1 00:00:03,481 --> 00:00:07,007 MAN: MURIEL? I'M BACK. 2 00:00:09,487 --> 00:00:12,925 MURIEL? IT'S ME. 3 00:00:19,193 --> 00:00:22,587 LOOK, I'M SORRY. 4 00:00:22,631 --> 00:00:26,461 CAN'T WE AT LEAST TALK ABOUT IT? 5 00:00:26,504 --> 00:00:27,897 MURIEL! 6 00:00:31,988 --> 00:00:33,033 [COUGHS] 7 00:00:33,076 --> 00:00:35,035 [SMOKE ALARM BEEPING] 8 00:00:35,078 --> 00:00:38,386 AAH! SON OF A-- 9 00:00:51,703 --> 00:00:54,663 PRENTISS: I GAVE AT THE OFFICE. 10 00:00:54,706 --> 00:00:56,882 OH, GOOD, YOU'RE STILL HERE. 11 00:00:56,926 --> 00:00:58,275 YEAH, IT'S THE BAU, DAVE. 12 00:00:58,319 --> 00:01:01,191 I'VE GOT A PUP TENT AND K-RATIONS IN THE CLOSET. 13 00:01:01,235 --> 00:01:02,366 WHAT'S UP? 14 00:01:02,410 --> 00:01:03,454 EGGROLL? 15 00:01:03,498 --> 00:01:04,890 UH, I'M GOOD, THANKS. 16 00:01:04,934 --> 00:01:07,154 EMILY, DO YOU THINK I CAN GET THE NEXT FEW DAYS OFF, 17 00:01:07,197 --> 00:01:09,330 USE SOME OF MY ANNUAL LEAVE? 18 00:01:11,549 --> 00:01:12,768 WHAT? 19 00:01:12,811 --> 00:01:14,204 DAVID ROSSI, TIME OFF? 20 00:01:14,248 --> 00:01:16,554 I THINK WE'VE ENTERED A PARALLEL UNIVERSE. 21 00:01:16,598 --> 00:01:17,555 HMM. 22 00:01:17,599 --> 00:01:18,774 [CLICK] 23 00:01:18,817 --> 00:01:20,080 OUCH. NOPE. THIS IS ACTUALLY HAPPENING. 24 00:01:20,123 --> 00:01:21,907 OK, YOU CAN STOP THE THEATRICS. 25 00:01:21,951 --> 00:01:25,172 I GOT A CALL THIS EVENING FROM KRYSTALL. 26 00:01:25,215 --> 00:01:28,392 KRYSTALL WITH THE "K" AND TWO Ls? 27 00:01:28,436 --> 00:01:29,915 WHOA, WAIT. WHAT'S HAPPENING? 28 00:01:29,959 --> 00:01:31,134 DID I MISS SOMETHING? 29 00:01:31,178 --> 00:01:32,962 UH, SHE WAS ROSSI'S THIRD EX-WIFE. 30 00:01:33,005 --> 00:01:36,226 SHE WAS A BLACKJACK DEALER IN LAS VEGAS. 31 00:01:36,270 --> 00:01:37,401 AND OUR LOVE BLOSSOMED 32 00:01:37,445 --> 00:01:40,100 AS SO MANY OF THE GREAT ONES DO, 33 00:01:40,143 --> 00:01:43,320 OVER A DECK OF CARDS AND LOTS OF CASINO COMPED BOOZE. 34 00:01:43,364 --> 00:01:45,975 NOW, WHAT HAPPENED? THAT SOUNDS LIKE A LOVE FOR THE AGES. 35 00:01:46,018 --> 00:01:48,369 ONCE WE SOBERED UP, WE HAD THE MARRIAGE ANNULLED. 36 00:01:48,412 --> 00:01:50,762 WHY DID I NOT KNOW ABOUT THIS? 37 00:01:50,806 --> 00:01:53,069 YOU KNOW THE RULES. ALL GOSSIP FUNNELS THROUGH ME. 38 00:01:53,113 --> 00:01:54,418 OH, WAIT, IT GETS BETTER. 39 00:01:54,462 --> 00:01:55,637 THEY GOT MARRIED IN ONE OF THOSE 40 00:01:55,680 --> 00:01:57,073 DRIVE-THROUGH WEDDING CHAPELS, RIGHT? 41 00:01:57,117 --> 00:01:59,206 YEAH. TWO BLOCKS OFF THE STRIP. 42 00:01:59,249 --> 00:02:02,470 OUR SACRED VOWS WERE OFFICIATED BY AN ELVIS IMPERSONATOR, 43 00:02:02,513 --> 00:02:04,515 WHO MIGHT HAVE BEEN DRUNKER THAN WE WERE. 44 00:02:04,559 --> 00:02:06,604 HAVE YOU SEEN THIS WOMAN SINCE? 45 00:02:06,648 --> 00:02:09,912 BIRTHDAY AND CHRISTMAS CARDS, BUT FACE TO FACE, NO. 46 00:02:09,955 --> 00:02:13,002 SHE MOVED TO L.A., GOT REMARRIED, HAD A KID, GOT DIVORCED. 47 00:02:13,045 --> 00:02:14,830 NOW HER DAUGHTER'S GONNA GET MARRIED 48 00:02:14,873 --> 00:02:16,658 HERE IN D.C. NEXT WEEK. 49 00:02:16,701 --> 00:02:17,920 [CELL PHONE BEEPS] 50 00:02:17,963 --> 00:02:19,269 WE HOPE TO GET TOGETHER FOR COFFEE, 51 00:02:19,313 --> 00:02:21,576 BUT IF THAT'S A NEW CASE COMING IN... 52 00:02:21,619 --> 00:02:24,274 YEAH, THERE IS, AND WE CAN HANDLE IT WITHOUT YOU. 53 00:02:24,318 --> 00:02:26,146 YOU KEEP THAT COFFEE DATE. THAT'S AN ORDER. 54 00:02:26,189 --> 00:02:28,278 JUST PROMISE ME ONE THING. 55 00:02:28,322 --> 00:02:31,368 NO SPUR-OF-THE-MOMENT TRIPS TO ATLANTIC CITY. 56 00:02:31,412 --> 00:02:33,457 [GARCIA CHUCKLES] 57 00:02:33,501 --> 00:02:35,459 ALL RIGHT, LET'S GATHER THE TROOPS. 58 00:02:35,503 --> 00:02:37,983 YEAH. 59 00:02:38,027 --> 00:02:40,769 MARRIED BY AN ELVIS IMPERSONATOR. 60 00:02:40,812 --> 00:02:43,772 I NEED TO STEP UP MY GAME. 61 00:02:43,815 --> 00:02:46,992 MURIEL GOURSE, 47, OF CHICAGO, ILLINOIS, 62 00:02:47,036 --> 00:02:50,257 WAS FOUND DEAD LAST NIGHT, STABBED ONCE IN THE BACK. 63 00:02:50,300 --> 00:02:52,824 THE NIGHT BEFORE, 24-YEAR-OLD AMANDA CORLISS 64 00:02:52,868 --> 00:02:54,304 WAS DISCOVERED IN HER APARTMENT. 65 00:02:54,348 --> 00:02:55,740 SHE HAD ALSO BEEN STABBED IN THE BACK. 66 00:02:55,784 --> 00:02:57,046 SAME RED ROSE IN THE MOUTH. 67 00:02:57,089 --> 00:02:58,787 GARCIA: NO SIGN OF ROBBERY OR BREAK-INS. 68 00:02:58,830 --> 00:03:00,397 DESPITE THEIR BEING A LOT OF NEIGHBORS, 69 00:03:00,441 --> 00:03:01,616 NOBODY HEARD A PEEP. 70 00:03:01,659 --> 00:03:02,704 YOU KNOW, ROSES ARE TRADITIONALLY 71 00:03:02,747 --> 00:03:04,314 A SYMBOL OF PASSION AND LOVE. 72 00:03:04,358 --> 00:03:06,664 THE UNSUB COULD BE CONNECTED TO THESE VICTIMS ROMANTICALLY. 73 00:03:06,708 --> 00:03:08,231 OR MAYBE HE WANTED TO BE 74 00:03:08,275 --> 00:03:10,015 AND THIS IS WHAT HAPPENED WHEN THINGS DIDN'T WORK OUT. 75 00:03:10,059 --> 00:03:12,496 LEWIS: NEITHER VICTIM SHOWED EVIDENCE OF SEXUAL ASSAULT, 76 00:03:12,540 --> 00:03:16,239 AND THERE IS A DRAMATIC DIFFERENCE IN AGE BETWEEN THE TWO VICTIMS. 77 00:03:16,283 --> 00:03:18,981 MURIEL GOURSE'S BODY WAS DISCOVERED BY HER HUSBAND. 78 00:03:19,024 --> 00:03:20,896 THERE WAS ALSO A CARTON OF CIGARETTES 79 00:03:20,939 --> 00:03:22,332 BURNING IN THEIR OVEN. 80 00:03:22,376 --> 00:03:23,594 THAT'S AN UNUSUAL SIGNATURE. 81 00:03:23,638 --> 00:03:24,813 ANYTHING LIKE THAT WITH AMANDA? 82 00:03:24,856 --> 00:03:26,075 GARCIA: NO. 83 00:03:26,118 --> 00:03:27,207 SIMMONS: IT FEELS LIKE A MESSAGE, BUT WHAT? 84 00:03:27,250 --> 00:03:28,512 AND TO WHOM? 85 00:03:28,556 --> 00:03:30,210 JAREAU: SO WE'VE GOT NO FORCIBLE ENTRY, 86 00:03:30,253 --> 00:03:33,169 MINIMAL RESISTANCE, AND NO CRIES FOR HELP. 87 00:03:33,213 --> 00:03:34,257 I'D SAY THERE'S A GOOD CHANCE 88 00:03:34,301 --> 00:03:35,650 THESE WOMEN KNEW THE KILLER. 89 00:03:35,693 --> 00:03:37,521 AND WITH TWO VICTIMS ON CONSECUTIVE NIGHTS, 90 00:03:37,565 --> 00:03:39,697 WE CAN'T WAIT TILL MORNING. WHEELS UP IN 30. 91 00:03:39,741 --> 00:03:43,353 WOMEN: ♪ I NEVER SEEM TO PLEASE YOU 92 00:03:43,397 --> 00:03:47,227 ♪ NO MATTER HOW MUCH I TRY 93 00:03:47,270 --> 00:03:50,360 ♪ WHY PRETEND YOU LOVE ME 94 00:03:50,404 --> 00:03:53,711 ♪ WHEN IT'S JUST AN ALIBI? 95 00:03:53,755 --> 00:03:57,324 ♪ YOU BETTER CHOOSE YOUR WAY OF LOVIN' ♪ 96 00:03:57,367 --> 00:04:01,589 ♪ BEFORE THE WELL RUNS DRY 97 00:04:26,701 --> 00:04:30,052 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 98 00:04:36,754 --> 00:04:37,973 LEWIS: "PERHAPS WHEN WE FIND OURSELVES 99 00:04:38,016 --> 00:04:39,366 "WANTING EVERYTHING, IT IS BECAUSE 100 00:04:39,409 --> 00:04:41,455 WE ARE DANGEROUSLY NEAR TO WANTING NOTHING." 101 00:04:41,498 --> 00:04:44,675 SYLVIA PLATH. 102 00:04:44,719 --> 00:04:46,503 SIMMONS: THE FIRST VICTIM AMANDA CORLISS 103 00:04:46,547 --> 00:04:49,419 LED A FAIRLY HIGH-RISK LIFESTYLE--PARTY GIRL, 104 00:04:49,463 --> 00:04:51,639 LOTS OF RECREATIONAL DRUG USE AND CASUAL SEX. 105 00:04:51,682 --> 00:04:53,771 DID SHE HAVE A JOB, GARCIA? 106 00:04:53,815 --> 00:04:55,207 UH, DO YOU CONSIDER 107 00:04:55,251 --> 00:04:57,471 STROLLING TO THE LOCAL ATM A JOB? 108 00:04:57,514 --> 00:04:58,733 IF YOU DO, SHE HAD A JOB. 109 00:04:58,776 --> 00:05:00,474 IF NOT, SHE WAS A TRUST FUND KID. 110 00:05:00,517 --> 00:05:03,215 REID: HEY, GARCIA, WAS SHE ROMANTICALLY INVOLVED WITH ANYONE SPECIAL? 111 00:05:03,259 --> 00:05:05,957 UH, SHE SORT OF BOUNCED AROUND FROM DUDE TO DUDE. 112 00:05:06,001 --> 00:05:07,263 PRENTISS: ON THE OTHER END OF THE SPECTRUM. 113 00:05:07,307 --> 00:05:09,352 MURIEL GOURSE WAS A MIDDLE SCHOOL TEACHER, 114 00:05:09,396 --> 00:05:10,919 LIVED QUIETLY IN THE SUBURBS 115 00:05:10,962 --> 00:05:12,573 WITH HER HUSBAND OF 23 YEARS. 116 00:05:12,616 --> 00:05:14,705 IT DOESN'T GET MORE LOW RISK THAN THAT. 117 00:05:14,749 --> 00:05:16,272 REID: IT SAYS HERE THAT AMANDA'S DRUG USE 118 00:05:16,316 --> 00:05:18,361 WAS PRIMARILY MDMA. 119 00:05:18,405 --> 00:05:19,971 BUT THERE'S ALSO SOME ANTIDEPRESSANTS IN THE MIX. 120 00:05:20,015 --> 00:05:22,104 SHE HAD UNDERLYING MENTAL HEALTH ISSUES. 121 00:05:22,147 --> 00:05:24,280 MURIEL'S LIFE WASN'T ALL THAT IDYLLIC EITHER. 