1 00:00:00,934 --> 00:00:03,204 JJ: PREVIOUSLY ON "CRIMINAL MINDS"... 2 00:00:03,237 --> 00:00:04,372 MY INVESTIGATION HAS REVEALED 3 00:00:04,405 --> 00:00:07,108 A PATTERN OF NEGLIGENCE WITHIN THE BAU. 4 00:00:07,141 --> 00:00:10,311 THIS UNIT IS THE CROWN JEWEL OF BEHAVIORAL PROFILING. 5 00:00:10,344 --> 00:00:11,545 I COULDN'T SHUT IT DOWN IF I WANTED TO, 6 00:00:11,579 --> 00:00:13,414 BUT I CAN HELP RESTRUCTURE IT. 7 00:00:13,447 --> 00:00:16,084 AGENT PRENTISS, YOU'LL BE REASSIGNED WITHIN THE BUREAU. 8 00:00:16,117 --> 00:00:17,385 YOUR NEW POST HAS YET TO BE DETERMINED. 9 00:00:17,418 --> 00:00:19,420 AGENT LEWIS, YOU WILL ALSO BE REASSIGNED. 10 00:00:19,453 --> 00:00:21,422 AGENT REID, YOU WILL BE A FULL-TIME PROFESSOR 11 00:00:21,455 --> 00:00:23,191 WITH OUR EXCHANGE PROGRAM. 12 00:00:23,224 --> 00:00:25,393 AGENT ROSSI, THE FBI DEEPLY APPRECIATES YOUR SERVICE, 13 00:00:25,426 --> 00:00:28,396 AND THE DIRECTOR WISHES YOU NOTHING BUT THE BEST IN YOUR RETIREMENT. 14 00:00:28,429 --> 00:00:32,366 AGENT SIMMONS, AGENT ALVEZ, YOU WILL REMAIN HERE AT THE BAU. 15 00:00:32,400 --> 00:00:34,302 GARCIA, IT FEELS LIKE A FRESH START 16 00:00:34,335 --> 00:00:36,404 IN A DIFFERENT DEPARTMENT WOULD BE BEST. 17 00:00:36,437 --> 00:00:38,106 I'M FIRED, AREN'T I? 18 00:00:38,139 --> 00:00:39,540 YOU'RE THE CONDITIONAL UNIT CHIEF OF THE BAU. 19 00:00:39,573 --> 00:00:41,242 CONGRATULATIONS. 20 00:00:41,275 --> 00:00:42,476 THIS CAN'T BE THE END. 21 00:00:43,711 --> 00:00:46,314 CAN IT? 22 00:00:58,526 --> 00:01:01,595 [GROANING] 23 00:01:01,629 --> 00:01:04,498 [WHIMPERING] 24 00:01:04,532 --> 00:01:08,536 YOU DESERVE EVERYTHING YOU'RE ABOUT TO GET. 25 00:01:08,569 --> 00:01:09,437 [KNIFE SLASHES] 26 00:01:09,470 --> 00:01:10,471 [MOANING] 27 00:01:13,441 --> 00:01:14,442 [MUFFLED CRIES] 28 00:01:14,475 --> 00:01:15,476 FBI! 29 00:01:15,509 --> 00:01:17,278 FBI? 30 00:01:17,311 --> 00:01:21,482 YOUR CLIENT IS AGENT DOUGLAS RUDY. 31 00:01:21,515 --> 00:01:24,452 ISN'T THAT RIGHT, DOUGIE BOY? 32 00:01:24,485 --> 00:01:27,455 UH, HEY, YOU GOT THE KEY TO THESE THINGS SOMEWHERE? 33 00:01:27,488 --> 00:01:28,556 YOU SET ME UP? 34 00:01:28,589 --> 00:01:30,191 NO, I SWEAR! 35 00:01:30,224 --> 00:01:32,326 ODENKIRK: NO, HE DIDN'T SET YOU UP, SWEETHEART. 36 00:01:32,360 --> 00:01:34,162 WE'RE OPR. 37 00:01:34,195 --> 00:01:35,463 WHAT THE HELL IS THAT? 38 00:01:35,496 --> 00:01:38,332 THE FBI VERSION OF INTERNAL AFFAIRS. 39 00:01:38,366 --> 00:01:40,568 NOW, WE GOT WIND THAT DOUG HERE 40 00:01:40,601 --> 00:01:41,569 HAD AN AFFINITY FOR HOOKERS-- 41 00:01:41,602 --> 00:01:43,404 NO OFFENSE. 42 00:01:43,437 --> 00:01:44,538 YOU'RE BOTH UNDER ARREST. 43 00:01:44,572 --> 00:01:46,207 PUT YOUR PANTS ON, AGENT RUDY. 44 00:01:46,240 --> 00:01:48,576 RUDY: COME ON. I CAN'T HELP IT WHAT TURNS ME ON, 45 00:01:48,609 --> 00:01:51,479 AND MY WIFE, SHE ISN'T INTO THIS KIND OF THING. 46 00:01:51,512 --> 00:01:53,181 ODENKIRK: WELL, SOMEHOW I DON'T THINK 47 00:01:53,214 --> 00:01:54,215 YOUR WIFE'S GONNA HAVE ANY TROUBLE 48 00:01:54,248 --> 00:01:56,517 WANTING TO BEAT THE CRAP OUT OF YOU AFTER TODAY. 49 00:01:56,550 --> 00:01:58,619 HA! THERE YOU GO. 50 00:01:58,652 --> 00:02:01,255 SEE, LOOK AT THAT. WE CUFF YOU UP FOR FREE. 51 00:02:01,289 --> 00:02:02,556 OFFICER: LET'S GO. 52 00:02:02,590 --> 00:02:03,657 OFFICER: LET'S GO. 53 00:02:03,691 --> 00:02:05,293 COME ON. 54 00:02:05,326 --> 00:02:06,427 I SHOULD'VE TOOK SOME PICTURES 55 00:02:06,460 --> 00:02:08,762 FOR THE GUYS BACK AT THE OFFICE. 56 00:02:08,796 --> 00:02:10,331 YOU DIDN'T HAVE TO KICK IT IN. 57 00:02:10,364 --> 00:02:11,532 WHAT DO YOU MEAN? 58 00:02:11,565 --> 00:02:12,700 I THINK THAT'S PRETTY IMPRESSIVE 59 00:02:12,733 --> 00:02:14,735 FOR A MAN MY AGE, DON'T YOU THINK? 60 00:02:14,768 --> 00:02:16,470 OHH... 61 00:02:16,504 --> 00:02:19,473 THE MANAGER GAVE US THE KEY. 62 00:02:19,507 --> 00:02:21,575 SO NOW WE'RE GONNA HAVE TO REIMBURSE THE MOTEL 63 00:02:21,609 --> 00:02:22,343 FOR THAT DAMAGE. 64 00:02:22,376 --> 00:02:24,445 RELAX, PRENTISS. FOR A ROGUE AGENT, 65 00:02:24,478 --> 00:02:25,646 YOU'RE PRETTY UPTIGHT. 66 00:02:25,679 --> 00:02:27,381 WHERE DID YOU HEAR THAT? 67 00:02:27,415 --> 00:02:29,283 MIGHT HAVE BEEN A LITTLE SOMETHING I SAW 68 00:02:29,317 --> 00:02:30,684 WHEN I TOOK A LOOK IN YOUR FILE. 69 00:02:30,718 --> 00:02:32,286 YOU WHAT?! 70 00:02:32,320 --> 00:02:34,555 YOU MUST HAVE REALLY PISSED OFF A.D. BARNES. 71 00:02:34,588 --> 00:02:37,225 TO GET BUSTED FROM BAU CHIEF 72 00:02:37,258 --> 00:02:40,528 ALL THE WAY DOWN TO RANK-AND-FILE OPR. 73 00:02:40,561 --> 00:02:43,163 REST OF YOUR TEAM GET THE SHAFT, TOO? 74 00:02:51,239 --> 00:02:53,541 HEY. IS NED HERE YET? 75 00:02:53,574 --> 00:02:56,277 OH, YOU MEAN LAZY NED, THE ANTI-PENELOPE? 76 00:02:56,310 --> 00:02:58,546 HE USUALLY ROLLS IN AROUND 11:00. 77 00:02:58,579 --> 00:03:00,248 YOU WANT TO WAIT FOR HIM? 78 00:03:00,281 --> 00:03:01,715 NO. BARNES IS GIVING US A HALF AN HOUR, 79 00:03:01,749 --> 00:03:03,284 AND WE'RE GONNA NEED EVERY MINUTE OF IT 80 00:03:03,317 --> 00:03:04,552 TO TRY AND SELL HER ON ONE OF THESE CASES. 81 00:03:04,585 --> 00:03:06,687 SO... 82 00:03:06,720 --> 00:03:08,522 IT'S BEEN TWO WEEKS SINCE SHE TOOK OVER. 83 00:03:08,556 --> 00:03:10,458 SHE CAN'T KEEP US ON THE BENCH MUCH LONGER. 84 00:03:10,491 --> 00:03:11,759 LET'S HOPE NOT. 85 00:03:11,792 --> 00:03:14,462 JJ: TWO MALE UNSUBS HAVE ROBBED 4 BANKS. 86 00:03:14,495 --> 00:03:17,498 IN ADDITION TO GETTING AWAY WITH NEARLY HALF A MILLION DOLLARS, 87 00:03:17,531 --> 00:03:20,434 THEY HAVE LEFT TWO BANK EMPLOYEES DEAD. WE-- 88 00:03:20,468 --> 00:03:24,572 BARNES: I DON'T KNOW. BANK ROBBERS KILLING BANKERS? 89 00:03:24,605 --> 00:03:27,375 LET'S LOOK AT THIS FROM THE POV OF THE MEDIA COVERAGE. 90 00:03:27,408 --> 00:03:29,343 WHO'S THE EMOTIONAL VICTIM? 91 00:03:29,377 --> 00:03:31,379 HONESTLY, HALF OF THE COUNTRY 92 00:03:31,412 --> 00:03:32,680 IS GOING TO BE ROOTING FOR THE UNSUBS. 93 00:03:32,713 --> 00:03:34,582 WHAT ELSE DO YOU HAVE? 94 00:03:34,615 --> 00:03:36,350 WE THINK THERE'S AN ANGEL OF DEATH 95 00:03:36,384 --> 00:03:37,718 WORKING IN SOUTHERN CALIFORNIA. 96 00:03:37,751 --> 00:03:40,554 THE UNSUB IS TARGETING ELDERLY IMMIGRANTS THAT LIVE IN NURSING HOMES. 97 00:03:40,588 --> 00:03:42,456 IMMIGRANTS. 98 00:03:42,490 --> 00:03:43,524 THAT'S DIVISIVE. 99 00:03:43,557 --> 00:03:46,427 WE NEED CASES THAT UNITE THE PUBLIC. 100 00:03:46,460 --> 00:03:48,028 I CAN ALREADY HEAR PEOPLE ASKING WHY THEY SHOULD CARE 101 00:03:48,061 --> 00:03:50,464 ABOUT A DEAD MEXICAN GRANDMA. 102 00:03:50,498 --> 00:03:53,501 ANYONE WITH ELDERLY LOVED ONES SHOULD CARE. 103 00:03:53,534 --> 00:03:55,469 THE BAU IS AN ELITE UNIT. 104 00:03:55,503 --> 00:03:57,405 YOUR CASES SHOULD PLAY THAT WAY IN THE MEDIA. 105 00:03:57,438 --> 00:04:00,274 26. 106 00:04:00,308 --> 00:04:01,475 I BEG YOUR PARDON. 107 00:04:01,509 --> 00:04:03,844 THAT IS THE NUMBER OF PEOPLE WHO HAVE DIED 108 00:04:03,877 --> 00:04:05,713 SINCE YOU'VE SIDELINED THE BAU. 109 00:04:05,746 --> 00:04:10,484 PEOPLE DIE WHEN WE DON'T DO OUR JOB. YOU-- 110 00:04:10,518 --> 00:04:13,287 YOU NEED TO LET US DO OUR JOB. 111 00:04:13,321 --> 00:04:17,358 YOUR JOB IS TO MAKE THE FBI LOOK GOOD 112 00:04:17,391 --> 00:04:18,592 FOR THE PUBLIC. 113 00:04:18,626 --> 00:04:20,594 IF YOU WOULD BRING ME AN APPROPRIATE CASE, 114 00:04:20,628 --> 00:04:24,365 I WOULD GREENLIGHT THE INVESTIGATION. 115 00:04:24,398 --> 00:04:25,599 OK. 116 00:04:29,870 --> 00:04:31,705 HUH! 117 00:04:32,940 --> 00:04:35,576 NED, WHERE THE HELL HAVE YOU BEEN? 118 00:04:35,609 --> 00:04:38,379 YOU WERE SUPPOSED TO DO A DEEP DIVE ON VICTIMOLOGY. 