1 00:00:02,089 --> 00:00:03,481 WOMAN: HONEY, I KNOW, I KNOW. 2 00:00:03,525 --> 00:00:05,440 IT'LL ONLY TAKE 15 MINUTES. 3 00:00:05,483 --> 00:00:06,484 MAN: BUT IT'S AFTER HOURS. 4 00:00:06,528 --> 00:00:08,312 WELL, HE'S A NEW PATIENT. 5 00:00:08,356 --> 00:00:10,314 I HAVEN'T MET HIM YET, BUT WHEN HE CALLED, HE-- 6 00:00:10,358 --> 00:00:12,664 HE SOUNDED DESPERATE, AT HIS WITS' END. 7 00:00:12,708 --> 00:00:14,666 AND I WAS ONLY IN THE PARKING LOT. 8 00:00:14,710 --> 00:00:16,538 YOU'RE TOO NICE, HONEY. 9 00:00:16,581 --> 00:00:18,453 THEY DON'T DESERVE YOU, DR. UQALLA. 10 00:00:18,496 --> 00:00:19,671 THAT'S WEIRD. 11 00:00:19,715 --> 00:00:21,412 I THOUGHT I LOCKED THIS DOOR. 12 00:00:21,456 --> 00:00:24,241 IT'S PROBABLY CALLIE. YOU SAID SHE'S LAZY. 13 00:00:24,285 --> 00:00:26,330 NO, I SAID SHE WAS FORGETFUL. 14 00:00:26,374 --> 00:00:30,465 LAZY, FORGETFUL, THAT'S A THIN LINE YOU'RE RUNNING WITH THERE. 15 00:00:30,508 --> 00:00:32,380 WELL, JUST GET HOME SOON. 16 00:00:32,423 --> 00:00:33,859 I WAS GONNA GRILL SOME STEAKS. 17 00:00:33,903 --> 00:00:36,079 MAYBE YOU COULD PICK UP A BOTTLE OF WINE OR SOMETHING. 18 00:00:36,123 --> 00:00:37,341 MICHAEL, I THINK THERE'S SOMEONE HERE. 19 00:00:37,385 --> 00:00:40,344 WHAT DO YOU MEAN? LIKE THE CLEANING CREW? 20 00:00:40,388 --> 00:00:42,216 NO, IT'S PROBABLY JUST SOME KIDS LIKE BEFORE. 21 00:00:42,259 --> 00:00:44,087 WHAT IF IT'S NOT? STACY, GET OUT OF THERE. 22 00:00:44,131 --> 00:00:45,393 I'M GONNA CALL THE COPS. 23 00:00:45,436 --> 00:00:46,350 NO. IT'S FINE. IT'S FINE. 24 00:00:46,394 --> 00:00:48,700 I'LL JUST TAKE CARE OF IT. 25 00:00:50,311 --> 00:00:52,835 DON'T MOVE. DON'T MOVE. I'VE ALREADY CALLED THE COPS. 26 00:00:52,878 --> 00:00:55,229 NO! NO! OH! AAH! 27 00:00:55,272 --> 00:00:57,970 MICHAEL: STACY! STACY, WHAT'S HAPPENING?! 28 00:00:58,014 --> 00:01:00,234 STACY! TALK TO ME! 29 00:01:00,277 --> 00:01:02,366 ARE YOU OK? 30 00:01:02,410 --> 00:01:04,673 STACY, WHO'S THERE! 31 00:01:04,716 --> 00:01:07,589 STACY, I'M CALLING THE COPS! 32 00:01:07,632 --> 00:01:09,112 STACY! 33 00:01:09,156 --> 00:01:10,766 WHERE IS IT? 34 00:01:10,809 --> 00:01:12,028 STACY, WHO IS THAT? 35 00:01:12,072 --> 00:01:13,595 TELL ME WHERE IT IS. 36 00:01:13,638 --> 00:01:15,510 [SOBBING] 37 00:01:15,553 --> 00:01:17,686 ALVEZ: I--I DON'T KNOW. 38 00:01:17,729 --> 00:01:19,383 COME ON. IT'S BEEN 3 MONTHS. 39 00:01:19,427 --> 00:01:21,211 YOU GUYS GOING STEADY OR WHAT? 40 00:01:21,255 --> 00:01:24,084 WE'RE TRYING NOT TO PUT LABELS ON ANYTHING. 41 00:01:24,127 --> 00:01:26,434 MM-HMM. SEE, YOU GOT A GLOW, THOUGH. 42 00:01:26,477 --> 00:01:28,610 IT'S ALL OVER YOU RIGHT NOW. 43 00:01:28,653 --> 00:01:30,394 MEN DO NOT GLOW. 44 00:01:30,438 --> 00:01:32,483 LISA'S GOT A DRAWER AT MY PLACE. 45 00:01:32,527 --> 00:01:35,051 OK. SO THIS IS GETTING SERIOUS. 46 00:01:35,095 --> 00:01:37,488 SHE'S GOT ME THINKING ABOUT NEXT STEPS. 47 00:01:37,532 --> 00:01:41,144 OH, ALL RIGHT. SEE, THAT'S BECAUSE YOUR BIOLOGICAL CLOCK 48 00:01:41,188 --> 00:01:42,363 IS TICKING, MY FRIEND. 49 00:01:42,406 --> 00:01:45,714 OK. WHAT ABOUT YOU? YOU SEEING ANYBODY? 50 00:01:45,757 --> 00:01:48,456 NO. NO. I MEAN, YOU KNOW, NOT SINCE I BROKE OFF 51 00:01:48,499 --> 00:01:49,892 MY ENGAGEMENT TWO YEARS AGO. 52 00:01:49,935 --> 00:01:52,286 JUST NOT LOOKING FOR A COMMITMENT RIGHT NOW. 53 00:01:52,329 --> 00:01:54,505 I NEVER SAID ANYTHING ABOUT COMMITMENT. 54 00:01:54,549 --> 00:01:56,638 I GOT SOME SINGLE ARMY BUDDIES THAT I COULD SET YOU UP WITH. 55 00:01:56,681 --> 00:01:57,813 I AM NOT SAYING NO, BUT I-- 56 00:01:57,856 --> 00:01:59,336 YOU GUYS READY? 57 00:01:59,380 --> 00:02:01,208 UH, YEAH. HEY, IS REID BACK FROM SABBATICAL? 58 00:02:01,251 --> 00:02:03,514 UH, NO, NOT YET, BUT I JUST TALKED TO HIM ON THE PHONE. 59 00:02:03,558 --> 00:02:05,255 HE SENDS HIS LOVE. 60 00:02:05,299 --> 00:02:07,431 I'M NOT SAYING NO, BUT I DON'T DO BLIND DATES. 61 00:02:07,475 --> 00:02:09,477 I NEED PHOTOS. PHOTOS. 62 00:02:09,520 --> 00:02:11,522 [DOOR OPENS] 63 00:02:11,566 --> 00:02:13,045 SO WHERE ARE WE HEADED THIS TIME? 64 00:02:13,089 --> 00:02:17,049 WE ARE BACK TO THE ENCHANTMENT OF NEW MEXICO, 65 00:02:17,093 --> 00:02:18,399 WHICH, THE LAST TIME I WAS THERE, 66 00:02:18,442 --> 00:02:19,661 WAS A LITTLE LESS ENCHANTING 67 00:02:19,704 --> 00:02:21,315 AND A LITTLE MORE CUCKOO BANANAS. 68 00:02:21,358 --> 00:02:23,969 NEVERTHELESS, WE PERSISTED. THIS TIME WE'RE GOING TO TAOS. 69 00:02:24,013 --> 00:02:27,582 YESTERDAY, A 38-YEAR-OLD PHYSICIAN NAMED STACY UQALLA 70 00:02:27,625 --> 00:02:29,453 WAS FOUND DEAD IN A CLINIC WHERE SHE WORKED. 71 00:02:29,497 --> 00:02:32,413 SHE HAD A HOLE DRILLED INTO THE LEFT SIDE OF HER HEAD. 72 00:02:32,456 --> 00:02:34,066 WAIT. THERE'S MORE DISGUSTING. 73 00:02:34,110 --> 00:02:36,678 LAST WEEK, STEVE KANTE, 40-YEAR-OLD HIGH SCHOOL TEACHER, 74 00:02:36,721 --> 00:02:38,027 WAS FOUND DEAD IN HIS HOME. 75 00:02:38,070 --> 00:02:39,463 HE WAS FOUND BY A CO-WORKER 76 00:02:39,507 --> 00:02:41,509 WHEN HE DIDN'T SHOW UP AT WORK, 77 00:02:41,552 --> 00:02:43,424 AND LIKE STACY, HE ALSO HAD A HOLE DRILLED 78 00:02:43,467 --> 00:02:44,947 THROUGH THE LEFT SIDE OF HIS HEAD. 79 00:02:44,990 --> 00:02:46,557 LAST YEAR WE HAD A CASE IN FLORIDA. 80 00:02:46,601 --> 00:02:49,386 THE GUY GAVE HIS VICTIMS CHEMICAL LOBOTOMIES. 81 00:02:49,430 --> 00:02:50,648 HE USED A DRILL AS WELL. 82 00:02:50,692 --> 00:02:52,781 BUT THE PLACEMENT HERE, SIDE OF THE HEAD, 83 00:02:52,824 --> 00:02:54,478 IS TOTALLY DIFFERENT. 84 00:02:54,522 --> 00:02:56,480 YOU KNOW, THERE WAS A FAMOUS EXPERIMENT IN THE SIXTIES. 85 00:02:56,524 --> 00:02:59,918 A DUTCH PROFESSOR BELIEVED HE COULD INDUCE A PERMANENT HIGH 86 00:02:59,962 --> 00:03:02,834 BY DRILLING A SMALL HOLE IN THE SKULL. 87 00:03:02,878 --> 00:03:04,619 YEAH, TREPANATION. HUMAN REMAINS 88 00:03:04,662 --> 00:03:06,316 FROM AS FAR BACK AS THE NEOLITHIC PERIOD 89 00:03:06,360 --> 00:03:07,578 HAVE SHOWN EVIDENCE OF SUCH DRILLING. 90 00:03:07,622 --> 00:03:09,232 IT WAS ONCE THOUGHT OF AS A WAY TO RELEASE 91 00:03:09,276 --> 00:03:10,799 EVIL SPIRITS FROM THE BODY. 92 00:03:10,842 --> 00:03:12,627 AND EVEN TODAY, SOME PEOPLE STILL SEE IT 93 00:03:12,670 --> 00:03:14,455 AS A POSSIBLE AVENUE TOWARDS HIGHER CONSCIOUSNESS. 94 00:03:14,498 --> 00:03:17,588 OR THEY COULD JUST TRY MEDITATION. 95 00:03:17,632 --> 00:03:19,024 YOU MEDITATE, ROSSI? 96 00:03:19,068 --> 00:03:22,550 OH, YEAH. 3 TIMES A WEEK AND TWICE ON SUNDAY. 97 00:03:22,593 --> 00:03:25,857 TAOS ATTRACTS AN INTERESTING WASH OF TRANSPLANTS AND TOURISTS, 98 00:03:25,901 --> 00:03:27,772 PEOPLE TRYING TO GET BACK TO NATURE 99 00:03:27,816 --> 00:03:30,210 OR FIND A MORE SPIRITUAL EXISTENCE. 100 00:03:30,253 --> 00:03:32,734 SO, NO SHORTAGE OF PEOPLE TRYING TO BUY CRYSTALS, THEN. 101 00:03:32,777 --> 00:03:35,867 THIS GUY COULD BE SOME TWISTED NEW-AGE MYSTIC. 102 00:03:35,911 --> 00:03:39,001 OR JUST SOME JOE CRAZY SPIRALING OUT OF CONTROL. 103 00:03:39,044 --> 00:03:40,263 JJ: WELL, WHATEVER THE REASON, 104 00:03:40,307 --> 00:03:41,569 TWO BODIES IN SHORT SUCCESSION. 105 00:03:41,612 --> 00:03:43,571 FEELS LIKE THIS GUY'S JUST GETTING STARTED. 106 00:03:43,614 --> 00:03:45,703 TAOS PD THINKS SO, AND I AGREE. 107 00:03:45,747 --> 00:03:47,531 WHEELS UP IN 20. 108 00:04:21,609 --> 00:04:23,611 AAH! 109 00:04:29,094 --> 00:04:31,445 [GASPS] 110 00:04:31,488 --> 00:04:33,795 WHAT THE HELL? 111 00:04:33,838 --> 00:04:35,753 UHH! 112 00:04:35,797 --> 00:04:37,451 UHH! WHO ARE YOU? 113 00:04:37,494 --> 00:04:40,715 [BUZZING] 114 00:04:40,758 --> 00:04:41,977 WHAT DO YOU WANT? 115 00:04:43,761 --> 00:04:45,763 OH, COME ON, MAN, WHAT ARE YOU DOING? 116 00:04:45,807 --> 00:04:46,982 WHERE IS IT? 117 00:04:47,025 --> 00:04:50,464 I DON'T KNOW. WHAT ARE YOU TALKING ABOUT? 118 00:04:50,507 --> 00:04:52,683 WHOA, PLEASE. 119 00:04:52,727 --> 00:04:53,945 SOMEBODY HELP ME! 120 00:04:53,989 --> 00:04:55,556 AAH! 121 00:04:55,599 --> 00:04:59,734 [BREATHING HARD] 122 00:04:59,777 --> 00:05:01,388 WHERE IS IT? 123 00:05:01,431 --> 00:05:04,216 I HAVE NO IDEA WHAT YOU WANT! 124 00:05:04,260 --> 00:05:06,567 DON'T DO THIS. 125 00:05:06,610 --> 00:05:08,264 YOU DID THIS TO YOURSELF. 126 00:05:08,308 --> 00:05:11,485 NO! NO! AAH! 127 00:05:11,528 --> 00:05:13,704 [DRILLING, SCREAMING] 128 00:05:40,252 --> 00:05:43,343 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 129 00:05:50,567 --> 00:05:52,700 ALVEZ: "CONVICTIONS ARE MORE DANGEROUS FOES OF TRUTH 130 00:05:52,743 --> 00:05:56,312 THAN LIES." FRIEDRICH NIETZSCHE. 131 00:05:56,356 --> 00:05:58,314 STACY UQALLA WAS A FAMILY PHYSICIAN, 132 00:05:58,358 --> 00:05:59,707 MARRIED, NO KIDS. 133 00:05:59,750 --> 00:06:01,404 SHE WAS BORN AND RAISED IN TAOS. 134 00:06:01,448 --> 00:06:03,754 SHE LEFT FOR MEDICAL SCHOOL BUT RETURNED LATER. 135 00:06:03,798 --> 00:06:06,670 JJ: STEVE KANTE, ON THE OTHER HAND, MOVED TO TAOS AS AN ADULT. 136 00:06:06,714 --> 00:06:09,456 HE WAS DIVORCED AND A HIGH SCHOOL HISTORY TEACHER. 137 00:06:09,499 --> 00:06:11,153 HIS EX-WIFE NOW LIVES IN MINNESOTA. 138 00:06:11,196 --> 00:06:13,460 SHE'S HAPPILY REMARRIED, AND THE SPLIT WAS AMICABLE. 139 00:06:13,503 --> 00:06:16,245 LOOKS LIKE STACY AND STEVE DIDN'T RUN IN THE SAME SOCIAL CIRCLES. 140 00:06:16,288 --> 00:06:19,161 NO SIGN OF DISGRUNTLED STUDENTS OR UPSET PATIENTS. 141 00:06:19,204 --> 00:06:21,555 YEAH. BY ALL ACCOUNTS, THEY WERE BOTH WELL LIKED. 142 00:06:21,598 --> 00:06:24,166 GARCIA: TEAM, YOU KNOW I WANT TO BE THE BEARER 143 00:06:24,209 --> 00:06:25,689 OF GOOD NEWS, BUT LET'S FACE IT. 144 00:06:25,733 --> 00:06:27,735 WHEN YOU SEE THIS GORGEOUS VISAGE ON THE JET, 145 00:06:27,778 --> 00:06:28,866 IT IS BOTH A BLESSING AND A CURSE. 146 00:06:28,910 --> 00:06:30,433 WE HAVE ANOTHER VICTIM? 147 00:06:30,477 --> 00:06:32,914 YEAH. BEN MONTOYA. HE'S A CONSTRUCTION WORKER 148 00:06:32,957 --> 00:06:34,785 FOR ADG BUILDERS. 149 00:06:34,829 --> 00:06:36,265 HIS BODY WAS FOUND ON ONE OF THEIR SITES 150 00:06:36,308 --> 00:06:38,441 EARLIER THIS MORNING. I'M SENDING YOU THE INFO NOW. 151 00:06:38,485 --> 00:06:41,444 M.O. IS AN EXACT MATCH TO THE PREVIOUS TWO VICTIMS. 152 00:06:41,488 --> 00:06:44,142 BEN WAS BORN AND RAISED ON THE NEARBY JICARILLA APACHE RESERVATION, 153 00:06:44,186 --> 00:06:45,840 BUT HE LIVED IN TOWN WITH HIS WIFE 154 00:06:45,883 --> 00:06:46,841 AND THEIR 3-YEAR-OLD DAUGHTER. 155 00:06:46,884 --> 00:06:48,277 THERE'S BEEN A SPIKE IN HATE CRIMES 156 00:06:48,320 --> 00:06:49,800 IN THE U.S. OVER THE PAST YEAR, 157 00:06:49,844 --> 00:06:51,106 AND BEN AND STACY BOTH 158 00:06:51,149 --> 00:06:52,455 HAD NATIVE AMERICAN BLOOD. 159 00:06:52,499 --> 00:06:54,109 WHAT IF THIS IS RACIALLY MOTIVATED? 160 00:06:54,152 --> 00:06:55,806 WELL, IT COULD BE, BUT THEN HOW DOES STEVE FIT IN? 161 00:06:55,850 --> 00:06:57,591 IT SAYS HERE HE DEVELOPED AN IN-DEPTH 162 00:06:57,634 --> 00:07:00,071 AND CONTROVERSIAL COURSE ON NATIVE AMERICAN LIVING HISTORIES. 163 00:07:00,115 --> 00:07:01,856 IT WAS POPULAR WITH THE STUDENTS 164 00:07:01,899 --> 00:07:04,467 BUT NOT THE ADMINISTRATION OR PARTS OF THE COMMUNITY. 165 00:07:04,511 --> 00:07:06,469 GARCIA, LOOK AT THE LATEST VICTIM BEN MONTOYA. 166 00:07:06,513 --> 00:07:08,166 SEE IF HE CROSSED PATHS WITH THE OTHERS. 167 00:07:08,210 --> 00:07:10,734 ON IT LIKE STUFF ON THINGS AND WHATNOT. 168 00:07:10,778 --> 00:07:14,042 DAVE, LUKE, GO TO THE LATEST CRIME SCENE. 169 00:07:14,085 --> 00:07:15,652 MATT, JJ, TALK TO THE M.E. 170 00:07:15,696 --> 00:07:18,046 TARA AND I WILL SET UP WITH THE LOCAL PD. 171 00:07:22,137 --> 00:07:25,749 HI. KAREN CARLSEN, CHIEF OF POLICE AROUND HERE, BUT PLEASE CALL ME KAREN. 172 00:07:25,793 --> 00:07:27,882 EMILY PRENTISS. THIS IS DR. TARA LEWIS. 173 00:07:27,925 --> 00:07:30,841 WE'VE GOT A QUIET PLACE FOR YOU TO SET UP IN THE BACK. 174 00:07:30,885 --> 00:07:32,669 WHAT'S YOUR TAKE ON ALL THIS? 175 00:07:32,713 --> 00:07:34,541 HARD TO SAY. 176 00:07:34,584 --> 00:07:36,717 WE'VE BEEN HIT AS HARD AS ANYONE IN THE LAST FEW YEARS. 177 00:07:36,760 --> 00:07:38,762 WE'VE SEEN A RISE IN PROPERTY CRIME AND BURGLARY, 178 00:07:38,806 --> 00:07:40,416 BUT NOTHING THIS BRUTAL. 179 00:07:40,460 --> 00:07:43,463 I CAN ONLY IMAGINE WHAT BRINGS A MAN TO DO SOMETHING LIKE THIS. 180 00:07:43,506 --> 00:07:45,813 WELL, IN OUR EXPERIENCE THERE'S ALWAYS AN EXPLANATION, 181 00:07:45,856 --> 00:07:47,902 EVEN IF IT ONLY MAKES SENSE TO THE UNSUB. 182 00:07:47,945 --> 00:07:50,818 STACY UQALLA'S HUSBAND IS WAITING IN OUR FAMILY ROOM, 183 00:07:50,861 --> 00:07:53,124 AND BEN MONTOYA'S WIFE IS IN MY OFFICE. 184 00:07:53,168 --> 00:07:55,300 WE DIDN'T WANT TO START UNTIL YOU ALL ARRIVED. 185 00:07:55,344 --> 00:07:57,868 THANK YOU. WHY DON'T YOU TALK TO BEN'S WIFE. 186 00:07:57,912 --> 00:07:59,304 I'LL SIT DOWN WITH STACY'S HUSBAND. 187 00:07:59,348 --> 00:08:00,654 YEAH, RIGHT THIS WAY. 188 00:08:00,697 --> 00:08:03,918 ANNIE'S ONLY 3. SHE WON'T EVEN REMEMBER HIM. 189 00:08:03,961 --> 00:08:06,181 BUT YOU WILL. 190 00:08:06,224 --> 00:08:08,575 AND YOU WILL KEEP HIS MEMORY ALIVE FOR HER 191 00:08:08,618 --> 00:08:10,446 AS SHE GROWS UP. 192 00:08:12,230 --> 00:08:15,712 DEE, WE KNOW YOUR HUSBAND GREW UP 193 00:08:15,756 --> 00:08:17,714 ON THE JICARILLA APACHE RESERVATION, 194 00:08:17,758 --> 00:08:20,412 BUT WE NEED YOU TO FILL IN THE DETAILS. 195 00:08:23,503 --> 00:08:25,722 BEN'S CHILDHOOD WASN'T GREAT. 196 00:08:25,766 --> 00:08:27,898 HE SUFFERED A LOT OF EMOTIONAL 197 00:08:27,942 --> 00:08:29,291 AND PHYSICAL ABUSE. 198 00:08:29,334 --> 00:08:32,207 WHEN BEN TURNED 18, HE LEFT HOME 199 00:08:32,250 --> 00:08:33,948 AND HE NEVER LOOKED BACK. 200 00:08:33,991 --> 00:08:36,385 HE FOUND WORK ON A CONSTRUCTION CREW, 201 00:08:36,428 --> 00:08:37,821 AND HE WORKED HARD. 202 00:08:37,865 --> 00:08:40,258 HE WORKED HIS WAY UP. 203 00:08:40,302 --> 00:08:44,654 I EVEN THOUGHT, NOT NOW, BUT IN A COUPLE YEARS 204 00:08:44,698 --> 00:08:47,265 HE HAD A REAL SHOT AT BECOMING A FOREMAN. 205 00:08:47,309 --> 00:08:51,835 IN A COUPLE OF YEARS. WHY NOT NOW? 206 00:08:51,879 --> 00:08:54,534 I DON'T KNOW. I JUST MEANT THAT... 207 00:08:54,577 --> 00:08:59,016 DEE, I CAN SEE HOW PROUD YOU ARE OF HIM. 208 00:08:59,060 --> 00:09:02,803 BUT WE NEED TO KNOW EVERYTHING. 209 00:09:05,501 --> 00:09:08,635 MY HUSBAND HAD A GAMBLING PROBLEM. 210 00:09:08,678 --> 00:09:13,901 BEN WAS IN RECOVERY, BUT HE FELL OFF THE WAGON LAST MONTH. 211 00:09:13,944 --> 00:09:18,688 HE OWED $25,000 ON CREDIT. 212 00:09:18,732 --> 00:09:22,387 WE DON'T HAVE THAT KIND OF MONEY. 213 00:09:22,431 --> 00:09:24,781 MICHAEL: AND THEN HE ASKED STACY, "WHERE IS IT?" 214 00:09:24,825 --> 00:09:25,956 WHERE IS WHAT? 215 00:09:26,000 --> 00:09:27,654 I DON'T KNOW. 216 00:09:27,697 --> 00:09:29,090 THERE'S BEEN BREAK-INS. 217 00:09:29,133 --> 00:09:31,222 PEOPLE HAVE STOLEN DRUGS, PRESCRIPTION PADS, 218 00:09:31,266 --> 00:09:34,574 BUT NOTHING LIKE THIS, NOTHING SO... 219 00:09:34,617 --> 00:09:37,620 OK. MICHAEL, LET'S TAKE A STEP BACK 220 00:09:37,664 --> 00:09:39,796 AND WALK THROUGH IT AGAIN. 221 00:09:39,840 --> 00:09:43,104 STACY STAYED LATE BECAUSE A PATIENT CALLED HER 222 00:09:43,147 --> 00:09:44,671 AND ASKED TO BE SEEN. 223 00:09:44,714 --> 00:09:47,412 BUT SHE DIDN'T TELL YOU WHO IT WAS, HIS NAME-- 224 00:09:47,456 --> 00:09:48,718 SHE WOULDN'T. 225 00:09:48,762 --> 00:09:49,893 IT'S A HIPAA VIOLATION. 226 00:09:49,937 --> 00:09:51,286 OF COURSE. 227 00:09:51,329 --> 00:09:53,114 BUT DID SHE GIVE YOU ANY OTHER-- 228 00:09:53,157 --> 00:09:55,029 MY WIFE IS DEAD, AND WE'RE SITTING HERE 229 00:09:55,072 --> 00:09:57,031 TALKING ABOUT CONFIDENTIALITY? 230 00:09:57,074 --> 00:09:58,989 I TOLD YOU THIS ALREADY. 231 00:09:59,033 --> 00:10:01,035 THIS MAN WAS LOOKING FOR SOMETHING, 232 00:10:01,078 --> 00:10:02,602 SOMETHING SPECIFIC. 233 00:10:02,645 --> 00:10:03,951 WHY CAN'T YOU FIND HIM? 234 00:10:03,994 --> 00:10:05,692 WHY HAVEN'T YOU MADE ANY PROGRESS? 235 00:10:05,735 --> 00:10:08,346 MR. UQALLA, WE'RE DOING OUR BEST. 236 00:10:10,871 --> 00:10:11,915 [SIGHS] 237 00:10:11,959 --> 00:10:13,351 MAN: IT LOOKS LIKE HE USED 238 00:10:13,395 --> 00:10:15,658 A 3/8-INCH HIGH-SPEED STEEL DRILL BIT. 239 00:10:15,702 --> 00:10:17,442 COULD YOU TELL IF IT WAS MODIFIED? 240 00:10:17,486 --> 00:10:18,748 NO, NOT THAT WE COULD SEE. 241 00:10:18,792 --> 00:10:20,924 THAT WOULD BE IMPOSSIBLE TO TRACK. 242 00:10:20,968 --> 00:10:21,925 THING IS, THE KILLER WENT THROUGH 243 00:10:21,969 --> 00:10:25,015 THE LEFT TEMPORAL LOBE, HERE. 244 00:10:25,059 --> 00:10:26,843 NOW, THAT AREA CONTROLS A LOT. 245 00:10:26,887 --> 00:10:29,585 LANGUAGE, COGNITION, BEHAVIOR, MEMORY, AND HEARING. 246 00:10:29,629 --> 00:10:31,979 BUT PRIMARILY IT'S INVOLVED IN AUDITORY PERCEPTION 247 00:10:32,022 --> 00:10:34,546 AND HOLDS THE PRIMARY AUDITORY CORTEX. 248 00:10:34,590 --> 00:10:37,071 NOW, BASED ON MY EXAM OF THEIR SKULLS, 249 00:10:37,114 --> 00:10:39,029 I BELIEVE THE VICTIMS WERE ALIVE 250 00:10:39,073 --> 00:10:40,944 AS HE DRILLED INTO THEM. 251 00:10:40,988 --> 00:10:42,903 THE C.O.D. ON ALL 3 WAS THE SEVERING OF THE BRAIN STEM. 252 00:10:42,946 --> 00:10:44,992 THE UNSUB WAS IN COMPLETE CONTROL. 253 00:10:45,035 --> 00:10:46,907 HE COULD HAVE KILLED THEM INSTANTANEOUSLY. 254 00:10:46,950 --> 00:10:49,039 SADISM 101. HE WANTED THEM TO SUFFER FIRST. 255 00:10:49,083 --> 00:10:51,215 AND THIS GUY'S CONSISTENT, TOO. 256 00:10:54,262 --> 00:10:57,221 SIMMONS: WOW. LOCATION, THE ANGLE, 257 00:10:57,265 --> 00:10:59,354 THE DEPTH OF EACH WOUND, THEY'RE NEAR MATCHES. 258 00:10:59,397 --> 00:11:00,747 YEAH, HE CAME IN WITH A PLAN, 259 00:11:00,790 --> 00:11:02,487 AND HE EXECUTED IT WITHOUT HESITATION. 260 00:11:02,531 --> 00:11:05,882 IF THAT'S NOT A MAN ON A MISSION, I DON'T KNOW WHAT IS. 261 00:11:25,119 --> 00:11:26,903 [COVER SLAMS] 262 00:11:30,428 --> 00:11:33,823 ROSSI: LUKE AND I COULDN'T FIND ANY FORENSIC EVIDENCE AT THE CRIME SCENE, 263 00:11:33,867 --> 00:11:35,433 BUT WE DID TALK TO BEN'S FOREMAN. 264 00:11:35,477 --> 00:11:37,958 HE SAID BEN WAS WELL LIKED AND A HARD WORKER. 265 00:11:38,001 --> 00:11:40,003 YEAH, BEN'S WIFE TOLD US SOMETHING SIMILAR. 266 00:11:40,047 --> 00:11:42,266 SHE ALSO SAID THAT BEN HAD A GAMBLING PROBLEM 267 00:11:42,310 --> 00:11:44,704 AND OWED $25,000. SHE DIDN'T KNOW TO WHOM. 268 00:11:44,747 --> 00:11:46,488 STACY'S HUSBAND SAID THAT THE UNSUB 269 00:11:46,531 --> 00:11:47,968 WAS LOOKING FOR SOMETHING SPECIFIC. 270 00:11:48,011 --> 00:11:50,318 MONEY? IS THAT WHAT ALL THIS IS ABOUT? 271 00:11:50,361 --> 00:11:52,189 KAREN: YEAH, WE'RE LOOKING INTO LOCAL BOOKIES AND LOAN SHARKS. 272 00:11:52,233 --> 00:11:53,843 THEY'RE MOSTLY SMALL-TIMERS AROUND HERE, 273 00:11:53,887 --> 00:11:54,975 BUT WE'RE RUNNING DOWN THE USUAL SUSPECTS. 274 00:11:55,018 --> 00:11:57,586 [CELL PHONE RINGS] 275 00:11:57,629 --> 00:11:59,980 GARCIA, YOU'RE ON SPEAKER. WHAT DID YOU FIND? 276 00:12:00,023 --> 00:12:01,982 SOME SHADE OF THE SNARKY VARIETY. 277 00:12:02,025 --> 00:12:05,159 HASHTAG NO JUDGMENT, BUT OUR FIRST VICTIM STEVE KANTE 278 00:12:05,202 --> 00:12:07,291 LEFT BEHIND A WINDING TRAIL 279 00:12:07,335 --> 00:12:09,076 OF ODDLY TIMED CASH DEPOSITS. 280 00:12:09,119 --> 00:12:10,817 NONE OF THEM ARE OF THE SAME AMOUNT. 281 00:12:10,860 --> 00:12:12,949 ALL OF THEM ARE UNDER $10.000. 282 00:12:12,993 --> 00:12:15,299 SO HE KNOWS HOW TO STAY OFF THE IRS' RADAR. 283 00:12:15,343 --> 00:12:18,215 CASH DEPOSITS OF VARIOUS AMOUNTS AT IRREGULAR INTERVALS. 284 00:12:18,259 --> 00:12:21,175 STEVE COULD HAVE BEEN A BOOKIE ON THE SIDE. 285 00:12:21,218 --> 00:12:22,567 MAYBE EVEN BEN'S. 286 00:12:22,611 --> 00:12:24,134 I KNOW BOOKIES LIKE TO SKIM OFF THE TOP. 287 00:12:24,178 --> 00:12:25,788 WHAT IF HE DID AND GOT CAUGHT? 288 00:12:25,832 --> 00:12:27,007 MAYBE THAT'S WHAT GOT HIM KILLED. 289 00:12:27,050 --> 00:12:28,443 WHAT ABOUT STACY? 290 00:12:28,486 --> 00:12:32,055 STACY HAD SOME TROUBLE WITH HER STUDENT LOANS. 291 00:12:32,099 --> 00:12:33,622 WHEN SHE GOT OUT OF MED SCHOOL, 292 00:12:33,665 --> 00:12:35,058 SHE DILIGENTLY TRIED TO PAY THEM DOWN 293 00:12:35,102 --> 00:12:36,451 OVER THE LAST 10 YEARS. 294 00:12:36,494 --> 00:12:38,105 BESIDES THAT, NOTHING STANDS OUT. 295 00:12:38,148 --> 00:12:39,193 MAYBE SHE SAW SOMETHING SHE SHOULDN'T HAVE 296 00:12:39,236 --> 00:12:40,977 AND SOMEBODY'S AFRAID SHE'LL TALK. 297 00:12:41,021 --> 00:12:42,762 IT'S CERTAINLY POSSIBLE. 298 00:12:42,805 --> 00:12:44,285 LET'S FOLLOW THIS MONEY TRAIL, SEE WHERE IT TAKES US. 299 00:12:44,328 --> 00:12:46,722 IT COULD LEAD US TO SOME KIND OF ENFORCER. 300 00:12:46,766 --> 00:12:49,029 THAT'S ALL OF THEM. 301 00:12:49,072 --> 00:12:54,077 I NEED YOU TO GET ME THE BUILDING BLUEPRINTS 302 00:12:54,121 --> 00:12:56,732 FOR EVERYTHING BETWEEN ROUTE 68 303 00:12:56,776 --> 00:12:58,516 AND STATE ROAD 240. 304 00:12:58,560 --> 00:13:00,562 NOT A PROBLEM, BUT YOU'LL NEED WRITTEN PERMISSION 305 00:13:00,605 --> 00:13:03,173 FROM THE PROPERTY OWNERS, COPIES OF THE GRANT DEEDS, 306 00:13:03,217 --> 00:13:06,524 AND THE LICENSED ARCHITECT OR ENGINEER ON RECORD FOR EACH OF THEM. 307 00:13:06,568 --> 00:13:08,962 YOU KNOW, IF YOU CALL THE CITY, THEY'LL TELL YOU HOW TO GET STARTED. 308 00:13:09,005 --> 00:13:11,225 NO, I NEED THE BLUEPRINTS NOW. 309 00:13:11,268 --> 00:13:13,140 I UNDERSTAND THAT, AND I WOULD LOVE TO GIVE THEM TO YOU, 310 00:13:13,183 --> 00:13:14,141 BUT UNFORTUNATELY, BEFORE I CAN-- 311 00:13:14,184 --> 00:13:15,185 [SLAMS HAND ON DESK] 312 00:13:15,229 --> 00:13:16,186 [HIGH-PITCHED SOUND] 313 00:13:16,230 --> 00:13:18,972 SIR, YOU NEED TO CALM DOWN 314 00:13:19,015 --> 00:13:21,148 OR I'M GOING TO ASK YOU TO LEAVE. 315 00:13:21,191 --> 00:13:24,455 EXCUSE ME, I NEED HELP FINDING A BOOK. 316 00:13:24,499 --> 00:13:25,979 OF COURSE. 317 00:13:30,505 --> 00:13:33,160 RIGHT THIS WAY. 318 00:13:33,203 --> 00:13:35,684 I NEED YOU TO GET ME THE BUILDING BLUEPRINTS 319 00:13:35,727 --> 00:13:41,559 FOR EVERYTHING BETWEEN ROUTE 68 AMD STATE ROAD 240. 320 00:13:41,603 --> 00:13:43,866 I'M TALKING TO YOU. 321 00:14:00,622 --> 00:14:02,145 BYE. 322 00:14:13,330 --> 00:14:14,505 [DRILL WHIRRING] 323 00:14:14,549 --> 00:14:16,072 NO! 324 00:14:20,642 --> 00:14:24,211 [RADIO CHATTER] 325 00:14:24,254 --> 00:14:26,126 SO ALMA HERNANDEZ WAS LEAVING FOR THE NIGHT 326 00:14:26,169 --> 00:14:27,562 WHEN THE UNSUB FOLLOWED HER, 327 00:14:27,605 --> 00:14:29,956 CAME UP BEHIND HER, THREW HER AGAINST HER CAR. 328 00:14:29,999 --> 00:14:31,827 BUT HE DIDN'T KILL HER. WHY? 329 00:14:31,871 --> 00:14:34,221 TOO PUBLIC? MAYBE HE NEEDED MORE TIME. 330 00:14:34,264 --> 00:14:36,049 ALMA'S FINISHED WITH THE EMTs. 331 00:14:36,092 --> 00:14:37,354 PHYSICALLY SHE'S FINE. 332 00:14:37,398 --> 00:14:39,879 SHAKEN UP MORE THAN ANYTHING. 333 00:14:39,922 --> 00:14:43,056 ALMA'S DEAF, AND I DON'T HAVE A SIGN INTERPRETER OUT HERE YET, 334 00:14:43,099 --> 00:14:44,796 BUT SHE DOES READ LIPS. 335 00:14:44,840 --> 00:14:47,277 I CAN SIGN. I'M HAPPY TO GET STARTED IF THAT'S ALL RIGHT. 336 00:14:47,321 --> 00:14:48,931 OF COURSE. 337 00:14:48,975 --> 00:14:50,193 KAREN, YOU SAID THE OTHER LIBRARIANS 338 00:14:50,237 --> 00:14:51,412 AND STAFF ARE STILL INSIDE?YEAH. 339 00:14:51,455 --> 00:14:53,588 I'M GONNA TAKE A LOOK. 340 00:14:53,631 --> 00:14:57,200 AND THEN WHAT HAPPENED? 341 00:14:57,244 --> 00:15:00,073 HE HELD YOU DOWN ON THE TRUNK, 342 00:15:00,116 --> 00:15:03,032 PUT A DRILL TO YOUR HEAD, 343 00:15:03,076 --> 00:15:07,384 BUT YOU TRIED TO SIGN TO TELL HIM THAT YOU DIDN'T UNDERSTAND. 344 00:15:07,428 --> 00:15:09,125 THAT YOU'RE DEAF. 345 00:15:10,648 --> 00:15:11,954 NO! 346 00:15:11,998 --> 00:15:13,521 NO! 347 00:15:13,564 --> 00:15:15,653 NO... 348 00:15:19,048 --> 00:15:22,182 DID HE SAY ANYTHING? 349 00:15:24,271 --> 00:15:26,012 YOU'RE LUCKY. 350 00:15:26,055 --> 00:15:28,144 HE SAID THAT YOU WERE LUCKY? 351 00:15:28,188 --> 00:15:30,886 LUCKY HOW? 352 00:15:30,930 --> 00:15:33,280 I DON'T KNOW. 353 00:15:33,323 --> 00:15:34,455 BECAUSE I CAN'T HEAR? 354 00:15:34,498 --> 00:15:37,023 OK. SO HE DIDN'T SAY ANYTHING ELSE? 355 00:15:37,066 --> 00:15:39,764 HE ONLY TOUCHED YOUR EAR? 356 00:15:46,510 --> 00:15:48,860 OK. THANK YOU, ALMA. 357 00:15:48,904 --> 00:15:50,819 YOU DID GREAT. 358 00:15:50,862 --> 00:15:53,561 YOU GAVE US SO MUCH HELP. 359 00:15:53,604 --> 00:15:55,606 YOU'RE WELCOME. 360 00:15:55,650 --> 00:15:59,001 STAY POSITIVE, OK? 361 00:15:59,045 --> 00:16:00,960 OK. HEY. 362 00:16:01,003 --> 00:16:03,353 THANK YOU. 363 00:16:03,397 --> 00:16:06,095 LEWIS: SO I WAS TALKING WITH THE HEAD LIBRARIAN ELIZABETH TAPPIN. 364 00:16:06,139 --> 00:16:08,663 SHE'S BEEN WORKING WITH A SKETCH ARTIST. 365 00:16:08,706 --> 00:16:10,099 SHE THINKS THE MAN THAT ATTACKED ALMA 366 00:16:10,143 --> 00:16:13,015 ALSO SHOWED UP AT THE LIBRARY EARLIER. 367 00:16:13,059 --> 00:16:15,452 HE WAS LOOKING FOR BLUEPRINTS FROM THE NINETIES. 368 00:16:15,496 --> 00:16:17,280 IF THIS GUY'S SOME KIND OF ENFORCER, 369 00:16:17,324 --> 00:16:19,065 WHY DOES HE NEED BLUEPRINTS? 370 00:16:19,108 --> 00:16:20,849 WHAT'S HE LOOKING FOR? 371 00:16:20,892 --> 00:16:23,025 THAT'S A GOOD QUESTION. 372 00:16:23,069 --> 00:16:26,289 YOU KNOW, SOMETHING INTERESTING CAME UP DURING MY INTERVIEW. 373 00:16:26,333 --> 00:16:30,032 WHILE ATTACKING HER, THE UNSUB DISCOVERED THAT ALMA IS DEAF, 374 00:16:30,076 --> 00:16:31,903 AND IT STOPPED HIM IN HIS TRACKS. 375 00:16:31,947 --> 00:16:36,212 I THINK IT--IN HIS MIND IT MADE HER AN INNOCENT, YOU KNOW? 376 00:16:36,256 --> 00:16:38,693 SOME KIND OF A VICTIM. 377 00:16:38,736 --> 00:16:41,435 THE M.E. DID SAY THE UNSUB WAS TARGETING 378 00:16:41,478 --> 00:16:43,263 THE AUDITORY SYSTEM OF THE BRAIN. 379 00:16:43,306 --> 00:16:45,439 MAYBE THAT'S WHAT THIS IS ALL ABOUT, 380 00:16:45,482 --> 00:16:47,615 DESTROYING HIS VICTIMS' HEARING. 381 00:16:47,658 --> 00:16:50,009 IT'S THE ONE CONSTANT IN EACH OF THESE KILLS. 382 00:16:50,052 --> 00:16:52,750 SO, PEOPLE WHO CAN HEAR ARE AT FAULT. 383 00:16:52,794 --> 00:16:54,056 PEOPLE WHO CAN'T AREN'T. 384 00:16:54,100 --> 00:16:56,015 YEAH, BUT HEAR WHAT? 385 00:16:56,058 --> 00:16:57,625 I MEAN, WHAT DOES THE ABILITY TO HEAR 386 00:16:57,668 --> 00:17:01,020 HAVE TO DO WITH MAPS AND BLUEPRINTS OF TAOS FROM THE NINETIES? 387 00:17:01,063 --> 00:17:02,543 A LOT, ACTUALLY. 388 00:17:02,586 --> 00:17:04,240 I THINK THIS IS STARTING TO COME TOGETHER. 389 00:17:04,284 --> 00:17:06,025 HAVE YOU EVER HEARD OF A PHENOMENON 390 00:17:06,068 --> 00:17:08,114 INVOLVING LOW-FREQUENCY SOUND WAVES CALLED THE HUM? 391 00:17:08,157 --> 00:17:10,290 I'M SURE MANY OF YOU KNOW THAT THE HUM 392 00:17:10,333 --> 00:17:13,119 WAS FIRST REPORTED HERE IN TAOS IN THE EARLY NINETIES. 393 00:17:13,162 --> 00:17:15,251 JJ: IT'S BEEN DESCRIBED AS A WHIR, A BUZZING SOUND, 394 00:17:15,295 --> 00:17:17,079 OR PERSISTENT RUMBLING. 395 00:17:17,123 --> 00:17:18,907 WE'VE BEEN DEALING WITH THOSE HUM FOLKS FOR YEARS NOW. 396 00:17:18,950 --> 00:17:20,517 IT'S NEVER DRIVEN ANYONE TO MURDER BEFORE. 397 00:17:20,561 --> 00:17:22,258 SIMMONS: THAT'S TRUE, BUT TAOS IS NOT THE ONLY PLACE 398 00:17:22,302 --> 00:17:23,694 WHERE THE HUM HAS BEEN HEARD. 399 00:17:23,738 --> 00:17:25,131 AND WORLDWIDE, VIOLENT ACTS HAVE BEEN COMMITTED 400 00:17:25,174 --> 00:17:26,523 BY THOSE WHO CLAIM TO HEAR IT. 401 00:17:26,567 --> 00:17:29,222 THAT'S RIGHT. IN 2013, A MAN IN WASHINGTON, D.C., 402 00:17:29,265 --> 00:17:30,440 KILLED 12 PEOPLE. 403 00:17:30,484 --> 00:17:32,181 NOW, HE CLAIMS THAT HIS ACTIONS 404 00:17:32,225 --> 00:17:34,096 WERE DRIVEN BY AN ULTRA-LOW-FREQUENCY ATTACK. 405 00:17:34,140 --> 00:17:36,185 ROSSI: AND JUST LAST YEAR IN CUBA, DIPLOMATS 406 00:17:36,229 --> 00:17:37,882 WERE FORCED OUT OF THE U.S. EMBASSY 407 00:17:37,926 --> 00:17:41,843 DUE TO ILLNESS BELIEVED TO BE CAUSED BY A SONIC DEVICE. 408 00:17:41,886 --> 00:17:44,193 LEWIS: THERE IS A MEDICAL CONDITION, CALLED MISOPHONIA, 409 00:17:44,237 --> 00:17:46,717 WHICH CAUSES ITS SUFFERERS TO REACT WITH PANIC 410 00:17:46,761 --> 00:17:49,416 OR EVEN EXTREME RAGE, AT EVERYDAY SOUNDS, 411 00:17:49,459 --> 00:17:51,548 LIKE CHEWING, HUMMING, EVEN BREATHING. 412 00:17:51,592 --> 00:17:54,899 NOT EVERYONE WHO HEARS THE SOUND IS GOING TO REACT VIOLENTLY. 413 00:17:54,943 --> 00:17:56,814 BUT, GIVEN THE RIGHT SET OF PRECONDITIONS, 414 00:17:56,858 --> 00:17:59,121 VIOLENCE IS ABSOLUTELY POSSIBLE. 415 00:17:59,165 --> 00:18:00,253 PRENTISS: SO, WE NEED TO FOCUS OUR EFFORTS 416 00:18:00,296 --> 00:18:01,341 ON PEOPLE IN THE AREA 417 00:18:01,384 --> 00:18:03,125 WHO HAVE REPORTED HEARING THE HUM. 418 00:18:03,169 --> 00:18:05,649 ALVEZ: WE NEED TO RE-EXAMINE OUR UNSUB'S EARLIER VICTIMS 419 00:18:05,693 --> 00:18:08,435 AND SEE IF THEY HAVE ANY SPECIFIC CONNECTION TO THE PHENOMENON. 420 00:18:08,478 --> 00:18:10,089 LEWIS: BASED ON EYEWITNESS ACCOUNTS, 421 00:18:10,132 --> 00:18:12,743 WE KNOW WE ARE LOOKING FOR A PHYSICALLY FIT ADULT MALE. 422 00:18:12,787 --> 00:18:15,224 SKETCH ARTISTS HAVE CREATED A COMPOSITE OF THIS MAN'S FACE. 423 00:18:15,268 --> 00:18:17,618 THIS NEEDS TO BE DISTRIBUTED FAR AND WIDE, 424 00:18:17,661 --> 00:18:19,141 TV, INTERNET, SOCIAL MEDIA. 425 00:18:19,185 --> 00:18:21,056 SOMEONE HAS SEEN THIS MAN. 426 00:18:21,100 --> 00:18:23,711 JJ: WE KNOW BECAUSE OF THE MAPS AND BLUEPRINTS HE'S REQUESTED, 427 00:18:23,754 --> 00:18:27,018 HIS ULTIMATE GOAL IS TO FIND THE SOURCE OF THIS HUM. 428 00:18:27,062 --> 00:18:29,586 SO TO THAT END, WE NEED TO EXPLORE POSSIBLE TARGETS 429 00:18:29,630 --> 00:18:32,589 IN THE AREA, LOCATIONS HE MAY BE DRAWN TO. 430 00:18:32,633 --> 00:18:33,982 ALVEZ: STARTING WITH THE AREA 431 00:18:34,025 --> 00:18:36,506 BETWEEN STATE ROAD 240 AND ROUTE 68. 432 00:18:36,550 --> 00:18:39,161 NOW, THIS UNSUB WILL NOT STOP UNTIL HE FINDS THE SOURCE, 433 00:18:39,205 --> 00:18:41,163 AND ANYONE WHO GETS IN HIS WAY IS IN DANGER. 434 00:18:41,207 --> 00:18:43,948 SO LET'S GET TO WORK. THANK YOU. 435 00:19:15,241 --> 00:19:17,852 [BUZZING] 436 00:19:29,559 --> 00:19:30,952 OOH! 437 00:19:30,995 --> 00:19:33,389 JAKE OWENS? WHO ARE YOU? 438 00:19:33,433 --> 00:19:35,696 WELL, WE KNOW HE SOUGHT HIS VICTIMS OUT. 439 00:19:35,739 --> 00:19:38,351 HE CALLED AND ARRANGED FOR STACY TO COME BACK TO THE CLINIC. 440 00:19:38,394 --> 00:19:40,483 AND SHE COULD HAVE TREATED HIM OR FAILED TO TREAT HIM IN THE PAST. 441 00:19:40,527 --> 00:19:43,312 HE ALSO WANTED BLUEPRINTS FROM THE LIBRARIANS, 442 00:19:43,356 --> 00:19:44,835 AND WHEN THEY COULDN'T GIVE THEM TO HIM, 443 00:19:44,879 --> 00:19:46,446 HE LASHED OUT, ATTACKED ALMA. 444 00:19:46,489 --> 00:19:48,883 OUR UNSUB BELIEVES THE HUM IS HOUSED IN A PHYSICAL STRUCTURE, 445 00:19:48,926 --> 00:19:51,973 SO MAYBE HE THOUGHT THAT BEN, BECAUSE HE WAS A BUILDER, 446 00:19:52,016 --> 00:19:53,366 HAD SOMETHING TO DO WITH THE CONSTRUCTION. 447 00:19:53,409 --> 00:19:55,106 THAT STILL LEAVES STEVE KANTE. 448 00:19:55,150 --> 00:19:56,543 HE STILL DOESN'T FIT IN. 449 00:19:56,586 --> 00:19:58,632 HE WILL. WE JUST DON'T HAVE ALL THE PIECES YET. 450 00:19:58,675 --> 00:20:00,068 BUT HERE'S THE THING. 451 00:20:00,111 --> 00:20:02,375 THIS PLACE DROVE THE UNSUB MAD. 452 00:20:02,418 --> 00:20:04,290 THE EASIEST THING TO DO WOULD BE TO MOVE. 453 00:20:04,333 --> 00:20:06,030 WHY DOES HE STAY? 454 00:20:06,074 --> 00:20:08,859 WHATEVER THE REASON, IT WOULD HAVE TO BE SIGNIFICANT, 455 00:20:08,903 --> 00:20:10,426 EXTREMELY PERSONAL. 456 00:20:10,470 --> 00:20:12,776 DO YOU THINK IT'S REAL, THE HUM? 457 00:20:12,820 --> 00:20:14,648 REPORTS HAVE SURFACED WORLDWIDE, 458 00:20:14,691 --> 00:20:16,519 WHICH MAKES ME THINK THERE MIGHT BE SOMETHING TO IT. 459 00:20:16,563 --> 00:20:18,304 AND OUR UNSUB THINKS THAT IT IS, 460 00:20:18,347 --> 00:20:21,089 SO WE HAVE TO TAKE IT AND HIM SERIOUSLY. 461 00:20:21,132 --> 00:20:24,397 THERE WAS AN INCIDENT IN RUSSIA IN THE FIFTIES 462 00:20:24,440 --> 00:20:26,877 THAT I THINK MAY BE SIMILAR TO WHAT'S HAPPENING HERE. 463 00:20:26,921 --> 00:20:28,836 THERE WERE 9 HIKERS WHO WERE FOUND DEAD 464 00:20:28,879 --> 00:20:31,142 ON THE SIDE OF A MOUNTAIN WITH NO APPARENT MANNER OF DEATH. 465 00:20:31,186 --> 00:20:32,753 WHAT DO YOU MEAN? 466 00:20:32,796 --> 00:20:34,668 WELL, THEY WERE FOUND IN VARIOUS STATES OF UNDRESS, 467 00:20:34,711 --> 00:20:36,278 SUBZERO TEMPERATURES. 468 00:20:36,322 --> 00:20:39,412 THEY HAD MINOR INJURIES, BUT NO ONE COULD EXPLAIN 469 00:20:39,455 --> 00:20:41,414 WHY THEY DIED. 470 00:20:41,457 --> 00:20:42,893 A RECENT THEORY TALKS ABOUT SOMETHING 471 00:20:42,937 --> 00:20:46,419 CALLED INFRASOUND, IN THE FORM OF A VORTEX. 472 00:20:46,462 --> 00:20:50,292 VORTEX--THE REPEATING PATTERN OF VIBRATIONS DUE TO AIR FLOW? 473 00:20:50,336 --> 00:20:53,469 RIGHT. THE THEORY IS THE HIKERS FOUND THEMSELVES TRAPPED 474 00:20:53,513 --> 00:20:54,775 DUE TO BAD WEATHER, BUT THEY WERE IN 475 00:20:54,818 --> 00:20:56,516 A NATURALLY OCCURRING WIND TUNNEL. 476 00:20:56,559 --> 00:20:59,475 THOSE LOW-FREQUENCY VIBRATIONS BECAUSE OF THE WIND 477 00:20:59,519 --> 00:21:02,609 CREATED A VORTEX WHICH IN TURN TRIGGERED PANIC. 478 00:21:02,652 --> 00:21:04,350 THE HIKERS WEREN'T JUST SCARED, 479 00:21:04,393 --> 00:21:05,655 THEY WERE DRIVEN MAD, 480 00:21:05,699 --> 00:21:08,963 DRIVEN TO THEIR DEATHS BY THE SOUND. 481 00:21:09,006 --> 00:21:11,444 [CELL PHONE RINGS] 482 00:21:11,487 --> 00:21:12,619 GO AHEAD, GARCIA. 483 00:21:12,662 --> 00:21:14,795 MMM. SO I'VE BEEN READING MESSAGE BOARD 484 00:21:14,838 --> 00:21:16,449 AFTER MESSAGE BOARD, AND LET ME TELL YOU-- 485 00:21:16,492 --> 00:21:18,102 HOT TAKE--DON'T READ THE COMMENTS. 486 00:21:18,146 --> 00:21:20,496 ALSO, I'VE DISCOVERED SOMETHING CALLED NITRO COLD BREW COFFEE. 487 00:21:20,540 --> 00:21:22,324 I THINK THE MILITARY DEVELOPED IT 488 00:21:22,368 --> 00:21:24,065 TO KEEP SOLDIERS UP FOR WEEKS AT A TIME-- FEELING GREAT. 489 00:21:24,108 --> 00:21:25,196 ALSO I HAVE A LEAD. 490 00:21:25,240 --> 00:21:26,285 OK, LET'S HEAR IT. 491 00:21:26,328 --> 00:21:27,460 HA HA. PUN INTENDED. 492 00:21:27,503 --> 00:21:29,331 SO THE NEXUS OF THE LOCAL HUM HEROES 493 00:21:29,375 --> 00:21:31,420 IS A GUY NAMED TERRY ROSSETT. 494 00:21:31,464 --> 00:21:33,030 HE'S A SOCIAL WORKER SLASH COUNSELOR, 495 00:21:33,074 --> 00:21:35,337 AND I CALLED HIM, AND HE'S ON HIS WAY TO YOU RIGHT NOW. 496 00:21:35,381 --> 00:21:37,034 THANKS, PENELOPE. 497 00:21:37,078 --> 00:21:38,906 AND, GARCIA, MAYBE LAY OFF THAT COLD BREW. 498 00:21:38,949 --> 00:21:41,125 COOL STORY, BRAH. NEVER. BYE. 499 00:21:41,169 --> 00:21:43,345 THANKS FOR COMING IN. 500 00:21:43,389 --> 00:21:44,955 UH, WE UNDERSTAND YOU WORK WITH PEOPLE 501 00:21:44,999 --> 00:21:46,348 WHO HEAR THE HUM. 502 00:21:46,392 --> 00:21:48,350 YEAH, I WAS SORT OF THE FIRST GUY AROUND HERE 503 00:21:48,394 --> 00:21:49,786 TO TAKE THEM SERIOUSLY. 504 00:21:49,830 --> 00:21:52,354 MY GOAL HAS ALWAYS BEEN TO GIVE THEM THE TOOLS 505 00:21:52,398 --> 00:21:53,790 TO DEAL WITH THEIR AFFLICTION, 506 00:21:53,834 --> 00:21:56,489 SO WE TEND TO WORK ON STRATEGIES OF MINIMIZATION 507 00:21:56,532 --> 00:21:58,360 AND THAT KIND OF THING. 508 00:21:58,404 --> 00:22:02,364 DO YOU RECOGNIZE THIS MAN? 509 00:22:02,408 --> 00:22:04,366 NO. 510 00:22:04,410 --> 00:22:07,369 OK, WHAT ABOUT THESE 3? 511 00:22:07,413 --> 00:22:09,763 UM...NO, 512 00:22:09,806 --> 00:22:12,113 BUT THIS GUY, I KNOW THE NAME. 513 00:22:12,156 --> 00:22:13,375 HOW SO? 514 00:22:13,419 --> 00:22:16,770 STEVE KANTE IS SOMETHING OF A HOBBYIST. 515 00:22:16,813 --> 00:22:20,556 HE CONSTRUCTS WHAT HE CALLS A HUM-CANCELING BOX. 516 00:22:20,600 --> 00:22:21,688 IT LOOKS SORT OF LIKE A COFFIN. 517 00:22:21,731 --> 00:22:25,605 HE SELLS IT TO SUFFERERS WORLDWIDE. 518 00:22:25,648 --> 00:22:27,215 DOES IT WORK? 519 00:22:27,258 --> 00:22:29,652 OH, I'D BE DAMN SURPRISED IF IT DOES. 520 00:22:29,696 --> 00:22:30,958 BUT THESE ARE DESPERATE PEOPLE. 521 00:22:31,001 --> 00:22:32,481 HE'S PREYING ON THEIR VULNERABILITY. 522 00:22:32,525 --> 00:22:34,527 THE BOXES AREN'T EXACTLY CHEAP. 523 00:22:34,570 --> 00:22:36,920 WELL, IT EXPLAINS STEVE'S CASH DEPOSITS 524 00:22:36,964 --> 00:22:38,487 AND OUR UNSUB'S ANGER IF HE BOUGHT ONE 525 00:22:38,531 --> 00:22:39,967 AND IT DIDN'T WORK. 526 00:22:40,010 --> 00:22:42,404 YEAH. SO REPORTS OF THE HUM HERE IN TAOS 527 00:22:42,448 --> 00:22:44,232 DATE BACK TO THE EARLY NINETIES. 528 00:22:44,275 --> 00:22:46,887 WE BELIEVE OUR UNSUB IS TRYING TO LOCATE THE SOURCE. 529 00:22:46,930 --> 00:22:48,802 DO YOU HAVE ANY IDEA HOW ALL THIS GOT STARTED? 530 00:22:48,845 --> 00:22:51,413 TAKE YOUR PICK. STONED HIPPIES, 531 00:22:51,457 --> 00:22:53,328 GOVERNMENT MIND CONTROL EXPERIMENTS, 532 00:22:53,372 --> 00:22:55,765 UNDERGROUND UFO BASES. 533 00:22:55,809 --> 00:22:58,377 HOWEVER, A FEW YEARS BACK, 534 00:22:58,420 --> 00:23:00,422 THE USGS DID A STUDY OF THE REGION 535 00:23:00,466 --> 00:23:01,771 AND FOUND THAT THIS AREA 536 00:23:01,815 --> 00:23:04,470 DOES HAVE ELEVATED ELECTROMAGNETIC FIELD. 537 00:23:04,513 --> 00:23:05,906 JJ: THAT'S INTERESTING. CAUSED BY WHAT? 538 00:23:05,949 --> 00:23:08,430 THE ELECTRICAL GRID I THINK IS WHAT THEY DECIDED. 539 00:23:08,474 --> 00:23:11,390 SOMETHING ABOUT HOW THE POWER LINES ARE ARRANGED. 540 00:23:11,433 --> 00:23:12,782 THAT MAKES SENSE. 541 00:23:12,826 --> 00:23:15,394 IT COULD BE WHERE THE UNSUB'S HEADED TO NEXT. 542 00:23:21,312 --> 00:23:23,489 TURN THE POWER OFF IN DISTRICT ONE. 543 00:23:23,532 --> 00:23:25,012 WHAT ARE YOU TALKING ABOUT? 544 00:23:25,055 --> 00:23:26,622 IT'S THE SOURCE. 545 00:23:26,666 --> 00:23:30,017 SHUT...IT...DOWN. 546 00:23:30,060 --> 00:23:31,105 WHY ARE YOU DOING THIS? 547 00:23:31,148 --> 00:23:32,411 SHUT IT DOWN! 548 00:23:42,159 --> 00:23:43,334 HURRY UP. 549 00:23:47,687 --> 00:23:49,819 PRENTISS: GUYS, I JUST SPOKE TO THE CITY ENGINEER. 550 00:23:49,863 --> 00:23:51,299 HE SAID BACK IN THE EARLY NINETIES, 551 00:23:51,342 --> 00:23:54,520 THE CITY RETROFITTED THESE 4 SUBSTATIONS 552 00:23:54,563 --> 00:23:55,651 IN DISTRICT ONE. 553 00:23:55,695 --> 00:23:57,305 WE SHOULD SPLIT UP. 554 00:23:57,348 --> 00:23:59,046 WHAT THE HELL? 555 00:23:59,089 --> 00:24:00,961 WE'RE TOO LATE. 556 00:24:01,004 --> 00:24:03,050 IT'S OFF. 557 00:24:03,093 --> 00:24:04,573 I DID WHAT YOU WANTED. 558 00:24:04,617 --> 00:24:07,446 QUIET. 559 00:24:07,489 --> 00:24:09,317 [HIGH-PITCHED WHINE] 560 00:24:09,360 --> 00:24:13,539 NO. NO, NO, NO. 561 00:24:13,582 --> 00:24:16,019 NO, NO, NO, NO, NO, NO. 562 00:24:16,063 --> 00:24:17,499 NO. HEY! 563 00:24:17,543 --> 00:24:19,849 OHH! OHH! 564 00:24:21,547 --> 00:24:26,595 NO! NO! 565 00:24:26,639 --> 00:24:28,510 NO! 566 00:24:31,774 --> 00:24:33,689 AAH! 567 00:24:38,564 --> 00:24:40,174 [POLICE RADIO CHATTER] 568 00:24:44,352 --> 00:24:46,528 DAMN. 569 00:24:46,572 --> 00:24:50,140 I'VE GOT MY PEOPLE SECURING THE SCENE. 570 00:24:50,184 --> 00:24:51,794 WE SHOULD TAKE A LOOK AT THE SECURITY FOOTAGE, 571 00:24:51,838 --> 00:24:53,361 SEE HOW HE GOT IN AND OUT OF HERE. 572 00:24:53,404 --> 00:24:55,885 MAYBE WE CAN SEE HIS VEHICLE, EVEN A LICENSE PLATE. 573 00:24:55,929 --> 00:25:00,237 ROSSI: JAKE OWENS. HE'S AN ENGINEER AT THE POWER PLANT. 574 00:25:00,281 --> 00:25:03,937 IT LOOKS LIKE THE UNSUB USED THE SAME SIZE DRILL BIT, 575 00:25:03,980 --> 00:25:06,766 BUT THIS TIME HE STABBED HIM SEVERAL TIMES IN THE NECK, 576 00:25:06,809 --> 00:25:08,202 CHEST, AND FACE. 577 00:25:08,245 --> 00:25:09,856 JAKE MUST HAVE REALLY PISSED HIM OFF. 578 00:25:09,899 --> 00:25:11,684 HE DIDN'T EVEN HAVE A CHANCE TO DEFEND HIMSELF. 579 00:25:11,727 --> 00:25:12,815 THIS GUY'S LOSING IT. 580 00:25:12,859 --> 00:25:14,208 OK, BUT WHY NOW? 581 00:25:14,251 --> 00:25:15,296 WELL, IF THE UNSUB THOUGHT 582 00:25:15,339 --> 00:25:16,471 THIS WAS THE SOURCE OF THE HUM, 583 00:25:16,515 --> 00:25:17,733 HE'D NEED SOMEONE LIKE JAKE 584 00:25:17,777 --> 00:25:19,300 TO HELP HIM TURN OFF THE POWER. 585 00:25:19,343 --> 00:25:20,519 ROSSI: WHICH HE DID. 586 00:25:20,562 --> 00:25:22,477 BUT HE STILL SNAPPED AND KILLED HIM. 587 00:25:22,521 --> 00:25:24,348 SO IT DIDN'T WORK. 588 00:25:24,392 --> 00:25:27,308 MY GUESS IS, THIS IS HIS LAST, BEST HOPE. 589 00:25:27,351 --> 00:25:30,311 SO, WHERE DOES HE GO FROM HERE? 590 00:25:30,354 --> 00:25:32,792 HE'S GOING TO HAVE TO REBOOT HIS INVESTIGATION. 591 00:25:32,835 --> 00:25:35,795 WHICH MEANS WE'LL NEED TO DO THE SAME. 592 00:25:38,624 --> 00:25:42,105 [HUFFING, MOANING, DRILL WHIRRING] 593 00:25:58,731 --> 00:26:00,080 YEAH? 594 00:26:00,123 --> 00:26:01,168 YEAH. HA HA HA! 595 00:26:01,211 --> 00:26:04,519 OH, MY GOD. TAOS IS BEAUTIFUL! 596 00:26:04,563 --> 00:26:06,608 OH, I JUST KNOW WE'RE GONNA LOVE IT HERE. 597 00:26:06,652 --> 00:26:07,827 ME, TOO. 598 00:26:07,870 --> 00:26:09,785 I LOVE YOU. 599 00:26:19,447 --> 00:26:22,581 [HIGH-PITCHED WHINE] 600 00:26:22,624 --> 00:26:25,975 NO! 601 00:26:26,019 --> 00:26:27,847 NO! 602 00:26:29,631 --> 00:26:30,632 NO! 603 00:26:34,636 --> 00:26:37,596 I CROSS-REFERENCED LOCAL PEOPLE 604 00:26:37,639 --> 00:26:38,509 WHO CLAIM TO HEAR THE HUM 605 00:26:38,553 --> 00:26:40,511 WITH THE 4 VICTIMS. 606 00:26:40,555 --> 00:26:41,774 I GOT 5 GUYS WHO ARE A MATCH, 607 00:26:41,817 --> 00:26:43,906 BUT THEY ALL HAVE SUPER SOLID ALIBIS. 608 00:26:43,950 --> 00:26:46,387 SO WE KNOW FOR A FACT THAT OUR UNSUB IS MALE. 609 00:26:46,430 --> 00:26:50,130 AND WE'VE SPECULATED THAT HE MOST LIKELY HEARS THE HUM, 610 00:26:50,173 --> 00:26:53,002 BUT ONLY 2% OF THE POPULATION CAN HEAR IT. 611 00:26:53,046 --> 00:26:56,310 SO WHAT IF HIS CONNECTION TO ALL OF THIS WAS, 612 00:26:56,353 --> 00:26:57,659 I DON'T KNOW, ONE STEP REMOVED? 613 00:26:57,703 --> 00:26:59,530 MAYBE SOMEBODY CLOSE TO HIM HEARS IT. 614 00:26:59,574 --> 00:27:01,968 A PARENT, A GIRLFRIEND, A WIFE. 615 00:27:02,011 --> 00:27:04,535 WHOEVER IT IS, THEY MAY BE THE REASON HE STAYED IN TAOS. 616 00:27:04,579 --> 00:27:07,495 OK, GARCIA, USE THOSE SAME PARAMETERS 617 00:27:07,538 --> 00:27:08,670 BUT CHECK FOR WOMEN THIS TIME. 618 00:27:08,714 --> 00:27:12,848 MAMA'S SYSTEMS ARE UPGRADED AND PURRING. 619 00:27:12,892 --> 00:27:16,852 WHAT IF THIS IS A MADNESS SHARED BY TWO? 620 00:27:16,896 --> 00:27:18,549 FOLIE A DEUX. 621 00:27:18,593 --> 00:27:20,682 WE'VE SEEN IT BEFORE IN CRIMINAL PARTNERSHIPS 622 00:27:20,726 --> 00:27:22,162 WHERE TWO OR MORE PEOPLE 623 00:27:22,205 --> 00:27:25,556 SHARE THE SAME DELUSION OR BELIEF SYSTEM. 624 00:27:25,600 --> 00:27:27,733 SIMMONS: YEAH, BUT WE KNOW THIS GUY'S WORKING ALONE. 625 00:27:27,776 --> 00:27:29,604 DELUSIONAL DISORDERS ARE COMPLEX. 626 00:27:29,648 --> 00:27:31,954 USUALLY WHEN TWO OR MORE PEOPLE SHARE A BELIEF SYSTEM, 627 00:27:31,998 --> 00:27:33,434 IT'S BECAUSE THEIR LIVED EXPERIENCE 628 00:27:33,477 --> 00:27:35,175 HAS BROUGHT THEM TO THE SAME CONCLUSION. 629 00:27:35,218 --> 00:27:38,091 BUT I HAVE READ ABOUT CASES WHERE A BELIEF WAS INDUCED, 630 00:27:38,134 --> 00:27:39,527 WHERE THE BELIEFS OF ONE PERSON 631 00:27:39,570 --> 00:27:41,572 PENETRATE THE OTHER AND CONSUME THEM. 632 00:27:41,616 --> 00:27:43,096 LIKE PASSING ON A VIRUS. 633 00:27:43,139 --> 00:27:44,619 SO YOU'RE SAYING MAYBE THE UNSUB 634 00:27:44,663 --> 00:27:46,577 COULDN'T HEAR THIS A YEAR AGO, BUT HE CAN HEAR IT NOW? 635 00:27:46,621 --> 00:27:48,492 WITH THE AMOUNT OF RAGE HE'S SHOWN, 636 00:27:48,536 --> 00:27:51,713 I'D BET ANYTHING THAT HE HEARS IT NOW. 637 00:27:51,757 --> 00:27:54,020 I'VE GOT 3 WOMEN WHO COULD BE A MATCH. 638 00:27:54,063 --> 00:27:56,283 FIRST ONE LIVES OUT OF STATE. 639 00:27:56,326 --> 00:27:59,025 SECOND DIED 3 YEARS AGO IN A CAR ACCIDENT. 640 00:27:59,068 --> 00:28:04,595 THIRD HAS POSTED A LOT ON HUM HEARER MESSAGE BOARDS 641 00:28:04,639 --> 00:28:05,988 AND CHAT ROOMS. 642 00:28:06,032 --> 00:28:09,122 SHE ABRUPTLY STOPPED POSTING ABOUT A YEAR AGO. 643 00:28:09,165 --> 00:28:11,646 HEY, HEY, HER LAST POST WAS EXACTLY A YEAR 644 00:28:11,690 --> 00:28:14,518 BEFORE THE FIRST MURDER. NO SIGN OF HER SINCE. 645 00:28:14,562 --> 00:28:16,869 HER DISAPPEARANCE COULD BE HIS STRESSOR. 646 00:28:16,912 --> 00:28:18,435 OK, WHO IS SHE? 647 00:28:18,479 --> 00:28:20,829 UH, SARAH SANDS, LOCAL SCULPTOR, 648 00:28:20,873 --> 00:28:22,483 MOVED TO TAOS 3 YEARS AGO 649 00:28:22,526 --> 00:28:23,876 TO BE AN ARTIST IN RESIDENCE AT THE ART COLLECTIVE THERE. 650 00:28:23,919 --> 00:28:25,312 WAS SARAH MARRIED? 651 00:28:25,355 --> 00:28:27,749 YEAH. TO A CALEB SANDS. 652 00:28:27,793 --> 00:28:30,578 HE WORKS AT A SOLAR PANEL COMPANY. 653 00:28:30,621 --> 00:28:33,146 SENDING HIS PHOTO NOW. 654 00:28:33,189 --> 00:28:34,538 WHOA! 655 00:28:34,582 --> 00:28:36,279 SIMMONS: THEY'RE A MATCH. CALEB'S OUR UNSUB. 656 00:28:36,323 --> 00:28:38,194 WE NEED AN APB OUT ON HIM IMMEDIATELY. 657 00:28:38,238 --> 00:28:41,284 HERE'S HIS WORK AND HOME ADDRESS. 658 00:28:41,328 --> 00:28:43,330 THANKS, GARCIA. 659 00:28:43,373 --> 00:28:46,637 [BUZZING SOUND] 660 00:28:46,681 --> 00:28:49,379 SARAH: I NEED YOU TO UNPLUG EVERYTHING. 661 00:28:49,423 --> 00:28:50,685 CALEB: I ALREADY DID. 662 00:28:50,729 --> 00:28:51,642 WELL, BUT WHAT ABOUT THE BLENDER? 663 00:28:51,686 --> 00:28:52,905 YES.AND YOUR ALARM CLOCK? 664 00:28:52,948 --> 00:28:55,472 IT'S IN A BOX IN THE GARAGE. 665 00:28:55,516 --> 00:28:57,561 THE FAN. 666 00:28:57,605 --> 00:28:59,172 THE FAN IN THE BACK BEDROOM. 667 00:28:59,215 --> 00:29:00,216 I CAN FEEL IT BUZZING. 668 00:29:00,260 --> 00:29:01,565 SARAH. 669 00:29:01,609 --> 00:29:02,741 IT'S LIKE IT'S POUNDING MY HEAD 670 00:29:02,784 --> 00:29:04,438 FROM THE INSIDE OUT, CALEB! 671 00:29:04,481 --> 00:29:06,309 IF IT'S GETTING WORSE, MAYBE WE SHOULD TRY JUST-- 672 00:29:06,353 --> 00:29:08,659 JUST TURN THE FAN OFF! 673 00:29:08,703 --> 00:29:10,183 HONEY, HONEY, 674 00:29:10,226 --> 00:29:13,708 WE GOT RID OF IT TWO MONTHS AGO. 675 00:29:13,752 --> 00:29:15,492 DO YOU REMEMBER? 676 00:29:19,670 --> 00:29:21,542 NO. 677 00:29:21,585 --> 00:29:24,327 WHY CAN'T YOU MAKE IT STOP? 678 00:29:26,503 --> 00:29:28,549 WHY CAN'T YOU MAKE IT STOP? 679 00:29:28,592 --> 00:29:31,726 [SOBBING] MAKE IT STOP. 680 00:29:31,770 --> 00:29:33,597 MAKE IT STOP! 681 00:29:33,641 --> 00:29:35,991 MAKE IT STOP! MAKE IT STOP! 682 00:29:36,035 --> 00:29:38,254 MAKE IT STOP! 683 00:29:38,298 --> 00:29:40,561 [GASPING] 684 00:29:40,604 --> 00:29:41,910 AAH! 685 00:29:41,954 --> 00:29:44,478 THERE AREN'T ANY MISSING PERSON REPORTS FOR SARAH. 686 00:29:44,521 --> 00:29:46,219 IT'S LIKE SHE WAS HERE ONE DAY, THEN VANISHED THE NEXT. 687 00:29:46,262 --> 00:29:47,742 GARCIA, WHAT DID YOU FIND? 688 00:29:47,786 --> 00:29:48,743 SARAH WAS AN ONLY CHILD. 689 00:29:48,787 --> 00:29:50,832 HER PARENTS DIED A FEW YEARS AGO. 690 00:29:50,876 --> 00:29:52,268 SHE'S GOT NO EXTENDED FAMILY. 691 00:29:52,312 --> 00:29:53,704 WHY DIDN'T THEY JUST LEAVE TOWN? 692 00:29:53,748 --> 00:29:55,054 THEY COULDN'T AFFORD IT. 693 00:29:55,097 --> 00:29:56,795 ALSO, CALEB WAS IN THE MIDDLE OF A 3-YEAR CONTRACT 694 00:29:56,838 --> 00:29:58,274 WITH THE COMPANY HE WORKED FOR. 695 00:29:58,318 --> 00:29:59,623 WHAT ABOUT HER FRIENDS? WHAT DO THEY SAY? 696 00:29:59,667 --> 00:30:01,277 APPARENTLY CALEB WROTE THEM 697 00:30:01,321 --> 00:30:04,280 SAYING SARAH HAD LEFT TOWN TO GET THE HELP SHE NEEDED 698 00:30:04,324 --> 00:30:07,501 AND ANY CONTACT WOULD, QUOTE, "THREATEN HER RECOVERY." 699 00:30:07,544 --> 00:30:09,329 THREATEN IS AN INTERESTING WORD TO USE. 700 00:30:09,372 --> 00:30:11,505 IT FEELS LIKE HE'S COVERING SOMETHING UP. 701 00:30:11,548 --> 00:30:12,854 ROSSI: IT SURE DOES. MAYBE SARAH LEFT HIM 702 00:30:12,898 --> 00:30:14,900 AND CALEB HAD A DIFFICULT TIME ADMITTING IT. 703 00:30:14,943 --> 00:30:16,989 OR, AND I HATE TO SAY IT, SHE'S DEAD. 704 00:30:17,032 --> 00:30:18,686 WHAT IF SARAH WAS HIS FIRST VICTIM? 705 00:30:18,729 --> 00:30:20,601 BUT I HAVE NO DEATH CERTIFICATE FOR MRS. SANDS. 706 00:30:20,644 --> 00:30:21,994 STILL...AT ANY POINT, 707 00:30:22,037 --> 00:30:24,300 DID SARAH'S POSTS START TO SHIFT? 708 00:30:24,344 --> 00:30:27,216 GARCIA: YEAH. ABOUT 4 MONTHS BEFORE SHE DISAPPEARED, 709 00:30:27,260 --> 00:30:31,133 THEY START BEING MORE FULL OF PAIN AND FEAR AND DESPERATION. 710 00:30:31,177 --> 00:30:33,266 I KEEP THINKING ABOUT CALEB'S CHOICE OF WEAPON. 711 00:30:33,309 --> 00:30:34,789 IT'S SO SPECIFIC. 712 00:30:34,833 --> 00:30:36,443 GARCIA, DID SARAH MENTION A DRILL? 713 00:30:36,486 --> 00:30:38,837 NOT SPECIFICALLY, BUT-- 714 00:30:38,880 --> 00:30:40,839 WHOA, CHECK THIS OUT. A MONTH BEFORE SHE VANISHED, 715 00:30:40,882 --> 00:30:42,536 SHE POSTED THIS: 716 00:30:42,579 --> 00:30:44,755 "I WONDER HOW MUCH MORE OF THIS I CAN TAKE. 717 00:30:44,799 --> 00:30:46,757 THERE HAS TO BE A WAY I CAN MAKE IT STOP." 718 00:30:46,801 --> 00:30:49,108 A PRETTY OBVIOUS CRY FOR HELP. 719 00:30:49,151 --> 00:30:50,936 ALL RIGHT, WE'RE ABOUT TWO MINUTES OUT FROM CALEB'S HOUSE. 720 00:30:50,979 --> 00:30:52,851 GREAT. WE'RE LANDING AT HIS OFFICE IN 5. 721 00:30:52,894 --> 00:30:54,069 CIRCLE BACK AS SOON AS YOU CAN. 722 00:30:54,113 --> 00:30:55,723 [HIGH-PITCHED WHINE] 723 00:30:55,766 --> 00:30:59,814 [WHIMPERING] 724 00:30:59,858 --> 00:31:01,860 SARAH? 725 00:31:07,953 --> 00:31:09,693 OH, MY GOD. 726 00:31:09,737 --> 00:31:12,348 SARAH! 727 00:31:12,392 --> 00:31:14,263 [HIGH-PITCHED WHINE] 728 00:31:14,307 --> 00:31:16,004 [GROANING] 729 00:31:43,336 --> 00:31:46,208 MAN: HONEY? BABE. 730 00:31:48,297 --> 00:31:50,343 BABE, WILL YOU GRAB MY BOOK FOR ME? 731 00:31:50,386 --> 00:31:52,258 IT'S BY THE BED. 732 00:31:54,129 --> 00:31:55,826 DO YOU SEE THE SITUATION? 733 00:31:55,870 --> 00:31:57,263 I'M 7 MONTHS PREGNANT. 734 00:31:57,306 --> 00:31:59,265 I'M NOT WADDLING BACK THERE TO GET A BOOK. 735 00:31:59,308 --> 00:32:00,962 OH, YEAH. I TOTALLY FORGOT. 736 00:32:01,006 --> 00:32:03,312 I MUST HAVE SLEPT THROUGH THE LAST 6 MONTHS. 737 00:32:03,356 --> 00:32:05,358 MM. AND YOU'RE GONNA SLEEP FOR THE NEXT 6 MONTHS 738 00:32:05,401 --> 00:32:06,750 KEEP ASKING ME TO DO ANYTHING 739 00:32:06,794 --> 00:32:08,187 OTHER THAN HAVE THIS CHILD OF YOURS. 740 00:32:08,230 --> 00:32:09,971 [LAUGHS] 741 00:32:10,015 --> 00:32:12,539 [WHISPERING] Hey, I hope you're not as stubborn as your mom. 742 00:32:12,582 --> 00:32:13,714 [LAUGHING] 743 00:32:13,757 --> 00:32:15,194 [CRASH] 744 00:32:15,237 --> 00:32:16,282 AAH! 745 00:32:16,325 --> 00:32:18,327 AAH! AAH! 746 00:32:18,371 --> 00:32:20,286 WHOA, WHOA, WHOA! WHO ARE YOU? 747 00:32:22,157 --> 00:32:24,855 PRENTISS AND ROSSI SEARCHED CALEB'S APARTMENT. 748 00:32:24,899 --> 00:32:26,857 THEY FOUND THE DRILL AND TONS OF EVIDENCE, 749 00:32:26,901 --> 00:32:28,294 BUT CALEB'S NOWHERE TO BE SEEN. 750 00:32:28,337 --> 00:32:30,035 SO WE STRUCK OUT ON ALL FRONTS. 751 00:32:30,078 --> 00:32:32,341 OK, LET'S JUST THINK ABOUT THIS FOR A SECOND. 752 00:32:32,385 --> 00:32:34,822 OUR UNSUB SHUT THE POWER DOWN IN DISTRICT ONE, 753 00:32:34,865 --> 00:32:36,650 BUT HE DOESN'T LIVE IN DISTRICT ONE. 754 00:32:36,693 --> 00:32:39,174 MAYBE HE DID ONCE WITH SARAH. 755 00:32:39,218 --> 00:32:42,308 THIS COULD BE WHERE SHE STARTED HEARING THE NOISE. 756 00:32:42,351 --> 00:32:44,832 TALK TO ME WITH YOUR FACE, TARA LEWIS. 757 00:32:44,875 --> 00:32:46,312 GARCIA, WE NEED YOU TO DO SOME MORE DIGGING. 758 00:32:46,355 --> 00:32:49,054 I WAS BORN WITH A SHOVEL IN MY HAND. NO, A BACKHOE. 759 00:32:49,097 --> 00:32:51,317 OK, LOOK, WE KNOW CALEB AND SARAH 760 00:32:51,360 --> 00:32:52,753 COULDN'T LEAVE TOWN, 761 00:32:52,796 --> 00:32:54,581 BUT WHAT IF THEY MOVED AROUND INSIDE OF TOWN, 762 00:32:54,624 --> 00:32:56,409 MAYBE IN AN ATTEMPT TO ESCAPE THE HUM? 763 00:32:56,452 --> 00:32:58,977 YEAH. WE KNOW THAT THEY HAD TO LIVE INSIDE DISTRICT ONE 764 00:32:59,020 --> 00:33:00,065 AT SOME POINT. 765 00:33:00,108 --> 00:33:01,283 OK, I'M LOOKING. 766 00:33:01,327 --> 00:33:03,242 I AM LOOKING AND THERE'S NOTHING I CAN SEE. 767 00:33:03,285 --> 00:33:05,505 NO, WAIT! NO! I CAN SEE IT, I CAN SEE IT! 768 00:33:05,548 --> 00:33:07,681 OK. THE ART COLLECTIVE SARAH WORKED FOR 769 00:33:07,724 --> 00:33:09,248 OWNS A HOUSE IN DISTRICT ONE, 770 00:33:09,291 --> 00:33:10,640 AND THAT HOUSE WAS PROVIDED TO ARTISTS IN RESIDENCE 771 00:33:10,684 --> 00:33:12,164 AND SARAH WAS ONE OF THOSE. 772 00:33:12,207 --> 00:33:13,774 THAT COULD BE WHY IT DIDN'T COME UP BEFORE. 773 00:33:13,817 --> 00:33:15,341 THE HOUSE WASN'T IN THEIR NAMES. 774 00:33:15,384 --> 00:33:16,907 THAT'S GOTTA BE IT. 775 00:33:24,219 --> 00:33:26,482 CALEB'S INSIDE. THE DOOR'S BEEN BUSTED IN. 776 00:33:26,526 --> 00:33:28,180 DISPATCH SAYS HOMEOWNERS HAVEN'T ANSWERED OUR CALLS. 777 00:33:28,223 --> 00:33:29,181 HOPEFULLY WE'RE NOT TOO LATE. 778 00:33:29,224 --> 00:33:30,704 SET UP A PERIMETER. 779 00:33:30,747 --> 00:33:32,314 WE'RE GOING TO NEED BACKUP WITH EMTs STANDING BY. 780 00:33:32,358 --> 00:33:33,446 THERE'S NO TELLING WHAT'S GOING ON INSIDE. 781 00:33:33,489 --> 00:33:35,056 CALEB JUST WANTS TO BE HEARD, VALIDATED. 782 00:33:35,100 --> 00:33:36,884 I'LL GET HIM TALKING. WE'LL GO FROM THERE. 783 00:33:36,927 --> 00:33:38,016 TAKE WHATEVER YOU WANT. 784 00:33:38,059 --> 00:33:39,930 DON'T--DON'T HURT US. 785 00:33:39,974 --> 00:33:41,106 PLEASE, PLEASE. 786 00:33:41,149 --> 00:33:43,282 UHH! IT'S HERE! 787 00:33:43,325 --> 00:33:46,937 UHH! I KNOW IT IS! UHH! 788 00:33:46,981 --> 00:33:49,157 CALEB SANDS, FBI! 789 00:33:49,201 --> 00:33:50,376 PUT DOWN THE WEAPON. 790 00:33:50,419 --> 00:33:52,247 DON'T COME ANY CLOSER. YOU DON'T UNDERSTAND. 791 00:33:52,291 --> 00:33:53,857 THIS IS WHERE IT IS. IT HAS TO BE HERE. 792 00:33:53,901 --> 00:33:55,511 IT HAS TO BE. 793 00:33:55,555 --> 00:33:58,384 THIS IS WHERE SHE WAS INFECTED. 794 00:33:58,427 --> 00:33:59,385 I HAVE TO FIND IT. 795 00:33:59,428 --> 00:34:00,342 ALVEZ: PUT THE AX DOWN. 796 00:34:00,386 --> 00:34:01,474 STOP RIGHT THERE! 797 00:34:01,517 --> 00:34:03,780 TARA: OK. 798 00:34:03,824 --> 00:34:06,348 OK. 799 00:34:06,392 --> 00:34:10,004 WE KNOW ABOUT THE HUM, CALEB, 800 00:34:10,048 --> 00:34:12,963 AND ABOUT YOUR WIFE SARAH? 801 00:34:15,314 --> 00:34:17,403 WE KNOW YOU DID EVERYTHING YOU COULD. 802 00:34:17,446 --> 00:34:20,188 EAR PLUGS, SOUND MACHINES, 803 00:34:20,232 --> 00:34:21,320 DOCTORS, 804 00:34:21,363 --> 00:34:24,018 STEVE KANTE'S BOX. 805 00:34:24,062 --> 00:34:26,890 BUT NOTHING HELPED. 806 00:34:26,934 --> 00:34:29,328 YOU--YOU CAN HEAR THAT? 807 00:34:29,371 --> 00:34:31,112 YOU CAN HEAR IT, RIGHT? 808 00:34:31,156 --> 00:34:32,331 HEY! 809 00:34:32,374 --> 00:34:34,420 LEWIS: CALEB, I KNOW WHAT IT FEELS LIKE 810 00:34:34,463 --> 00:34:36,117 TO WATCH SOMEONE SLIP AWAY, 811 00:34:36,161 --> 00:34:37,423 TO FEEL POWERLESS 812 00:34:37,466 --> 00:34:40,817 AS THEY LOSE THEIR GRIP ON THEMSELVES 813 00:34:40,861 --> 00:34:43,472 AND ON YOU AND ON REALITY. 814 00:34:43,516 --> 00:34:45,474 AND SUDDENLY, EVERYTHING YOU EVER PLANNED FOR, 815 00:34:45,518 --> 00:34:48,782 EVERYTHING YOU EVER WANTED, IS ON HOLD, 816 00:34:48,825 --> 00:34:52,481 CONSUMED BY THEIR NEEDS AND THEIR ILLNESS. 817 00:34:52,525 --> 00:34:56,224 AND THE WORST PART ABOUT IT IS THERE'S NO WAY OUT. 818 00:34:56,268 --> 00:34:59,314 THAT'S WHAT IT FEELS LIKE, RIGHT? 819 00:34:59,358 --> 00:35:02,448 YOU'VE BEEN TRAPPED HERE FOR THE PAST YEAR, 820 00:35:02,491 --> 00:35:04,493 EVER SINCE SARAH DISAPPEARED. 821 00:35:04,537 --> 00:35:08,410 I WANTED TO HELP HER, 822 00:35:08,454 --> 00:35:09,933 AND I COULDN'T. 823 00:35:09,977 --> 00:35:12,545 I DIDN'T KNOW HOW. 824 00:35:12,588 --> 00:35:14,112 AND THEN SHE WAS GONE. 825 00:35:14,155 --> 00:35:16,026 SHE WAS GONE. 826 00:35:16,070 --> 00:35:19,029 SHE DIDN'T LEAVE...RIGHT? 827 00:35:19,073 --> 00:35:21,380 SHE DIDN'T. SHE DIDN'T RUN AWAY. 828 00:35:21,423 --> 00:35:23,556 IT ALL GOT TO BE TOO MUCH. 829 00:35:23,599 --> 00:35:26,298 SO SHE ENDED IT. 830 00:35:26,341 --> 00:35:28,474 IT WAS THIS PLACE. 831 00:35:28,517 --> 00:35:33,479 THIS PLACE KILLED HER. 832 00:35:33,522 --> 00:35:35,176 WE NEVER SHOULD HAVE COME HERE. 833 00:35:35,220 --> 00:35:36,656 I KNOW YOU LOVED HER. 834 00:35:36,699 --> 00:35:39,354 OK. I KNOW YOU NEVER WOULD HAVE HURT HER. 835 00:35:39,398 --> 00:35:42,792 YOU TOOK CARE OF HER. 836 00:35:42,836 --> 00:35:45,534 YOU WRAPPED HER UP. 837 00:35:45,578 --> 00:35:47,362 YOU BURIED HER. 838 00:35:51,671 --> 00:35:55,501 I WANTED TO BELIEVE HER. 839 00:35:55,544 --> 00:35:57,894 BUT I COULDN'T HEAR IT. 840 00:35:57,938 --> 00:36:00,767 I COULDN'T HEAR IT... 841 00:36:00,810 --> 00:36:02,899 UNTIL SHE DIED. 842 00:36:02,943 --> 00:36:07,382 CALEB, YOU HAVE TO GIVE ME THE AX. 843 00:36:09,471 --> 00:36:14,781 NOW...IT'S ALL I CAN HEAR. 844 00:36:14,824 --> 00:36:17,697 SHE NEVER WOULD HAVE WANTED THIS. 845 00:36:17,740 --> 00:36:21,614 SHE NEVER WOULD HAVE WANTED YOU TO HURT THESE INNOCENT PEOPLE. 846 00:36:23,746 --> 00:36:26,271 I KNOW YOU TRIED TO HELP HER. 847 00:36:26,314 --> 00:36:29,926 YOU FEEL GUILTY THAT YOU DIDN'T DO MORE, 848 00:36:29,970 --> 00:36:34,888 BUT IT'S TIME TO LET GO, OK? 849 00:36:34,931 --> 00:36:36,846 IT'S TIME TO LET SARAH GO. 850 00:36:40,241 --> 00:36:42,678 [EXHALES] 851 00:36:44,419 --> 00:36:45,942 [EXHALES] 852 00:36:48,467 --> 00:36:52,993 NOW ALL I CAN HEAR IS... 853 00:36:53,036 --> 00:36:57,432 THE SOUND OF THAT DRILL AND OF HER SCREAMING. 854 00:36:57,476 --> 00:37:00,870 SHE'S...SHE'S... 855 00:37:00,914 --> 00:37:02,394 OF HER SCREAMING. 856 00:37:02,437 --> 00:37:06,267 MAN: IT'S OK. IT'S OK. IT'S OVER. 857 00:37:06,311 --> 00:37:07,660 IT'S OK. I LOVE YOU. 858 00:37:07,703 --> 00:37:12,012 HEY. YOU GUYS ALL RIGHT? 859 00:37:12,055 --> 00:37:14,493 KAREN: COME ON, LET'S GET YOU CHECKED OUT. 860 00:37:23,110 --> 00:37:24,938 LEWIS: "HOLDING ON IS BELIEVING 861 00:37:24,981 --> 00:37:26,679 "THAT THERE'S ONLY A PAST. 862 00:37:26,722 --> 00:37:29,159 LETTING GO IS KNOWING THAT THERE'S A FUTURE." 863 00:37:29,203 --> 00:37:32,337 DAPHNE ROSE KINGMA. 864 00:37:32,380 --> 00:37:35,992 ALVEZ: I MEAN, CAN YOU IMAGINE BEING DRIVEN MAD 865 00:37:36,036 --> 00:37:37,820 BY A SINGLE SOUND? 866 00:37:37,864 --> 00:37:41,520 SIMMONS: THE SOUND OF A FORK SCRAPING AGAINST METAL 867 00:37:41,563 --> 00:37:43,261 MAKES MY SKIN CRAWL. 868 00:37:43,304 --> 00:37:44,653 JJ: WILL SINGS IN THE SHOWER. 869 00:37:44,697 --> 00:37:47,047 NINETIES ALT-ROCK. 870 00:37:47,090 --> 00:37:48,222 OH, MY GOD. 871 00:37:48,266 --> 00:37:50,050 IT WOULD DRIVE ANYONE CRAZY. 872 00:37:50,093 --> 00:37:52,531 THE WAY ROSSI SWIRLS HIS WHISKEY, 873 00:37:52,574 --> 00:37:56,317 ICE CUBES CLINKING AGAINST THE SIDE OF THE GLASS. 874 00:37:56,361 --> 00:37:58,667 I KNOW, THE FINER THINGS IN LIFE. 875 00:37:58,711 --> 00:38:00,800 ROSSI: HAVE I EVER TOLD YOU ABOUT THE TIME 876 00:38:00,843 --> 00:38:03,368 I WAS HAVING DRINKS WITH THE KING OF SWEDEN? 877 00:38:03,411 --> 00:38:05,848 WHAT? OK, WAIT. THE LAST TIME YOU TOLD THIS STORY, 878 00:38:05,892 --> 00:38:10,113 WASN'T IT THE, UH, THE MAYOR OF STOCKHOLM? 879 00:38:10,157 --> 00:38:11,680 PRENTISS: YEAH, YOU LOST 20 GRAND THAT NIGHT. 880 00:38:11,724 --> 00:38:12,551 20 GRAND? 881 00:38:12,594 --> 00:38:13,639 FOLIE A DEUX. 882 00:38:13,682 --> 00:38:15,728 YOU REALLY CONNECTED WITH HIM. 883 00:38:15,771 --> 00:38:19,035 YEAH. THANKS. 884 00:38:22,909 --> 00:38:25,738 HOW'D YOU COME UP WITH THAT? 885 00:38:25,781 --> 00:38:28,001 EXPERIENCE. 886 00:38:28,044 --> 00:38:29,959 [SIGHS] 887 00:38:30,003 --> 00:38:32,353 UM-- 888 00:38:32,397 --> 00:38:33,441 [SIGHS] 889 00:38:33,485 --> 00:38:35,269 BEFORE I WAS ENGAGED TO DOUGLAS, 890 00:38:35,313 --> 00:38:36,792 I WAS MARRIED ONCE. 891 00:38:36,836 --> 00:38:38,707 MY HUSBAND AND I WERE BOTH IN GRAD SCHOOL, 892 00:38:38,751 --> 00:38:41,188 AND WE--WE REALLY STRUGGLED. 893 00:38:41,231 --> 00:38:44,931 I WAS TEACHING, HE WAS WRITING HIS THESIS 894 00:38:44,974 --> 00:38:48,326 AND WORKING NIGHTS, AND... 895 00:38:48,369 --> 00:38:50,458 HE STARTED TAKING UPPERS TO STAY AWAKE. 896 00:38:50,502 --> 00:38:53,374 AND I JUST WATCHED HIM TURN INTO SOMEBODY 897 00:38:53,418 --> 00:38:54,680 THAT I DIDN'T RECOGNIZE. 898 00:38:54,723 --> 00:38:57,422 BUT THE WHOLE TIME, HE WAS CONVINCED 899 00:38:57,465 --> 00:39:01,164 HE HAD IT ALL UNDER CONTROL, AND I BELIEVED HIM. 900 00:39:01,208 --> 00:39:04,603 AND WE THOUGHT THAT WE COULD HANDLE HIS ADDICTION. 901 00:39:04,646 --> 00:39:10,435 THAT WAS OUR DELUSION, OUR FOLIE A DEUX. 902 00:39:10,478 --> 00:39:12,959 BY THE TIME WE GOT HELP, 903 00:39:13,002 --> 00:39:17,398 WE JUST COULDN'T GET BACK WHAT WE'D LOST. YOU KNOW? 904 00:39:17,442 --> 00:39:20,923 THE FUTURE THAT WE HAD ONCE SEEN FOR OURSELVES WAS GONE. 905 00:39:22,838 --> 00:39:24,405 I'M SORRY. 906 00:39:24,449 --> 00:39:27,277 THAT MUST HAVE BEEN A TOUGH THING TO GO THROUGH. 907 00:39:27,321 --> 00:39:31,934 YEAH. WELL, IT'S NOT SOMETHING I BRING UP AT DINNER PARTIES. 908 00:39:31,978 --> 00:39:35,024 ANYWAY... 909 00:39:35,068 --> 00:39:37,636 I DIDN'T EVEN KNOW YOU'D BEEN MARRIED. 910 00:39:37,679 --> 00:39:38,767 WHAT YOU DON'T KNOW ABOUT ME 911 00:39:38,811 --> 00:39:40,160 COULD FILL A BOOK, MY FRIEND. 912 00:39:40,203 --> 00:39:41,901 [CHUCKLES] 913 00:39:43,903 --> 00:39:45,557 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 914 00:39:45,600 --> 00:39:46,035 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--