122 00:05:24,324 --> 00:05:25,499 HER AND HER HUSBAND WERE SEEING A COUNSELOR. 123 00:05:25,542 --> 00:05:27,152 THEIR MARRIAGE WAS IN TROUBLE. 124 00:05:27,196 --> 00:05:28,937 LEWIS: WELL, MAYBE THAT'S THE COMMON THREAD, 125 00:05:28,980 --> 00:05:30,591 DISSATISFACTION WITH THEIR LOVE LIVES. 126 00:05:30,634 --> 00:05:32,680 REID: ONE STAB WOUND TO THE BACK AND NO SIGN OF A STRUGGLE. 127 00:05:32,723 --> 00:05:34,725 THE UNSUB PROBABLY BRINGS A GUN TO HELP CONTROL THEM. 128 00:05:34,769 --> 00:05:36,466 BRINGS A GUN BUT DOESN'T USE IT. 129 00:05:36,510 --> 00:05:38,599 THIS KILLER PREFERS A MORE PERSONAL TOUCH. 130 00:05:38,642 --> 00:05:40,296 WE LAND IN A COUPLE OF HOURS. 131 00:05:40,340 --> 00:05:42,864 LET'S BE READY TO HIT THE GROUND RUNNING. 132 00:05:42,907 --> 00:05:46,607 ROSSI: HA HA HA! ARE YOU--NO, REALLY? 133 00:05:46,650 --> 00:05:50,132 I COULD HAVE SWORN IT WAS "HERE COMES THE BRIDE." 134 00:05:50,175 --> 00:05:52,482 THAT IS YOUR BRAIN DOING DAMAGE CONTROL. 135 00:05:52,526 --> 00:05:54,789 I AM TELLING YOU, WE MARCHED DOWN THE AISLE 136 00:05:54,832 --> 00:05:55,920 TO "HOUND DOG." 137 00:05:55,964 --> 00:05:57,008 REALLY? 138 00:05:57,052 --> 00:05:58,314 TRUST ME, DAVID, I REMEMBER. 139 00:05:58,358 --> 00:06:00,011 THE CASSETTE DECK WAS SITTING RIGHT THERE 140 00:06:00,055 --> 00:06:03,450 ON THE ALTAR BETWEEN THE BIBLE AND THE TEQUILA. 141 00:06:03,493 --> 00:06:06,801 WELL, WHATEVER OUR SONG WAS, IT'S GREAT TO SEE YOU AGAIN. 142 00:06:06,844 --> 00:06:09,238 I LIKE THE SILVER IN YOUR HAIR. 143 00:06:09,281 --> 00:06:10,979 DID I GIVE YOU THAT OR-- 144 00:06:11,022 --> 00:06:12,937 NO, NO, NO, NO, NO. MY PUBLISHERS 145 00:06:12,981 --> 00:06:14,025 HAVE BEEN BUGGING ME ABOUT LOOKING 146 00:06:14,069 --> 00:06:15,636 MORE DISTINGUISHED, SO I DECIDED 147 00:06:15,679 --> 00:06:16,941 TO GO AU NATURAL. 148 00:06:16,985 --> 00:06:18,160 [LAUGHS] 149 00:06:18,203 --> 00:06:19,379 SO PORTIA'S GETTING MARRIED. 150 00:06:19,422 --> 00:06:20,902 YOU MUST BE VERY EXCITED. 151 00:06:20,945 --> 00:06:23,034 YEAH, THAT'S ANOTHER WAY OF SAYING NERVOUS WRECK. 152 00:06:23,078 --> 00:06:24,514 AND WHO'S THE LUCKY GROOM? 153 00:06:24,558 --> 00:06:26,168 [SOUTHERN ACCENT] WICK ROLLINS 154 00:06:26,211 --> 00:06:28,562 FROM SAVANNAH, GEORGIA. 155 00:06:28,605 --> 00:06:30,738 HE DOESN'T REALLY TALK LIKE THAT. 156 00:06:30,781 --> 00:06:32,261 SWEETHEART OF A GUY. 157 00:06:32,304 --> 00:06:35,046 AND SHE'S--PORTIA'S OVER THE MOON. 158 00:06:35,090 --> 00:06:37,614 I'M THRILLED FOR HER, FOR BOTH OF YOU. 159 00:06:37,658 --> 00:06:39,921 HEY, WHAT ABOUT YOU? I MEAN, OUT OF THE BLUE 160 00:06:39,964 --> 00:06:42,837 YOU'RE--YOU HAVE A DAUGHTER AND A GRANDSON? 161 00:06:42,880 --> 00:06:45,274 YEP. JOY AND KAI. 162 00:06:45,317 --> 00:06:47,015 IT WAS A WONDERFUL SURPRISE. 163 00:06:47,058 --> 00:06:48,625 AND YOUR EX? 164 00:06:48,669 --> 00:06:50,671 WELL, WE BOTH REALIZED 165 00:06:50,714 --> 00:06:52,150 WE'RE BETTER AS GRANDPARENTS 166 00:06:52,194 --> 00:06:53,587 THAN WE ARE AS A COUPLE. 167 00:06:53,630 --> 00:06:56,372 BUT IT'S TURNED INTO A VERY NICE FRIENDSHIP. 168 00:06:56,416 --> 00:06:58,418 RIGHT. ENOUGH CATCHING UP. 169 00:06:58,461 --> 00:07:00,898 I HAVE A PROPOSITION FOR YOU. 170 00:07:00,942 --> 00:07:04,380 YOU KNOW, LAST TIME WE DID SOMETHING LIKE THAT-- 171 00:07:04,424 --> 00:07:08,819 RELAX. ELVIS HAS NOTHING TO DO WITH THIS. 172 00:07:08,863 --> 00:07:10,299 WHAT'S THIS? 173 00:07:10,342 --> 00:07:11,648 AN INVITATION. 174 00:07:11,692 --> 00:07:13,215 I WANT YOU TO COME TO THE WEDDING 175 00:07:13,258 --> 00:07:14,651 AS MY PLUS ONE. 176 00:07:14,695 --> 00:07:16,653 PORTIA'S OK WITH THAT? 177 00:07:16,697 --> 00:07:20,396 THIS IS A GIRL WHO HAS READ ALL OF YOUR BOOKS TWICE. 178 00:07:20,440 --> 00:07:22,267 TO HER, THE MOST IMPRESSIVE THING ABOUT ME 179 00:07:22,311 --> 00:07:25,532 IS THAT YOU AND I WERE MARRIED FOR 36 HOURS. 180 00:07:25,575 --> 00:07:27,098 SHE'LL BE OK. 181 00:07:27,142 --> 00:07:28,230 WELL, IF THAT'S THE CASE, 182 00:07:28,273 --> 00:07:29,753 I'M HONORED TO ATTEND. 183 00:07:29,797 --> 00:07:31,842 GREAT. NOW I GOTTA RUN. 184 00:07:31,886 --> 00:07:34,932 HEY, LISTEN. UM, IF YOU'VE GOT TIME LATER, 185 00:07:34,976 --> 00:07:37,979 WHY DON'T YOU BRING PORTIA AND WICK TO THE BAU? 186 00:07:38,022 --> 00:07:40,198 I'LL GIVE THE 3 OF YOU A TOUR. 187 00:07:40,242 --> 00:07:41,939 CONSIDER IT A DATE. 188 00:07:51,862 --> 00:07:53,951 ISN'T THERE A DANCE WHERE THE COUPLE HOLDS ROSES 189 00:07:53,995 --> 00:07:55,431 BETWEEN THEIR TEETH? 190 00:07:55,475 --> 00:07:56,911 IT'S THE TANGO, RIGHT? 191 00:07:56,954 --> 00:07:58,478 THAT'S ACTUALLY A COMMON MISCONCEPTION. 192 00:07:58,521 --> 00:08:00,436 RUDOLPH VALENTINO DID IT WHILE DANCING THE TANGO 193 00:08:00,480 --> 00:08:03,091 IN THE 1921 FILM "FOUR HORSEMEN OF THE APOCALYPSE," 194 00:08:03,134 --> 00:08:05,485 BUT THE AUTHENTIC ARGENTINIAN DANCE DOESN'T INVOLVE A ROSE 195 00:08:05,528 --> 00:08:07,095 OR ANY OTHER FLOWER, FOR THAT MATTER. 196 00:08:07,138 --> 00:08:08,792 PRENTISS: LEAVE SOME SPACE ON THAT BOARD. 197 00:08:08,836 --> 00:08:11,012 A THIRD VICTIM WAS JUST DISCOVERED. 198 00:08:11,055 --> 00:08:13,101 STABBED IN THE BACK, RED ROSE IN HER MOUTH, 199 00:08:13,144 --> 00:08:14,232 JUST LIKE THE OTHERS. 200 00:08:14,276 --> 00:08:15,669 SO MUCH FOR A COOLING-OFF PERIOD. 201 00:08:15,712 --> 00:08:17,758 SPENCE, YOU AND JJ GO TO THE NEW CRIME SCENE. 202 00:08:17,801 --> 00:08:19,629 LUKE AND TARA ARE WITH THE M.E. NOW. 203 00:08:19,673 --> 00:08:23,067 MATT, MURIEL GOURSE'S HUSBAND IS ON HIS WAY IN. 204 00:08:23,111 --> 00:08:25,548 TALK TO HIM, SEE IF HE KNOWS SOMETHING WE DON'T. 205 00:08:27,507 --> 00:08:30,205 IT'S GOOD TO HAVE THE BAU IN TOWN AGAIN. 206 00:08:30,248 --> 00:08:32,512 I WAS LOOKIN' TO SAY HELLO TO AGENT MORGAN. 207 00:08:32,555 --> 00:08:33,991 HE RETIRED. 208 00:08:34,035 --> 00:08:35,515 REALLY? 209 00:08:35,558 --> 00:08:37,342 YEAH. HE'S MARRIED. HE'S GOT A LITTLE BOY NOW. 210 00:08:37,386 --> 00:08:39,606 TOOK THE PLUNGE. 211 00:08:39,649 --> 00:08:41,608 WELL, DON'T WORRY ABOUT ME. 212 00:08:41,651 --> 00:08:46,003 I'LL FIND A WAY TO CARRY ON, SOMEHOW. 213 00:08:46,047 --> 00:08:48,963 C.O.D. FOR BOTH VICTIMS WAS A SINGLE STAB WOUND 214 00:08:49,006 --> 00:08:50,486 TO THE BACK. 215 00:08:50,530 --> 00:08:52,793 UNUSUAL LACERATIONS, THOUGH. 216 00:08:52,836 --> 00:08:53,968 HOW SO? 217 00:08:54,011 --> 00:08:55,491 WELL, BLADE WAS THICKER AND SHORTER 218 00:08:55,535 --> 00:08:56,797 THAN A STANDARD KNIFE. 219 00:08:56,840 --> 00:08:58,581 MORE LIKE A DAGGER. 220 00:08:58,625 --> 00:09:00,322 ARE THOSE LIGATURE MARKS? 221 00:09:00,365 --> 00:09:02,585 YES, MA'AM. INITIALLY I THOUGHT 222 00:09:02,629 --> 00:09:04,631 THAT THE PERPETRATOR TRIED TO STRANGLE HER 223 00:09:04,674 --> 00:09:06,197 WITH THE NECKLACE SHE WAS WEARING, 224 00:09:06,241 --> 00:09:09,505 BUT THE LIGATURE MARKS WERE INFLICTED POSTMORTEM. 225 00:09:09,549 --> 00:09:11,420 SO THE UNSUB HANDLED THE NECKLACE. 226 00:09:11,463 --> 00:09:13,814 DID YOU RETRIEVE ANY DNA FROM THE JEWELRY? 227 00:09:13,857 --> 00:09:15,511 UNFORTUNATELY NOT. 228 00:09:15,555 --> 00:09:17,165 THE KILLER MUST HAVE WORE GLOVES. 229 00:09:17,208 --> 00:09:19,602 BUT I DID FIND SOMETHING CURIOUS 230 00:09:19,646 --> 00:09:22,823 ON MURIEL GOURSE'S BODY, THOUGH. 231 00:09:22,866 --> 00:09:25,434 SLIGHT SINGEING OF THE EYELASHES 232 00:09:25,477 --> 00:09:26,696 AND THE EYEBROWS. 233 00:09:26,740 --> 00:09:28,655 AND THERE WERE TRACES OF SMOKE IN HER LUNGS. 234 00:09:28,698 --> 00:09:30,831 HER HEAD MUST HAVE BEEN FORCED INTO THE OVEN. 235 00:09:30,874 --> 00:09:34,486 MM. WHILE SHE WAS STILL ALIVE. 236 00:09:36,750 --> 00:09:38,795 DRINK RESIDUE ALL OVER THE VICTIM'S FACE. 237 00:09:38,839 --> 00:09:40,405 UNLIKELY SHE WAS CONSUMING ANY OF IT, 238 00:09:40,449 --> 00:09:43,365 THOUGH THAT SPLATTER PATTERN SUGGESTS IT WAS POURED ON HER, 239 00:09:43,408 --> 00:09:44,845 POSSIBLY POSTMORTEM. 240 00:09:44,888 --> 00:09:47,674 YEAH. I DON'T THINK RITA WAS MUCH OF A DRINKER AT ALL. 241 00:09:47,717 --> 00:09:50,241 THERE'S NOT A DROP OF ALCOHOL ANYWHERE ELSE AROUND HERE. 242 00:09:50,285 --> 00:09:51,373 WAS SHE EMPLOYED? 