119 00:04:38,412 --> 00:04:42,350 I DID. I MADE A VICTIM LIST FOR EACH SEPARATE CASE 120 00:04:42,383 --> 00:04:44,785 WITH NAMES, DOBs, LAST KNOWN ADDRESSES, 121 00:04:44,818 --> 00:04:46,520 EMPLOYMENT, TOO. 122 00:04:46,554 --> 00:04:49,523 THAT'S YOUR IDEA OF A DEEP DIVE? 123 00:04:49,557 --> 00:04:51,492 YOU WANTED MORE? 124 00:04:51,525 --> 00:04:53,727 I--YEAH, I WANTED MORE. 125 00:04:53,761 --> 00:04:56,397 YOU KNOW WHAT? MAYBE, UH, 126 00:04:56,430 --> 00:04:57,831 I CAN SUPERVISE YOUR DEEP DIVES 127 00:04:57,865 --> 00:05:00,568 JUST UNTIL YOU GET INTO A GROOVE. 128 00:05:00,601 --> 00:05:01,635 AWESOME. 129 00:05:01,669 --> 00:05:04,538 YOU KNOW, I COULD JUST GIVE YOU GUYS 130 00:05:04,572 --> 00:05:06,407 ALL MY PASSWORDS FOR THE DATABASES. 131 00:05:06,440 --> 00:05:08,442 THAT WAY YOU CAN DO YOUR OWN RESEARCH 132 00:05:08,476 --> 00:05:09,910 AND CUSTOMIZE IT TO WHAT YOU'RE LOOKING FOR. 133 00:05:09,943 --> 00:05:11,545 SIMMONS: WE'LL THINK ABOUT THAT. 134 00:05:11,579 --> 00:05:14,382 JUST GIVE US A MINUTE HERE, NED. 135 00:05:16,650 --> 00:05:17,885 JJ: OHH... 136 00:05:17,918 --> 00:05:19,887 OHH... 137 00:05:19,920 --> 00:05:23,691 OK. YOU KNOW, I SHOULDN'T HAVE SNAPPED AT HIM, REALLY. 138 00:05:23,724 --> 00:05:25,559 IT'S NOT HIS FAULT HE'S NOT GARCIA. 139 00:05:25,593 --> 00:05:29,430 NO. THE LAZY PART, THAT'S PRETTY MUCH ALL ON HIM. 140 00:05:29,463 --> 00:05:31,465 YOU THINK GARCIA KNOWS HOW MUCH WE MISS HER? 141 00:05:31,499 --> 00:05:33,567 I HOPE SO. 142 00:05:33,601 --> 00:05:36,537 WONDER HOW SHE'S DOING OVER AT CYBER CRIMES. 143 00:05:38,906 --> 00:05:40,874 WELL, YOU GUYS, IT'S HAPPENING. 144 00:05:40,908 --> 00:05:44,111 I AM MOVING IN FINALLY. 145 00:05:44,144 --> 00:05:45,813 I KNOW. IT HAS TAKEN ME A WHILE, 146 00:05:45,846 --> 00:05:49,850 BUT I'VE BEEN GOING THROUGH ALL 5 STAGES OF GRIEF. 147 00:05:49,883 --> 00:05:52,386 SOMETIMES I'M STILL THERE, YOU KNOW? I'M PINBALLING. 148 00:05:52,420 --> 00:05:55,823 BARGAINING AGAIN AND THEN DENIAL AND ANGER AND-- 149 00:05:55,856 --> 00:05:58,492 YEAH, YOU'RE RIGHT. IT'S NOT LINEAR. 150 00:05:58,526 --> 00:06:00,728 YOU GUYS GET ME. 151 00:06:00,761 --> 00:06:02,663 YOU GET ME. 152 00:06:02,696 --> 00:06:03,897 EXCUSE ME? 153 00:06:03,931 --> 00:06:07,901 I THINK THE BOSS WANTS TO TALK TO YOU. 154 00:06:10,103 --> 00:06:12,673 THANK YOU. 155 00:06:17,010 --> 00:06:18,846 SETTLING IN OK? EVERYTHING GOOD? 156 00:06:18,879 --> 00:06:21,815 OH. WELL, IN FULL TRANSPARENCY, 157 00:06:21,849 --> 00:06:23,851 I--I GUESS GOOD IS A GROSS OVERSTATEMENT, 158 00:06:23,884 --> 00:06:25,486 BUT I THINK GOOD IS A GOAL, 159 00:06:25,519 --> 00:06:27,054 AND WITH A LITTLE TIME AND A LOT OF HARD WORK, 160 00:06:27,087 --> 00:06:30,023 I THINK I CAN UP LEVEL TO-- 161 00:06:30,057 --> 00:06:31,792 I'M WORKING REALLY HARD. 162 00:06:31,825 --> 00:06:33,527 LOOK, I GOT MYSELF A WHOLE NEW WARDROBE. 163 00:06:33,561 --> 00:06:35,095 THIS IS SO NOT ME. 164 00:06:35,128 --> 00:06:38,198 YOU GOTTA GET RID OF ALL THAT JUNK ON YOUR DESK. 165 00:06:38,231 --> 00:06:39,967 WHAT? 166 00:06:40,000 --> 00:06:41,902 OH, NO, THAT'S NOT JUNK. 167 00:06:41,935 --> 00:06:43,136 3 PERSONAL ITEMS. 168 00:06:43,170 --> 00:06:45,205 YOU HAVE A POLICY ABOUT HOW MANY ITEMS 169 00:06:45,238 --> 00:06:46,774 WE CAN HAVE ON OUR DESK? 170 00:06:46,807 --> 00:06:48,776 WE DO. AND IT APPLIES TO EVERYONE, 171 00:06:48,809 --> 00:06:50,944 INCLUDING TRANSFERS FROM THE BAU. 172 00:06:50,978 --> 00:06:52,880 PICK 3, THEN GET BACK TO WORK. 173 00:06:52,913 --> 00:06:53,947 I JUST SENT YOU A NEW CASE. 174 00:06:53,981 --> 00:06:55,783 THE DEFENDANT, ADAM JEFFRIES, 175 00:06:55,816 --> 00:06:57,951 WAS ARRESTED AND CHARGED WITH 53 COUNTS 176 00:06:57,985 --> 00:06:59,487 OF IDENTITY THEFT. 177 00:06:59,520 --> 00:07:00,954 ALL OF HIS HARD DRIVES WERE SEIZED. 178 00:07:00,988 --> 00:07:02,122 I WANT YOU TO GO THROUGH THEM 179 00:07:02,155 --> 00:07:03,824 AND PULL ANY EVIDENCE THAT MAY SUPPORT 180 00:07:03,857 --> 00:07:05,893 THE IDENTITY THEFT CHARGES. 181 00:07:05,926 --> 00:07:07,795 OK. 182 00:07:11,999 --> 00:07:13,834 CAN I ASK A QUESTION? 183 00:07:13,867 --> 00:07:14,868 WHAT IS IT? 184 00:07:14,902 --> 00:07:16,837 WHAT HAPPENED TO THE CASE THAT I CLOSED YESTERDAY? 185 00:07:16,870 --> 00:07:19,106 THE SUSPECTS YOU IDENTIFIED ARE ALL RUSSIAN NATIONALS 186 00:07:19,139 --> 00:07:20,841 LIVING IN RUSSIA. THE UNITED STATES 187 00:07:20,874 --> 00:07:22,109 DOESN'T HAVE AN EXTRADITION TREATY WITH RUSSIA. 188 00:07:22,142 --> 00:07:23,844 SO THEY JUST GET AWAY WITH IT? 189 00:07:23,877 --> 00:07:25,045 NO. YOU SHUT DOWN THEIR OPERATION. 190 00:07:25,078 --> 00:07:26,246 THEY COULD JUST START ANOTHER ONE. 191 00:07:26,279 --> 00:07:28,215 THAT'S WHY WE HAVE TO BE VIGILANT. 192 00:07:28,248 --> 00:07:30,851 WAIT, SO THIS WHOLE PLACE IS LIKE A GIANT GAME OF WHACK-A-MOLE-- 193 00:07:30,884 --> 00:07:33,854 THE GAME WHERE THEY HAVE THE MOLE, BUT IT'S A CASE, NOT A MOLE? 194 00:07:33,887 --> 00:07:35,856 IS THAT-- 195 00:07:35,889 --> 00:07:37,991 GET BACK TO WORK. 196 00:07:48,969 --> 00:07:51,772 SORRY ABOUT YOUR STUFF. 197 00:07:51,805 --> 00:07:53,173 THANK YOU. 198 00:07:54,908 --> 00:07:57,545 I LIKE YOUR UNICORN. 199 00:07:57,578 --> 00:08:00,914 OH. HEH. SHE IS PRETTY GREAT, HUH? 200 00:08:04,918 --> 00:08:06,987 [SIGHS] 201 00:08:17,965 --> 00:08:19,967 THAT'S WEIRD. 202 00:08:26,907 --> 00:08:29,209 OH, THIS IS REALLY BAD. 203 00:08:31,945 --> 00:08:34,081 MAN: BEAUTIFUL. 204 00:08:36,183 --> 00:08:38,919 NOW, LIFT YOUR CHIN A LITTLE. 205 00:09:06,246 --> 00:09:09,850 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 206 00:09:17,691 --> 00:09:18,992 JJ: "DEATH IS THE MOTHER OF BEAUTY, 207 00:09:19,026 --> 00:09:21,228 "HENCE FROM HER, ALONE, 208 00:09:21,261 --> 00:09:23,096 "SHALL COME FULFILLMENT OF OUR DREAMS 209 00:09:23,130 --> 00:09:26,333 AND OUR DESIRES." 210 00:09:26,366 --> 00:09:28,335 WALLACE STEVENS. 211 00:09:28,368 --> 00:09:30,303 MAN: IT GETS OLD, YOU KNOW? 212 00:09:30,337 --> 00:09:32,339 'CAUSE SHE NEVER TAKES ME OR MY THEORIES SERIOUSLY. 213 00:09:32,372 --> 00:09:36,076 YOU HAVE TO UNDERSTAND THAT HIS SO-CALLED THEORIES 214 00:09:36,109 --> 00:09:38,345 ARE WAY OUTSIDE THE BOX. 215 00:09:38,378 --> 00:09:39,913 FOR INSTANCE? 216 00:09:39,947 --> 00:09:42,215 HE BELIEVES IN THE PARANORMAL. 217 00:09:42,249 --> 00:09:43,684 AND YET SHE'S RELIGIOUS, OK? 218 00:09:43,717 --> 00:09:46,219 WHAT DEMANDS MORE BLIND FAITH THAN GOD? 219 00:09:46,253 --> 00:09:49,089 MY RELIGIOUS BELIEFS ARE NONE OF YOUR DAMN BUSINESS. 220 00:09:49,122 --> 00:09:51,091 THAT MUST MAKE IT DIFFICULT 221 00:09:51,124 --> 00:09:52,359 FOR BOTH OF YOU TO DO YOUR JOBS. 222 00:09:52,392 --> 00:09:54,261 YOU HAVE NO IDEA. 223 00:09:54,294 --> 00:09:57,097 OK. UH, HAVE EITHER OF YOU CONSIDERED 224 00:09:57,130 --> 00:09:58,365 PUTTING IN A REQUEST FOR A NEW PARTNER, 225 00:09:58,398 --> 00:09:59,967 BECAUSE I FEEL-- 226 00:10:00,000 --> 00:10:01,234 I DON'T WANT A NEW PARTNER. 227 00:10:01,268 --> 00:10:03,971 HE'S MY BEST FRIEND. 228 00:10:04,004 --> 00:10:06,339 [CHUCKLES] WHO KNEW THERE WERE SO MANY 229 00:10:06,373 --> 00:10:08,408 DYSFUNCTIONAL PARTNERS IN THE BUREAU? 230 00:10:08,441 --> 00:10:10,243 I'M LEARNING THE HARD WAY. 231 00:10:10,277 --> 00:10:13,180 I HAD 3 STAKEOUTS WITH ODENKIRK LAST WEEK. 232 00:10:13,213 --> 00:10:15,115 I KNOW HOW MUCH YOU LOVE THOSE. 233 00:10:15,148 --> 00:10:18,385 AND IT'S ONE THING TO BE OUT IN THE FIELD WITH HIM, 234 00:10:18,418 --> 00:10:21,354 BUT SITTING WITH HIM IN A CAR FOR HOURS ON END. 235 00:10:21,388 --> 00:10:25,125 HE SMELLS, LIKE DIRTY TIGHTIE WHITIES 236 00:10:25,158 --> 00:10:26,927 DIPPED IN SWEAT. 237 00:10:26,960 --> 00:10:28,696 AGHH! 238 00:10:28,729 --> 00:10:30,430 BARNES REALLY KNEW HOW TO PUNISH YOU. 239 00:10:30,463 --> 00:10:31,699 I MEAN, STICKING YOU WITH HIM. 240 00:10:31,732 --> 00:10:33,300 A NOT-SO-SUBTLE REFERENCE 241 00:10:33,333 --> 00:10:34,367 TO WHAT HAPPENS TO AGENTS WHO TRANSGRESS. 242 00:10:34,401 --> 00:10:38,138 AND THERE IS NO DIRT ON BARNES IN THE OPR DATABASE. 243 00:10:38,171 --> 00:10:40,007 SHE IS SQUEAKY CLEAN. 244 00:10:40,040 --> 00:10:42,409 YOU PULLED HER FILE? 245 00:10:42,442 --> 00:10:46,446 I THOUGHT MAYBE WE'D GET LUCKY. 246 00:10:46,479 --> 00:10:48,348 [SIGHS] SO WHAT NOW? 247 00:10:48,381 --> 00:10:51,719 I DON'T KNOW WHAT OUR NEXT MOVE IS. 248 00:10:51,752 --> 00:10:54,722 WELL, WE HAVE GOT TO THINK OF SOMETHING. 249 00:10:54,755 --> 00:10:58,358 I DO NOT KNOW HOW MUCH MORE OF THIS ASSIGNMENT I CAN TAKE. 250 00:10:58,391 --> 00:11:00,994 [CHUCKLES] UHH... 251 00:11:04,998 --> 00:11:06,133 WHAT AM I LOOKING AT? 252 00:11:06,166 --> 00:11:08,135 GARCIA: I FOUND THESE IN A DROP BOX FILE 253 00:11:08,168 --> 00:11:10,437 ON A HARD DRIVE BELONGING TO ADAM JEFFRIES. 254 00:11:10,470 --> 00:11:12,372 WHAT DO THESE HAVE TO DO WITH OUR CASE? 255 00:11:12,405 --> 00:11:14,141 NOTHING. 256 00:11:14,174 --> 00:11:16,243 THEN WHY AM I LOOKING AT THEM? 257 00:11:16,276 --> 00:11:18,145 YOU SEE THAT THOSE 3 PHOTOS ARE OF THE SAME WOMAN, YES? 258 00:11:18,178 --> 00:11:19,412 YEAH. 259 00:11:19,446 --> 00:11:21,414 OK. WELL, THE DIGITAL FILES HAD TIME STAMPS. 260 00:11:21,448 --> 00:11:23,383 THOSE 3 PHOTOS WERE TAKEN LAST WEEK 261 00:11:23,416 --> 00:11:25,252 WITHIN A 72-HOUR PERIOD. 262 00:11:25,285 --> 00:11:26,386 AND THIS PHOTO OF A DIFFERENT WOMAN-- 263 00:11:26,419 --> 00:11:28,388 THAT WAS TAKEN TWO DAYS AGO. 264 00:11:28,421 --> 00:11:30,123 AND? 265 00:11:30,157 --> 00:11:32,125 DON'T YOU SEE? 266 00:11:32,159 --> 00:11:33,393 LOOK. 267 00:11:37,064 --> 00:11:38,498 UH...SORRY. 268 00:11:38,531 --> 00:11:40,367 HE TAKES A CANDID PHOTO OF A WOMAN 269 00:11:40,400 --> 00:11:42,002 OUT IN THE WORLD-- 270 00:11:42,035 --> 00:11:44,137 HAPPY, HEALTHY, UNSUSPECTING. 271 00:11:44,171 --> 00:11:47,140 HE THEN ABDUCTS HER, HE PUTS HER INTO CAPTIVITY 272 00:11:47,174 --> 00:11:48,375 FOR 3 DAYS, DURING WHICH TIME 273 00:11:48,408 --> 00:11:51,144 HE TAKES ANOTHER PICTURE OF HER IN CAPTIVITY, 274 00:11:51,178 --> 00:11:53,380 THEN HE KILLS HER AND TAKES A THIRD PICTURE 275 00:11:53,413 --> 00:11:56,784 WHEN SHE'S...DEAD. 276 00:11:56,817 --> 00:12:00,387 SO, THEN, YOU KNOW WHAT THIS PHOTO MEANS, YES? 277 00:12:00,420 --> 00:12:03,190 WHAT DO YOU THINK IT MEANS? 278 00:12:03,223 --> 00:12:05,392 I THINK IT MEANS THAT SHE'S OUR UNSUB'S NEXT VICTIM. 279 00:12:05,425 --> 00:12:08,395 AND YOU BELIEVE THESE ARE REAL? 280 00:12:08,428 --> 00:12:09,830 YOU DON'T? 281 00:12:09,863 --> 00:12:11,231 THE VIOLENCE LOOKS PHOTO-SHOPPED. 282 00:12:11,264 --> 00:12:12,432 AND THE WOMEN, THEY AREN'T UNDERAGE. 283 00:12:12,465 --> 00:12:15,502 SO WHAT YOU FOUND ON THAT HARD DRIVE IS NOT A CYBER CRIME. 284 00:12:15,535 --> 00:12:17,137 WE CAN'T IGNORE THIS. 285 00:12:17,170 --> 00:12:19,306 LOOK, IF YOU FEEL STRONGLY ABOUT IT, 286 00:12:19,339 --> 00:12:21,141 MAYBE YOU CAN REFER IT TO ANOTHER UNIT. 287 00:12:21,174 --> 00:12:24,411 MAYBE IT'S THE KIND OF THING THE BAU IS HANDLING THESE DAYS. 288 00:12:28,816 --> 00:12:30,150 NO. 289 00:12:30,183 --> 00:12:32,152 WHY? 290 00:12:32,185 --> 00:12:33,386 THESE PHOTOS ARE FAKE. 291 00:12:33,420 --> 00:12:35,155 LOOK AT THE ONE WITH THE COFFIN. 292 00:12:35,188 --> 00:12:36,389 THE BACKGROUND'S SOME KIND OF PAINTING. 293 00:12:36,423 --> 00:12:38,125 IT'S PROFESSIONALLY LIT. 294 00:12:38,158 --> 00:12:39,292 THIS WOMEN AREN'T MISSING. 295 00:12:39,326 --> 00:12:42,162 THEY'RE MAKING A LIVING POSING FOR CREEPY FETISH PHOTOS. 296 00:12:42,195 --> 00:12:44,497 WELL, I THINK THAT'S WHAT IT'S SUPPOSED TO LOOK LIKE. 297 00:12:44,531 --> 00:12:48,068 IF IT LOOKS LIKE A DUCK, QUACKS LIKE A DUCK... 298 00:12:48,101 --> 00:12:49,536 OK. 299 00:12:51,338 --> 00:12:54,141 THAT VEIN IN HER NECK, IT'S PURPLE. 300 00:12:54,174 --> 00:12:55,408 THAT'S DEOXYGENATED BLOOD. 301 00:12:55,442 --> 00:12:58,411 THAT SLIGHT DISCOLORATION IN HER EARLOBE, 302 00:12:58,445 --> 00:12:59,546 THAT'S LIVIDITY. 303 00:12:59,579 --> 00:13:01,481 BECAUSE THAT'S WHAT SELLS. 304 00:13:01,514 --> 00:13:03,450 OK, YOU KNOW, WE CAN GO BACK AND FORTH 305 00:13:03,483 --> 00:13:08,155 ON THIS DEATH PHOTO ALL DAY, BUT NOT THIS ONE. 306 00:13:08,188 --> 00:13:11,424 YOU SEE THAT LOOK IN HER EYE? THAT'S TRAUMA. 307 00:13:11,458 --> 00:13:13,160 AND I HAVE SEEN IT OFTEN ENOUGH 308 00:13:13,193 --> 00:13:15,428 TO KNOW WHEN IT'S FAKE AND WHEN IT'S AUTHENTIC. 309 00:13:15,462 --> 00:13:17,430 THAT IS REAL. 310 00:13:17,464 --> 00:13:19,199 I DISAGREE. 311 00:13:21,568 --> 00:13:23,837 WELL, IF YOU ARE WRONG, 312 00:13:23,871 --> 00:13:26,439 THIS WOMAN, SHE'D BE NUMBER 27. 313 00:13:26,473 --> 00:13:30,143 IF SHE DIES, HER BLOOD IS ON YOUR HANDS. 314 00:13:30,177 --> 00:13:31,478 I'M COMFORTABLE WITH THAT RISK. 315 00:13:41,388 --> 00:13:43,223 [ELEVATOR BELL DINGS] 316 00:13:55,602 --> 00:13:57,237 CALL ROSSI. I'LL CALL REID. 317 00:13:57,270 --> 00:13:58,371 ON IT. 318 00:14:00,273 --> 00:14:02,209 REID: OK, LET'S TAKE A MOMENT NOW 319 00:14:02,242 --> 00:14:03,443 TO DISCUSS THE DIFFERENCE 320 00:14:03,476 --> 00:14:06,213 BETWEEN A TRIGGER AND A STRESSOR. 321 00:14:06,246 --> 00:14:10,317 A TRIGGER IS A SENSORY EVENT EXPERIENCED BY AN OFFENDER 322 00:14:10,350 --> 00:14:12,519 THAT PRECIPITATES SUBSEQUENT BEHAVIOR, 323 00:14:12,552 --> 00:14:15,255 WHEREAS A STRESSOR IS A LONGER-TERM 324 00:14:15,288 --> 00:14:17,657 PATTERN OF BEHAVIOR OR CIRCUMSTANCES 325 00:14:17,690 --> 00:14:21,361 WHICH PUSH A PERSON INTO BEHAVING DIFFERENTLY 326 00:14:21,394 --> 00:14:22,629 THAN THEY NORMALLY WOULD. 327 00:14:22,662 --> 00:14:24,898 YOU'RE PROBABLY GONNA WANT TO WRITE THIS DOWN. 328 00:14:24,932 --> 00:14:26,399 I SHOULDN'T BE TELLING YOU GUYS THIS, 329 00:14:26,433 --> 00:14:29,502 BUT I'M DEFINITELY PUTTING THIS ON THE FINAL. 330 00:14:29,536 --> 00:14:31,905 I'M ONLY AUDITING THIS CLASS. 331 00:14:31,939 --> 00:14:34,141 IS ANYONE ELSE AUDITING THIS CLASS? 332 00:14:36,643 --> 00:14:40,213 OK. 333 00:14:40,247 --> 00:14:42,549 UNFORTUNATELY, THAT IS ALL THE TIME WE HAVE FOR TODAY. 334 00:14:42,582 --> 00:14:43,616 THANK YOU, GUYS. 335 00:14:43,650 --> 00:14:47,420 [CELL PHONE RINGING] 336 00:14:48,488 --> 00:14:49,656 LUKE, HEY, WHAT'S UP? 337 00:14:49,689 --> 00:14:51,491 [DRAMATIC MUSIC PLAYING] 338 00:14:56,496 --> 00:14:58,598 FREEZE, SCUMBAG! 339 00:15:00,233 --> 00:15:01,401 AND CUT! 340 00:15:01,434 --> 00:15:02,535 MAN: THAT WAS TERRIFIC. 341 00:15:02,569 --> 00:15:03,503 MAN: PULL NEXT ONE! 342 00:15:03,536 --> 00:15:05,205 UM... 343 00:15:05,238 --> 00:15:06,406 HEY, YOU WANT TO GO TALK TO HIM? 344 00:15:06,439 --> 00:15:08,208 UH, HEY, KID. UH... 345 00:15:08,241 --> 00:15:09,442 HOW'S IT GOING? ALL GOOD. 346 00:15:09,476 --> 00:15:11,211 YEAH. LOOK, I THOUGHT I'D GIVE YOU 347 00:15:11,244 --> 00:15:13,446 A FEW POINTERS ON HOW TO HOLD YOUR FIREARM. 348 00:15:13,480 --> 00:15:15,482 MAY I--MAY I? 349 00:15:15,515 --> 00:15:18,418 UM, SEE, A HOLD LIKE THIS 350 00:15:18,451 --> 00:15:21,521 GIVES US MAXIMUM CONTROL, WHICH IS WHAT WE WANT. 351 00:15:21,554 --> 00:15:23,456 WHEN YOU CANT IT THIS WAY, 352 00:15:23,490 --> 00:15:27,294 YOU'RE MORE LIKELY TO HIT AN INNOCENT BYSTANDER. 353 00:15:27,327 --> 00:15:30,697 GOT IT. MAN, LOVE WHEN THE WRITER'S ON SET. 354 00:15:30,730 --> 00:15:32,032 THANKS. 355 00:15:32,065 --> 00:15:33,466 OH, AND ONE-- ONE MORE THING. 356 00:15:33,500 --> 00:15:35,568 WHEN YOU DRAW DOWN ON A SUSPECT, 357 00:15:35,602 --> 00:15:39,672 THE LINE IS, "FBI. PUT YOUR HANDS UP," 358 00:15:39,706 --> 00:15:44,211 NOT, UH, "FREEZE, SCUMBAG." 359 00:15:44,244 --> 00:15:46,446 YEAH. I JUST DIDN'T THINK MY CHARACTER WOULD SAY 360 00:15:46,479 --> 00:15:49,716 THE "FBI, HANDS UP" THING. 361 00:15:49,749 --> 00:15:51,318 BUT HE DOES SAY THAT. 362 00:15:51,351 --> 00:15:53,053 IT'S, UH, IT'S--IT'S RIGHT THERE. 363 00:15:53,086 --> 00:15:56,456 NO, IT JUST DIDN'T FEEL ORGANIC. 364 00:15:56,489 --> 00:15:57,490 YOU KNOW? 365 00:15:57,524 --> 00:15:58,992 ORGANIC. 366 00:15:59,026 --> 00:16:00,493 [LAUGHS] 367 00:16:00,527 --> 00:16:04,531 [CELL PHONE VIBRATING] 368 00:16:04,564 --> 00:16:07,234 ROSSI. 369 00:16:07,267 --> 00:16:12,005 OH, YES. PLEASE, COUNT ME IN. 370 00:16:12,039 --> 00:16:13,506 CARRY ON. 371 00:16:16,509 --> 00:16:19,246 PRENTISS: THANK YOU, ALL OF YOU, FOR COMING. 372 00:16:19,279 --> 00:16:20,780 I'VE MISSED THIS, US. 373 00:16:20,813 --> 00:16:22,482 BEFORE WE DO THIS, I NEED TO BE SURE 374 00:16:22,515 --> 00:16:25,085 EVERYONE UNDERSTANDS WHAT WE'RE GETTING INTO. 375 00:16:25,118 --> 00:16:28,621 WE HAVE BEEN TOLD NOT TO INVESTIGATE THIS CASE. 376 00:16:28,655 --> 00:16:31,091 IF WE DO, WE ARE VIOLATING DIRECT ORDERS, 377 00:16:31,124 --> 00:16:33,393 AND EVENTUALLY BARNES WILL FIND OUT. 378 00:16:33,426 --> 00:16:35,495 SO, IF SOMETHING GOES WRONG 379 00:16:35,528 --> 00:16:37,364 OR WE DON'T CATCH THIS UNSUB, 380 00:16:37,397 --> 00:16:41,368 SHE WILL SHUT DOWN THE BAU AND MOST LIKELY FIRE ALL OF US. 381 00:16:41,401 --> 00:16:42,669 NO MORE REASSIGNMENTS. 382 00:16:42,702 --> 00:16:44,771 YOU KNOW WHAT? EVEN IF EVERYTHING DOES GO RIGHT 383 00:16:44,804 --> 00:16:46,639 AND WE DO CATCH OUR UNSUB, 384 00:16:46,673 --> 00:16:48,575 I MEAN, THE SAME THING COULD HAPPEN. 385 00:16:48,608 --> 00:16:50,510 SIMMONS: RIGHT. BARNES WOULD TRY TO SPIN IT, LABEL THE BAU 386 00:16:50,543 --> 00:16:52,512 A ROGUE UNIT THAT NEEDS TO BE SHUT DOWN. 387 00:16:52,545 --> 00:16:54,114 RIGHT. 388 00:16:54,147 --> 00:16:55,782 SO IF ANYONE HAS DOUBTS, 389 00:16:55,815 --> 00:16:58,751 NO SHAME, NO JUDGMENT. 390 00:17:00,153 --> 00:17:04,624 THE BAU STARTED IN A ROOM JUST LIKE THIS ONE. 391 00:17:04,657 --> 00:17:09,296 IF THIS IS HOW IT GOES OUT, SO BE IT. 392 00:17:10,530 --> 00:17:12,565 WE'RE ALL IN? 393 00:17:13,566 --> 00:17:17,537 PRENTISS: OK. LET'S TALK VICTIMOLOGY. 394 00:17:35,555 --> 00:17:37,324 [HANDLE SQUEAKS] 395 00:17:49,902 --> 00:17:51,138 [GASPS] 396 00:17:51,171 --> 00:17:53,740 * WAKE UP, DARLING 397 00:17:53,773 --> 00:17:57,510 THIS IS THE FUN PART. 398 00:17:57,544 --> 00:18:00,547 LET'S TAKE SOME PICTURES. 399 00:18:00,580 --> 00:18:02,482 [WHIMPERING] 400 00:18:02,515 --> 00:18:06,119 [SINGING INDISTINCTLY] 401 00:18:06,153 --> 00:18:07,587 NO! 402 00:18:13,493 --> 00:18:14,794 PRENTISS: SINCE WE DON'T HAVE ANY LEADS ON OUR VICTIMS' IDENTITIES, 403 00:18:14,827 --> 00:18:18,131 GARCIA'S BEEN DRILLING DOWN ON THE E-MAILS 404 00:18:18,165 --> 00:18:19,232 THAT CONTAIN THE PHOTO ATTACHMENTS. 405 00:18:19,266 --> 00:18:20,867 RIGHT, SO, THIS IS THE DARKNET, SO THEY'RE ENCRYPTED, 406 00:18:20,900 --> 00:18:22,802 BUT THE DIGITAL FILES HAD TIME STAMPS. 407 00:18:22,835 --> 00:18:23,870 I WAS ABLE TO NARROW DOWN THEIR POINT OF ORIGIN 408 00:18:23,903 --> 00:18:25,838 TO THE GREATER D.C. AREA. 409 00:18:25,872 --> 00:18:27,807 SO WE'RE GONNA HAVE TO FOCUS OUR PROFILING 410 00:18:27,840 --> 00:18:29,309 ON THE PHOTOS. 411 00:18:29,342 --> 00:18:31,278 THE FIRST 3 ARE OF THE SAME WOMAN. 412 00:18:31,311 --> 00:18:33,846 THEY APPEAR TO BE A COMPLETE 3-PART SERIES, 413 00:18:33,880 --> 00:18:35,848 DEPICTING HER IN 3 DIFFERENT STATES-- 414 00:18:35,882 --> 00:18:39,286 BEFORE, IN CAPTIVITY, AND POSTMORTEM. 415 00:18:39,319 --> 00:18:41,288 THE BEFORE PICTURE IS A CANDID PHOTO, 416 00:18:41,321 --> 00:18:44,591 WHICH SUGGESTS THE WOMEN WERE COMFORTABLE WITH THE UNSUB. 417 00:18:44,624 --> 00:18:45,625 ROSSI: WE HAVE ONLY ONE CAPTIVITY PHOTO. 418 00:18:45,658 --> 00:18:47,660 IT WAS TAKEN OVER 48 HOURS LATER. 419 00:18:47,694 --> 00:18:50,263 BUT IT'S IN A DIFFERENT LOCATION. 420 00:18:50,297 --> 00:18:52,365 IT'S A DARKER, ENCLOSED SPACE. 421 00:18:52,399 --> 00:18:54,867 THE VICTIM IS DISHEVELED AND APPEARS DISORIENTED 422 00:18:54,901 --> 00:18:56,336 AND TRAUMATIZED. 423 00:18:56,369 --> 00:18:58,871 NOW SHE'S ONLY WEARING THIS WHITE SATIN NEGLIGEE. 424 00:18:58,905 --> 00:19:01,308 REID: THE THIRD PHOTO'S POSED AND APPEARS TO BE POSTMORTEM. 425 00:19:01,341 --> 00:19:04,877 IN THIS CASE, THE FATAL WOUND, A SINGLE BULLET TO THE CHEST, 426 00:19:04,911 --> 00:19:07,280 IS CLEARLY FEATURED. IT'S ALSO BEEN CLEANED UP A LITTLE BIT. 427 00:19:07,314 --> 00:19:10,350 THERE'S NO EXTRANEOUS BLOOD, AND IT'S ALMOST PRETTY. 428 00:19:10,383 --> 00:19:12,852 PRENTISS: SO HE'S DISPLAYING HIS WORK FOR THOSE WHO WILL APPRECIATE IT, 429 00:19:12,885 --> 00:19:16,289 THE PEOPLE OUR DROP BOX OWNER ADAM JEFFRIES WERE SELLING TO. 430 00:19:16,323 --> 00:19:17,857 JJ: OK, AND THEN THERE'S THE FOURTH PHOTO, 431 00:19:17,890 --> 00:19:19,359 IT'S OF A DIFFERENT WOMAN. 432 00:19:19,392 --> 00:19:21,861 IT'S THE FIRST IN A NEW SERIES, 433 00:19:21,894 --> 00:19:23,363 THE NEW VICTIM. 434 00:19:23,396 --> 00:19:26,233 THE FOURTH PHOTO APPEARS TO BE TAKEN 72 HOURS AGO. 435 00:19:26,266 --> 00:19:28,401 IF THE UNSUB'S PATTERN HOLDS, 436 00:19:28,435 --> 00:19:30,303 IT MEANS SHE'S ABOUT TO DIE. 437 00:19:30,337 --> 00:19:34,207 JJ, LUKE, TARA, DIG INTO THE BEFORE PHOTOS. 438 00:19:34,241 --> 00:19:36,409 GARCIA ALREADY RAN THEM THROUGH THE BUREAU'S HOTEL DATABASE. 439 00:19:36,443 --> 00:19:38,745 BASED ON BACKGROUND DETAILS, IT'S EXTREMELY LIKELY 440 00:19:38,778 --> 00:19:41,314 THAT THEY WERE TAKEN AT A HIGH-END HOTEL IN THE AREA. 441 00:19:41,348 --> 00:19:42,449 WE'LL MAP THEM OUT AND START CANVASSING 442 00:19:42,482 --> 00:19:43,850 FIRST THING IN THE MORNING. 443 00:19:43,883 --> 00:19:45,852 GOOD. DAVE, MATT, HEAD OUT TO THE PRISON 444 00:19:45,885 --> 00:19:47,387 AND SEE WHAT ADAM JEFFRIES CAN TELL YOU 445 00:19:47,420 --> 00:19:49,422 ABOUT HOW THESE ENDED UP ON HIS DROP BOX. 446 00:19:49,456 --> 00:19:51,391 JEFFRIES: THERE'S LOTS OF PEOPLE THAT GET OFF ON EROTICA 447 00:19:51,424 --> 00:19:52,625 INVOLVING DEAD GIRLS. 448 00:19:52,659 --> 00:19:55,228 IT WAS A SIDE BUSINESS, REALLY. 449 00:19:55,262 --> 00:19:57,864 BUT THESE WERE HIGH QUALITY. 450 00:19:57,897 --> 00:20:00,333 OH, YEAH, REAL CLASSY. 451 00:20:00,367 --> 00:20:01,901 WHERE'D YOU GET THE PHOTOS? 452 00:20:01,934 --> 00:20:03,636 THE ADDRESS WAS ENCRYPTED. 453 00:20:03,670 --> 00:20:05,372 SIMMONS: HOW'D YOU HOOK UP WITH HIM? 454 00:20:05,405 --> 00:20:07,340 HE FOUND ME. AND I DON'T ASK QUESTIONS. 455 00:20:07,374 --> 00:20:08,708 HOW DID YOU PAY FOR THEM? 456 00:20:08,741 --> 00:20:10,009 THAT WAS THE BEST PART. 457 00:20:10,042 --> 00:20:12,379 HE DIDN'T WANT MONEY. CAN YOU BELIEVE IT? 458 00:20:12,412 --> 00:20:13,480 HE'S JUST A DUDE THAT THINKS PEOPLE 459 00:20:13,513 --> 00:20:15,448 SHOULD BE ALLOWED TO GET OFF 460 00:20:15,482 --> 00:20:16,416 TO WHATEVER TURNS THEM ON, 461 00:20:16,449 --> 00:20:18,418 EVEN IF IT'S TABOO. 462 00:20:18,451 --> 00:20:19,452 LIKE AN ACTIVIST. 463 00:20:19,486 --> 00:20:21,388 REAL MAN OF THE PEOPLE. 464 00:20:21,421 --> 00:20:23,022 YEAH. 465 00:20:23,055 --> 00:20:24,957 SO HOW DID IT WORK? 466 00:20:24,991 --> 00:20:26,993 WELL, HE SENT ME A BUNCH OF PHOTOS OF ONE GIRL, 467 00:20:27,026 --> 00:20:28,695 WAY TOO MANY. 468 00:20:28,728 --> 00:20:30,897 BUT WHAT SELLS IS 3 PICTURES. 469 00:20:30,930 --> 00:20:33,366 BEFORE, DURING, AND AFTER. 470 00:20:33,400 --> 00:20:34,901 WHAT ABOUT THE PICTURES YOU DIDN'T USE? 471 00:20:34,934 --> 00:20:37,370 YOU STILL HAVE THEM? 472 00:20:37,404 --> 00:20:39,472 I DON'T KNOW. 473 00:20:39,506 --> 00:20:40,807 MAYBE. 474 00:20:40,840 --> 00:20:41,974 WELL, WE'RE GONNA NEED TO SEE THEM. 475 00:20:42,008 --> 00:20:43,743 YEAH? YEAH. 476 00:20:43,776 --> 00:20:45,445 WHAT'S IN IT FOR ME? 477 00:20:45,478 --> 00:20:48,781 ROSSI: WELL, WHAT'S IN IT FOR YOU IS THAT WE DON'T CHARGE YOU 478 00:20:48,815 --> 00:20:51,384 AS AN ACCESSORY AFTER THE FACT TO MURDER. 479 00:20:51,418 --> 00:20:53,820 [SCOFFS] WHAT ARE YOU TALKING ABOUT? 480 00:20:53,853 --> 00:20:58,325 WELL, THESE PHOTOS ARE REAL. 481 00:20:58,358 --> 00:21:01,361 THIS WOMAN IS DEAD. 482 00:21:01,394 --> 00:21:03,730 WHOA, WHOA--WHOA. HEY! 483 00:21:03,763 --> 00:21:05,365 I HAD NOTHING TO DO WITH THAT. 484 00:21:05,398 --> 00:21:07,400 ROSSI: WELL, THAT'S GOOD. 485 00:21:07,434 --> 00:21:08,901 THEN IT WOULD SEEM COOPERATING WITH US 486 00:21:08,935 --> 00:21:12,939 IS IN YOUR BEST INTERESTS. 487 00:21:12,972 --> 00:21:15,308 YOU KNOW, I ALWAYS FEEL LIKE A KID FROM THE BRONX 488 00:21:15,342 --> 00:21:16,376 IN PLACES LIKE THIS. 489 00:21:16,409 --> 00:21:19,078 YEAH. THERE WEREN'T MANY 5-STAR HOTELS 490 00:21:19,111 --> 00:21:20,713 IN RURAL PENNSYLVANIA. 491 00:21:20,747 --> 00:21:22,081 I'VE BEEN IN MORE OF THEM TODAY 492 00:21:22,114 --> 00:21:23,716 THAN I HAVE THE WHOLE REST OF MY LIFE. 493 00:21:23,750 --> 00:21:25,852 CHECK THIS OUT. 494 00:21:26,986 --> 00:21:29,556 JJ, THAT'S A MATCH. 495 00:21:29,589 --> 00:21:31,391 IT'S THE SAME PAINTING. 496 00:21:31,424 --> 00:21:34,961 UH, LET'S SEE IF SOMEONE CAN I.D. OUR VICTIMS. 497 00:21:37,864 --> 00:21:39,566 EXCUSE ME. HI. 498 00:21:39,599 --> 00:21:41,434 I WAS HOPING YOU COULD HELP US WITH SOMETHING. 499 00:21:41,468 --> 00:21:43,470 OH. I'LL CERTAINLY DO MY BEST. 500 00:21:43,503 --> 00:21:44,737 WE HAVE REASON TO BELIEVE 501 00:21:44,771 --> 00:21:46,406 THESE PHOTOS WERE TAKEN HERE. 502 00:21:46,439 --> 00:21:47,940 JJ: DO YOU RECOGNIZE EITHER OF THESE YOUNG WOMEN? 503 00:21:47,974 --> 00:21:50,510 I'M VERY SORRY, BUT I CAN'T COMMENT ON OUR GUESTS. 504 00:21:50,543 --> 00:21:52,779 WE TAKE THEIR PRIVACY VERY SERIOUSLY. 505 00:21:52,812 --> 00:21:54,013 I TOTALLY UNDERSTAND THAT, 506 00:21:54,046 --> 00:21:57,884 BUT, UH...I BELIEVE THIS TRUMPS PRIVACY. 507 00:21:57,917 --> 00:21:59,986 INDEED IT DOES, SIR. 508 00:22:00,019 --> 00:22:01,354 AS A MATTER OF FACT, 509 00:22:01,388 --> 00:22:04,090 I DO RECOGNIZE THESE YOUNG LADIES. 510 00:22:04,123 --> 00:22:06,559 THEY ARE BOTH FREQUENT VISITORS TO THE HOTEL 511 00:22:06,593 --> 00:22:08,027 AND THEY ARE BOTH ALWAYS HERE, 512 00:22:08,060 --> 00:22:09,462 WITH A DIFFERENT MALE COMPANION, 513 00:22:09,496 --> 00:22:10,597 WHO PAYS CASH. 514 00:22:10,630 --> 00:22:12,031 DO YOU EVER RECOGNIZE 515 00:22:12,064 --> 00:22:13,400 ANY OF THE MALE COMPANIONS? 516 00:22:13,433 --> 00:22:14,967 NOT BY NAME, BUT I KNOW THE TYPE. 517 00:22:15,001 --> 00:22:16,803 MONEY, POWER, STATUS. 518 00:22:16,836 --> 00:22:18,871 YOU, UH, YOU DON'T HAVE SECURITY CAMERAS? 519 00:22:18,905 --> 00:22:21,608 NO. WE TAKE OUR GUESTS' PRIVACY VERY SERIOUSLY. 520 00:22:21,641 --> 00:22:24,477 MANY OF OUR FREQUENT PATRONS HAVE VERY PUBLIC PROFILES. 521 00:22:24,511 --> 00:22:26,879 POLITICIANS. AND I'M GUESSING 522 00:22:26,913 --> 00:22:29,582 THEY'RE NOT COMING HERE WITH THEIR SPOUSES. 523 00:22:29,616 --> 00:22:32,385 WHEN WAS THE LAST TIME YOU SAW EITHER OF THESE WOMEN? 524 00:22:32,419 --> 00:22:34,787 MUST BE ABOUT A WEEK AGO. 525 00:22:36,188 --> 00:22:40,026 PRENTISS: IT'S DARK. A GARAGE, MAYBE? 526 00:22:40,059 --> 00:22:41,894 BUT THE GROUND DOESN'T LOOK LIKE POURED CONCRETE. 527 00:22:41,928 --> 00:22:44,096 COULD BE A BASEMENT IN AN OLD BUILDING. 528 00:22:44,130 --> 00:22:47,366 WHAT IS SHE SITTING NEXT TO? IS IT A CRATE? 529 00:22:52,939 --> 00:22:55,107 OR A WINE RACK. 530 00:22:55,141 --> 00:22:58,177 IT'S NOT JUST A BASEMENT. I THINK IT'S A WINE CELLAR. 531 00:22:58,210 --> 00:23:00,112 THERE ARE A LOT OF BIG OLD HOMES LIKE THIS 532 00:23:00,146 --> 00:23:03,516 IN AREAS LIKE CLARENDON, KALORAMA, POTOMAC MANORS. 533 00:23:03,550 --> 00:23:05,418 I GREW UP IN A HOUSE LIKE THIS. 534 00:23:05,452 --> 00:23:06,986 WELL, IF THAT'S THE CASE, THE UNSUB COULD BE 535 00:23:07,019 --> 00:23:09,889 A PERSON OF RESOURCES-- MONEY, MAYBE EVEN PRESTIGE. 536 00:23:23,603 --> 00:23:26,873 SO BEAUTIFUL. 537 00:23:34,246 --> 00:23:35,448 [TRUNK SLAMS] 538 00:23:36,916 --> 00:23:38,217 [DOOR SLAMS] 539 00:23:38,250 --> 00:23:39,986 [WHISTLING] 540 00:23:51,998 --> 00:23:53,500 [CLINK] 541 00:23:57,236 --> 00:24:00,707 [EASY LISTENING MUSIC PLAYING] 542 00:24:00,740 --> 00:24:05,111 [CHATTER, LAUGHTER] 543 00:24:05,144 --> 00:24:07,113 GEORGE, SO GLAD YOU COULD MAKE IT. 544 00:24:07,146 --> 00:24:09,148 GEORGE: THANK YOU FOR THE INVITE. 545 00:24:09,181 --> 00:24:12,018 [CHATTER, LAUGHTER CONTINUES] 546 00:24:14,621 --> 00:24:16,589 ELLEN, YOU LOOK AMAZING. 547 00:24:16,623 --> 00:24:19,091 ELLEN: WHY, THANK YOU! 548 00:24:19,125 --> 00:24:22,529 AH. LOOKS LIKE YOU FOUND SOMETHING TO KEEP YOU BUSY 549 00:24:22,562 --> 00:24:23,229 WHILE I WAS MINGLING. 550 00:24:23,262 --> 00:24:25,031 I HAD TO DO SOMETHING. 551 00:24:25,064 --> 00:24:26,265 IT TOOK YOU FOREVER. 552 00:24:26,298 --> 00:24:28,568 TRUST ME, IT WAS WORTH THE WAIT. 553 00:24:28,601 --> 00:24:30,637 FOUND THE BOTTLE I WAS TELLING YOU ABOUT. 554 00:24:30,670 --> 00:24:33,105 SPECIAL RESERVE CHATEAU ANJOU. 555 00:24:33,139 --> 00:24:34,273 YOU'RE GONNA LOVE IT. 556 00:24:34,306 --> 00:24:35,642 YOU SHOULDN'T HAVE, KEV. 557 00:24:35,675 --> 00:24:38,244 FINE WINE IS WASTED ON ME. YOU KNOW THAT. 558 00:24:38,277 --> 00:24:41,981 DON'T BE SILLY. 559 00:24:42,014 --> 00:24:43,583 I'VE MISSED YOU. 560 00:24:45,317 --> 00:24:48,521 8 YEARS IN EUROPE WAS TOO LONG. 561 00:24:48,555 --> 00:24:51,223 YOU WERE ONLY 19 WHEN I LEFT 562 00:24:51,257 --> 00:24:52,992 AND A WILD CHILD. 563 00:24:53,025 --> 00:24:54,260 THE MORE THINGS CHANGE... 564 00:24:56,328 --> 00:24:57,930 MAY I? 565 00:25:05,672 --> 00:25:07,306 BEAUTIFUL. 566 00:25:07,339 --> 00:25:09,976 I'LL SEND IT TO YOU. 567 00:25:10,009 --> 00:25:11,744 BY THE WAY, HOW'S YOUR FATHER? 568 00:25:11,778 --> 00:25:13,312 HE'S BEEN MAKING NEWS LATELY. 569 00:25:13,345 --> 00:25:17,283 YOU KNOW DADDY. HE'S ALWAYS HAPPY WHEN HE'S MAKING NEWS. 570 00:25:19,218 --> 00:25:24,591 RICH AND MYSTERIOUS WITH A FABULOUS FINISH. 571 00:25:24,624 --> 00:25:27,526 REMINDS ME A LITTLE OF YOU. 572 00:25:30,229 --> 00:25:32,699 [DOOR CLOSES] 573 00:25:32,732 --> 00:25:34,567 GARCIA, EXCITEDLY: OK. I HAVE NEWS. 574 00:25:34,601 --> 00:25:36,603 I HAVE--I HAVE COPIOUS--COPIOUS NEWS. 575 00:25:36,636 --> 00:25:38,270 FIRST THE BACKSTORY. THAT DROP BOX 576 00:25:38,304 --> 00:25:40,573 THAT I FIRST FOUND THOSE 4 PHOTOS ON. 577 00:25:40,607 --> 00:25:42,675 I KEPT IT ACTIVE BECAUSE I THOUGHT MAYBE WE'D GET LUCKY. 578 00:25:42,709 --> 00:25:45,011 I ALSO FASHIONED IT WITH EVERY TOOL AND TRAP I KNOW 579 00:25:45,044 --> 00:25:46,345 FOR CAPTURING IP ADDRESSES. 580 00:25:46,378 --> 00:25:48,014 SO DID WE GET LUCKY? 581 00:25:48,047 --> 00:25:51,017 NO. I MEAN YES, BUT, NO. 582 00:25:51,050 --> 00:25:54,053 UH, THERE'S BEEN A NEW DROP OF PHOTOS. 583 00:25:54,086 --> 00:25:55,988 I JUST SENT TO YOUR TABLETS NOW. 584 00:25:56,022 --> 00:25:58,658 THEY INCLUDE A SERIES OF CAPTIVITY 585 00:25:58,691 --> 00:26:01,661 AND POSTMORTEM PHOTOS OF OUR SECOND VICTIM. 586 00:26:01,694 --> 00:26:03,229 WE WERE TOO LATE. 587 00:26:03,262 --> 00:26:04,797 AND IT'S EVEN WORSE THAN THAT. 588 00:26:04,831 --> 00:26:07,166 THERE'S A WHOLE NEW SERIES OF PHOTOS OF A THIRD VICTIM 589 00:26:07,199 --> 00:26:09,301 WE DIDN'T EVEN KNOW ABOUT, PLUS ONE NEW CANDID PHOTO. 590 00:26:09,335 --> 00:26:11,370 HE'S ALREADY GOT HIS FOURTH VICTIM. 591 00:26:11,403 --> 00:26:13,239 DID YOU FIND THE IP ADDRESS? 592 00:26:13,272 --> 00:26:15,007 NO. I'M SORRY. 593 00:26:15,041 --> 00:26:16,375 OK. ANY GOOD NEWS? 594 00:26:16,408 --> 00:26:19,011 NO. I MEAN--OK, THIS MIGHT BE HELPFUL. 595 00:26:19,045 --> 00:26:21,347 I DID A SEARCH OF CASES INVOLVING D.C. HIGH-END HOTELS, 596 00:26:21,380 --> 00:26:24,383 AND I FOUND A BUNCH OF ARTICLES REGARDING 597 00:26:24,416 --> 00:26:27,119 THE DEATH OF SOMEONE NAMED TRACY FERGUSON. 598 00:26:27,153 --> 00:26:28,788 WAIT, I THINK I REMEMBER THAT. 599 00:26:28,821 --> 00:26:31,023 MM-HMM. YOU PROBABLY DO. SHE WAS IN A BUNCH OF HEADLINES, 600 00:26:31,057 --> 00:26:33,726 MOSTLY BECAUSE HER FATHER WAS GEORGE FERGUSON, THE D.C. POWER BROKER. 601 00:26:33,760 --> 00:26:37,396 ANYWAY, SHE WAS 27. SHE WAS FOUND IN A SUITE AT THE MONTCLAIR HOTEL, 602 00:26:37,429 --> 00:26:39,031 AND SHE WAS WEARING A WHITE SATIN NEGLIGEE. 603 00:26:39,065 --> 00:26:41,033 LIKE THE ONE THE UNSUB DRESSES HIS VICTIMS IN 604 00:26:41,067 --> 00:26:42,268 FOR THE CAPTIVITY PHOTOS. 605 00:26:42,301 --> 00:26:43,703 EXACTLY. 606 00:26:43,736 --> 00:26:44,871 OK, SO TRACY FERGUSON COULD BE 607 00:26:44,904 --> 00:26:46,372 OUR UNSUB'S FIRST VICTIM. 608 00:26:46,405 --> 00:26:48,140 DID THEY INVESTIGATE? 609 00:26:48,174 --> 00:26:49,742 THEY DID. 610 00:26:49,776 --> 00:26:51,778 GOOD. WE NEED THOSE FILES. 611 00:26:51,811 --> 00:26:53,746 THAT'S WHERE IT GETS STICKY. 612 00:26:55,214 --> 00:26:56,749 THE CASE WAS SEALED AT THE TIME. 613 00:26:56,783 --> 00:26:58,885 IN ORDER TO UNSEAL IT, YOU NEED SPECIAL PERMISSION 614 00:26:58,918 --> 00:27:01,754 FROM THE LEAD INVESTIGATING AGENT. 615 00:27:01,788 --> 00:27:03,890 THE D.C. FIELD AGENT IN 2010 616 00:27:03,923 --> 00:27:05,291 WHO WAS IN CHARGE OF THAT CASE 617 00:27:05,324 --> 00:27:07,059 WAS LINDA BARNES. 618 00:27:16,135 --> 00:27:17,837 [DISTANT SIREN] 619 00:27:17,870 --> 00:27:20,339 HEY. WE JUST RECEIVED THE ORIGINAL CACHE OF PHOTOS 620 00:27:20,372 --> 00:27:22,308 FROM ADAM JEFFRIES' DROP BOX. 621 00:27:22,341 --> 00:27:23,342 HOW MANY ARE WE TALKING ABOUT? 622 00:27:23,375 --> 00:27:24,777 A LOT. 623 00:27:24,811 --> 00:27:27,246 THERE'S STILL ONLY ONE CANDID PHOTO 624 00:27:27,279 --> 00:27:29,916 FOR EACH VICTIM, BUT THERE ARE NEARLY 40 625 00:27:29,949 --> 00:27:32,284 CAPTIVITY AND DEATH PHOTOS. 626 00:27:37,189 --> 00:27:39,191 IS THERE A WAY TO GET THE METADATA FOR EACH OF THESE PHOTOS? 627 00:27:39,225 --> 00:27:42,161 IT FEELS LIKE THERE ARE FRAMES MISSING FROM THE SEQUENCE. 628 00:27:46,232 --> 00:27:50,336 YOU'RE RIGHT. THERE ARE MISSING FRAMES. 629 00:27:50,369 --> 00:27:51,838 UNSUB: YOU'RE SO BEAUTIFUL. 630 00:27:54,306 --> 00:27:56,475 PLEASE DON'T DO THIS! 631 00:27:56,508 --> 00:27:59,712 REID: HE'S KEEPING THE FRAMES THAT CAPTURE THE MOMENT OF MAXIMUM FEAR 632 00:27:59,746 --> 00:28:02,849 WHERE THE REALIZATION OF DEATH IS IN THEIR EYES. 633 00:28:02,882 --> 00:28:04,483 [GASPING] 634 00:28:04,516 --> 00:28:06,853 UNSUB: SO BEAUTIFUL. 635 00:28:13,392 --> 00:28:14,827 [CAMERA CLICKING] 636 00:28:14,861 --> 00:28:16,829 REID: FOLLOWED BY THE MOMENT RIGHT AFTER 637 00:28:16,863 --> 00:28:19,265 WHERE THE FEAR AND THE LIFE LEAVE THEM. 638 00:28:21,333 --> 00:28:25,237 OK, SO WHY IS IT THAT MOMENT THAT HE NEEDS TO RELIVE? 639 00:28:25,271 --> 00:28:27,239 WELL, IF TRACY FERGUSON REALLY WAS HIS FIRST VICTIM, 640 00:28:27,273 --> 00:28:29,375 THEN SHE COULD BE THE KEY TO ALL OF THIS. 641 00:28:29,408 --> 00:28:31,310 WE NEED TO SEE THAT FILE. 642 00:28:31,343 --> 00:28:32,845 IT MEANS TALKING TO BARNES. 643 00:28:32,879 --> 00:28:34,881 ARE YOU READY TO DO THAT? 644 00:28:41,287 --> 00:28:46,258 YOU LOOK SO MUCH LIKE TRACY. 645 00:28:46,292 --> 00:28:47,960 [EXHALES] 646 00:28:47,994 --> 00:28:51,263 IT'S THE FIRST THING I NOTICED ABOUT YOU WHEN WE MET. 647 00:28:53,866 --> 00:28:58,871 MAYHEW, YOU'RE NOT LIKE HER AT ALL. 648 00:28:58,905 --> 00:29:00,272 YOU'RE SAFE WITH ME. 649 00:29:00,306 --> 00:29:02,308 [MOANS] 650 00:29:08,280 --> 00:29:11,784 LET'S TAKE SOME PICTURES. 651 00:29:12,284 --> 00:29:13,853 YOU WHAT? 652 00:29:13,886 --> 00:29:15,254 I KNOW HOW IT LOOKS. 653 00:29:15,287 --> 00:29:17,256 I KNOW WE VIOLATED YOUR DIRECTIVE, 654 00:29:17,289 --> 00:29:20,860 BUT THE BAU SAVES LIVES. 655 00:29:20,893 --> 00:29:23,863 ISN'T--ISN'T THAT WHAT'S MOST IMPORTANT? 656 00:29:23,896 --> 00:29:25,865 ARE YOU REALLY THAT ARROGANT? 657 00:29:25,898 --> 00:29:28,267 DO YOU TRULY BELIEVE THAT THE BAU 658 00:29:28,300 --> 00:29:30,302 IS THE ONLY UNIT IN THE FBI 659 00:29:30,336 --> 00:29:32,371 THAT'S IN IT FOR THE GOOD GUYS? 660 00:29:32,404 --> 00:29:35,307 AGENT JAREAU, WHAT DO YOU REALLY WANT? 661 00:29:35,341 --> 00:29:37,543 I NEED ACCESS TO A CASE YOU INVESTIGATED 662 00:29:37,576 --> 00:29:41,280 AS A D.C. FIELD AGENT IN 2010--TRACY FERGUSON. 663 00:29:41,313 --> 00:29:43,315 AND YOU SEALED HER FILE. 664 00:29:43,349 --> 00:29:46,518 LET ME GUESS. YOU THINK IT WAS MURDER. 665 00:29:46,552 --> 00:29:48,955 I DO. 666 00:29:48,988 --> 00:29:52,291 I THINK TRACY WAS THIS UNSUB'S FIRST VICTIM. 667 00:29:52,324 --> 00:29:54,393 YOU THINK THAT'S WHY I SEALED THE FILE, 668 00:29:54,426 --> 00:29:55,561 BECAUSE I MISSED SOMETHING? 669 00:29:55,594 --> 00:29:58,330 NO, I DON'T KNOW WHY YOU SEALED THE CASE. 670 00:29:58,364 --> 00:30:01,333 ALL I KNOW IS THAT I NEED TO SEE IT NOW. 671 00:30:01,367 --> 00:30:03,369 HER FATHER REPORTED HER MISSING. 672 00:30:03,402 --> 00:30:05,337 THAT WASN'T UNUSUAL. SHE WAS A JUNKIE. 673 00:30:05,371 --> 00:30:06,338 SHE WENT MISSING ALL THE TIME. 674 00:30:06,372 --> 00:30:10,442 WE FOUND HER IN A SUITE IN THE MONTCLAIR HOTEL. 675 00:30:10,476 --> 00:30:12,478 SHE'D CHECKED IN ABOUT 6 1/2 HOURS EARLIER, 676 00:30:12,511 --> 00:30:15,247 ALONG WITH 7 MEN, 677 00:30:15,281 --> 00:30:19,351 EACH OF WHOM TOOK HIS TURN WITH HER 678 00:30:19,385 --> 00:30:21,888 IN EXCHANGE FOR HEROIN. 679 00:30:21,921 --> 00:30:24,823 THERE WERE NEEDLES ALL OVER THE BED. 680 00:30:27,359 --> 00:30:31,097 SO THAT'S WHAT HAPPENED TO TRACY FERGUSON. 681 00:30:31,130 --> 00:30:33,399 SHE ODed. 682 00:30:33,432 --> 00:30:35,567 HER FATHER CUT HER OFF A COUPLE WEEKS EARLIER-- 683 00:30:35,601 --> 00:30:38,604 TOUGH LOVE. 684 00:30:38,637 --> 00:30:41,874 SO SHE STARTED HAVING SEX WITH MEN FOR DRUGS. 685 00:30:41,908 --> 00:30:44,911 SO YOU SEALED THE CASE TO PROTECT HER FATHER? 686 00:30:44,944 --> 00:30:48,347 I DIDN'T SEE THE POINT OF THE DETAILS OF HIS CHILD'S DEATH 687 00:30:48,380 --> 00:30:51,350 BEING SPLASHED ALL OVER THE TABLOIDS. 688 00:30:51,383 --> 00:30:54,186 GEORGE FERGUSON WAS A GOOD MAN. 689 00:30:54,220 --> 00:30:55,187 I DIDN'T KNOW. 690 00:30:55,221 --> 00:30:56,555 AND SO WE ARE CLEAR, 691 00:30:56,588 --> 00:30:59,425 PERMISSION TO ACCESS TRACY FERGUSON'S FILE 692 00:30:59,458 --> 00:31:01,593 IS OFFICIALLY DENIED. 693 00:31:01,627 --> 00:31:06,298 AND JUST SO WE ARE CRYSTAL CLEAR, 694 00:31:06,332 --> 00:31:10,002 I AM RELIEVING YOU OF DUTY EFFECTIVE IMMEDIATELY. 695 00:31:10,036 --> 00:31:14,907 PLEASE TURN OVER YOUR GUN AND YOUR BADGE, AGENT JAREAU. 696 00:31:29,555 --> 00:31:31,023 PRENTISS: JJ, WHAT HAVE YOU GOT? 697 00:31:31,057 --> 00:31:33,459 EMILY, HEY, UM, SO I TALKED TO HER. 698 00:31:33,492 --> 00:31:36,395 SHE, UH, SHE KNOWS I PUT THE BAU ON THE CASE. 699 00:31:36,428 --> 00:31:38,297 AND SHE FIRED ME. 700 00:31:38,330 --> 00:31:39,298 JJ, I'M SO SORRY. 701 00:31:39,331 --> 00:31:41,233 NO, EMILY, I'M FINE. 702 00:31:41,267 --> 00:31:42,268 I'M FINE. 703 00:31:42,301 --> 00:31:44,470 LOOK, SHE'S NOT GONNA GIVE US ACCESS TO THE CASE, 704 00:31:44,503 --> 00:31:46,605 BUT I GOT SOMETHING. 705 00:31:46,638 --> 00:31:50,276 THERE WERE 7 OTHER PEOPLE IN THAT HOTEL ROOM 706 00:31:50,309 --> 00:31:52,344 THE NIGHT TRACY DIED. 707 00:31:52,378 --> 00:31:56,348 [CELL PHONE RINGS] 708 00:31:56,382 --> 00:31:57,950 HELLO. WHAT'S UP? 709 00:31:57,984 --> 00:31:59,085 WE'VE BEEN TRYING TO GET AHOLD OF YOU 710 00:31:59,118 --> 00:32:00,486 FOR 20 MINUTES. CAN YOU TALK? 711 00:32:00,519 --> 00:32:03,622 UH, I CAN SORT OF TALK. DID JJ GET THE FILE? 712 00:32:03,655 --> 00:32:05,391 NO, BUT WE DON'T NEED THE WHOLE FILE ANYMORE. 713 00:32:05,424 --> 00:32:07,026 ALL WE NEED ARE THE CRIME SCENE PHOTOS. 714 00:32:07,059 --> 00:32:09,428 CAN YOU HACK JUST THE PHOTOS WITHOUT RAISING FLAGS? 715 00:32:09,461 --> 00:32:11,530 YOU MEAN LIKE A SURGICAL STRIKE? 716 00:32:11,563 --> 00:32:13,299 YEAH, GIVE ME A SECOND. 717 00:32:17,369 --> 00:32:20,506 OK. I'M IN. WHAT AM I LOOKING FOR? 718 00:32:20,539 --> 00:32:22,541 WE'RE NOT SURE, BUT THERE WERE 7 MEN 719 00:32:22,574 --> 00:32:24,610 IN THE ROOM WITH TRACY ON THE NIGHT THAT SHE DIED. 720 00:32:24,643 --> 00:32:26,979 REID: AND WE'RE HOPING SOMEBODY LEFT SOMETHING BEHIND. 721 00:32:27,013 --> 00:32:30,282 UH, LET'S SEE. I SEE AN OPEN BOTTLE OF WINE. 722 00:32:30,316 --> 00:32:32,384 UH, IT'S NOT JUST ANY BOTTLE OF WINE. 723 00:32:32,418 --> 00:32:35,087 IT'S A BOTTLE OF CHATEAU ANJOU FROM 1918. 724 00:32:35,121 --> 00:32:36,488 ROSSI: THAT'S EXTREMELY RARE. 725 00:32:36,522 --> 00:32:38,290 WE SHOULD BE ABLE TO TRACE THE SALE 726 00:32:38,324 --> 00:32:39,992 OF A BOTTLE LIKE THAT. 727 00:32:40,026 --> 00:32:42,528 CAN YOU RUN A SEARCH TO SEE IF ONE WAS SOLD AT AUCTION? 728 00:32:42,561 --> 00:32:44,130 ON IT. [GASPS] 729 00:32:44,163 --> 00:32:49,301 OH! I GOTTA--OH! I HAVE TO-- I HAVE TO CALL YOU BACK. 730 00:32:50,369 --> 00:32:51,437 UH, CHIEF? 731 00:32:51,470 --> 00:32:53,539 ANITA. WELL, WHAT CAN I DO FOR YOU? 732 00:32:53,572 --> 00:32:56,675 I JUST WANTED TO UPDATE YOU ON MY CROATIAN PHISHING CASE. 733 00:32:56,708 --> 00:32:59,078 ACTUALLY, NOT REALLY UPDATE, MORE LIKE ASK A QUESTION. 734 00:32:59,111 --> 00:33:01,413 OR A FEW QUESTIONS. 735 00:33:01,447 --> 00:33:05,651 SURE. COME IN MY OFFICE. 736 00:33:12,591 --> 00:33:14,693 GUYS, CHECK THIS OUT. 737 00:33:14,726 --> 00:33:16,462 THERE IS A MISSING PERSONS REPORT. 738 00:33:16,495 --> 00:33:18,030 HER NAME IS JESSICA MAYHEW. 739 00:33:18,064 --> 00:33:21,033 HER FATHER IS U.S. SENATOR ALFRED MAYHEW. 740 00:33:21,067 --> 00:33:22,234 HE'S TALKING TO THE PRESS. 741 00:33:22,268 --> 00:33:24,170 REPORTER: WE'RE TAKING YOU LIVE TO THE PRESS CONFERENCE NOW. 742 00:33:24,203 --> 00:33:25,737 MY DAUGHTER JESSICA 743 00:33:25,771 --> 00:33:28,107 IS A VICTIM OF THE OPIOID EPIDEMIC 744 00:33:28,140 --> 00:33:29,608 THAT IS SWEEPING OUR NATION. 745 00:33:29,641 --> 00:33:32,111 SHE'S BEEN MISSING FOR OVER TWO DAYS NOW, 746 00:33:32,144 --> 00:33:34,413 AND I'M--I'M ASKING FOR HELP IN FINDING HER. 747 00:33:34,446 --> 00:33:36,148 [REPORTERS SHOUTING QUESTIONS] 748 00:33:36,182 --> 00:33:37,483 JJ: BARNES IS THERE 749 00:33:37,516 --> 00:33:38,684 TALKING TO THE SENATOR. 750 00:33:38,717 --> 00:33:40,119 OPTICS LIKE THIS ARE RIGHT UP HER ALLEY. 751 00:33:40,152 --> 00:33:42,554 JESSICA MAYHEW IS OUR UNSUB'S NEWEST VICTIM. 752 00:33:42,588 --> 00:33:44,456 SHE LOOKS A LOT LIKE TRACY FERGUSON. 753 00:33:44,490 --> 00:33:47,393 AND LIKE TRACY, SHE'S A HIGH-PROFILE MEMBER OF THE D.C. ELITE. 754 00:33:47,426 --> 00:33:49,195 CALL GIRLS, EVEN EXPENSIVE ONES, 755 00:33:49,228 --> 00:33:50,529 WEREN'T SATISFYING HIM ANYMORE. 756 00:33:50,562 --> 00:33:52,064 HE NEEDED SOMEONE WITH A PEDIGREE, 757 00:33:52,098 --> 00:33:54,533 SOMEONE MORE LIKE TRACY. 758 00:33:54,566 --> 00:33:57,369 GUYS, I--I FOUND OUR CHATEAU ANJOU. 759 00:33:57,403 --> 00:34:00,372 IT WAS SOLD AT AUCTION TO A KEVIN PECK. 760 00:34:00,406 --> 00:34:03,375 OH. KEVIN PECK IS GEORGE FERGUSON'S STEPSON. 761 00:34:03,409 --> 00:34:05,177 PRENTISS: LET'S GO. THAT'S OUR UNSUB. 762 00:34:05,211 --> 00:34:08,380 SENDING HIS LAST KNOWN TO YOUR TABLETS. 763 00:34:12,518 --> 00:34:14,186 [MOANS] 764 00:34:14,220 --> 00:34:18,490 YOU'RE NOT LIKE HER AT ALL, ARE YOU? 765 00:34:18,524 --> 00:34:21,693 SHE NEVER LET ME TOUCH HER. 766 00:34:21,727 --> 00:34:25,497 EVEN WHEN THOSE FILTHY ANIMALS WERE ON TOP OF HER, 767 00:34:25,531 --> 00:34:28,667 SHE ONLY LET ME WATCH. 768 00:34:28,700 --> 00:34:29,701 [MOANS] 769 00:34:29,735 --> 00:34:33,139 I SAT RIGHT OVER THERE. 770 00:34:33,172 --> 00:34:37,143 I DRANK A GLASS OF WINE WHILE THEY TOOK TURNS WITH HER. 771 00:34:37,176 --> 00:34:38,144 OHH... 772 00:34:38,177 --> 00:34:40,612 SHE WAS JUST BEING CRUEL. 773 00:34:40,646 --> 00:34:44,650 SHE KNEW HOW MUCH I WANTED HER, 774 00:34:44,683 --> 00:34:47,519 AND ALL SHE DID WAS LET ME WATCH. 775 00:34:47,553 --> 00:34:50,122 [GROANING] 776 00:34:50,156 --> 00:34:52,591 IT'S OK. I'VE GOT A NICE BIG DOSE 777 00:34:52,624 --> 00:34:54,593 OF YOUR MEDICINE RIGHT HERE. 778 00:34:54,626 --> 00:34:56,628 I CAN'T TAKE THAT MUCH. 779 00:34:58,564 --> 00:35:00,432 I KNOW. 780 00:35:07,906 --> 00:35:09,141 [CELL PHONE RINGS] 781 00:35:09,175 --> 00:35:09,975 PRENTISS: PENELOPE, WHAT HAVE YOU GOT? 782 00:35:10,008 --> 00:35:11,543 I'VE GOT SOME BACKGROUND ON KEVIN PECK. 783 00:35:11,577 --> 00:35:13,212 LOOKS LIKE HIS PARENTS WERE NEVER MARRIED, 784 00:35:13,245 --> 00:35:16,548 DAD WASN'T AROUND, AND HIS MOM MARRIED GEORGE FERGUSON 785 00:35:16,582 --> 00:35:17,849 WHEN KEVIN WAS 13. 786 00:35:17,883 --> 00:35:19,618 THE WASHINGTON POWER BROKER. 787 00:35:19,651 --> 00:35:22,154 CORRECT. THE GOSSIP RAGS WHERE NOT KIND. 788 00:35:22,188 --> 00:35:23,522 SHE WAS A FORMER STRIPPER. 789 00:35:23,555 --> 00:35:25,291 SO TRACY WAS HIS DAUGHTER FROM HIS FIRST MARRIAGE. 790 00:35:25,324 --> 00:35:27,159 SHE WAS 19 WHEN HE REMARRIED. 791 00:35:27,193 --> 00:35:30,196 THAT WOULD MAKE TRACY 6 YEARS OLDER THAN KEVIN. 792 00:35:30,229 --> 00:35:31,663 HE COULD HAVE HAD A CRUSH ON HER. 793 00:35:31,697 --> 00:35:32,831 GARCIA: I THINK IT WAS MORE THAN THAT. 794 00:35:32,864 --> 00:35:34,166 HE WAS HEAD OVER HEELS FOR HER. 795 00:35:34,200 --> 00:35:35,934 THERE'S ALL KINDS OF PHOTOGRAPHS OF THEM 796 00:35:35,967 --> 00:35:38,670 FROM LIKE VARIOUS EVENTS ALL OVER THE D.C. AREA. 797 00:35:38,704 --> 00:35:40,472 [DING] 798 00:35:40,506 --> 00:35:41,673 LOOK AT THAT BODY LANGUAGE. 799 00:35:41,707 --> 00:35:43,742 HE'S ALL OVER HER, AND SHE'S PULLING AWAY. 800 00:35:43,775 --> 00:35:45,211 ACCORDING TO TRACY'S MYSPACE PAGE, 801 00:35:45,244 --> 00:35:47,579 SHE WAS NOT FOND OF HER STEPMOTHER. 802 00:35:47,613 --> 00:35:49,181 SHE REFERRED TO HER AS, QUOTE, 803 00:35:49,215 --> 00:35:52,551 "THE WHITE TRASH GOLD-DIGGER WHO MOVED INTO MY HOUSE." 804 00:35:52,584 --> 00:35:53,885 WELL, IF THAT WAS HER ATTITUDE 805 00:35:53,919 --> 00:35:55,487 AND HE WAS SMITTEN WITH HER, 806 00:35:55,521 --> 00:35:57,789 HE MIGHT HAVE FELT SHE WAS TOO GOOD FOR HIM. 807 00:35:57,823 --> 00:35:59,725 HER SUBSTANCE ABUSE COULDN'T HAVE HELPED THINGS. 808 00:35:59,758 --> 00:36:03,195 THE DRUG USE SPIRALED OUT OF CONTROL A FEW YEARS INTO THE MARRIAGE. 809 00:36:03,229 --> 00:36:06,265 SO IF TRACY'S DRAMA ATE UP THE WHOLE FAMILY'S ATTENTION, 810 00:36:06,298 --> 00:36:08,500 IT'S POSSIBLE KEVIN WENT IN THE OPPOSITE DIRECTION, 811 00:36:08,534 --> 00:36:10,736 PLAYING THE ROLE OF THE OBEDIENT CHILD. 812 00:36:10,769 --> 00:36:11,970 YEAH, THAT DOES MAKE SENSE. 813 00:36:12,003 --> 00:36:13,605 HIS STEPFATHER WAS QUITE FOND OF KEVIN. 814 00:36:13,639 --> 00:36:15,241 HE SET UP A TRUST FUND FOR HIM 815 00:36:15,274 --> 00:36:17,209 THAT KEVIN HAD ACCESS TO WHEN HE TURNED 18. 816 00:36:17,243 --> 00:36:19,511 I BET THAT CHANGED HOW TRACY TREATED HIM. 817 00:36:19,545 --> 00:36:22,914 IT SEEMS TO HAVE. ACCORDING TO BANK RECORDS, 818 00:36:22,948 --> 00:36:26,318 KEVIN WAS PUTTING THOUSANDS OF DOLLARS INTO TRACY'S ACCOUNT. 819 00:36:26,352 --> 00:36:27,619 THANKS, GARCIA. 820 00:36:30,289 --> 00:36:32,224 WE BETTER BE KICKING IN THE RIGHT DOOR. 821 00:36:32,258 --> 00:36:34,560 [DOOR OPENS] 822 00:36:58,284 --> 00:36:59,885 SO WHERE DID HE TAKE HER? 823 00:36:59,918 --> 00:37:02,254 THE THIRD PHOTO IN EVERY SERIES-- 824 00:37:02,288 --> 00:37:06,325 IT WAS CRAFTED TO FULFILL A BUYER'S NECROPHILIAC FANTASY. 825 00:37:06,358 --> 00:37:07,759 TRACY WAS KEVIN'S FANTASY. 826 00:37:07,793 --> 00:37:09,995 TRACY DIED IN A SUITE AT THE MONTCLAIR HOTEL. 827 00:37:10,028 --> 00:37:12,598 THAT'S WHERE HE TOOK HER. 828 00:37:12,631 --> 00:37:14,833 TRACY... 829 00:37:14,866 --> 00:37:16,968 MY TRACY. 830 00:37:17,002 --> 00:37:20,272 I LOVED YOU SO MUCH. 831 00:37:20,306 --> 00:37:21,740 [SOBBING] 832 00:37:21,773 --> 00:37:24,310 I WOULD HAVE TAKEN CARE OF YOU. 833 00:37:34,353 --> 00:37:35,787 HANDS, HANDS, SHOW ME YOUR HANDS! 834 00:37:35,821 --> 00:37:36,822 GET 'EM UP! 835 00:37:36,855 --> 00:37:37,989 STAY THERE. 836 00:37:38,023 --> 00:37:40,792 ALL RIGHT, UP, UP, UP. 837 00:37:40,826 --> 00:37:42,328 YOU'RE TOO LATE. 838 00:37:42,361 --> 00:37:44,963 TOO LATE. LOOK HOW BEAUTIFUL SHE IS, 839 00:37:44,996 --> 00:37:46,632 MY TRACY. 840 00:37:46,665 --> 00:37:50,035 HEY. HEY. 841 00:37:50,068 --> 00:37:51,337 SHE'S GOT A PULSE. 842 00:37:51,370 --> 00:37:52,771 IT'S WEAK, BUT SHE'S ALIVE. 843 00:37:52,804 --> 00:37:53,872 COME ON! 844 00:37:53,905 --> 00:37:56,041 CALL AN AMBULANCE! 845 00:37:58,109 --> 00:38:02,914 [RADIO CHATTER] 846 00:38:02,948 --> 00:38:06,918 [SIREN] 847 00:38:06,952 --> 00:38:09,020 IS SHE ALIVE? IS SHE GONNA BE ALL RIGHT? 848 00:38:09,054 --> 00:38:11,790 SENATOR, SHE'S GOING TO BE FINE. 849 00:38:11,823 --> 00:38:13,659 SIMMONS: HER ABDUCTOR GAVE HER AN OVERDOSE, 850 00:38:13,692 --> 00:38:15,361 BUT SHE SHOULD BE ALL RIGHT. 851 00:38:17,929 --> 00:38:20,031 YOU SAID THIS WAS THE WORK OF THE BAU. 852 00:38:20,065 --> 00:38:21,467 IS THAT RIGHT? 853 00:38:21,500 --> 00:38:22,968 YES, SIR. 854 00:38:23,001 --> 00:38:24,336 THANK YOU. 855 00:38:24,370 --> 00:38:26,071 ALL OF YOU. 856 00:38:26,104 --> 00:38:28,073 YOU SAVED MY DAUGHTER'S LIFE. 857 00:38:28,106 --> 00:38:30,041 IT WAS A TEAM EFFORT. 858 00:38:30,075 --> 00:38:31,777 GLAD WE WERE HERE. 859 00:38:31,810 --> 00:38:34,780 MAYHEW: SO AM I. LOOK, I KNOW THERE'S BEEN TALK 860 00:38:34,813 --> 00:38:36,882 ABOUT SHUTTING DOWN YOUR UNIT, 861 00:38:36,915 --> 00:38:39,017 SPREADING PROFILERS OUT INTO THE FIELD OFFICES. 862 00:38:39,050 --> 00:38:41,787 THAT'S JUST ONE OPTION TO INCREASE EFFICIENCY. 863 00:38:41,820 --> 00:38:43,422 I THINK THAT'S A MISTAKE. 864 00:38:43,455 --> 00:38:44,690 UNDERSTOOD. 865 00:38:44,723 --> 00:38:45,891 WHEN I RETURN TO THE SENATE, 866 00:38:45,924 --> 00:38:47,893 I WILL PERSONALLY ENSURE 867 00:38:47,926 --> 00:38:50,929 THAT THE BAU IS FUNDED AND STAFFED TO FULL CAPACITY. 868 00:38:50,962 --> 00:38:52,798 BUT IN THE MEANTIME, DON'T YOU THINK 869 00:38:52,831 --> 00:38:55,801 AGENT PRENTISS SHOULD BE REINSTATED AS UNIT CHIEF? 870 00:38:55,834 --> 00:38:58,470 CONSIDER IT DONE. 871 00:38:58,504 --> 00:39:00,972 SENATOR, DOES THIS MEAN THAT I HAVE HIRING AUTHORITY? 872 00:39:01,006 --> 00:39:02,007 WITHIN REASON. 873 00:39:02,040 --> 00:39:06,044 I'M ONLY ASKING BECAUSE ASSISTANT DIRECTOR BARNES 874 00:39:06,077 --> 00:39:08,046 TERMINATED AGENT JAREAU WHEN SHE ASKED QUESTIONS 875 00:39:08,079 --> 00:39:10,816 ABOUT THE TRACY FERGUSON CASE. 876 00:39:10,849 --> 00:39:14,119 THAT WAS THE CASE THAT ALLOWED US TO IDENTIFY THIS UNSUB. 877 00:39:21,893 --> 00:39:23,762 YOU HAVE FULL AUTHORITY. 878 00:39:23,795 --> 00:39:26,898 STAFF THE BAU ANY WAY YOU SEE FIT. 879 00:39:26,932 --> 00:39:28,133 THANK YOU, SIR. 880 00:39:28,166 --> 00:39:30,802 LINDA, I'D LIKE TO SEE YOU IN MY OFFICE 881 00:39:30,836 --> 00:39:32,738 FIRST THING TOMORROW. 882 00:39:37,443 --> 00:39:41,780 WOMAN: * WHEN YOU FEEL LIGHT 883 00:39:41,813 --> 00:39:46,718 * YOU FEEL TIRED 884 00:39:46,752 --> 00:39:49,821 * JUST TRY TO THINK OF ALL THE LIVES YOUR CHANGING * 885 00:39:49,855 --> 00:39:51,923 YOU'RE LEAVING, AREN'T YOU? 886 00:39:51,957 --> 00:39:55,093 YEAH. I'M GOING BACK TO THE BAU. 887 00:39:55,126 --> 00:39:56,995 I KNEW YOU WOULDN'T STAY HERE. 888 00:39:57,028 --> 00:39:58,830 I CAN'T. HEY, THANK YOU FOR WHAT YOU DID, 889 00:39:58,864 --> 00:40:02,434 DISTRACTING OMRI LIKE THAT. 890 00:40:02,468 --> 00:40:05,070 YOU WERE WORKING A CASE FOR THE BAU, WEREN'T YOU? 891 00:40:05,103 --> 00:40:07,839 YEAH, I WAS. 892 00:40:07,873 --> 00:40:09,074 THAT LOOKED EXCITING. 893 00:40:09,107 --> 00:40:11,142 LIKE REAL CRIME-FIGHTING. 894 00:40:11,176 --> 00:40:12,844 YOU WERE PART OF THAT, YOU KNOW. 895 00:40:12,878 --> 00:40:14,079 YOU WERE DISTRACTING HIM, 896 00:40:14,112 --> 00:40:16,081 AND I WAS GIVING SUPER IMPORTANT INFORMATION 897 00:40:16,114 --> 00:40:17,849 TO AGENTS IN THE FIELD, 898 00:40:17,883 --> 00:40:20,085 AND THAT SAVED A WOMAN'S LIFE. 899 00:40:20,118 --> 00:40:23,088 I DID THAT? 900 00:40:23,121 --> 00:40:26,858 WOW. I DID THAT. 901 00:40:26,892 --> 00:40:29,060 YEAH, YOU DID. 902 00:40:29,094 --> 00:40:30,095 * AND HOLD IT HIGHER 903 00:40:30,128 --> 00:40:32,197 I'M REALLY GONNA MISS YOU. 904 00:40:32,230 --> 00:40:34,032 OHH... 905 00:40:34,065 --> 00:40:35,834 * SO THEY CAN SHOW YOU ALL THE LIGHT YOU BROUGHT HERE * 906 00:40:35,867 --> 00:40:39,070 HEY. SOMETHING TO REMEMBER ME BY. 907 00:40:39,104 --> 00:40:40,839 THANK YOU. 908 00:40:40,872 --> 00:40:44,843 * COMING H-O-O-O-O-O-O-OME 909 00:40:44,876 --> 00:40:47,112 * H-O-O-O-O-OME 910 00:40:50,181 --> 00:40:51,850 * WHEN YOU BELIEVE 911 00:40:51,883 --> 00:40:53,084 WHERE'S PRENTISS? 912 00:40:53,118 --> 00:40:54,520 TRANSFERRED. 913 00:40:54,553 --> 00:40:55,854 [SNIFFS] 914 00:40:55,887 --> 00:40:56,855 * AND WATCH YOU DREAM 915 00:40:56,888 --> 00:40:59,891 SHE SAID I MIGHT NEED THIS. 916 00:40:59,925 --> 00:41:05,196 * THEN ALL THE POSSIBILITIES ARE ENDLESS * 917 00:41:05,230 --> 00:41:07,165 I DON'T THINK SHE'S COMING. 918 00:41:07,198 --> 00:41:10,101 * SO TAKE THIS DREAM 919 00:41:10,135 --> 00:41:11,603 SO WE'VE GOT A HALF-HOUR BEFORE 920 00:41:11,637 --> 00:41:13,138 WE NEED TO BE BACK? 921 00:41:13,171 --> 00:41:16,608 * AND HELP ME GROW 922 00:41:16,642 --> 00:41:21,046 * INTO THE HOPE THAT YOU'VE BEEN SEARCHING FOR * 923 00:41:21,079 --> 00:41:23,849 [CHATTER] 924 00:41:23,882 --> 00:41:26,852 * COMING HO-O-O-O-O-O... 925 00:41:26,885 --> 00:41:28,854 MAN: I DON'T CARE WHAT HE SAYS! 926 00:41:28,887 --> 00:41:31,623 I REALLY DON'T THINK THAT'S WHAT MY CHARACTER WOULD DO. 927 00:41:31,657 --> 00:41:33,124 WHERE'S THE WRITER? 928 00:41:33,158 --> 00:41:35,160 MAN: UH, HE QUIT. 929 00:41:37,295 --> 00:41:38,864 ME, TOO. 930 00:41:38,897 --> 00:41:41,867 * H-O-O-O-O-O-O-OME 931 00:41:41,900 --> 00:41:44,002 WAS IT SOMETHING I DID? 932 00:41:44,035 --> 00:41:46,872 MOSTLY IT WAS WHAT YOU DIDN'T DO. 933 00:41:48,206 --> 00:41:52,210 * TO YOUR ROOTS 934 00:41:52,243 --> 00:41:54,946 * WE'LL TAKE YOU ON A JOURNEY * 935 00:41:54,980 --> 00:41:57,115 GARCIA: I COULDN'T WAIT UNTIL MORNING! 936 00:41:57,148 --> 00:41:58,850 OH, YOU WEREN'T THE ONLY ONE. 937 00:41:58,884 --> 00:42:00,051 REID: YOU LOOK GREAT. 938 00:42:00,085 --> 00:42:01,887 I FEEL GREAT. YOU GUYS REALLY DID IT. 939 00:42:01,920 --> 00:42:03,855 LEWIS: OHH, I WISH I COULD HAVE BEEN THERE 940 00:42:03,889 --> 00:42:05,223 TO SEE BARNES' FACE WHEN THE SENATOR SHOWED UP. 941 00:42:05,256 --> 00:42:07,158 SIMMONS: I THOUGHT SHE WAS GONNA MELT 942 00:42:07,192 --> 00:42:08,259 LIKE THE WICKED WITCH OF THE WEST 943 00:42:08,293 --> 00:42:10,862 WHEN HE SAID PRENTISS COULD HIRE WHOEVER SHE WANTED. 944 00:42:10,896 --> 00:42:12,598 YOU THINK SHE'LL BACK OFF FOR GOOD? 945 00:42:12,631 --> 00:42:14,332 THE DIRECTOR CALLED ME. 946 00:42:14,365 --> 00:42:16,101 HE SAID BARNES WAS TOLD 947 00:42:16,134 --> 00:42:18,870 TO KEEP HER HANDS OFF THE BAU. 948 00:42:18,904 --> 00:42:22,140 ROSSI: AND SO, WE LIVE TO FIGHT ANOTHER DAY. 949 00:42:22,173 --> 00:42:24,275 LADIES AND GENTLEMEN, 950 00:42:24,309 --> 00:42:26,244 WE'RE BACK! 951 00:42:26,277 --> 00:42:27,879 [LAUGHING AND CHEERING] 952 00:42:27,913 --> 00:42:30,882 * HO-O-O-O-O-O-O-ME 953 00:42:30,916 --> 00:42:32,150 WHOO! 954 00:42:32,183 --> 00:42:33,685 YES, YES, YES! 955 00:42:33,719 --> 00:42:37,122 * COMIN' H-O-O-O-O-O-O 956 00:42:37,155 --> 00:42:41,159 * O-O-O-O-O-O-OME 957 00:42:57,943 --> 00:43:01,012 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 958 00:43:01,046 --> 00:43:02,047 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--