1
00:00:12,580 --> 00:00:18,552
[SLOW COUNTRY-WESTERN
SONG PLAYING]

2
00:00:18,586 --> 00:00:24,658
* ...BUT YOU WOULD HAVE FOUND

3
00:00:24,692 --> 00:00:28,396
* THAT YOU ARE ON MY MIND--

4
00:01:07,268 --> 00:01:09,170
OOH...

5
00:01:21,215 --> 00:01:23,317
THERE YOU GO.

6
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[SWISHING WATER IN MOUTH,
SPITTING]

7
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CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

8
00:03:25,005 --> 00:03:27,775
REID: "MASKS ARE WONDERFULLY
PARADOXICAL IN THIS WAY.

9
00:03:27,808 --> 00:03:30,010
"WHILE THEY MAY HIDE
THE PHYSICAL REALITY,

10
00:03:30,043 --> 00:03:33,781
THEY CAN SHOW US HOW
A PERSON WANTS TO BE SEEN."

11
00:03:33,814 --> 00:03:37,285
JOANNA SCOTT.

12
00:03:37,318 --> 00:03:41,722
OK, OK. AND BY OK,
I MEAN THE ABBREVIATION

13
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OF THE GREAT STATE
OF OKLAHOMA,

14
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'CAUSE EVERYTHING
I'M GONNA SAY NOW

15
00:03:45,426 --> 00:03:46,960
IS NOT OK.

16
00:03:46,994 --> 00:03:48,562
THE UNSUB WE ARE LOOKING FOR

17
00:03:48,596 --> 00:03:50,431
KILLED LAST WEEK
IN COLORADO

18
00:03:50,464 --> 00:03:52,866
AND THEN AGAIN LAST NIGHT
IN OKLAHOMA.

19
00:03:52,900 --> 00:03:54,702
ROSSI: BIG MISTAKE.
CROSSING STATE LINES

20
00:03:54,735 --> 00:03:56,003
GIVES US JURISDICTION.

21
00:03:56,036 --> 00:03:58,906
ATTACKING IN TWO STATES
IS AMBITIOUS.

22
00:03:58,939 --> 00:04:00,874
MAYBE HE'S A TRUCK DRIVER
OR HAS OTHER WORK IN THE AREA?

23
00:04:00,908 --> 00:04:03,844
I CAN CHECK THE HIGHWAY
SERIAL KILLER DATABASE.

24
00:04:03,877 --> 00:04:05,979
PRENTISS: SO OUR LATEST
VICTIM, MARK WILSON, 35,

25
00:04:06,013 --> 00:04:07,815
WAS BEATEN TO DEATH
IN HIS HOME,

26
00:04:07,848 --> 00:04:10,050
LIKE OUR FIRST VICTIM,
SAM FRANKLIN.

27
00:04:10,083 --> 00:04:13,954
THEY WERE BOTH HARD-WORKING
MIDWESTERN MEN.

28
00:04:13,987 --> 00:04:16,357
BOTH HOMES WERE ROBBED,
AND YOU KNOW THAT

29
00:04:16,390 --> 00:04:18,892
SUPER-SENSITIVE SIDE
OF YOUR MOUTH PART HERE?

30
00:04:18,926 --> 00:04:21,729
ON BOTH OF THEM,
IT WAS CUT.

31
00:04:21,762 --> 00:04:23,964
ARE THEY SMILING?

32
00:04:23,997 --> 00:04:25,799
HOW DID HE DO THAT?

33
00:04:25,833 --> 00:04:27,000
THAT'S AWFUL.

34
00:04:27,034 --> 00:04:29,036
LEWIS: THIS WASN'T ABOUT
INFLICTING MORE PAIN.

35
00:04:29,069 --> 00:04:30,003
I MEAN,
THEY WERE ALREADY DEAD.

36
00:04:30,037 --> 00:04:31,972
HE WAS COMPELLED
TO DO THIS.

37
00:04:32,005 --> 00:04:32,906
ALVEZ: HE'S GOT A TYPE.

38
00:04:32,940 --> 00:04:34,775
STRONG MARRIED MEN
WITH KIDS.

39
00:04:34,808 --> 00:04:35,943
IT COULD BE A SURROGATE.

40
00:04:35,976 --> 00:04:37,010
HE'S GOT PATRICIDAL
TENDENCIES,

41
00:04:37,044 --> 00:04:38,912
SHOWS POWER-ASSERTIVE
BEHAVIOR.

42
00:04:38,946 --> 00:04:40,948
AT FIRST GLANCE, HE FEELS
LIKE A FAMILY ANNIHILATOR

43
00:04:40,981 --> 00:04:42,716
ATTACKING THE HOME,
BUT HE'S NOT KILLING

44
00:04:42,750 --> 00:04:44,084
THE WHOLE FAMILY.

45
00:04:44,117 --> 00:04:45,953
AND HE CHOOSES TO DESTROY
THE HEADS OF HOUSEHOLD

46
00:04:45,986 --> 00:04:47,321
WITHOUT AN AUDIENCE.

47
00:04:47,355 --> 00:04:49,056
THERE COULD BE SOME
MERCY IN HIM AFTER ALL.

48
00:04:49,089 --> 00:04:51,959
GARCIA: WELL, THAT MIGHT BE
TRUE WITH SAM FRANKLIN,

49
00:04:51,992 --> 00:04:55,062
BUT WITH MARK WILSON,
HIS 7-YEAR-OLD SON DYLAN

50
00:04:55,095 --> 00:04:56,930
SAW THE WHOLE THING.

51
00:04:56,964 --> 00:04:58,832
OH, NO.

52
00:04:58,866 --> 00:04:59,967
IS HE TALKING?

53
00:05:00,000 --> 00:05:02,970
WELL, HE WAS,
BUT NOT ANYMORE.

54
00:05:03,003 --> 00:05:03,871
IT'S UNCLEAR WHAT HE SAW,

55
00:05:03,904 --> 00:05:09,076
BUT HE SAYS HIS DAD
WAS KILLED BY A CLOWN.

56
00:05:09,109 --> 00:05:11,044
JJ: MAYBE THE UNSUB
WORE A DISGUISE.

57
00:05:11,078 --> 00:05:13,046
OR HE'S PROJECTING
SOMETHING HE FEARS.

58
00:05:13,080 --> 00:05:14,715
THERE'S A WORD, EVEN THOUGH
IT'S NOT RECOGNIZED

59
00:05:14,748 --> 00:05:16,950
BY ANY DICTIONARY
OR PSYCHOLOGY MANUAL,

60
00:05:16,984 --> 00:05:19,086
FOR THE EXCESSIVE FEAR
OF CLOWNS--COULROPHOBIA.

61
00:05:19,119 --> 00:05:21,422
PRENTISS: WELL, WHATEVER HE SAW,
WE NEED TO FIND OUT

62
00:05:21,455 --> 00:05:22,990
IF IT WAS REAL OR PERCEIVED.

63
00:05:23,023 --> 00:05:25,426
WHEELS UP IN 20.

64
00:05:28,061 --> 00:05:30,898
I GOT OFFICERS SEARCHING
PAWN SHOPS IN THE AREA

65
00:05:30,931 --> 00:05:32,132
BUT CAME UP EMPTY.

66
00:05:32,165 --> 00:05:34,635
SORRY IF YOU GOT
A FEW STARES.

67
00:05:34,668 --> 00:05:37,605
LAST TIME THE FEDS WERE HERE
WAS WHEN THEY CAUGHT McVEIGH.

68
00:05:37,638 --> 00:05:39,106
WE GOT YOU SET UP
OVER HERE.

69
00:05:39,139 --> 00:05:41,074
PRENTISS: THANK YOU.

70
00:05:41,108 --> 00:05:43,411
YEAH, I SAW WHAT
THIS PSYCHO DID

71
00:05:43,444 --> 00:05:44,645
TO THE VIC'S MOUTH.

72
00:05:44,678 --> 00:05:46,880
I FIGURED IT WASN'T
HIS FIRST TIME.

73
00:05:46,914 --> 00:05:48,716
SO THAT'S WHEN I RAN IT
THROUGH ViCAP,

74
00:05:48,749 --> 00:05:50,684
AND IT WAS TIME TO CALL YOU.

75
00:05:50,718 --> 00:05:53,421
ARE YOU THE ONE WHO RESPONDED
TO THE WILSON RESIDENCE?

76
00:05:53,454 --> 00:05:55,823
YEAH. AND, OF COURSE,
I FOUND DYLAN WILSON

77
00:05:55,856 --> 00:05:57,691
HIDING IN HIS BEDROOM.

78
00:05:57,725 --> 00:05:59,593
HE CALLED 911?

79
00:05:59,627 --> 00:06:03,063
YEAH, BUT NOT UNTIL
THE SUN CAME UP.

80
00:06:03,096 --> 00:06:06,400
I'M SURE HE WAS
TOO AFRAID
TO MAKE A SOUND.

81
00:06:06,434 --> 00:06:07,901
TIME OF DEATH WAS MIDNIGHT.

82
00:06:07,935 --> 00:06:11,004
HE WAS IN THAT HOUSE WITH
HIS DEAD FATHER FOR HOURS.

83
00:06:11,038 --> 00:06:13,674
NO WONDER HE ISN'T TALKING.

84
00:06:15,909 --> 00:06:19,012
WOMAN, ON P.A.: OUTPATIENT
PHARMACY, DIAL 621.

85
00:06:19,046 --> 00:06:23,116
OUTPATIENT PHARMACY,
DIAL 621.

86
00:06:23,150 --> 00:06:27,020
HI. MRS. WILSON,
WE'RE AGENTS REID
AND SIMMONS FROM QUANTICO.

87
00:06:27,054 --> 00:06:28,422
HI.

88
00:06:28,456 --> 00:06:30,424
WE'RE SO SORRY
FOR YOUR LOSS.

89
00:06:32,059 --> 00:06:33,727
BEFORE HE STOPPED TALKING,

90
00:06:33,761 --> 00:06:36,697
HE SAID HE WISH HE'D
CALLED FOR HELP SOONER.

91
00:06:36,730 --> 00:06:39,467
IRRATIONAL GUILT,
ESPECIALLY FOR A CHILD,

92
00:06:39,500 --> 00:06:41,702
IS COMMON AFTER
A TRAUMATIC EVENT.

93
00:06:41,735 --> 00:06:44,171
IS HE GONNA TALK AGAIN?

94
00:06:44,204 --> 00:06:46,640
THE DOCTORS HERE
CAN'T TELL ME.

95
00:06:46,674 --> 00:06:48,442
MOST LIKELY,
BUT WHAT HE'S DOING

96
00:06:48,476 --> 00:06:49,910
IS CALLED DISASSOCIATING.

97
00:06:49,943 --> 00:06:53,080
IT'S A PSYCHOLOGICAL FORM
OF SELF-PROTECTION.

98
00:06:53,113 --> 00:06:54,615
YOU MIND IF I TALK
TO HIM?

99
00:06:54,648 --> 00:06:56,850
PLEASE.

100
00:07:02,055 --> 00:07:04,525
HI, DYLAN.

101
00:07:04,558 --> 00:07:07,528
MY NAME'S SPENCER.

102
00:07:07,561 --> 00:07:10,664
I'M REALLY SORRY ABOUT
WHAT HAPPENED TO YOUR DAD.

103
00:07:10,698 --> 00:07:14,968
I CAN'T IMAGINE HOW SCARY
THAT MUST HAVE BEEN.

104
00:07:18,005 --> 00:07:21,174
I HEARD WHO YOU SAW,
AND I WAS HOPING...

105
00:07:21,208 --> 00:07:23,877
MAYBE YOU COULD
DRAW ME A PICTURE?

106
00:07:25,746 --> 00:07:27,915
[LOUD BANGING;
GLASS BREAKING]

107
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CLOWN: UNH!

108
00:07:40,193 --> 00:07:41,495
UHH!

109
00:07:57,144 --> 00:08:00,781
SO HE PARKED IN FRONT
OF THE HOUSE
INSTEAD OF THE GARAGE.

110
00:08:00,814 --> 00:08:02,282
IF HE WAS CARRYING
A SLEEPING DYLAN,

111
00:08:02,315 --> 00:08:04,217
IT WOULD HAVE BEEN
THE FASTEST WAY INSIDE.

112
00:08:04,251 --> 00:08:06,987
THAT'S WHY HE MISSED
THE JIMMIED LOCK
ON THE GARAGE DOOR.

113
00:08:07,020 --> 00:08:09,156
UNSUB'S HITTING
SECLUDED HOUSES.

114
00:08:09,189 --> 00:08:12,225
MARK'S ENTRY WOULD HAVE
INTERRUPTED THE ROBBERY.

115
00:08:12,259 --> 00:08:14,127
SO HE WOULD HAVE PUT
DYLAN IN HIS BED

116
00:08:14,161 --> 00:08:16,129
AND THEN HE WOULD HAVE
GONE TO SLEEP HIMSELF.

117
00:08:16,163 --> 00:08:18,231
WHICH MAKES SENSE,
SINCE THE STRUGGLE STARTED

118
00:08:18,265 --> 00:08:18,966
IN THE MASTER BEDROOM.

119
00:08:18,999 --> 00:08:21,134
BUT IT ENDED
IN THE LIVING ROOM.

120
00:08:21,168 --> 00:08:22,703
HE PROBABLY TRIED
TO GET THE VIOLENCE

121
00:08:22,736 --> 00:08:24,905
AS FAR AWAY FROM
DYLAN AS HE COULD.

122
00:08:24,938 --> 00:08:27,240
JUST LIKE THAT FIRST KILL
IN COLORADO,

123
00:08:27,274 --> 00:08:29,076
HE FOUND HIS MURDER
WEAPON ON THE SCENE.

124
00:08:29,109 --> 00:08:31,812
SO THIS GUY'S ORGANIZED,
AND YET HE IS IMPROVISING.

125
00:08:31,845 --> 00:08:33,581
WELL, HE HASN'T
ESTABLISHED A PATTERN

126
00:08:33,614 --> 00:08:35,749
'CAUSE HE'S JUST
GETTING STARTED.

127
00:08:35,783 --> 00:08:38,085
WELL, IF DYLAN SAW HIM,
CHANCES ARE HE SAW DYLAN, TOO,

128
00:08:38,118 --> 00:08:39,687
AND CHOSE TO LET HIM LIVE.

129
00:08:39,720 --> 00:08:41,555
WELL, MAYBE
HE HAS BOUNDARIES

130
00:08:41,589 --> 00:08:44,324
WHEN IT COMES
TO HURTING CHILDREN.

131
00:08:44,357 --> 00:08:48,228
OY, I GOT NADA ON
THE HIGHWAY DATABASE, FYI.

132
00:08:48,261 --> 00:08:51,231
BUT THE OTHER TASK
OF FINDING ADDITIONAL
ROBBERIES

133
00:08:51,264 --> 00:08:54,301
IN THOSE TWO STATES,
BINGO-GO-GO.

134
00:08:54,334 --> 00:08:55,703
I GOT 3 ROBBERIES

135
00:08:55,736 --> 00:08:57,638
ADDITIONALLY IN COLORADO

136
00:08:57,671 --> 00:09:01,108
THAT ARE LINKED
BY A BIZARRE SMILEY FACE

137
00:09:01,141 --> 00:09:02,209
CARVED INTO THE DOORS.

138
00:09:02,242 --> 00:09:04,578
STRANGE HIS SIGNATURE
WOULD EVOLVE

139
00:09:04,612 --> 00:09:06,647
FROM CARVING WOOD
TO CUTTING FACES.

140
00:09:06,680 --> 00:09:08,048
HOMEOWNERS WEREN'T THERE?

141
00:09:08,081 --> 00:09:09,983
GARCIA: HENCE NO HOMICIDES.

142
00:09:10,017 --> 00:09:11,351
THEY'RE ALSO IN EQUALLY
HARD-TO-FIND SPOTS.

143
00:09:11,384 --> 00:09:14,087
I'M SENDING YOU THE TOWNS...NOW.

144
00:09:15,388 --> 00:09:18,325
ROSSI: THE HOUSES
ARE ALL FAR OFF
FROM THE INTERSTATE.

145
00:09:18,358 --> 00:09:21,128
GARCIA: HE MUST HAVE
SCOUTED THEM BEFORE HE
BURGLED THEM, RIGHT?

146
00:09:21,161 --> 00:09:23,864
NOT NECESSARILY.
THEY COULD BE TARGETS
OF OPPORTUNITY.

147
00:09:23,897 --> 00:09:25,365
DARK STREET, DARK HOUSE.

148
00:09:25,398 --> 00:09:27,100
WELL, SOMETHING TRIGGERED HIM

149
00:09:27,134 --> 00:09:30,103
BETWEEN HIS LAST ROBBERY
AND HIS FIRST MURDER.

150
00:09:30,137 --> 00:09:33,641
MAYBE HE'S GOT A CONNECTION
TO THESE TOWNS.

151
00:10:11,111 --> 00:10:13,881
THANK YOU, DYLAN.
THIS IS REALLY HELPFUL.

152
00:10:13,914 --> 00:10:16,249
I'M GOING TO SHOW IT
TO MY FRIEND, OK?

153
00:10:23,256 --> 00:10:24,224
ALVEZ: LOOKS LIKE
A SIMPLE PLAN.

154
00:10:24,257 --> 00:10:27,828
FIRST HIT HOUSES IN SMALL
TOWNS AND KEEP MOVING.

155
00:10:27,861 --> 00:10:29,863
NOT TOO BRIGHT
TO LEAVE A CALLING CARD

156
00:10:29,897 --> 00:10:32,099
ANNOUNCING HOW MANY
HOUSES THEY'VE ROBBED.

157
00:10:32,132 --> 00:10:33,200
WELL, THE UNSUB
DIDN'T START OUT

158
00:10:33,233 --> 00:10:35,703
LOOKING FOR BLOOD
ON HIS HANDS,
SO WHAT CHANGED HIM?

159
00:10:35,736 --> 00:10:37,270
PRENTISS:
WE SHOULD FOCUS
ON HIS FIRST KILL.

160
00:10:37,304 --> 00:10:40,307
SAM FRANKLIN FROM
CAMPO, COLORADO.

161
00:10:40,340 --> 00:10:42,442
WORKED IN A WAREHOUSE,
HE HAD A WEEKEND SHIFT

162
00:10:42,475 --> 00:10:44,444
WHILE HIS FAMILY
WAS IN DENVER.

163
00:10:44,477 --> 00:10:46,046
ANY SPECULATION
AS TO WHAT HE WAS DOING

164
00:10:46,079 --> 00:10:47,280
THE NIGHT HE WAS KILLED?

165
00:10:47,314 --> 00:10:48,816
WELL, HIS WIFE CLAIMS
THAT HE CALLED HER

166
00:10:48,849 --> 00:10:50,383
ON HIS WAY HOME FROM WORK.
IT WAS ABOUT MIDNIGHT.

167
00:10:50,417 --> 00:10:53,120
HE TOLD HER
HE WAS ALMOST T-BONED,

168
00:10:53,153 --> 00:10:55,188
AND THE DRIVER LOST
HIS MIND ON HIM.

169
00:10:55,222 --> 00:10:57,991
SHE SAID HE WAS
A BIT SHAKEN,
WHICH WASN'T LIKE HIM.

170
00:10:58,025 --> 00:10:59,827
DID HE SAY A CLOWN
WAS DRIVING?

171
00:10:59,860 --> 00:11:02,395
HE DID NOT.
WHICH IS THE FIRST
THING YOU WOULD SAY

172
00:11:02,429 --> 00:11:03,463
IF THAT'S WHAT YOU SAW.

173
00:11:03,496 --> 00:11:07,434
OK, SO DO WE THINK
A CHANCE ENCOUNTER
LED TO MURDER?

174
00:11:07,467 --> 00:11:10,303
MAYBE. AGGRAVATED LETHAL
ROAD RAGE MENTALITY

175
00:11:10,337 --> 00:11:11,404
FITS OUR UNSUB'S PROFILE.

176
00:11:11,438 --> 00:11:12,840
LEWIS: WHAT ABOUT MARK WILSON?

177
00:11:12,873 --> 00:11:14,141
THE HOUSE WAS ALREADY
BROKEN INTO

178
00:11:14,174 --> 00:11:15,175
WHEN HE GOT HOME.

179
00:11:15,208 --> 00:11:17,010
ALVEZ: YEAH, IT LOOKS LIKE
THE UNSUB'S MOVING SOUTH

180
00:11:17,044 --> 00:11:18,378
ALONG SMALL STATE ROADS.

181
00:11:18,411 --> 00:11:20,447
JJ: GIVEN THE
ACCELERATED TIMELINE,

182
00:11:20,480 --> 00:11:23,216
HIS NEED TO LEAVE
A SIGNATURE BEHIND,

183
00:11:23,250 --> 00:11:25,352
IT FEELS LIKE
HE'S ON A MISSION.

184
00:11:28,321 --> 00:11:32,159
WOW! HE'S NOT
COMPARTMENTALIZING AT ALL.

185
00:11:32,192 --> 00:11:34,294
NOT AT ALL.

186
00:11:34,327 --> 00:11:36,797
REID, OVER PHONE:
DYLAN DEFINITELY SAW A CLOWN.

187
00:11:36,830 --> 00:11:38,832
THE LEVEL OF DETAIL
IN THE COSTUME

188
00:11:38,866 --> 00:11:39,867
SUGGESTS SOMETHING PRECISE,

189
00:11:39,900 --> 00:11:42,102
WHICH MAKES ME FEEL LIKE
THE FACE WOULD MOST LIKELY

190
00:11:42,135 --> 00:11:43,336
BE HAND-PAINTED
VERSUS SOME KIND

191
00:11:43,370 --> 00:11:45,038
OF MASS-DISTRIBUTED MASK.

192
00:11:45,072 --> 00:11:47,274
MAKES SENSE, SINCE THE M.E.
FOUND GREASEPAINT

193
00:11:47,307 --> 00:11:49,309
UNDER THE LATEST
VICTIM'S NAILS.

194
00:11:49,342 --> 00:11:51,444
THIS IS SUCH
A SPECIFIC DISGUISE.

195
00:11:51,478 --> 00:11:53,280
THIS UNSUB MUST HAVE
AN OBSESSION.

196
00:11:53,313 --> 00:11:56,183
ALVEZ: IT SAYS A LOT THAT HE
WENT INTO MARK WILSON'S HOUSE

197
00:11:56,216 --> 00:11:57,184
WITH THIS MAKEUP ON HIM.

198
00:11:57,217 --> 00:11:58,986
I MEAN, IT'S LIKE AN ALTER-EGO.

199
00:11:59,019 --> 00:12:02,055
THAT DISGUISE COULD BE
HELPING HIM FIND
CONFIDENCE.

200
00:12:02,089 --> 00:12:04,391
WON'T BE SURPRISED
IF HE STARTS A SPREE.

201
00:12:11,098 --> 00:12:12,532
MAN: YOU KEEP UP THAT
WINNING STREAK,

202
00:12:12,565 --> 00:12:15,002
AND THEY'RE GONNA WANT
ALL OF US ON THE TEAM.

203
00:12:15,035 --> 00:12:17,270
WOMAN: HA HA!
SCOOT INTO BED.

204
00:12:17,304 --> 00:12:20,340
I WILL LET YOU
SNOOZE ANOTHER 10
IN THE MORNING.

205
00:12:20,373 --> 00:12:23,076
OFF YOU GO.

206
00:12:23,110 --> 00:12:26,213
OH, WAY TOO LATE
FOR A SCHOOL NIGHT.

207
00:12:26,246 --> 00:12:27,547
I KNOW,
BUT THEY'LL SURVIVE.

208
00:12:27,580 --> 00:12:30,083
I'LL TELL YOU WHAT--
YOU MAY NOT BE TIRED,

209
00:12:30,117 --> 00:12:32,085
BUT I AM WIPED.
I'M GOING TO BED.

210
00:12:32,119 --> 00:12:33,286
GOOD NIGHT, SWEETHEART.

211
00:12:33,320 --> 00:12:35,122
GOOD NIGHT, HONEY.

212
00:12:50,237 --> 00:12:53,874
POLICE RADIO:
UNIT 12, UNIT 12.

213
00:12:53,907 --> 00:12:57,444
JJ: HE KILLED BOTH
PARENTS THIS TIME.

214
00:12:57,477 --> 00:13:00,213
WELL, MOM MUST HAVE
TRIED TO STOP IT

215
00:13:00,247 --> 00:13:02,082
AND BECAME
COLLATERAL DAMAGE.

216
00:13:02,115 --> 00:13:04,251
SIMMONS:
WELL, THANKFULLY THE KIDS
DIDN'T WITNESS ANY OF THAT,

217
00:13:04,284 --> 00:13:05,853
BUT SINCE NOBODY
SAW ANYTHING,

218
00:13:05,886 --> 00:13:07,855
WE DON'T KNOW IF HE WAS
WEARING A DISGUISE
THIS TIME.

219
00:13:07,888 --> 00:13:10,357
AND JUST LIKE
MARK WILSON'S HOUSE,

220
00:13:10,390 --> 00:13:12,159
HE WAS HERE
WHEN THEY GOT HOME.

221
00:13:12,192 --> 00:13:14,594
SO I DON'T KNOW
IF HE'S HUNTING THEM
BEFOREHAND

222
00:13:14,627 --> 00:13:17,064
OR JUST GETTING LUCKY
THAT THEY'RE FAMILY MEN.

223
00:13:17,097 --> 00:13:20,267
AN ACCIDENTAL ANNIHILATOR
LEAVING A WAKE
OF ORPHANS BEHIND.

224
00:13:20,300 --> 00:13:22,870
THIS IS THE SECOND TIME
HE SPARED THEIR LIVES

225
00:13:22,903 --> 00:13:24,371
WHEN HE CLEARLY
DIDN'T NEED TO.

226
00:13:24,404 --> 00:13:28,375
STILL, HE'S PUNISHING
THEM, MAKING THEIR WORST
FEARS COME TRUE.

227
00:13:28,408 --> 00:13:31,845
MAYBE HE HAS HIS OWN
ABANDONMENT ISSUES OR...

228
00:13:31,879 --> 00:13:34,347
I DON'T KNOW, MAYBE WE'RE
MISSING SOMETHING HERE.

229
00:13:36,583 --> 00:13:38,852
IF HE HAD A SUBMISSIVE
PARTNER,

230
00:13:38,886 --> 00:13:41,121
THEN THEY COULD BE
THE INFLUENCE

231
00:13:41,154 --> 00:13:42,422
IN KEEPING THE KIDS ALIVE.

232
00:13:42,455 --> 00:13:44,424
SO HE KILLS STRONG
MALE FIGURES

233
00:13:44,457 --> 00:13:46,559
TO PROVE HIS DOMINANCE?

234
00:13:46,593 --> 00:13:48,128
BUT THAT'S NOT ENOUGH,

235
00:13:48,161 --> 00:13:50,297
SO HE FEELS COMPELLED
TO CUT THEIR MOUTHS.

236
00:13:50,330 --> 00:13:53,934
HE WANTS TO MAKE SURE
HE LEAVES THEM
WITH A PERMANENT SCAR.

237
00:13:53,967 --> 00:13:55,302
SO MAYBE HE GREW UP ABUSED.

238
00:13:55,335 --> 00:13:57,437
HE COULD EVEN HAVE
THE SAME SCAR.

239
00:13:57,470 --> 00:14:00,107
AND IF THAT TRAUMA
HAPPENED

240
00:14:00,140 --> 00:14:01,508
WHILE HIS LOVE MAP
WAS FORMING,

241
00:14:01,541 --> 00:14:04,444
HE WOULD THINK
THAT'S THE ONLY WAY
TO GAIN DOMINANCE.

242
00:14:04,477 --> 00:14:07,014
CHIEF: A NEIGHBOR WITNESSED
A GUY DRESSED AS A CLOWN

243
00:14:07,047 --> 00:14:09,316
RUNNING OUT OF THE HOUSE
AND JUMPING IN A VAN.

244
00:14:09,349 --> 00:14:13,453
THING IS, THERE WAS
ANOTHER GUY DRIVING.

245
00:14:15,188 --> 00:14:17,490
THANKS.

246
00:14:17,524 --> 00:14:19,492
POLICE RADIO:
WE BLOCKED OFF 412...

247
00:14:19,526 --> 00:14:22,029
MAN: PULL FORWARD,
PLEASE!

248
00:14:22,062 --> 00:14:25,032
[VEHICLE APPROACHES;
BRAKES SQUEAL]

249
00:14:25,065 --> 00:14:28,368
MAN: OH, NO.

250
00:14:28,401 --> 00:14:31,304
WHAT ARE WE GONNA DO?
THEY GOT A ROADBLOCK.

251
00:14:31,338 --> 00:14:33,273
WE'RE TOTALLY SCREWED.

252
00:14:33,306 --> 00:14:36,409
SECOND MAN:
AH, WHAT KIND OF
NEGATIVE CRAP IS THAT?

253
00:14:36,443 --> 00:14:38,345
WE'RE CHALLENGED.

254
00:14:38,378 --> 00:14:42,415
I TOLD YOU, WE SHOULD
HAVE FINISHED OUR NIGHT
AND GONE BACK.

255
00:14:42,449 --> 00:14:45,385
WHY'D YOU HAVE TO BREAK IN
AGAIN AT NIGHT?

256
00:14:45,418 --> 00:14:48,688
I GOT WOUND UP.
PLUS I HEARD A GUY
TALKING ABOUT THAT SPOT.

257
00:14:51,258 --> 00:14:53,360
IT PAID OFF, DIDN'T IT?

258
00:14:53,393 --> 00:14:56,463
DOING THIS TWO NIGHTS
IN A ROW IS CRAZY.

259
00:14:56,496 --> 00:15:00,200
DON'T CALL ME THAT.

260
00:15:00,233 --> 00:15:02,702
I'M SORRY, BUT...

261
00:15:02,735 --> 00:15:04,637
YOU JUST CAN'T GET
SO GREEDY.

262
00:15:04,671 --> 00:15:08,041
WE ARE NOT GONNA
GET CAUGHT.

263
00:15:11,378 --> 00:15:13,380
WHAT THE HELL IS THAT,
BLOOD?

264
00:15:13,413 --> 00:15:14,982
YOU SAID NOBODY GOT HURT.

265
00:15:15,015 --> 00:15:18,051
GUY WAS POPPING OFF
AT THE MOUTH.

266
00:15:18,085 --> 00:15:19,452
I HAD TO SHUT HIM UP.

267
00:15:19,486 --> 00:15:23,390
IN, OUT, ON OUR WAY.
THAT WAS THE DEAL.

268
00:15:23,423 --> 00:15:25,325
NO FIGHTING.

269
00:15:25,358 --> 00:15:27,427
YEAH, WELL,
YOU'RE TOO WEAK

270
00:15:27,460 --> 00:15:31,431
TO BE IN THERE
WITH ME, AREN'T YOU?

271
00:15:35,135 --> 00:15:36,703
GOTTA DO
WHAT I GOTTA DO.

272
00:15:36,736 --> 00:15:41,474
NOW TURN THE VAN AROUND
AND LET'S GO.

273
00:15:54,654 --> 00:15:56,456
WHAT ARE THOSE?

274
00:15:56,489 --> 00:15:59,092
HOPING TO FIND ONE
THAT LOOKS LIKE
DYLAN'S DRAWING.

275
00:15:59,126 --> 00:16:02,195
ARE THOSE CLOWN FACES
PAINTED ON EGGS?

276
00:16:02,229 --> 00:16:04,231
THE TRADITION WAS STARTED
AFTER WORLD WAR II

277
00:16:04,264 --> 00:16:06,666
BY A LONDON CIRCUS CLOWN
CALLED STAN BULT.

278
00:16:06,699 --> 00:16:08,568
HE WANTED
ALL PROFESSIONAL CLOWNS

279
00:16:08,601 --> 00:16:12,005
TO BE ABLE TO COPYRIGHT
THEIR COSTUMES
AND MAKEUP DESIGNS.

280
00:16:12,039 --> 00:16:14,507
THERE'S OVER 300 OF THEM
ON DISPLAY

281
00:16:14,541 --> 00:16:17,577
IN THE ENGLISH VILLAGE
OF WOOKEY HOLE.

282
00:16:17,610 --> 00:16:20,013
I HOPE THEY HELP.

283
00:16:21,248 --> 00:16:23,450
THANK YOU FOR STAYING.

284
00:16:23,483 --> 00:16:27,254
HE SEEMS BETTER
WITH YOU HERE.

285
00:16:27,287 --> 00:16:29,556
I'M JUST GLAD
HE'S FINALLY RESTING.

286
00:16:29,589 --> 00:16:31,258
MMM.

287
00:16:33,626 --> 00:16:37,530
I DON'T KNOW HOW WE'RE
GONNA GET THROUGH THIS.

288
00:16:37,564 --> 00:16:40,300
I MEAN, JUST KNOWING
WHAT HE SAW.

289
00:16:40,333 --> 00:16:42,469
I WISH I COULD
TRADE PLACES WITH HIM,

290
00:16:42,502 --> 00:16:43,770
BUT I DON'T KNOW...

291
00:16:43,803 --> 00:16:47,006
HOW I'M GONNA GET HIM
THROUGH THIS.

292
00:16:49,442 --> 00:16:51,478
AFTER SOMETHING
TRAUMATIC HAPPENS,

293
00:16:51,511 --> 00:16:54,281
I DON'T KNOW ABOUT YOU,
BUT I FIND

294
00:16:54,314 --> 00:16:56,816
THAT THERE'S ALWAYS THAT...

295
00:16:56,849 --> 00:16:59,486
LITTLE MOMENT
RIGHT WHEN YOU WAKE UP
IN THE MORNING

296
00:16:59,519 --> 00:17:01,521
WHEN EVERYTHING'S GOOD,

297
00:17:01,554 --> 00:17:04,624
BECAUSE YOUR MIND
HAS TEMPORARILY FORGOTTEN

298
00:17:04,657 --> 00:17:06,126
THE BAD STUFF.

299
00:17:06,159 --> 00:17:07,660
YOU EVER HAVE THAT?

300
00:17:07,694 --> 00:17:10,797
AFTER MY DAD DIED, YEAH.

301
00:17:10,830 --> 00:17:12,832
I FEEL LIKE OUR CONSCIOUS
AND SUBCONSCIOUS

302
00:17:12,865 --> 00:17:14,501
MAKE SOME SORT
OF SECRET PACT

303
00:17:14,534 --> 00:17:18,238
TO LET US HAVE
A SPLIT-SECOND OF PEACE.

304
00:17:18,271 --> 00:17:19,639
YOU HAD THAT A LOT?

305
00:17:22,675 --> 00:17:25,512
WHEN THAT RELIEF HAPPENS,

306
00:17:25,545 --> 00:17:28,415
I TRY TO HOLD ONTO IT.

307
00:17:28,448 --> 00:17:32,185
YOU JUST HAVE TO FIGURE OUT
A WAY TO HELP DYLAN DO THAT.

308
00:17:32,852 --> 00:17:35,155
HOW?

309
00:17:35,188 --> 00:17:36,589
LET HIM KNOW
THAT HE'S NOT ALONE

310
00:17:36,623 --> 00:17:39,726
AND THAT HIS HEALING
IS JUST GONNA TAKE TIME.

311
00:17:39,759 --> 00:17:43,696
WHEN HE'S READY TO TALK,
HE WILL.

312
00:17:45,898 --> 00:17:48,168
PRENTISS: PHYSICAL
AND BEHAVIORAL EVIDENCE

313
00:17:48,201 --> 00:17:50,537
POINTS TO A DOMINANT
POWER-ASSERTIVE MALE

314
00:17:50,570 --> 00:17:52,239
ROBBING AND KILLING,

315
00:17:52,272 --> 00:17:54,774
BUT WE ALSO BELIEVE
THERE IS A SUBMISSIVE PARTNER

316
00:17:54,807 --> 00:17:56,643
WHO DRIVES
THE GETAWAY VEHICLE.

317
00:17:56,676 --> 00:17:59,546
WE'RE LOOKING FOR TWO MEN
IN THEIR 30s DRIVING A VAN.

318
00:17:59,579 --> 00:18:02,549
ALVEZ: THE DOMINANT
PARTNER LIKES TO KILL
WITH HIS BARE HANDS,

319
00:18:02,582 --> 00:18:05,585
AND HIS SIGNATURE
IS CUTTING HIS VICTIMS
POSTMORTEM.

320
00:18:05,618 --> 00:18:08,455
CHIEF: ANY CHANCE THE
SUBMISSIVE DOESN'T KNOW
WHAT THE DOMINANT'S DOING?

321
00:18:08,488 --> 00:18:11,158
ABSOLUTELY. IT'S COMMON
FOR CRIMINAL PARTNERS

322
00:18:11,191 --> 00:18:12,625
TO KEEP SECRETS
FROM ONE ANOTHER.

323
00:18:12,659 --> 00:18:14,727
THE KIDS SEEM TO BE
A COMPLEX PART
OF THIS PUZZLE.

324
00:18:14,761 --> 00:18:16,696
THE DOMINANT'S WORKING
ALONE IN THE KILLS,

325
00:18:16,729 --> 00:18:18,698
CHOOSING NOT TO PHYSICALLY
HARM THE CHILDREN.

326
00:18:18,731 --> 00:18:20,533
IT COULD BE
THE SUBMISSIVE'S INFLUENCE.

327
00:18:20,567 --> 00:18:22,602
THERE MIGHT BE
A CHILD IN THEIR LIVES

328
00:18:22,635 --> 00:18:25,372
OR UNRESOLVED ISSUES
FROM THEIR OWN CHILDHOODS.

329
00:18:25,405 --> 00:18:27,240
AND WE CAN'T IGNORE
THE ELEPHANT IN THE ROOM.

330
00:18:27,274 --> 00:18:30,277
MORE THAN ONE EYEWITNESS
HAS TALKED ABOUT
A CLOWN DISGUISE.

331
00:18:30,310 --> 00:18:32,712
NOW, THAT COULD BE A
FORENSIC COUNTERMEASURE,

332
00:18:32,745 --> 00:18:35,482
BUT CHOOSING IT
TELLS US ABOUT HIM.

333
00:18:35,515 --> 00:18:37,584
WHEN UNSUBS WEAR MASKS,

334
00:18:37,617 --> 00:18:39,652
OR IN THIS CASE,
PAINT THEM ON,

335
00:18:39,686 --> 00:18:41,788
IT IS A PREDICTOR
FOR ANTISOCIAL BEHAVIOR.

336
00:18:41,821 --> 00:18:44,191
WE CALL THIS
DEINDIVIDUATION.

337
00:18:44,224 --> 00:18:48,595
IT ALLOWS THE OFFENDER
TO BE ANONYMOUS
AND ACT THEIR WORST.

338
00:18:48,628 --> 00:18:51,431
WE ONLY KNOW
THE DOMINANT
HAS PAINTED HIS FACE,

339
00:18:51,464 --> 00:18:53,733
MOST LIKELY BECAUSE
HE HATES HIS OWN.

340
00:18:53,766 --> 00:18:55,835
CHIEF.
PRENTISS: HE COULD HAVE
A FACIAL DISFIGUREMENT

341
00:18:55,868 --> 00:18:57,704
OR A SPEECH IMPEDIMENT,

342
00:18:57,737 --> 00:19:00,607
SOMETHING HE CAN'T CONTROL
THAT FRUSTRATES HIM.

343
00:19:00,640 --> 00:19:03,876
TWO MEN MATCHING
THE WITNESSES' DESCRIPTION
HAVE JUST BEEN SPOTTED.

344
00:19:03,910 --> 00:19:05,645
CHIEF?

345
00:19:19,926 --> 00:19:22,229
OK, GO OVER IT.

346
00:19:22,262 --> 00:19:23,796
YOU'LL THROW ME OVER
'CAUSE I'M LITTLE,

347
00:19:23,830 --> 00:19:25,732
AND I'LL GET STUCK
ALONE 'CAUSE YOU FATSOS
WON'T MAKE IT.

348
00:19:25,765 --> 00:19:27,634
THEN I'M GONNA BE
THE ONE WHO'S DEAD.

349
00:19:27,667 --> 00:19:29,602
SHUT UP AND DO IT.

350
00:19:29,636 --> 00:19:32,372
IDIOTS, FOLLOW ME.

351
00:19:34,374 --> 00:19:36,276
HOLD IT FOR ME.
THANKS.

352
00:19:36,309 --> 00:19:37,644
BEANS, I'M GONNA
CLOSE IT ON YOU.

353
00:19:37,677 --> 00:19:39,679
HURRY UP, BEANS.
LET'S GO.

354
00:19:39,712 --> 00:19:41,781
BEANS: I WAS HERE
FOR MY GREAT-AUNT
MATTIE'S FUNERAL.

355
00:19:41,814 --> 00:19:44,617
THE CRANK BROKE,
AND THE CASKET FELL
TO THE GROUND.

356
00:19:44,651 --> 00:19:47,920
AND MY BROTHER SAID
THAT WHEN THE LID
POPPED OPEN,

357
00:19:47,954 --> 00:19:50,957
HER BODY WAS ALL LIKE...

358
00:19:52,425 --> 00:19:54,494
SHH.

359
00:19:54,527 --> 00:19:56,329
LOOK.

360
00:20:05,272 --> 00:20:08,475
RUN!

361
00:20:10,610 --> 00:20:15,415
SIMMONS: FBI! HANDS WHERE
WE CAN SEE THEM!

362
00:20:17,817 --> 00:20:18,985
HANDS UP, CLOWN.

363
00:20:25,392 --> 00:20:27,594
THEY TOOK ALL MY STUFF.

364
00:20:27,627 --> 00:20:30,263
OH, YOU'LL GET IT BACK.

365
00:20:30,297 --> 00:20:34,434
BUT YOU'RE GONNA
BE HERE FOR A WHILE.

366
00:20:34,467 --> 00:20:37,737
SO THIS ISN'T YOUR ONLY
TRESPASSING CHARGE.

367
00:20:37,770 --> 00:20:40,740
I GOTTA ASK,
WHY DID YOU DO IT?

368
00:20:40,773 --> 00:20:43,042
I'M A TELEMARKETER.

369
00:20:43,075 --> 00:20:45,712
I CLOCK IN, CLOCK OUT,

370
00:20:45,745 --> 00:20:48,848
AND ALL DAY MAKE CALLS
TO PEOPLE

371
00:20:48,881 --> 00:20:50,317
WHO EITHER REJECT ME

372
00:20:50,350 --> 00:20:52,985
OR ARE TOO LONELY
TO HANG UP.

373
00:20:53,019 --> 00:20:55,555
DRESSING UP
GETS YOU ATTENTION.

374
00:20:57,590 --> 00:21:01,728
WHEN I GO OUT
DRESSED LIKE THIS...

375
00:21:01,761 --> 00:21:05,965
I MAKE A DIFFERENCE
IN SOMEONE'S NIGHT.

376
00:21:05,998 --> 00:21:07,700
MY BUDDY AND I,
WE GO TOGETHER

377
00:21:07,734 --> 00:21:08,835
SO IT'S DOUBLE
THE SCARE.

378
00:21:08,868 --> 00:21:10,470
AND YOU KNOW WHAT?

379
00:21:10,503 --> 00:21:12,305
THOSE KIDS TONIGHT--

380
00:21:12,339 --> 00:21:14,040
THEY'LL REMEMBER ME.

381
00:21:14,073 --> 00:21:17,877
WE HAVE A MAN
WHO IS DRESSING UP LIKE A CLOWN

382
00:21:17,910 --> 00:21:21,381
AND KILLING PEOPLE.

383
00:21:21,414 --> 00:21:23,783
HE'S CLEARLY
A VERY SICK MAN.

384
00:21:23,816 --> 00:21:25,552
MM-HMM.

385
00:21:28,521 --> 00:21:30,657
ALL WE HAVE TO GO BY

386
00:21:30,690 --> 00:21:32,792
IS THIS KID'S DRAWING
OF WHO HE SAW.

387
00:21:32,825 --> 00:21:34,494
MY PARTNER THINKS
IT'S A TWIST

388
00:21:34,527 --> 00:21:37,063
ON A CHARACTER CLOWN
FROM THE 1950s.

389
00:21:37,096 --> 00:21:39,065
YOU EVER SEEN HIM?

390
00:21:39,098 --> 00:21:41,501
NO, I'D REMEMBER
A GUY LIKE THAT.

391
00:21:49,041 --> 00:21:51,478
THEY CLOSED THE ROAD
AND THE GIG WENT LATE

392
00:21:51,511 --> 00:21:53,513
IS WHY I DIDN'T
MAKE IT HOME LAST NIGHT.

393
00:21:53,546 --> 00:21:55,348
WHERE DID YOU STAY?

394
00:21:55,382 --> 00:21:56,483
IN THE VAN.

395
00:21:56,516 --> 00:21:58,451
SO DO YOU REALLY THINK
YOU'VE MADE ENOUGH

396
00:21:58,485 --> 00:22:01,454
FOR US TO, YOU KNOW,
CALL IT A DAY AND HEAD SOUTH?

397
00:22:01,488 --> 00:22:04,791
YEAH. I'M READY
FOR THE FLORIDA SUN.

398
00:22:04,824 --> 00:22:06,426
HOW ABOUT YOU?

399
00:22:06,459 --> 00:22:07,994
MY PARENTS CALLED.
THEY SAID THEY FOUND US

400
00:22:08,027 --> 00:22:10,397
A LITTLE TRAILER,
UNDER 500 A MONTH.

401
00:22:10,430 --> 00:22:11,664
GREAT SCHOOL FOR MIKEY.

402
00:22:11,698 --> 00:22:13,466
WELL, WE GOT ENOUGH

403
00:22:13,500 --> 00:22:15,134
FOR THE FIRST COUPLE MONTHS,

404
00:22:15,167 --> 00:22:17,670
UNTIL WE FIND A NEW GIG.

405
00:22:19,939 --> 00:22:22,542
HIYA, MONKEY.

406
00:22:23,976 --> 00:22:26,846
HE IS MAGIC.

407
00:22:29,682 --> 00:22:30,817
MIKEY: CAN I TRY ONE?

408
00:22:30,850 --> 00:22:32,084
PICK A COLOR, ANY COLOR.

409
00:22:32,118 --> 00:22:34,754
MM-HMM.
MM...GREEN.

410
00:22:34,787 --> 00:22:36,889
GIVE IT A BIG BLOW, OK?

411
00:22:40,427 --> 00:22:41,394
YOU SHOULD STRETCH IT OUT.

412
00:22:41,428 --> 00:22:42,895
I SHOULD HAVE HAD YOU
STRETCH IT.

413
00:22:42,929 --> 00:22:45,565
GIVE IT A BIG STRETCH.

414
00:22:47,500 --> 00:22:48,835
YEAH, LIKE THAT.

415
00:22:50,470 --> 00:22:51,871
MAN: WE INTERRUPT
OUR CURRENT PROGRAMMING

416
00:22:51,904 --> 00:22:53,573
WITH BREAKING NEWS.

417
00:22:53,606 --> 00:22:55,107
WOMAN: THIS IS THE SECOND
HOME INVASION IN GUYMON.

418
00:22:55,141 --> 00:22:56,676
EACH TIME THE CHILDREN
WERE HOME

419
00:22:56,709 --> 00:22:58,578
TO FIND THEIR PARENTS DEAD.

420
00:22:58,611 --> 00:23:01,714
OH, THAT IS AWFUL!

421
00:23:01,748 --> 00:23:03,716
HEY, THAT WAS IN GUYMON.

422
00:23:03,750 --> 00:23:06,553
MAYBE THAT'S WHY
THE ROADS WERE CLOSED.

423
00:23:09,456 --> 00:23:11,591
YOU OK, BABE?

424
00:23:11,624 --> 00:23:13,125
I THINK IT WAS JUST
THE SANDWICH.

425
00:23:13,159 --> 00:23:15,462
I NEED SOME AIR.

426
00:23:24,637 --> 00:23:27,607
TONE!

427
00:23:27,640 --> 00:23:29,542
YOU KILLED THOSE PEOPLE?

428
00:23:31,511 --> 00:23:34,213
WHEN THAT GUY CAME HOME
WITH HIS SLEEPING KID,

429
00:23:34,246 --> 00:23:36,649
YOU SAID THAT YOU TIED
HIM UP AND THAT WAS IT.

430
00:23:38,851 --> 00:23:41,854
AND THE FAMILY LAST NIGHT?

431
00:23:44,156 --> 00:23:45,592
HOW MANY?

432
00:23:45,625 --> 00:23:47,059
3.

433
00:23:47,093 --> 00:23:48,628
HUH?

434
00:23:48,661 --> 00:23:51,063
4. 4.

435
00:23:51,097 --> 00:23:54,701
WHAT THE HELL
IS THE MATTER WITH YOU?

436
00:23:54,734 --> 00:23:58,170
JUST LISTEN TO ME
FOR A SECOND.

437
00:23:58,204 --> 00:24:00,573
JUST--

438
00:24:01,808 --> 00:24:03,643
LISTEN.

439
00:24:05,277 --> 00:24:06,779
I'M SORRY.

440
00:24:06,813 --> 00:24:08,615
GIVE ME MY HALF.

441
00:24:08,648 --> 00:24:10,983
RIGHT NOW.

442
00:24:11,017 --> 00:24:12,585
HERE'S THE THING.

443
00:24:12,619 --> 00:24:15,988
AFTER WORK AND PAWN SHOPS,
WE HAD ABOUT 3,200.

444
00:24:16,022 --> 00:24:17,924
3,800.

445
00:24:17,957 --> 00:24:20,793
YEAH.

446
00:24:20,827 --> 00:24:23,129
SO I HAD A LEAD.

447
00:24:23,162 --> 00:24:26,533
OH, GOD, WE SHOULD BE
RIDING HIGH RIGHT NOW,

448
00:24:26,566 --> 00:24:27,500
BUT DON'T WORRY,
WE'RE GONNA GET IT ALL BACK.

449
00:24:27,534 --> 00:24:29,101
YOU LOST IT?

450
00:24:29,135 --> 00:24:31,538
GAMBLING?

451
00:24:31,571 --> 00:24:34,607
WE'VE BEEN AT THIS
FOR WEEKS.

452
00:24:34,641 --> 00:24:35,708
YOU LOST IT?

453
00:24:35,742 --> 00:24:37,544
I GOT A PLAN, TONE.

454
00:24:37,577 --> 00:24:39,579
DO YOU REMEMBER
THE RANCH OWNER
FROM THE OTHER NIGHT,

455
00:24:39,612 --> 00:24:41,548
THE BIG GUY WITH
THE SHINY CONVERTIBLE?

456
00:24:41,581 --> 00:24:44,283
I'M NOT DRIVING YOU
TO KILL ANYBODY.

457
00:24:44,316 --> 00:24:47,520
I WON'T HURT ANYBODY

458
00:24:47,554 --> 00:24:50,857
EVER AGAIN, OK?

459
00:24:50,890 --> 00:24:52,759
WE NEED TO GET
OUR MONEY BACK.

460
00:24:52,792 --> 00:24:54,827
AND THIS GUY,
HE'S LOADED.

461
00:24:54,861 --> 00:24:56,829
HE'S NOT EVEN
GONNA MISS IT.

462
00:25:01,568 --> 00:25:06,639
YOU WANT TO GET MIKEY
DOWN TO FLORIDA, RIGHT?

463
00:25:08,708 --> 00:25:11,644
THEN WHAT CHOICE
IS THERE IN THIS, MAN?

464
00:25:13,646 --> 00:25:15,882
WOMAN, ON P.A.: CHARGE
NURSE ON DUTY TO CCU.

465
00:25:15,915 --> 00:25:17,784
CHARGE NURSE ON DUTY TO CCU.

466
00:25:17,817 --> 00:25:19,719
HI, DYLAN.

467
00:25:19,752 --> 00:25:22,121
THAT PICTURE YOU DREW
REALLY HELPED US A LOT.

468
00:25:22,154 --> 00:25:27,727
IS THERE ANYTHING ELSE
YOU REMEMBER ABOUT HIM?

469
00:25:27,760 --> 00:25:30,697
DID HE SAY ANYTHING
TO YOU?

470
00:25:34,767 --> 00:25:37,169
HE WAS WEARING
A SHIRT LIKE THAT.

471
00:25:40,306 --> 00:25:42,709
LIKE

472
00:25:42,742 --> 00:25:46,579
YEAH. HE ALSO SMELLED
LIKE HORSES.

473
00:25:46,613 --> 00:25:50,750
OH, BABY.

474
00:25:51,884 --> 00:25:53,886
OHH...

475
00:26:00,627 --> 00:26:02,762
I SHOULD JUST WAIT
IN THE CAR.

476
00:26:02,795 --> 00:26:07,066
HEY. WE'LL GET TWICE AS MUCH
WITH YOU HELPING ME.

477
00:26:07,099 --> 00:26:08,668
AND NOBODY GETS HURT.

478
00:26:08,701 --> 00:26:11,303
I ALREADY PROMISED.

479
00:26:11,337 --> 00:26:13,673
SEE? NOBODY'S EVEN HOME.

480
00:26:13,706 --> 00:26:14,974
HA HA HA!

481
00:26:15,007 --> 00:26:18,110
WELCOME TO THE BIG LEAGUES,
TONY CAPILANO!

482
00:26:39,932 --> 00:26:41,668
SIMMONS: THE OWNER IS
IN CRITICAL CONDITION,

483
00:26:41,701 --> 00:26:43,335
TOOK A GUNSHOT WOUND
TO THE SHOULDER.

484
00:26:43,369 --> 00:26:46,405
NOW, IT LOOKS LIKE THEY FOUGHT,
BUT THE UNSUBS GOT SCARED OFF.

485
00:26:46,438 --> 00:26:48,040
ROSSI, OVER PHONE:
NOTHING STOLEN?

486
00:26:48,074 --> 00:26:49,108
NO, NO. THEY DIDN'T MAKE IT
PAST THE THRESHOLD.

487
00:26:49,141 --> 00:26:51,343
PRENTISS: YOU SAID
THERE WAS SOME
KIND OF SECURITY.

488
00:26:51,377 --> 00:26:52,845
YEAH. I'M WORKING ON
GETTING THAT FOOTAGE NOW.

489
00:26:52,879 --> 00:26:54,647
CALL YOU BACK.

490
00:26:54,681 --> 00:26:56,683
THESE GUYS HAVE REMAINED
LOW-TECH SO FAR.

491
00:26:56,716 --> 00:26:58,651
THEY HAVEN'T CHOSEN HOUSES
WITH SECURITY SYSTEMS.

492
00:26:58,685 --> 00:27:01,020
JJ: CHOOSING THIS
HOUSE, ESPECIALLY
IN THE DAYLIGHT,

493
00:27:01,053 --> 00:27:03,089
IT'S A RISK.
THEY'RE IN A HURRY.

494
00:27:03,122 --> 00:27:04,423
MAYBE THEY'RE FINALLY
GETTING OUT OF TOWN

495
00:27:04,456 --> 00:27:05,858
AND THEY'RE SLOPPY
ABOUT IT.

496
00:27:05,892 --> 00:27:07,760
THEN THEY'LL BE MORE
HAPHAZARD

497
00:27:07,794 --> 00:27:09,095
NOW THAT WE'LL
HAVE IMAGES OF THEM.

498
00:27:10,129 --> 00:27:11,664
HEY, SPENCE.

499
00:27:11,698 --> 00:27:13,666
GREAT NEWS. DYLAN IS TALKING

500
00:27:13,700 --> 00:27:14,767
AND HE'S REMEMBERING
MORE DETAILS.

501
00:27:14,801 --> 00:27:16,836
HE SAID THE UNSUB
WAS WEARING DENIM

502
00:27:16,869 --> 00:27:18,370
AND SMELLED LIKE HORSES.

503
00:27:18,404 --> 00:27:19,872
THAT'S SPECIFIC.

504
00:27:19,906 --> 00:27:21,407
REID: IF I BROUGHT HIM
IN TO THE STATION,

505
00:27:21,440 --> 00:27:22,775
I THINK IT MIGHT HELP
WITH HIS HEALING.

506
00:27:22,809 --> 00:27:24,143
THAT'S A GREAT IDEA.
HEY, HOLD ON.

507
00:27:24,176 --> 00:27:25,878
LUKE JUST WALKED IN.

508
00:27:25,912 --> 00:27:27,714
SO, THE M.E. CONFIRMED
THAT THE GREASE

509
00:27:27,747 --> 00:27:28,547
UNDER THE VICTIM'S
FINGERNAILS

510
00:27:28,580 --> 00:27:30,750
IS A PROFESSIONAL-GRADE
STAGE MAKEUP.

511
00:27:30,783 --> 00:27:32,885
ROSSI: DOESN'T SEEM LIKE
THAT WOULD BE EASY TO FIND.

512
00:27:32,919 --> 00:27:34,353
SO THEY'RE NOT AMATEURS.

513
00:27:34,386 --> 00:27:36,388
WELL, PSYCHOLOGICALLY,
MOST CLOWNS BELIEVE

514
00:27:36,422 --> 00:27:38,457
IT'S NOT JUST A JOB,
IT'S WHO THEY ARE.

515
00:27:38,490 --> 00:27:40,059
THAT'S A PROBLEM,
CONSIDERING

516
00:27:40,092 --> 00:27:41,160
CIRCUSES ARE
GOING OUT OF BUSINESS.

517
00:27:41,193 --> 00:27:43,763
ALL RIGHT,
MATT JUST SENT OVER
THE SECURITY FOOTAGE.

518
00:27:43,796 --> 00:27:46,132
SPENCE, I'LL FORWARD IT TO YOU.

519
00:27:51,771 --> 00:27:54,373
SEE, NOW, FACED
WITH A SURPRISE,

520
00:27:54,406 --> 00:27:56,342
THESE GUYS ARE INCREDIBLY
UNSOPHISTICATED.

521
00:27:56,375 --> 00:27:59,478
AND NO SURPRISE
THE SUBMISSIVE'S
INSTINCT IS FLIGHT,

522
00:27:59,511 --> 00:28:01,480
THE DOMINANT'S IS FIGHT.

523
00:28:01,513 --> 00:28:04,450
IF THEY GREW UP
IN THIS CLOWN CULTURE,

524
00:28:04,483 --> 00:28:06,052
THESE COULD BE THE ROLES
THEY'VE ALWAYS PLAYED.

525
00:28:06,085 --> 00:28:07,787
SO MAYBE THEY HAVEN'T
LEFT THE AREA

526
00:28:07,820 --> 00:28:09,756
BECAUSE THEY FOUND SOME
KIND OF CIRCUS WORK HERE.

527
00:28:09,789 --> 00:28:10,689
PRENTISS: HEY, GARCIA?

528
00:28:10,723 --> 00:28:12,725
LITTLE BOY IS TALKING AGAIN?
THANK THE STARS.

529
00:28:12,759 --> 00:28:14,126
YES. HE'S MADE
SOME PROGRESS.

530
00:28:14,160 --> 00:28:15,394
SO HAVE WE.

531
00:28:15,427 --> 00:28:17,496
CAN YOU CROSS
THE GEO-PROFILES

532
00:28:17,529 --> 00:28:19,465
FROM THE INITIAL CRIMES
IN COLORADO AND OKLAHOMA,

533
00:28:19,498 --> 00:28:21,901
SEE IF ANY TRAVELING
CIRCUSES OR CARNIVALS

534
00:28:21,934 --> 00:28:23,035
WENT THROUGH THOSE TOWNS?

535
00:28:23,069 --> 00:28:24,503
I LOVE A CARNIVAL.

536
00:28:24,536 --> 00:28:26,238
IF IT WASN'T FOR THE WHOLE
NEFARIOUS PEOPLE

537
00:28:26,272 --> 00:28:27,439
ARE PROBABLY WORKING THERE,

538
00:28:27,473 --> 00:28:29,075
THIS WOULD BE
A MOST ENJOYABLE SEARCH.

539
00:28:29,108 --> 00:28:31,878
NEFARIOUS RUINS EVERYTHING.
I'LL HIT YOU BACK.

540
00:28:33,312 --> 00:28:35,514
MAN: W-WHY'D YOU HAVE
TO SHOOT HIM?

541
00:28:35,547 --> 00:28:38,751
OUR FACES ARE GONNA BE
ALL OVER THE NEWS.

542
00:28:38,785 --> 00:28:41,120
WE GOTTA GET OUT OF HERE!

543
00:28:41,153 --> 00:28:43,089
WHERE ARE WE GONNA GO?

544
00:28:43,122 --> 00:28:44,924
WE DON'T HAVE ANY MONEY,
REMEMBER?

545
00:28:44,957 --> 00:28:46,225
ENOUGH WITH THE "WE."

546
00:28:46,258 --> 00:28:48,460
Y-YOU MESSED THIS UP.

547
00:28:48,494 --> 00:28:51,330
NOT "WE."
I HAVE A WIFE

548
00:28:51,363 --> 00:28:53,365
AND A KID
TO TAKE CARE OF,

549
00:28:53,399 --> 00:28:56,302
AND YOU DON'T.

550
00:28:56,335 --> 00:28:58,137
I'VE BEEN YOUR FAMILY
ALL YOUR LIFE,

551
00:28:58,170 --> 00:29:00,339
AND NOW, WHAT?

552
00:29:03,342 --> 00:29:06,045
I LET DAD
BEAT ON ME INSTEAD.

553
00:29:08,881 --> 00:29:15,254
I GOT--I GOT THIS
SO YOU WOULDN'T HAVE TO.

554
00:29:21,227 --> 00:29:23,495
GOOD LUCK.

555
00:29:25,965 --> 00:29:28,300
ONCE A RINGLING BROS.
CLOSED,

556
00:29:28,334 --> 00:29:29,936
A LOT OF THE SMALLER ONES
FOLDED, TOO.

557
00:29:29,969 --> 00:29:32,204
BUT IT TURNS OUT THIS WAS
A HUGE FAMILY BUSINESS,

558
00:29:32,238 --> 00:29:35,274
GENERATIONS BORN AND RAISED
IN THIS WORLD.

559
00:29:35,307 --> 00:29:37,243
IT'S DYING OFF. I DON'T REALLY
HAVE ANYTHING TO OFFER YOU.

560
00:29:37,276 --> 00:29:39,946
OK, WELL, LOOK, THINK
ABOUT THEIR TIMELINE.

561
00:29:39,979 --> 00:29:43,049
THEY'RE WEARING DENIM,
THEY HAVE MADE-UP FACES,

562
00:29:43,082 --> 00:29:44,483
SMELLING LIKE HORSES.

563
00:29:44,516 --> 00:29:46,919
WHAT IF IT'S LESS ABOUT
WEARING THE MASKS

564
00:29:46,953 --> 00:29:50,489
AS A FORENSIC COUNTERMEASURE
AND MORE ABOUT CONVENIENCE?

565
00:29:50,522 --> 00:29:54,861
I MEAN, WHAT IF THEY
JUST FINISHED SOME KIND
OF GIG CLOSE BY?

566
00:29:54,894 --> 00:29:56,896
THEY COULD BE CLOWNS
AT A RODEO.

567
00:29:56,929 --> 00:29:58,497
PRENTISS: EMILY, HAVE I
COMPLIMENTED YOU

568
00:29:58,530 --> 00:30:01,033
AS OF LATE ON YOUR ASSERTIVE
YET LOVING WAY

569
00:30:01,067 --> 00:30:03,569
OF POINTING OUT PATHS
I DON'T THINK TO GO DOWN?

570
00:30:03,602 --> 00:30:06,472
OH, WOW.
THERE'S A WHOLE CIRCUIT.

571
00:30:06,505 --> 00:30:08,875
BIG DEAL THINGS
AT CIVIC CENTERS,

572
00:30:08,908 --> 00:30:10,442
SMALLER ONES, TOO.

573
00:30:10,476 --> 00:30:12,044
THERE WERE A WHOLE BUNCH
LAST WEEK IN COLORADO

574
00:30:12,078 --> 00:30:13,612
WHERE OUR FIRST VICTIM
WAS KILLED,

575
00:30:13,645 --> 00:30:16,448
AND THERE'S ONE SCHEDULED
TONIGHT IN GUYMON.

576
00:30:16,482 --> 00:30:18,885
I'M SENDING YOU THE INFO NOW.

577
00:30:28,094 --> 00:30:30,296
THESE RODEOS CAN EMPLOY
HUNDREDS OF PEOPLE.

578
00:30:30,329 --> 00:30:32,431
YEAH. I HOPE
THIS IS OUR GUYS.

579
00:30:32,464 --> 00:30:33,532
CAN I HELP YOU?

580
00:30:33,565 --> 00:30:37,403
YEAH, UH, AGENTS JAREAU
AND SIMMONS.

581
00:30:37,436 --> 00:30:39,338
WELL, EVERYBODY'S
LEGAL HERE, MA'AM.

582
00:30:39,371 --> 00:30:42,108
GLAD TO HEAR.
WE'RE WONDERING

583
00:30:42,141 --> 00:30:45,611
IF YOU--IF YOU EVER
EMPLOYED THESE MEN.

584
00:30:45,644 --> 00:30:47,546
WE THINK THEY
MAY BE RELATED.

585
00:30:47,579 --> 00:30:49,048
WELL, THEY'RE BROTHERS.

586
00:30:49,081 --> 00:30:50,549
IT'S THE CAPILANOS.

587
00:30:50,582 --> 00:30:51,617
THAT ONE THERE
GOT IN A FIGHT

588
00:30:51,650 --> 00:30:53,085
WITH ONE OF
MY BULL RIDERS.

589
00:30:53,119 --> 00:30:54,887
TRIED TO CUT HIS FACE.

590
00:30:54,921 --> 00:30:57,156
SO THEY'RE BANNED
FROM WORKING HERE.

591
00:30:57,189 --> 00:30:58,891
YEAH. BAD LUCK

592
00:30:58,925 --> 00:31:00,192
FOLLOWS THEM AROUND.

593
00:31:00,226 --> 00:31:03,395
I HEAR THEY GOT CANNED
UP IN COLORADO LAST WEEK,

594
00:31:03,429 --> 00:31:05,898
BUT I'M NOT SURPRISED
WITH THAT ONE'S TEMPER.

595
00:31:05,932 --> 00:31:07,900
DO YOU HAVE ANY IDEA
WHERE WE MIGHT BE ABLE
TO FIND THEM?

596
00:31:07,934 --> 00:31:11,503
ALL US OWNERS, WE TALK,
SO THEIR NAMES
ARE NO GOOD AROUND HERE.

597
00:31:11,537 --> 00:31:13,605
I'M SURE THEY'VE
MOVED ON BY NOW.

598
00:31:13,639 --> 00:31:16,142
EXCUSE ME. I GOT
A SHOW TO GET READY.

599
00:31:16,175 --> 00:31:17,309
UH, JUST
ONE MORE THING.

600
00:31:17,343 --> 00:31:18,610
IF THEY ARE BLACKLISTED

601
00:31:18,644 --> 00:31:20,279
FROM THE LEGITIMATE
CIRCUIT, ANY CHANCE

602
00:31:20,312 --> 00:31:22,414
THEY'D FIND WORK
SOMEWHERE OFF THE RADAR,

603
00:31:22,448 --> 00:31:24,550
LIKE AT A COLEADERO?

604
00:31:24,583 --> 00:31:27,186
A MIGRANT RODEO.
THEY'RE UNREGULATED.

605
00:31:27,219 --> 00:31:29,688
SURE. IF THOSE BOYS
ARE DESPERATE ENOUGH,

606
00:31:29,721 --> 00:31:31,123
THEY CAN WORK.

607
00:31:31,157 --> 00:31:32,992
ANY IDEA WHERE
WE COULD FIND ONE?

608
00:31:33,025 --> 00:31:35,594
WELL, THEY KEEP
MOVING THEIR SPOTS.

609
00:31:35,627 --> 00:31:37,463
THEY DON'T WANT
THE COPS TO CATCH 'EM.

610
00:31:37,496 --> 00:31:39,631
ALL RIGHT, WELL,
THANKS FOR YOUR HELP.

611
00:31:41,433 --> 00:31:42,935
UH, HEY.

612
00:31:42,969 --> 00:31:45,704
DON'T TELL THEM
I SENT YOU.

613
00:31:45,737 --> 00:31:47,706
WE WON'T.

614
00:31:47,739 --> 00:31:50,142
MA'AM.

615
00:31:53,545 --> 00:31:55,214
OH, MY GOD.

616
00:31:55,247 --> 00:31:57,683
DO YOU REMEMBER THIS?

617
00:31:57,716 --> 00:32:00,987
THE DAY WE FOUND OUT
WE WERE PREGNANT.

618
00:32:01,020 --> 00:32:03,355
HA HA.

619
00:32:03,389 --> 00:32:07,326
I JUST WISH HE COULD
GROW UP LIKE WE DID...

620
00:32:07,359 --> 00:32:09,628
THE MAGIC OF THE BIG TOP.

621
00:32:09,661 --> 00:32:11,363
YOU KNOW?

622
00:32:11,397 --> 00:32:14,400
I KNOW, BUT IT'S GONE.

623
00:32:14,433 --> 00:32:18,370
I THINK IT'S TIME THAT
WE DREAMED A NEW DREAM.

624
00:32:18,404 --> 00:32:20,172
THIS IS ALL I KNOW.

625
00:32:20,206 --> 00:32:23,475
NO, YOU'VE GOT
SO MANY OTHER SKILLS
THAT'LL TRANSFER TO WORK,

626
00:32:23,509 --> 00:32:26,578
AND--AND I'M A GOOD ACROBAT.

627
00:32:26,612 --> 00:32:29,148
I COULD TEACH GYMNASTICS
DOWN IN FLORIDA,

628
00:32:29,181 --> 00:32:31,950
AND WE'D FIND SOMETHING
THERE FOR YOU, TOO.

629
00:32:39,391 --> 00:32:41,460
THIS IS WHERE YOU GUYS
HAVE BEEN GOING?

630
00:32:41,493 --> 00:32:43,462
THIS AND OTHERS LIKE IT.

631
00:32:43,495 --> 00:32:44,630
I HAVEN'T BEEN BACK
TO THIS ONE

632
00:32:44,663 --> 00:32:46,732
SINCE SAL GOT US
KICKED OUT.

633
00:32:46,765 --> 00:32:48,767
ARE YOU SURE
THIS IS SAFE?

634
00:32:48,800 --> 00:32:51,603
YEAH, I'LL BE CAREFUL.
I KNOW THE BOSS.

635
00:32:51,637 --> 00:32:54,606
I CAN MAKE 50 BUCKS,

636
00:32:54,640 --> 00:32:59,611
GET US ANOTHER 300 MILES
CLOSER TO FLORIDA.

637
00:32:59,645 --> 00:33:00,746
OK.

638
00:33:00,779 --> 00:33:02,981
OK.

639
00:33:14,726 --> 00:33:17,696
MAN: * THERE IS NO MOON,
JUST A DARK SKY *

640
00:33:17,729 --> 00:33:20,799
* THAT FITS RIGHT IN MY ROOM

641
00:33:20,832 --> 00:33:24,170
* OF BROKEN DREAMS,
A TROUBLED MIND... *

642
00:33:24,203 --> 00:33:25,804
HEY, LENNY.

643
00:33:25,837 --> 00:33:28,174
YOUR BASTARD BROTHER WITH YOU?

644
00:33:28,207 --> 00:33:29,775
NO, I'M DONE WITH HIM.

645
00:33:29,808 --> 00:33:31,510
GOOD.

646
00:33:31,543 --> 00:33:32,744
I NEED A GIG.

647
00:33:32,778 --> 00:33:34,513
FULL UP.

648
00:33:34,546 --> 00:33:35,714
ANYTHING.

649
00:33:35,747 --> 00:33:38,750
MY WIFE AND KID
ARE IN THE VAN.

650
00:33:38,784 --> 00:33:41,153
WE NEED GAS MONEY.

651
00:33:41,187 --> 00:33:42,688
IT'S THE LAST TIME
I'LL BE HERE.

652
00:33:42,721 --> 00:33:46,725
I'LL TAKE WHATEVER
Y-YOU CAN SPARE.

653
00:33:46,758 --> 00:33:49,561
ALL RIGHT.
I'LL FIND YOU SOMETHING.

654
00:33:49,595 --> 00:33:50,629
THANK YOU.

655
00:33:50,662 --> 00:33:52,798
LET'S GO.

656
00:34:16,255 --> 00:34:17,689
GET OUT OF MY VAN.

657
00:34:17,723 --> 00:34:19,291
YOU'RE HURTING ME. STOP!

658
00:34:19,325 --> 00:34:21,727
OWW!

659
00:34:21,760 --> 00:34:23,329
THIS IS ALL YOUR FAULT!

660
00:34:23,362 --> 00:34:24,630
SHUT UP. MIKEY'S SLEEPING.

661
00:34:24,663 --> 00:34:27,733
YOU TOOK TONY
AWAY FROM ME.

662
00:34:27,766 --> 00:34:29,635
WOW. ARE YOU DRUNK?

663
00:34:29,668 --> 00:34:32,438
THE CAPILANO BROTHERS!

664
00:34:32,471 --> 00:34:36,408
TONY HAS A FAMILY.
SO IT'S NOT ALL
ABOUT YOU ANYMORE.

665
00:34:42,281 --> 00:34:45,117
LET GO OF ME!

666
00:34:45,151 --> 00:34:46,285
MAMA?

667
00:34:46,318 --> 00:34:47,386
HEY, BUDDY.
HEY, I'M JUST LOOKING

668
00:34:47,419 --> 00:34:48,520
FOR YOUR OLD MAN.

669
00:34:48,554 --> 00:34:51,157
GO BACK TO SLEEP, OK?

670
00:34:57,329 --> 00:35:00,266
ALL RIGHT, WE'RE LOOKING
AT A DOZEN POSSIBILITIES HERE.
WE NEED HELP.

671
00:35:00,299 --> 00:35:02,268
WELL, WE'RE HEADED SOUTH,
SO WE SHOULD ONLY
CONSIDER RANCHES

672
00:35:02,301 --> 00:35:03,769
IN THAT DIRECTION.

673
00:35:03,802 --> 00:35:06,205
GARCIA: I WISH THERE WAS A PAPER
TRAIL FOR STUFF LIKE THIS.

674
00:35:06,238 --> 00:35:07,373
IT'S LIKE THE FIGHT CLUB
OF RODEOS.

675
00:35:07,406 --> 00:35:09,575
THEY'RE ALL LIKE,
THE FIRST RULE
OF UNDERGROUND RODEOS--

676
00:35:09,608 --> 00:35:10,576
DON'T TALK ABOUT
UNDERGROUND RODEO.

677
00:35:10,609 --> 00:35:11,877
EXACTLY.

678
00:35:11,910 --> 00:35:13,279
THE UNSUB'S LAST TARGET

679
00:35:13,312 --> 00:35:14,380
WAS ABOUT 20 MILES
OUT OF TOWN,

680
00:35:14,413 --> 00:35:15,647
SO THEY COULDN'T
HAVE GONE FAR.

681
00:35:15,681 --> 00:35:18,250
OK, I'VE GOT TWO RANCHES
JUST SOUTH OF THERE.

682
00:35:18,284 --> 00:35:19,385
SENDING YOU GPS PINS NOW.

683
00:35:19,418 --> 00:35:20,619
THANKS.

684
00:35:20,652 --> 00:35:24,156
PRENTISS: AS EXPECTED,
SAL AND TONY CAPILANO

685
00:35:24,190 --> 00:35:25,791
HAVE ONLY KNOWN
THE CIRCUS LIFE.

686
00:35:25,824 --> 00:35:27,326
AFTER A SLOW DEATH
OF THE CIRCUS,

687
00:35:27,359 --> 00:35:29,328
THEY LOST THEIR
JOBS FOR GOOD
A FEW MONTHS AGO.

688
00:35:29,361 --> 00:35:30,696
IF IT WAS ALL THEY KNEW,

689
00:35:30,729 --> 00:35:32,398
LOSING THEIR WORK WAS LIKE
LOSING THEIR IDENTITY.

690
00:35:32,431 --> 00:35:34,300
ADDED UP TO ONE HELL
OF A STRESSOR.

691
00:35:34,333 --> 00:35:35,634
AS IF THEY NEEDED
ANY MORE,

692
00:35:35,667 --> 00:35:37,236
IT'S JUST LIKE WE THOUGHT.

693
00:35:37,269 --> 00:35:39,371
DAD WAS AN ABUSIVE DRUNK

694
00:35:39,405 --> 00:35:41,707
WHO KILLED THEIR MOM,
THEN ABANDONED THEM.

695
00:35:41,740 --> 00:35:44,410
THEY WERE RAISED
BY THEIR WORK FAMILY
AFTER THAT.

696
00:35:44,443 --> 00:35:47,313
THEY WERE ORPHANS, JUST LIKE
THEIR VICTIMS' KIDS.

697
00:35:47,346 --> 00:35:49,881
THEIR CIRCUS WAS NEVER THRIVING
BUT HELD TO TRADITIONS.

698
00:35:49,915 --> 00:35:53,352
TONY WAS A BELOVED CLOWN
A LA THE CLASSIC 1950s,

699
00:35:53,385 --> 00:35:54,753
BUT SAL CAPILANO
NEVER WANTED THAT LIFE.

700
00:35:54,786 --> 00:35:56,622
HE WAS A DAREDEVIL,
WANTED TO BE LIKE HIS DAD.

701
00:35:56,655 --> 00:35:59,191
SAL'S DAREDEVIL OUTLET
DRIES UP,

702
00:35:59,225 --> 00:36:01,493
BUT HE'S STILL CHASING
THAT ADRENALINE RUSH.

703
00:36:01,527 --> 00:36:03,862
AFTER THEY WERE FIRED,
HE STARTED KILLING
SURROGATES

704
00:36:03,895 --> 00:36:06,198
FOR THEIR FATHER.

705
00:36:06,232 --> 00:36:09,335
* YOU SHOULD SEE THE OTHER GUY

706
00:36:09,368 --> 00:36:10,502
WHAT DID YOU DO?

707
00:36:10,536 --> 00:36:11,937
OHH. WHAT,
ARE YOU WORRIED NOW?

708
00:36:11,970 --> 00:36:13,839
DIDN'T SEEM TO CARE
MUCH WHEN YOU JUST
LEFT ME BEHIND,

709
00:36:13,872 --> 00:36:15,207
DIANA AND I.

710
00:36:15,241 --> 00:36:16,208
SHE'S NOT EVEN FAMILY!

711
00:36:16,242 --> 00:36:18,544
SHE'S MY WIFE.
MY FAMILY.

712
00:36:18,577 --> 00:36:19,678
WHAT AM I?

713
00:36:19,711 --> 00:36:21,847
YOU'RE DRUNK.

714
00:36:21,880 --> 00:36:23,649
I'M GETTIN' ON THE BULL.

715
00:36:23,682 --> 00:36:25,551
NO, DON'T DO THAT.
COME ON, NOT AGAIN.

716
00:36:25,584 --> 00:36:26,685
YOU'RE NOT GOOD AT IT.

717
00:36:26,718 --> 00:36:29,388
UNLIKE YOU, I DON'T GIVE UP.

718
00:36:29,421 --> 00:36:32,924
SEE, I TOLD LENNY,
I SAID, MY KID BROTHER

719
00:36:32,958 --> 00:36:35,927
AND HIS FAMILY
ABANDONED ME

720
00:36:35,961 --> 00:36:38,230
AFTER ALL I DID
FOR THEM!

721
00:36:38,264 --> 00:36:40,466
I'M GETTING IN THERE
'CAUSE I NEED THE MONEY.

722
00:36:40,499 --> 00:36:41,933
SO DO I.

723
00:36:41,967 --> 00:36:43,602
LENNY: TOLD TOLD YOU
NEVER TO COME BACK HERE, SAL.

724
00:36:43,635 --> 00:36:44,836
SEE, THAT'S NOT GONNA HAPPEN.

725
00:36:44,870 --> 00:36:46,572
ALL RIGHT, YOU CAN
GIVE ME MY MONEY

726
00:36:46,605 --> 00:36:50,342
THE HONEST WAY,
OR I CAN TAKE IT
FROM YOU, LENNY.

727
00:36:56,648 --> 00:36:59,885
HA HA HA!

728
00:36:59,918 --> 00:37:01,653
PUT IT DOWN, SAL.

729
00:37:01,687 --> 00:37:03,322
SEE, THAT AIN'T
GONNA HAPPEN.

730
00:37:03,355 --> 00:37:06,392
YOU KNOW HE'S GOT AT LEAST
A COUPLE GRAND IN HIS SAFE.

731
00:37:06,425 --> 00:37:08,527
HE NEEDS HELP.
YEAH, RIGHT.

732
00:37:08,560 --> 00:37:10,396
COME WITH ME.
WHAT ARE YOU GONNA DO?

733
00:37:10,429 --> 00:37:11,930
YOU GONNA CALL THE COPS?

734
00:37:11,963 --> 00:37:16,835
WELL, HOW YOU GONNA
EXPLAIN IT, TONE?

735
00:37:16,868 --> 00:37:21,640
I'M GONNA TELL THEM
WHAT YOU DID.

736
00:37:23,642 --> 00:37:26,512
THEY WOULD PUT YOU AWAY, TOO.

737
00:37:27,913 --> 00:37:30,482
ALL RIGHT, GO AHEAD.
YOU GO AHEAD.

738
00:37:30,516 --> 00:37:32,484
YOU KEEP MAKING 50 BUCKS
EVERY COUPLE OF DAYS

739
00:37:32,518 --> 00:37:33,452
SO YOU CAN BARELY SURVIVE.

740
00:37:33,485 --> 00:37:35,421
YOU THINK
THAT WIFE OF YOURS

741
00:37:35,454 --> 00:37:36,788
IS GONNA STAY WITH YOU?

742
00:37:36,822 --> 00:37:37,956
HA HA HA!

743
00:37:37,989 --> 00:37:40,025
SHE WON'T!

744
00:37:40,058 --> 00:37:43,529
HELL, YOU COULD MAKE
WAY MORE THAN 50 A DAY

745
00:37:43,562 --> 00:37:46,031
IF YOU JUST RENT HER OUT
TO ALL THE GUYS.

746
00:37:49,801 --> 00:37:51,603
SAL CAPILANO, FBI!

747
00:37:51,637 --> 00:37:53,004
HANDS WHERE WE CAN
SEE THEM!

748
00:37:53,038 --> 00:37:54,340
PUT THE GUN DOWN!

749
00:37:54,373 --> 00:37:55,574
OH...

750
00:37:55,607 --> 00:37:57,509
UH-UH, TONY, NO, NO.

751
00:37:57,543 --> 00:37:59,611
YOU DON'T WANT TO DO THIS.

752
00:37:59,645 --> 00:38:02,614
HE KILLED SO MANY PEOPLE.

753
00:38:02,648 --> 00:38:04,450
JJ: THAT WAS HIS CHOICE.

754
00:38:04,483 --> 00:38:06,785
NOW, YOU HAVE ONE, TOO,
RIGHT NOW.

755
00:38:06,818 --> 00:38:08,720
DON'T DO THIS.

756
00:38:08,754 --> 00:38:11,089
GO AHEAD, TONE.

757
00:38:11,122 --> 00:38:13,959
YOU AIN'T GOT
THE G-G-G-G-G-G-GUTS.

758
00:38:15,394 --> 00:38:16,495
HA HA. OH...

759
00:38:16,528 --> 00:38:17,896
JJ: DON'T BE LIKE HIM

760
00:38:17,929 --> 00:38:20,632
OR YOUR FATHER.

761
00:38:20,666 --> 00:38:23,435
YOU'RE A DAD NOW, TONY.

762
00:38:23,469 --> 00:38:27,639
YOUR SON IS WAITING
FOR YOU, AND YOUR WIFE.

763
00:38:27,673 --> 00:38:29,675
TONY, SHE'S SO WORRIED.

764
00:38:31,377 --> 00:38:33,579
DON'T YOU WANT TO
SEE THEM?

765
00:38:43,989 --> 00:38:46,992
SAL CAPILANO, YOU'RE
CHARGED WITH THE MURDERS

766
00:38:47,025 --> 00:38:49,060
OF SAM FRANKLIN--GET UP--

767
00:38:49,094 --> 00:38:51,497
MARK WILSON...

768
00:38:52,531 --> 00:38:55,000
BELLA AND JOHN
RICHARDSON.

769
00:38:55,033 --> 00:38:56,568
YOU HAVE THE RIGHT
TO REMAIN SILENT.

770
00:39:18,457 --> 00:39:22,093
DO YOU WANT TO COLOR?

771
00:39:22,127 --> 00:39:24,396
SURE.

772
00:39:31,437 --> 00:39:32,771
WHAT'S YOUR NAME?

773
00:39:32,804 --> 00:39:34,673
DYLAN. WHAT'S YOURS?

774
00:39:34,706 --> 00:39:36,708
MIKEY.

775
00:39:36,742 --> 00:39:41,112
HOW LONG IS TONY
GONNA BE AWAY?

776
00:39:41,146 --> 00:39:43,749
DEPENDS.

777
00:39:43,782 --> 00:39:45,150
OK.

778
00:39:46,685 --> 00:39:50,889
OH. THIS, WITH MIKEY,

779
00:39:50,922 --> 00:39:55,461
YOU KNOW, THESE PAST
7 YEARS HAVE GONE BY
SO FAST.

780
00:39:55,494 --> 00:39:57,829
AND EVEN IF TONY'S
GONE ONLY A YEAR,

781
00:39:57,863 --> 00:40:00,466
IT'S GONNA SEEM LIKE
A LIFETIME.

782
00:40:00,499 --> 00:40:02,901
YOU KNOW, TONY WOULDN'T
HURT ANYONE,

783
00:40:02,934 --> 00:40:04,603
AND HE DIDN'T.

784
00:40:04,636 --> 00:40:06,805
IT WAS ALL SAL.
HIS ENTIRE LIFE

785
00:40:06,838 --> 00:40:08,206
SAL HAS CAUSED TROUBLE,
AND NOW TONY'S

786
00:40:08,239 --> 00:40:10,175
GONNA GET PUNISHED, TOO.

787
00:40:14,813 --> 00:40:18,984
HEY. TONY WANTS TO TALK
TO YOU AND MIKEY.

788
00:40:19,017 --> 00:40:20,819
YEAH. YEAH.

789
00:40:20,852 --> 00:40:25,223
HEY, MIKEY, BUDDY.

790
00:40:25,256 --> 00:40:26,625
BYE, DYLAN.

791
00:40:26,658 --> 00:40:28,627
BYE.

792
00:40:35,066 --> 00:40:37,503
HEY.

793
00:40:41,006 --> 00:40:44,109
I'M SO SORRY, BUDDY.

794
00:40:44,142 --> 00:40:46,545
I GOTTA GO AWAY
FOR A LITTLE WHILE,

795
00:40:46,578 --> 00:40:50,616
BUT YOU AND YOUR MOM
ARE GONNA GO HAVE FUN
IN FLORIDA.

796
00:40:50,649 --> 00:40:51,850
NO, WE'RE GONNA STAY
RIGHT HERE

797
00:40:51,883 --> 00:40:53,519
OR WHEREVER YOU GO.

798
00:40:53,552 --> 00:40:55,487
IT'S JUST GONNA
HOLD YOU BACK.

799
00:40:55,521 --> 00:40:57,055
WHAT ARE YOU SAYING?

800
00:41:01,026 --> 00:41:04,229
I COULD DO 5, 10 YEARS
FOR THIS,

801
00:41:04,262 --> 00:41:07,032
MAYBE MORE.

802
00:41:07,065 --> 00:41:10,035
HE'LL BE IN HIGH SCHOOL
BY THEN.

803
00:41:10,068 --> 00:41:15,006
AND I DON'T WANT HIM TO
SEE ME LIKE THIS AGAIN.

804
00:41:15,040 --> 00:41:18,209
YOU JUST MAKE SURE THAT
HE DOESN'T FORGET ME.

805
00:41:18,243 --> 00:41:20,812
OK?
NO.

806
00:41:26,251 --> 00:41:28,820
HEY!

807
00:41:34,626 --> 00:41:36,294
THAT'S IT, BUDDY.

808
00:41:36,327 --> 00:41:38,129
YOU GOT THIS.

809
00:41:44,335 --> 00:41:46,838
I'M SO PROUD OF YOU.

810
00:41:48,740 --> 00:41:51,276
THERE HE IS.

811
00:41:55,046 --> 00:41:57,649
I MADE THIS FOR YOU.

812
00:41:57,683 --> 00:41:59,250
THANKS.

813
00:41:59,284 --> 00:42:00,786
HE'S ON AN ADVENTURE

814
00:42:00,819 --> 00:42:02,588
TO FIND HIS FAMILY
IN THE FOREST.

815
00:42:02,621 --> 00:42:04,556
MIKEY: HOW MUCH FARTHER
DOES HE HAVE TO GO?

816
00:42:04,590 --> 00:42:06,057
DYLAN: HE DOESN'T KNOW.

817
00:42:06,091 --> 00:42:07,659
REID: CHRISTOPHER MARLOWE SAID,

818
00:42:07,693 --> 00:42:10,896
"IT LIES NOT IN OUR POWER
TO LOVE OR HATE.

819
00:42:10,929 --> 00:42:14,633
FOR WILL IN US
IS OVERRULED BY FATE."

820
00:42:17,603 --> 00:42:19,971
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

821
00:42:20,005 --> 00:42:21,707
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--