1 00:00:02,636 --> 00:00:04,438 [VEHICLE APPROACHING] 2 00:00:12,580 --> 00:00:18,552 [SLOW COUNTRY-WESTERN SONG PLAYING] 3 00:00:18,586 --> 00:00:24,658 [MAN SINGING INDISTINCTLY] * ...BUT YOU WOULD HAVE FOUND 4 00:00:24,692 --> 00:00:28,396 * THAT YOU ARE ON MY MIND-- 5 00:00:28,429 --> 00:00:29,763 [RADIO SHUTS OFF] 6 00:00:49,550 --> 00:00:50,784 [DOOR OPENS] 7 00:00:54,322 --> 00:00:55,523 [DOOR LATCH CLICKS] 8 00:01:07,268 --> 00:01:09,170 OOH... 9 00:01:11,172 --> 00:01:13,174 [SHOES THUMP ON FLOOR] 10 00:01:21,215 --> 00:01:23,317 THERE YOU GO. 11 00:01:26,387 --> 00:01:28,356 [KISS] 12 00:01:29,557 --> 00:01:30,758 [CLICK] 13 00:01:43,471 --> 00:01:45,573 [HIGH-PITCHED SOUND] 14 00:01:58,219 --> 00:02:00,521 [RUNNING FOOTSTEPS] 15 00:02:08,429 --> 00:02:11,232 [BRUSHING TEETH] 16 00:02:11,265 --> 00:02:14,168 [SPITTING] 17 00:02:14,202 --> 00:02:17,638 [SWISHING WATER IN MOUTH, SPITTING] 18 00:02:20,674 --> 00:02:21,542 [CLICK] 19 00:02:30,251 --> 00:02:31,219 [SIGHS] 20 00:02:31,252 --> 00:02:32,586 [CLICK] 21 00:02:35,989 --> 00:02:37,691 [KISS] 22 00:02:41,829 --> 00:02:44,398 [EXHALES] 23 00:02:45,666 --> 00:02:47,501 [HIGH-PITCHED NOISE] 24 00:03:14,362 --> 00:03:17,665 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 25 00:03:25,005 --> 00:03:27,775 REID: "MASKS ARE WONDERFULLY PARADOXICAL IN THIS WAY. 26 00:03:27,808 --> 00:03:30,010 "WHILE THEY MAY HIDE THE PHYSICAL REALITY, 27 00:03:30,043 --> 00:03:33,781 THEY CAN SHOW US HOW A PERSON WANTS TO BE SEEN." 28 00:03:33,814 --> 00:03:37,285 JOANNA SCOTT. 29 00:03:37,318 --> 00:03:41,722 OK, OK. AND BY OK, I MEAN THE ABBREVIATION 30 00:03:41,755 --> 00:03:43,891 OF THE GREAT STATE OF OKLAHOMA, 31 00:03:43,924 --> 00:03:45,393 'CAUSE EVERYTHING I'M GONNA SAY NOW 32 00:03:45,426 --> 00:03:46,960 IS NOT OK. 33 00:03:46,994 --> 00:03:48,562 THE UNSUB WE ARE LOOKING FOR 34 00:03:48,596 --> 00:03:50,431 KILLED LAST WEEK IN COLORADO 35 00:03:50,464 --> 00:03:52,866 AND THEN AGAIN LAST NIGHT IN OKLAHOMA. 36 00:03:52,900 --> 00:03:54,702 ROSSI: BIG MISTAKE. CROSSING STATE LINES 37 00:03:54,735 --> 00:03:56,003 GIVES US JURISDICTION. 38 00:03:56,036 --> 00:03:58,906 ATTACKING IN TWO STATES IS AMBITIOUS. 39 00:03:58,939 --> 00:04:00,874 MAYBE HE'S A TRUCK DRIVER OR HAS OTHER WORK IN THE AREA? 40 00:04:00,908 --> 00:04:03,844 I CAN CHECK THE HIGHWAY SERIAL KILLER DATABASE. 41 00:04:03,877 --> 00:04:05,979 PRENTISS: SO OUR LATEST VICTIM, MARK WILSON, 35, 42 00:04:06,013 --> 00:04:07,815 WAS BEATEN TO DEATH IN HIS HOME, 43 00:04:07,848 --> 00:04:10,050 LIKE OUR FIRST VICTIM, SAM FRANKLIN. 44 00:04:10,083 --> 00:04:13,954 THEY WERE BOTH HARD-WORKING MIDWESTERN MEN. 45 00:04:13,987 --> 00:04:16,357 BOTH HOMES WERE ROBBED, AND YOU KNOW THAT 46 00:04:16,390 --> 00:04:18,892 SUPER-SENSITIVE SIDE OF YOUR MOUTH PART HERE? 47 00:04:18,926 --> 00:04:21,729 ON BOTH OF THEM, IT WAS CUT. 48 00:04:21,762 --> 00:04:23,964 ARE THEY SMILING? 49 00:04:23,997 --> 00:04:25,799 HOW DID HE DO THAT? 50 00:04:25,833 --> 00:04:27,000 THAT'S AWFUL. 51 00:04:27,034 --> 00:04:29,036 LEWIS: THIS WASN'T ABOUT INFLICTING MORE PAIN. 52 00:04:29,069 --> 00:04:30,003 I MEAN, THEY WERE ALREADY DEAD. 53 00:04:30,037 --> 00:04:31,972 HE WAS COMPELLED TO DO THIS. 54 00:04:32,005 --> 00:04:32,906 ALVEZ: HE'S GOT A TYPE. 55 00:04:32,940 --> 00:04:34,775 STRONG MARRIED MEN WITH KIDS. 56 00:04:34,808 --> 00:04:35,943 IT COULD BE A SURROGATE. 57 00:04:35,976 --> 00:04:37,010 HE'S GOT PATRICIDAL TENDENCIES, 58 00:04:37,044 --> 00:04:38,912 SHOWS POWER-ASSERTIVE BEHAVIOR. 59 00:04:38,946 --> 00:04:40,948 AT FIRST GLANCE, HE FEELS LIKE A FAMILY ANNIHILATOR 60 00:04:40,981 --> 00:04:42,716 ATTACKING THE HOME, BUT HE'S NOT KILLING 61 00:04:42,750 --> 00:04:44,084 THE WHOLE FAMILY. 62 00:04:44,117 --> 00:04:45,953 AND HE CHOOSES TO DESTROY THE HEADS OF HOUSEHOLD 63 00:04:45,986 --> 00:04:47,321 WITHOUT AN AUDIENCE. 64 00:04:47,355 --> 00:04:49,056 THERE COULD BE SOME MERCY IN HIM AFTER ALL. 65 00:04:49,089 --> 00:04:51,959 GARCIA: WELL, THAT MIGHT BE TRUE WITH SAM FRANKLIN, 66 00:04:51,992 --> 00:04:55,062 BUT WITH MARK WILSON, HIS 7-YEAR-OLD SON DYLAN 67 00:04:55,095 --> 00:04:56,930 SAW THE WHOLE THING. 68 00:04:56,964 --> 00:04:58,832 OH, NO. 69 00:04:58,866 --> 00:04:59,967 IS HE TALKING? 70 00:05:00,000 --> 00:05:02,970 WELL, HE WAS, BUT NOT ANYMORE. 71 00:05:03,003 --> 00:05:03,871 IT'S UNCLEAR WHAT HE SAW, 72 00:05:03,904 --> 00:05:09,076 BUT HE SAYS HIS DAD WAS KILLED BY A CLOWN. 73 00:05:09,109 --> 00:05:11,044 JJ: MAYBE THE UNSUB WORE A DISGUISE. 74 00:05:11,078 --> 00:05:13,046 OR HE'S PROJECTING SOMETHING HE FEARS. 75 00:05:13,080 --> 00:05:14,715 THERE'S A WORD, EVEN THOUGH IT'S NOT RECOGNIZED 76 00:05:14,748 --> 00:05:16,950 BY ANY DICTIONARY OR PSYCHOLOGY MANUAL, 77 00:05:16,984 --> 00:05:19,086 FOR THE EXCESSIVE FEAR OF CLOWNS--COULROPHOBIA. 78 00:05:19,119 --> 00:05:21,422 PRENTISS: WELL, WHATEVER HE SAW, WE NEED TO FIND OUT 79 00:05:21,455 --> 00:05:22,990 IF IT WAS REAL OR PERCEIVED. 80 00:05:23,023 --> 00:05:25,426 WHEELS UP IN 20. 81 00:05:28,061 --> 00:05:30,898 I GOT OFFICERS SEARCHING PAWN SHOPS IN THE AREA 82 00:05:30,931 --> 00:05:32,132 BUT CAME UP EMPTY. 83 00:05:32,165 --> 00:05:34,635 SORRY IF YOU GOT A FEW STARES. 84 00:05:34,668 --> 00:05:37,605 LAST TIME THE FEDS WERE HERE WAS WHEN THEY CAUGHT McVEIGH. 85 00:05:37,638 --> 00:05:39,106 WE GOT YOU SET UP OVER HERE. 86 00:05:39,139 --> 00:05:41,074 PRENTISS: THANK YOU. 87 00:05:41,108 --> 00:05:43,411 YEAH, I SAW WHAT THIS PSYCHO DID 88 00:05:43,444 --> 00:05:44,645 TO THE VIC'S MOUTH. 89 00:05:44,678 --> 00:05:46,880 I FIGURED IT WASN'T HIS FIRST TIME. 90 00:05:46,914 --> 00:05:48,716 SO THAT'S WHEN I RAN IT THROUGH ViCAP, 91 00:05:48,749 --> 00:05:50,684 AND IT WAS TIME TO CALL YOU. 92 00:05:50,718 --> 00:05:53,421 ARE YOU THE ONE WHO RESPONDED TO THE WILSON RESIDENCE? 93 00:05:53,454 --> 00:05:55,823 YEAH. AND, OF COURSE, I FOUND DYLAN WILSON 94 00:05:55,856 --> 00:05:57,691 HIDING IN HIS BEDROOM. 95 00:05:57,725 --> 00:05:59,593 HE CALLED 911? 96 00:05:59,627 --> 00:06:03,063 YEAH, BUT NOT UNTIL THE SUN CAME UP. 97 00:06:03,096 --> 00:06:06,400 I'M SURE HE WAS TOO AFRAID TO MAKE A SOUND. 98 00:06:06,434 --> 00:06:07,901 TIME OF DEATH WAS MIDNIGHT. 99 00:06:07,935 --> 00:06:11,004 HE WAS IN THAT HOUSE WITH HIS DEAD FATHER FOR HOURS. 100 00:06:11,038 --> 00:06:13,674 NO WONDER HE ISN'T TALKING. 101 00:06:15,909 --> 00:06:19,012 WOMAN, ON P.A.: OUTPATIENT PHARMACY, DIAL 621. 102 00:06:19,046 --> 00:06:23,116 OUTPATIENT PHARMACY, DIAL 621. 103 00:06:23,150 --> 00:06:27,020 HI. MRS. WILSON, WE'RE AGENTS REID AND SIMMONS FROM QUANTICO. 104 00:06:27,054 --> 00:06:28,422 HI. 105 00:06:28,456 --> 00:06:30,424 WE'RE SO SORRY FOR YOUR LOSS. 106 00:06:32,059 --> 00:06:33,727 BEFORE HE STOPPED TALKING, 107 00:06:33,761 --> 00:06:36,697 HE SAID HE WISH HE'D CALLED FOR HELP SOONER. 108 00:06:36,730 --> 00:06:39,467 IRRATIONAL GUILT, ESPECIALLY FOR A CHILD, 109 00:06:39,500 --> 00:06:41,702 IS COMMON AFTER A TRAUMATIC EVENT. 110 00:06:41,735 --> 00:06:44,171 IS HE GONNA TALK AGAIN? 111 00:06:44,204 --> 00:06:46,640 THE DOCTORS HERE CAN'T TELL ME. 112 00:06:46,674 --> 00:06:48,442 MOST LIKELY, BUT WHAT HE'S DOING 113 00:06:48,476 --> 00:06:49,910 IS CALLED DISASSOCIATING. 