1 00:00:13,448 --> 00:00:15,058 MAN: SEARCH IS CLEAR. 2 00:00:16,277 --> 00:00:18,061 MAN: GOOD. 3 00:00:18,105 --> 00:00:19,584 GO. 4 00:00:19,628 --> 00:00:21,064 MAN: HOLD. 5 00:00:32,119 --> 00:00:34,121 ALL RIGHT, HOLD IT. BACK UP. 6 00:00:36,166 --> 00:00:37,689 MAN: WE GOT A BODY. 7 00:00:37,733 --> 00:00:39,126 OPEN IT. 8 00:00:39,169 --> 00:00:41,084 RIGHT. 9 00:00:41,128 --> 00:00:42,825 MAN: IT'S CUT. 10 00:00:48,178 --> 00:00:50,180 MAN, ON RADIO: ALPHA'S MADE ENTRY. 11 00:01:04,020 --> 00:01:08,111 MAN: STILL WARM. THIS KILL IS FRESH. 12 00:01:08,155 --> 00:01:09,982 OWEN. 13 00:01:10,026 --> 00:01:11,854 YOU KNOW THIS GUY? 14 00:01:22,256 --> 00:01:24,388 PRENTISS: HEY. 15 00:01:24,432 --> 00:01:25,824 WE WERE TOO LATE. 16 00:01:25,868 --> 00:01:27,652 WE TRIED. 17 00:01:27,696 --> 00:01:29,219 NOW WE NEED TO TELL THE TEAM. 18 00:01:29,263 --> 00:01:32,135 MAN: GET OFF ME! 19 00:01:32,179 --> 00:01:33,702 MAN: RIGHT THERE! DROP THE WEAPON! 20 00:01:33,745 --> 00:01:36,270 REID: OWEN! 21 00:01:36,313 --> 00:01:37,749 HOLD IT. HOLD IT. 22 00:01:37,793 --> 00:01:39,273 OWEN, WAIT. DROP YOUR WEAPON! 23 00:01:39,316 --> 00:01:41,405 NO, NO, NO, NO, NO. THIS MAN IS ON THE JOB. 24 00:01:41,449 --> 00:01:43,233 FBI SPECIAL AGENT OWEN QUINN, 25 00:01:43,277 --> 00:01:46,845 BADGE NUMBER 2310-NINER-5. 26 00:01:46,889 --> 00:01:48,456 OWEN, LOOK AT ME. 27 00:01:52,373 --> 00:01:53,896 REID? 28 00:01:56,246 --> 00:01:58,466 PRENTISS. YES. 29 00:01:58,509 --> 00:01:59,858 YOU'RE SAFE NOW, OWEN. 30 00:01:59,902 --> 00:02:00,946 YOU'RE HOME. 31 00:02:05,386 --> 00:02:06,648 HOW LONG? 32 00:02:06,691 --> 00:02:07,866 DON'T WORRY ABOUT THAT RIGHT NOW. 33 00:02:07,910 --> 00:02:09,651 WE NEED TO MAKE SURE THAT YOU'RE OK. 34 00:02:09,694 --> 00:02:10,913 WHAT YEAR IS IT? 35 00:02:10,956 --> 00:02:12,175 IT'S 2018. 36 00:02:13,959 --> 00:02:15,265 NO! 37 00:02:16,745 --> 00:02:19,313 YOU'RE SAFE NOW. YOU'RE SAFE. 38 00:02:19,356 --> 00:02:20,879 NO, I'M NOT! 39 00:02:20,923 --> 00:02:23,143 QUINN: I'M NOT! 40 00:02:48,385 --> 00:02:51,301 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 41 00:02:58,961 --> 00:03:00,919 GARCIA: "A THING IS NOT NECESSARILY TRUE 42 00:03:00,963 --> 00:03:03,835 BECAUSE A MAN DIES FOR IT." OSCAR WILDE. 43 00:03:03,879 --> 00:03:05,794 PRENTISS: WHO REMEMBERS THIS AGENT? 44 00:03:05,837 --> 00:03:07,404 I DO NOT. 45 00:03:07,448 --> 00:03:08,927 GARCIA: THAT'S AGENT OWEN QUINN. 46 00:03:08,971 --> 00:03:10,538 HE WORKED HERE UNTIL HE QUIT A YEAR AGO. 47 00:03:10,581 --> 00:03:12,409 LEWIS: HE WORKED IN THE VIOLENT CRIMES APPREHENSION PROGRAM 48 00:03:12,453 --> 00:03:16,370 ON THE 5th FLOOR, BUT HE ASPIRED TO BE A PROFILER. 49 00:03:16,413 --> 00:03:17,632 SO, WHY'D HE QUIT? 50 00:03:17,675 --> 00:03:19,199 HE WAS CONVINCED THERE WAS AN UNSUB WE MISSED 51 00:03:19,242 --> 00:03:20,722 WORKING UP AND DOWN THE NORTHEAST CORRIDOR. 52 00:03:20,765 --> 00:03:22,376 HE NAMED HIM "THE STRANGLER." 53 00:03:22,419 --> 00:03:24,856 SIMMONS: NAMING THE UNSUB. THAT'S EXACTLY WHAT WE DON'T DO. 54 00:03:24,900 --> 00:03:26,249 THAT WASN'T HIS ONLY MISTAKE. 55 00:03:26,293 --> 00:03:27,772 LEWIS: YEAH, WE REVIEWED HIS REPORT. 56 00:03:27,816 --> 00:03:29,252 HE STARTED WITH A SINGLE VICTIM-- 57 00:03:29,296 --> 00:03:30,819 A WOMAN IN MARYLAND WHO'D BEEN STRANGLED 58 00:03:30,862 --> 00:03:33,343 AND HAD THE HYOID BONE AT THE FRONT OF HER THROAT REMOVED, 59 00:03:33,387 --> 00:03:34,866 BUT SHE WAS HIS ONLY CONFIRMED VICTIM. 60 00:03:34,910 --> 00:03:37,086 OH, ONE MURDER DOESN'T MAKE YOU A SERIAL KILLER. 61 00:03:37,129 --> 00:03:38,696 YEAH, WE TOLD HIM THAT. 62 00:03:38,740 --> 00:03:40,655 SO HE STARTED FORCING MISSING PERSONS INTO HIS VICTIMOLOGY 63 00:03:40,698 --> 00:03:42,396 TO FIT HIS PROFILE. 64 00:03:42,439 --> 00:03:45,660 LEWIS: IN THE END, 5 OF HIS 7 VICTIMS SHOWED UP ALIVE AND UNHARMED, 65 00:03:45,703 --> 00:03:47,444 2 WERE INCONCLUSIVE. 66 00:03:47,488 --> 00:03:50,273 FIRST SIN OF PROFILING. TRYING TO FIT THE EVIDENCE TO MATCH A THEORY. 67 00:03:50,317 --> 00:03:52,710 QUINN TOOK THE CRITICISM PERSONALLY AND QUIT, 68 00:03:52,754 --> 00:03:54,321 SAID HE'D PURSUE THE INVESTIGATION ON HIS OWN. 69 00:03:54,364 --> 00:03:56,148 THAT'S A LITTLE IMPULSIVE. 70 00:03:56,192 --> 00:03:57,672 SO, HOW DID WE FIND HIM IN THE STORAGE UNIT? 71 00:03:57,715 --> 00:04:00,370 I GOT AN E 72 00:04:00,414 --> 00:04:01,806 YOU HATE E-MAIL. 73 00:04:01,850 --> 00:04:03,634 I DO. I WAS EVEN MORE SURPRISED 74 00:04:03,678 --> 00:04:05,288 WHEN I SAW THAT IT WAS AN ANONYMOUS SENDER. 75 00:04:05,332 --> 00:04:07,725 REID: GARCIA, CAN YOU PUT THE MESSAGE ON THE BOARD? 76 00:04:11,686 --> 00:04:13,383 THAT'S QUINN'S FBI ID BADGE. 77 00:04:13,427 --> 00:04:14,819 THAT'S A BIG PIECE OF BAIT. 78 00:04:14,863 --> 00:04:16,734 I MEAN, THE UNSUB KNOWS WE HAVE TO TAKE IT. 79 00:04:16,778 --> 00:04:19,041 SOMEONE LEFT US BREADCRUMBS TO A FORMER FEDERAL AGENT, 80 00:04:19,084 --> 00:04:20,521 WHO SURE AS HELL LOOKED DEAD. 81 00:04:20,564 --> 00:04:22,305 SIMMONS: SO DID THE UNSUB THINK HE WAS DEAD 82 00:04:22,349 --> 00:04:23,567 WHEN HE LEFT HIM THERE FOR US, 83 00:04:23,611 --> 00:04:26,004 OR WAS HE LEAVING US SOME KIND OF WITNESS? 84 00:04:26,048 --> 00:04:27,354 ROSSI: OR TO PUT IT ANOTHER WAY, 85 00:04:27,397 --> 00:04:29,791 IS THIS GUY TRYING TO HELP US OR TAUNT US? 86 00:04:29,834 --> 00:04:31,662 PRENTISS: RIGHT NOW, QUINN HAS ALL THE ANSWERS. 87 00:04:31,706 --> 00:04:34,709 REID WILL INTERVIEW HIM. LUKE, TARA, GO TO THE STORAGE UNIT, 88 00:04:34,752 --> 00:04:36,232 SEE WHAT YOU CAN UNCOVER. 89 00:04:36,276 --> 00:04:38,756 MATT, J.J., I NEED YOU TO REACH OUT TO HIS WIFE AND SON. 90 00:04:41,106 --> 00:04:42,717 HEY... 91 00:04:42,760 --> 00:04:44,153 TELL ME NOT TO WORRY. 92 00:04:44,196 --> 00:04:45,328 ABOUT WHAT? 93 00:04:45,372 --> 00:04:47,025 YOU GOT AN E 94 00:04:47,069 --> 00:04:49,941 OK, MAYBE I'LL BUY THAT. MAYBE. 95 00:04:49,985 --> 00:04:53,162 BUT WHY DIDN'T YOU JUST CALL THE REST OF US? 96 00:04:53,205 --> 00:04:56,339 AND WHY TAKE A SWAT TEAM TO A STORAGE UNIT 97 00:04:56,383 --> 00:04:57,732 IN THE MIDDLE OF THE NIGHT? 98 00:04:57,775 --> 00:04:59,342 YOU'RE KEEPING SECRETS, OK? 99 00:04:59,386 --> 00:05:01,126 AND WHEN YOU KEEP SECRETS, I GET NERVOUS. 100 00:05:01,170 --> 00:05:02,563 BECAUSE THE LAST TIME-- 101 00:05:02,606 --> 00:05:04,782 I WENT TO PRISON FOR A MURDER THAT I DIDN'T COMMIT. 102 00:05:04,826 --> 00:05:05,783 YEAH. 103 00:05:05,827 --> 00:05:07,916 SO...TELL ME NOT TO WORRY. 104 00:05:07,959 --> 00:05:09,744 WHOEVER DID THIS WANTED ME TO FIND QUINN, 105 00:05:09,787 --> 00:05:11,572 AND I NEEDED TO KNOW WHY. 106 00:05:11,615 --> 00:05:13,530 DO YOU EVEN KNOW HIM THAT WELL? 107 00:05:13,574 --> 00:05:15,489 NO. I MEAN, I'VE SEEN HIM IN THE BUILDING OCCASIONALLY, 108 00:05:15,532 --> 00:05:17,491 BUT THAT JUST MADE THE WHOLE THING WEIRDER. 109 00:05:17,534 --> 00:05:20,929 SO, I TOLD PRENTISS THAT I NEEDED AN EXIGENT CIRCUMSTANCES 110 00:05:20,972 --> 00:05:22,322 EXEMPTION TO THE SABBATICAL. 111 00:05:22,365 --> 00:05:26,369 SHE MADE IT HAPPEN, AND...NOW YOU KNOW EVERYTHING. 112 00:05:26,413 --> 00:05:28,415 EVERYTHING? 113 00:05:28,458 --> 00:05:30,765 EVERYTHING. 114 00:05:30,808 --> 00:05:32,027 ALL RIGHT. 115 00:05:41,428 --> 00:05:45,388 UH-UH. UH-UH. UH-UH. UH-UH. 116 00:05:45,432 --> 00:05:47,782 UH-UH. OWEN... 117 00:05:47,825 --> 00:05:49,436 OWEN, YOU'RE IN QUANTICO NOW. 118 00:05:49,479 --> 00:05:52,917 THERE ARE 7 FLOORS AND 200 AGENTS IN THIS BUILDING ALONE. 119 00:05:52,961 --> 00:05:55,964 YOU ARE COMPLETELY PROTECTED. 120 00:05:56,007 --> 00:05:57,835 DID YOU FIND THE STRANGLER? 121 00:05:57,879 --> 00:06:00,272 NO, WE DIDN'T, BUT WE FOUND YOU. 122 00:06:00,316 --> 00:06:01,839 THEN I'M NOT PROTECTED! 123 00:06:04,451 --> 00:06:05,800 IS THAT WHY YOU TRIED TO KILL YOURSELF? 124 00:06:05,843 --> 00:06:07,236 IT WAS THAT BAD? 125 00:06:12,502 --> 00:06:13,721 TELL ME ABOUT YOUR INVESTIGATION. 126 00:06:13,764 --> 00:06:15,026 YOU FOUND SOMETHING. 127 00:06:15,070 --> 00:06:17,812 YOU FOUND SOMETHING THAT WE MISSED. WHAT WAS IT? 128 00:06:17,855 --> 00:06:20,423 THE NEWS. 129 00:06:20,467 --> 00:06:23,426 HE REALLY LIKED THE NEWS. 130 00:06:23,470 --> 00:06:25,950 THEN, LIKE NEWSPAPERS? 131 00:06:25,994 --> 00:06:28,431 THE NEWs. 132 00:06:28,475 --> 00:06:31,434 NEW LONDON... 133 00:06:31,478 --> 00:06:34,437 NEW HAVEN... 134 00:06:34,481 --> 00:06:35,830 NEWARK. 135 00:06:35,873 --> 00:06:37,832 THAT'S WHERE HE HUNTED. 136 00:06:37,875 --> 00:06:40,443 I PREDICTED HE WOULD HIT NEW ROCHELLE NEXT. 137 00:06:42,967 --> 00:06:46,841 HE LIKED COLLEGE BARS. HE LIKED HUNTING IN THEM. 138 00:06:46,884 --> 00:06:49,496 SO I HUNTED FOR HIM, AND THEN... 139 00:06:49,539 --> 00:06:52,063 AND THEN SHE CAME UP TO ME. 140 00:06:52,107 --> 00:06:55,893 SHE GOT MY GUARD DOWN, SLIPPED SOMETHING IN MY DRINK... 141 00:06:55,937 --> 00:06:57,634 SHE? 142 00:06:57,678 --> 00:06:58,722 THEN THERE'S MORE THAN ONE OF 'EM? 143 00:06:58,766 --> 00:07:00,245 MM-HMM.IT WAS A TEAM. 144 00:07:00,289 --> 00:07:02,030 IT WAS A MAN AND A WOMAN? MM-HMM. 145 00:07:02,073 --> 00:07:03,161 DID YOU GET THEIR NAMES? 146 00:07:03,205 --> 00:07:06,861 YOU DON'T KNOW HOW BAD IT WAS. 147 00:07:06,904 --> 00:07:10,778 FROM THE MOMENT I W-WOKE UP IN THEIR HOUSE HOW BAD. 148 00:07:10,821 --> 00:07:11,866 UGH! 149 00:07:11,909 --> 00:07:13,650 WOMAN: YOU'RE GONNA BE LATE! 150 00:07:13,694 --> 00:07:16,436 THEO! LET'S GO, LET'S GO, LET'S GO! 151 00:07:16,479 --> 00:07:18,002 TRAFFIC'S GONNA BE A NIGHTMARE. 152 00:07:18,046 --> 00:07:20,875 HEY, DAD, CAN I BORROW THE CAR TOMORROW NIGHT? 153 00:07:20,918 --> 00:07:22,920 ANOTHER DATE WITH APRIL? 154 00:07:22,964 --> 00:07:24,879 ♪ THINGS ARE GETTING SERIOUS ♪ 155 00:07:24,922 --> 00:07:26,576 I HOPE YOU'RE TREATING HER 156 00:07:26,620 --> 00:07:27,882 WITH THE RESPECT SHE DESERVES, YOUNG MAN. 157 00:07:27,925 --> 00:07:30,928 GEEZ, DAD. YES. BYE, MOM. BYE. 158 00:07:45,943 --> 00:07:48,729 I THOUGHT WE'D NEVER GET A MOMENT ALONE. 159 00:08:00,784 --> 00:08:02,569 AAAHH! 160 00:08:03,961 --> 00:08:05,789 THAT WAS JUST THE BEGINNING. 161 00:08:05,833 --> 00:08:08,052 I LEARNED TO SURVIVE BY PLAYING DEAD. 162 00:08:08,096 --> 00:08:12,143 I SLOWED DOWN MY HEARTBEAT, 163 00:08:12,187 --> 00:08:14,537 MY BREATHING. 164 00:08:14,581 --> 00:08:16,974 THAT WAS THE ONLY WAY I COULD GET THEM TO STOP. 165 00:08:17,018 --> 00:08:19,281 YOU GOT SO GOOD AT IT, YOU FOOLED US LAST NIGHT. 166 00:08:19,324 --> 00:08:21,936 AND THE BOY...THEO. 167 00:08:21,979 --> 00:08:24,547 HIS NAME IS THEO. 168 00:08:24,591 --> 00:08:27,158 HE WOULD FEED ME SOMETIMES. 169 00:08:27,202 --> 00:08:31,946 WHY WOULD THE PARENTS RISK EXPOSING THEIR SON TO A CAPTIVE LIKE YOU? 170 00:08:31,989 --> 00:08:33,382 I DON'T KNOW, I DON'T KNOW. 171 00:08:33,425 --> 00:08:35,471 HE JUST-- HE FED ME SOMETIMES. 172 00:08:38,430 --> 00:08:41,869 HE TALKED TO ME LIKE I WAS HUMAN. 173 00:08:41,912 --> 00:08:42,957 I BEGGED HIM TO LET ME GO, 174 00:08:43,000 --> 00:08:45,916 BUT HE COULDN'T DEFY THEM. 175 00:08:45,960 --> 00:08:48,092 OH, GOD... 176 00:08:49,616 --> 00:08:52,619 OH, GOD... GOD... 177 00:08:56,013 --> 00:08:57,972 AND YOU THINK WE'RE BEING PLAYED? 178 00:08:58,015 --> 00:08:59,887 YOU TELL ME IF YOU BUY THIS-- 179 00:08:59,930 --> 00:09:01,671 A HUSBAND-AND-WIFE KILLING TEAM 180 00:09:01,715 --> 00:09:03,020 RAISING A SUN IN THE MIDDLE OF SUBURBIA 181 00:09:03,064 --> 00:09:04,718 LIKE OZZIE AND HARRIET. 182 00:09:04,761 --> 00:09:07,982 FAKING TRAUMA. THAT'S A DANGEROUS GAME TO PLAY AGAINST PROFILERS. 183 00:09:08,025 --> 00:09:09,679 WHAT'S HE TRYING TO HIDE FROM US? 184 00:09:09,723 --> 00:09:12,987 HE COULD BE COVERING FOR WHOEVER LOCKED HIM IN THAT STORAGE UNIT. 185 00:09:13,030 --> 00:09:14,597 MY MIND GOES TO THE STRANGLER. 186 00:09:14,641 --> 00:09:18,035 AND THERE'S MORE GOING ON BETWEEN THEM THAN HE'S LETTING ON. 187 00:09:18,079 --> 00:09:19,602 YOU KNOW WHERE MY MIND GOES... 188 00:09:19,646 --> 00:09:21,473 TO SERIAL KILLERS LIKE TONY COSTA, 189 00:09:21,517 --> 00:09:23,606 ISRAEL KEYES, FRED WEST. 190 00:09:23,650 --> 00:09:27,044 SUSPECTS WHO KILLED THEMSELVES ONCE THEY WERE TAKEN INTO CUSTODY. 191 00:09:27,088 --> 00:09:28,393 LIKE QUINN TRIED TO DO LAST NIGHT. 192 00:09:28,437 --> 00:09:30,047 YOU THINK MAYBE HE'S THE STRANGLER? 193 00:09:30,091 --> 00:09:31,919 I THINK WE LEAVE ALL THEORIES ON THE TABLE 194 00:09:31,962 --> 00:09:33,485 UNTIL WE VERIFY HIS STORY. 195 00:09:33,529 --> 00:09:35,618 AND I THINK WE VERIFY HIS STORY BY GOING BACK 196 00:09:35,662 --> 00:09:37,620 TO WHERE IT STARTED. 197 00:09:38,665 --> 00:09:39,840 PRENTISS: LUKE, WHAT HAVE YOU GOT? 198 00:09:39,883 --> 00:09:42,016 SO FAR, WE CAN TELL YOU THAT THE UNIT WAS RENTED 199 00:09:42,059 --> 00:09:43,844 IN QUINN'S NAME 2 DAYS AGO, 200 00:09:43,887 --> 00:09:45,323 ALL PAID FOR IN CASH. 201 00:09:45,367 --> 00:09:46,890 SECURITY CAMERA FOOTAGE CAUGHT FOOTAGE 202 00:09:46,934 --> 00:09:48,892 OF A HOODED MALE HEFTING QUINN 203 00:09:48,936 --> 00:09:51,068 AND EVERYTHING ELSE INTO THE UNIT ON THAT SAME DAY. 204 00:09:51,112 --> 00:09:52,766 WE SENT IT OVER TO GARCIA, 205 00:09:52,809 --> 00:09:53,854 BUT IT'S TOO GRAINY TO ID. 206 00:09:53,897 --> 00:09:55,595 WHAT ELSE HAVE YOU FOUND IN THERE? 207 00:09:55,638 --> 00:09:58,815 LOOKS LIKE SOMEONE STUFFED AN ENTIRE GIRL'S DORM ROOM IN HERE-- 208 00:09:58,859 --> 00:10:00,861 LEWIS: LINENS, CLOTHES... 209 00:10:00,904 --> 00:10:02,863 READS TO US AS YOUNG AND FEMALE. 210 00:10:02,906 --> 00:10:04,952 SO, SOMEONE WITH THE PHYSICAL STRENGTH 211 00:10:04,995 --> 00:10:07,868 TO CARRY QUINN AROUND ALSO PACKS UP HIS DAUGHTER'S-- 212 00:10:07,911 --> 00:10:10,740 OR HIS GIRLFRIEND'S COLLEGE DORM ROOM. 213 00:10:10,784 --> 00:10:11,872 PRENTISS: WHAT'S THE PATTERN HERE? 214 00:10:11,915 --> 00:10:13,874 WE'RE ASKING OURSELVES THE SAME QUESTION. 215 00:10:13,917 --> 00:10:15,310 PRENTISS: KEEP US POSTED ON WHAT YOU FIND. 216 00:10:15,353 --> 00:10:16,528 ALL RIGHT. WILL DO. 217 00:10:19,575 --> 00:10:21,533 OH, MY GOD, ALVEZ. I GOT SOMETHING. 218 00:10:21,577 --> 00:10:23,535 WHAT? 219 00:10:23,579 --> 00:10:24,885 YOUR MOM. 220 00:10:24,928 --> 00:10:26,669 OH, REALLY. MOM JOKES? 221 00:10:26,713 --> 00:10:27,931 WAIT UNTIL YOU MEET HER, 222 00:10:27,975 --> 00:10:29,324 AND YOU SAY THAT, RIGHT, 223 00:10:29,367 --> 00:10:31,892 BECAUSE WHAT SHE'S GONNA DO IS CRUSH YOU 224 00:10:31,935 --> 00:10:33,676 WITH JUST A LOOK. 225 00:10:33,720 --> 00:10:34,895 YOU SEE THAT LOOK? 226 00:10:34,938 --> 00:10:37,245 THAT'S MY MOM. 227 00:10:37,288 --> 00:10:39,900 I ALREADY FEEL THE NEED TO APOLOGIZE FOR BREAKING CURFEW 228 00:10:39,943 --> 00:10:41,553 AND NOT CLEANING UP MY ROOM. 229 00:10:41,597 --> 00:10:43,033 YOU SHOULD. 230 00:10:45,949 --> 00:10:48,386 WHOA.OH, COME ON, TARA, NOT AGAIN. 231 00:10:48,430 --> 00:10:49,866 I'M GONNA NEED AN EVIDENCE BAG. 232 00:10:49,910 --> 00:10:51,955 ACTUALLY, I'M GONNA NEED 7. 233 00:10:53,435 --> 00:10:54,958 HYOID BONES. 234 00:10:55,002 --> 00:10:56,568 QUINN SAID THE STRANGLER REMOVED THESE 235 00:10:56,612 --> 00:10:59,571 FROM THE NECKS OF HIS VICTIMS AND KEPT THEM AS TROPHIES. 236 00:11:01,182 --> 00:11:02,705 ALVEZ: THEY'VE GOT DATES ON THEM. 237 00:11:02,749 --> 00:11:03,924 ALL RIGHT. I'M GONNA HAVE GARCIA RUN THESE DATES 238 00:11:03,967 --> 00:11:05,752 AGAINST HIS WHEREABOUTS. 239 00:11:05,795 --> 00:11:07,449 I MEAN, EITHER QUINN'S THE UNLUCKIEST AGENT 240 00:11:07,492 --> 00:11:09,973 IN THE HISTORY OF THE BUREAU, OR... 241 00:11:10,017 --> 00:11:11,627 HE'S THE GUILTIEST. 242 00:11:19,722 --> 00:11:20,897 HI. ARE YOU SHANE? 243 00:11:20,941 --> 00:11:22,725 YEAH. 244 00:11:22,769 --> 00:11:25,032 I'M SSA JENNIFER JAREAU WITH THE FBI. 245 00:11:25,075 --> 00:11:26,990 THIS IS SSA MATT SIMMONS. 246 00:11:27,034 --> 00:11:28,078 IS YOUR MOM HOME? 247 00:11:28,122 --> 00:11:29,645 MOM? 248 00:11:32,996 --> 00:11:36,826 SHANE: I KNEW IT. I JUST KNEW. 249 00:11:36,870 --> 00:11:38,610 KNEW WHAT? 250 00:11:38,654 --> 00:11:41,788 THAT HE WOULDN'T WALK OUT ON US, LIKE MOM SAID. 251 00:11:41,831 --> 00:11:44,268 HE WAS A GREAT DAD. HE WOULDN'T DO THAT. 252 00:11:45,443 --> 00:11:48,969 SO...CAN I SEE HIM? 253 00:11:49,012 --> 00:11:51,232 WELL, THAT'S WHY WE'RE HERE. 254 00:11:51,275 --> 00:11:52,755 UM... 255 00:11:52,799 --> 00:11:55,758 BUT WE NEED TO WARN YOU THAT HE MIGHT NOT BE THE SAME MAN 256 00:11:55,802 --> 00:11:57,151 THAT YOU REMEMBER. 257 00:11:57,194 --> 00:12:00,763 WHY? 258 00:12:00,807 --> 00:12:02,678 WHAT HAPPENED TO HIM? 259 00:12:02,722 --> 00:12:04,114 WOMAN: WHAT HAPPENED TO HIM? 260 00:12:04,158 --> 00:12:05,289 WHAT ABOUT WHAT HAPPENED TO ME? 261 00:12:05,333 --> 00:12:07,378 WHAT DID HAPPEN? 262 00:12:07,422 --> 00:12:10,033 HE BECAME OBSESSED WITH THAT CASE. 263 00:12:10,077 --> 00:12:11,252 THE STRANGLER? 264 00:12:13,036 --> 00:12:15,996 HE STARTED THINKING LIKE HIM. 265 00:12:16,039 --> 00:12:18,955 HE SAID THAT'S HOW HE'D GET INTO THE MIND OF A MADMAN. 266 00:12:21,088 --> 00:12:22,263 IT ENDED WITH HIM-- 267 00:12:26,876 --> 00:12:29,009 DID HE HURT YOU? 268 00:12:29,052 --> 00:12:30,706 NO... 269 00:12:32,055 --> 00:12:33,709 BUT HE WANTED TO. 270 00:12:35,406 --> 00:12:38,888 HE WANTED TO... CHOKE ME, 271 00:12:38,932 --> 00:12:41,717 TO KNOW HOW IT FELT. 272 00:12:41,761 --> 00:12:46,678 HE KEPT ASKING, DEMANDING... 273 00:12:46,722 --> 00:12:48,202 SO I KICKED HIM OUT OF THE HOUSE. 274 00:12:48,245 --> 00:12:51,509 I FILED FOR DIVORCE, AND I NEVER SAW HIM AGAIN. 275 00:12:51,553 --> 00:12:53,120 SHANE IS OFFERING TO COOPERATE. 276 00:12:53,163 --> 00:12:56,079 NO! ABSOLUTELY NOT! 277 00:12:56,123 --> 00:12:59,213 WELL, HE'S 18, AND HE DOESN'T NEED ANYONE'S PERMISSION. 278 00:13:00,954 --> 00:13:06,133 FINE. LET ME GRAB MY PURSE. 279 00:13:06,176 --> 00:13:09,049 ALL RIGHT, OWEN. I WANT YOU TO PAINT ME A PICTURE, 280 00:13:09,092 --> 00:13:11,703 AND I WANT YOU TO JUST FOCUS ON THE DETAILS... 281 00:13:11,747 --> 00:13:14,054 OK, THE MUNDANE, THE DAY-IN AND THE DAY-OUT. 282 00:13:14,097 --> 00:13:18,101 IT'S GONNA KEEP YOU FROM FEELING OVERWHELMED. 283 00:13:18,145 --> 00:13:20,712 DID THEY KEEP YOU IN THE LIVING ROOM FOR THE ENTIRE YEAR? 284 00:13:20,756 --> 00:13:23,237 NO. 285 00:13:23,280 --> 00:13:26,283 THEY MOVED ME... TO THE BASEMENT. 286 00:13:26,327 --> 00:13:27,981 ALL RIGHT, DESCRIBE THE BASEMENT. 287 00:13:28,024 --> 00:13:32,376 COLD... NO WINDOWS... 288 00:13:32,420 --> 00:13:33,856 ECHO-Y... 289 00:13:33,900 --> 00:13:35,945 BECAUSE I SCREAMED, 290 00:13:35,989 --> 00:13:37,729 SCREAMED SO MUCH. 291 00:13:37,773 --> 00:13:39,383 HOW DID THEY FEED YOU? 292 00:13:39,427 --> 00:13:40,776 THEO DID. 293 00:13:48,044 --> 00:13:49,698 [RATTLES CHAIN; PATS BACK] 294 00:13:49,741 --> 00:13:51,178 PLEASE, DON'T GO. DON'T GO. 295 00:13:51,221 --> 00:13:52,744 I HAVE TO. 296 00:13:52,788 --> 00:13:54,137 THEY'LL GET SUSPICIOUS. 297 00:13:57,793 --> 00:13:59,882 WAS THERE A TOILET? 298 00:13:59,926 --> 00:14:02,145 THERE WAS A BUCKET. 299 00:14:06,236 --> 00:14:09,761 I KNEW A NEW DAY HAD BEGUN WHEN THEY WOULD COME DOWNSTAIRS 300 00:14:09,805 --> 00:14:11,763 AND ASK ME THE SAME QUESTIONS. 301 00:14:11,807 --> 00:14:13,113 HOW DID YOU FIND US 302 00:14:13,156 --> 00:14:15,767 HOW'D YOU DO IT? TELL US, QUINN. 303 00:14:15,811 --> 00:14:17,160 TELL US, AND WE'LL STOP HURTING YOU. 304 00:14:17,204 --> 00:14:20,337 TELL US, SO WE CAN GET AWAY WITH MURDER. 305 00:14:28,128 --> 00:14:29,303 [CHAIR SCRAPES FLOOR, HITS TABLE] 306 00:14:29,346 --> 00:14:31,131 THEY WERE ALREADY GETTING AWAY WITH MURDER. 307 00:14:31,174 --> 00:14:33,176 AND YOU'RE NOT A PROFILER; YOU WERE IN ViCAP. 308 00:14:33,220 --> 00:14:36,266 MAYBE I HAD VALUE AS A HOSTAGE. I DON'T KNOW. 309 00:14:37,137 --> 00:14:40,314 GOD, HER PERFUME-- IT ALMOST CHOKED ME, IT WAS SO STRONG. 310 00:14:40,357 --> 00:14:42,751 WHOSE PERFUME? THE WIFE'S? WHAT DID IT SMELL LIKE? 311 00:14:42,794 --> 00:14:44,361 I CAN'T-- I CAN'T DESCRIBE IT. 312 00:14:44,405 --> 00:14:46,494 OWEN, YOU JUST SAID IT CHOKED YOU. WHY CAN'T YOU DESCRIBE IT? 313 00:14:46,537 --> 00:14:47,887 WHAT, DO YOU THINK I'M LYING? DO YOU THINK I DID THIS? 314 00:14:47,930 --> 00:14:49,714 NO. YOU KNOW WHAT I THINK, OWEN? I THINK THAT YOU 315 00:14:49,758 --> 00:14:52,021 HAVEN'T GIVEN ME A SINGLE PIECE OF EVIDENCE THAT VALIDATES YOUR STORY. 316 00:14:52,065 --> 00:14:53,588 EVIDENCE? 317 00:14:53,631 --> 00:14:55,111 HERE'S MY EVIDENCE. 318 00:14:57,853 --> 00:14:59,420 ALL RIGHT. THEO. 319 00:14:59,463 --> 00:15:01,074 THEO. THEIR SON. 320 00:15:01,117 --> 00:15:02,684 YOU SAID THAT HE TREATED YOU LIKE A HUMAN. 321 00:15:02,727 --> 00:15:04,207 YES. 322 00:15:04,251 --> 00:15:05,774 HE TALKED TO ME. 323 00:15:05,817 --> 00:15:07,558 WHAT DID HE TALK TO YOU ABOUT? 324 00:15:07,602 --> 00:15:09,299 COLLEGE. WHICH ONE? 325 00:15:09,343 --> 00:15:10,866 I DON'T KNOW. 326 00:15:10,910 --> 00:15:12,737 IS THERE ANYTHING THAT YOU DO KNOW? 327 00:15:12,781 --> 00:15:14,914 I ASKED HIM. HE WOULDN'T TELL ME. 328 00:15:14,957 --> 00:15:17,917 INSTEAD, HE'D ASK ME QUESTIONS ABOUT HIS COURSEWORK. 329 00:15:17,960 --> 00:15:21,921 "HOW DO YOU FIND AN ANCHOR POINT IN A GEOPROFILE?" 330 00:15:21,964 --> 00:15:26,055 "WHAT'S THE DIFFERENCE BETWEEN FIXATED AND REGRESSIVE TYPOLOGY?" 331 00:15:26,099 --> 00:15:27,970 HE WAS TAKING CLASSES IN PROFILING. 332 00:15:28,014 --> 00:15:29,929 DID HE ASK YOU ABOUT RE-OFFENSE STATISTICS 333 00:15:29,972 --> 00:15:31,931 FOR FEMALE SEXUAL OFFENDERS? 334 00:15:31,974 --> 00:15:34,934 YES! EXACTLY. 335 00:15:34,977 --> 00:15:36,979 HOW'D YOU KNOW THAT? 336 00:15:37,023 --> 00:15:39,416 BECAUSE I TAUGHT IT. 337 00:15:39,460 --> 00:15:41,810 THEO WAS IN MY CLASS AT MARBURY UNIVERSITY. 338 00:15:41,853 --> 00:15:43,986 THAT'S HOW HE GOT MY E-MAIL. I INCLUDED IT IN THE SYLLABUS. 339 00:15:44,030 --> 00:15:47,337 OK...THERE ARE 9 340 00:15:47,381 --> 00:15:50,558 THEO AND THEODORES ENROLLED AT MARBURY. 341 00:15:50,601 --> 00:15:51,994 NONE OF THEM ARE ENROLLED IN YOUR CLASS. 342 00:15:52,038 --> 00:15:53,126 REID: TOO MUCH OF A PAPER TRAIL. 343 00:15:53,169 --> 00:15:55,171 HE WAS MOST LIKELY JUST AUDITING. 344 00:15:59,436 --> 00:16:02,570 REID, FAINTLY: IT'S EXPERIENCE BY AN OFFENDER THAT PRECIPITATES SUBSEQUENT BEHAVIOR, 345 00:16:02,613 --> 00:16:05,573 WHEREAS A STRESSOR IS A LONGER-TERM PATTERN 346 00:16:05,616 --> 00:16:08,793 OF BEHAVIOR OR CIRCUMSTANCES WHICH PUSH 347 00:16:08,837 --> 00:16:12,623 A PERSON INTO BEHAVING DIFFERENTLY THAN THEY NORMALLY WOULD. 348 00:16:17,106 --> 00:16:18,716 HIM. 349 00:16:18,760 --> 00:16:19,979 GARCIA: THEO HOLSTON. ON IT. 350 00:16:21,197 --> 00:16:22,546 OK, GUYS, LET'S TALK THIS THROUGH. 351 00:16:22,590 --> 00:16:24,200 WE NEED TO MAKE THIS MAKE SENSE. 352 00:16:24,244 --> 00:16:25,985 WELL, ONE THEORY IS THAT QUINN HAS BEEN THE KILLER ALL ALONG. 353 00:16:26,028 --> 00:16:28,988 THEO SOMEHOW TRAPPED HIM, LEFT HIM IN THE STORAGE UNIT FOR ME TO FIND, 354 00:16:29,031 --> 00:16:32,165 AND QUINN'S POST-TRAUMATIC DECOMPENSATION ACT IS JUST THAT--IT'S AN ACT. 355 00:16:32,208 --> 00:16:34,994 REID: HIS BEHAVIOR DOESN'T MATCH SOMEONE WHO'S BEEN TRAUMATIZED FOR A YEAR. 356 00:16:35,037 --> 00:16:36,996 OR QUINN'S TELLING THE TRUTH. 357 00:16:37,039 --> 00:16:38,606 THEO PUT HIM IN THERE TO FRAME HIM, 358 00:16:38,649 --> 00:16:40,564 PROBABLY UNDER HIS PARENTS' ORDERS. 359 00:16:40,608 --> 00:16:43,002 OK. THEO HOLSTON'S PARENTS ARE JERRY AND DONNA HOLSTON. 360 00:16:43,045 --> 00:16:45,917 JERRY IS AN INSURANCE SALESMAN, JUST GOT "EMPLOYEE OF THE MONTH." 361 00:16:45,961 --> 00:16:47,528 DONNA'S A HOUSEWIFE, NO CRIMINAL RECORD. 362 00:16:47,571 --> 00:16:49,965 REID: NOT EXACTLY THE PSYCHOPATHIC TEAM THAT QUINN PAINTED. 363 00:16:50,009 --> 00:16:51,445 ALEXANDRIA'S A SHORT DRIVE. 364 00:16:51,488 --> 00:16:53,403 REID, I WANT YOU TO STAND DOWN. 365 00:16:53,447 --> 00:16:55,057 ALVEZ AND SIMMONS WILL LEAD ON THIS. 366 00:17:03,761 --> 00:17:05,024 OPEN DOOR RIGHT! 367 00:17:08,070 --> 00:17:09,680 START YOUR SEARCH. 368 00:17:12,683 --> 00:17:14,816 REAR OF THE HOUSE IS CLEAR. 369 00:17:14,859 --> 00:17:16,035 WE'RE CLEAR. 370 00:17:16,078 --> 00:17:18,689 OVER HERE. 371 00:17:22,693 --> 00:17:24,043 HEY, LUKE! 372 00:17:35,141 --> 00:17:37,491 SIMMONS: LOOKS LIKE HE CHANGED HIS M.O. 373 00:17:37,534 --> 00:17:39,058 WHERE'S THEO? 374 00:17:43,714 --> 00:17:45,673 THAT'S A .40 CALIBER SHELL. 375 00:17:45,716 --> 00:17:48,067 THAT WAS QUINN'S PERSONAL BACKUP WEAPON. 376 00:17:48,110 --> 00:17:51,070 HE KEPT IT EVEN AFTER HE TURNED IN HIS BADGE. 377 00:17:51,113 --> 00:17:54,682 SO, WHOEVER KILLED THESE TWO... 378 00:17:54,725 --> 00:17:56,510 THEY USED QUINN'S GUN TO DO IT. 379 00:18:07,608 --> 00:18:09,218 THANKS. APPRECIATE IT. 380 00:18:10,741 --> 00:18:13,135 SO, THE LANDS AND GROOVES MATCH TO QUINN'S GUN? 381 00:18:13,179 --> 00:18:15,224 YEAH, THEY DO. 382 00:18:15,268 --> 00:18:16,573 YOU THINK HE DID IT? 383 00:18:16,617 --> 00:18:18,184 WE'VE GOT WHAT HIS WIFE SAID ABOUT HIM. 384 00:18:18,227 --> 00:18:20,186 BONES ALL AROUND HIM, HIS GUN USED TO KILL 385 00:18:20,229 --> 00:18:22,492 ALL THE VICTIMS IN THE BASEMENT? UM, YEAH. 386 00:18:24,103 --> 00:18:25,713 HOW DO YOU SQUARE THE FACT THAT 387 00:18:25,756 --> 00:18:28,194 THEIR KID WENT TO REID'S CLASS? 388 00:18:28,237 --> 00:18:30,283 THAT'S A HELL OF A COINCIDENCE. 389 00:18:30,326 --> 00:18:33,460 HE'S ALMOST CERTAINLY THE ONE THAT PUT QUINN IN THE STORAGE UNIT. 390 00:18:33,503 --> 00:18:35,505 I MEAN, WHEN WE DO FIND HIM, WE CAN ASK HIM WHY. 391 00:18:48,910 --> 00:18:52,740 BY THE WAY, AREN'T YOU THE ONE THAT THOUGHT QUINN WAS PLAYING US? 392 00:18:52,783 --> 00:18:55,612 YEAH, THAT WAS ME. 393 00:18:55,656 --> 00:18:58,311 THIS CASE... 394 00:18:58,354 --> 00:19:00,313 DOESN'T ADD UP. 395 00:19:00,356 --> 00:19:03,925 LIKE THE COMMENT QUINN SAID TO REID. 396 00:19:03,968 --> 00:19:07,407 "HER PERFUME-- IT CHOKED ME. IT WAS SO STRONG." 397 00:19:07,450 --> 00:19:10,018 LINGUISTIC PROFILE WOULD CALL THAT LEAKAGE. 398 00:19:10,061 --> 00:19:11,324 I MEAN, THE USE OF THE WORD "CHOKE," 399 00:19:11,367 --> 00:19:13,413 IT'S A SUBCONSCIOUS ADMISSION OF GUILT. 400 00:19:13,456 --> 00:19:15,241 THEY INVENTORIED THIS WHOLE PLACE. 401 00:19:15,284 --> 00:19:17,895 THERE WASN'T A DROP OF PERFUME IN IT. 402 00:19:19,506 --> 00:19:20,855 DOESN'T ADD UP. 403 00:19:28,950 --> 00:19:30,299 COME IN. HI. 404 00:19:30,343 --> 00:19:32,910 AGENT PRENTISS? I'M SPECIAL AGENT MEADOWS. 405 00:19:32,954 --> 00:19:34,260 FROM ViCAP? 406 00:19:34,303 --> 00:19:37,915 I HAVE OWEN'S--UH, AGENT QUINN'S FILE 407 00:19:37,959 --> 00:19:39,917 ON THE STRANGLER THAT YOU REQUESTED. 408 00:19:39,961 --> 00:19:41,310 THANK YOU. MARY, RIGHT? 409 00:19:41,354 --> 00:19:43,312 RIGHT THERE IS FINE. 410 00:19:45,314 --> 00:19:50,232 UM, I'M SORRY, BUT I HAVE SOMETHING TO SAY, 411 00:19:50,276 --> 00:19:52,278 AND IT'S NOT JUST ME. 412 00:19:52,321 --> 00:19:54,323 CLOSE THE DOOR. 413 00:20:10,339 --> 00:20:13,299 WELL, ROSSI'S ON ONE OF HIS "DOESN'T ADD UP" TEARS. 414 00:20:13,342 --> 00:20:15,344 UH-OH. 415 00:20:15,388 --> 00:20:16,693 YEAH. 416 00:20:16,737 --> 00:20:19,348 I'M GUESSING HE'S NOT THE ONLY ONE. 417 00:20:25,572 --> 00:20:27,835 CAN'T SEE IT... 418 00:20:27,878 --> 00:20:30,403 IN THIS CASE. I MEAN, IS HE A SUSPECT, 419 00:20:30,446 --> 00:20:31,795 OR IS HE A VICTIM? 420 00:20:31,839 --> 00:20:34,668 THE WORST PART IS, I CAN'T SEE WHY I CAN'T SEE IT. 421 00:20:36,322 --> 00:20:37,975 I DON'T REMEMBER QUINN QUITTING. 422 00:20:38,019 --> 00:20:40,413 ONE DAY HE WAS HERE, THE NEXT HE WASN'T. 423 00:20:40,456 --> 00:20:44,895 SO...I WENT BACK TO SEE WHEN THAT WAS, 424 00:20:44,939 --> 00:20:47,985 AND I FOUND OUT IT WAS 2 WEEKS AFTER 425 00:20:48,029 --> 00:20:50,988 YOU WERE ARRESTED FOR MURDER. 426 00:20:51,032 --> 00:20:52,816 YOU KNEW THAT, DIDN'T YOU? 427 00:20:52,860 --> 00:20:54,035 IT'S NOT CONNECTED. 428 00:20:54,078 --> 00:20:56,298 BUT YOUR RATIONAL BRAIN IS TELLING YOU THAT, 429 00:20:56,342 --> 00:20:57,473 AND THAT PART'S RIGHT. 430 00:20:57,517 --> 00:20:59,997 I ALSO KNOW THERE IS A PART OF YOU 431 00:21:00,041 --> 00:21:01,999 THAT YOU DON'T SHOW ANYONE. 432 00:21:02,043 --> 00:21:06,003 AND THAT PART OF YOU IS TRYING TO FIGURE OUT 433 00:21:06,047 --> 00:21:08,484 WHY DID SPENCER REID GET OUT OF HIS PRISON, 434 00:21:08,528 --> 00:21:10,399 YOU KNOW, WHEN QUINN DIDN'T. 435 00:21:12,619 --> 00:21:16,013 THE ANSWER IS FAMILY... 436 00:21:16,057 --> 00:21:19,016 THIS FAMILY... 437 00:21:19,060 --> 00:21:22,368 WE FOUGHT TO GET YOU OUT OF THERE, 438 00:21:22,411 --> 00:21:26,328 THE SAME WAY WE FOUGHT TO SAVE PRENTISS FROM MR. SCRATCH. 439 00:21:26,372 --> 00:21:29,462 WE FOUGHT TO SAVE THIS TEAM FROM GETTING SHUT DOWN. 440 00:21:29,505 --> 00:21:32,552 AND NOW, FAMILY WILL HELP US FIGURE OUT WHAT WE'RE MISSING. 441 00:21:32,595 --> 00:21:33,901 HOW? 442 00:21:33,944 --> 00:21:37,034 QUINN'S FAMILY IS DOWNSTAIRS. 443 00:21:37,078 --> 00:21:40,560 HOW HE RESPONDS TO THEM COULD REALLY TELL US WHO HE IS. 444 00:21:54,661 --> 00:21:55,879 NO! 445 00:21:58,012 --> 00:21:59,448 JUST DON'T. 446 00:22:03,104 --> 00:22:04,453 ALL RIGHT. 447 00:22:07,282 --> 00:22:08,457 DAD. 448 00:22:14,115 --> 00:22:16,335 I THOUGHT I'D NEVER SEE YOU AGAIN. 449 00:22:19,468 --> 00:22:21,078 GET YOUR HANDS OFF OF HIM! 450 00:22:21,122 --> 00:22:23,080 NO, WAIT! DON'T! THEO! 451 00:22:23,124 --> 00:22:26,170 SHANE: MOM! WHO'S THEO 452 00:22:26,214 --> 00:22:27,868 THEO!SHANE: WHO'S THEO? 453 00:22:27,911 --> 00:22:30,523 OK, WE ALL WANT A PROFILE THAT EXPLAINS EVERYTHING, 454 00:22:30,566 --> 00:22:33,090 WRAPS EVERYTHING UP NEATLY, BUT WE DON'T HAVE THAT HERE. 455 00:22:33,134 --> 00:22:36,442 PRENTISS: SO, INSTEAD, I'D LIKE TO HEAR EVERYONE'S BEST THEORIES, 456 00:22:36,485 --> 00:22:38,444 AND WE'RE GONNA REBUILD THIS CASE FROM THE GROUND UP. 457 00:22:38,487 --> 00:22:40,446 SIMMONS: WELL, QUINN AS THE STRANGLER STILL GETS MY VOTE. 458 00:22:40,489 --> 00:22:42,230 I MEAN, START WITH HOW HE TREATED HIS WIFE. 459 00:22:42,273 --> 00:22:44,101 IT'S TEXTBOOK PRECURSOR BEHAVIOR. 460 00:22:44,145 --> 00:22:45,581 LEWIS: OK, THEN WHEN HE WORKED HERE, 461 00:22:45,625 --> 00:22:47,104 HE DID HIS BEST TO THROW US OFF. 462 00:22:47,148 --> 00:22:49,106 AND WHEN HE FELT CONFIDENT HE COULD GET AWAY WITH IT, 463 00:22:49,150 --> 00:22:50,673 HE QUIT TO KILL WITH IMPUNITY. 464 00:22:50,717 --> 00:22:53,110 UNTIL THEO CAUGHT HIM FOR US. 465 00:22:53,154 --> 00:22:54,721 THAT'S WHERE I TAP OUT. 466 00:22:54,764 --> 00:22:56,636 A 19-YEAR-OLD KID GETS THE DROP 467 00:22:56,679 --> 00:22:58,464 ON AN EXPERIENCED FBI AGENT? 468 00:22:58,507 --> 00:23:00,074 THE AGENT'S ALSO A SERIAL KILLER 469 00:23:00,117 --> 00:23:02,816 WHO JUST KILLED THE KID'S PARENTS? NO. 470 00:23:02,859 --> 00:23:05,384 SO WHAT'S YOUR THEORY, ROSSI? 471 00:23:05,427 --> 00:23:06,559 I DON'T HAVE ONE. 472 00:23:06,602 --> 00:23:07,995 REID: LET'S CONSIDER THIS. 473 00:23:08,038 --> 00:23:10,084 QUINN JUST CALLED HIS OWN SON "THEO." 474 00:23:10,127 --> 00:23:11,477 CLASSIC EXAMPLE OF PARAPRAXIS. 475 00:23:11,520 --> 00:23:12,826 A FREUDIAN SLIP. 476 00:23:12,869 --> 00:23:14,175 REID: LITERALLY DEFINED AS AN UNCONSCIOUS WISH 477 00:23:14,218 --> 00:23:15,568 OR SUBDUED DESIRE. 478 00:23:15,611 --> 00:23:17,483 SO, WHY, IN THE MIDDLE OF AN EMOTIONAL RECONNECTION 479 00:23:17,526 --> 00:23:19,267 WITH HIS OWN FLESH AND BLOOD 480 00:23:19,310 --> 00:23:20,877 WOULD HE CALL OUT SOMEONE ELSE'S NAME? 481 00:23:20,921 --> 00:23:22,705 HE BUILT A BOND WITH THEO. 482 00:23:22,749 --> 00:23:24,533 THAT MAY BE BORN FROM STOCKHOLM SYNDROME? 483 00:23:25,795 --> 00:23:28,015 COULD YOU ALL FOLLOW ME, PLEASE? 484 00:23:28,058 --> 00:23:30,931 PRENTISS: YOU ALL KNOW THE ViCAP TEAM FROM THE 5th FLOOR? 485 00:23:30,974 --> 00:23:32,541 ONCE THEY HEARD ABOUT OUR INVESTIGATION, 486 00:23:32,585 --> 00:23:35,152 THEY ASKED US TO CONSIDER SOME NEW INFORMATION ABOUT QUINN. 487 00:23:35,196 --> 00:23:36,719 GO AHEAD, MARY. 488 00:23:36,763 --> 00:23:40,288 WE JUST--WE WANTED TO SAY WE WORKED WITH OWEN, 489 00:23:40,331 --> 00:23:41,724 SIDE-BY-SIDE, AND-- 490 00:23:41,768 --> 00:23:43,160 HE WASN'T A KILLER. 491 00:23:43,204 --> 00:23:44,988 MAN: ECCENTRIC, MAYBE OBSESSED, 492 00:23:45,032 --> 00:23:46,729 BUT NOT A KILLER. 493 00:23:46,773 --> 00:23:47,904 SECOND MAN: I SAT NEXT TO HIM FOR 3 YEARS. 494 00:23:47,948 --> 00:23:49,515 HE WAS A DEDICATED PUBLIC SERVANT. 495 00:23:49,558 --> 00:23:51,342 HE BELIEVED IN WHAT WE DID HERE. 496 00:23:51,386 --> 00:23:53,693 SIMMONS: WELL, IF HE WAS SO DEDICATED TO THE FBI, THEN WHY DID HE QUIT? 497 00:23:53,736 --> 00:23:55,477 WOMAN: HE THOUGHT HE COULD SAVE LIVES. 498 00:23:55,521 --> 00:23:57,523 HE COULDN'T JUST LET THE STRANGLER KEEP KILLING. 499 00:23:57,566 --> 00:23:59,699 AND THE VICTIMS HE THOUGHT HE FOUND, 500 00:23:59,742 --> 00:24:02,353 THEY WERE COLLEGE-AGE KIDS, A LITTLE OLDER THAN HIS OWN SON. 501 00:24:02,397 --> 00:24:04,747 HE COULDN'T STAND THE IDEA OF THOSE PARENTS 502 00:24:04,791 --> 00:24:06,183 NOT KNOWING WHAT HAPPENED TO THEIR CHILD. 503 00:24:06,227 --> 00:24:08,621 WOMAN: YOU HAVE TO ADMIT, THE UNSUB'S HUNTING GROUND-- 504 00:24:08,664 --> 00:24:10,971 NEW HAVEN, NEW ROCHELLE, NEW BRUNSWICK-- 505 00:24:11,014 --> 00:24:12,494 HE WAS RIGHT ON. 506 00:24:12,538 --> 00:24:15,018 MEADOWS: AND WE GET IT. WE'RE NOT THE PROFILERS. YOU ARE. 507 00:24:15,062 --> 00:24:19,283 BUT IF HE WAS A PSYCHOPATH, WE WOULD HAVE NOTICED. 508 00:24:19,327 --> 00:24:20,676 THANK YOU. 509 00:24:25,594 --> 00:24:27,596 ROSSI: ALL RIGHT. WELL, LET'S JUST SAY 510 00:24:27,640 --> 00:24:31,208 FOR THE SAKE OF ARGUMENT WE TAKE QUINN'S STORY AT FACE VALUE. 511 00:24:31,252 --> 00:24:33,602 WHAT DOES THAT LEAVE US WITH? 512 00:24:33,646 --> 00:24:34,995 THEO. 513 00:24:35,038 --> 00:24:37,563 MAYBE HE'S NOT A KILLER, BUT HE'S INVOLVED, 514 00:24:37,606 --> 00:24:39,216 AND HE'S GONE OUT OF HIS WAY TO STAY OFF OUR RADAR. 515 00:24:39,260 --> 00:24:41,610 HEY, GARCIA, LOOK UP THEO'S CLASSMATES AT MARBURY, 516 00:24:41,654 --> 00:24:42,959 AND FOCUS ON THE NAME "APRIL." 517 00:24:43,003 --> 00:24:44,352 ACCORDING TO QUINN, THAT WAS HIS GIRLFRIEND'S NAME. 518 00:24:44,395 --> 00:24:46,223 THEY HAVE MET ON CAMPUS. 519 00:24:46,267 --> 00:24:49,792 HELLO, GORGEOUS. APRIL PEARSON TOOK A LINGUISTICS CLASS WITH THEO. 520 00:24:49,836 --> 00:24:53,230 SHE LIVES IN AN APARTMENT JUST OFF-CAMPUS... 521 00:24:53,274 --> 00:24:54,754 WHICH SHE JUST MOVED OUT OF. 522 00:24:54,797 --> 00:24:56,669 LEWIS: WELL, THAT WOULD EXPLAIN THE ADDITIONAL BELONGINGS 523 00:24:56,712 --> 00:24:58,235 WE FOUND AT THE STORAGE UNIT WITH QUINN. 524 00:24:58,279 --> 00:25:00,803 OK, WE NEED TO FIND HER. WHERE ARE YOU GOING? 525 00:25:00,847 --> 00:25:02,631 I NEED TO TALK TO HIM. 526 00:25:05,329 --> 00:25:06,679 WHERE IS APRIL? 527 00:25:06,722 --> 00:25:08,550 WHO? 528 00:25:08,594 --> 00:25:10,987 THEO DIDN'T JUST HIDE YOU. HE HID HER, TOO. 529 00:25:11,031 --> 00:25:12,728 WHERE IS SHE? 530 00:25:16,993 --> 00:25:19,387 I HAD TO. 531 00:25:22,738 --> 00:25:24,348 WHAT YOU SAID ABOUT THE PERFUME-- 532 00:25:24,392 --> 00:25:27,351 HOW IT WAS SO STRONG, IT CHOKED YOU-- 533 00:25:27,395 --> 00:25:28,701 YOU WEREN'T TALKING ABOUT THE WIFE. 534 00:25:28,744 --> 00:25:29,963 YOU WERE TALKING ABOUT APRIL. 535 00:25:40,277 --> 00:25:41,757 QUINN: WHAT? 536 00:25:41,801 --> 00:25:42,889 WHAT IS THIS? 537 00:25:42,932 --> 00:25:44,891 JERRY: IT'S TIME FOR THEO'S FINAL TEST. 538 00:25:44,934 --> 00:25:46,936 NO, NO, NO, NO, NO! DAD! DAD, NO! 539 00:25:46,980 --> 00:25:48,721 OH, JUST AS WE THOUGHT. 540 00:25:48,764 --> 00:25:50,723 YOU TURNED HIM INTO YOUR PET, HAVEN'T YOU? 541 00:25:50,766 --> 00:25:52,202 WHY ARE YOU DOING THIS? 542 00:25:52,246 --> 00:25:54,378 BECAUSE IT'S TIME FOR YOU TO MAKE A CHOICE-- 543 00:25:54,422 --> 00:25:56,424 A CHOICE THAT STARTS WITH THE ACCEPTANCE 544 00:25:56,467 --> 00:25:59,035 THAT THERE IS A KILLER INSIDE EVERYONE. EVERYONE. 545 00:25:59,079 --> 00:26:00,733 HERE, I'LL SHOW YOU. 546 00:26:02,865 --> 00:26:04,867 KILL THE GIRL. 547 00:26:06,782 --> 00:26:08,958 SHE'S STANDING IN THE WAY OF OUR SON'S POTENTIAL. 548 00:26:10,786 --> 00:26:12,788 NO! 549 00:26:12,832 --> 00:26:14,355 THEN WE WILL KILL THEO, 550 00:26:14,398 --> 00:26:16,444 THEN HER, THEN YOU. 551 00:26:40,468 --> 00:26:41,817 I'M SORRY. 552 00:26:43,384 --> 00:26:44,777 AGGGHH! 553 00:26:44,820 --> 00:26:47,475 [COUGHING AND CHOKING] 554 00:26:52,480 --> 00:26:56,919 QUINN: THE NEXT THING I KNOW, I WOKE UP IN THE STORAGE UNIT. 555 00:26:59,139 --> 00:27:01,010 WE FOUND YOUR CAPTORS DEAD IN THE BASEMENT. 556 00:27:01,054 --> 00:27:02,577 I THINK I KNOW WHAT HAPPENED. 557 00:27:02,621 --> 00:27:04,971 THEO: CAN WE DO IT QUICKLY, AT LEAST? 558 00:27:12,935 --> 00:27:14,807 THAT'S WHY THEO'S IN HIDING FROM US. 559 00:27:14,850 --> 00:27:16,460 HE KILLED HIS OWN PARENTS. 560 00:27:17,940 --> 00:27:21,291 GARCIA JUST MATCHED JERRY HOLSTON'S TRAVEL FOR WORK 561 00:27:21,335 --> 00:27:23,946 WITH ABDUCTIONS IN NEW LONDON, NEW HAVEN, AND NEW ROCHELLE. 562 00:27:23,990 --> 00:27:26,819 THE DATES ON THE BONES WERE A PERFECT MATCH. 563 00:27:26,862 --> 00:27:29,473 YOU WERE TELLING US THE TRUTH THE WHOLE TIME, 564 00:27:29,517 --> 00:27:30,823 AND THEO WAS GIVING US THE EVIDENCE TO PROVE IT. 565 00:27:30,866 --> 00:27:33,869 JAREAU: EXCEPT THEO WAS RAISED BY TWO PSYCHOPATHS. 566 00:27:33,913 --> 00:27:35,566 AND NOW THAT HE'S KILLED THEM... 567 00:27:35,610 --> 00:27:36,916 WHO KNOWS WHAT HE'S GONNA DO NEXT. 568 00:27:36,959 --> 00:27:40,528 MAN: WHAT DO YOU MEAN SHE WON'T SLEEP? 569 00:27:44,097 --> 00:27:46,534 OK, OK, WE'VE... 570 00:27:49,580 --> 00:27:52,540 YEAH. PUT HER ON THE PHONE. 571 00:27:56,239 --> 00:27:57,937 HI, HONEY. 572 00:27:59,503 --> 00:28:01,070 MAN: MOM SAYS YOU DON'T WANT TO GO TO SLEEP. 573 00:28:01,114 --> 00:28:02,376 WHAT'S--WHAT'S--WHY NOT? TELL YOU WHAT. 574 00:28:02,419 --> 00:28:03,856 YOU GO TO SLEEP RIGHT NOW, 575 00:28:03,899 --> 00:28:05,292 'CAUSE TOMORROW MORNING WHEN YOU WAKE UP-- 576 00:28:05,335 --> 00:28:07,860 EXCUSE ME. CAN YOU TELL ME-- 577 00:28:10,558 --> 00:28:13,735 UHH! 578 00:28:13,779 --> 00:28:17,565 UHH...UHH... UHH... 579 00:28:22,570 --> 00:28:23,919 UHH! 580 00:28:38,760 --> 00:28:40,327 SECURITY FOOTAGE POSITIVELY IDd THEO. 581 00:28:40,370 --> 00:28:41,720 HE'S DEFINITELY OUR GUNMAN. 582 00:28:41,763 --> 00:28:43,330 ALL RIGHT, WELL, I'M THINKING BANG 583 00:28:43,373 --> 00:28:46,289 AND THEN BANG-- VICTIM NUMBER 2 FALLS HERE. 584 00:28:46,333 --> 00:28:49,031 THEO WALKS UP, PULLS THE TRIGGER WITH NO HESITATION. 585 00:28:49,075 --> 00:28:50,467 COLD. 586 00:28:50,511 --> 00:28:52,339 POST-TRAUMATIC SNAP, MAYBE. 587 00:28:52,382 --> 00:28:56,038 YOU KNOW, THEO FELT THREATENED. SOMETHING HIS PARENTS DID 588 00:28:56,082 --> 00:28:59,302 REMINDED HIM OF THAT, AND IT FITS THE PROFILE. 589 00:28:59,346 --> 00:29:01,391 POOR GUY TRIED TO CRAWL AWAY. 590 00:29:01,435 --> 00:29:04,743 LEWIS: QUINN SAID THE STRANGLER'S WIFE BURNED OFF HIS FINGERPRINTS. 591 00:29:04,786 --> 00:29:07,746 BUT AM I CRAZY, OR IS THIS GUY MISSING THEM, TOO? 592 00:29:10,444 --> 00:29:12,751 TARA'S NOT CRAZY. 593 00:29:12,794 --> 00:29:14,448 ACCORDING TO THE M.E., BOTH VICTIMS HAD 594 00:29:14,491 --> 00:29:17,538 THEIR PRINTS BURNED OFF, MOST LIKELY WITH HYDROCHLORIC ACID. 595 00:29:17,581 --> 00:29:20,759 SO, WHAT DO WE KNOW ABOUT THESE TWO? 596 00:29:20,802 --> 00:29:24,197 OH, NO WALLETS, NO CELL PHONE ON HIM. 597 00:29:24,240 --> 00:29:27,591 WE LOOKED OVER HIS PHONE. HADN'T BEEN ACTIVATED. 598 00:29:34,294 --> 00:29:36,775 HE HAD AN EARBUD IN. 599 00:29:36,818 --> 00:29:38,777 THEY'RE FAKING IT. 600 00:29:38,820 --> 00:29:40,822 SO THESE VICTIMS WEREN'T RANDOM AT ALL. 601 00:29:40,866 --> 00:29:42,737 THEY WERE STALKING THEO. 602 00:29:42,781 --> 00:29:45,392 WITHOUT WEAPONS. 603 00:29:45,435 --> 00:29:47,960 SO, THE PLAN MUST HAVE BEEN TO OVERWHELM HIM, 604 00:29:48,003 --> 00:29:50,397 TAKE HIM TO A SECONDARY LOCATION. 605 00:29:50,440 --> 00:29:54,401 BUT THIS APPROACH... THE 2-ON-1, NO IDs, 606 00:29:54,444 --> 00:29:56,098 IT FEELS ALMOST PARAMILITARY. 607 00:29:56,142 --> 00:29:59,798 BUT WHAT PARAMILITARY GROUP WOULD BURN OFF FINGERPRINTS 608 00:29:59,841 --> 00:30:02,148 AND INVITE A HUSBAND- AND 609 00:30:02,191 --> 00:30:05,673 WELL, WHOEVER THEY ARE, THEY ARE THE REASON THAT THEO'S BEEN SO HARD TO FIND. 610 00:30:05,716 --> 00:30:07,806 HE'S NOT HIDING FROM US. 611 00:30:07,849 --> 00:30:09,851 HE'S HIDING FROM THEM. 612 00:30:09,895 --> 00:30:12,419 HELP ME PROFILE THIS. 613 00:30:12,462 --> 00:30:13,855 LET'S START WITH APRIL. 614 00:30:13,899 --> 00:30:15,378 TELL ME EVERYTHING YOU CAN ABOUT HER. 615 00:30:17,467 --> 00:30:22,646 I CAN ONLY TELL YOU WHAT THEO FELT SAFE TELLING ME. 616 00:30:22,690 --> 00:30:25,519 THAT WAS THAT YOUNG LOVE, YOU KNOW, 617 00:30:25,562 --> 00:30:29,436 THE KIND YOU ONLY FEEL WHEN YOU'RE 19 OR 20. 618 00:30:29,479 --> 00:30:32,831 MADE ME WONDER IF I'D SURVIVE TO SEE MY SON THAT HAPPY. 619 00:30:32,874 --> 00:30:34,963 THAT'S WHY SHE WAS A THREAT TO THEO'S PARENTS. 620 00:30:35,007 --> 00:30:37,444 SHE SHOWED HIM THAT THERE WAS A WORLD OUTSIDE OF THEIR INSANITY. 621 00:30:37,487 --> 00:30:39,838 TO DO THAT, SHE-- 622 00:30:39,881 --> 00:30:41,230 WHAT? 623 00:30:41,274 --> 00:30:42,710 WHEN WE FOUND YOU IN THE STORAGE UNIT, 624 00:30:42,753 --> 00:30:44,103 YOU WERE SURROUNDED BY HER THINGS. 625 00:30:44,146 --> 00:30:46,366 THAT TELLS ME THAT THEO DIDN'T JUST DO THIS FOR YOU. 626 00:30:46,409 --> 00:30:48,368 I SUPPOSE. I DON'T REALLY KNOW. 627 00:30:48,411 --> 00:30:49,848 I MEAN, THINK ABOUT HIS STATE OF MIND RIGHT NOW. 628 00:30:49,891 --> 00:30:52,502 HE HAS NO RESOURCES, HE HAS NO PLACE TO GO, 629 00:30:52,546 --> 00:30:56,158 EXCEPT SOMEPLACE WHERE HE KNOWS HE'LL NEVER BE FOUND. 630 00:30:56,202 --> 00:30:58,378 A PLACE SHE SHOWED HIM. 631 00:30:58,421 --> 00:31:03,905 HE SAVED HER LIFE. NOW SHE'S GONNA SAVE HIS. 632 00:31:03,949 --> 00:31:05,472 IF THEY'RE ON THE RUN FROM SOME GROUP THAT'S HUNTING THEM, 633 00:31:05,515 --> 00:31:07,953 THEY WOULDN'T GO TO A PLACE TIED TO HIS HISTORY. 634 00:31:07,996 --> 00:31:09,868 NO. THEY'D GO TO A PLACE TIED TO HERS. 635 00:31:09,911 --> 00:31:12,609 PRENTISS: GARCIA, WHAT DIRECTION WAS THAT TRAIN GOING? 636 00:31:12,653 --> 00:31:13,872 UH, THE BLUE LINE--SOUTH. 637 00:31:13,915 --> 00:31:15,264 REID: IT TERMINATES IN SPRINGFIELD. 638 00:31:15,308 --> 00:31:16,875 LOOK FOR ANY CONNECTION TO HER IN THAT AREA-- 639 00:31:16,918 --> 00:31:18,877 A SECOND APARTMENT, A FAMILY HOME. 640 00:31:18,920 --> 00:31:20,443 IF YOU CAN'T FIND ANYTHING, KEEP GOING SOUTH. 641 00:31:20,487 --> 00:31:21,880 GARCIA: BOOYAH. APRIL'S GRANDFATHER 642 00:31:21,923 --> 00:31:25,405 OWNS A CABIN ON LAKE ACCOTINK. 643 00:31:25,448 --> 00:31:26,754 GOOD PLACE TO HIDE OUT 644 00:31:26,797 --> 00:31:27,886 FROM WHOEVER'S STILL AFTER THEM. 645 00:31:27,929 --> 00:31:29,278 WE CAN GET TO THEM FIRST. 646 00:31:29,322 --> 00:31:31,933 WE CAN, BUT WE HAVE TO KEEP SWAT OUTSIDE THE DOOR. 647 00:31:31,977 --> 00:31:34,936 THEO AND APRIL ARE PARANOID, BELIEVING CORRECTLY THAT THEY'RE BEING HUNTED. 648 00:31:34,980 --> 00:31:36,068 WE HAVE TO DEFUSE THEM. 649 00:31:36,111 --> 00:31:37,547 WHAT DO YOU HAVE IN MIND? 650 00:31:53,172 --> 00:31:54,869 THEO, IT'S ME. 651 00:31:54,913 --> 00:31:56,175 YOU GOT MY MESSAGE? 652 00:31:56,218 --> 00:31:57,916 I DID, YES. 653 00:32:02,703 --> 00:32:03,922 YOU MADE IT! 654 00:32:11,581 --> 00:32:13,453 DID YOU GET THEM, ALL OF THEM? 655 00:32:13,496 --> 00:32:15,542 THAT'S THE ONLY WAY WE'RE SAFE IS IF THEY'RE ALL GONE. 656 00:32:15,585 --> 00:32:18,545 ALL OF WHOM? 657 00:32:18,588 --> 00:32:21,852 OH, MY GOD! YOU DON'T KNOW. 658 00:32:22,984 --> 00:32:24,464 THEO, THEY DON'T KNOW! 659 00:32:24,507 --> 00:32:26,031 HOW COULD YOU NOT KNOW? 660 00:32:26,074 --> 00:32:27,119 I LEFT YOU ALL THE CLUES IN THE STORAGE UNIT. 661 00:32:27,162 --> 00:32:28,990 WE KNOW YOUR FATHER WAS THE STRANGLER 662 00:32:29,034 --> 00:32:30,949 AND THAT HE KILLED 7 VICTIMS, AND WE KNOW THAT YOUR MOTHER HELPED. 663 00:32:30,992 --> 00:32:32,428 NO, NO. 664 00:32:32,472 --> 00:32:35,214 HOW CAN YOU NOT SEE THIS? HOW COULD YOU MISS THIS? 665 00:32:35,257 --> 00:32:36,519 WHAT DID WE MISS? 666 00:32:36,563 --> 00:32:38,521 MY FATHER DIDN'T KILL THEM. HE ABDUCTED THEM, 667 00:32:38,565 --> 00:32:40,480 AND THEN HE HANDED THEM OVER TO THE MESSIAH. 668 00:32:40,523 --> 00:32:42,047 THE MESSIAH? 669 00:32:42,090 --> 00:32:44,571 THEO: AND THEN THE MESSIAH WOULD KILL THEM IN FRONT OF US, 670 00:32:44,614 --> 00:32:47,443 HIS FOLLOWERS, TO INSPIRE US. 671 00:32:47,487 --> 00:32:52,318 DON'T YOU SEE? THIS ISN'T ONE SERIAL KILLER OR A COUPLE. 672 00:32:52,361 --> 00:32:53,754 IT'S A CULT. 673 00:32:57,627 --> 00:33:00,979 IT'S OK. IT'S OK. IT'S OK. 674 00:33:26,874 --> 00:33:28,702 PROVE YOUR ALLEGIANCE. 675 00:33:41,106 --> 00:33:43,021 UHH! 676 00:33:43,064 --> 00:33:45,806 AAH! AAH! 677 00:33:45,849 --> 00:33:48,026 AAAAHH! AAAHHH! 678 00:34:00,081 --> 00:34:02,040 GOOD. 679 00:34:02,083 --> 00:34:04,781 NOW LISTEN CLOSELY 680 00:34:04,825 --> 00:34:07,132 BECAUSE THE END IS NIGH. 681 00:34:17,490 --> 00:34:19,013 REID: GIVE ME A SENSE OF HOW BIG THIS CULT IS. 682 00:34:19,057 --> 00:34:20,449 HOW MANY PEOPLE ARE IN IT? 683 00:34:20,493 --> 00:34:22,625 I NEVER SAW MORE THAN A HANDFUL OF 'EM AT A TIME. 684 00:34:22,669 --> 00:34:25,802 THE FACES ALWAYS CHANGED. THAT'S HOW THE MESSIAH LIKED IT. 685 00:34:25,846 --> 00:34:27,804 AND THIS MESSIAH-- WHO IS HE? 686 00:34:27,848 --> 00:34:30,068 HIS NAME IS BENJAMIN MERVA. 687 00:34:30,111 --> 00:34:32,505 AND WHAT ABOUT THIS GROUP? WHAT DO THEY CALL THEMSELVES? 688 00:34:34,594 --> 00:34:36,552 THE BELIEVERS, BECAUSE THEY BELIEVE 689 00:34:36,596 --> 00:34:38,032 THEY COULD INHERIT THE EARTH. 690 00:34:39,599 --> 00:34:41,166 YOU KNOW ABOUT ANY OF THIS? 691 00:34:41,209 --> 00:34:43,342 NO. NOTHING. 692 00:34:45,300 --> 00:34:47,694 COULD YOU DO SOMETHING FOR ME, 693 00:34:47,737 --> 00:34:49,652 WHEN THIS IS ALL OVER? 694 00:34:52,220 --> 00:34:55,310 LEWIS: THE BELIEVERS WERE A SMALL GROUP OBSESSED WITH THE END TIMES, 695 00:34:55,354 --> 00:34:56,746 SIMILAR TO HEAVEN'S GATE. 696 00:34:56,790 --> 00:34:58,574 VIOLENT?JUST THE OPPOSITE. 697 00:34:58,618 --> 00:35:00,576 THEY PREPARED THEMSELVES BY FASTING, MEDITATION, 698 00:35:00,620 --> 00:35:02,100 GIVING AWAY THEIR EARTHLY POSSESSIONS. 699 00:35:02,143 --> 00:35:03,623 THAT DOESN'T MAKE SENSE-- 700 00:35:03,666 --> 00:35:05,190 THE HOLSTONS JOINING UP WITH A GROUP THAT ARE 701 00:35:05,233 --> 00:35:06,582 BASICALLY A BUNCH OF PACIFISTS. 702 00:35:06,626 --> 00:35:08,323 SIMMONS: MAYBE THEY STOPPED BEING PACIFISTS 703 00:35:08,367 --> 00:35:10,586 AFTER THEIR PREDICTION ABOUT THE END OF THE WORLD DIDN'T COME TRUE. 704 00:35:10,630 --> 00:35:12,675 I MEAN, THAT'S WHEN A CULT WOULD TEND TO DESTABILIZE, 705 00:35:12,719 --> 00:35:16,157 AND IT'S EASIER FOR A VIOLENT OR CHARISMATIC PERSONALITY TO TAKE OVER. 706 00:35:16,201 --> 00:35:17,419 THE MESSIAH NEEDS TO BE OUR FOCUS. 707 00:35:17,463 --> 00:35:18,725 WHAT DO WE KNOW ABOUT HIM? 708 00:35:18,768 --> 00:35:20,118 GARCIA: HE HAS NO CRIMINAL OR ONLINE RECORD. 709 00:35:20,161 --> 00:35:22,120 I'M SEARCHING FOR LOCATIONS TIED TO HIM NOW. 710 00:35:22,163 --> 00:35:25,210 IF HE KILLED 7 PEOPLE, HE'S PROBABLY KEEPING A LOW PROFILE. 711 00:35:25,253 --> 00:35:26,907 SIMMONS: YEAH, BUT HE'S STILL ATTRACTING FOLLOWERS SOMEHOW, 712 00:35:26,950 --> 00:35:29,083 MOST LIKELY MEN WHO GET TURNED ON BY WATCHING 713 00:35:29,127 --> 00:35:30,693 HIM KILL IN FRONT OF AN AUDIENCE. 714 00:35:30,737 --> 00:35:32,217 SO, IT'S NOT JUST A CULT. 715 00:35:32,260 --> 00:35:34,219 IT'S A CULT OF POTENTIAL SERIAL KILLERS. 716 00:35:34,262 --> 00:35:35,611 ROSSI: EXACTLY THE KIND OF CROWD THEO'S PARENTS 717 00:35:35,655 --> 00:35:37,352 WOULD WANT TO HANG OUT WITH. 718 00:35:37,396 --> 00:35:40,790 GARCIA, CAN YOU POINT US IN A DIRECTION WHERE MERVA WOULD BE NOW? 719 00:35:40,834 --> 00:35:43,358 YEAH. HE BOUGHT A WAREHOUSE ON THE EDGE OF THE DISTRICT. 720 00:35:43,402 --> 00:35:45,621 GARCIA: NOT THE KIND OF PLACE I'D GO TO CHURCH, 721 00:35:45,665 --> 00:35:47,754 BUT IDEAL IF HUMAN SACRIFICE IS YOUR THING. 722 00:35:47,797 --> 00:35:49,016 IF WE CAN ARREST THE CULT LEADER, 723 00:35:49,059 --> 00:35:50,409 WE CAN STOP THE CULT. LET'S GO. 724 00:36:13,345 --> 00:36:14,694 SHH... 725 00:36:22,702 --> 00:36:24,486 PRENTISS: FBI! SHOW US YOUR HANDS. 726 00:36:25,705 --> 00:36:27,663 BENJAMIN DAVID MERVA, YOU'RE UNDER ARREST 727 00:36:27,707 --> 00:36:29,535 FOR THE MURDER OF 7 PEOPLE. 728 00:36:29,578 --> 00:36:31,145 WHERE ARE YOUR FOLLOWERS, BEN? 729 00:36:31,189 --> 00:36:33,016 OH, I HAVE NO FOLLOWERS... 730 00:36:33,060 --> 00:36:34,670 ONLY STUDENTS. 731 00:36:34,714 --> 00:36:37,282 AND WHAT YOU SEE IS ALL I HAVE. 732 00:36:56,388 --> 00:36:58,303 MAY I HAVE EVERYONE'S ATTENTION? 733 00:36:58,346 --> 00:37:00,957 METRO P.D. AND THE BUREAU HAVE BEEN MADE AWARE OF THE BELIEVERS 734 00:37:01,001 --> 00:37:04,483 AND POSSIBLE ACTIVITY FOLLOWING THEIR LEADER'S ARREST, 735 00:37:04,526 --> 00:37:06,659 BUT TAKING THEO AT HIS WORD-- 736 00:37:06,702 --> 00:37:08,704 WELL, WE ARRESTED 3. THERE'S PROBABLY MORE OUT THERE. 737 00:37:08,748 --> 00:37:10,532 BUT IF THEY FOLLOW CULT DYNAMICS, 738 00:37:10,576 --> 00:37:11,881 THEY'LL BREAK DOWN WITHOUT THE MESSIAH. 739 00:37:11,925 --> 00:37:14,319 TYPICAL CULT. YOU THINK IT'S A CAST OF THOUSANDS, 740 00:37:14,362 --> 00:37:16,712 WHEN REALLY IT'S JUST 4 WACKOS SITTING AROUND IN THE DARK. 741 00:37:16,756 --> 00:37:19,846 I THINK WE DESERVE SOME DECOMPRESSION TIME, 742 00:37:19,889 --> 00:37:22,065 AND ROSSI IS KIND ENOUGH TO HOST. 743 00:37:22,109 --> 00:37:24,459 ROSSI: AND I HAVE SOME TOP-SHELF WINE PICKED 744 00:37:24,503 --> 00:37:26,244 JUST FOR THE OCCASION. 745 00:37:26,287 --> 00:37:28,420 YES! OK, I HAVE TO DO A SYSTEMS CHECK. 746 00:37:28,463 --> 00:37:29,725 PLEASE DO NOT HAVE TOO MUCH FUN WITHOUT ME. 747 00:37:29,769 --> 00:37:31,597 ♪ I WILL MEET YOU ALL THERE ♪ 748 00:37:36,515 --> 00:37:39,039 UNFORTUNATELY, I DON'T THINK I'M GONNA BE ABLE TO MAKE IT TONIGHT. 749 00:37:39,082 --> 00:37:41,737 TELL ME NOT TO WORRY. 750 00:37:41,781 --> 00:37:43,783 DON'T. I'M GOOD. I'M REALLY GOOD. 751 00:37:43,826 --> 00:37:45,741 OK. WELL... 752 00:37:45,785 --> 00:37:48,048 IT'S NOT FAMILY WITHOUT YOU THERE. 753 00:37:48,091 --> 00:37:52,139 I KNOW. THERE'S ANOTHER FAMILY THAT COULD USE MY HELP RIGHT NOW. 754 00:37:52,182 --> 00:37:53,662 AH. 755 00:37:58,188 --> 00:37:59,494 WHAT'S THIS FOR? 756 00:37:59,538 --> 00:38:02,323 IT'S FOR ALL THE TIMES YOU WORRIED ABOUT ME. 757 00:38:02,367 --> 00:38:03,803 I NEVER SAID THANK YOU. 758 00:38:03,846 --> 00:38:05,413 THANK YOU. 759 00:38:06,806 --> 00:38:08,503 YOU'RE WELCOME. 760 00:38:22,430 --> 00:38:24,127 IS MY DAD COMING? 761 00:38:24,171 --> 00:38:26,304 HE'S FINISHING UP HIS FINAL DEBRIEF INTERVIEW. 762 00:38:26,347 --> 00:38:28,784 I'LL KEEP YOU COMPANY UNTIL HE COMES DOWN. 763 00:38:28,828 --> 00:38:31,004 CAN YOU TELL ME WHAT HAPPENED TO HIM NOW? 764 00:38:32,832 --> 00:38:35,356 FIRST THING THAT YOU NEED TO KNOW IS 765 00:38:35,400 --> 00:38:39,404 THAT YOUR FATHER IS A HERO. 766 00:38:41,841 --> 00:38:43,843 [LAUGHTER; TALKING INDISTINCTLY] 767 00:38:47,412 --> 00:38:49,588 ALVEZ: OK.LEWIS: IT'S TRUE. 768 00:38:49,631 --> 00:38:50,632 SHUT UP. 769 00:38:50,676 --> 00:38:51,938 IT'S TRUE! 770 00:38:51,981 --> 00:38:53,809 THERE ARE ACTUAL SEXUAL POSITIONS 771 00:38:53,853 --> 00:38:55,855 THAT PRODUCE UGLY BABIES? 772 00:38:55,898 --> 00:38:57,726 YES. IT'S BEEN PROVEN. 773 00:38:57,770 --> 00:38:59,815 WELL, BY WHO? 774 00:38:59,859 --> 00:39:01,339 YOUR MOM? 775 00:39:03,558 --> 00:39:04,820 OH HO! ALL RIGHT. 776 00:39:04,864 --> 00:39:06,909 YOU WANT A WAR? I WILL BRING IT. 777 00:39:06,953 --> 00:39:09,434 IT'S ON.COME AT ME, BRO. 778 00:39:09,477 --> 00:39:11,436 ROSSI: EMILY, PLEASE. LET IT GO. 779 00:39:11,479 --> 00:39:13,916 I KNOW. MAYBE IT'S THE CURSE OF BEING TEAM LEADER, 780 00:39:13,960 --> 00:39:15,875 BUT SOMETHING IS BUGGING ME ABOUT THIS. 781 00:39:15,918 --> 00:39:17,833 WELL, I'LL TELL YOU WHAT BUGS ME. 782 00:39:17,877 --> 00:39:20,401 WE FOUND A CULT LEADER BUT NO CULT. 783 00:39:20,445 --> 00:39:23,404 THAT'S NOT IT. I MEAN, THAT'S IT, BUT THAT'S NOT IT. 784 00:39:23,448 --> 00:39:24,884 WELL, WHAT IS IT, THEN? 785 00:39:24,927 --> 00:39:27,887 IN THE WAREHOUSE WHERE WE ARRESTED THE MESSIAH, 786 00:39:27,930 --> 00:39:30,368 THERE WERE THESE PETRI DISHES ON THE FLOOR 787 00:39:30,411 --> 00:39:32,326 FILLED WITH HYDROCHLORIC ACID. 788 00:39:32,370 --> 00:39:34,154 JAREAU: PERFECT FOR BURNING OFF FINGERPRINTS. 789 00:39:34,197 --> 00:39:36,852 I MEAN, THAT'S WHAT THE DRUG LORD EL CHAPO DID IN MEXICO. 790 00:39:36,896 --> 00:39:38,854 PRENTISS: AND BASED ON THE TWO DEAD GUYS IN THE SUBWAY, 791 00:39:38,898 --> 00:39:41,161 MAYBE THAT WAS THEIR INITIATION. 792 00:39:41,204 --> 00:39:43,685 YOU WANT TO JOIN, YOU BURN OFF YOUR FINGERPRINTS. 793 00:39:46,949 --> 00:39:48,298 WHERE YOU GOING WITH THIS? 794 00:39:48,342 --> 00:39:51,476 IT'S JUST ONE NAGGING QUESTION. 795 00:39:51,519 --> 00:39:54,043 WHY DID THEY BURN OFF QUINN'S FINGERPRINTS? 796 00:39:54,087 --> 00:39:55,871 WELL, THEY TORTURED HIM. 797 00:39:55,915 --> 00:39:57,482 WITH THEIR INITIATION RITE? 798 00:39:57,525 --> 00:39:59,048 I MEAN, MAYBE, BUT-- 799 00:39:59,092 --> 00:40:02,182 OR MAYBE WE SOMEHOW MISREAD QUINN ALL THIS TIME. 800 00:40:02,225 --> 00:40:07,883 MAYBE THERE WAS CULT PROGRAMMING THEO DIDN'T KNOW ABOUT. 801 00:40:07,927 --> 00:40:09,929 WHAT IF THEY DID CONVERT HIM? 802 00:40:09,972 --> 00:40:12,366 AND WE LEFT HIM IN THE BUILDING 803 00:40:12,410 --> 00:40:14,803 WHERE THE MESSIAH IS BEING HELD IN CUSTODY. 804 00:40:14,847 --> 00:40:16,501 JAREAU: ALL RIGHT, I'LL CALL SPENCE AND GARCIA. 805 00:40:16,544 --> 00:40:19,547 GUYS, WE NEED TO GET BACK TO QUANTICO RIGHT NOW. 806 00:40:21,288 --> 00:40:22,637 RIGHT THIS WAY, OWEN. 807 00:40:22,681 --> 00:40:24,509 YOUR SON IS WAITING FOR YOU DOWNSTAIRS. 808 00:40:24,552 --> 00:40:25,988 GARCIA: OH, WAIT! UH... 809 00:40:26,032 --> 00:40:27,990 THIS PHONE, THIS PHONE, THIS PHONE. 810 00:40:28,034 --> 00:40:29,949 GARCIA: J.J.? I AM ON MY WAY. 811 00:40:29,992 --> 00:40:31,603 ARGH! LOST HER. 812 00:40:31,646 --> 00:40:33,126 SO, I WILL TEXT. 813 00:40:33,169 --> 00:40:35,563 "J.J., I'M ON MY WAY." 814 00:40:37,217 --> 00:40:39,915 I KNEW YOU DIDN'T DO IT. I JUST KNEW. 815 00:40:39,959 --> 00:40:41,961 AND I CAN'T TELL YOU WHAT A PRIVILEGE IT'S BEEN 816 00:40:42,004 --> 00:40:43,702 WORKING WITH THE A-TEAM ON THIS CASE. 817 00:40:43,745 --> 00:40:46,966 "A OHH... A-TEAM. 818 00:40:47,009 --> 00:40:49,708 AND OWEN, IF WE TIME THIS RIGHT, 819 00:40:49,751 --> 00:40:52,754 YOU MIGHT ACTUALLY GET OUT OF HERE BEFORE THE SUNRISE. 820 00:40:54,756 --> 00:40:56,932 DRAW YOUR GUN. 821 00:40:56,976 --> 00:40:59,282 WHAT? DRAW YOUR GUN! 822 00:41:02,068 --> 00:41:03,199 HEY, J.J., WHAT'S UP? 823 00:41:03,243 --> 00:41:04,766 WHAT WAS THAT? 824 00:41:07,465 --> 00:41:08,944 STAY HERE. 825 00:41:15,037 --> 00:41:16,474 PUT YOUR HANDS UP, QUINN! 826 00:41:22,305 --> 00:41:23,742 WHAT HAPPENED? 827 00:41:23,785 --> 00:41:25,395 IT'S HER. 828 00:41:25,439 --> 00:41:26,832 WHAT? 829 00:41:28,268 --> 00:41:29,574 SHE'S ONE OF THEM. 830 00:41:29,617 --> 00:41:30,792 MEADOWS: DROP YOUR GUN, AGENT REID. 831 00:41:33,142 --> 00:41:34,709 IT'S BEEN YOU THE WHOLE TIME. 832 00:41:34,753 --> 00:41:37,407 YES, IT WAS. 833 00:41:37,451 --> 00:41:39,453 QUINN SOMEHOW FIGURED IT OUT FIRST. 834 00:41:39,497 --> 00:41:41,542 PITY HAVING TO SHOOT HIM, 835 00:41:41,586 --> 00:41:44,414 BUT HE CAN'T GIVE ME WHAT I WANT, AND YOU CAN. 836 00:41:44,458 --> 00:41:45,851 WHAT'S THAT? 837 00:41:45,894 --> 00:41:47,069 YOU AND I ARE GONNA GO UPSTAIRS 838 00:41:47,113 --> 00:41:48,331 AND FREE MY MESSIAH. 839 00:41:48,375 --> 00:41:49,724 YOU'RE IN THE HEART OF THE FBI. 840 00:41:49,768 --> 00:41:51,421 AS SOON AS THE REST OF MY TEAM FIGURES OUT IT'S YOU, 841 00:41:51,465 --> 00:41:53,467 YOU'LL BE DEAD BEFORE YOU'RE OUT THE DOOR. 842 00:41:53,511 --> 00:41:54,903 THEN WE NEED TO WORK QUICKLY. 843 00:41:54,947 --> 00:41:57,253 I'M NOT COOPERATING WITH YOU. MIGHT AS WELL SHOOT ME. 844 00:41:57,297 --> 00:41:59,386 I HAVE A BETTER IDEA. 845 00:42:06,480 --> 00:42:09,831 NOW, WHAT'S IT GONNA BE? 846 00:42:09,875 --> 00:42:13,400 BECAUSE YOU CAN EITHER JOIN US, OR SHE DIES. 847 00:42:20,320 --> 00:42:22,191 SPENCER, JUST SHOOT HER! SHOOT HER! 848 00:42:45,606 --> 00:42:47,565 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC.