41,448 AND O'MALLEY, A MECHANICAL ENGINEER, 339 00:14:41,481 --> 00:14:43,416 HAD JUST LEFT A LOCAL ESTABLISHMENT. 340 00:14:43,450 --> 00:14:44,985 TV ANCHOR: THANK YOU, DEBRA. 341 00:14:45,018 --> 00:14:47,587 STAY TUNED FOR MORE DETAILS ON THIS LATE-BREAKING STORY 342 00:14:47,620 --> 00:14:50,457 AS DEBRA AND OUR NEWS TEAM, CHANNEL 3, 343 00:14:50,490 --> 00:14:53,193 WILL BE ON SCENE TO BRING YOU ALL THE DETAILS 344 00:14:53,226 --> 00:14:54,527 AS IT HAPPENS... 345 00:14:54,561 --> 00:14:56,997 [CONTINUES, INDISTINCT] 346 00:14:57,030 --> 00:14:58,231 * PULL UP 347 00:14:58,265 --> 00:14:59,532 * SHE'S THE CENTER OF ATTENTION * 348 00:14:59,566 --> 00:15:01,634 * SHE GOT EVERYBODY IN THIS CLUB WISHING * 349 00:15:01,668 --> 00:15:03,336 * I CAN'T WAIT TO SEE YOU 350 00:15:03,370 --> 00:15:04,571 * SHOW UP 351 00:15:04,604 --> 00:15:06,039 * AND SHE'S ALWAYS COOL 352 00:15:06,073 --> 00:15:08,641 * LOVE BREAKING OUT EVERYWHERE 353 00:15:08,675 --> 00:15:11,344 * I MEAN, I NEVER SEEN YOUR FACE HERE BEFORE * 354 00:15:11,378 --> 00:15:12,345 * OH, MY GOD 355 00:15:12,379 --> 00:15:15,015 * I MEAN, I NEVER SEEN A STYLE LIKE YOURS... * 356 00:15:15,048 --> 00:15:17,017 * OH, MY GOD... 357 00:15:17,050 --> 00:15:20,487 * OFF THE HOOK... 358 00:15:20,520 --> 00:15:22,522 * I KNOW, CERTAINLY... 359 00:15:22,555 --> 00:15:24,591 * BUT NOW WE HEAR THEY'RE LIVIN' SO LARGE * 360 00:15:24,624 --> 00:15:25,959 [RADIO SHUTS OFF] * OH, MY GOD-- 361 00:15:29,562 --> 00:15:31,631 WHO THE HELL-- 362 00:15:32,699 --> 00:15:35,668 OH, MY GOSH! PLEASE TAKE WHATEVER YOU WANT. 363 00:15:35,702 --> 00:15:38,071 JUST...DON'T HURT ME. 364 00:15:38,105 --> 00:15:39,672 [BREATHING HARD] 365 00:15:46,179 --> 00:15:47,580 WELL, HE LIKES HIS NEW NICKNAME ENOUGH 366 00:15:47,614 --> 00:15:49,282 TO BRING HIS OWN NEON. 367 00:15:49,316 --> 00:15:52,619 DESPITE THE SLIGHT SHIFT IN M.O., 368 00:15:52,652 --> 00:15:54,754 HE KEPT THE SAME RITUAL ASPECT. 369 00:15:54,787 --> 00:15:57,290 WHO'S THE VICTIM? 370 00:15:57,324 --> 00:15:59,226 LINDSEY KRUKOWSKI. SHE'S THE MARKETING MANAGER 371 00:15:59,259 --> 00:16:00,627 AT AN APPAREL COMPANY AND LIVED ALONE. 372 00:16:00,660 --> 00:16:03,630 SHOT WITH THE SAME .44? 373 00:16:03,663 --> 00:16:05,198 LOOKS THAT WAY. 374 00:16:05,232 --> 00:16:07,400 HE MUST HAVE BEEN IN HIDING HERE SOMEWHERE, 375 00:16:07,434 --> 00:16:08,768 WAITING TO AMBUSH HER. 376 00:16:08,801 --> 00:16:10,237 WHO CALLED IT IN? 377 00:16:10,270 --> 00:16:12,239 NEIGHBOR ON A WALK HEARD THE GUNSHOTS. 378 00:16:12,272 --> 00:16:15,342 HE FOUND LINDSEY'S BODY AND CALLED 911. 379 00:16:15,375 --> 00:16:17,377 DID HE SEE ANY STRANGERS AROUND THE NEIGHBORHOOD? 380 00:16:17,410 --> 00:16:19,212 NO. AND WE CANVASSED THE REST OF THE BLOCK, TOO. 381 00:16:19,246 --> 00:16:20,380 NOBODY SAW HIM. 382 00:16:20,413 --> 00:16:22,182 SO LIKE THE NIGHTTIME CRIME SCENES, 383 00:16:22,215 --> 00:16:24,251 THIS GUY EASILY BLENDS IN. 384 00:16:24,284 --> 00:16:26,053 WALLENBERG: BUT ISN'T THIS WAY LESS RISKY? 385 00:16:26,086 --> 00:16:27,387 HE HAD ALL THE TIME IN THE WORLD 386 00:16:27,420 --> 00:16:29,122 AND LITTLE CHANCE OF WITNESSES. 387 00:16:29,156 --> 00:16:30,523 HE'S BETTING THAT A HOME INVASION 388 00:16:30,557 --> 00:16:32,292 IS HIS BEST WAY TO STAY RELEVANT. 389 00:16:32,325 --> 00:16:33,526 [VEHICLES ARRIVING] 390 00:16:33,560 --> 00:16:35,128 HE BET RIGHT. 391 00:16:35,162 --> 00:16:37,064 [INDISTINCT CHATTER] 392 00:16:37,097 --> 00:16:39,432 JJ: THEY MUST HAVE HEARD ABOUT IT ON THE POLICE SCANNER. 393 00:16:39,466 --> 00:16:40,633 YOU CAN GET IT AS AN APP 394 00:16:40,667 --> 00:16:42,302 FOR YOUR PHONE NOW. 395 00:16:42,335 --> 00:16:43,636 YEAH, I MISS THE DAYS WHEN THAT KIND OF EQUIPMENT 396 00:16:43,670 --> 00:16:45,372 WASN'T JUST A CLICK AWAY. 397 00:16:45,405 --> 00:16:48,508 WE'VE RULED OUT THAT HE'S A FIRST RESPONDER, RIGHT? 398 00:16:48,541 --> 00:16:52,245 WHAT IF HE'S ANOTHER KIND OF RESPONDER? 399 00:16:52,279 --> 00:16:53,646 THE MEDIA. 400 00:16:53,680 --> 00:16:55,615 ALVEZ: YEAH. 401 00:16:55,648 --> 00:16:57,550 OFFICER: YOU'RE GONNA HAVE TO WAIT, OK, SIR? 402 00:16:57,584 --> 00:17:00,220 WHEN WE THOUGHT THE MEDIA MIGHT BE STOKING OUR UNSUB, 403 00:17:00,253 --> 00:17:02,455 WE NEVER CONSIDERED HE MIGHT BE ONE OF THEM. 404 00:17:02,489 --> 00:17:04,724 IT CHECKS SOME OF THE BOXES. 405 00:17:04,757 --> 00:17:07,360 RISK-TAKING, ABILITY TO BLEND IN. 406 00:17:07,394 --> 00:17:09,396 IT EXPLAINS WHY NO ONE QUESTIONS HIM AT THE SCENE. 407 00:17:09,429 --> 00:17:11,098 HE'S SUPPOSED TO BE HERE. 408 00:17:11,131 --> 00:17:12,399 IF HE IS PART OF THE MEDIA, 409 00:17:12,432 --> 00:17:14,334 DO YOU THINK HE'S ALSO FILMING IT? 410 00:17:14,367 --> 00:17:16,436 I DON'T KNOW. WE'D HAVE TO GO THROUGH ALL OF THE FOOTAGE. 411 00:17:16,469 --> 00:17:18,238 EVERY STATION IS COVERING THIS. 412 00:17:18,271 --> 00:17:20,073 IT'S GONNA TAKE A LOT OF TIME. 413 00:17:20,107 --> 00:17:21,374 WE GOT ALL HANDS ON DECK. 414 00:17:21,408 --> 00:17:22,842 WHATEVER YOU NEED, WE'RE HERE. 415 00:17:22,875 --> 00:17:24,511 GREAT. THANK YOU. 416 00:17:24,544 --> 00:17:26,413 LET'S DELIVER THIS PROFILE. 417 00:17:27,747 --> 00:17:30,550 PRENTISS: WE BELIEVE THE UNSUB MAY BE A MEMBER OF THE MEDIA. 418 00:17:30,583 --> 00:17:33,120 IT'S THESE CREDENTIALS THAT LIKELY ALLOW HIM 419 00:17:33,153 --> 00:17:35,822 TO EASILY BLEND IN AT THE CRIME SCENES, NO QUESTIONS ASKED. 420 00:17:35,855 --> 00:17:38,391 WE'RE CURRENTLY SIFTING THROUGH ALL LOCAL TV, PRINT, 421 00:17:38,425 --> 00:17:41,328 AND DIGITAL JOURNALISTS IN ORDER TO BUILD A SUSPECT POOL. 422 00:17:41,361 --> 00:17:44,364 ALVEZ: BUT AS YOU KNOW, MIAMI'S A BIG MARKET, 423 00:17:44,397 --> 00:17:46,866 LOTS OF MEDIA OUTLETS, SO IT'LL TAKE SOME TIME. 424 00:17:46,899 --> 00:17:50,170 NOW, WE AREN'T SURE IF HE FILMS THE CRIME SCENES 425 00:17:50,203 --> 00:17:51,271 IMMEDIATELY AFTER THE MURDERS 426 00:17:51,304 --> 00:17:53,306 OR IS RESPONDING WITH OTHER NEWS CREWS. 427 00:17:53,340 --> 00:17:55,475 NOW, WE HAVE TO THINK OF THIS UNSUB IN TWO PARTS. 428 00:17:55,508 --> 00:17:58,311 OK, THE FIRST PART, THE PART HE'S PROBABLY NOT AWARE OF, 429 00:17:58,345 --> 00:17:59,379 IS WHO HE'S KILLING. 430 00:17:59,412 --> 00:18:02,349 OK. WE BELIEVE THE VICTIMS REPRESENT A PERSONAL LOSS. 431 00:18:02,382 --> 00:18:05,618 IT'S MOST LIKELY A MATERNAL FIGURE OR A CAREGIVER. 432 00:18:05,652 --> 00:18:08,355 THE HAIR CLIP IS HIS SYMBOLIC WAY 433 00:18:08,388 --> 00:18:11,158 OF REMAKING HIS VICTIMS INTO THAT WOMAN. 434 00:18:11,191 --> 00:18:14,527 BUT THE SECOND PART, THE PART THAT HE'S VERY AWARE OF... 435 00:18:14,561 --> 00:18:17,330 PRENTISS: THIS UNSUB IS OBSESSED WITH THE MEDIA'S REPRESENTATION 436 00:18:17,364 --> 00:18:18,898 OF HIS MURDERS. 437 00:18:18,931 --> 00:18:20,400 HIS DOPAMINE LEVELS RISE 438 00:18:20,433 --> 00:18:21,868 WHEN HE'S ON THE CRIME SCENE 439 00:18:21,901 --> 00:18:24,304 WATCHING OTHER PEOPLE RESPOND TO WHAT HE'S DONE. 440 00:18:24,337 --> 00:18:25,872 RIGHT. THEN THEY SPIKE LATER, WHEN HE'S AT HOME 441 00:18:25,905 --> 00:18:28,241 WATCHING HIS FOOTAGE ON THE EVENING NEWS. 442 00:18:28,275 --> 00:18:29,776 SOUNDS LIKE AN ADDICT. 443 00:18:29,809 --> 00:18:31,744 VERY MUCH SO. HE'S MASKING THE PAIN 444 00:18:31,778 --> 00:18:34,481 OF A CHILDHOOD TRAUMA BY ESCALATING HIS RISKS, 445 00:18:34,514 --> 00:18:37,784 BUT THAT ONLY ADDS TO HIS POWER OF CONTROL AND EXCITEMENT. 446 00:18:37,817 --> 00:18:39,486 THAT'S WHY THE NICKNAME IS A PROBLEM. 447 00:18:39,519 --> 00:18:42,689 THE MEDIA IS FEEDING HIS EGO DIRECTLY, 448 00:18:42,722 --> 00:18:44,424 AND HE WILL RESPOND IN KIND. 449 00:18:44,457 --> 00:18:46,526 RIGHT NOW HE'S PLANNING FOR THE BIGGEST BANG POSSIBLE. 450 00:18:46,559 --> 00:18:49,362 RATINGS, LIKES, SHARES ON SOCIAL MEDIA 451 00:18:49,396 --> 00:18:50,663 PROBABLY ALL MATTER TO HIM, 452 00:18:50,697 --> 00:18:52,499 SO HE COULD BE TRACKING THEM. 453 00:18:52,532 --> 00:18:54,834 PRENTISS: AND BECAUSE HE'S NO LONGER FOCUSED ON PUBLIC CRIME SCENES, 454 00:18:54,867 --> 00:18:58,405 WE ARE ASKING ALL OF YOU TO COVER AS MUCH GROUND AS POSSIBLE 455 00:18:58,438 --> 00:19:00,307 INSIDE HIS HUNTING ZONE. 456 00:19:00,340 --> 00:19:02,275 IT'S VERY IMPORTANT THAT THE INFORMATION 457 00:19:02,309 --> 00:19:05,412 SHARED IN THIS PROFILE IS NOT POSTED ONLINE 458 00:19:05,445 --> 00:19:06,846 OR LEAKED TO THE MEDIA. 459 00:19:06,879 --> 00:19:09,316 DOING SO COULD FURTHER EMBOLDEN HIM 460 00:19:09,349 --> 00:19:10,683 AND CAUSE HIM TO ESCALATE. 461 00:19:10,717 --> 00:19:12,685 THANK YOU, ALL. 462 00:19:25,398 --> 00:19:26,833 IT FEELS LIKE WE'VE BEEN THROUGH EVERY MEDIA MEMBER 463 00:19:26,866 --> 00:19:28,368 IN THE CITY, AND WE STILL GOT NOTHING. 464 00:19:28,401 --> 00:19:31,538 EVEN THOSE CHANNEL 3 JAG-OFFS CHECKED OUT. 465 00:19:31,571 --> 00:19:33,940 WELL, MAYBE HE'S NOT A JOURNALIST. 466 00:19:33,973 --> 00:19:35,708 WHAT IS HE, THEN? 467 00:19:35,742 --> 00:19:38,478 HE COULD JUST BE A DIGITAL LONER. 468 00:19:38,511 --> 00:19:40,380 YOU SEE LOTS OF GUYS AND GIRLS LIKE THAT THESE DAYS. 469 00:19:40,413 --> 00:19:43,283 THEY HAVE THE IMPULSE TO CATALOG THEIR LIVES 470 00:19:43,316 --> 00:19:45,752 NO MATTER HOW MUNDANE IT IS TO THE REST OF THE WORLD. 471 00:19:45,785 --> 00:19:49,322 HE COULD BE CATALOGING THESE CRIME SCENE PHOTOS RIGHT NOW. 472 00:19:49,356 --> 00:19:50,523 THAT'S AN INTERESTING IDEA, 473 00:19:50,557 --> 00:19:51,891 BUT HOW DOES HE GET IN AND OUT 474 00:19:51,924 --> 00:19:53,460 OF THE CRIME SCENE UNNOTICED? 475 00:19:53,493 --> 00:19:55,428 WELL, THAT'S KIND OF WHY I'M HITTING THE WALL, TOO. 476 00:19:55,462 --> 00:19:56,963 I WAS HOPING YOU MIGHT HAVE A WAY AROUND IT. 477 00:19:56,996 --> 00:20:00,500 JJ: HEY, GUYS, LOOK AT THIS. 478 00:20:00,533 --> 00:20:05,472 OK, SO THIS WAS TAKEN FROM JUST INSIDE LINDSEY'S GARAGE. 479 00:20:05,505 --> 00:20:07,974 WHAT'S MISSING? 480 00:20:08,007 --> 00:20:10,377 THE COPS. THEY'RE NOT THERE YET. 481 00:20:10,410 --> 00:20:12,412 BUT THEY RESPONDED WITHIN MINUTES. 482 00:20:12,445 --> 00:20:13,913 SO WHOEVER FILMED THIS 483 00:20:13,946 --> 00:20:15,548 HAD TO BE THERE WHEN IT HAPPENED. 484 00:20:15,582 --> 00:20:17,617 WELL, THIS WAS FILMED BY A KAL MONTGOMERY 485 00:20:17,650 --> 00:20:19,452 AT CHANNEL 3. 486 00:20:19,486 --> 00:20:21,754 I CHECKED THEIR SITE. HE'S ON THEIR I.T. STAFF. 487 00:20:21,788 --> 00:20:23,490 FIRST CHANNEL 3 BREAKS THE STORY 488 00:20:23,523 --> 00:20:25,458 ABOUT THE HAIR CLIPS, AND NOW THIS. 489 00:20:25,492 --> 00:20:26,859 WELL, IF HE'S NOT A CAMERAMAN OR A REPORTER, 490 00:20:26,893 --> 00:20:28,561 HE WOULDN'T SHOW UP ON OUR SWEEP. 491 00:20:28,595 --> 00:20:29,862 OH, AND I DOUBLE-CHECKED. 492 00:20:29,896 --> 00:20:31,931 HIS NAME IS ON EVERY NEON TERROR CRIME SCENE 493 00:20:31,964 --> 00:20:34,233 CHANNEL 3's PUT ON THE NEWS. 494 00:20:36,569 --> 00:20:39,872 SIMMONS: ALL RIGHT. I GOT HIM. FOUND HIM ON SOCIAL MEDIA. 495 00:20:39,906 --> 00:20:42,409 IT LOOKS LIKE HE'S POSTED MULTIPLE RANTS 496 00:20:42,442 --> 00:20:43,776 ABOUT AN EX-GIRLFRIEND 497 00:20:43,810 --> 00:20:46,479 WHO LOOKS A LOT LIKE OUR VICTIMS. 498 00:20:46,513 --> 00:20:48,915 ROSSI: SOUNDS LIKE A DIGITAL LONER TO ME. 499 00:20:48,948 --> 00:20:52,519 LET'S GO HAVE A CHAT WITH KAL. 500 00:20:52,552 --> 00:20:54,954 GREAT WORK, PEOPLE! 501 00:20:54,987 --> 00:20:56,923 OUR OVERNIGHT RATINGS ARE UP, 502 00:20:56,956 --> 00:20:58,958 AND TRAFFIC TO OUR SITE'S QUADRUPLED 503 00:20:58,991 --> 00:21:00,493 SINCE THE STORY BROKE. 504 00:21:00,527 --> 00:21:03,696 WE NEED TO TALK TO KAL MONTGOMERY. 505 00:21:03,730 --> 00:21:05,732 SANDRA: I DO HOPE YOU HAVE THAT WARRANT. 506 00:21:05,765 --> 00:21:07,434 HE'S A PERSON OF INTEREST 507 00:21:07,467 --> 00:21:09,402 IN A SERIAL MURDER CASE. 508 00:21:09,436 --> 00:21:10,803 UH... 509 00:21:10,837 --> 00:21:12,672 KAL, YOU'RE NOT SPEAKING TO ANYONE 510 00:21:12,705 --> 00:21:13,873 UNTIL THERE'S A LAWYER PRESENT. 511 00:21:13,906 --> 00:21:16,509 IT'S ALL RIGHT, SANDRA. 512 00:21:16,543 --> 00:21:17,977 I'M FINE. 513 00:21:19,612 --> 00:21:21,514 LET'S GO TO MY OFFICE. 514 00:21:24,984 --> 00:21:26,819 SO, YOU'VE MADE QUITE A NAME FOR YOURSELF 515 00:21:26,853 --> 00:21:28,555 ON THIS STORY, KAL. 516 00:21:28,588 --> 00:21:29,356 THANK YOU. 517 00:21:29,389 --> 00:21:31,524 YOUR VIDEO FROM THE LAST CRIME SCENE 518 00:21:31,558 --> 00:21:33,860 WAS TAKEN BEFORE THE POLICE ARRIVED? 519 00:21:33,893 --> 00:21:35,061 WHY IS THAT? 520 00:21:35,094 --> 00:21:36,529 I HEARD THE CALL ON THE SCANNER. 521 00:21:36,563 --> 00:21:37,830 I WAS IN THE AREA, SO I WENT. 522 00:21:37,864 --> 00:21:40,633 SANDRA LETS ME GO IN THE FIELD AND SHOOT VIDEO. 523 00:21:40,667 --> 00:21:42,435 YOU'RE A REAL JOHNNY ON THE SPOT. 524 00:21:42,469 --> 00:21:45,438 JJ: THEN HOW COME THE POLICE NEVER TOOK YOUR STATEMENT? 525 00:21:45,472 --> 00:21:46,839 WELL, THAT WAS ON ME. 526 00:21:46,873 --> 00:21:49,008 WE HAD TO BREAK THE STORY BEFORE WE GOT SCOOPED. 527 00:21:49,041 --> 00:21:50,610 ROSSI: YOU KNOW, KAL, THERE'S MORE TO IT 528 00:21:50,643 --> 00:21:51,878 THAN JUST FLEEING THE SCENE. 529 00:21:51,911 --> 00:21:53,680 THERE'S THE QUESTION ABOUT YOUR EX, 530 00:21:53,713 --> 00:21:56,015 THE ONE YOU'RE TRASHING ON SOCIAL MEDIA, 531 00:21:56,048 --> 00:21:58,551 THE ONE THAT LOOKS LIKE THE VICTIMS. 532 00:21:58,585 --> 00:22:00,887 YOU SEE HOW IT ADDS UP, KAL? 533 00:22:00,920 --> 00:22:02,589 JJ: YEAH, IT LOOKS TO US 534 00:22:02,622 --> 00:22:04,391 LIKE YOU KILLED STEVEN 535 00:22:04,424 --> 00:22:07,394 AND ALL THOSE WOMEN. 536 00:22:07,427 --> 00:22:10,663 I...I--I LIED. 537 00:22:10,697 --> 00:22:12,098 I DIDN'T FILM ANY OF IT. 538 00:22:13,900 --> 00:22:15,602 SANDRA: WAIT. WHAT? 539 00:22:15,635 --> 00:22:18,371 KAL: ONE DAY, SOME STRANGER SENDS ME A VIDEO 540 00:22:18,405 --> 00:22:19,972 OF THE FIRST CRIME SCENE, TELLS ME IT'S A GIFT, 541 00:22:20,006 --> 00:22:23,576 THAT I SHOULD POST IT AS MY OWN, SO I DID. 542 00:22:23,610 --> 00:22:25,712 WHO DID THIS STRANGER SAY HE WAS? 543 00:22:25,745 --> 00:22:28,415 KAL: A MIAMI COP, WHICH MADE EVEN MORE SENSE 544 00:22:28,448 --> 00:22:29,782 WHEN HE SENT CLOSE-UPS OF THE HAIR CLIPS. 545 00:22:29,816 --> 00:22:31,718 I THOUGHT THEY WERE OFFICIAL CRIME SCENE PHOTOS. 546 00:22:31,751 --> 00:22:33,820 OK, WE'RE GONNA NEED ALL OF THAT RAW FOOTAGE. 547 00:22:33,853 --> 00:22:36,523 I DON'T HAVE IT. HE ALWAYS SENDS THE VIDEOS EDITED. 548 00:22:36,556 --> 00:22:38,024 I'LL SHOW YOU. CAN I? 549 00:22:38,057 --> 00:22:39,726 YEAH, GO AHEAD. 550 00:22:55,508 --> 00:22:58,778 JJ: WHO IS QUASAR 22? 551 00:22:58,811 --> 00:23:00,613 THAT IS AN EXCELLENT QUESTION. 552 00:23:00,647 --> 00:23:02,949 I CAN TELL YOU WITH 100% CERTAINTY 553 00:23:02,982 --> 00:23:04,917 IT IS NOT KAL MONTGOMERY. 554 00:23:04,951 --> 00:23:06,619 HIS STORY COMPLETELY CHECKS OUT. 555 00:23:06,653 --> 00:23:07,954 ASIDE FROM BEING SLIGHTLY MORALLY REPUGNANT, 556 00:23:07,987 --> 00:23:09,456 HE'S CLEAN AS A WHISTLE. 557 00:23:09,489 --> 00:23:11,090 IF THAT WHISTLE WAS SLIGHTLY MORALLY REPUGNANT. 558 00:23:11,123 --> 00:23:12,659 SIMMONS: SO THAT CLEARS HIM. 559 00:23:12,692 --> 00:23:14,661 BUT WHY DID THE UNSUB TARGET KAL TO BEGIN WITH? 560 00:23:14,694 --> 00:23:15,695 KAL'S AMBITIOUS. 561 00:23:15,728 --> 00:23:18,731 HE MUST HAVE KNOWN IT AND USED IT TO HIS BENEFIT. 562 00:23:18,765 --> 00:23:20,633 SO HE'S SMART ENOUGH NOT TO EXPOSE HIMSELF, 563 00:23:20,667 --> 00:23:22,535 WHICH IS PROBABLY NOT EASY FOR SOMEONE 564 00:23:22,569 --> 00:23:23,770 WHO'S DESPERATE FOR ATTENTION. 565 00:23:23,803 --> 00:23:25,104 GARCIA: ALSO, I HAVE TO SAY WHOEVER THIS IS 566 00:23:25,137 --> 00:23:26,739 IS, LIKE, A TECH WIZARD. 567 00:23:26,773 --> 00:23:28,675 BECAUSE I HAVE USED ALL THE TOOLS 568 00:23:28,708 --> 00:23:31,077 IN MY FANTASTIC BOX, AND HE'S, LIKE, PROTECTED 569 00:23:31,110 --> 00:23:33,646 FROM THE MOTHER ON HIGH OF ALL ENCRYPTION PACKAGES 570 00:23:33,680 --> 00:23:35,081 AND A SECURE SERVER, 571 00:23:35,114 --> 00:23:36,348 PLUS AN IP SCRAMBLER, 572 00:23:36,382 --> 00:23:39,752 WHICH IS NOT LIKE THE WARM, EGGY KIND BUT THE COMPUTERY KIND. 573 00:23:39,786 --> 00:23:42,955 SO YOU'VE GOT NOTHING ON THE UNSUB'S I.D. AND LOCATION? 574 00:23:42,989 --> 00:23:44,991 NO. I MEAN, ACCORDING TO MY SCREENS, 575 00:23:45,024 --> 00:23:46,626 IT'S ALL COMING FROM JAMAICA. 576 00:23:46,659 --> 00:23:48,060 KINGSTON, TO BE EXACT. 577 00:23:48,094 --> 00:23:49,629 IT DOES NOT TAKE A PROFILER TO KNOW 578 00:23:49,662 --> 00:23:51,063 THAT'S COMPLETELY BOGUS. 579 00:23:51,097 --> 00:23:52,665 WELL, IF HE REACHED OUT TO CHANNEL 3, 580 00:23:52,699 --> 00:23:53,966 THEN HE MIGHT HAVE TO OTHER NEWS OUTLETS, TOO. 581 00:23:54,000 --> 00:23:55,935 GARCIA, DID HE SEND THE VIDEOS TO ANYBODY ELSE? 582 00:23:55,968 --> 00:23:58,070 JUST--JUST KAL AT CHANNEL 3. THAT'S IT. 583 00:23:58,104 --> 00:23:59,739 IF THE UNSUB IS FOCUSED ON THEM, 584 00:23:59,772 --> 00:24:01,474 HE MUST HAVE A PERSONAL CONNECTION THERE. 585 00:24:01,508 --> 00:24:03,743 GARCIA, LOOK INTO FORMER CHANNEL 3 EMPLOYEES, 586 00:24:03,776 --> 00:24:05,678 SEE IF ANY OF THEM FIT THE PROFILE. 587 00:24:05,712 --> 00:24:07,647 COPY, COPY. 588 00:24:07,680 --> 00:24:10,016 YOU KNOW WHAT BOTHERS ME ABOUT THIS GUY? 589 00:24:10,049 --> 00:24:12,719 IS IT THE FACT THAT KAL MIGHT WIN A LOCAL NEWS EMMY OFF HIM? 590 00:24:12,752 --> 00:24:15,688 CLOSE. IT'S THAT WITH EACH CRIME SCENE, 591 00:24:15,722 --> 00:24:16,989 THE WINDOW BETWEEN THE MURDER 592 00:24:17,023 --> 00:24:19,759 AND THE START OF FILMING, IT SHRINKS. 593 00:24:19,792 --> 00:24:20,993 RIGHT? AND AT SOME POINT, 594 00:24:21,027 --> 00:24:22,695 THAT'S GONNA CONVERGE. 595 00:24:22,729 --> 00:24:26,132 OK, WE PROFILED HE WAS GOING FOR A BIGGER BANG. 596 00:24:27,199 --> 00:24:29,836 HE'S GONNA MAKE A SNUFF FILM. 597 00:24:36,242 --> 00:24:38,511 WOMAN: OVER HERE! OVER HERE! 598 00:24:38,545 --> 00:24:40,547 MAN: RIGHT HERE, KID! LOOK AT ME! 599 00:24:40,580 --> 00:24:42,281 [CAMERAS FLASHING] 600 00:24:42,314 --> 00:24:44,016 [REPORTERS SHOUTING AT ONCE] 601 00:24:44,050 --> 00:24:46,653 MAN: ARE YOU OK? 602 00:25:29,095 --> 00:25:30,630 [TAP TAP] 603 00:25:30,663 --> 00:25:32,799 WHAT THE HELL? 604 00:25:34,000 --> 00:25:34,701 [GUNSHOT] 605 00:25:45,077 --> 00:25:47,179 THANK YOU FOR COMING SO FAST. 606 00:25:47,213 --> 00:25:48,047 WE DIDN'T EXPECT YOU TO CALL. 607 00:25:48,080 --> 00:25:49,816 WELL, NOW THAT I KNOW THAT KAL'S SOURCE 608 00:25:49,849 --> 00:25:51,050 IS THE KILLER, I HAD TO. 609 00:25:51,083 --> 00:25:53,019 DID YOU OR KAL WATCH THE NEW VIDEO? 610 00:25:53,052 --> 00:25:55,254 I DID. IT'S BRUTAL. 611 00:26:25,184 --> 00:26:27,887 SANDRA: PLEASE TELL ME THAT LITTLE GIRL IS STILL ALIVE. 612 00:26:27,920 --> 00:26:30,056 ALVEZ: THERE'S NOT MUCH TO GO ON HERE. 613 00:26:30,089 --> 00:26:33,025 THERE'S NO SIGNAGE, BUILDINGS. 614 00:26:33,059 --> 00:26:35,127 YOU CAN'T SEE THE PLATES ON THE CAR. 615 00:26:35,161 --> 00:26:36,796 WE DON'T EVEN KNOW THEIR NAMES. 616 00:26:36,829 --> 00:26:38,898 BUT WE DO HAVE GEOGRAPHY. 617 00:26:41,300 --> 00:26:43,369 YOU SEE THIS? 618 00:26:43,402 --> 00:26:47,106 WELL, THE CEMENT LAMP POST IN THE BACK. 619 00:26:47,139 --> 00:26:50,242 IT'S TALL, LIKE AT A MALL PARKING LOT. 620 00:26:50,276 --> 00:26:52,044 BUT THOSE ARE ALL ACROSS THE CITY. 621 00:26:52,078 --> 00:26:53,412 THEY COULD HAVE BEEN ANYWHERE. 622 00:26:53,445 --> 00:26:55,147 YEAH, BUT WE KNOW THE UNSUB'S COMFORT ZONE. 623 00:26:55,181 --> 00:26:56,849 GARCIA: WHAT'S UP? 624 00:26:56,883 --> 00:26:58,217 GARCIA, HOW MANY SHOPPING AND STRIP MALLS 625 00:26:58,250 --> 00:27:00,019 ARE INSIDE THE UNSUB'S HUNTING GROUNDS? 626 00:27:01,721 --> 00:27:04,924 5. WE NEED ALL 5. WE'LL SPLIT UP. 627 00:27:08,094 --> 00:27:11,163 [SIREN] 628 00:27:33,219 --> 00:27:34,987 HI, SWEETIE. 629 00:27:35,021 --> 00:27:36,222 I'M JENNIFER. 630 00:27:36,255 --> 00:27:38,257 IS SOMEBODY COMING TO HELP NANCY? 631 00:27:38,290 --> 00:27:41,828 YEAH. YEAH. LET'S GET YOU HOME. 632 00:27:41,861 --> 00:27:44,130 I WANT MY MOM AND DAD. 633 00:27:44,163 --> 00:27:47,734 EVERYTHING'S GONNA BE OK. DON'T WORRY. 634 00:27:47,767 --> 00:27:50,369 [SIRENS] 635 00:27:54,173 --> 00:27:55,808 ALVEZ: HOW IS SHE DOING? 636 00:27:55,842 --> 00:27:57,443 GOOD, CONSIDERING. 637 00:27:57,476 --> 00:27:58,477 WHAT'S HER NAME? 638 00:27:58,510 --> 00:28:00,212 ALEX GRAYSON. 639 00:28:00,246 --> 00:28:02,715 THE LATEST VICTIM, NANCY JONES, 640 00:28:02,749 --> 00:28:04,216 WAS HER COUSIN. 641 00:28:04,250 --> 00:28:06,819 SHE WAS BABYSITTING WHILE ALEX'S PARENTS WERE OUT. 642 00:28:06,853 --> 00:28:08,454 IT'S A LITTLE LATE TO BE IN A MALL PARKING LOT 643 00:28:08,487 --> 00:28:10,256 WITH A KID IN THE CAR. 644 00:28:10,289 --> 00:28:12,324 YEAH, WELL, WHEN A KID CAN'T SLEEP, 645 00:28:12,358 --> 00:28:14,260 A CAR RIDE'S OFTEN THE BEST WAY TO GET THEM DOWN. 646 00:28:14,293 --> 00:28:16,195 YEAH, BUT IF ALEX WAS ASLEEP, 647 00:28:16,228 --> 00:28:17,496 WHY NOT DRIVE BACK HOME? 648 00:28:17,529 --> 00:28:19,365 SHE PULLED OVER TO ANSWER A TEXT 649 00:28:19,398 --> 00:28:20,900 FROM A GUY SHE WAS GONNA MEET. 650 00:28:20,933 --> 00:28:24,303 THERE'S NO WAY NANCY WAS CHOSEN AT RANDOM. 651 00:28:24,336 --> 00:28:26,238 YOU KNOW, YOU'RE RIGHT. 652 00:28:26,272 --> 00:28:28,140 THIS GUY'S A PLANNER. 653 00:28:28,174 --> 00:28:31,210 HE DOESN'T DO RANDOM. HE MUST HAVE STALKED HER. 654 00:28:31,243 --> 00:28:34,781 AND IF HE DID, THEN HE KNEW THERE WAS A KID IN THE CAR. 655 00:28:34,814 --> 00:28:38,985 THE QUESTION IS-- AND I HATE TO ASK-- 656 00:28:39,018 --> 00:28:41,220 WHY IS ALEX STILL ALIVE? 657 00:28:41,253 --> 00:28:44,290 I DON'T KNOW. HE'S NEVER SHOWN A MORAL COMPASS, 658 00:28:44,323 --> 00:28:45,491 SO WHY NOW? 659 00:28:45,524 --> 00:28:47,860 MAYBE THE UNSUB'S A DAD. 660 00:28:47,894 --> 00:28:50,429 OR MAYBE SOMETHING HAPPENED TO HIM WHEN HE WAS LITTLE. 661 00:28:50,462 --> 00:28:52,364 THIS WAY. 662 00:28:52,398 --> 00:28:54,834 FATHER: AGENT JAREAU, THANK YOU SO MUCH 663 00:28:54,867 --> 00:28:55,902 FOR FINDING OUR LITTLE GIRL. 664 00:28:55,935 --> 00:28:57,303 OF COURSE. 665 00:29:07,513 --> 00:29:09,415 [INDISTINCT CHATTER OUTSIDE] 666 00:29:13,920 --> 00:29:17,389 [REPORTERS ALL TALKING AT ONCE] 667 00:29:17,423 --> 00:29:19,358 MAN: THIS WAY, PLEASE! ALEX? 668 00:29:19,391 --> 00:29:21,227 [CHATTER CONTINUES] 669 00:29:21,260 --> 00:29:23,229 WAIT A MINUTE. 670 00:29:29,268 --> 00:29:31,470 THAT'S IT. 671 00:29:31,503 --> 00:29:34,073 WHEN ROSSI AND I WERE AT CHANNEL 3, 672 00:29:34,106 --> 00:29:35,474 WE SAW SANDRA'S WALL OF FAME. 673 00:29:35,507 --> 00:29:37,543 ON IT, THERE WAS A LITTLE BOY AND HIS FATHER 674 00:29:37,576 --> 00:29:39,345 IN ROUGHLY THE SAME POSITION. 675 00:29:39,378 --> 00:29:41,380 LIKE RECENTLY? 676 00:29:41,413 --> 00:29:43,816 NO, IT HAD TO HAVE BEEN 20 YEARS AGO AT LEAST, 677 00:29:43,850 --> 00:29:46,853 BUT THERE MIGHT BE A CONNECTION. 678 00:29:46,886 --> 00:29:48,921 HEY, GARCIA, I NEED YOU TO CHECK ON 679 00:29:48,955 --> 00:29:50,256 AN OLD CASE IN MIAMI. 680 00:29:50,289 --> 00:29:51,891 FINGERS AT THE READY. 681 00:29:51,924 --> 00:29:54,226 OK, UH, 20 YEARS AGO, 682 00:29:54,260 --> 00:29:56,395 A BOY, ROUGHLY 5 OR 6, 683 00:29:56,428 --> 00:29:58,030 SAW HIS MOM KILLED. 684 00:29:58,064 --> 00:30:02,001 UH, NOTHING IS COMING UP. THIS IS PRE-INTERNET. 685 00:30:02,034 --> 00:30:03,235 THIS WOULD HAVE RECEIVED 686 00:30:03,269 --> 00:30:05,171 A LOT OF MEDIA ATTENTION, EVEN BACK THEN. 687 00:30:05,204 --> 00:30:07,239 WE SAID MATERNAL FIGURE IN THE PROFILE, GARCIA. 688 00:30:07,273 --> 00:30:09,175 TRY BABYSITTER. 689 00:30:09,208 --> 00:30:10,576 I MEAN, ALL OF THESE WOMEN LOOK MORE LIKE BABYSITTERS, 690 00:30:10,609 --> 00:30:12,078 DON'T YOU THINK? 691 00:30:12,111 --> 00:30:14,080 OK... 692 00:30:14,113 --> 00:30:15,614 20 YEARS AGO THIS MONTH. 693 00:30:15,647 --> 00:30:18,017 THE BOY'S NAME WAS JEFFERY WHITFIELD. 694 00:30:18,050 --> 00:30:20,252 HE SAW HIS BABYSITTER, GINA MEADOWS, 695 00:30:20,286 --> 00:30:22,088 MURDERED WITH... 696 00:30:22,121 --> 00:30:23,355 OH, MY. 697 00:30:23,389 --> 00:30:24,924 A .44. 698 00:30:24,957 --> 00:30:27,526 YEAH. SHE WAS SHOT ONCE IN THE HEART. 699 00:30:27,559 --> 00:30:29,261 JUST LIKE THE VICTIMS NOW. 700 00:30:29,295 --> 00:30:31,197 JEFFERY AND GINA WERE FOUND IN A CAR, WEREN'T THEY? 701 00:30:31,230 --> 00:30:33,232 UH-HUH. IN A STRIP MALL PARKING LOT. 702 00:30:33,265 --> 00:30:35,334 WAS IT INSIDE THE UNSUB'S COMFORT ZONE? 703 00:30:35,367 --> 00:30:37,937 YEAH, THEY WERE OUTSIDE THE VET'S OFFICE. 704 00:30:37,970 --> 00:30:40,639 THEY WERE TAKING JEFFERY'S CAT TO THE VET. 705 00:30:40,672 --> 00:30:42,174 JEFFERY WAS IN THE BACKSEAT. 706 00:30:42,208 --> 00:30:43,375 HE SAW THE WHOLE THING. 707 00:30:43,409 --> 00:30:44,877 HE WASN'T HURT, BUT... 708 00:30:44,911 --> 00:30:47,413 THE VICTIMS BEAR A STRIKING RESEMBLANCE TO GINA. 709 00:30:47,446 --> 00:30:48,981 I'M SENDING THE INFO NOW. 710 00:30:49,015 --> 00:30:50,616 ALL RIGHT, THANKS, GARCIA. 711 00:30:54,286 --> 00:30:57,356 THAT IS OUR UNSUB-- JEFFERY WHITFIELD AT AGE 6. 712 00:30:57,389 --> 00:30:58,991 JEFFERY WAS IN THE CAR THAT DAY. 713 00:30:59,025 --> 00:31:01,961 THEY CAUGHT THE GUY DOWN THE ROAD, BUT... 714 00:31:01,994 --> 00:31:03,362 CHECK THIS OUT. 715 00:31:03,395 --> 00:31:06,598 GINA WAS WEARING THE SAME HAIR CLIP THAT DAY. 716 00:31:06,632 --> 00:31:09,301 THE SAME ONE HE'S BEEN PLACING IN HIS VICTIMS' HAIR. 717 00:31:09,335 --> 00:31:11,037 JJ: SANDRA WORKED JEFFERY'S STORY WHEN IT BROKE, 718 00:31:11,070 --> 00:31:13,639 AND SHE GOT HIS ONLY ON-CAMERA INTERVIEW A YEAR LATER. 719 00:31:13,672 --> 00:31:15,541 THAT EXPLAINS HIS FOCUS ON CHANNEL 3. 720 00:31:15,574 --> 00:31:17,109 HE PROBABLY FELT EXPLOITED. 721 00:31:17,143 --> 00:31:18,377 ALVEZ: OR THE OPPOSITE. 722 00:31:18,410 --> 00:31:20,546 THIS COULD HAVE BEEN HIS SHINING MOMENT, 723 00:31:20,579 --> 00:31:23,115 THE ONLY TIME HE'S EVER FELT IMPORTANT BEFORE. 724 00:31:23,149 --> 00:31:25,317 IN A SINGLE-EVENT IMPRINT, 725 00:31:25,351 --> 00:31:27,319 PEOPLE CAN HAVE POLAR RESPONSES. 726 00:31:27,353 --> 00:31:30,022 SOME AVOID IT ENTIRELY; OTHERS OBSESS OVER IT. 727 00:31:30,056 --> 00:31:32,324 BOTH OF HIS PARENTS DIED LAST YEAR. 728 00:31:32,358 --> 00:31:35,627 SO TO HIM, THERE'S ONLY ONE OTHER PERSON WHO RECALLS THAT DAY. 729 00:31:35,661 --> 00:31:37,363 SANDRA MADSEN. 730 00:31:37,396 --> 00:31:39,331 PRENTISS: HE CREATED THE STORY, 731 00:31:39,365 --> 00:31:40,699 HOPING TO GET HER ATTENTION AGAIN, 732 00:31:40,732 --> 00:31:42,334 JUST LIKE HE DID 20 YEARS AGO. 733 00:31:42,368 --> 00:31:44,370 IN HIS MIND, BOTH HE AND SANDRA 734 00:31:44,403 --> 00:31:45,671 BENEFITED FROM THAT DAY. 735 00:31:45,704 --> 00:31:47,373 SHE GOT HER BIG STORY 736 00:31:47,406 --> 00:31:49,041 AND JEFFERY GOT HIS MOMENT IN THE SUN. 737 00:31:49,075 --> 00:31:51,143 HE MUST HAVE FIGURED THEY CAN DO IT ALL AGAIN. 738 00:31:51,177 --> 00:31:52,678 BUT IF SHE STOPS RUNNING HIS FOOTAGE, 739 00:31:52,711 --> 00:31:54,513 HE COULD SEE THAT AS A BETRAYAL. 740 00:31:54,546 --> 00:31:56,215 ROSSI: AND JEFFERY MIGHT JUMP OFF SCRIPT 741 00:31:56,248 --> 00:31:57,683 AND ATTACK HER NEXT. 742 00:31:57,716 --> 00:31:59,418 SANDRA'S PHONE WENT TO VOICEMAIL. 743 00:31:59,451 --> 00:32:01,220 HE MIGHT HAVE ALREADY GOTTEN TO HER. 744 00:32:01,253 --> 00:32:02,654 JJ, LUKE, TAKE JEFFERY'S APARTMENT. 745 00:32:02,688 --> 00:32:04,991 MATT, GET DETECTIVE WALLENBERG AND HEAD TO SANDRA'S. 746 00:32:05,024 --> 00:32:07,326 DAVE, YOU AND I WILL GO TO THE CHANNEL 3 NEWS ROOM. 747 00:32:07,359 --> 00:32:12,464 [INDISTINCT NEWS REPORTS] 748 00:32:18,337 --> 00:32:20,239 WHERE IS IT? 749 00:32:22,241 --> 00:32:24,576 COME ON, SANDRA. WHERE IS IT?! 750 00:32:24,610 --> 00:32:27,213 NO, NO, NO! 751 00:32:27,246 --> 00:32:28,947 [GRUNTING] 752 00:32:43,329 --> 00:32:45,264 I WANT TO KEEP THE MOMENTUM GOING, 753 00:32:45,297 --> 00:32:46,532 SO, YEAH, LET'S LEAD WITH THAT ONE THERE 754 00:32:46,565 --> 00:32:49,101 AND THEN GO OVER TO THIS ONE HERE. 755 00:32:54,540 --> 00:32:55,774 [GUNSHOTS] 756 00:32:55,807 --> 00:32:58,277 MAN: GET DOWN! GET DOWN! 757 00:32:58,310 --> 00:32:59,278 GUN! GUN! 758 00:32:59,311 --> 00:33:02,148 [PEOPLE SCREAMING] 759 00:33:11,157 --> 00:33:12,491 [GASPING] 760 00:33:12,524 --> 00:33:14,426 DON'T DO THIS. 761 00:33:14,460 --> 00:33:16,762 WHY DID YOU STOP RUNNING OUR STORY? 762 00:33:29,541 --> 00:33:33,279 [MOANING] 763 00:33:33,312 --> 00:33:35,514 [GASPS] 764 00:33:35,547 --> 00:33:37,149 WHAT DO YOU WANT? 765 00:33:37,183 --> 00:33:39,718 YOU DON'T REMEMBER ME, DO YOU? 766 00:33:41,753 --> 00:33:43,789 JEFFERY WHITFIELD. 767 00:33:46,192 --> 00:33:48,360 HI, SANDRA. 768 00:33:48,394 --> 00:33:49,728 JEFFERY? 769 00:33:49,761 --> 00:33:52,798 WE WORKED WELL TOGETHER 20 YEARS AGO. 770 00:33:52,831 --> 00:33:55,834 THEN TIME FORGOT US BOTH. 771 00:33:55,867 --> 00:33:58,070 YOU'RE KILLING PEOPLE. 772 00:33:58,104 --> 00:34:01,773 WE WERE FINALLY GETTING THE ATTENTION WE DESERVED, 773 00:34:01,807 --> 00:34:03,342 BUT THEN YOU SCREWED IT UP 774 00:34:03,375 --> 00:34:05,111 BY NOT AIRING THE LAST MURDER. 775 00:34:05,144 --> 00:34:06,578 JEFFERY, I COULDN'T. 776 00:34:06,612 --> 00:34:07,579 WHY NOT? 777 00:34:07,613 --> 00:34:09,781 THERE WAS A LITTLE GIRL. 778 00:34:09,815 --> 00:34:12,851 I'D NEVER HURT A CHILD. 779 00:34:12,884 --> 00:34:14,686 I'M NOT A MONSTER. 780 00:34:14,720 --> 00:34:16,688 THE WAY YOU CUT THE FOOTAGE, 781 00:34:16,722 --> 00:34:19,225 I--I DIDN'T KNOW IF SHE WAS-- 782 00:34:19,258 --> 00:34:21,760 IT'S CALLED A CLIFFHANGER, SANDRA. 783 00:34:43,382 --> 00:34:44,716 OH, GOD. 784 00:34:44,750 --> 00:34:46,618 TELL EVERYONE YOUR NAME. 785 00:34:49,321 --> 00:34:51,190 SANDRA. 786 00:34:51,223 --> 00:34:52,824 SANDRA WHO? 787 00:34:55,761 --> 00:34:57,463 SANDRA MADSEN. 788 00:34:58,730 --> 00:35:00,132 OH, NO. OH, NO. 789 00:35:00,166 --> 00:35:01,667 PRENTISS: YEAH, GARCIA? 790 00:35:01,700 --> 00:35:03,902 JEFFERY WHITFIELD IS ON-- AND HE'S GOT A-- HE'S GOT A GUN 791 00:35:03,935 --> 00:35:06,372 TO SANDRA'S HEAD, AND HE'S POSTING IT ALL ON HIS SOCIAL MEDIA. 792 00:35:06,405 --> 00:35:07,839 PENELOPE, CAN YOU SEE WHERE THEY ARE? 793 00:35:07,873 --> 00:35:09,408 UH, IN THE NEWS ROOM. 794 00:35:09,441 --> 00:35:11,310 CAN YOU CUT OFF HIS FEED? 795 00:35:11,343 --> 00:35:12,411 I DON'T THINK HE'LL KILL SANDRA 796 00:35:12,444 --> 00:35:13,645 IF THE WORLD CAN'T WATCH. 797 00:35:13,679 --> 00:35:15,681 I CAN TRY, BUT IT'S GONNA TAKE A SECOND. 798 00:35:15,714 --> 00:35:17,316 PRENTISS: PLEASE WORK QUICKLY. 799 00:35:17,349 --> 00:35:20,252 I CLOCKED MULTIPLE ENTRANCES INTO THE NEWS ROOM. 800 00:35:20,286 --> 00:35:21,687 OK, YOU TAKE ONE, I'LL TAKE ANOTHER. 801 00:35:21,720 --> 00:35:24,423 WE'LL SURROUND HIM BEST WE CAN. 802 00:35:24,456 --> 00:35:27,893 AND WHAT'S YOUR JOB, SANDRA MADSEN? 803 00:35:27,926 --> 00:35:32,464 I'M THE NEWS DIRECTOR AT CHANNEL 3. 804 00:35:32,498 --> 00:35:35,634 ONE OF YOUR FIRST STORIES WAS ABOUT JEFFERY WHITFIELD, 805 00:35:35,667 --> 00:35:38,470 A BOY WHO SAW HIS BABYSITTER MURDERED. 806 00:35:38,504 --> 00:35:41,907 DO YOU REMEMBER HIM? 807 00:35:41,940 --> 00:35:44,443 I DO. I DO, JEFFERY. 808 00:35:44,476 --> 00:35:46,712 TELL THEM ABOUT JEFFERY'S CAT. 809 00:35:50,249 --> 00:35:51,483 PLEASE. I CAN'T. 810 00:35:51,517 --> 00:35:54,886 TELL THEM ABOUT THE CAT. 811 00:35:56,955 --> 00:36:00,626 AFTER GINA WAS KILLED... 812 00:36:00,659 --> 00:36:05,497 JEFFERY'S CAT LICKED THE BLOOD OFF OF JEFFERY. 813 00:36:05,531 --> 00:36:07,933 HE DIDN'T SPEAK FOR ALMOST A YEAR, 814 00:36:07,966 --> 00:36:10,836 TILL I INTERVIEWED HIM AND... 815 00:36:10,869 --> 00:36:12,571 [SIGHS] 816 00:36:12,604 --> 00:36:15,374 WHEN HE SAW HIMSELF IN THE CAMERA'S PLAYBACK, 817 00:36:15,407 --> 00:36:19,845 IT WAS...LIKE A GAME. 818 00:36:19,878 --> 00:36:22,681 AND IT WAS MORE FUN THAN REAL LIFE, 819 00:36:22,714 --> 00:36:26,418 AND IT GOT HIM COMMUNICATING AGAIN AND-- 820 00:36:26,452 --> 00:36:27,919 PRENTISS: FBI! DROP YOUR WEAPON. 821 00:36:27,953 --> 00:36:29,521 PUT THE GUN DOWN, NOW. 822 00:36:29,555 --> 00:36:32,491 DROP IT, JEFFERY, NOW! PUT IT DOWN. 823 00:36:34,025 --> 00:36:35,894 [SANDRA GASPS] 824 00:36:37,529 --> 00:36:38,530 NO. 825 00:36:38,564 --> 00:36:40,866 THE WORLD WILL SEE THIS. 826 00:36:43,335 --> 00:36:46,738 AND THEY'LL NEVER FORGET ME AGAIN. 827 00:36:48,640 --> 00:36:50,909 NO. NO. 828 00:36:53,445 --> 00:36:55,681 NOT TODAY, SATAN! 829 00:36:57,749 --> 00:36:59,818 NO, NO. 830 00:36:59,851 --> 00:37:01,453 IT'S NOT RIGHT IF IT DOESN'T WORK. 831 00:37:01,487 --> 00:37:03,021 IT HAS TO WORK! 832 00:37:03,054 --> 00:37:04,990 YOU DON'T HAVE AN AUDIENCE, JEFFERY. 833 00:37:07,058 --> 00:37:09,295 BUT I HAVE TO MAKE THEM REMEMBER. 834 00:37:09,328 --> 00:37:10,862 BUT IF YOU WALK AWAY NOW, 835 00:37:10,896 --> 00:37:13,999 THINK ABOUT ALL THE ATTENTION YOU'LL GET. 836 00:37:14,032 --> 00:37:15,501 THAT'S NOT ENOUGH. 837 00:37:15,534 --> 00:37:17,869 PRENTISS: RATINGS THROUGH THE ROOF. 838 00:37:17,903 --> 00:37:20,406 ALL THOSE LIKES, ALL THOSE SHARES. 839 00:37:20,439 --> 00:37:22,374 THE WHOLE WORLD WILL BE BUZZING ABOUT YOU. 840 00:37:22,408 --> 00:37:25,644 ROSSI: IT'LL BE THE TRIAL OF THE CENTURY. 841 00:37:25,677 --> 00:37:28,013 PEOPLE WILL FORGET. 842 00:37:28,046 --> 00:37:30,749 THEY ALWAYS DO. 843 00:37:30,782 --> 00:37:34,853 THEY ALWAYS FORGET ME. 844 00:37:34,886 --> 00:37:37,055 PRENTISS: JEFFERY, IF YOU PUT THAT GUN DOWN RIGHT NOW 845 00:37:37,088 --> 00:37:41,460 AND COME WITH US, WE'LL MAKE SURE NO ONE EVER FORGETS YOU AGAIN. 846 00:37:41,493 --> 00:37:43,762 HOW? 847 00:37:43,795 --> 00:37:48,033 WE WILL GET YOU A PRIMETIME BROADCAST NETWORK INTERVIEW. 848 00:37:48,066 --> 00:37:50,035 OK? ONE ON ONE. 849 00:37:50,068 --> 00:37:52,838 NO DISTRACTIONS. IT'LL ALL BE ABOUT YOU. 850 00:37:52,871 --> 00:37:56,575 AND THEN EVERYBODY WILL TALK ABOUT IT 851 00:37:56,608 --> 00:37:58,577 FOREVER. 852 00:38:13,559 --> 00:38:15,761 PUT YOUR HANDS BEHIND YOUR BACK. 853 00:38:15,794 --> 00:38:17,863 OK. 854 00:38:19,731 --> 00:38:22,734 [CRYING] 855 00:38:22,768 --> 00:38:25,437 YOU'RE GONNA BE OK. 856 00:38:25,471 --> 00:38:28,740 JEFFERY WHITFIELD, YOU MAY BE A WIZARD, 857 00:38:28,774 --> 00:38:31,943 BUT I AM AN ORACLE OF THE HIGHEST ORDER. 858 00:38:31,977 --> 00:38:33,078 [SIGHS] 859 00:38:33,111 --> 00:38:36,948 [INDISTINCT CHATTER OUTSIDE] 860 00:38:38,584 --> 00:38:41,019 THANK YOU, AGENT ROSSI. 861 00:38:41,052 --> 00:38:42,754 HOW YOU HOLDING UP? 862 00:38:42,788 --> 00:38:46,024 I ALWAYS WONDER WHAT A VICTIM MUST FEEL LIKE 863 00:38:46,057 --> 00:38:49,761 IN THAT MOMENT, HOW TERRIFYING IT MUST BE. 864 00:38:49,795 --> 00:38:51,597 AND NOW YOU KNOW. 865 00:38:51,630 --> 00:38:54,566 EXCEPT IT WASN'T TERRIFYING. 866 00:38:56,735 --> 00:38:59,137 IT WAS EXHILARATING. 867 00:38:59,170 --> 00:39:01,473 HE ALMOST KILLED YOU. 868 00:39:01,507 --> 00:39:03,675 BUT HE DIDN'T. 869 00:39:03,709 --> 00:39:05,043 AND NOW THIS. 870 00:39:06,912 --> 00:39:10,482 SANDRA, THAT'S NOT REAL. 871 00:39:10,516 --> 00:39:12,718 YES, IT IS. 872 00:39:12,751 --> 00:39:17,155 THAT'S WHY I AM SO GRATEFUL TO JEFFERY. 873 00:39:17,188 --> 00:39:20,659 THE NEXT TIME YOU SEE HIM, WILL YOU... 874 00:39:22,994 --> 00:39:25,564 WILL YOU THANK HIM FOR ME? 875 00:39:30,669 --> 00:39:34,072 [REPORTERS ALL SHOUTING QUESTIONS] 876 00:39:36,174 --> 00:39:37,843 SANDRA: TRAGICALLY, 877 00:39:37,876 --> 00:39:40,178 I MET JEFFERY WHITFIELD 20 YEARS AGO. 878 00:39:40,211 --> 00:39:42,781 I WAS A FIELD REPORTER STARTING OUT, 879 00:39:42,814 --> 00:39:45,150 AND I HAD BEEN ASSIGNED TO THE SCENE OF A MURDER. 880 00:39:45,183 --> 00:39:47,953 A YOUNG WOMAN HAD BEEN SHOT AND KILLED... 881 00:39:47,986 --> 00:39:50,021 ROSSI: "I NEVER TRAVEL WITHOUT MY DIARY. 882 00:39:50,055 --> 00:39:53,425 "ONE SHOULD ALWAYS HAVE SOMETHING SENSATIONAL TO READ 883 00:39:53,459 --> 00:39:54,960 IN THE TRAIN." 884 00:39:54,993 --> 00:39:55,994 OSCAR WILDE.