114 00:06:49,943 --> 00:06:53,080 IT'S A PSYCHOLOGICAL FORM OF SELF-PROTECTION. 115 00:06:53,113 --> 00:06:54,615 YOU MIND IF I TALK TO HIM? 116 00:06:54,648 --> 00:06:56,850 PLEASE. 117 00:07:02,055 --> 00:07:04,525 HI, DYLAN. 118 00:07:04,558 --> 00:07:07,528 MY NAME'S SPENCER. 119 00:07:07,561 --> 00:07:10,664 I'M REALLY SORRY ABOUT WHAT HAPPENED TO YOUR DAD. 120 00:07:10,698 --> 00:07:14,968 I CAN'T IMAGINE HOW SCARY THAT MUST HAVE BEEN. 121 00:07:18,005 --> 00:07:21,174 I HEARD WHO YOU SAW, AND I WAS HOPING... 122 00:07:21,208 --> 00:07:23,877 MAYBE YOU COULD DRAW ME A PICTURE? 123 00:07:25,746 --> 00:07:27,915 [LOUD BANGING; GLASS BREAKING] 124 00:07:30,818 --> 00:07:32,119 [THUD] 125 00:07:37,725 --> 00:07:39,159 [CRASH] CLOWN: UNH! 126 00:07:40,193 --> 00:07:41,495 UHH! 127 00:07:53,707 --> 00:07:55,843 [PENCIL SCRATCHING PAPER] 128 00:07:57,144 --> 00:08:00,781 SO HE PARKED IN FRONT OF THE HOUSE INSTEAD OF THE GARAGE. 129 00:08:00,814 --> 00:08:02,282 IF HE WAS CARRYING A SLEEPING DYLAN, 130 00:08:02,315 --> 00:08:04,217 IT WOULD HAVE BEEN THE FASTEST WAY INSIDE. 131 00:08:04,251 --> 00:08:06,987 THAT'S WHY HE MISSED THE JIMMIED LOCK ON THE GARAGE DOOR. 132 00:08:07,020 --> 00:08:09,156 UNSUB'S HITTING SECLUDED HOUSES. 133 00:08:09,189 --> 00:08:12,225 MARK'S ENTRY WOULD HAVE INTERRUPTED THE ROBBERY. 134 00:08:12,259 --> 00:08:14,127 SO HE WOULD HAVE PUT DYLAN IN HIS BED 135 00:08:14,161 --> 00:08:16,129 AND THEN HE WOULD HAVE GONE TO SLEEP HIMSELF. 136 00:08:16,163 --> 00:08:18,231 WHICH MAKES SENSE, SINCE THE STRUGGLE STARTED 137 00:08:18,265 --> 00:08:18,966 IN THE MASTER BEDROOM. 138 00:08:18,999 --> 00:08:21,134 BUT IT ENDED IN THE LIVING ROOM. 139 00:08:21,168 --> 00:08:22,703 HE PROBABLY TRIED TO GET THE VIOLENCE 140 00:08:22,736 --> 00:08:24,905 AS FAR AWAY FROM DYLAN AS HE COULD. 141 00:08:24,938 --> 00:08:27,240 JUST LIKE THAT FIRST KILL IN COLORADO, 142 00:08:27,274 --> 00:08:29,076 HE FOUND HIS MURDER WEAPON ON THE SCENE. 143 00:08:29,109 --> 00:08:31,812 SO THIS GUY'S ORGANIZED, AND YET HE IS IMPROVISING. 144 00:08:31,845 --> 00:08:33,581 WELL, HE HASN'T ESTABLISHED A PATTERN 145 00:08:33,614 --> 00:08:35,749 'CAUSE HE'S JUST GETTING STARTED. 146 00:08:35,783 --> 00:08:38,085 WELL, IF DYLAN SAW HIM, CHANCES ARE HE SAW DYLAN, TOO, 147 00:08:38,118 --> 00:08:39,687 AND CHOSE TO LET HIM LIVE. 148 00:08:39,720 --> 00:08:41,555 WELL, MAYBE HE HAS BOUNDARIES 149 00:08:41,589 --> 00:08:44,324 WHEN IT COMES TO HURTING CHILDREN. 150 00:08:44,357 --> 00:08:48,228 OY, I GOT NADA ON THE HIGHWAY DATABASE, FYI. 151 00:08:48,261 --> 00:08:51,231 BUT THE OTHER TASK OF FINDING ADDITIONAL ROBBERIES 152 00:08:51,264 --> 00:08:54,301 IN THOSE TWO STATES, BINGO-GO-GO. 153 00:08:54,334 --> 00:08:55,703 I GOT 3 ROBBERIES 154 00:08:55,736 --> 00:08:57,638 ADDITIONALLY IN COLORADO 155 00:08:57,671 --> 00:09:01,108 THAT ARE LINKED BY A BIZARRE SMILEY FACE 156 00:09:01,141 --> 00:09:02,209 CARVED INTO THE DOORS. 157 00:09:02,242 --> 00:09:04,578 STRANGE HIS SIGNATURE WOULD EVOLVE 158 00:09:04,612 --> 00:09:06,647 FROM CARVING WOOD TO CUTTING FACES. 159 00:09:06,680 --> 00:09:08,048 HOMEOWNERS WEREN'T THERE? 160 00:09:08,081 --> 00:09:09,983 GARCIA: HENCE NO HOMICIDES. 161 00:09:10,017 --> 00:09:11,351 THEY'RE ALSO IN EQUALLY HARD-TO-FIND SPOTS. 162 00:09:11,384 --> 00:09:14,087 I'M SENDING YOU THE TOWNS...NOW. 163 00:09:15,388 --> 00:09:18,325 ROSSI: THE HOUSES ARE ALL FAR OFF FROM THE INTERSTATE. 164 00:09:18,358 --> 00:09:21,128 GARCIA: HE MUST HAVE SCOUTED THEM BEFORE HE BURGLED THEM, RIGHT? 165 00:09:21,161 --> 00:09:23,864 NOT NECESSARILY. THEY COULD BE TARGETS OF OPPORTUNITY. 166 00:09:23,897 --> 00:09:25,365 DARK STREET, DARK HOUSE. 167 00:09:25,398 --> 00:09:27,100 WELL, SOMETHING TRIGGERED HIM 168 00:09:27,134 --> 00:09:30,103 BETWEEN HIS LAST ROBBERY AND HIS FIRST MURDER. 169 00:09:30,137 --> 00:09:33,641 MAYBE HE'S GOT A CONNECTION TO THESE TOWNS. 170 00:09:43,751 --> 00:09:45,285 [GEAR SHIFTER CLICKS] 171 00:09:47,921 --> 00:09:49,256 [KEYS JINGLING] 172 00:09:55,262 --> 00:09:57,264 [PENCIL SCRATCHING PAPER] 173 00:10:11,111 --> 00:10:13,881 THANK YOU, DYLAN. THIS IS REALLY HELPFUL. 174 00:10:13,914 --> 00:10:16,249 I'M GOING TO SHOW IT TO MY FRIEND, OK? 175 00:10:23,256 --> 00:10:24,224 ALVEZ: LOOKS LIKE A SIMPLE PLAN. 176 00:10:24,257 --> 00:10:27,828 FIRST HIT HOUSES IN SMALL TOWNS AND KEEP MOVING. 177 00:10:27,861 --> 00:10:29,863 NOT TOO BRIGHT TO LEAVE A CALLING CARD 178 00:10:29,897 --> 00:10:32,099 ANNOUNCING HOW MANY HOUSES THEY'VE ROBBED. 179 00:10:32,132 --> 00:10:33,200 WELL, THE UNSUB DIDN'T START OUT 180 00:10:33,233 --> 00:10:35,703 LOOKING FOR BLOOD ON HIS HANDS, SO WHAT CHANGED HIM? 181 00:10:35,736 --> 00:10:37,270 PRENTISS: WE SHOULD FOCUS ON HIS FIRST KILL. 182 00:10:37,304 --> 00:10:40,307 SAM FRANKLIN FROM CAMPO, COLORADO. 183 00:10:40,340 --> 00:10:42,442 WORKED IN A WAREHOUSE, HE HAD A WEEKEND SHIFT 184 00:10:42,475 --> 00:10:44,444 WHILE HIS FAMILY WAS IN DENVER. 185 00:10:44,477 --> 00:10:46,046 ANY SPECULATION AS TO WHAT HE WAS DOING 186 00:10:46,079 --> 00:10:47,280 THE NIGHT HE WAS KILLED? 187 00:10:47,314 --> 00:10:48,816 WELL, HIS WIFE CLAIMS THAT HE CALLED HER 188 00:10:48,849 --> 00:10:50,383 ON HIS WAY HOME FROM WORK. IT WAS ABOUT MIDNIGHT. 189 00:10:50,417 --> 00:10:53,120 HE TOLD HER HE WAS ALMOST T-BONED, 190 00:10:53,153 --> 00:10:55,188 AND THE DRIVER LOST HIS MIND ON HIM. 191 00:10:55,222 --> 00:10:57,991 SHE SAID HE WAS A BIT SHAKEN, WHICH WASN'T LIKE HIM. 192 00:10:58,025 --> 00:10:59,827 DID HE SAY A CLOWN WAS DRIVING? 193 00:10:59,860 --> 00:11:02,395 HE DID NOT. WHICH IS THE FIRST THING YOU WOULD SAY 194 00:11:02,429 --> 00:11:03,463 IF THAT'S WHAT YOU SAW. 195 00:11:03,496 --> 00:11:07,434 OK, SO DO WE THINK A CHANCE ENCOUNTER LED TO MURDER? 196 00:11:07,467 --> 00:11:10,303 MAYBE. AGGRAVATED LETHAL ROAD RAGE MENTALITY 197 00:11:10,337 --> 00:11:11,404 FITS OUR UNSUB'S PROFILE. 198 00:11:11,438 --> 00:11:12,840 LEWIS: WHAT ABOUT MARK WILSON? 199 00:11:12,873 --> 00:11:14,141 THE HOUSE WAS ALREADY BROKEN INTO 200 00:11:14,174 --> 00:11:15,175 WHEN HE GOT HOME. 201 00:11:15,208 --> 00:11:17,010 ALVEZ: YEAH, IT LOOKS LIKE THE UNSUB'S MOVING SOUTH 202 00:11:17,044 --> 00:11:18,378 ALONG SMALL STATE ROADS. 203 00:11:18,411 --> 00:11:20,447 JJ: GIVEN THE ACCELERATED TIMELINE, 204 00:11:20,480 --> 00:11:23,216 HIS NEED TO LEAVE A SIGNATURE BEHIND, 205 00:11:23,250 --> 00:11:25,352 IT FEELS LIKE HE'S ON A MISSION. 206 00:11:28,321 --> 00:11:32,159 WOW! HE'S NOT COMPARTMENTALIZING AT ALL. 207 00:11:32,192 --> 00:11:34,294 NOT AT ALL. 208 00:11:34,327 --> 00:11:36,797 REID, OVER PHONE: DYLAN DEFINITELY SAW A CLOWN. 209 00:11:36,830 --> 00:11:38,832 THE LEVEL OF DETAIL IN THE COSTUME 210 00:11:38,866 --> 00:11:39,867 SUGGESTS SOMETHING PRECISE, 211 00:11:39,900 --> 00:11:42,102 WHICH MAKES ME FEEL LIKE THE FACE WOULD MOST LIKELY 212 00:11:42,135 --> 00:11:43,336 BE HAND-PAINTED VERSUS SOME KIND 213 00:11:43,370 --> 00:11:45,038 OF MASS-DISTRIBUTED MASK. 214 00:11:45,072 --> 00:11:47,274 MAKES SENSE, SINCE THE M.E. FOUND GREASEPAINT 215 00:11:47,307 --> 00:11:49,309 UNDER THE LATEST VICTIM'S NAILS. 216 00:11:49,342 --> 00:11:51,444 THIS IS SUCH A SPECIFIC DISGUISE. 217 00:11:51,478 --> 00:11:53,280 THIS UNSUB MUST HAVE AN OBSESSION. 218 00:11:53,313 --> 00:11:56,183 ALVEZ: IT SAYS A LOT THAT HE WENT INTO MARK WILSON'S HOUSE 219 00:11:56,216 --> 00:11:57,184 WITH THIS MAKEUP ON HIM. 220 00:11:57,217 --> 00:11:58,986 I MEAN, IT'S LIKE AN ALTER-EGO. 221 00:11:59,019 --> 00:12:02,055 THAT DISGUISE COULD BE HELPING HIM FIND CONFIDENCE. 222 00:12:02,089 --> 00:12:04,391 WON'T BE SURPRISED IF HE STARTS A SPREE. 223 00:12:11,098 --> 00:12:12,532 MAN: YOU KEEP UP THAT WINNING STREAK, 224 00:12:12,565 --> 00:12:15,002 AND THEY'RE GONNA WANT ALL OF US ON THE TEAM. 225 00:12:15,035 --> 00:12:17,270 WOMAN: HA HA! SCOOT INTO BED. 226 00:12:17,304 --> 00:12:20,340 I WILL LET YOU SNOOZE ANOTHER 10 IN THE MORNING. 227 00:12:20,373 --> 00:12:23,076 OFF YOU GO. 228 00:12:23,110 --> 00:12:26,213 OH, WAY TOO LATE FOR A SCHOOL NIGHT. 229 00:12:26,246 --> 00:12:27,547 I KNOW, BUT THEY'LL SURVIVE. 230 00:12:27,580 --> 00:12:30,083 I'LL TELL YOU WHAT-- YOU MAY NOT BE TIRED, 231 00:12:30,117 --> 00:12:32,085 BUT I AM WIPED. I'M GOING TO BED. 232 00:12:32,119 --> 00:12:33,286 GOOD NIGHT, SWEETHEART. 233 00:12:33,320 --> 00:12:35,122 GOOD NIGHT, HONEY. 234 00:12:50,237 --> 00:12:53,874 POLICE RADIO: UNIT 12, UNIT 12. 235 00:12:53,907 --> 00:12:57,444 JJ: HE KILLED BOTH PARENTS THIS TIME. 236 00:12:57,477 --> 00:13:00,213 WELL, MOM MUST HAVE TRIED TO STOP IT 237 00:13:00,247 --> 00:13:02,082 AND BECAME COLLATERAL DAMAGE. 238 00:13:02,115 --> 00:13:04,251 SIMMONS: WELL, THANKFULLY THE KIDS DIDN'T WITNESS ANY OF THAT, 239 00:13:04,284 --> 00:13:05,853 BUT SINCE NOBODY SAW ANYTHING, 240 00:13:05,886 --> 00:13:07,855 WE DON'T KNOW IF HE WAS WEARING A DISGUISE THIS TIME. 241 00:13:07,888 --> 00:13:10,357 AND JUST LIKE MARK WILSON'S HOUSE, 242 00:13:10,390 --> 00:13:12,159 HE WAS HERE WHEN THEY GOT HOME. 243 00:13:12,192 --> 00:13:14,594 SO I DON'T KNOW IF HE'S HUNTING THEM BEFOREHAND 244 00:13:14,627 --> 00:13:17,064 OR JUST GETTING LUCKY THAT THEY'RE FAMILY MEN. 245 00:13:17,097 --> 00:13:20,267 AN ACCIDENTAL ANNIHILATOR LEAVING A WAKE OF ORPHANS BEHIND. 246 00:13:20,300 --> 00:13:22,870 THIS IS THE SECOND TIME HE SPARED THEIR LIVES 247 00:13:22,903 --> 00:13:24,371 WHEN HE CLEARLY DIDN'T NEED TO. 248 00:13:24,404 --> 00:13:28,375 STILL, HE'S PUNISHING THEM, MAKING THEIR WORST FEARS COME TRUE. 249 00:13:28,408 --> 00:13:31,845 MAYBE HE HAS HIS OWN ABANDONMENT ISSUES OR... 250 00:13:31,879 --> 00:13:34,347 I DON'T KNOW, MAYBE WE'RE MISSING SOMETHING HERE. 251 00:13:36,583 --> 00:13:38,852 IF HE HAD A SUBMISSIVE PARTNER, 252 00:13:38,886 --> 00:13:41,121 THEN THEY COULD BE THE INFLUENCE 253 00:13:41,154 --> 00:13:42,422 IN KEEPING THE KIDS ALIVE. 254 00:13:42,455 --> 00:13:44,424 SO HE KILLS STRONG MALE FIGURES 255 00:13:44,457 --> 00:13:46,559 TO PROVE HIS DOMINANCE? 256 00:13:46,593 --> 00:13:48,128 BUT THAT'S NOT ENOUGH, 257 00:13:48,161 --> 00:13:50,297 SO HE FEELS COMPELLED TO CUT THEIR MOUTHS. 258 00:13:50,330 --> 00:13:53,934 HE WANTS TO MAKE SURE HE LEAVES THEM WITH A PERMANENT SCAR. 259 00:13:53,967 --> 00:13:55,302 SO MAYBE HE GREW UP ABUSED. 260 00:13:55,335 --> 00:13:57,437 HE COULD EVEN HAVE THE SAME SCAR. 261 00:13:57,470 --> 00:14:00,107 AND IF THAT TRAUMA HAPPENED 262 00:14:00,140 --> 00:14:01,508 WHILE HIS LOVE MAP WAS FORMING, 263 00:14:01,541 --> 00:14:04,444 HE WOULD THINK THAT'S THE ONLY WAY TO GAIN DOMINANCE. 264 00:14:04,477 --> 00:14:07,014 CHIEF: A NEIGHBOR WITNESSED A GUY DRESSED AS A CLOWN 265 00:14:07,047 --> 00:14:09,316 RUNNING OUT OF THE HOUSE AND JUMPING IN A VAN. 266 00:14:09,349 --> 00:14:13,453 THING IS, THERE WAS ANOTHER GUY DRIVING. 267 00:14:15,188 --> 00:14:17,490 THANKS. 268 00:14:17,524 --> 00:14:19,492 POLICE RADIO: WE BLOCKED OFF 412... 269 00:14:19,526 --> 00:14:22,029 MAN: PULL FORWARD, PLEASE! 270 00:14:22,062 --> 00:14:25,032 [VEHICLE APPROACHES; BRAKES SQUEAL] 271 00:14:25,065 --> 00:14:28,368 MAN: OH, NO. 272 00:14:28,401 --> 00:14:31,304 WHAT ARE WE GONNA DO? THEY GOT A ROADBLOCK. 273 00:14:31,338 --> 00:14:33,273 WE'RE TOTALLY SCREWED. 274 00:14:33,306 --> 00:14:36,409 SECOND MAN: AH, WHAT KIND OF NEGATIVE CRAP IS THAT? 275 00:14:36,443 --> 00:14:38,345 WE'RE CHALLENGED. 276 00:14:38,378 --> 00:14:42,415 I TOLD YOU, WE SHOULD HAVE FINISHED OUR NIGHT AND GONE BACK. 277 00:14:42,449 --> 00:14:45,385 WHY'D YOU HAVE TO BREAK IN AGAIN AT NIGHT? 278 00:14:45,418 --> 00:14:48,688 I GOT WOUND UP. PLUS I HEARD A GUY TALKING ABOUT THAT SPOT. 279 00:14:48,721 --> 00:14:51,224 [BAG JINGLING] 280 00:14:51,258 --> 00:14:53,360 IT PAID OFF, DIDN'T IT? 281 00:14:53,393 --> 00:14:56,463 DOING THIS TWO NIGHTS IN A ROW IS CRAZY. 282 00:14:56,496 --> 00:15:00,200 DON'T CALL ME THAT. 283 00:15:00,233 --> 00:15:02,702 I'M SORRY, BUT... 284 00:15:02,735 --> 00:15:04,637 YOU JUST CAN'T GET SO GREEDY. 285 00:15:04,671 --> 00:15:08,041 WE ARE NOT GONNA GET CAUGHT. 286 00:15:11,378 --> 00:15:13,380 WHAT THE HELL IS THAT, BLOOD? 287 00:15:13,413 --> 00:15:14,982 YOU SAID NOBODY GOT HURT. 288 00:15:15,015 --> 00:15:18,051 GUY WAS POPPING OFF AT THE MOUTH. 289 00:15:18,085 --> 00:15:19,452 I HAD TO SHUT HIM UP. 290 00:15:19,486 --> 00:15:23,390 IN, OUT, ON OUR WAY. THAT WAS THE DEAL. 291 00:15:23,423 --> 00:15:25,325 NO FIGHTING. 292 00:15:25,358 --> 00:15:27,427 YEAH, WELL, YOU'RE TOO WEAK 293 00:15:27,460 --> 00:15:31,431 TO BE IN THERE WITH ME, AREN'T YOU? 294 00:15:35,135 --> 00:15:36,703 GOTTA DO WHAT I GOTTA DO. 295 00:15:36,736 --> 00:15:41,474 NOW TURN THE VAN AROUND AND LET'S GO. 296 00:15:41,508 --> 00:15:44,311 [ENGINE STARTS] 297 00:15:54,654 --> 00:15:56,456 WHAT ARE THOSE? 298 00:15:56,489 --> 00:15:59,092 HOPING TO FIND ONE THAT LOOKS LIKE DYLAN'S DRAWING. 299 00:15:59,126 --> 00:16:02,195 ARE THOSE CLOWN FACES PAINTED ON EGGS? 300 00:16:02,229 --> 00:16:04,231 THE TRADITION WAS STARTED AFTER WORLD WAR II 301 00:16:04,264 --> 00:16:06,666 BY A LONDON CIRCUS CLOWN CALLED STAN BULT. 302 00:16:06,699 --> 00:16:08,568 HE WANTED ALL PROFESSIONAL CLOWNS 303 00:16:08,601 --> 00:16:12,005 TO BE ABLE TO COPYRIGHT THEIR COSTUMES AND MAKEUP DESIGNS. 304 00:16:12,039 --> 00:16:14,507 THERE'S OVER 300 OF THEM ON DISPLAY 305 00:16:14,541 --> 00:16:17,577 IN THE ENGLISH VILLAGE OF WOOKEY HOLE. 306 00:16:17,610 --> 00:16:20,013 I HOPE THEY HELP. 307 00:16:21,248 --> 00:16:23,450 THANK YOU FOR STAYING. 308 00:16:23,483 --> 00:16:27,254 HE SEEMS BETTER WITH YOU HERE. 309 00:16:27,287 --> 00:16:29,556 I'M JUST GLAD HE'S FINALLY RESTING. 310 00:16:29,589 --> 00:16:31,258 MMM. 311 00:16:33,626 --> 00:16:37,530 I DON'T KNOW HOW WE'RE GONNA GET THROUGH THIS. 312 00:16:37,564 --> 00:16:40,300 I MEAN, JUST KNOWING WHAT HE SAW. 313 00:16:40,333 --> 00:16:42,469 [SIGHS] I WISH I COULD TRADE PLACES WITH HIM, 314 00:16:42,502 --> 00:16:43,770 BUT I DON'T KNOW... 315 00:16:43,803 --> 00:16:47,006 HOW I'M GONNA GET HIM THROUGH THIS. 316 00:16:49,442 --> 00:16:51,478 AFTER SOMETHING TRAUMATIC HAPPENS, 317 00:16:51,511 --> 00:16:54,281 I DON'T KNOW ABOUT YOU, BUT I FIND 318 00:16:54,314 --> 00:16:56,816 THAT THERE'S ALWAYS THAT... 319 00:16:56,849 --> 00:16:59,486 LITTLE MOMENT RIGHT WHEN YOU WAKE UP IN THE MORNING 320 00:16:59,519 --> 00:17:01,521 WHEN EVERYTHING'S GOOD, 321 00:17:01,554 --> 00:17:04,624 BECAUSE YOUR MIND HAS TEMPORARILY FORGOTTEN 322 00:17:04,657 --> 00:17:06,126 THE BAD STUFF. 323 00:17:06,159 --> 00:17:07,660 YOU EVER HAVE THAT? 324 00:17:07,694 --> 00:17:10,797 AFTER MY DAD DIED, YEAH. 325 00:17:10,830 --> 00:17:12,832 I FEEL LIKE OUR CONSCIOUS AND SUBCONSCIOUS 326 00:17:12,865 --> 00:17:14,501 MAKE SOME SORT OF SECRET PACT 327 00:17:14,534 --> 00:17:18,238 TO LET US HAVE A SPLIT-SECOND OF PEACE. 328 00:17:18,271 --> 00:17:19,639 YOU HAD THAT A LOT? 329 00:17:22,675 --> 00:17:25,512 WHEN THAT RELIEF HAPPENS, 330 00:17:25,545 --> 00:17:28,415 I TRY TO HOLD ONTO IT. 331 00:17:28,448 --> 00:17:32,185 YOU JUST HAVE TO FIGURE OUT A WAY TO HELP DYLAN DO THAT. 332 00:17:32,852 --> 00:17:35,155 HOW? 333 00:17:35,188 --> 00:17:36,589 LET HIM KNOW THAT HE'S NOT ALONE 334 00:17:36,623 --> 00:17:39,726 AND THAT HIS HEALING IS JUST GONNA TAKE TIME. 335 00:17:39,759 --> 00:17:43,696 WHEN HE'S READY TO TALK, HE WILL. 336 00:17:45,898 --> 00:17:48,168 PRENTISS: PHYSICAL AND BEHAVIORAL EVIDENCE 337 00:17:48,201 --> 00:17:50,537 POINTS TO A DOMINANT POWER-ASSERTIVE MALE 338 00:17:50,570 --> 00:17:52,239 ROBBING AND KILLING, 339 00:17:52,272 --> 00:17:54,774 BUT WE ALSO BELIEVE THERE IS A SUBMISSIVE PARTNER 340 00:17:54,807 --> 00:17:56,643 WHO DRIVES THE GETAWAY VEHICLE. 341 00:17:56,676 --> 00:17:59,546 WE'RE LOOKING FOR TWO MEN IN THEIR 30s DRIVING A VAN. 342 00:17:59,579 --> 00:18:02,549 ALVEZ: THE DOMINANT PARTNER LIKES TO KILL WITH HIS BARE HANDS, 343 00:18:02,582 --> 00:18:05,585 AND HIS SIGNATURE IS CUTTING HIS VICTIMS POSTMORTEM. 344 00:18:05,618 --> 00:18:08,455 CHIEF: ANY CHANCE THE SUBMISSIVE DOESN'T KNOW WHAT THE DOMINANT'S DOING? 345 00:18:08,488 --> 00:18:11,158 ABSOLUTELY. IT'S COMMON FOR CRIMINAL PARTNERS 346 00:18:11,191 --> 00:18:12,625 TO KEEP SECRETS FROM ONE ANOTHER. 347 00:18:12,659 --> 00:18:14,727 THE KIDS SEEM TO BE A COMPLEX PART OF THIS PUZZLE. 348 00:18:14,761 --> 00:18:16,696 THE DOMINANT'S WORKING ALONE IN THE KILLS, 349 00:18:16,729 --> 00:18:18,698 CHOOSING NOT TO PHYSICALLY HARM THE CHILDREN. 350 00:18:18,731 --> 00:18:20,533 IT COULD BE THE SUBMISSIVE'S INFLUENCE. 351 00:18:20,567 --> 00:18:22,602 THERE MIGHT BE A CHILD IN THEIR LIVES 352 00:18:22,635 --> 00:18:25,372 OR UNRESOLVED ISSUES FROM THEIR OWN CHILDHOODS. 353 00:18:25,405 --> 00:18:27,240 AND WE CAN'T IGNORE THE ELEPHANT IN THE ROOM. 354 00:18:27,274 --> 00:18:30,277 MORE THAN ONE EYEWITNESS HAS TALKED ABOUT A CLOWN DISGUISE. 355 00:18:30,310 --> 00:18:32,712 NOW, THAT COULD BE A FORENSIC COUNTERMEASURE, 356 00:18:32,745 --> 00:18:35,482 BUT CHOOSING IT TELLS US ABOUT HIM. 357 00:18:35,515 --> 00:18:37,584 WHEN UNSUBS WEAR MASKS, 358 00:18:37,617 --> 00:18:39,652 OR IN THIS CASE, PAINT THEM ON, 359 00:18:39,686 --> 00:18:41,788 IT IS A PREDICTOR FOR ANTISOCIAL BEHAVIOR. 360 00:18:41,821 --> 00:18:44,191 WE CALL THIS DEINDIVIDUATION. 361 00:18:44,224 --> 00:18:48,595 IT ALLOWS THE OFFENDER TO BE ANONYMOUS AND ACT THEIR WORST. 362 00:18:48,628 --> 00:18:51,431 WE ONLY KNOW THE DOMINANT HAS PAINTED HIS FACE, 363 00:18:51,464 --> 00:18:53,733 MOST LIKELY BECAUSE HE HATES HIS OWN. 364 00:18:53,766 --> 00:18:55,835 CHIEF. PRENTISS: HE COULD HAVE A FACIAL DISFIGUREMENT 365 00:18:55,868 --> 00:18:57,704 OR A SPEECH IMPEDIMENT, 366 00:18:57,737 --> 00:19:00,607 SOMETHING HE CAN'T CONTROL THAT FRUSTRATES HIM. 367 00:19:00,640 --> 00:19:03,876 TWO MEN MATCHING THE WITNESSES' DESCRIPTION HAVE JUST BEEN SPOTTED. 368 00:19:03,910 --> 00:19:05,645 CHIEF? 369 00:19:19,926 --> 00:19:22,229 [WHISPERING] OK, GO OVER IT. 370 00:19:22,262 --> 00:19:23,796 YOU'LL THROW ME OVER 'CAUSE I'M LITTLE, 371 00:19:23,830 --> 00:19:25,732 AND I'LL GET STUCK ALONE 'CAUSE YOU FATSOS WON'T MAKE IT. 372 00:19:25,765 --> 00:19:27,634 THEN I'M GONNA BE THE ONE WHO'S DEAD. 373 00:19:27,667 --> 00:19:29,602 SHUT UP AND DO IT. 374 00:19:29,636 --> 00:19:32,372 IDIOTS, FOLLOW ME. 375 00:19:34,374 --> 00:19:36,276 HOLD IT FOR ME. THANKS. 376 00:19:36,309 --> 00:19:37,644 BEANS, I'M GONNA CLOSE IT ON YOU. 377 00:19:37,677 --> 00:19:39,679 HURRY UP, BEANS. LET'S GO. 378 00:19:39,712 --> 00:19:41,781 BEANS: I WAS HERE FOR MY GREAT-AUNT MATTIE'S FUNERAL. 379 00:19:41,814 --> 00:19:44,617 THE CRANK BROKE, AND THE CASKET FELL TO THE GROUND. 380 00:19:44,651 --> 00:19:47,920 AND MY BROTHER SAID THAT WHEN THE LID POPPED OPEN, 381 00:19:47,954 --> 00:19:50,957 HER BODY WAS ALL LIKE... 382 00:19:52,425 --> 00:19:54,494 SHH. 383 00:19:54,527 --> 00:19:56,329 LOOK. 384 00:20:05,272 --> 00:20:08,475 [SCREAMING] RUN! 385 00:20:08,508 --> 00:20:10,577 [ALL SCREAMING] 386 00:20:10,610 --> 00:20:15,415 SIMMONS: FBI! HANDS WHERE WE CAN SEE THEM! 387 00:20:17,817 --> 00:20:18,985 HANDS UP, CLOWN. 388 00:20:25,392 --> 00:20:27,594 THEY TOOK ALL MY STUFF. 389 00:20:27,627 --> 00:20:30,263 OH, YOU'LL GET IT BACK. 390 00:20:30,297 --> 00:20:34,434 BUT YOU'RE GONNA BE HERE FOR A WHILE. 391 00:20:34,467 --> 00:20:37,737 SO THIS ISN'T YOUR ONLY TRESPASSING CHARGE. 392 00:20:37,770 --> 00:20:40,740 I GOTTA ASK, WHY DID YOU DO IT? 393 00:20:40,773 --> 00:20:43,042 I'M A TELEMARKETER. 394 00:20:43,075 --> 00:20:45,712 I CLOCK IN, CLOCK OUT, 395 00:20:45,745 --> 00:20:48,848 AND ALL DAY MAKE CALLS TO PEOPLE 396 00:20:48,881 --> 00:20:50,317 WHO EITHER REJECT ME 397 00:20:50,350 --> 00:20:52,985 OR ARE TOO LONELY TO HANG UP. 398 00:20:53,019 --> 00:20:55,555 DRESSING UP GETS YOU ATTENTION. 399 00:20:57,590 --> 00:21:01,728 WHEN I GO OUT DRESSED LIKE THIS... 400 00:21:01,761 --> 00:21:05,965 I MAKE A DIFFERENCE IN SOMEONE'S NIGHT. 401 00:21:05,998 --> 00:21:07,700 MY BUDDY AND I, WE GO TOGETHER 402 00:21:07,734 --> 00:21:08,835 SO IT'S DOUBLE THE SCARE. 403 00:21:08,868 --> 00:21:10,470 AND YOU KNOW WHAT? 404 00:21:10,503 --> 00:21:12,305 THOSE KIDS TONIGHT-- 405 00:21:12,339 --> 00:21:14,040 THEY'LL REMEMBER ME. 406 00:21:14,073 --> 00:21:17,877 [SIGHS] WE HAVE A MAN WHO IS DRESSING UP LIKE A CLOWN 407 00:21:17,910 --> 00:21:21,381 AND KILLING PEOPLE. 408 00:21:21,414 --> 00:21:23,783 HE'S CLEARLY A VERY SICK MAN. 409 00:21:23,816 --> 00:21:25,552 MM-HMM. 410 00:21:28,521 --> 00:21:30,657 ALL WE HAVE TO GO BY 411 00:21:30,690 --> 00:21:32,792 IS THIS KID'S DRAWING OF WHO HE SAW. 412 00:21:32,825 --> 00:21:34,494 MY PARTNER THINKS IT'S A TWIST 413 00:21:34,527 --> 00:21:37,063 ON A CHARACTER CLOWN FROM THE 1950s. 414 00:21:37,096 --> 00:21:39,065 YOU EVER SEEN HIM? 415 00:21:39,098 --> 00:21:41,501 NO, I'D REMEMBER A GUY LIKE THAT. 416 00:21:42,969 --> 00:21:47,807 [BLOWING] 417 00:21:47,840 --> 00:21:49,008 [BALLOON SQUEAKING] 418 00:21:49,041 --> 00:21:51,478 THEY CLOSED THE ROAD AND THE GIG WENT LATE 419 00:21:51,511 --> 00:21:53,513 IS WHY I DIDN'T MAKE IT HOME LAST NIGHT. 420 00:21:53,546 --> 00:21:55,348 WHERE DID YOU STAY? 421 00:21:55,382 --> 00:21:56,483 IN THE VAN. 422 00:21:56,516 --> 00:21:58,451 SO DO YOU REALLY THINK YOU'VE MADE ENOUGH 423 00:21:58,485 --> 00:22:01,454 FOR US TO, YOU KNOW, CALL IT A DAY AND HEAD SOUTH? 424 00:22:01,488 --> 00:22:04,791 YEAH. I'M READY FOR THE FLORIDA SUN. 425 00:22:04,824 --> 00:22:06,426 HOW ABOUT YOU? 426 00:22:06,459 --> 00:22:07,994 MY PARENTS CALLED. THEY SAID THEY FOUND US 427 00:22:08,027 --> 00:22:10,397 A LITTLE TRAILER, UNDER 500 A MONTH. 428 00:22:10,430 --> 00:22:11,664 GREAT SCHOOL FOR MIKEY. 429 00:22:11,698 --> 00:22:13,466 WELL, WE GOT ENOUGH 430 00:22:13,500 --> 00:22:15,134 FOR THE FIRST COUPLE MONTHS, 431 00:22:15,167 --> 00:22:17,670 UNTIL WE FIND A NEW GIG. 432 00:22:17,704 --> 00:22:19,906 [CHUCKLES] 433 00:22:19,939 --> 00:22:22,542 [DISGUISED VOICE] HIYA, MONKEY. 434 00:22:23,976 --> 00:22:26,846 HE IS MAGIC. 435 00:22:29,682 --> 00:22:30,817 MIKEY: CAN I TRY ONE? 436 00:22:30,850 --> 00:22:32,084 PICK A COLOR, ANY COLOR. 437 00:22:32,118 --> 00:22:34,754 MM-HMM. MM...GREEN. 438 00:22:34,787 --> 00:22:36,889 GIVE IT A BIG BLOW, OK? 439 00:22:36,923 --> 00:22:39,125 [BOTH TAKE DEEP BREATH] 440 00:22:39,158 --> 00:22:40,393 [BLOWING, SQUEAKING SOUND] 441 00:22:40,427 --> 00:22:41,394 YOU SHOULD STRETCH IT OUT. 442 00:22:41,428 --> 00:22:42,895 I SHOULD HAVE HAD YOU STRETCH IT. 443 00:22:42,929 --> 00:22:45,565 GIVE IT A BIG STRETCH. [MAKES STRETCHING SOUND] 444 00:22:45,598 --> 00:22:47,467 [MAKES STRETCHING SOUND] 445 00:22:47,500 --> 00:22:48,835 YEAH, LIKE THAT. 446 00:22:48,868 --> 00:22:50,437 [MUSIC ON TV] 447 00:22:50,470 --> 00:22:51,871 MAN: WE INTERRUPT OUR CURRENT PROGRAMMING 448 00:22:51,904 --> 00:22:53,573 WITH BREAKING NEWS. 449 00:22:53,606 --> 00:22:55,107 WOMAN: THIS IS THE SECOND HOME INVASION IN GUYMON. 450 00:22:55,141 --> 00:22:56,676 EACH TIME THE CHILDREN WERE HOME 451 00:22:56,709 --> 00:22:58,578 TO FIND THEIR PARENTS DEAD. 452 00:22:58,611 --> 00:23:01,714 OH, THAT IS AWFUL! 453 00:23:01,748 --> 00:23:03,716 HEY, THAT WAS IN GUYMON. 454 00:23:03,750 --> 00:23:06,553 MAYBE THAT'S WHY THE ROADS WERE CLOSED. 455 00:23:09,456 --> 00:23:11,591 YOU OK, BABE? 456 00:23:11,624 --> 00:23:13,125 I THINK IT WAS JUST THE SANDWICH. 457 00:23:13,159 --> 00:23:15,462 I NEED SOME AIR. 458 00:23:16,529 --> 00:23:20,600 [BLOWING] 459 00:23:24,637 --> 00:23:27,607 TONE! 460 00:23:27,640 --> 00:23:29,542 YOU KILLED THOSE PEOPLE? 461 00:23:31,511 --> 00:23:34,213 WHEN THAT GUY CAME HOME WITH HIS SLEEPING KID, 462 00:23:34,246 --> 00:23:36,649 YOU SAID THAT YOU TIED HIM UP AND THAT WAS IT. 463 00:23:38,851 --> 00:23:41,854 AND THE FAMILY LAST NIGHT? 464 00:23:41,888 --> 00:23:44,123 [EXHALES] 465 00:23:44,156 --> 00:23:45,592 HOW MANY? 466 00:23:45,625 --> 00:23:47,059 3. 467 00:23:47,093 --> 00:23:48,628 HUH? 468 00:23:48,661 --> 00:23:51,063 4. 4. 469 00:23:51,097 --> 00:23:54,701 WHAT THE HELL IS THE MATTER WITH YOU? 470 00:23:54,734 --> 00:23:58,170 JUST LISTEN TO ME FOR A SECOND. 471 00:23:58,204 --> 00:24:00,573 JUST-- 472 00:24:01,808 --> 00:24:03,643 LISTEN. 473 00:24:05,277 --> 00:24:06,779 I'M SORRY. 474 00:24:06,813 --> 00:24:08,615 GIVE ME MY HALF. 475 00:24:08,648 --> 00:24:10,983 RIGHT NOW. 476 00:24:11,017 --> 00:24:12,585 HERE'S THE THING. 477 00:24:12,619 --> 00:24:15,988 AFTER WORK AND PAWN SHOPS, WE HAD ABOUT 3,200. 478 00:24:16,022 --> 00:24:17,924 3,800. 479 00:24:17,957 --> 00:24:20,793 YEAH. 480 00:24:20,827 --> 00:24:23,129 SO I HAD A LEAD. 481 00:24:23,162 --> 00:24:26,533 OH, GOD, WE SHOULD BE RIDING HIGH RIGHT NOW, 482 00:24:26,566 --> 00:24:27,500 BUT DON'T WORRY, WE'RE GONNA GET IT ALL BACK. 483 00:24:27,534 --> 00:24:29,101 YOU LOST IT? 484 00:24:29,135 --> 00:24:31,538 GAMBLING? 485 00:24:31,571 --> 00:24:34,607 WE'VE BEEN AT THIS FOR WEEKS. 486 00:24:34,641 --> 00:24:35,708 YOU LOST IT? 487 00:24:35,742 --> 00:24:37,544 I GOT A PLAN, TONE. 488 00:24:37,577 --> 00:24:39,579 DO YOU REMEMBER THE RANCH OWNER FROM THE OTHER NIGHT, 489 00:24:39,612 --> 00:24:41,548 THE BIG GUY WITH THE SHINY CONVERTIBLE? 490 00:24:41,581 --> 00:24:44,283 I'M NOT DRIVING YOU TO KILL ANYBODY. 491 00:24:44,316 --> 00:24:47,520 I WON'T HURT ANYBODY 492 00:24:47,554 --> 00:24:50,857 EVER AGAIN, OK? 493 00:24:50,890 --> 00:24:52,759 WE NEED TO GET OUR MONEY BACK. 494 00:24:52,792 --> 00:24:54,827 AND THIS GUY, HE'S LOADED. 495 00:24:54,861 --> 00:24:56,829 HE'S NOT EVEN GONNA MISS IT. 496 00:25:01,568 --> 00:25:06,639 YOU WANT TO GET MIKEY DOWN TO FLORIDA, RIGHT? 497 00:25:08,708 --> 00:25:11,644 THEN WHAT CHOICE IS THERE IN THIS, MAN? 498 00:25:13,646 --> 00:25:15,882 WOMAN, ON P.A.: CHARGE NURSE ON DUTY TO CCU. 499 00:25:15,915 --> 00:25:17,784 CHARGE NURSE ON DUTY TO CCU. 500 00:25:17,817 --> 00:25:19,719 HI, DYLAN. 501 00:25:19,752 --> 00:25:22,121 THAT PICTURE YOU DREW REALLY HELPED US A LOT. 502 00:25:22,154 --> 00:25:27,727 IS THERE ANYTHING ELSE YOU REMEMBER ABOUT HIM? 503 00:25:27,760 --> 00:25:30,697 DID HE SAY ANYTHING TO YOU? 504 00:25:34,767 --> 00:25:37,169 HE WAS WEARING A SHIRT LIKE THAT. 505 00:25:40,306 --> 00:25:42,709 LIKE--LIKE--LIKE DENIM? 506 00:25:42,742 --> 00:25:46,579 YEAH. HE ALSO SMELLED LIKE HORSES. 507 00:25:46,613 --> 00:25:50,750 OH, BABY. 508 00:25:50,783 --> 00:25:51,851 [KISS] 509 00:25:51,884 --> 00:25:53,886 OHH... 510 00:26:00,627 --> 00:26:02,762 I SHOULD JUST WAIT IN THE CAR. 511 00:26:02,795 --> 00:26:07,066 HEY. WE'LL GET TWICE AS MUCH WITH YOU HELPING ME. 512 00:26:07,099 --> 00:26:08,668 AND NOBODY GETS HURT. 513 00:26:08,701 --> 00:26:11,303 I ALREADY PROMISED. 514 00:26:11,337 --> 00:26:13,673 SEE? NOBODY'S EVEN HOME. 515 00:26:13,706 --> 00:26:14,974 HA HA HA! 516 00:26:15,007 --> 00:26:18,110 WELCOME TO THE BIG LEAGUES, TONY CAPILANO! 517 00:26:25,885 --> 00:26:27,086 [COCKS SHOTGUN] 518 00:26:27,119 --> 00:26:28,688 [GRUNTS] 519 00:26:31,190 --> 00:26:31,724 [SHOTGUN BLAST] 520 00:26:39,932 --> 00:26:41,668 SIMMONS: THE OWNER IS IN CRITICAL CONDITION, 521 00:26:41,701 --> 00:26:43,335 TOOK A GUNSHOT WOUND TO THE SHOULDER. 522 00:26:43,369 --> 00:26:46,405 NOW, IT LOOKS LIKE THEY FOUGHT, BUT THE UNSUBS GOT SCARED OFF. 523 00:26:46,438 --> 00:26:48,040 ROSSI, OVER PHONE: NOTHING STOLEN? 524 00:26:48,074 --> 00:26:49,108 NO, NO. THEY DIDN'T MAKE IT PAST THE THRESHOLD. 525 00:26:49,141 --> 00:26:51,343 PRENTISS: YOU SAID THERE WAS SOME KIND OF SECURITY. 526 00:26:51,377 --> 00:26:52,845 YEAH. I'M WORKING ON GETTING THAT FOOTAGE NOW. 527 00:26:52,879 --> 00:26:54,647 CALL YOU BACK. 528 00:26:54,681 --> 00:26:56,683 THESE GUYS HAVE REMAINED LOW-TECH SO FAR. 529 00:26:56,716 --> 00:26:58,651 THEY HAVEN'T CHOSEN HOUSES WITH SECURITY SYSTEMS. 530 00:26:58,685 --> 00:27:01,020 JJ: CHOOSING THIS HOUSE, ESPECIALLY IN THE DAYLIGHT, 531 00:27:01,053 --> 00:27:03,089 IT'S A RISK. THEY'RE IN A HURRY. 532 00:27:03,122 --> 00:27:04,423 MAYBE THEY'RE FINALLY GETTING OUT OF TOWN 533 00:27:04,456 --> 00:27:05,858 AND THEY'RE SLOPPY ABOUT IT. 534 00:27:05,892 --> 00:27:07,760 THEN THEY'LL BE MORE HAPHAZARD 535 00:27:07,794 --> 00:27:09,095 NOW THAT WE'LL HAVE IMAGES OF THEM. 536 00:27:09,128 --> 00:27:10,096 [CELL PHONE RINGS] 537 00:27:10,129 --> 00:27:11,664 HEY, SPENCE. 538 00:27:11,698 --> 00:27:13,666 GREAT NEWS. DYLAN IS TALKING 539 00:27:13,700 --> 00:27:14,767 AND HE'S REMEMBERING MORE DETAILS. 540 00:27:14,801 --> 00:27:16,836 HE SAID THE UNSUB WAS WEARING DENIM 541 00:27:16,869 --> 00:27:18,370 AND SMELLED LIKE HORSES. 542 00:27:18,404 --> 00:27:19,872 THAT'S SPECIFIC. 543 00:27:19,906 --> 00:27:21,407 REID: IF I BROUGHT HIM IN TO THE STATION, 544 00:27:21,440 --> 00:27:22,775 I THINK IT MIGHT HELP WITH HIS HEALING. 545 00:27:22,809 --> 00:27:24,143 THAT'S A GREAT IDEA. HEY, HOLD ON. 546 00:27:24,176 --> 00:27:25,878 LUKE JUST WALKED IN. 547 00:27:25,912 --> 00:27:27,714 SO, THE M.E. CONFIRMED THAT THE GREASE 548 00:27:27,747 --> 00:27:28,547 UNDER THE VICTIM'S FINGERNAILS 549 00:27:28,580 --> 00:27:30,750 IS A PROFESSIONAL-GRADE STAGE MAKEUP. 550 00:27:30,783 --> 00:27:32,885 ROSSI: DOESN'T SEEM LIKE THAT WOULD BE EASY TO FIND. 551 00:27:32,919 --> 00:27:34,353 SO THEY'RE NOT AMATEURS. 552 00:27:34,386 --> 00:27:36,388 WELL, PSYCHOLOGICALLY, MOST CLOWNS BELIEVE 553 00:27:36,422 --> 00:27:38,457 IT'S NOT JUST A JOB, IT'S WHO THEY ARE. 554 00:27:38,490 --> 00:27:40,059 THAT'S A PROBLEM, CONSIDERING 555 00:27:40,092 --> 00:27:41,160 CIRCUSES ARE GOING OUT OF BUSINESS. 556 00:27:41,193 --> 00:27:43,763 ALL RIGHT, MATT JUST SENT OVER THE SECURITY FOOTAGE. 557 00:27:43,796 --> 00:27:46,132 SPENCE, I'LL FORWARD IT TO YOU. 558 00:27:51,771 --> 00:27:54,373 SEE, NOW, FACED WITH A SURPRISE, 559 00:27:54,406 --> 00:27:56,342 THESE GUYS ARE INCREDIBLY UNSOPHISTICATED. 560 00:27:56,375 --> 00:27:59,478 AND NO SURPRISE THE SUBMISSIVE'S INSTINCT IS FLIGHT, 561 00:27:59,511 --> 00:28:01,480 THE DOMINANT'S IS FIGHT. 562 00:28:01,513 --> 00:28:04,450 IF THEY GREW UP IN THIS CLOWN CULTURE, 563 00:28:04,483 --> 00:28:06,052 THESE COULD BE THE ROLES THEY'VE ALWAYS PLAYED. 564 00:28:06,085 --> 00:28:07,787 SO MAYBE THEY HAVEN'T LEFT THE AREA 565 00:28:07,820 --> 00:28:09,756 BECAUSE THEY FOUND SOME KIND OF CIRCUS WORK HERE. 566 00:28:09,789 --> 00:28:10,689 PRENTISS: HEY, GARCIA? 567 00:28:10,723 --> 00:28:12,725 LITTLE BOY IS TALKING AGAIN? THANK THE STARS. 568 00:28:12,759 --> 00:28:14,126 YES. HE'S MADE SOME PROGRESS. 569 00:28:14,160 --> 00:28:15,394 SO HAVE WE. 570 00:28:15,427 --> 00:28:17,496 CAN YOU CROSS THE GEO-PROFILES 571 00:28:17,529 --> 00:28:19,465 FROM THE INITIAL CRIMES IN COLORADO AND OKLAHOMA, 572 00:28:19,498 --> 00:28:21,901 SEE IF ANY TRAVELING CIRCUSES OR CARNIVALS 573 00:28:21,934 --> 00:28:23,035 WENT THROUGH THOSE TOWNS? 574 00:28:23,069 --> 00:28:24,503 I LOVE A CARNIVAL. 575 00:28:24,536 --> 00:28:26,238 IF IT WASN'T FOR THE WHOLE NEFARIOUS PEOPLE 576 00:28:26,272 --> 00:28:27,439 ARE PROBABLY WORKING THERE, 577 00:28:27,473 --> 00:28:29,075 THIS WOULD BE A MOST ENJOYABLE SEARCH. 578 00:28:29,108 --> 00:28:31,878 NEFARIOUS RUINS EVERYTHING. I'LL HIT YOU BACK. 579 00:28:33,312 --> 00:28:35,514 MAN: W-WHY'D YOU HAVE TO SHOOT HIM? 580 00:28:35,547 --> 00:28:38,751 OUR FACES ARE GONNA BE ALL OVER THE NEWS. 581 00:28:38,785 --> 00:28:41,120 WE GOTTA GET OUT OF HERE! 582 00:28:41,153 --> 00:28:43,089 [KEYS JINGLING] WHERE ARE WE GONNA GO? 583 00:28:43,122 --> 00:28:44,924 WE DON'T HAVE ANY MONEY, REMEMBER? 584 00:28:44,957 --> 00:28:46,225 ENOUGH WITH THE "WE." 585 00:28:46,258 --> 00:28:48,460 Y-YOU MESSED THIS UP. 586 00:28:48,494 --> 00:28:51,330 NOT "WE." I HAVE A WIFE 587 00:28:51,363 --> 00:28:53,365 AND A KID TO TAKE CARE OF, 588 00:28:53,399 --> 00:28:56,302 AND YOU DON'T. 589 00:28:56,335 --> 00:28:58,137 I'VE BEEN YOUR FAMILY ALL YOUR LIFE, 590 00:28:58,170 --> 00:29:00,339 AND NOW, WHAT? 591 00:29:03,342 --> 00:29:06,045 I LET DAD BEAT ON ME INSTEAD. 592 00:29:08,881 --> 00:29:15,254 I GOT--I GOT THIS SO YOU WOULDN'T HAVE TO. 593 00:29:21,227 --> 00:29:23,495 GOOD LUCK. 594 00:29:25,965 --> 00:29:28,300 ONCE A RINGLING BROS. CLOSED, 595 00:29:28,334 --> 00:29:29,936 A LOT OF THE SMALLER ONES FOLDED, TOO. 596 00:29:29,969 --> 00:29:32,204 BUT IT TURNS OUT THIS WAS A HUGE FAMILY BUSINESS, 597 00:29:32,238 --> 00:29:35,274 GENERATIONS BORN AND RAISED IN THIS WORLD. 598 00:29:35,307 --> 00:29:37,243 IT'S DYING OFF. I DON'T REALLY HAVE ANYTHING TO OFFER YOU. 599 00:29:37,276 --> 00:29:39,946 OK, WELL, LOOK, THINK ABOUT THEIR TIMELINE. 600 00:29:39,979 --> 00:29:43,049 THEY'RE WEARING DENIM, THEY HAVE MADE-UP FACES, 601 00:29:43,082 --> 00:29:44,483 SMELLING LIKE HORSES. 602 00:29:44,516 --> 00:29:46,919 WHAT IF IT'S LESS ABOUT WEARING THE MASKS 603 00:29:46,953 --> 00:29:50,489 AS A FORENSIC COUNTERMEASURE AND MORE ABOUT CONVENIENCE? 604 00:29:50,522 --> 00:29:54,861 I MEAN, WHAT IF THEY JUST FINISHED SOME KIND OF GIG CLOSE BY? 605 00:29:54,894 --> 00:29:56,896 THEY COULD BE CLOWNS AT A RODEO. 606 00:29:56,929 --> 00:29:58,497 PRENTISS: EMILY, HAVE I COMPLIMENTED YOU 607 00:29:58,530 --> 00:30:01,033 AS OF LATE ON YOUR ASSERTIVE YET LOVING WAY 608 00:30:01,067 --> 00:30:03,569 OF POINTING OUT PATHS I DON'T THINK TO GO DOWN? 609 00:30:03,602 --> 00:30:06,472 OH, WOW. THERE'S A WHOLE CIRCUIT. 610 00:30:06,505 --> 00:30:08,875 BIG DEAL THINGS AT CIVIC CENTERS, 611 00:30:08,908 --> 00:30:10,442 SMALLER ONES, TOO. 612 00:30:10,476 --> 00:30:12,044 THERE WERE A WHOLE BUNCH LAST WEEK IN COLORADO 613 00:30:12,078 --> 00:30:13,612 WHERE OUR FIRST VICTIM WAS KILLED, 614 00:30:13,645 --> 00:30:16,448 AND THERE'S ONE SCHEDULED TONIGHT IN GUYMON. 615 00:30:16,482 --> 00:30:18,885 I'M SENDING YOU THE INFO NOW. 616 00:30:21,253 --> 00:30:22,554 [HORSE NICKERS] 617 00:30:28,094 --> 00:30:30,296 THESE RODEOS CAN EMPLOY HUNDREDS OF PEOPLE. 618 00:30:30,329 --> 00:30:32,431 YEAH. I HOPE THIS IS OUR GUYS. 619 00:30:32,464 --> 00:30:33,532 CAN I HELP YOU? 620 00:30:33,565 --> 00:30:37,403 YEAH, UH, AGENTS JAREAU AND SIMMONS. 621 00:30:37,436 --> 00:30:39,338 WELL, EVERYBODY'S LEGAL HERE, MA'AM. 622 00:30:39,371 --> 00:30:42,108 GLAD TO HEAR. WE'RE WONDERING 623 00:30:42,141 --> 00:30:45,611 IF YOU--IF YOU EVER EMPLOYED THESE MEN. 624 00:30:45,644 --> 00:30:47,546 WE THINK THEY MAY BE RELATED. 625 00:30:47,579 --> 00:30:49,048 WELL, THEY'RE BROTHERS. 626 00:30:49,081 --> 00:30:50,549 IT'S THE CAPILANOS. 627 00:30:50,582 --> 00:30:51,617 THAT ONE THERE GOT IN A FIGHT 628 00:30:51,650 --> 00:30:53,085 WITH ONE OF MY BULL RIDERS. 629 00:30:53,119 --> 00:30:54,887 TRIED TO CUT HIS FACE. 630 00:30:54,921 --> 00:30:57,156 SO THEY'RE BANNED FROM WORKING HERE. 631 00:30:57,189 --> 00:30:58,891 YEAH. BAD LUCK 632 00:30:58,925 --> 00:31:00,192 FOLLOWS THEM AROUND. 633 00:31:00,226 --> 00:31:03,395 I HEAR THEY GOT CANNED UP IN COLORADO LAST WEEK, 634 00:31:03,429 --> 00:31:05,898 BUT I'M NOT SURPRISED WITH THAT ONE'S TEMPER. 635 00:31:05,932 --> 00:31:07,900 DO YOU HAVE ANY IDEA WHERE WE MIGHT BE ABLE TO FIND THEM? 636 00:31:07,934 --> 00:31:11,503 ALL US OWNERS, WE TALK, SO THEIR NAMES ARE NO GOOD AROUND HERE. 637 00:31:11,537 --> 00:31:13,605 I'M SURE THEY'VE MOVED ON BY NOW. 638 00:31:13,639 --> 00:31:16,142 EXCUSE ME. I GOT A SHOW TO GET READY. 639 00:31:16,175 --> 00:31:17,309 UH, JUST ONE MORE THING. 640 00:31:17,343 --> 00:31:18,610 IF THEY ARE BLACKLISTED 641 00:31:18,644 --> 00:31:20,279 FROM THE LEGITIMATE CIRCUIT, ANY CHANCE 642 00:31:20,312 --> 00:31:22,414 THEY'D FIND WORK SOMEWHERE OFF THE RADAR, 643 00:31:22,448 --> 00:31:24,550 LIKE AT A COLEADERO? 644 00:31:24,583 --> 00:31:27,186 A MIGRANT RODEO. THEY'RE UNREGULATED. 645 00:31:27,219 --> 00:31:29,688 SURE. IF THOSE BOYS ARE DESPERATE ENOUGH, 646 00:31:29,721 --> 00:31:31,123 THEY CAN WORK. 647 00:31:31,157 --> 00:31:32,992 ANY IDEA WHERE WE COULD FIND ONE? 648 00:31:33,025 --> 00:31:35,594 WELL, THEY KEEP MOVING THEIR SPOTS. 649 00:31:35,627 --> 00:31:37,463 THEY DON'T WANT THE COPS TO CATCH 'EM. 650 00:31:37,496 --> 00:31:39,631 ALL RIGHT, WELL, THANKS FOR YOUR HELP. 651 00:31:41,433 --> 00:31:42,935 UH, HEY. 652 00:31:42,969 --> 00:31:45,704 DON'T TELL THEM I SENT YOU. 653 00:31:45,737 --> 00:31:47,706 WE WON'T. 654 00:31:47,739 --> 00:31:50,142 MA'AM. 655 00:31:51,643 --> 00:31:53,512 [CHUCKLES] 656 00:31:53,545 --> 00:31:55,214 OH, MY GOD. 657 00:31:55,247 --> 00:31:57,683 DO YOU REMEMBER THIS? 658 00:31:57,716 --> 00:32:00,987 THE DAY WE FOUND OUT WE WERE PREGNANT. 659 00:32:01,020 --> 00:32:03,355 HA HA. 660 00:32:03,389 --> 00:32:07,326 I JUST WISH HE COULD GROW UP LIKE WE DID... 661 00:32:07,359 --> 00:32:09,628 THE MAGIC OF THE BIG TOP. 662 00:32:09,661 --> 00:32:11,363 YOU KNOW? 663 00:32:11,397 --> 00:32:14,400 I KNOW, BUT IT'S GONE. 664 00:32:14,433 --> 00:32:18,370 I THINK IT'S TIME THAT WE DREAMED A NEW DREAM. 665 00:32:18,404 --> 00:32:20,172 THIS IS ALL I KNOW. 666 00:32:20,206 --> 00:32:23,475 NO, YOU'VE GOT SO MANY OTHER SKILLS THAT'LL TRANSFER TO WORK, 667 00:32:23,509 --> 00:32:26,578 AND--AND I'M A GOOD ACROBAT. 668 00:32:26,612 --> 00:32:29,148 I COULD TEACH GYMNASTICS DOWN IN FLORIDA, 669 00:32:29,181 --> 00:32:31,950 AND WE'D FIND SOMETHING THERE FOR YOU, TOO. 670 00:32:39,391 --> 00:32:41,460 THIS IS WHERE YOU GUYS HAVE BEEN GOING? 671 00:32:41,493 --> 00:32:43,462 THIS AND OTHERS LIKE IT. 672 00:32:43,495 --> 00:32:44,630 I HAVEN'T BEEN BACK TO THIS ONE 673 00:32:44,663 --> 00:32:46,732 SINCE SAL GOT US KICKED OUT. 674 00:32:46,765 --> 00:32:48,767 ARE YOU SURE THIS IS SAFE? 675 00:32:48,800 --> 00:32:51,603 YEAH, I'LL BE CAREFUL. I KNOW THE BOSS. 676 00:32:51,637 --> 00:32:54,606 I CAN MAKE 50 BUCKS, 677 00:32:54,640 --> 00:32:59,611 GET US ANOTHER 300 MILES CLOSER TO FLORIDA. 678 00:32:59,645 --> 00:33:00,746 OK. 679 00:33:00,779 --> 00:33:02,981 OK. 680 00:33:07,686 --> 00:33:11,390 [COUNTRY-WESTERN MUSIC PLAYING] 681 00:33:14,726 --> 00:33:17,696 MAN: * THERE IS NO MOON, JUST A DARK SKY * 682 00:33:17,729 --> 00:33:20,799 * THAT FITS RIGHT IN MY ROOM 683 00:33:20,832 --> 00:33:24,170 * OF BROKEN DREAMS, A TROUBLED MIND... * 684 00:33:24,203 --> 00:33:25,804 HEY, LENNY. 685 00:33:25,837 --> 00:33:28,174 YOUR BASTARD BROTHER WITH YOU? 686 00:33:28,207 --> 00:33:29,775 NO, I'M DONE WITH HIM. 687 00:33:29,808 --> 00:33:31,510 GOOD. 688 00:33:31,543 --> 00:33:32,744 I NEED A GIG. 689 00:33:32,778 --> 00:33:34,513 FULL UP. 690 00:33:34,546 --> 00:33:35,714 ANYTHING. 691 00:33:35,747 --> 00:33:38,750 MY WIFE AND KID ARE IN THE VAN. 692 00:33:38,784 --> 00:33:41,153 WE NEED GAS MONEY. 693 00:33:41,187 --> 00:33:42,688 IT'S THE LAST TIME I'LL BE HERE. 694 00:33:42,721 --> 00:33:46,725 I'LL TAKE WHATEVER Y-YOU CAN SPARE. 695 00:33:46,758 --> 00:33:49,561 ALL RIGHT. I'LL FIND YOU SOMETHING. 696 00:33:49,595 --> 00:33:50,629 THANK YOU. 697 00:33:50,662 --> 00:33:52,798 LET'S GO. 698 00:33:54,466 --> 00:33:56,468 [MAN TALKING INDISTINCTLY] 699 00:34:13,619 --> 00:34:15,154 [BANGING] 700 00:34:16,255 --> 00:34:17,689 GET OUT OF MY VAN. 701 00:34:17,723 --> 00:34:19,291 YOU'RE HURTING ME. STOP! 702 00:34:19,325 --> 00:34:21,727 OWW! 703 00:34:21,760 --> 00:34:23,329 THIS IS ALL YOUR FAULT! 704 00:34:23,362 --> 00:34:24,630 SHUT UP. MIKEY'S SLEEPING. 705 00:34:24,663 --> 00:34:27,733 YOU TOOK TONY AWAY FROM ME. 706 00:34:27,766 --> 00:34:29,635 WOW. ARE YOU DRUNK? 707 00:34:29,668 --> 00:34:32,438 THE CAPILANO BROTHERS! 708 00:34:32,471 --> 00:34:36,408 TONY HAS A FAMILY. SO IT'S NOT ALL ABOUT YOU ANYMORE. 709 00:34:42,281 --> 00:34:45,117 LET GO OF ME! [GASPS] 710 00:34:45,151 --> 00:34:46,285 MAMA? 711 00:34:46,318 --> 00:34:47,386 HEY, BUDDY. HEY, I'M JUST LOOKING 712 00:34:47,419 --> 00:34:48,520 FOR YOUR OLD MAN. 713 00:34:48,554 --> 00:34:51,157 GO BACK TO SLEEP, OK? 714 00:34:57,329 --> 00:35:00,266 ALL RIGHT, WE'RE LOOKING AT A DOZEN POSSIBILITIES HERE. WE NEED HELP. 715 00:35:00,299 --> 00:35:02,268 WELL, WE'RE HEADED SOUTH, SO WE SHOULD ONLY CONSIDER RANCHES 716 00:35:02,301 --> 00:35:03,769 IN THAT DIRECTION. 717 00:35:03,802 --> 00:35:06,205 GARCIA: I WISH THERE WAS A PAPER TRAIL FOR STUFF LIKE THIS. 718 00:35:06,238 --> 00:35:07,373 IT'S LIKE THE FIGHT CLUB OF RODEOS. 719 00:35:07,406 --> 00:35:09,575 THEY'RE ALL LIKE, THE FIRST RULE OF UNDERGROUND RODEOS-- 720 00:35:09,608 --> 00:35:10,576 DON'T TALK ABOUT UNDERGROUND RODEO. 721 00:35:10,609 --> 00:35:11,877 EXACTLY. 722 00:35:11,910 --> 00:35:13,279 THE UNSUB'S LAST TARGET 723 00:35:13,312 --> 00:35:14,380 WAS ABOUT 20 MILES OUT OF TOWN, 724 00:35:14,413 --> 00:35:15,647 SO THEY COULDN'T HAVE GONE FAR. 725 00:35:15,681 --> 00:35:18,250 OK, I'VE GOT TWO RANCHES JUST SOUTH OF THERE. 726 00:35:18,284 --> 00:35:19,385 SENDING YOU GPS PINS NOW. 727 00:35:19,418 --> 00:35:20,619 THANKS. 728 00:35:20,652 --> 00:35:24,156 PRENTISS: AS EXPECTED, SAL AND TONY CAPILANO 729 00:35:24,190 --> 00:35:25,791 HAVE ONLY KNOWN THE CIRCUS LIFE. 730 00:35:25,824 --> 00:35:27,326 AFTER A SLOW DEATH OF THE CIRCUS, 731 00:35:27,359 --> 00:35:29,328 THEY LOST THEIR JOBS FOR GOOD A FEW MONTHS AGO. 732 00:35:29,361 --> 00:35:30,696 IF IT WAS ALL THEY KNEW, 733 00:35:30,729 --> 00:35:32,398 LOSING THEIR WORK WAS LIKE LOSING THEIR IDENTITY. 734 00:35:32,431 --> 00:35:34,300 ADDED UP TO ONE HELL OF A STRESSOR. 735 00:35:34,333 --> 00:35:35,634 AS IF THEY NEEDED ANY MORE, 736 00:35:35,667 --> 00:35:37,236 IT'S JUST LIKE WE THOUGHT. 737 00:35:37,269 --> 00:35:39,371 DAD WAS AN ABUSIVE DRUNK 738 00:35:39,405 --> 00:35:41,707 WHO KILLED THEIR MOM, THEN ABANDONED THEM. 739 00:35:41,740 --> 00:35:44,410 THEY WERE RAISED BY THEIR WORK FAMILY AFTER THAT. 740 00:35:44,443 --> 00:35:47,313 THEY WERE ORPHANS, JUST LIKE THEIR VICTIMS' KIDS. 741 00:35:47,346 --> 00:35:49,881 THEIR CIRCUS WAS NEVER THRIVING BUT HELD TO TRADITIONS. 742 00:35:49,915 --> 00:35:53,352 TONY WAS A BELOVED CLOWN A LA THE CLASSIC 1950s, 743 00:35:53,385 --> 00:35:54,753 BUT SAL CAPILANO NEVER WANTED THAT LIFE. 744 00:35:54,786 --> 00:35:56,622 HE WAS A DAREDEVIL, WANTED TO BE LIKE HIS DAD. 745 00:35:56,655 --> 00:35:59,191 SAL'S DAREDEVIL OUTLET DRIES UP, 746 00:35:59,225 --> 00:36:01,493 BUT HE'S STILL CHASING THAT ADRENALINE RUSH. 747 00:36:01,527 --> 00:36:03,862 AFTER THEY WERE FIRED, HE STARTED KILLING SURROGATES 748 00:36:03,895 --> 00:36:06,198 FOR THEIR FATHER. 749 00:36:06,232 --> 00:36:09,335 [OPERATIC VOICE] * YOU SHOULD SEE THE OTHER GUY 750 00:36:09,368 --> 00:36:10,502 WHAT DID YOU DO? 751 00:36:10,536 --> 00:36:11,937 OHH. WHAT, ARE YOU WORRIED NOW? 752 00:36:11,970 --> 00:36:13,839 DIDN'T SEEM TO CARE MUCH WHEN YOU JUST LEFT ME BEHIND, 753 00:36:13,872 --> 00:36:15,207 DIANA AND I. 754 00:36:15,241 --> 00:36:16,208 SHE'S NOT EVEN FAMILY! 755 00:36:16,242 --> 00:36:18,544 SHE'S MY WIFE. MY FAMILY. 756 00:36:18,577 --> 00:36:19,678 WHAT AM I? 757 00:36:19,711 --> 00:36:21,847 YOU'RE DRUNK. 758 00:36:21,880 --> 00:36:23,649 I'M GETTIN' ON THE BULL. 759 00:36:23,682 --> 00:36:25,551 NO, DON'T DO THAT. COME ON, NOT AGAIN. 760 00:36:25,584 --> 00:36:26,685 YOU'RE NOT GOOD AT IT. 761 00:36:26,718 --> 00:36:29,388 UNLIKE YOU, I DON'T GIVE UP. 762 00:36:29,421 --> 00:36:32,924 SEE, I TOLD LENNY, I SAID, MY KID BROTHER 763 00:36:32,958 --> 00:36:35,927 AND HIS FAMILY ABANDONED ME 764 00:36:35,961 --> 00:36:38,230 AFTER ALL I DID FOR THEM! 765 00:36:38,264 --> 00:36:40,466 I'M GETTING IN THERE 'CAUSE I NEED THE MONEY. 766 00:36:40,499 --> 00:36:41,933 SO DO I. 767 00:36:41,967 --> 00:36:43,602 LENNY: TOLD TOLD YOU NEVER TO COME BACK HERE, SAL. 768 00:36:43,635 --> 00:36:44,836 SEE, THAT'S NOT GONNA HAPPEN. 769 00:36:44,870 --> 00:36:46,572 ALL RIGHT, YOU CAN GIVE ME MY MONEY 770 00:36:46,605 --> 00:36:50,342 THE HONEST WAY, OR I CAN TAKE IT FROM YOU, LENNY. 771 00:36:54,746 --> 00:36:56,615 [GUNSHOT] 772 00:36:56,648 --> 00:36:59,885 [LENNY SCREAMING] HA HA HA! 773 00:36:59,918 --> 00:37:01,653 PUT IT DOWN, SAL. 774 00:37:01,687 --> 00:37:03,322 SEE, THAT AIN'T GONNA HAPPEN. 775 00:37:03,355 --> 00:37:06,392 YOU KNOW HE'S GOT AT LEAST A COUPLE GRAND IN HIS SAFE. 776 00:37:06,425 --> 00:37:08,527 HE NEEDS HELP. YEAH, RIGHT. 777 00:37:08,560 --> 00:37:10,396 COME WITH ME. WHAT ARE YOU GONNA DO? 778 00:37:10,429 --> 00:37:11,930 YOU GONNA CALL THE COPS? 779 00:37:11,963 --> 00:37:16,835 WELL, HOW YOU GONNA EXPLAIN IT, TONE? 780 00:37:16,868 --> 00:37:21,640 I'M GONNA TELL THEM WHAT YOU DID. 781 00:37:21,673 --> 00:37:23,609 [LAUGHS] 782 00:37:23,642 --> 00:37:26,512 THEY WOULD PUT YOU AWAY, TOO. 783 00:37:27,913 --> 00:37:30,482 ALL RIGHT, GO AHEAD. YOU GO AHEAD. 784 00:37:30,516 --> 00:37:32,484 YOU KEEP MAKING 50 BUCKS EVERY COUPLE OF DAYS 785 00:37:32,518 --> 00:37:33,452 SO YOU CAN BARELY SURVIVE. 786 00:37:33,485 --> 00:37:35,421 YOU THINK THAT WIFE OF YOURS 787 00:37:35,454 --> 00:37:36,788 IS GONNA STAY WITH YOU? 788 00:37:36,822 --> 00:37:37,956 HA HA HA! 789 00:37:37,989 --> 00:37:40,025 SHE WON'T! 790 00:37:40,058 --> 00:37:43,529 HELL, YOU COULD MAKE WAY MORE THAN 50 A DAY 791 00:37:43,562 --> 00:37:46,031 IF YOU JUST RENT HER OUT TO ALL THE GUYS. 792 00:37:46,064 --> 00:37:48,033 [GRUNTING] 793 00:37:48,066 --> 00:37:49,768 [LAUGHING] 794 00:37:49,801 --> 00:37:51,603 SAL CAPILANO, FBI! 795 00:37:51,637 --> 00:37:53,004 HANDS WHERE WE CAN SEE THEM! 796 00:37:53,038 --> 00:37:54,340 PUT THE GUN DOWN! 797 00:37:54,373 --> 00:37:55,574 OH... 798 00:37:55,607 --> 00:37:57,509 UH-UH, TONY, NO, NO. 799 00:37:57,543 --> 00:37:59,611 YOU DON'T WANT TO DO THIS. 800 00:37:59,645 --> 00:38:02,614 HE KILLED SO MANY PEOPLE. 801 00:38:02,648 --> 00:38:04,450 JJ: THAT WAS HIS CHOICE. 802 00:38:04,483 --> 00:38:06,785 NOW, YOU HAVE ONE, TOO, RIGHT NOW. 803 00:38:06,818 --> 00:38:08,720 DON'T DO THIS. 804 00:38:08,754 --> 00:38:11,089 GO AHEAD, TONE. 805 00:38:11,122 --> 00:38:13,959 YOU AIN'T GOT THE G-G-G-G-G-G-GUTS. 806 00:38:13,992 --> 00:38:15,361 [COCKS GUN] 807 00:38:15,394 --> 00:38:16,495 HA HA. OH... 808 00:38:16,528 --> 00:38:17,896 JJ: DON'T BE LIKE HIM 809 00:38:17,929 --> 00:38:20,632 OR YOUR FATHER. 810 00:38:20,666 --> 00:38:23,435 YOU'RE A DAD NOW, TONY. 811 00:38:23,469 --> 00:38:27,639 YOUR SON IS WAITING FOR YOU, AND YOUR WIFE. 812 00:38:27,673 --> 00:38:29,675 TONY, SHE'S SO WORRIED. 813 00:38:31,377 --> 00:38:33,579 DON'T YOU WANT TO SEE THEM? 814 00:38:35,947 --> 00:38:38,784 [LAUGHING] 815 00:38:41,152 --> 00:38:43,955 [HIGH-PITCHED LAUGHING] 816 00:38:43,989 --> 00:38:46,992 SAL CAPILANO, YOU'RE CHARGED WITH THE MURDERS 817 00:38:47,025 --> 00:38:49,060 OF SAM FRANKLIN--GET UP-- 818 00:38:49,094 --> 00:38:51,497 MARK WILSON... 819 00:38:51,530 --> 00:38:52,498 [LAUGHING] 820 00:38:52,531 --> 00:38:55,000 BELLA AND JOHN RICHARDSON. 821 00:38:55,033 --> 00:38:56,568 YOU HAVE THE RIGHT TO REMAIN SILENT. 822 00:38:56,602 --> 00:39:00,572 [LAUGHING] 823 00:39:00,606 --> 00:39:04,776 [CONTINUES LAUGHING] 824 00:39:18,457 --> 00:39:22,093 DO YOU WANT TO COLOR? 825 00:39:22,127 --> 00:39:24,396 SURE. 826 00:39:31,437 --> 00:39:32,771 WHAT'S YOUR NAME? 827 00:39:32,804 --> 00:39:34,673 DYLAN. WHAT'S YOURS? 828 00:39:34,706 --> 00:39:36,708 MIKEY. 829 00:39:36,742 --> 00:39:41,112 HOW LONG IS TONY GONNA BE AWAY? 830 00:39:41,146 --> 00:39:43,749 DEPENDS. 831 00:39:43,782 --> 00:39:45,150 OK. 832 00:39:46,685 --> 00:39:50,889 OH. THIS, WITH MIKEY, 833 00:39:50,922 --> 00:39:55,461 YOU KNOW, THESE PAST 7 YEARS HAVE GONE BY SO FAST. 834 00:39:55,494 --> 00:39:57,829 AND EVEN IF TONY'S GONE ONLY A YEAR, 835 00:39:57,863 --> 00:40:00,466 IT'S GONNA SEEM LIKE A LIFETIME. 836 00:40:00,499 --> 00:40:02,901 YOU KNOW, TONY WOULDN'T HURT ANYONE, 837 00:40:02,934 --> 00:40:04,603 AND HE DIDN'T. 838 00:40:04,636 --> 00:40:06,805 IT WAS ALL SAL. HIS ENTIRE LIFE 839 00:40:06,838 --> 00:40:08,206 SAL HAS CAUSED TROUBLE, AND NOW TONY'S 840 00:40:08,239 --> 00:40:10,175 GONNA GET PUNISHED, TOO. 841 00:40:14,813 --> 00:40:18,984 HEY. TONY WANTS TO TALK TO YOU AND MIKEY. 842 00:40:19,017 --> 00:40:20,819 YEAH. YEAH. 843 00:40:20,852 --> 00:40:25,223 HEY, MIKEY, BUDDY. 844 00:40:25,256 --> 00:40:26,625 BYE, DYLAN. 845 00:40:26,658 --> 00:40:28,627 BYE. 846 00:40:35,066 --> 00:40:37,503 HEY. 847 00:40:41,006 --> 00:40:44,109 I'M SO SORRY, BUDDY. 848 00:40:44,142 --> 00:40:46,545 I GOTTA GO AWAY FOR A LITTLE WHILE, 849 00:40:46,578 --> 00:40:50,616 BUT YOU AND YOUR MOM ARE GONNA GO HAVE FUN IN FLORIDA. 850 00:40:50,649 --> 00:40:51,850 NO, WE'RE GONNA STAY RIGHT HERE 851 00:40:51,883 --> 00:40:53,519 OR WHEREVER YOU GO. 852 00:40:53,552 --> 00:40:55,487 IT'S JUST GONNA HOLD YOU BACK. 853 00:40:55,521 --> 00:40:57,055 WHAT ARE YOU SAYING? 854 00:41:01,026 --> 00:41:04,229 I COULD DO 5, 10 YEARS FOR THIS, 855 00:41:04,262 --> 00:41:07,032 MAYBE MORE. 856 00:41:07,065 --> 00:41:10,035 HE'LL BE IN HIGH SCHOOL BY THEN. 857 00:41:10,068 --> 00:41:15,006 AND I DON'T WANT HIM TO SEE ME LIKE THIS AGAIN. 858 00:41:15,040 --> 00:41:18,209 [CRYING] YOU JUST MAKE SURE THAT HE DOESN'T FORGET ME. 859 00:41:18,243 --> 00:41:20,812 OK? NO. 860 00:41:20,846 --> 00:41:26,217 [BLOWING] 861 00:41:26,251 --> 00:41:28,820 HEY! 862 00:41:34,626 --> 00:41:36,294 THAT'S IT, BUDDY. 863 00:41:36,327 --> 00:41:38,129 YOU GOT THIS. 864 00:41:38,163 --> 00:41:43,034 [LAUGHING AND CRYING] 865 00:41:44,335 --> 00:41:46,838 I'M SO PROUD OF YOU. 866 00:41:48,740 --> 00:41:51,276 THERE HE IS. 867 00:41:55,046 --> 00:41:57,649 I MADE THIS FOR YOU. 868 00:41:57,683 --> 00:41:59,250 THANKS. 869 00:41:59,284 --> 00:42:00,786 HE'S ON AN ADVENTURE 870 00:42:00,819 --> 00:42:02,588 TO FIND HIS FAMILY IN THE FOREST. 871 00:42:02,621 --> 00:42:04,556 MIKEY: HOW MUCH FARTHER DOES HE HAVE TO GO? 872 00:42:04,590 --> 00:42:06,057 DYLAN: HE DOESN'T KNOW. 873 00:42:06,091 --> 00:42:07,659 REID: CHRISTOPHER MARLOWE SAID, 874 00:42:07,693 --> 00:42:10,896 "IT LIES NOT IN OUR POWER TO LOVE OR HATE. 875 00:42:10,929 --> 00:42:14,633 FOR WILL IN US IS OVERRULED BY FATE." 876 00:42:17,603 --> 00:42:19,971 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 877 00:42:20,005 --> 00:42:21,707 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--