243 00:09:51,416 --> 00:09:52,766 YEAH. PERSONAL NURSE. 244 00:09:52,809 --> 00:09:55,682 UH, WORKED THE OVERNIGHT SHIFT AT PRIVATE HOMES. 245 00:09:55,725 --> 00:09:57,771 ACCORDING TO GARCIA, NO MEN IN HER LIFE. 246 00:09:57,814 --> 00:09:58,859 THE NEIGHBORS SAID SHE WAS QUIET, 247 00:09:58,902 --> 00:10:00,077 KEPT TO HERSELF MAINLY, 248 00:10:00,121 --> 00:10:01,992 WAS FAIRLY ACTIVE IN CHURCH. 249 00:10:02,036 --> 00:10:04,560 WELL, HER LIVING SPACE CERTAINLY REFLECTS THAT. 250 00:10:04,604 --> 00:10:07,171 OLD-FASHIONED WARDROBE, 251 00:10:07,215 --> 00:10:10,392 MUSIC COLLECTION FROM YOUR GRANDPARENTS' TIME. 252 00:10:10,435 --> 00:10:12,829 HER BOOKS ARE MOSTLY ROMANCE NOVELS. 253 00:10:12,873 --> 00:10:15,223 STEAMY ONES AT THAT. 254 00:10:15,266 --> 00:10:17,878 MAYBE THERE'S ANOTHER RITA DEEP INSIDE TRYING TO ESCAPE. 255 00:10:17,921 --> 00:10:21,055 OR DID ESCAPE. 256 00:10:21,098 --> 00:10:22,796 MAYBE THAT'S WHAT GOT HER KILLED. 257 00:10:22,839 --> 00:10:25,581 WE NEED TO TAKE A CLOSER LOOK AT THE OTHER VICTIMS. 258 00:10:25,625 --> 00:10:29,237 MAYBE THEY ALL HAVE SOMETHING BREWING BENEATH THE SURFACE. 259 00:10:32,022 --> 00:10:33,241 YOU IN THE MIDDLE OF ANYTHING? 260 00:10:33,284 --> 00:10:35,243 BLACK CHERRY DELICIOUSNESS. 261 00:10:35,286 --> 00:10:37,419 WHY ANY MORTAL WOULD EAT ANY--OH! 262 00:10:37,462 --> 00:10:38,899 VISITORS! 263 00:10:38,942 --> 00:10:41,075 PENELOPE, I WOULD LIKE TO INTRODUCE YOU 264 00:10:41,118 --> 00:10:44,078 TO PORTIA RICHARDS, WICK ROLLINS, 265 00:10:44,121 --> 00:10:45,688 AND KRYSTALL RICHARDS. 266 00:10:45,732 --> 00:10:46,907 WITH A "K" AND TWO Ls. 267 00:10:46,950 --> 00:10:48,604 OH, IT'S SO NICE TO MEET YOU. 268 00:10:48,648 --> 00:10:50,258 YOUR REPUTATION PRECEDES YOU. 269 00:10:50,301 --> 00:10:51,259 I'VE HEARD SO MUCH ABOUT YOU. 270 00:10:51,302 --> 00:10:52,260 GOOD STUFF. NOT GOOD 271 00:10:52,303 --> 00:10:53,522 IN THE CONVENTIONAL SENSE, 272 00:10:53,565 --> 00:10:55,132 BUT NOT ANYTHING THAT I DON'T APPROVE OF. 273 00:10:55,176 --> 00:10:56,438 DOUBLE NEGATIVE. SORRY. 274 00:10:56,481 --> 00:10:57,439 IT'S JUST--YOU KNOW WHAT? 275 00:10:57,482 --> 00:10:59,267 PEOPLE ARE SO JUDGMENTAL, 276 00:10:59,310 --> 00:11:00,834 AND THEY SHOULDN'T BE JUDGMENTAL, 277 00:11:00,877 --> 00:11:02,313 AND THAT'S NOT WHAT I'M GONNA DO. BE. 278 00:11:02,357 --> 00:11:03,706 JUDGMENTAL. 279 00:11:03,750 --> 00:11:06,709 IT IS A PLEASURE TO MEET YOU, PENELOPE. 280 00:11:06,753 --> 00:11:08,450 AND THE LADIES WERE WONDERING 281 00:11:08,493 --> 00:11:10,931 IF YOU COULD ESCORT THEM TO THE RESTROOM. 282 00:11:10,974 --> 00:11:12,846 I--I CAN DO THAT. IT'S THIS WAY. 283 00:11:12,889 --> 00:11:14,282 I'LL BE IN MY OFFICE WITH WICK. 284 00:11:14,325 --> 00:11:16,719 GARCIA: THERE YOU GO. DOWN THIS HALL. 285 00:11:16,763 --> 00:11:19,766 SHE'S QUITE THE CHARACTER. IS SHE ALWAYS LIKE THAT? 286 00:11:19,809 --> 00:11:23,334 LUCKILY FOR US, YES. 287 00:11:23,378 --> 00:11:25,467 MY OFFICE IS THIS WAY. 288 00:11:27,469 --> 00:11:29,123 OH, WOW. 289 00:11:29,166 --> 00:11:31,038 A FELLOW MARINE GAVE THAT TO ME 290 00:11:31,081 --> 00:11:32,735 SHORTLY BEFORE HE DIED. 291 00:11:32,779 --> 00:11:34,955 THERE'S A PORTION OF THE VIETNAM VETERANS MEMORIAL 292 00:11:34,998 --> 00:11:36,347 ENGRAVED ON IT. 293 00:11:36,391 --> 00:11:37,609 YOU SHOOT? 294 00:11:37,653 --> 00:11:39,350 I DO. TRIED OUT FOR THE OLYMPIC TEAM, 295 00:11:39,394 --> 00:11:40,743 10-METER AIR RIFLE. 296 00:11:40,787 --> 00:11:42,658 WOW. WELL, THAT'S IMPRESSIVE. 297 00:11:42,702 --> 00:11:44,616 WOULD YOU BE INTERESTED IN A SESSION 298 00:11:44,660 --> 00:11:46,314 AT THE FBI FIRING RANGE? 299 00:11:46,357 --> 00:11:47,794 ARE YOU SERIOUS? 300 00:11:47,837 --> 00:11:50,100 I'LL SET IT UP FOR LATER TODAY. 301 00:11:50,144 --> 00:11:54,496 [WOMEN LAUGHING] 302 00:11:54,539 --> 00:11:55,976 WHAT'S SO FUNNY? 303 00:11:56,019 --> 00:11:58,805 THIS GIRL YOU'RE MARRYING IS HILARIOUS. 304 00:11:58,848 --> 00:12:01,546 WELL, LET US IN ON THE JOKE, HONEY. 305 00:12:01,590 --> 00:12:05,289 OH, I WAS JUST... TELLING A STORY. 306 00:12:05,333 --> 00:12:07,204 WHAT STORY WOULD THAT BE? 307 00:12:07,248 --> 00:12:09,206 OH, IT WAS ONE OF THOSE YOU HAD TO BE THERE 308 00:12:09,250 --> 00:12:11,121 KIND OF THINGS. 309 00:12:11,165 --> 00:12:13,167 [WOMEN LAUGHING] 310 00:12:13,210 --> 00:12:15,343 KRYSTALL: THIS HAS BEEN A GREAT TOUR, 311 00:12:15,386 --> 00:12:17,388 BUT WE'VE GOT SOME LAST-MINUTE SHOPPING 312 00:12:17,432 --> 00:12:18,781 TO CATCH UP ON. 313 00:12:18,825 --> 00:12:20,957 WE STILL ON FOR DINNER AT YOUR PLACE TONIGHT? 314 00:12:21,001 --> 00:12:23,568 LINGUINI A LA ROSSI. BRING YOUR APPETITES. 315 00:12:23,612 --> 00:12:25,875 [GIGGLING] 316 00:12:25,919 --> 00:12:27,355 GARCIA: IT'S QUITE GOOD. 317 00:12:27,398 --> 00:12:29,444 IT'S A VEGETARIAN... 318 00:12:34,710 --> 00:12:35,929 TALKED TO STEVEN GOURSE. 319 00:12:35,972 --> 00:12:38,105 CONFIRMED BOTH HE AND MURIEL ARE NONSMOKERS 320 00:12:38,148 --> 00:12:40,368 BUT ADMITTED HIS WIFE WOULD SNEAK A CIGARETTE 321 00:12:40,411 --> 00:12:41,804 EVERY ONCE IN A WHILE, USUALLY LATE AT NIGHT. 322 00:12:41,848 --> 00:12:43,240 SHE SUFFERED FROM INSOMNIA. 323 00:12:43,284 --> 00:12:44,676 WAS IT POSSIBLE SHE HID THEM IN THE OVEN? 324 00:12:44,720 --> 00:12:46,853 SHE KNEW HER HUSBAND WAS WISE TO HER, 325 00:12:46,896 --> 00:12:49,725 AND PLUS STEVEN SAID THE BRAND WASN'T EVEN THE KIND SHE SMOKED. 326 00:12:49,769 --> 00:12:51,727 ANOTHER THING. NONE OF AMANDA'S FRIENDS 327 00:12:51,771 --> 00:12:53,816 REMEMBER EVER SEEING HER WEARING THE NECKLACE 328 00:12:53,860 --> 00:12:55,296 THAT WAS FOUND ON HER BODY. 329 00:12:55,339 --> 00:12:58,081 SHE LIKED HIGH-END JEWELRY, AND THAT NECKLACE WAS CHEAP. 330 00:12:58,125 --> 00:12:59,300 MAYBE THE UNSUB BROUGHT IT WITH HIM, 331 00:12:59,343 --> 00:13:00,562 LIKE HE DID THE ALCOHOL WITH RITA 332 00:13:00,605 --> 00:13:01,824 AND THE CIGARETTES WITH MURIEL. 333 00:13:01,868 --> 00:13:04,261 IT COULD BE HIS OWN UNIQUE FORM OF SADISM. 334 00:13:04,305 --> 00:13:06,829 NOT ONLY DID HE DISPENSE PHYSICAL PAIN, 335 00:13:06,873 --> 00:13:08,178 BUT AT THE MOMENT OF DEATH, 336 00:13:08,222 --> 00:13:12,095 HE INFLICTED A PSYCHOLOGICAL WOUND AS WELL. 337 00:13:32,246 --> 00:13:34,814 [INDISTINCT CHATTER] 338 00:13:34,857 --> 00:13:37,512 VICTIM'S DEE STOCKTON. SINGLE, LIVED ALONE. 339 00:13:37,555 --> 00:13:39,514 THERE'S NO SIGNS OF A STRUGGLE INSIDE, 340 00:13:39,557 --> 00:13:41,342 SO IT MUST HAVE ALL GONE DOWN OUT HERE. 341 00:13:41,385 --> 00:13:43,866 A SINGLE STAB WOUND TO THE BACK LIKE THE OTHERS, 342 00:13:43,910 --> 00:13:46,738 BUT DRENCHED FROM THE NECK UP. 343 00:13:46,782 --> 00:13:49,698 I'M THINKING THE UNSUB PROBABLY PUT HER HEAD IN THE FOUNTAIN. 344 00:13:49,741 --> 00:13:52,570 HE BRINGS AN ITEM TO EACH CRIME SCENE, RIGHT? 345 00:13:52,614 --> 00:13:54,877 SO WHAT DOESN'T BELONG HERE? 346 00:13:54,921 --> 00:13:57,271 MAYBE NOW HE'S PLAYING HIDE-AND-SEEK. 347 00:13:57,314 --> 00:13:59,447 THERE'S BOOZE, CIGARETTES, 348 00:13:59,490 --> 00:14:01,666 A CHEAP PEARL NECKLACE. 349 00:14:01,710 --> 00:14:04,931 I MEAN, I GUESS IF YOU CONSIDER JEWELRY WASTEFUL SPENDING, 350 00:14:04,974 --> 00:14:07,585 THEN THOSE ALL QUALIFY AS VICES. 351 00:14:07,629 --> 00:14:09,587 WELL, THEY COULD BE THE UNSUB'S VICES. 352 00:14:09,631 --> 00:14:13,896 HE DRINKS, HE SMOKES, AND TOO BROKE TO BUY DECENT JEWELRY. 353 00:14:13,940 --> 00:14:16,072 IT WOULD PROVE THE REJECTED LOVER THEORY. 354 00:14:16,116 --> 00:14:19,336 I MEAN, IF HE THINKS THAT'S WHY THESE WOMEN SPURNED HIM, 355 00:14:19,380 --> 00:14:21,164 MAYBE IT'S PAYBACK. 356 00:14:21,208 --> 00:14:23,819 YOU KNOW, REID AND JJ SAID THAT RITA 357 00:14:23,863 --> 00:14:25,995 HAD AN OLD-TIME MUSIC COLLECTION. 358 00:14:26,039 --> 00:14:28,084 YEAH, WORLD WAR II ERA STUFF. 359 00:14:28,128 --> 00:14:30,043 GARCIA, HEY, I NEED YOU 360 00:14:30,086 --> 00:14:32,959 TO CHECK THE POLICE INVENTORY ON AMANDA CORLISS' APARTMENT. 361 00:14:33,002 --> 00:14:37,572 WE'RE TRYING TO FIND OUT WHAT KIND OF MUSIC SHE LISTENED TO. 362 00:14:37,615 --> 00:14:42,011 OK. SO DEE'S MUSIC WAS MOSTLY THIRTIES AND FORTIES. 363 00:14:42,055 --> 00:14:44,884 I KNOW AMANDA IS A LOT YOUNGER, BUT IT-- 364 00:14:44,927 --> 00:14:46,320 YEAH. GARCIA. 365 00:14:48,452 --> 00:14:51,629 OK. THANKS. 366 00:14:54,284 --> 00:14:58,767 AMANDA HAD AN EXTENSIVE COLLECTION OF BIG BAND MUSIC. 367 00:14:58,810 --> 00:15:00,638 WE WEREN'T BEING SPECIFIC ENOUGH. 368 00:15:00,682 --> 00:15:02,118 ABOUT WHAT? 369 00:15:02,162 --> 00:15:03,685 WELL, IT WASN'T JUST BOOZE. 370 00:15:03,728 --> 00:15:05,469 IT WAS RUM AND COCA-COLA. 371 00:15:05,513 --> 00:15:06,688 AND IT WASN'T JUST JEWELRY. 372 00:15:06,731 --> 00:15:08,472 IT WAS A DIME STORE PEARL NECKLACE. 373 00:15:08,516 --> 00:15:12,520 THE CIGARETTES WERE ABOUT PUTTING HER HEAD IN SMOKE. 374 00:15:12,563 --> 00:15:14,826 "RUM AND COCA-COLA," "STRING OF PEARLS," 375 00:15:14,870 --> 00:15:15,958 "SMOKE GETS IN YOUR EYES," 376 00:15:16,002 --> 00:15:17,655 SONG TITLES. YEAH. 377 00:15:17,699 --> 00:15:18,961 [EXHALES] 378 00:15:19,005 --> 00:15:20,963 HOW DID YOU PULL THAT OUT OF THIN AIR? 379 00:15:21,007 --> 00:15:22,443 NOT AIR. 380 00:15:22,486 --> 00:15:24,532 WATER. 381 00:15:26,795 --> 00:15:29,580 ALVEZ: "THREE COINS IN THE FOUNTAIN." 382 00:15:29,624 --> 00:15:32,714 WE'RE LOOKING FOR A MALE, PROBABLY IN HIS 40s OR 50s. 383 00:15:32,757 --> 00:15:34,455 HE'S BRAZEN AND CONFIDENT. 384 00:15:34,498 --> 00:15:36,848 ALVEZ: AND THE UNSUB MIGHT BE ROMANTICALLY INVOLVED 385 00:15:36,892 --> 00:15:37,893 WITH THE WOMEN HE'S KILLING. 386 00:15:37,937 --> 00:15:39,329 WE BELIEVE HE BROUGHT A NECKLACE 387 00:15:39,373 --> 00:15:40,765 TO ONE OF THE CRIME SCENES, 388 00:15:40,809 --> 00:15:42,942 AND HE ALWAYS LEAVES BEHIND A SINGLE RED ROSE. 389 00:15:42,985 --> 00:15:46,032 GIVEN THE DIVERSITY IN AGE, TYPE, AND ETHNICITY, 390 00:15:46,075 --> 00:15:49,774 THIS PERSON IS NOT ZEROING IN ON A SPECIFIC SURROGATE. 391 00:15:49,818 --> 00:15:50,819 PRENTISS: AND THE PERSON WE'RE LOOKING FOR 392 00:15:50,862 --> 00:15:52,690 IS MORE IN THE TED BUNDY MOLD. 393 00:15:52,734 --> 00:15:55,171 HE'S HANDSOME, CHARMING, PERSONABLE. 394 00:15:55,215 --> 00:15:57,260 HE'S THE TYPE OF MAN YOU WOULD PROBABLY BE DRAWN TO 395 00:15:57,304 --> 00:15:58,740 IN A SOCIAL SETTING. 396 00:15:58,783 --> 00:16:01,090 THIS MAY BE A CLASSIC CASE OF CASANOVA COMPLEX, 397 00:16:01,134 --> 00:16:03,179 A PSYCHOLOGICAL TERM GIVEN TO MEN 398 00:16:03,223 --> 00:16:04,746 WHO MOVE FROM LOVER TO LOVER, 399 00:16:04,789 --> 00:16:06,748 DISCARDING THEM THE MOMENT THEY'VE BEEN CONQUERED. 400 00:16:06,791 --> 00:16:08,576 THE VICTIMS WERE PARTICULARLY VULNERABLE 401 00:16:08,619 --> 00:16:09,925 TO THIS TYPE OF SEDUCTION. 402 00:16:09,969 --> 00:16:12,319 AMANDA CORLISS WAS UNHAPPILY PROMISCUOUS. 403 00:16:12,362 --> 00:16:14,016 MURIEL GOURSE WAS IN A TROUBLED MARRIAGE. 404 00:16:14,060 --> 00:16:16,627 RITA FRAZEE LIVED VICARIOUSLY THROUGH ROMANCE NOVELS. 405 00:16:16,671 --> 00:16:19,152 MUSIC IS SUPREMELY IMPORTANT TO THIS UNSUB'S RITUAL, 406 00:16:19,195 --> 00:16:22,416 PARTICULARLY POPULAR MUSIC FROM THE THIRTIES, FORTIES, AND FIFTIES, 407 00:16:22,459 --> 00:16:24,722 AND IT MAY IN FACT BE PART OF THE RUSE HE USES 408 00:16:24,766 --> 00:16:26,768 TO LURE HIS VICTIMS IN. 409 00:16:26,811 --> 00:16:28,422 ALVEZ: WE HAVE NO REASON TO THINK HE'LL STOP NOW. 410 00:16:28,465 --> 00:16:30,032 FOR HIM, THIS IS A HUNT. 411 00:16:30,076 --> 00:16:31,991 AND INTRINSIC TO THE HUNT 412 00:16:32,034 --> 00:16:33,993 IS THE ANTICIPATION OF THE NEXT VICTIM. 413 00:16:34,036 --> 00:16:35,385 THANK YOU ALL. 414 00:16:37,431 --> 00:16:39,999 HEY. AREN'T YOU SUPPOSED TO BE, 415 00:16:40,042 --> 00:16:41,913 LIKE, UP TO YOUR ELBOWS IN FETTUCCINI? 416 00:16:41,957 --> 00:16:44,220 LINGUINI. BUT IT'S NOT TILL 8:00. 417 00:16:44,264 --> 00:16:45,917 LISTEN, DO YOU THINK YOU COULD QUICKLY 418 00:16:45,961 --> 00:16:48,050 CHECK OUT SOMETHING FOR ME? 419 00:16:48,094 --> 00:16:49,225 SURE. WHAT? 420 00:16:49,269 --> 00:16:50,748 IT'S WICK. 421 00:16:50,792 --> 00:16:53,229 THIS AFTERNOON AT THE SHOOTING RANGE, 422 00:16:53,273 --> 00:16:57,320 ONE OF OUR YOUNG FEMALE AGENTS WAS IN THE NEXT BOOTH. 423 00:16:57,364 --> 00:17:01,803 AND WHEN WICK NOTICED THAT SHE WAS A BETTER SHOT THAN HE WAS... 424 00:17:01,846 --> 00:17:02,804 HE DIDN'T TAKE IT WELL? 425 00:17:02,847 --> 00:17:04,284 NO. NOT AT ALL. 426 00:17:04,327 --> 00:17:06,068 HE TRIED TO MASK IT, 427 00:17:06,112 --> 00:17:08,070 BUT HIS CAROTID WAS POUNDING, 428 00:17:08,114 --> 00:17:09,941 HIS AIM GOT WORSE. 429 00:17:09,985 --> 00:17:13,641 AND--AND EARLIER, IN MY OFFICE, 430 00:17:13,684 --> 00:17:17,253 WHEN PORTIA HAD YOU ALL LAUGHING, 431 00:17:17,297 --> 00:17:19,777 DID YOU NOTICE HOW HE SHUT HER DOWN? 432 00:17:19,821 --> 00:17:20,952 YES. HE ABSOLUTELY SHUT HER DOWN. 433 00:17:20,996 --> 00:17:22,998 THE COERCIVE CONTROL OF A MISOGYNIST. 434 00:17:23,042 --> 00:17:24,434 IT'S TEXTBOOK. UH-HUH. 435 00:17:24,478 --> 00:17:26,219 I CAN VET HIM. LET ME VET HIM. I WILL VET HIM. 436 00:17:26,262 --> 00:17:27,394 PENELOPE... 437 00:17:27,437 --> 00:17:28,743 SIR, BY THE TIME I AM DONE, 438 00:17:28,786 --> 00:17:31,006 YOU WILL KNOW ABOUT MR. WICK ROLLINS 439 00:17:31,050 --> 00:17:32,181 OF SAVANNAH, GEORGIA, YOU WILL KNOW 440 00:17:32,225 --> 00:17:33,965 WHAT COLOR HIS SHOELACES ARE, 441 00:17:34,009 --> 00:17:36,664 YOU WILL KNOW WHETHER HE'S AN INNIE OR AN OUTIE-- BELLYBUTTON. 442 00:17:36,707 --> 00:17:39,884 PENELOPE, NO. I JUST WANT A SIMPLE BACKGROUND CHECK. 443 00:17:39,928 --> 00:17:42,800 I DON'T WANT YOU DIGGING INTO EVERY NOOK AND CRANNY. 444 00:17:42,844 --> 00:17:46,152 OH, NO, SIR, THAT'S WHERE THE BAD STUFF IS YOU WANT TO KNOW ABOUT. 445 00:17:46,195 --> 00:17:49,111 THAT'S WHAT MAKES A NOOK A NOOK AND A CRANNY A CRANNY. 446 00:17:49,155 --> 00:17:50,634 YOU GOTTA GET-- 447 00:17:52,854 --> 00:17:57,076 OK. I'LL LIMIT MY SEARCH TO A LEVEL ONE. 448 00:17:57,119 --> 00:18:00,862 THANK YOU. CALL ME IF YOU FIND ANYTHING. 449 00:18:02,168 --> 00:18:04,909 LEVEL TWO, MAX. 450 00:18:04,953 --> 00:18:06,128 MAYBE 2 1/2. 451 00:18:06,172 --> 00:18:08,913 JAREAU: SO THE M.E. SAID DEE STOCKTON 452 00:18:08,957 --> 00:18:10,611 WASN'T SEXUALLY ASSAULTED. 453 00:18:10,654 --> 00:18:12,482 OH, SO NONE OF THE VICTIMS WERE. 454 00:18:12,526 --> 00:18:15,311 PRENTISS: NOW, THERE'S A BASIC QUESTION WAY UPSTREAM 455 00:18:15,355 --> 00:18:16,530 THAT WE HAVEN'T ANSWERED YET. 456 00:18:16,573 --> 00:18:19,141 HOW IS THE UNSUB MEETING THESE WOMEN? 457 00:18:19,185 --> 00:18:21,317 BECAUSE IT HAS TO BE MORE THAN ONE ENCOUNTER. 458 00:18:21,361 --> 00:18:24,320 THE RITUAL OF COURTSHIP TAKES TIME. 459 00:18:24,364 --> 00:18:27,671 THE ONLY OVERLAP WE HAVE AT THIS POINT IS VINTAGE MUSIC. 460 00:18:27,715 --> 00:18:29,717 THE KILLER COULD BE A MUSICIAN, 461 00:18:29,760 --> 00:18:31,762 COULD OWN A RECORD STORE, 462 00:18:31,806 --> 00:18:33,634 OR JUST SHARE THE INTEREST. 463 00:18:33,677 --> 00:18:35,897 STEVEN GOURSE TOLD MATT THAT HIS WIFE 464 00:18:35,940 --> 00:18:37,681 SUFFERED FROM INSOMNIA, RIGHT? 465 00:18:37,725 --> 00:18:40,162 YEAH. WHY? WHAT ARE YOU THINKING? 466 00:18:40,206 --> 00:18:41,859 REID: MURIEL GOURSE HAD TROUBLE SLEEPING, 467 00:18:41,903 --> 00:18:43,774 AMANDA WENT CLUBBING EVERY NIGHT, 468 00:18:43,818 --> 00:18:48,431 AND RITA WAS AN R.N. WHO WORKED THE GRAVEYARD SHIFT. 469 00:18:48,475 --> 00:18:51,695 THE VICTIMS ARE AWAKE WHEN THE REST OF THE WORLD SLEEPS. 470 00:18:51,739 --> 00:18:53,044 THAT HAS TO BE THE WINDOW 471 00:18:53,088 --> 00:18:55,917 OUR UNSUB IS EXPLOITING, BUT HOW? 472 00:18:55,960 --> 00:18:58,528 AND WHO'S HE TARGETING NEXT? 473 00:18:58,572 --> 00:19:01,488 I DON'T UNDERSTAND WHAT CHANGED. 474 00:19:01,531 --> 00:19:03,620 IT'S NOT YOU, JANICE, IT'S ME. 475 00:19:03,664 --> 00:19:06,449 I KNOW THAT! WHAT I DON'T KNOW IS WHY. 476 00:19:06,493 --> 00:19:10,018 LOOK. I GOT A LOT OF THINGS ON MY MIND. 477 00:19:10,061 --> 00:19:12,063 WELL, WHY DON'T WE GET OUT OF TOWN FOR A COUPLE DAYS? 478 00:19:12,107 --> 00:19:14,196 WE COULD FIND SOME ROMANTIC LITTLE B&B. 479 00:19:14,240 --> 00:19:17,373 I RESPECT YOU TOO MUCH TO PLAY GAMES, JANICE. 480 00:19:17,417 --> 00:19:20,811 WE NEED TO MOVE ON, BOTH OF US. 481 00:19:20,855 --> 00:19:22,161 I CAN'T BELIEVE THIS. 482 00:19:22,204 --> 00:19:23,858 YOU'RE REALLY BREAKING UP WITH ME? 483 00:19:23,901 --> 00:19:26,687 [CELL PHONE RINGING] 484 00:19:26,730 --> 00:19:30,256 AREN'T YOU GONNA ANSWER THAT? 485 00:19:30,299 --> 00:19:33,911 IT'S YOUR WIFE, ISN'T IT? 486 00:19:33,955 --> 00:19:36,044 I'M LATE FOR MY PROGRAM. 487 00:19:37,654 --> 00:19:39,656 SCREW YOU, CRAIG! 488 00:19:39,700 --> 00:19:42,398 AND SCREW YOUR RESPECT! 489 00:19:48,056 --> 00:19:50,667 ROMANCE, LATE NIGHT, AND WORLD WAR II MUSIC. 490 00:19:50,711 --> 00:19:52,800 WHERE DO THESE 3 THINGS COME TOGETHER? 491 00:19:52,843 --> 00:19:55,890 RETRO NIGHT CLUB, CONCERT, 492 00:19:55,933 --> 00:19:59,763 MAYBE A BAR WITH RAT PACK STYLE ENTERTAINMENT. 493 00:19:59,807 --> 00:20:02,113 YEAH, BUT THOSE VENUES DON'T FIT 494 00:20:02,157 --> 00:20:03,767 RITA OR MURIEL'S LIFESTYLES. 495 00:20:03,811 --> 00:20:06,944 I MEAN, THEY WERE BOTH SHY, STAY-AT-HOME TYPES. 496 00:20:06,988 --> 00:20:08,163 WHAT ABOUT RADIO? 497 00:20:08,207 --> 00:20:09,947 WHAT ABOUT IT? 498 00:20:09,991 --> 00:20:11,166 WELL, LATE-NIGHT RADIO, 499 00:20:11,210 --> 00:20:12,559 IT CAN BE ALL OF THESE THINGS. 500 00:20:12,602 --> 00:20:14,778 THE MUSIC, THE INTIMACY, 501 00:20:14,822 --> 00:20:16,650 THE SEDUCTIVE VOICE REACHING OUT OF THE NIGHT 502 00:20:16,693 --> 00:20:19,218 INTO THE PRIVACY OF YOUR OWN HOME. 503 00:20:19,261 --> 00:20:21,394 OUR UNSUB COULD BE A DJ. 504 00:20:21,437 --> 00:20:24,745 T-MINUS 4 MINUTES, DUDE. CUTTING IT CLOSE. 505 00:20:27,704 --> 00:20:30,316 HEY. WHAT ARE YOU DOING HERE? 506 00:20:30,359 --> 00:20:32,753 I CALLED YOUR CELL, BUT YOU DIDN'T PICK UP. 507 00:20:32,796 --> 00:20:34,450 I HAVE TO GO TO MY MOTHER'S. 508 00:20:34,494 --> 00:20:37,236 WHAT, NOW? TOMORROW AFTERNOON WE'RE SUPPOSED TO-- 509 00:20:37,279 --> 00:20:39,281 I KNOW. SHE FORGOT SHE HAD A DOCTOR'S APPOINTMENT 510 00:20:39,325 --> 00:20:41,152 FIRST THING IN THE MORNING. 511 00:20:41,196 --> 00:20:44,286 DON'T WORRY. I'LL BE BACK IN TIME. 512 00:20:44,330 --> 00:20:46,027 I'LL BE RIGHT BACK. 513 00:20:50,161 --> 00:20:52,338 I'M NERVOUS. 514 00:20:52,381 --> 00:20:53,730 ABOUT WHAT? 515 00:20:53,774 --> 00:20:56,080 RENEWING OUR VOWS. 516 00:20:56,124 --> 00:20:58,300 YOU'RE NOT HAVING SECOND THOUGHTS, ARE YOU? 517 00:20:58,344 --> 00:21:00,781 I WAS GONNA ASK YOU THE SAME THING. 518 00:21:00,824 --> 00:21:02,522 DON'T BE RIDICULOUS. 519 00:21:02,565 --> 00:21:05,002 I KNOW. IT'S JUST... 520 00:21:05,046 --> 00:21:08,310 YOU'VE BEEN ACTING SO DIFFERENT LATELY. 521 00:21:08,354 --> 00:21:11,531 I'M SORRY. IT JUST-- IT MEANS A LOT TO ME. 522 00:21:11,574 --> 00:21:13,446 IT'S--IT'S EVERYTHING. 523 00:21:13,489 --> 00:21:14,969 AND TO ME. 524 00:21:15,012 --> 00:21:17,232 EVERYTHING I DO IS FOR YOU. 525 00:21:17,276 --> 00:21:19,756 PLAY MY SONG TONIGHT? 526 00:21:19,800 --> 00:21:23,020 I'LL PLAY IT TWICE. 527 00:21:23,064 --> 00:21:25,196 YOU HAVE A GREAT SHOW. 528 00:21:25,240 --> 00:21:29,897 SPRINKLE SOME HAPPINESS TO ALL THE PEOPLE OUT THERE. 529 00:21:41,169 --> 00:21:44,651 I BET THAT SPRINKLER'S ALREADY BEEN DOING SOME WATERING TONIGHT. 530 00:21:44,694 --> 00:21:46,392 HOW IS JANICE, ANYWAY? 531 00:21:46,435 --> 00:21:50,178 WE'RE DONE. NOT THAT IT'S ANY OF YOUR BUSINESS. 532 00:21:50,221 --> 00:21:52,223 5 SECONDS. 533 00:21:55,749 --> 00:21:58,360 GOOD EVENING. THIS IS CRAIG KALINE, 534 00:21:58,404 --> 00:22:00,188 AND WELCOME TO THE NIGHT. 535 00:22:00,231 --> 00:22:03,060 THE POET T.S. ELIOT SAID, 536 00:22:03,104 --> 00:22:05,280 "LET US GO, THEN, YOU AND I, 537 00:22:05,324 --> 00:22:09,371 "WHEN THE EVENING IS SPREAD OUT AGAINST THE SKY, 538 00:22:09,415 --> 00:22:13,767 LIKE A PATIENT ETHERIZED UPON A TABLE." 539 00:22:13,810 --> 00:22:15,246 FOR THE NEXT 6 HOURS, 540 00:22:15,290 --> 00:22:17,074 WHILE THE REST OF THE CITY SLEEPS, 541 00:22:17,118 --> 00:22:18,946 WE'LL BE DANCING IN THE DARK, 542 00:22:18,989 --> 00:22:21,296 JUST YOU AND ME. 543 00:22:21,340 --> 00:22:23,733 THIS IS OUR TIME, 544 00:22:23,777 --> 00:22:28,129 THE TIME OF ETHERIZED WAKEFULNESS. 545 00:22:28,172 --> 00:22:30,566 [QUIETLY] I'M SERIOUSLY GONNA HURL. 546 00:22:30,610 --> 00:22:34,309 [BIG BAND MUSIC PLAYING] 547 00:22:38,444 --> 00:22:41,490 GOTTA BE OVER 100 RADIO STATIONS IN CHICAGO. 548 00:22:41,534 --> 00:22:43,449 106 IF YOU COUNT HIGH-FREQUENCY OUTLETS 549 00:22:43,492 --> 00:22:45,407 LOCATED WITHIN THE CITY'S LISTENING RANGE. 550 00:22:45,451 --> 00:22:47,104 WELL, GARCIA'S GOING OVER THE VICTIMS' PHONE RECORDS, 551 00:22:47,148 --> 00:22:49,106 SO IF IT WAS A CALL-IN REQUEST-TYPE THING, 552 00:22:49,150 --> 00:22:51,282 MAYBE A NUMBER REPEATS ITSELF. 553 00:22:51,326 --> 00:22:52,980 THE PROBLEM IS THAT THERE ISN'T A STATION IN THE CITY 554 00:22:53,023 --> 00:22:55,069 THAT EXCLUSIVELY PROGRAMS BIG BAND MUSIC. 555 00:22:55,112 --> 00:22:56,592 MAYBE AN OCCASIONAL VINTAGE SONG 556 00:22:56,636 --> 00:22:59,334 IS FOLDED INTO THE BODY OF A DIFFERENT FORMAT. 557 00:22:59,378 --> 00:23:01,336 PRENTISS: WELL, IT'S GONNA BE A LONG NIGHT. 558 00:23:01,380 --> 00:23:03,382 LET'S GET ON IT. 559 00:23:14,131 --> 00:23:15,306 THANKS. GARCIA SAID NONE OF THE VICTIMS 560 00:23:15,350 --> 00:23:17,134 CALLED IN TO ANY RADIO STATIONS. 561 00:23:17,178 --> 00:23:19,441 ALL RIGHT. WE MAY NOT BE LOOKING 562 00:23:19,485 --> 00:23:22,009 AT CONVENTIONAL AM-FM RADIO STATIONS. 563 00:23:22,052 --> 00:23:24,838 I MEAN, THERE'S-- THERE'S SATELLITE AND INTERNET RADIO, TOO. 564 00:23:24,881 --> 00:23:27,536 YOU'RE TALKING ABOUT THOUSANDS OF NICHE PROGRAMS OUT THERE. 565 00:23:27,580 --> 00:23:30,147 GREAT. SO OUR HAYSTACK JUST GOT A WHOLE LOT BIGGER. 566 00:23:30,191 --> 00:23:33,629 WHAT CONCERNS ME IS THE PACE OF THE KILLINGS. 567 00:23:33,673 --> 00:23:35,326 I MEAN, YOU SAID IT YOURSELF. 568 00:23:35,370 --> 00:23:37,328 THE SEDUCTION RUSE IS A LONG CON. 569 00:23:37,372 --> 00:23:39,243 I MEAN, IT TAKES TIME TO SET THE BAIT, 570 00:23:39,287 --> 00:23:40,680 REEL THE VICTIMS IN. 571 00:23:40,723 --> 00:23:42,943 THESE WOMEN HAVE BEEN IN PLAY FOR A WHILE. 572 00:23:42,986 --> 00:23:45,075 THE COMPRESSED TIMELINE IS CONCERNING. 573 00:23:45,119 --> 00:23:47,991 BUT WHY ISN'T HE GRADUALLY KILLING 574 00:23:48,035 --> 00:23:49,993 AS HE PHASES IN NEW VICTIMS? 575 00:23:50,037 --> 00:23:52,387 WHEN INVADING ARMIES ARE FLEEING TERRITORY 576 00:23:52,431 --> 00:23:53,606 THEY'VE OCCUPIED FOR A WHILE, 577 00:23:53,649 --> 00:23:55,521 OFTEN THEY'LL BURN THEM TO THE GROUND. 578 00:23:55,564 --> 00:23:57,958 THAT REMINDS ME OF THE WAY THIS UNSUB 579 00:23:58,001 --> 00:24:00,526 IS PUTTING THE TORCH TO HIS ROMANCES. 580 00:24:00,569 --> 00:24:02,832 HE'S ON THE RUN. 581 00:24:02,876 --> 00:24:04,704 HE KNOWS THE END IS NEAR, 582 00:24:04,747 --> 00:24:06,793 JUST LIKE IN WAR, WHICH MEANS 583 00:24:06,836 --> 00:24:09,360 HE'S CLOSING IN ON HIS ENDGAME. 584 00:24:10,797 --> 00:24:13,669 IT LOOKS LIKE YOU GOT A LITTLE DISTRACTED THERE, WICK. 585 00:24:13,713 --> 00:24:16,367 THINKING ABOUT YOUR HONEYMOON NIGHT INSTEAD? 586 00:24:16,411 --> 00:24:17,412 MOM! 587 00:24:17,456 --> 00:24:18,674 WHAT?! 588 00:24:18,718 --> 00:24:19,980 THE WEAPON WASN'T CALIBRATED RIGHT. 589 00:24:20,023 --> 00:24:21,024 [LAUGHS] 590 00:24:21,068 --> 00:24:23,244 THANK YOU, MR. ROSSI, 591 00:24:23,287 --> 00:24:25,420 THAT WAS AN INCREDIBLE DINNER. 592 00:24:25,464 --> 00:24:27,204 THE PLEASURE WAS MINE. 593 00:24:27,248 --> 00:24:29,685 BUT, PLEASE, MR. ROSSI WAS MY FATHER. 594 00:24:29,729 --> 00:24:31,861 [CELL PHONE RINGING] 595 00:24:31,905 --> 00:24:34,821 JUST GIVE ME ONE MINUTE, PLEASE. 596 00:24:36,779 --> 00:24:38,302 YOU'RE POSITIVE? 597 00:24:38,346 --> 00:24:39,521 I AM TRIPLE POSITIVE. 598 00:24:39,565 --> 00:24:41,480 WICK ROLLINS HAS BEEN ENGAGED TO 3 WOMEN 599 00:24:41,523 --> 00:24:43,786 IN THE LAST 3 YEARS, AND THEY ALL FELL THROUGH. 600 00:24:43,830 --> 00:24:44,961 WHY? 601 00:24:45,005 --> 00:24:46,006 I DON'T KNOW. 602 00:24:46,049 --> 00:24:47,398 I DO KNOW THAT IN EACH CASE 603 00:24:47,442 --> 00:24:49,226 THE WOULD-BE BRIDES HAD SUPER RICH PARENTS 604 00:24:49,270 --> 00:24:52,882 AND WICK WALKED AWAY WITH A HEFTY FINANCIAL SETTLEMENT. 605 00:24:52,926 --> 00:24:54,405 HE IS A CON ARTIST. 606 00:24:54,449 --> 00:24:56,930 KRYSTALL SAID THAT PORTIA'S FATHER HAS MONEY. 607 00:24:56,973 --> 00:24:58,627 DOES WICK HAVE A CRIMINAL RECORD? 608 00:24:58,671 --> 00:25:01,325 NOT OFFICIALLY. HE DOES HAVE TWO ACCOUNTS 609 00:25:01,369 --> 00:25:03,066 OF DOMESTIC ASSAULT. 610 00:25:03,110 --> 00:25:04,415 BOTH TIMES THE CHARGES WERE DROPPED. 611 00:25:04,459 --> 00:25:06,374 HE DOES HAVE MULTIPLE RESTRAINING ORDERS. 612 00:25:06,417 --> 00:25:08,289 HE IS SUPER BAD NEWS. 613 00:25:08,332 --> 00:25:09,986 THANKS, PENELOPE. 614 00:25:11,858 --> 00:25:13,424 YEAH, WE'D LOVE TO. 615 00:25:13,468 --> 00:25:16,515 IT'S JUST THAT OUR REQUEST LINES ARE ALREADY-- 616 00:25:16,558 --> 00:25:20,867 OK. I'LL CONVEY THAT TO HIM. 617 00:25:22,738 --> 00:25:25,262 THAT WAS JANICE. SHE'D LIKE YOU TO PLAY 618 00:25:25,306 --> 00:25:27,264 "DIAMONDS ARE A GIRL'S BEST FRIEND," 619 00:25:27,308 --> 00:25:28,657 JUST FOR HER. 620 00:25:28,701 --> 00:25:30,529 FORGET IT. 621 00:25:30,572 --> 00:25:34,620 YEAH. UM, THING IS THERE'S AN INCENTIVE CLAUSE. 622 00:25:34,663 --> 00:25:35,795 IF SHE DOESN'T HEAR THE SONG, 623 00:25:35,838 --> 00:25:38,145 SHE'S GONNA HAVE A CHAT WITH CHERYL. 624 00:25:40,974 --> 00:25:43,585 PLAY IT. 625 00:25:43,629 --> 00:25:44,760 WHOA, WHOA, WHOA, WHAT ARE YOU DOING? 626 00:25:44,804 --> 00:25:46,762 WE'VE STILL GOT ANOTHER HOUR HERE. 627 00:25:46,806 --> 00:25:50,070 PUT ON A "BEST OF." 628 00:25:54,596 --> 00:25:56,511 JAREAU: MORNING, SPENCE. WHAT DO YOU GOT? 629 00:25:56,555 --> 00:25:57,730 THE UNSUB'S GROWING HIS OWN ROSES. 630 00:25:57,773 --> 00:25:58,861 WHAT MAKES YOU THINK THAT? 631 00:25:58,905 --> 00:25:59,949 WELL, THE BRANCHING PATTERNS 632 00:25:59,993 --> 00:26:01,472 AND LACK OF FUNGAL CONTAMINATION 633 00:26:01,516 --> 00:26:02,952 ASSOCIATED WITH GREENHOUSES. 634 00:26:02,996 --> 00:26:04,954 GARDEN ROSES AREN'T AS COSMETICALLY PERFECT 635 00:26:04,998 --> 00:26:06,608 AS FLORIST ROSES, BUT THEY'RE HEALTHIER 636 00:26:06,652 --> 00:26:08,871 AND HAVE STURDIER LEAF GROWTH, LIKE THIS ONE. 637 00:26:08,915 --> 00:26:12,614 SO OUR UNSUB LIVES IN THE GREATER CHICAGO AREA 638 00:26:12,658 --> 00:26:14,311 WITH A ROSE GARDEN. 639 00:26:14,355 --> 00:26:16,531 WELL, WE SHOULD HAVE THIS CASE WRAPPED BY NOON. 640 00:26:16,575 --> 00:26:17,793 HOW'S GARCIA'S PHONE SEARCH COMING? 641 00:26:17,837 --> 00:26:19,839 NOTHING. SHE IS LOOKING INTO CHAT, MESSAGING, 642 00:26:19,882 --> 00:26:22,450 SOCIAL POSTS, BUT IT TAKES TIME. 643 00:26:22,493 --> 00:26:25,018 RITA WAS A PRIVATE NURSE IN OTHER PEOPLE'S HOMES, RIGHT? 644 00:26:25,061 --> 00:26:26,541 YEAH. WHY? 645 00:26:26,585 --> 00:26:29,196 WELL, MAYBE SHE USED ONE OF HER PATIENTS' PHONES. 646 00:26:29,239 --> 00:26:32,068 [KNOCKING] 647 00:26:37,857 --> 00:26:41,469 YOU JUST MADE A HUGE MISTAKE. 648 00:26:41,512 --> 00:26:44,515 [CELL PHONE RINGING] 649 00:26:44,559 --> 00:26:45,560 HEY, GARCIA. 650 00:26:45,604 --> 00:26:46,909 YOU GUYS WERE RIGHT. 651 00:26:46,953 --> 00:26:49,956 ONE OF RITA'S PATIENTS IS JOANNE WILLIS, 652 00:26:49,999 --> 00:26:52,306 AND THERE WERE MULTIPLE CALLS FROM THE WILLIS RESIDENCE 653 00:26:52,349 --> 00:26:53,960 IN THE WEE SMALL HOURS 654 00:26:54,003 --> 00:26:55,526 TO AN INTERNET RADIO STATION IN CHICAGO. 655 00:26:55,570 --> 00:26:56,745 THAT COULD BE IT. 656 00:26:56,789 --> 00:26:58,747 AND WHAT'S THE STATION'S FORMAT? 657 00:26:58,791 --> 00:27:00,096 SONGS TO BE AN UNSUB BY, 658 00:27:00,140 --> 00:27:01,620 WHICH IN THIS CASE IS SONGS FROM THE THIRTIES, 659 00:27:01,663 --> 00:27:02,969 FORTIES, AND FIFTIES. 660 00:27:03,012 --> 00:27:04,840 IT IS A LIVE CALL-IN SHOW 661 00:27:04,884 --> 00:27:07,495 HOSTED BY CRAIG KALINE NIGHTLY, 662 00:27:07,538 --> 00:27:08,931 AND IT JUST WENT OFF THE AIR. 663 00:27:08,975 --> 00:27:11,238 ALL RIGHT, LET'S GO. 664 00:27:14,720 --> 00:27:16,939 DID CRAIG SAY WHERE HE WAS GOING? 665 00:27:16,983 --> 00:27:18,375 HE JUST BOLTED. 666 00:27:18,419 --> 00:27:20,160 NORMALLY I'D SAY IT'S SOME WOMAN. 667 00:27:20,203 --> 00:27:22,292 CRAIG WAS A LITTLE OVERWIRED THAT WAY. 668 00:27:22,336 --> 00:27:24,207 WHY WOULDN'T YOU SAY THAT NOW? 669 00:27:24,251 --> 00:27:26,688 TODAY'S THE DAY HE'S RENEWING HIS VOWS WITH HIS WIFE. 670 00:27:26,732 --> 00:27:29,560 YOU'D THINK THE GUY COULD KEEP IT TUCKED IN UNTIL AT LEAST AFTER THAT. 671 00:27:29,604 --> 00:27:33,390 DO YOU KEEP A LOG OF WHAT MUSIC IS PLAYED HERE EACH NIGHT? 672 00:27:33,434 --> 00:27:36,045 WE ARCHIVE PLAYLISTS GOING BACK TWO YEARS. 673 00:27:36,089 --> 00:27:37,394 HAVE AT IT. 674 00:27:37,438 --> 00:27:40,093 SO, UH, CRAIG HAD A WAY WITH THE WOMEN? 675 00:27:40,136 --> 00:27:42,356 BIG-TIME. HOW THEY BOUGHT INTO 676 00:27:42,399 --> 00:27:44,837 HIS CORNBALL LINE OF B.S. I'LL NEVER KNOW. 677 00:27:44,880 --> 00:27:46,577 LET ME SHOW YOU SOMETHING. 678 00:27:52,801 --> 00:27:56,936 WE GET STUFF LIKE THIS EVERY DAY. 679 00:27:58,633 --> 00:28:01,027 "DREAMING OF US DANCING IN THE DARK." 680 00:28:01,070 --> 00:28:02,724 THIS ONE'S R-RATED, BUT THERE'S PLENTY 681 00:28:02,768 --> 00:28:05,596 OF TRIPLE-X IN THIS BOX. 682 00:28:05,640 --> 00:28:06,902 ALL OF THE VICTIMS' SONGS ARE IN HERE. 683 00:28:06,946 --> 00:28:08,251 "STRING OF PEARLS," "RUM AND COCA-COLA," 684 00:28:08,295 --> 00:28:09,252 "SMOKE GETS IN YOUR EYES." 685 00:28:09,296 --> 00:28:10,601 VICTIMS? 686 00:28:10,645 --> 00:28:12,081 WHAT'S GOING ON HERE? 687 00:28:12,125 --> 00:28:13,430 DID CRAIG PLAY THESE SONGS RANDOMLY, 688 00:28:13,474 --> 00:28:14,910 OR WERE THEY REQUESTS? 689 00:28:14,954 --> 00:28:17,391 REQUESTS. A LOT OF THE SONGS HE PLAYS ARE REQUESTS. 690 00:28:17,434 --> 00:28:19,262 DID YOU GET ONE LAST NIGHT? 691 00:28:19,306 --> 00:28:20,916 YEAH. UH... 692 00:28:20,960 --> 00:28:22,962 JANICE. DON'T KNOW HER LAST NAME, 693 00:28:23,005 --> 00:28:24,137 BUT THIS IS HER NUMBER. 694 00:28:24,180 --> 00:28:25,529 WHAT WAS THE SONG? 695 00:28:25,573 --> 00:28:27,140 "DIAMONDS ARE A GIRL'S BEST FRIEND." 696 00:28:30,012 --> 00:28:31,535 WHERE'D THAT ROSE COME FROM? 697 00:28:31,579 --> 00:28:33,712 NO IDEA. 698 00:28:39,892 --> 00:28:42,764 ALVEZ: CRAIG KALINE, FBI! 699 00:28:42,808 --> 00:28:44,374 PRENTISS: SHOW YOURSELF! 700 00:29:01,261 --> 00:29:03,437 NO SIGN OF JANICE FOX. 701 00:29:03,480 --> 00:29:05,482 WE GOT AN APB OUT. 702 00:29:05,526 --> 00:29:07,484 WHAT THE HELL HAPPENED HERE? 703 00:29:07,528 --> 00:29:10,400 CRAIG FINALLY RAN UP AGAINST A VICTIM WHO FOUGHT BACK? 704 00:29:10,444 --> 00:29:12,489 OR JANICE WAS THE KILLER ALL ALONG. 705 00:29:12,533 --> 00:29:14,796 WE PROFILED REJECTED LOVER. 706 00:29:14,840 --> 00:29:16,058 A WOMAN SCORNED WOULD CERTAINLY 707 00:29:16,102 --> 00:29:17,320 FALL INTO THAT CATEGORY. 708 00:29:17,364 --> 00:29:18,974 SHE WANTED CRAIG ALL TO HERSELF. 709 00:29:19,018 --> 00:29:20,802 SHE TRIED TO ELIMINATE THE COMPETITION. 710 00:29:20,846 --> 00:29:23,500 JJ SAID THAT HE WAS SUPPOSED TO RENEW HIS WEDDING VOWS 711 00:29:23,544 --> 00:29:24,937 WITH HIS WIFE CHERYL TODAY. 712 00:29:24,980 --> 00:29:26,503 THAT COULD HAVE TRIGGERED JANICE. 713 00:29:26,547 --> 00:29:29,637 BUT HE WAS TORTURED BADLY. 714 00:29:29,680 --> 00:29:32,248 THAT'S AWFULLY VICIOUS FOR A FEMALE. 715 00:29:32,292 --> 00:29:33,989 DON'T KID YOURSELF. 716 00:29:34,033 --> 00:29:35,730 WHEN NATIVE-AMERICAN WARRIORS 717 00:29:35,774 --> 00:29:37,776 COULDN'T GET INFORMATION OUT OF A CAPTURED PRISONER, 718 00:29:37,819 --> 00:29:39,560 THEY'D HAND THEM OVER TO THEIR WOMEN. 719 00:29:39,603 --> 00:29:41,127 THEY DID? 720 00:29:41,170 --> 00:29:43,782 [CELL PHONE RINGS] 721 00:29:43,825 --> 00:29:45,871 I SHOULD PUT THAT TIDBIT ON A PLAQUE 722 00:29:45,914 --> 00:29:48,612 AND HANG IT OVER MY DESK. 723 00:29:50,614 --> 00:29:52,834 I DON'T BELIEVE YOU. 724 00:29:52,878 --> 00:29:55,576 I'M SORRY, PORTIA, BUT IT'S TRUE. 725 00:29:55,619 --> 00:29:57,534 HE FOOLED ME, TOO. 726 00:29:57,578 --> 00:29:59,710 BUT HE'S NOT LIKE THAT. 727 00:29:59,754 --> 00:30:02,931 WICK WOULD NEVER HAVE DONE ANY OF THOSE THINGS. 728 00:30:02,975 --> 00:30:05,760 EVERYBODY THAT MEETS HIM, THEY LOVE HIM. 729 00:30:05,804 --> 00:30:08,023 SOCIOPATHS ARE DECEPTIVE. 730 00:30:08,067 --> 00:30:11,940 THEY OFTEN HAVE AN APPEALING PUBLIC FACE. 731 00:30:13,202 --> 00:30:15,726 IS THAT WHY YOU INVITED HIM TO THE WEDDING, 732 00:30:15,770 --> 00:30:18,033 SO HE COULD INVESTIGATE WICK? 733 00:30:18,077 --> 00:30:19,818 OF COURSE NOT. 734 00:30:19,861 --> 00:30:21,820 I THINK YOU DID BECAUSE YOU DON'T TRUST ME 735 00:30:21,863 --> 00:30:23,865 TO MAKE MY OWN CHOICES, MOM. 736 00:30:23,909 --> 00:30:26,868 YOUR MOTHER HAD NOTHING TO DO WITH THIS, PORTIA. 737 00:30:26,912 --> 00:30:30,350 IT'S ME. WICK IS A DANGEROUS MAN. 738 00:30:30,393 --> 00:30:33,005 HE'S BEEN VIOLENT TOWARDS WOMEN IN HIS PAST. 739 00:30:33,048 --> 00:30:34,920 YOU DON'T EVEN KNOW HIM! 740 00:30:34,963 --> 00:30:37,313 I DON'T HAVE TO LISTEN TO THIS. 741 00:30:37,357 --> 00:30:38,358 SWEETHEART-- 742 00:30:38,401 --> 00:30:40,186 NO, JUST LEAVE ME ALONE! 743 00:30:42,797 --> 00:30:44,581 GREAT. 744 00:30:46,366 --> 00:30:48,020 SHE'S UPSET. 745 00:30:48,063 --> 00:30:51,675 IT'S NATURAL TO BLAME THE MESSENGER. 746 00:30:51,719 --> 00:30:55,331 SORT OF LIKE HOW I'M FEELING ABOUT YOU RIGHT NOW. 747 00:30:55,375 --> 00:30:56,985 I'M SORRY. 748 00:30:57,029 --> 00:30:59,031 I HAD TO SHARE WHAT I KNEW. 749 00:30:59,074 --> 00:31:01,903 I'LL TALK TO HER. 750 00:31:10,172 --> 00:31:13,784 IT MUST BE DIFFICULT BEING YOU, 751 00:31:13,828 --> 00:31:15,351 SEEING THE MONSTERS OUT THERE 752 00:31:15,395 --> 00:31:16,875 THE REST OF US CAN'T. 753 00:31:19,051 --> 00:31:24,012 EVER WISH THERE WAS AN OFF SWITCH TO YOUR SUPER POWERS? 754 00:31:25,796 --> 00:31:28,930 ALL THE TIME. 755 00:31:28,974 --> 00:31:31,193 YEAH. 756 00:31:31,237 --> 00:31:32,891 THAT'S WHAT I THOUGHT. 757 00:31:35,806 --> 00:31:37,634 WELL... 758 00:31:39,245 --> 00:31:42,248 GOOD-BYE, DAVID. 759 00:31:50,996 --> 00:31:53,694 OH, THIS IS INTERESTING. 760 00:31:56,827 --> 00:31:58,873 THAT'S THE BRACELET FROM THE CRIME SCENE. 761 00:31:58,917 --> 00:32:00,744 IT BELONGED TO JANICE. 762 00:32:00,788 --> 00:32:03,095 SAYS IT WAS A GIFT FROM HER SECRET ADMIRER. 763 00:32:03,138 --> 00:32:04,835 [EXHALES] 764 00:32:04,879 --> 00:32:05,836 WAIT A MINUTE. 765 00:32:05,880 --> 00:32:08,448 I SEEM TO REMEMBER... 766 00:32:08,491 --> 00:32:10,798 YEAH. THERE. 767 00:32:10,841 --> 00:32:13,192 SIMMONS: THAT'S THE SAME BRACELET. 768 00:32:13,235 --> 00:32:14,541 YEAH. 769 00:32:14,584 --> 00:32:16,064 CRAIG GAVE IT TO HIS WIFE 770 00:32:16,108 --> 00:32:18,501 IN HONOR OF THEM RENEWING THEIR VOWS. 771 00:32:18,545 --> 00:32:20,982 CHERYL WAS UPSET BECAUSE SHE'D LOST IT. 772 00:32:21,026 --> 00:32:23,376 CRAIG TOOK THE BRACELET AND GAVE IT TO JANICE. 773 00:32:23,419 --> 00:32:27,206 YEAH. MATT, LOOK AT WHERE SHE IS. 774 00:32:27,249 --> 00:32:29,643 SHE'S IN A ROSE GARDEN. 775 00:32:29,686 --> 00:32:32,080 AND LOOK AT WHAT SHE'S USING. 776 00:32:35,692 --> 00:32:39,783 [CRYING] 777 00:32:44,266 --> 00:32:45,833 CALM DOWN. 778 00:32:45,876 --> 00:32:47,530 IT'LL ALL BE OVER SOON. 779 00:32:54,711 --> 00:32:55,974 JAREAU: SPENCE LOOKED THROUGH THE BOX 780 00:32:56,017 --> 00:32:58,237 AT THE RADIO STATION AND HE FOUND LOVE NOTES 781 00:32:58,280 --> 00:32:59,629 FROM ALL OF THE VICTIMS. 782 00:32:59,673 --> 00:33:01,066 THAT'S HOW CHERYL WAS DECIDING WHO TO KILL. 783 00:33:01,109 --> 00:33:03,024 SHE DISCOVERED THE BOX. 784 00:33:03,068 --> 00:33:05,331 BUT CRAIG'S ASSISTANT SAID THAT AMANDA 785 00:33:05,374 --> 00:33:07,768 WAS THE ONLY ONE HE WAS HAVING AN AFFAIR WITH. 786 00:33:07,811 --> 00:33:10,249 THE OTHERS JUST REQUESTED SONGS NOW AND THEN. 787 00:33:10,292 --> 00:33:11,598 THAT DIDN'T MATTER. THE OTHER VICTIMS 788 00:33:11,641 --> 00:33:13,382 MAY HAVE NEVER EVEN MET CRAIG. 789 00:33:13,426 --> 00:33:15,863 BUT AFTER AMANDA, CHERYL SAW THEM ALL AS POTENTIAL THREATS. 790 00:33:15,906 --> 00:33:18,474 SO A HARMLESS FAN NOTE DROPPED IN THE MAIL GOT THEM KILLED. 791 00:33:18,518 --> 00:33:20,215 LUCK OF THE DRAW. 792 00:33:20,259 --> 00:33:23,262 JAREAU: OK, SO IF CHERYL DOES HAVE JANICE, 793 00:33:23,305 --> 00:33:24,698 WHERE DID THEY GO? 794 00:33:24,741 --> 00:33:27,135 THEY WERE SUPPOSED TO RENEW THEIR VOWS TODAY. 795 00:33:27,179 --> 00:33:28,441 MAYBE THAT'S WHERE THEY WENT. 796 00:33:28,484 --> 00:33:30,051 GARCIA... 797 00:33:32,488 --> 00:33:34,273 OHH...HERE IT IS. 798 00:33:34,316 --> 00:33:36,797 YOU SHOULD HAVE SEEN CRAIG THAT DAY. 799 00:33:36,840 --> 00:33:38,929 HE WAS SO HANDSOME. 800 00:33:38,973 --> 00:33:40,409 PLEASE DON'T. 801 00:33:40,453 --> 00:33:43,108 YOU KNOW, MOST PEOPLE TAKE "UNTIL DEATH DO YOU PART" 802 00:33:43,151 --> 00:33:44,283 FOR THEIR VOWS. 803 00:33:44,326 --> 00:33:45,588 WE TOOK THAT PART OUT 804 00:33:45,632 --> 00:33:47,503 BECAUSE NOTHING WAS GOING TO TAKE US APART, 805 00:33:47,547 --> 00:33:48,635 NOT EVEN DEATH. 806 00:33:48,678 --> 00:33:50,071 I'M SORRY! 807 00:33:50,115 --> 00:33:51,377 BUT THEN IT GOT RUINED. 808 00:33:51,420 --> 00:33:54,336 EVERYTHING, EVERYONE OUT THERE, 809 00:33:54,380 --> 00:33:55,816 THEY JUST-- THEY JUST COULDN'T-- 810 00:33:55,859 --> 00:33:59,124 THEY JUST COULDN'T LEAVE US ALONE. THEY JUST-- 811 00:33:59,167 --> 00:34:03,258 PRENTISS: CHERYL KALINE, FBI. DROP YOUR WEAPON! 812 00:34:03,302 --> 00:34:05,130 JAREAU: LOWER YOUR ARMS SLOWLY 813 00:34:05,173 --> 00:34:07,175 AND LEAVE THE GUN ON THE GROUND. 814 00:34:07,219 --> 00:34:09,656 NO. 815 00:34:09,699 --> 00:34:11,353 I'M GOING TO JOIN HIM NOW. 816 00:34:11,397 --> 00:34:13,573 YOU DON'T HAVE TO DO THIS. THERE'S A BETTER WAY. 817 00:34:13,616 --> 00:34:15,009 YOU DON'T UNDERSTAND. 818 00:34:15,053 --> 00:34:17,446 PRENTISS: WE DON'T UNDERSTAND WHAT? TELL US. 819 00:34:17,490 --> 00:34:21,320 HIS VOICE, HIS MUSIC WENT OUT TO EVERYBODY 820 00:34:21,363 --> 00:34:22,451 THROUGH THE AIR. 821 00:34:22,495 --> 00:34:23,713 THERE WAS NO WAY OF STOPPING IT. 822 00:34:23,757 --> 00:34:25,324 DO YOU HAVE ANY IDEA WHAT THAT FEELS LIKE? 823 00:34:25,367 --> 00:34:28,240 NO MATTER WHERE I WAS, NO MATTER WHAT I WAS DOING, 824 00:34:28,283 --> 00:34:30,155 I FELT THE AIR AROUND ME, 825 00:34:30,198 --> 00:34:33,158 AND I WONDERED IF HIS VOICE WAS THERE, 826 00:34:33,201 --> 00:34:36,248 TALKING TO ANOTHER WOMAN, 827 00:34:36,291 --> 00:34:40,078 LISTENING TO ALL THE THINGS THAT SHE WANTED. 828 00:34:42,732 --> 00:34:44,343 CHERYL. 829 00:34:44,386 --> 00:34:46,954 NO. 830 00:34:46,997 --> 00:34:49,087 IF YOU DON'T PUT THE GUN DOWN... 831 00:34:49,130 --> 00:34:51,045 YOU'RE GONNA MISS IT. 832 00:34:51,089 --> 00:34:52,742 MISS WHAT? 833 00:34:52,786 --> 00:34:55,441 CRAIG'S FINAL SHOW. 834 00:34:55,484 --> 00:34:58,879 HE RECORDED IT LAST WEEK. 835 00:34:58,922 --> 00:35:02,796 DEDICATED EVERY SONG TO YOU. 836 00:35:02,839 --> 00:35:05,059 TO ONLY YOU. 837 00:35:07,366 --> 00:35:09,107 WELL, CAN I HEAR IT? 838 00:35:09,150 --> 00:35:11,109 IT'S PLAYING RIGHT NOW. 839 00:35:12,675 --> 00:35:14,199 IT'S IN THE AIR, 840 00:35:14,242 --> 00:35:17,811 ALL AROUND US. 841 00:35:17,854 --> 00:35:20,596 YEAH. 842 00:35:20,640 --> 00:35:23,382 OH! YEAH, I CAN HEAR IT. 843 00:35:23,425 --> 00:35:26,733 OH! IT'S REALLY HIM. 844 00:35:26,776 --> 00:35:30,215 I CAN HEAR IT. OH... 845 00:35:30,258 --> 00:35:31,216 OK. OK. 846 00:35:31,259 --> 00:35:32,782 OHH... 847 00:35:32,826 --> 00:35:36,699 OH...OHH. 848 00:35:46,840 --> 00:35:49,495 [KNOCK ON DOOR] 849 00:36:04,858 --> 00:36:06,425 WOW. 850 00:36:06,468 --> 00:36:08,862 I HOPE I WASN'T INTERRUPTING ANYTHING, AGENT ROSSI, 851 00:36:08,905 --> 00:36:11,299 BUT I WANTED YOU TO HEAR IT DIRECTLY FROM ME. 852 00:36:11,343 --> 00:36:15,260 PORTIA AND I ARE GOING FORWARD WITH THE WEDDING. 853 00:36:15,303 --> 00:36:17,044 WHAT DID YOU SAY TO HER? 854 00:36:17,087 --> 00:36:19,002 I'M NOT THAT GUY ANYMORE. 855 00:36:19,046 --> 00:36:21,788 THE STRENGTH OF OUR LOVE CHANGED ME. 856 00:36:21,831 --> 00:36:23,311 DOES HER MOTHER KNOW? 857 00:36:23,355 --> 00:36:26,532 YEAH. PORTIA'S TELLING HER RIGHT NOW. 858 00:36:26,575 --> 00:36:28,142 ANYHOW, THAT WAS IT. 859 00:36:28,186 --> 00:36:31,798 JUST CAME TO SEE THAT LOOK OF DISAPPOINTMENT ON YOUR FACE. 860 00:36:31,841 --> 00:36:33,974 NO HARD FEELINGS, BUT, UH, 861 00:36:34,017 --> 00:36:35,976 YOU'RE NOT INVITED ANYMORE. 862 00:36:37,238 --> 00:36:38,848 AAH! WHAT ARE YOU DOING?! 863 00:36:38,892 --> 00:36:41,242 THE THING IS, WICK, I DO HAVE HARD FEELINGS. 864 00:36:41,286 --> 00:36:42,417 YOU HAVE A HISTORY OF HITTING WOMEN. 865 00:36:42,461 --> 00:36:43,940 NOBODY CAN PROVE IT--AAH! 866 00:36:43,984 --> 00:36:45,333 YOU'LL MARRY PORTIA, YOU'LL HIT HER, 867 00:36:45,377 --> 00:36:47,596 THEN YOU'LL AGREE TO GO AWAY FOR A NEGOTIATED PRICE. 868 00:36:47,640 --> 00:36:49,163 IS THAT ABOUT RIGHT? 869 00:36:49,207 --> 00:36:50,295 SERIOUSLY, YOU'RE GONNA BREAK MY FRIGGIN' WRIST. 870 00:36:50,338 --> 00:36:52,035 OH, NO, THIS IS JUST SOFT TISSUE PAIN. 871 00:36:52,079 --> 00:36:55,038 HOWEVER, IF YOU WANT TO AVOID REAL FACIAL RECONSTRUCTION, 872 00:36:55,082 --> 00:36:57,606 I SUGGEST YOU TAKE ANOTHER SIT-DOWN WITH PORTIA 873 00:36:57,650 --> 00:36:59,782 AND YOU EXPLAIN TO HER YOU THINK SHE'S TOO GOOD FOR YOU, 874 00:36:59,826 --> 00:37:01,828 AND THEN YOU HIT THE ROAD PERMANENTLY. 875 00:37:01,871 --> 00:37:04,526 IF YOU WEREN'T FBI--AAH! UGH! UNH! 876 00:37:04,570 --> 00:37:06,963 I CAN'T MAKE IT OUT ABOVE ALL YOUR WHIMPERING. 877 00:37:09,401 --> 00:37:11,316 WE'RE GETTING MARRIED. 878 00:37:11,359 --> 00:37:13,927 YOU DON'T SCARE ME. 879 00:37:13,970 --> 00:37:15,668 WHY SHOULD I SCARE YOU? 880 00:37:15,711 --> 00:37:18,801 MY JOB IS TO STOP SCARY PEOPLE. 881 00:37:18,845 --> 00:37:23,937 FOR INSTANCE, A GUY WHO TAKES A PLIERS TO PEOPLE 882 00:37:23,980 --> 00:37:25,199 HE DOESN'T LIKE. 883 00:37:25,243 --> 00:37:27,070 NOW, LET'S SAY THAT THIS GUY 884 00:37:27,114 --> 00:37:30,552 IS UP FOR PAROLE, SAY, NEXT THURSDAY 885 00:37:30,596 --> 00:37:32,250 AT ANGOLA PRISON. 886 00:37:32,293 --> 00:37:35,035 AND LET'S JUST SAY THAT I NEGLECT TO SHOW UP 887 00:37:35,078 --> 00:37:36,863 TO TESTIFY AGAINST HIS RELEASE. 888 00:37:36,906 --> 00:37:40,345 NOW, THAT GUY, HE MIGHT MISINTERPRET THINGS. 889 00:37:40,388 --> 00:37:42,738 HE MIGHT THINK I DID HIM A FAVOR, 890 00:37:42,782 --> 00:37:45,045 THAT HE OWES ME ONE. 891 00:37:45,088 --> 00:37:46,960 AND THEN... 892 00:37:47,003 --> 00:37:52,095 HE MIGHT LOOK FOR A WAY TO PAY THAT DEBT. 893 00:37:58,580 --> 00:38:00,539 YOU KNOW WHAT? 894 00:38:00,582 --> 00:38:02,367 TO HELL WITH PORTIA. 895 00:38:02,410 --> 00:38:05,674 SHE AIN'T ANYTHING SPECIAL ANYWAY. 896 00:38:16,685 --> 00:38:19,601 I WONDER WHY SOME MEN ARE LIKE CRAIG KALINE. 897 00:38:19,645 --> 00:38:21,516 WHAT, HORN DOGS, YOU MEAN? 898 00:38:21,560 --> 00:38:23,475 IS THAT THE MEDICAL TERM? 899 00:38:23,518 --> 00:38:24,737 LEWIS, LAUGHING: I BELIEVE IT IS. 900 00:38:24,780 --> 00:38:26,434 SERIOUSLY, THOUGH, CHERYL-- 901 00:38:26,478 --> 00:38:27,914 BEFORE SHE WENT OFF THE DEEP END-- 902 00:38:27,957 --> 00:38:29,959 WAS A DEVOTED AND LOVING WIFE. 903 00:38:30,003 --> 00:38:31,657 WHY DID CRAIG FEEL LIKE HE HAD TO BED 904 00:38:31,700 --> 00:38:32,962 EVERYTHING THAT MOVED? 905 00:38:33,006 --> 00:38:34,573 REID: YOU KNOW, IT MIGHT SOUND CRAZY, 906 00:38:34,616 --> 00:38:36,226 BUT HAVING MULTIPLE SEXUAL PARTNERS 907 00:38:36,270 --> 00:38:37,315 ACTUALLY ISN'T HARD TO UNDERSTAND 908 00:38:37,358 --> 00:38:38,925 FROM AN ANTHROPOLOGICAL SENSE. 909 00:38:38,968 --> 00:38:41,580 OVER 90% OF MAMMALS ARE PROMISCUOUS. 910 00:38:41,623 --> 00:38:43,277 IT SERVES THE FUNCTION FOR SELF-PRESERVATION 911 00:38:43,321 --> 00:38:45,801 AS WELL AS A COPING MECHANISM TO HELP RELIEVE STRESS. 912 00:38:45,845 --> 00:38:48,848 CHEATING ON YOUR SPOUSE RELIEVES STRESS? 913 00:38:48,891 --> 00:38:52,286 I THINK THE ANIMAL KINGDOM GOT THAT ONE BACKWARDS. 914 00:38:52,330 --> 00:38:55,115 WELL, I WONDER HOW ROSSI AND KRYSTALL ARE DOING. 915 00:38:55,158 --> 00:38:56,725 SEEING AN OLD FLAME AFTER THAT MANY YEARS, 916 00:38:56,769 --> 00:38:59,162 CHANCES ARE IT GOT REAL AWKWARD REAL FAST. 917 00:38:59,206 --> 00:39:01,077 NO. NO, NOT ROSSI. 918 00:39:01,121 --> 00:39:03,384 WITH THAT GUY AS YOUR D.C. TOUR GUIDE, 919 00:39:03,428 --> 00:39:05,604 PROBABLY PAINTING THE TOWN FIRE ENGINE RED. 920 00:39:05,647 --> 00:39:08,389 [CHUCKLING] 921 00:39:08,433 --> 00:39:12,350 [MELANCHOLY JAZZ PLAYING] 922 00:39:12,393 --> 00:39:15,004 [DOORBELL RINGS] 923 00:39:25,232 --> 00:39:27,756 I'LL HAVE SOME OF WHAT YOU'RE DRINKING. 924 00:39:31,151 --> 00:39:33,371 NEAT, RIGHT? 925 00:39:33,414 --> 00:39:37,940 WOULD YOU MIND PUTTING SOME HAPPIER MUSIC ON? 926 00:39:37,984 --> 00:39:43,119 I AM TRYING TO PRETEND THINGS HAVEN'T FALLEN APART COMPLETELY. 927 00:39:46,035 --> 00:39:48,995 SOLITAIRE, DAVID? REALLY? 928 00:39:49,038 --> 00:39:52,346 SOMETIMES YOU HAVE TO LEAN INTO THE OBVIOUS. 929 00:39:52,390 --> 00:39:54,653 YOU CAN PLAY THIS ON YOUR SMARTPHONE, YOU KNOW. 930 00:39:54,696 --> 00:39:57,830 NO. I LIKE THE FEEL OF CARDS, 931 00:39:57,873 --> 00:40:02,617 THE SMELL, THE SOUND THEY MAKE WHEN YOU SHUFFLE. 932 00:40:02,661 --> 00:40:04,532 [LIVELY BIG BAND MUSIC PLAYING] 933 00:40:04,576 --> 00:40:06,360 BETTER? 934 00:40:06,404 --> 00:40:08,188 PERFECT. 935 00:40:08,231 --> 00:40:14,020 MAN: ♪ BOY, HAVE YOU EVER GOT IT MADE... ♪ 936 00:40:14,063 --> 00:40:18,894 SO, ANYHOW, THAT'S IT. 937 00:40:18,938 --> 00:40:22,028 THE WEDDING WAS... 938 00:40:22,071 --> 00:40:23,551 OVER. 939 00:40:23,595 --> 00:40:25,553 THEN IT WAS ON AGAIN. 940 00:40:25,597 --> 00:40:28,382 THEN IT WAS OVER AGAIN. 941 00:40:28,426 --> 00:40:30,036 HEH. 942 00:40:30,079 --> 00:40:33,605 WICK HIGHTAILED IT. 943 00:40:33,648 --> 00:40:36,869 SOMETHING CHANGED HIS MIND. 944 00:40:36,912 --> 00:40:39,915 I WONDER WHAT. 945 00:40:39,959 --> 00:40:41,830 ♪ YOU REALLY GOT IT MADE ♪ 946 00:40:41,874 --> 00:40:44,529 HOW'S PORTIA HOLDING UP? 947 00:40:44,572 --> 00:40:46,400 SHE'S OK. 948 00:40:46,444 --> 00:40:51,492 MY DAUGHTER DOESN'T ALWAYS SHOW THE BEST JUDGMENT, YOU KNOW? 949 00:40:51,536 --> 00:40:54,495 KIND OF LIKE HER MOM IN THAT WAY. 950 00:40:54,539 --> 00:40:57,150 BUT SHE'S STRONG. 951 00:40:57,193 --> 00:40:59,718 ALSO LIKE HER MOM. 952 00:40:59,761 --> 00:41:07,682 ♪ OH, BOY, HAVE YOU EVER GOT IT MADE... ♪ 953 00:41:07,726 --> 00:41:11,556 I'M HEADING BACK TOMORROW. 954 00:41:11,599 --> 00:41:14,733 ♪ DON'T LET THEM MAKE THAT MISTAKE... ♪ 955 00:41:14,776 --> 00:41:16,691 FEEL LIKE SOME POKER? 956 00:41:16,735 --> 00:41:18,258 I ALWAYS FEEL LIKE POKER. 957 00:41:18,301 --> 00:41:20,129 I'LL DEAL. 958 00:41:20,173 --> 00:41:24,090 AHH. THERE IT IS. 959 00:41:24,133 --> 00:41:26,658 THAT OLD SOUND... 960 00:41:26,701 --> 00:41:29,443 THAT TROUBLE'S AROUND THE CORNER. 961 00:41:29,487 --> 00:41:31,445 SO WHAT'S THE ANTE? 962 00:41:31,489 --> 00:41:33,360 THAT'S UP TO YOU, DAVID. 963 00:41:33,403 --> 00:41:35,667 HOUSE RULES. 964 00:41:35,710 --> 00:41:38,757 WELL, HOW ABOUT A MINT COPY 965 00:41:38,800 --> 00:41:44,806 OF JOHNNY MATHIS' GREATEST HITS ON VINYL? 966 00:41:44,850 --> 00:41:46,591 [SONG ENDING] 967 00:41:46,634 --> 00:41:49,115 YOU HAVE THAT? 968 00:41:49,158 --> 00:41:52,118 IT'S NEXT UP ON THE TURNTABLE. 969 00:41:52,161 --> 00:41:57,689 JOHNNY MATHIS: ♪ I'LL BE EASY TO FIND 970 00:41:57,732 --> 00:42:02,476 ♪ WHEN LOVE COMES LOOKING FOR ME... ♪ 971 00:42:02,520 --> 00:42:04,086 ROSSI: "NO MATTER HOW FAR WE TRAVEL, 972 00:42:04,130 --> 00:42:07,437 THE MEMORIES WILL FOLLOW IN THE BAGGAGE CAR." 973 00:42:07,481 --> 00:42:09,657 AUGUST STRINDBERG. 974 00:42:09,701 --> 00:42:15,968 MATHIS: ♪ ...SO THAT I'LL BE EASY TO SEE ♪ 975 00:42:16,011 --> 00:42:18,100 ♪ NO HIDE... 976 00:42:22,757 --> 00:42:24,150 ROSSI: STAY TUNED FOR SCENES FROM OUR NEXT EPISODE. 977 00:42:30,896 --> 00:42:33,638 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 978 00:42:33,681 --> 00:42:36,205 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE