1 00:00:01,871 --> 00:00:03,438 [BIRDS CHIRPING] 2 00:00:05,353 --> 00:00:08,443 WOMAN: SERIOUSLY, THIS IS BEYOND GROSS. 3 00:00:08,486 --> 00:00:11,315 WHO LEAVES DIRTY DISHES IN THE SINK? 4 00:00:11,359 --> 00:00:12,751 I KNOW WE BOUGHT THIS HOUSE AS IT, 5 00:00:12,795 --> 00:00:14,492 BUT COME ON. 6 00:00:14,536 --> 00:00:16,407 MAN: I DON'T THINK THIS WALL IS LOAD-BEARING, HON. 7 00:00:16,451 --> 00:00:19,541 WE CAN KNOCK IT OUT, BUILD THE BABY'S NURSERY IN THIS DIRECTION. 8 00:00:20,716 --> 00:00:21,760 I GUESS. 9 00:00:21,804 --> 00:00:23,501 HEY, WHAT'S THE MATTER? 10 00:00:23,545 --> 00:00:25,286 YOU SURE WE DID THE RIGHT THING? 11 00:00:25,329 --> 00:00:26,635 BUYING THIS PLACE, I MEAN. 12 00:00:26,678 --> 00:00:27,897 IT'S KIND OF CREEPY. 13 00:00:27,940 --> 00:00:30,378 WE WANTED A PLACE TO MAKE OUR OWN, REMEMBER? 14 00:00:30,421 --> 00:00:32,858 COME ON, BABE. 15 00:00:32,902 --> 00:00:34,382 WE'RE GOING TO BE HAPPY HERE. 16 00:00:34,425 --> 00:00:36,166 I PROMISE. 17 00:00:37,472 --> 00:00:39,213 I HOPE YOU'RE RIGHT. 18 00:00:49,571 --> 00:00:51,442 WHAT THE HELL? 19 00:00:59,015 --> 00:01:02,801 THERE A HAZMAT SUIT ANYWHERE AROUND HERE? 20 00:01:05,543 --> 00:01:07,154 BEN? 21 00:01:07,197 --> 00:01:08,764 YOU OK? 22 00:01:13,116 --> 00:01:14,509 AAH! 23 00:01:14,552 --> 00:01:16,424 [DISHES SHATTER] 24 00:01:18,817 --> 00:01:20,558 [SIGHS] I'M SORRY I'M LATE. 25 00:01:20,602 --> 00:01:24,562 NEVER LIVE WHERE YOUR COMMUTE INVOLVES A BRIDGE. 26 00:01:24,606 --> 00:01:26,390 IT'S OK. I WAS JUST GOING THROUGH POTENTIAL CASES. 27 00:01:26,434 --> 00:01:29,915 HEY, I MEANT IT WHEN I SAID YOU SHOULD TAKE SOME TIME OFF. 28 00:01:29,959 --> 00:01:31,395 YOU'VE JUST BEEN THROUGH A LOT. 29 00:01:31,439 --> 00:01:33,615 THAT'S LIKE THE JOB DESCRIPTION 30 00:01:33,658 --> 00:01:35,312 OF EVERYBODY WHO WORKS HERE. 31 00:01:35,356 --> 00:01:36,618 "MUST GO THROUGH A LOT." I'M OK. 32 00:01:36,661 --> 00:01:38,489 THAT JUST CAME IN. 33 00:01:40,056 --> 00:01:41,144 A MUMMY? 34 00:01:41,188 --> 00:01:43,407 YEAH, THEY FOUND IT INSIDE OF A WALL 35 00:01:43,451 --> 00:01:45,844 IN A CABIN OUTSIDE VARNVILLE, SOUTH CAROLINA. 36 00:01:45,888 --> 00:01:47,498 THEY THINK IT'S REALLY OLD. 37 00:01:47,542 --> 00:01:48,543 WELL, IT'S NOT SOMETHING YOU SEE EVERY DAY, 38 00:01:48,586 --> 00:01:50,501 BUT IT SOUNDS MORE LIKE A COLD CASE. 39 00:01:50,545 --> 00:01:51,676 THAT'S A NO THEN. 40 00:01:51,720 --> 00:01:53,156 HEY, WAIT A SECOND. 41 00:01:53,200 --> 00:01:54,940 ROSSI'S STILL IN SAVANNAH, ISN'T HE? 42 00:01:54,984 --> 00:01:56,507 UH-HUH. HE COMES BACK TODAY. 43 00:01:56,551 --> 00:01:59,075 AND HOW FAR IS VARNVILLE FROM THE MAIN HIGHWAY? 44 00:02:00,468 --> 00:02:01,686 NOT FAR, LIKE 10 MILES. 45 00:02:01,730 --> 00:02:03,862 OK. WELL, MAYBE HE CAN SWING BY ON HIS WAY OUT, 46 00:02:03,906 --> 00:02:05,560 TAKE A LOOK, ADVISE LOCAL LAW ENFORCEMENT 47 00:02:05,603 --> 00:02:08,128 ON HOW TO PROCEED. 48 00:02:09,477 --> 00:02:11,043 NO PROBLEM, EMILY. 49 00:02:11,087 --> 00:02:13,611 I WAS JUST GETTING READY TO CHECK OUT. 50 00:02:13,655 --> 00:02:15,265 DAVID, BEFORE YOU DROP ME-- 51 00:02:15,309 --> 00:02:17,006 SHH, SHH, SHH. 52 00:02:17,049 --> 00:02:20,401 UH, YEAH, HAVE GARCIA SEND ME THE CONTACT INFORMATION 53 00:02:20,444 --> 00:02:22,054 AND I'LL COORDINATE FROM THE ROAD. 54 00:02:22,098 --> 00:02:23,578 I'LL CHECK IN WHEN I GET THERE. 55 00:02:23,621 --> 00:02:25,145 OK. 56 00:02:28,365 --> 00:02:30,498 DID YOU JUST SHUSH ME? 57 00:02:32,152 --> 00:02:34,154 I'M SORRY. THAT WAS EMILY. 58 00:02:34,197 --> 00:02:36,373 OH. YEAH, YOU DON'T WANT YOUR BOSS TO KNOW 59 00:02:36,417 --> 00:02:38,070 YOU HAVE A WOMAN IN A HOTEL ROOM. 60 00:02:38,114 --> 00:02:41,596 WHAT I DON'T WANT IS THE WHOLE TEAM WEIGHING IN JUST YET. 61 00:02:41,639 --> 00:02:44,207 THEY TEND TO HAVE A PROPRIETARY INTEREST 62 00:02:44,251 --> 00:02:45,469 [CELL PHONE RINGS]IN MY LOVE LIFE. 63 00:02:45,513 --> 00:02:46,731 [RING]MM-HMM. OH. 64 00:02:46,775 --> 00:02:49,821 [RING]SHH. 65 00:02:49,865 --> 00:02:51,562 PORTIA. 66 00:02:52,650 --> 00:02:55,697 UH, YEAH, I'M LEAVING FOR THE AIRPORT NOW. 67 00:02:55,740 --> 00:02:57,742 SAVANNAH IS LOVELY. 68 00:02:57,786 --> 00:03:02,704 LOT OF WORK, BUT I MANAGED TO SQUEEZE IN A LITTLE BIT OF FUN. 69 00:03:02,747 --> 00:03:04,009 [LAUGHS] YES. 70 00:03:04,053 --> 00:03:06,490 I'LL CALL YOU WHEN I LAND AT JFK. 71 00:03:06,534 --> 00:03:07,578 BYE. 72 00:03:07,622 --> 00:03:09,058 [ZIPS SUITCASE] 73 00:03:09,101 --> 00:03:11,191 SO YOU DON'T WANT YOUR DAUGHTER TO KNOW 74 00:03:11,234 --> 00:03:13,236 YOU HAVE A MAN IN YOUR HOTEL ROOM. 75 00:03:13,280 --> 00:03:17,371 DAVID ROSSI IS A TOUCHY SUBJECT RIGHT NOW. 76 00:03:17,414 --> 00:03:18,676 WHY? 77 00:03:18,720 --> 00:03:20,548 WELL, THE LAST TIME THE 3 OF US WERE TOGETHER, 78 00:03:20,591 --> 00:03:24,465 YOU LOBBED A GRENADE INTO HER WEDDING PLANS. 79 00:03:24,508 --> 00:03:26,945 SHE WAS ABOUT TO MARRY AN ABUSIVE CON MAN. 80 00:03:26,989 --> 00:03:29,513 OK, A GRENADE THAT NEEDED TO BE LOBBED. 81 00:03:29,557 --> 00:03:31,733 I KNOW THAT AND SHE KNOWS THAT. 82 00:03:31,776 --> 00:03:36,694 BUT THE WOUNDS ARE A LITTLE FRESH RIGHT NOW, THAT'S ALL. 83 00:03:36,738 --> 00:03:40,524 WHICH MEANS SHE DOESN'T APPRECIATE YOU SLEEPING WITH THE ENEMY. 84 00:03:40,568 --> 00:03:42,265 STOP IT. 85 00:03:42,309 --> 00:03:44,354 SHE DOESN'T THINK THAT YOU'RE THE ENEMY. 86 00:03:44,398 --> 00:03:45,703 MMM. 87 00:03:47,618 --> 00:03:50,099 SHE JUST MET A NEW GUY, 88 00:03:50,142 --> 00:03:52,188 THE FIRST ONE THAT SHE'S BEEN INTERESTED IN 89 00:03:52,232 --> 00:03:53,711 SINCE THE BREAKUP. 90 00:03:53,755 --> 00:03:54,843 THAT'S GREAT. 91 00:03:54,886 --> 00:03:57,759 SO MAYBE JUST FOR A LITTLE BIT, 92 00:03:57,802 --> 00:04:00,022 WE KEEP THIS ON THE DOWNLOW. 93 00:04:04,461 --> 00:04:06,420 [INDISTINCT CHATTER] 94 00:04:09,249 --> 00:04:11,555 I APPRECIATE THE HELP, AGENT ROSSI. 95 00:04:11,599 --> 00:04:14,558 NOBODY'S TOUCHED A THING, LIKE YOU ASKED. 96 00:04:14,602 --> 00:04:17,039 IS THE CORONER EN ROUTE FROM CHARLESTON YET? 97 00:04:17,082 --> 00:04:18,736 THEY SHOULD BE HERE ANY MINUTE. 98 00:04:18,780 --> 00:04:20,738 THE CADAVER DOG JUST ARRIVED. 99 00:04:20,782 --> 00:04:21,783 MAN: GET TO WORK. LET'S GO. 100 00:04:21,826 --> 00:04:23,872 WHO WERE THE PREVIOUS OWNERS? 101 00:04:23,915 --> 00:04:25,917 THAT'D BE KARL AND DOROTHY ELGIN. 102 00:04:25,961 --> 00:04:27,354 HERMITS. 103 00:04:27,397 --> 00:04:29,138 BUILT THE PLACE BACK IN THE SIXTIES 104 00:04:29,181 --> 00:04:31,706 AND JUST HOLED UP. 105 00:04:31,749 --> 00:04:32,750 THEY STILL AROUND? 106 00:04:32,794 --> 00:04:34,186 OH, KARL DIED A COUPLE OF YEARS AGO, 107 00:04:34,230 --> 00:04:36,537 AND DOROTHY'S BEEN PUT IN A NURSING HOME. 108 00:04:36,580 --> 00:04:39,714 FROM WHAT I HEAR, SHE'S PRETTY MUCH LOST HER MARBLES. 109 00:04:39,757 --> 00:04:41,324 [DOG BARKING] 110 00:04:41,368 --> 00:04:43,413 CAN'T IMAGINE WHO THE BODY COULD BE. 111 00:04:43,457 --> 00:04:45,546 I MEAN, NOBODY'S BEEN REPORTED MISSING 112 00:04:45,589 --> 00:04:48,679 AROUND THESE PARTS THAT I CAN REMEMBER. 113 00:04:48,723 --> 00:04:49,985 [DOG BARKING] 114 00:04:50,028 --> 00:04:52,727 [WHIMPERING] 115 00:04:52,770 --> 00:04:55,773 DOG LOOKS LIKE IT'S CONFUSED. 116 00:04:55,817 --> 00:04:59,777 THE DOG'S NOT CONFUSED, IT'S OVERWHELMED. 117 00:04:59,821 --> 00:05:01,953 [BARKING] 118 00:05:04,913 --> 00:05:07,568 [WHIMPERING] 119 00:05:14,270 --> 00:05:16,316 [BARKING] 120 00:05:52,700 --> 00:05:54,702 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC, AND CBS, INC. 121 00:06:01,839 --> 00:06:03,188 ROSSI: "MEMORY IS A CRAZY WOMAN 122 00:06:03,232 --> 00:06:06,583 THAT HOARDS COLORED RAGS AND THROWS AWAY FOOD." 123 00:06:06,627 --> 00:06:08,542 AUSTIN O'MALLEY. 124 00:06:08,585 --> 00:06:10,413 JJ: SO AS FAR AS ANYONE KNOWS, 125 00:06:10,457 --> 00:06:13,242 KARL AND DOROTHY ELGIN LIVED TOTALLY ISOLATED. 126 00:06:13,285 --> 00:06:15,157 NO KIDS, NO FAMILY, NO FRIENDS. 127 00:06:15,200 --> 00:06:17,289 50 YEARS. I MEAN, THEY HAD TO HAVE 128 00:06:17,333 --> 00:06:18,987 SOME INTERACTION WITH OTHER PEOPLE. 129 00:06:19,030 --> 00:06:22,294 5 BODIES AND COUNTING, ALL YOUNG FEMALES. 130 00:06:22,338 --> 00:06:24,384 CORONER SAYS THE VICTIMS HAVE BEEN THERE FOR A WHILE. 131 00:06:24,427 --> 00:06:27,169 ARE WE LOOKING AT A HUSBAND AND WIFE KILLING TEAM HERE? 132 00:06:27,212 --> 00:06:28,910 IT'S RARE, BUT IT DOES HAPPEN. 133 00:06:28,953 --> 00:06:31,391 IN ENGLAND, ROSEMARY WEST ASSISTED HER HUSBAND FRED 134 00:06:31,434 --> 00:06:32,696 IN THE MURDER OF 12 INDIVIDUALS 135 00:06:32,740 --> 00:06:34,481 OVER A 20-YEAR SPAN WITHOUT DETECTION. 136 00:06:34,524 --> 00:06:37,440 DOROTHY ELGIN COULD BE A HOMEGROWN VERSION OF THAT-- 137 00:06:37,484 --> 00:06:40,400 FEMALE ACCOMMODATING THE PSYCHOPATHIC URGES OF THE MAN. 138 00:06:40,443 --> 00:06:42,924 OK, BUT WHY MUMMIFY? 139 00:06:42,967 --> 00:06:45,100 FORENSIC COUNTERMEASURE, MAYBE? 140 00:06:45,143 --> 00:06:47,232 HMM. THROWING THE BODIES IN A SWAMP WOULD HAVE BEEN 141 00:06:47,276 --> 00:06:48,712 A BETTER FORENSIC COUNTERMEASURE. 142 00:06:48,756 --> 00:06:50,279 LUKE'S RIGHT. IT WAS A DELIBERATE CHOICE 143 00:06:50,322 --> 00:06:51,715 TO PRESERVE THOSE CORPSES, 144 00:06:51,759 --> 00:06:53,021 KEEP THE VICTIMS CLOSE TO HOME. 145 00:06:53,064 --> 00:06:54,239 YOU KNOW, MAYBE THE KILLER THOUGHT 146 00:06:54,283 --> 00:06:56,111 HE WAS SENDING THE BODIES INTO THE FUTURE. 147 00:06:56,154 --> 00:06:58,243 ANCIENT EGYPTIANS BELIEVED THE SOULS OF THE DECEASED 148 00:06:58,287 --> 00:06:59,549 WOULD RETURN FROM THE AFTERLIFE 149 00:06:59,593 --> 00:07:01,203 TO RE-INHABIT THEIR ORIGINAL BODIES, 150 00:07:01,246 --> 00:07:04,206 SO THE HUMAN FORM WAS KEPT IN TACT AND RECOGNIZABLE. 151 00:07:04,249 --> 00:07:06,426 THERE'S ALSO A LITERAL COVERING UP OF THE CRIME HERE, 152 00:07:06,469 --> 00:07:08,297 AND THAT SAYS REMORSE. 153 00:07:08,340 --> 00:07:10,342 MATT, JJ, GO TO THE LOCAL SHERIFF'S DEPARTMENT, 154 00:07:10,386 --> 00:07:12,301 HELP THEM PREPARE FOR THE MEDIA FRENZY 155 00:07:12,344 --> 00:07:13,694 THAT'S COMING DOWN THE PIKE. 156 00:07:13,737 --> 00:07:15,696 LUKE, YOU AND I WILL MEET ROSSI AT THE CRIME SCENE. 157 00:07:15,739 --> 00:07:17,611 REID, TARA, GO TO THE NURSING HOME, 158 00:07:17,654 --> 00:07:19,308 SEE IF YOU CAN TALK TO DOROTHY ELGIN. 159 00:07:19,351 --> 00:07:21,789 IF ANYONE KNOWS THE SECRETS OF THAT HOUSE, IT'S HER. 160 00:07:25,227 --> 00:07:27,142 WOMAN: MRS. ELGIN WAS COMMITTED HERE 3 MONTHS AGO. 161 00:07:27,185 --> 00:07:28,796 SHE WAS FOUND WANDERING ON THE OUTSKIRTS OF TOWN 162 00:07:28,839 --> 00:07:29,927 IN THE MIDDLE OF THE NIGHT. 163 00:07:29,971 --> 00:07:31,233 AND THE DIAGNOSIS WAS DEMENTIA? 164 00:07:31,276 --> 00:07:32,408 THAT'S RIGHT. 165 00:07:32,452 --> 00:07:33,670 HONESTLY, I DON'T KNOW HOW MUCH LUCK 166 00:07:33,714 --> 00:07:34,671 Y'ALL ARE GONNA HAVE TALKING TO HER. 167 00:07:34,715 --> 00:07:36,325 MRS. ELGIN DRIFTS IN AND OUT. 168 00:07:36,368 --> 00:07:38,414 DID SHE BRING ANY PERSONAL POSSESSIONS WITH HER? 169 00:07:38,458 --> 00:07:39,850 SHE HAD A BAG WITH SOME SMALL ITEMS 170 00:07:39,894 --> 00:07:41,417 WHEN THE POLICE FOUND HER. 171 00:07:41,461 --> 00:07:42,505 I BELIEVE THEY'RE STILL IN HER ROOM 172 00:07:42,549 --> 00:07:44,899 IF YOU WANT TO TAKE A LOOK. 173 00:07:44,942 --> 00:07:46,248 WHAT ABOUT VISITORS? 174 00:07:46,291 --> 00:07:48,555 NOT A ONE. IT'S SAD, REALLY. 175 00:07:48,598 --> 00:07:52,428 MRS. ELGIN, THERE'S SOME PEOPLE HERE TO SEE YOU. 176 00:07:58,086 --> 00:08:00,741 DOROTHY, HI. I'M TARA. 177 00:08:00,784 --> 00:08:02,960 THIS IS MY FRIEND REID. 178 00:08:03,004 --> 00:08:05,441 WE WERE HOPING TO MAYBE TALK TO YOU 179 00:08:05,485 --> 00:08:07,095 ABOUT YOUR OLD HOUSE. 180 00:08:07,138 --> 00:08:10,838 WE THINK SOMETHING BAD HAPPENED THERE. 181 00:08:10,881 --> 00:08:12,404 MAYBE WITH YOUR HELP, 182 00:08:12,448 --> 00:08:14,885 WE COULD FIX IT. 183 00:08:30,858 --> 00:08:32,512 ROSSI: GOOD. YOU FOUND IT OK. 184 00:08:32,555 --> 00:08:33,991 HOW MANY VICTIMS ARE WE UP TO? 185 00:08:34,035 --> 00:08:37,342 7, IN THE WALLS AND UNDER THE FLOOR. 186 00:08:37,386 --> 00:08:39,388 THEY FOUND THIS BOX FILLED WITH KNICKKNACKS 187 00:08:39,431 --> 00:08:40,650 NEXT TO ONE OF THE BODIES. 188 00:08:40,694 --> 00:08:42,478 SOUVENIRS OF THEIR VICTIMS. 189 00:08:42,522 --> 00:08:43,740 WE SHOULD GET DESCRIPTIONS OF THESE ITEMS 190 00:08:43,784 --> 00:08:45,525 OUT TO THE PUBLIC. 191 00:08:45,568 --> 00:08:47,091 IT MIGHT JOG SOMEONE'S MEMORY. 192 00:08:47,135 --> 00:08:51,052 DR. CALDWELL, THIS IS SSA PRENTISS AND SSA ALVEZ. 193 00:08:51,095 --> 00:08:53,489 DR. CALDWELL'S WITH THE CHARLESTON CORONER'S OFFICE. 194 00:08:53,533 --> 00:08:54,534 SHE CAME UP TO HELP US OUT. 195 00:08:54,577 --> 00:08:56,187 YEAH, LOCAL M.E.'s NOT EQUIPPED 196 00:08:56,231 --> 00:08:57,667 TO HANDLE SOMETHING LIKE THIS, 197 00:08:57,711 --> 00:09:00,191 SO I'M HAVING THE REMAINS TAKEN BACK TO OUR FACILITIES. 198 00:09:00,235 --> 00:09:01,845 DO WE KNOW HOW LONG THE BODIES HAVE BEEN HERE? 199 00:09:01,889 --> 00:09:04,718 BALLPARK, 20 YEARS. SOME LONGER, SOME SHORTER. 200 00:09:04,761 --> 00:09:06,807 THIS ALL SEEMS FAIRLY SOPHISTICATED. 201 00:09:06,850 --> 00:09:08,025 IT IS. 202 00:09:08,069 --> 00:09:09,374 THE INTERNAL ORGANS WEREN'T REMOVED 203 00:09:09,418 --> 00:09:11,115 AS WITH A TRUE MUMMIFICATION, 204 00:09:11,159 --> 00:09:13,204 BUT THE BODIES WERE TREATED BEFORE BEING WRAPPED 205 00:09:13,248 --> 00:09:14,554 AND THEN SALTED. 206 00:09:14,597 --> 00:09:15,772 THAT'S WHY THERE'S NO DISCERNIBLE ODOR. 207 00:09:15,816 --> 00:09:17,905 THOSE LOOK LIKE THE TEETH OF A METH ADDICT. 208 00:09:17,948 --> 00:09:20,690 THESE WOMEN PROBABLY ALL LIVED HIGH-RISK LIFESTYLES-- 209 00:09:20,734 --> 00:09:22,779 DRUG ADDICTS, PROSTITUTES, RUNAWAYS. 210 00:09:22,823 --> 00:09:24,651 EXPLAINS WHY THEY MIGHT VANISH FOR DECADES 211 00:09:24,694 --> 00:09:26,261 AND NOBODY KNOWS OR CARES. 212 00:09:26,304 --> 00:09:27,567 SOMEBODY CARED. 213 00:09:27,610 --> 00:09:29,351 THE VICTIMS' CLOTHES WERE MENDED, 214 00:09:29,394 --> 00:09:31,483 CAREFULLY SEWN, AND KEPT IN GOOD REPAIR. 215 00:09:31,527 --> 00:09:33,355 MAN: DR. CALDWELL, 216 00:09:33,398 --> 00:09:35,400 YOU BETTER COME LOOK AT THIS. 217 00:09:42,494 --> 00:09:44,192 THESE VICTIMS DON'T LOOK AS OLD. 218 00:09:44,235 --> 00:09:45,367 CALDWELL: THEY AREN'T. 219 00:09:45,410 --> 00:09:47,804 THEY'VE BEEN DEAD LESS THAN A YEAR. 220 00:09:47,848 --> 00:09:49,806 MEANING AFTER KARL DIED 221 00:09:49,850 --> 00:09:51,503 AND DOROTHY BECAME AN INVALID. 222 00:09:51,547 --> 00:09:53,244 THIS COLD CASE JUST GOT HOT. 223 00:09:53,288 --> 00:09:54,811 WE'VE GOT AN ACTIVE UNSUB. 224 00:10:03,472 --> 00:10:04,952 FIND ANYTHING IN HER ROOM? 225 00:10:04,995 --> 00:10:06,301 JUST THE ITEMS SHE HAD WITH HER WHEN SHE WAS PICKED UP-- 226 00:10:06,344 --> 00:10:07,607 [PHONE BEEPS] A HAND MIRROR, A DECK OF CARDS, 227 00:10:07,650 --> 00:10:08,999 AND A HAIRBRUSH. 228 00:10:09,043 --> 00:10:10,784 PRENTISS. 229 00:10:17,617 --> 00:10:20,663 DOROTHY, I WAS HOPING MAYBE WE COULD TALK 230 00:10:20,707 --> 00:10:23,448 ABOUT SOMETHING ELSE, OK? 231 00:10:23,492 --> 00:10:25,668 WHAT HAPPENED AFTER YOUR HUSBAND PASSED? 232 00:10:25,712 --> 00:10:27,844 DID ANYONE NEW EVER COME OUT-- 233 00:10:27,888 --> 00:10:28,802 IT WON'T WORK. 234 00:10:28,845 --> 00:10:30,064 EXCUSE ME? 235 00:10:30,107 --> 00:10:31,979 IT WON'T WORK. IT'S NOT THE SAME. 236 00:10:32,022 --> 00:10:33,458 WHAT IS NOT THE SAME? 237 00:10:33,502 --> 00:10:34,416 IT'S NOT THE SAME! 238 00:10:34,459 --> 00:10:36,592 OK, DOROTHY, IT'S ALL RIGHT. 239 00:10:36,636 --> 00:10:38,463 WE BELIEVE YOU. 240 00:10:46,776 --> 00:10:49,039 [CAR BEEPS] 241 00:10:57,482 --> 00:11:00,398 [WOMAN SCREAMS] 242 00:11:10,104 --> 00:11:12,497 ARE THE BODIES RECOGNIZABLE? 243 00:11:12,541 --> 00:11:14,021 MS. UNDERWOOD-- 244 00:11:14,064 --> 00:11:15,675 BECAUSE ON THE NEWS THEY SAID THEY WERE PRESERVED. 245 00:11:15,718 --> 00:11:17,415 IT'S BEST TO WAIT UNTIL DNA CAN-- 246 00:11:17,459 --> 00:11:18,634 I'M NOT AFRAID TO LOOK. 247 00:11:18,678 --> 00:11:20,767 I DON'T CARE HOW AWFUL IT IS. 248 00:11:20,810 --> 00:11:23,378 DARIA WAS MY ONLY SISTER. 249 00:11:23,421 --> 00:11:27,599 THE DAY SHE RAN AWAY I WAS IN SCHOOL, 250 00:11:27,643 --> 00:11:30,341 SEVENTH GRADE. 251 00:11:30,385 --> 00:11:33,649 I DIDN'T EVEN GET A CHANCE TO SAY GOOD-BYE. 252 00:11:33,693 --> 00:11:35,651 [SOBBING] 253 00:11:35,695 --> 00:11:38,523 I KNOW WHAT YOU'RE FEELING. 254 00:11:38,567 --> 00:11:40,482 BELIEVE ME, I DO. 255 00:11:40,525 --> 00:11:42,658 LOOK, I HAVE YOUR CONTACT INFORMATION. 256 00:11:42,702 --> 00:11:46,706 IF WE GET ANY NEWS, I'LL BE IN TOUCH, OK? 257 00:11:46,749 --> 00:11:48,490 THIS WAY, MA'AM.THANK YOU. 258 00:11:50,579 --> 00:11:52,929 [SIGHS] TOUGH SITUATION. 259 00:11:52,973 --> 00:11:55,453 HOPEFULLY WE'LL GET SOME ANSWERS SOON. 260 00:11:55,497 --> 00:11:57,717 WELL, WE'VE IDENTIFIED THE TWO LATEST VICTIMS-- 261 00:11:57,760 --> 00:12:00,371 JUNE BERKHOLT AND AMY SANDERS, 262 00:12:00,415 --> 00:12:02,025 BOTH IN THEIR FORTIES. 263 00:12:02,069 --> 00:12:04,724 ABDUCTED IN BROAD DAYLIGHT WHILE DOING ERRANDS. 264 00:12:04,767 --> 00:12:07,378 ANYWAY, PRENTISS WANTS US TO DRIVE TO CHARLESTON 265 00:12:07,422 --> 00:12:09,032 TO SEE WHAT ELSE THE M.E. HAS. 266 00:12:29,096 --> 00:12:31,185 HELP ME! 267 00:12:32,926 --> 00:12:34,666 HELP ME! 268 00:12:34,710 --> 00:12:36,146 PLEASE! 269 00:12:36,190 --> 00:12:38,105 [CLANGING] 270 00:12:38,148 --> 00:12:40,585 [WHIMPERING] 271 00:12:40,629 --> 00:12:42,805 [KEYS JINGLE, DOOR UNLOCKS] 272 00:12:45,634 --> 00:12:47,941 [DOOR CREAKS] 273 00:12:52,859 --> 00:12:55,252 [GROANS] JUST ANOTHER DAY AT THE OFFICE. 274 00:12:55,296 --> 00:12:59,082 MAMA ALWAYS SAID I SHOULD HAVE STUDIED ACCOUNTING. 275 00:12:59,126 --> 00:13:01,693 IT'S PROBABLY EASIEST IF WE LOOKED AT THESE 276 00:13:01,737 --> 00:13:03,347 AS TWO SEPARATE, DISTINCT CRIMES-- 277 00:13:03,391 --> 00:13:04,914 THE PAST AND THE PRESENT. 278 00:13:04,958 --> 00:13:06,829 SIMPLICITY'S GOOD. FIRE AWAY. 279 00:13:06,873 --> 00:13:09,397 LET'S START WITH THE 7 VICTIMS FROM THE PAST. 280 00:13:09,440 --> 00:13:10,702 ALL WERE FEMALE CAUCASIANS 281 00:13:10,746 --> 00:13:12,792 IN THEIR LATE TEENS TO MID-TWENTIES, 282 00:13:12,835 --> 00:13:16,404 BRUNETTES, SMALL BONED, AROUND 5'6," 5'7". 283 00:13:16,447 --> 00:13:18,580 THEY WERE KILLED OVER A PERIOD OF TWO DECADES, 284 00:13:18,623 --> 00:13:20,756 ROUGHLY 1988 TO 2008. 285 00:13:20,800 --> 00:13:22,323 SEXUALLY ASSAULTED? 286 00:13:22,366 --> 00:13:25,587 NO. NO SIGNS OF RAPE, TORTURE, OR PROLONGED CONFINEMENT. 287 00:13:25,630 --> 00:13:26,936 JJ: WHAT ABOUT C.O.D.? 288 00:13:26,980 --> 00:13:28,546 POISON. 289 00:13:28,590 --> 00:13:29,852 THAT SKEWS FEMALE. 290 00:13:29,896 --> 00:13:32,246 PUTS DOROTHY SOLIDLY IN THE PICTURE. 291 00:13:32,289 --> 00:13:33,943 NOW FOR THE PRESENT. 292 00:13:33,987 --> 00:13:35,684 TWO LATEST VICTIMS RANGED IN AGE 293 00:13:35,727 --> 00:13:38,948 FROM 42 TO 46 AND HAD A ROUGHER TIME OF IT. 294 00:13:38,992 --> 00:13:41,733 THEY BOTH SUFFERED BLUNT FORCE TRAUMA TO THE HEAD. 295 00:13:41,777 --> 00:13:43,735 WE'RE DEFINITELY DEALING WITH TWO DIFFERENT KILLERS HERE. 296 00:13:43,779 --> 00:13:46,129 AN OFFENDER'S SIGNATURE WOULDN'T DEVIATE THAT DRAMATICALLY. 297 00:13:46,173 --> 00:13:48,610 YEAH, THERE IS A LOT MORE ANGER 298 00:13:48,653 --> 00:13:49,829 IN OUR ACTIVE UNSUB. 299 00:13:49,872 --> 00:13:52,005 AND SADISM. 300 00:13:52,048 --> 00:13:54,181 I FOUND INSULATION RESIDUE IN THE VICTIM'S LUNGS. 301 00:13:54,224 --> 00:13:58,576 SO THE WOMEN WERE ENTOMBED WHILE THEY WERE STILL ALIVE. 302 00:14:01,449 --> 00:14:05,018 OUR UNSUB HAS TO BE SOMEONE CLOSE TO THE ELGINS. 303 00:14:05,061 --> 00:14:06,846 HE WAS FAMILIAR WITH THE EARLIER KILLINGS 304 00:14:06,889 --> 00:14:08,456 AND TRIED TO EMULATE THEM. 305 00:14:08,499 --> 00:14:10,240 ALVEZ: A FRIEND, MAYBE, 306 00:14:10,284 --> 00:14:11,894 OR A FAMILY MEMBER WE DON'T KNOW ABOUT. 307 00:14:11,938 --> 00:14:13,243 OK, LET'S TAKE A STEP BACK 308 00:14:13,287 --> 00:14:14,723 AND REVIEW WHAT WE'VE GOT SO FAR. 309 00:14:14,766 --> 00:14:17,639 KARL ELGIN BEGAN KILLING YOUNG RUNAWAY TYPES 310 00:14:17,682 --> 00:14:19,293 STARTING BACK IN THE EIGHTIES. 311 00:14:19,336 --> 00:14:21,512 BROUGHT THEM BACK TO THE HOUSE USING SOME SORT OF RUSE, 312 00:14:21,556 --> 00:14:23,384 A HOT MEAL, ROOF OVER THEIR HEAD. 313 00:14:23,427 --> 00:14:26,213 SO MANY VICTIMS OVER SUCH A LONG TIME SPAN, 314 00:14:26,256 --> 00:14:27,736 DOROTHY HAD TO BE COMPLICIT. 315 00:14:27,779 --> 00:14:28,824 MORE THAN THAT, MAYBE. 316 00:14:28,868 --> 00:14:30,391 SHE COULD HAVE BEEN CALLING THE SHOTS, 317 00:14:30,434 --> 00:14:33,002 REINING IN THE MORE VIOLENT TENDENCIES OF HER HUSBAND. 318 00:14:33,046 --> 00:14:35,396 NOW FAST FORWARD TO PRESENT DAY, 319 00:14:35,439 --> 00:14:37,833 AND YEARS AFTER KARL'S LAST VICTIM, 320 00:14:37,877 --> 00:14:40,357 TWO MORE WOMEN ARE KILLED IN THE SPAN OF 12 MONTHS. 321 00:14:40,401 --> 00:14:43,360 MURDERS THAT COINCIDENTALLY STARTED SHORTLY AFTER KARL DIED. 322 00:14:43,404 --> 00:14:45,754 GARCIA. DIGAME. 323 00:14:45,797 --> 00:14:47,930 HAVE YOU FOUND ANY CONNECTION BETWEEN THE TWO WOMEN WE JUST ID'd? 324 00:14:47,974 --> 00:14:51,673 NO, I HAVE NOT. BOTH WERE MARRIED AND HAD CHILDREN, 325 00:14:51,716 --> 00:14:53,849 PARTICIPATED IN THEIR COMMUNITIES. 326 00:14:53,893 --> 00:14:55,285 THEY BOTH SEEM LIKE MODEL CITIZENS. 327 00:14:55,329 --> 00:14:57,766 TWO WOMEN LIKE THAT GO MISSING IN LESS THAN A YEAR 328 00:14:57,809 --> 00:15:00,029 AND NOBODY DOWN HERE CONNECTS THE DOTS? 329 00:15:05,774 --> 00:15:07,123 LEWIS: YOU'RE PRETTY GREAT AT THAT. 330 00:15:07,167 --> 00:15:08,995 MY AUNT LOVED TO SEW. 331 00:15:09,038 --> 00:15:10,822 I WAS A TOMBOY, 332 00:15:10,866 --> 00:15:12,563 ALWAYS TEARING MY JEANS, 333 00:15:12,607 --> 00:15:14,435 AND SHE WOULD MEND THEM, 334 00:15:14,478 --> 00:15:17,177 MAKE THEM GOOD AS NEW. 335 00:15:17,220 --> 00:15:19,353 NOW, DOROTHY, YOU CAN BE TRUTHFUL WITH US 336 00:15:19,396 --> 00:15:20,832 ABOUT KARL AND THE GIRLS. 337 00:15:20,876 --> 00:15:22,095 WE KNOW YOU CARED ABOUT THEM. 338 00:15:22,138 --> 00:15:23,661 THAT'S WHY YOU FIXED THEIR CLOTHING. 339 00:15:25,533 --> 00:15:27,796 I'M SORRY, BUT IT'S TIME FOR MRS. ELGIN'S MEDICINE. 340 00:15:27,839 --> 00:15:29,798 DOROTHY, YOU SAID SOMETHING EARLIER. 341 00:15:29,841 --> 00:15:32,844 "IT WON'T WORK. IT'S NOT THE SAME." WHAT DID THAT MEAN? 342 00:15:34,498 --> 00:15:35,978 DID I SAY THAT? 343 00:15:36,022 --> 00:15:37,980 YOU DON'T REMEMBER? 344 00:15:38,024 --> 00:15:39,895 NO. 345 00:15:41,592 --> 00:15:42,898 I'LL BRING HER BACK IN A FEW MINUTES 346 00:15:42,942 --> 00:15:44,552 IF YOU'D LIKE TO WAIT. 347 00:15:51,298 --> 00:15:53,648 SOMETHING'S GOING ON WITH HER. 348 00:15:55,824 --> 00:15:56,999 [WOMAN SCREAMS] 349 00:15:57,043 --> 00:15:59,436 NURSE: NO! NO! 350 00:15:59,480 --> 00:16:00,655 CALL 9-1-1. 351 00:16:00,698 --> 00:16:02,831 MAN: SOMEBODY HELP. HELP HER. 352 00:16:11,274 --> 00:16:13,276 ALL RIGHT, YEAH. THANKS. 353 00:16:13,320 --> 00:16:14,408 [SIGHS] 354 00:16:14,451 --> 00:16:16,018 DOROTHY DIED ON THE WAY TO THE HOSPITAL. 355 00:16:16,062 --> 00:16:17,498 WHATEVER SHE KNEW DIED WITH HER. 356 00:16:17,541 --> 00:16:18,847 I CAN'T BELIEVE SHE DID THAT. 357 00:16:18,890 --> 00:16:22,242 WELL, MAYBE THE GUILT GOT TO BE TOO MUCH FOR HER. 358 00:16:22,285 --> 00:16:24,331 IS THAT EVERYTHING? THERE'S NOTHING ELSE? 359 00:16:24,374 --> 00:16:26,376 THOSE ARE THE ONLY ITEMS SHE BROUGHT FROM HER HOUSE. 360 00:16:26,420 --> 00:16:28,988 ALL RIGHT, DOROTHY WAS PICKED UP BY THE POLICE 361 00:16:29,031 --> 00:16:30,032 IN THE MIDDLE OF THE NIGHT. 362 00:16:30,076 --> 00:16:31,729 SHE WAS BROUGHT HERE, WENT TO BED, 363 00:16:31,773 --> 00:16:33,514 BUT SHE WASN'T PROCESSED UNTIL THE NEXT MORNING. 364 00:16:33,557 --> 00:16:37,518 SO SHE HAD A SMALL WINDOW OF UNSUPERVISED TIME. 365 00:16:37,561 --> 00:16:39,650 WHAT'S THE ONE THING WE KNOW FOR SURE ABOUT THE ELGINS? 366 00:16:39,694 --> 00:16:40,738 THEY LIKE TO HIDE THINGS. 367 00:16:40,782 --> 00:16:42,218 YEAH. 368 00:16:42,262 --> 00:16:46,657 JEWELRY, KEYCHAINS, BODIES, YOU KNOW, 369 00:16:46,701 --> 00:16:48,616 THE IMPORTANT STUFF. 370 00:17:19,995 --> 00:17:21,997 OLD HABITS DIE HARD. 371 00:17:35,663 --> 00:17:37,621 WHAT ARE YOU DOING? 372 00:17:40,015 --> 00:17:43,366 WE COULD TALK. IT'D BE NICE. 373 00:17:43,410 --> 00:17:45,368 I... 374 00:17:45,412 --> 00:17:47,457 JUST TELL ME WHAT YOU'RE WRITING THERE. 375 00:17:47,501 --> 00:17:49,111 [GRUNTS] 376 00:17:52,593 --> 00:17:54,421 YOU'RE SCARING ME. 377 00:17:54,464 --> 00:17:56,510 [EXHALES] 378 00:18:01,906 --> 00:18:03,647 [GRUNTS] 379 00:18:18,401 --> 00:18:20,751 THE VICTIMS PROBABLY WROTE THESE. 380 00:18:20,795 --> 00:18:23,014 WE'RE HAVING FORENSICS EXPEDITE THE PROCESSING OF THE ENVELOPES. 381 00:18:23,058 --> 00:18:24,581 PRENTISS: AT LEAST NOW WE HAVE NAMES AND ADDRESSES. 382 00:18:24,625 --> 00:18:27,715 LET'S SEE IF GARCIA CAN TRACK DOWN THE INTENDED RECIPIENTS. 383 00:18:27,758 --> 00:18:30,457 WHY WRITE LETTERS THAT NEVER EVEN GOT MAILED? 384 00:18:30,500 --> 00:18:32,023 IT COULD HAVE BEEN A WAY FOR KARL AND DOROTHY 385 00:18:32,067 --> 00:18:33,895 TO PSYCHOLOGICALLY CONTROL THEIR VICTIMS, 386 00:18:33,938 --> 00:18:35,549 ALLOW THEM TO WRITE LETTERS TO LOVED ONES, 387 00:18:35,592 --> 00:18:38,465 GIVE THEM A SENSE OF BEING IN A SAFE AND NURTURING ENVIRONMENT. 388 00:18:38,508 --> 00:18:40,597 WHICH MAKES THE BEHAVIORAL PROFILE 389 00:18:40,641 --> 00:18:42,817 LESS SOCIOPATHIC, ODDLY ENOUGH. 390 00:18:42,860 --> 00:18:44,166 HOW COME? 391 00:18:44,210 --> 00:18:45,820 TO USE PARENTAL LOVE AS A MANIPULATING DEVICE 392 00:18:45,863 --> 00:18:47,735 MEANS THEY HAVE AN UNDERSTANDING OF THE IMPORTANCE OF FAMILY. 393 00:18:47,778 --> 00:18:49,215 MOST SOCIOPATHS DON'T. 394 00:18:49,258 --> 00:18:51,217 BY DEFINITION, THEY LACK THE SENSE 395 00:18:51,260 --> 00:18:53,349 OF HUMAN CONNECTEDNESS THE REST OF US FEEL. 396 00:18:53,393 --> 00:18:55,873 THE ELGINS MUST HAVE EXPERIENCED IT FIRST HAND. 397 00:18:55,917 --> 00:18:57,701 SHERIFF: I DON'T SEE HOW THEY COULD. 398 00:18:57,745 --> 00:18:59,660 KARL AND DOROTHY DIDN'T HAVE ANY KIDS. 399 00:18:59,703 --> 00:19:01,270 WAS THAT EVER VERIFIED? 400 00:19:01,314 --> 00:19:02,619 WELL, I'D DRIVE OUT THERE NOW AND THEN 401 00:19:02,663 --> 00:19:04,317 JUST TO CHECK IN ON THEM, 402 00:19:04,360 --> 00:19:06,493 AND I NEVER SAW ANOTHER SOUL BESIDES KARL AND DOROTHY. 403 00:19:06,536 --> 00:19:09,191 SHERIFF, HAVE YOU EVER HEARD THE SAYING, 404 00:19:09,235 --> 00:19:13,369 DOES A TREE FALLING IN AN EMPTY FOREST MAKE A SOUND? 405 00:19:14,849 --> 00:19:18,679 IT'S A METAPHYSICAL RIDDLE ABOUT UNPERCEIVED EXISTENCE. 406 00:19:18,722 --> 00:19:20,071 THE ANSWER'S LARGELY DEPENDENT ON WHETHER 407 00:19:20,115 --> 00:19:22,030 YOU SUBSCRIBE TO SUBSTANCE OR BUNDLE THEORY. 408 00:19:22,073 --> 00:19:23,727 IN THIS CASE, I BELIEVE AGENT PRENTISS 409 00:19:23,771 --> 00:19:25,599 IS SAYING THAT, YES, THE TREE DOES MAKE A SOUND. 410 00:19:25,642 --> 00:19:27,557 PRENTISS: THANK YOU. 411 00:19:27,601 --> 00:19:28,950 SURPRISE, SURPRISE. 412 00:19:28,993 --> 00:19:30,865 AUTOPSY ON DOROTHY ELGIN REVEALS AT SOME POINT 413 00:19:30,908 --> 00:19:32,649 IN HER LIFE SHE DID GIVE BIRTH. 414 00:19:32,693 --> 00:19:33,955 I'LL BE DAMNED. 415 00:19:33,998 --> 00:19:35,565 WITH THE RECENT KILLINGS, THE SIGNATURE CHANGED. 416 00:19:35,609 --> 00:19:37,088 ALL THE FEMININE ASPECTS WENT AWAY. 417 00:19:37,132 --> 00:19:38,568 WHAT IF DOROTHY HAD A SON? 418 00:19:39,830 --> 00:19:41,658 HE WOULD HAVE KNOWN ABOUT THE EARLIER KILLINGS, 419 00:19:41,702 --> 00:19:43,051 MAYBE EVEN WITNESSED THEM. 420 00:19:43,094 --> 00:19:44,531 AND THEN WHEN THE PATRIARCH DIED, 421 00:19:44,574 --> 00:19:46,837 HE WAS THERE TO PICK UP THE TORCH. 422 00:19:46,881 --> 00:19:49,449 DOROTHY DIDN'T COMMIT SUICIDE FROM GUILT. 423 00:19:49,492 --> 00:19:52,103 IT WAS TO PROTECT THE PERSON SHE KNEW OR SUSPECTED 424 00:19:52,147 --> 00:19:55,542 MIGHT BE BEHIND THE CURRENT MURDERS-- HER OWN CHILD. 425 00:19:55,585 --> 00:19:58,022 IN HER DEMENTIA, SHE COULDN'T TRUST WHAT SHE MIGHT LET SLIP. 426 00:19:58,066 --> 00:20:00,808 SO RATHER THAN RISK INCRIMINATING HER OWN BOY, 427 00:20:00,851 --> 00:20:02,766 SHE TOOK HERSELF OUT OF THE PICTURE. 428 00:20:02,810 --> 00:20:06,379 OK, A LOCAL WOMAN NAMED MARY BREWER WAS JUST REPORTED MISSING. 429 00:20:06,422 --> 00:20:08,511 40 YEARS OLD, BRUNETTE, 5'6". 430 00:20:08,555 --> 00:20:10,644 WELL, THE SON'S VICTIMOLOGY MATCHES THAT OF THE FATHER'S 431 00:20:10,687 --> 00:20:12,689 IN TERMS OF TYPE, BUT HE HIS AGING THE WOMEN UP. 432 00:20:12,733 --> 00:20:14,952 SO IF THE EARLIER VICTIMS WOULD HAVE LIVED, 433 00:20:14,996 --> 00:20:16,606 THEY'D BE THE AGE OF THE CURRENT VICTIMS. 434 00:20:16,650 --> 00:20:19,653 THESE SURROGATES MUST MEAN DIFFERENT THINGS 435 00:20:19,696 --> 00:20:21,220 TO THE TWO DIFFERENT KILLERS. 436 00:20:21,263 --> 00:20:24,701 OK, WELL, FORENSICS JUST FINISHED UP WITH THE ENVELOPES. 437 00:20:25,789 --> 00:20:27,182 [GRUNTING] 438 00:20:30,054 --> 00:20:32,056 [BREATHING HEAVILY] 439 00:20:35,669 --> 00:20:37,845 DON'T, PLEASE. 440 00:20:39,847 --> 00:20:41,849 [SOBBING] 441 00:20:55,558 --> 00:20:57,691 [WHIMPERING] 442 00:21:14,360 --> 00:21:16,840 SING ME A SONG. 443 00:21:16,884 --> 00:21:18,799 WHAT? 444 00:21:18,842 --> 00:21:21,192 [SOBBING] 445 00:21:21,236 --> 00:21:24,065 I'M SAD. 446 00:21:27,416 --> 00:21:31,507 ♪ HUSH, LITTLE BABY 447 00:21:31,551 --> 00:21:33,814 ♪ DON'T SAY A WORD 448 00:21:33,857 --> 00:21:40,951 ♪ MAMA'S GONNA BUY YOU A MOCKINGBIRD ♪ 449 00:21:40,995 --> 00:21:47,349 ♪ IF THAT MOCKINGBIRD WON'T SING ♪ 450 00:21:47,393 --> 00:21:52,876 ♪ MAMA'S GONNA BUY YOU A DIAMOND RING ♪ 451 00:21:52,920 --> 00:21:57,664 ♪ IF THAT DIAMOND RING GETS BROKE ♪ 452 00:21:57,707 --> 00:22:03,539 ♪ MAMA'S GONNA BUY YOU A BILLY GOAT ♪ 453 00:22:03,583 --> 00:22:05,541 SIMMONS: WORDS FROM THE GRAVE. 454 00:22:05,585 --> 00:22:08,022 OUR UNSUB'S IDENTITY COULD BE HIDDEN IN HERE. 455 00:22:08,065 --> 00:22:10,807 [SIGHS] LET'S DO IT. 456 00:22:13,419 --> 00:22:15,812 "DEAR, MOM AND DAD, IT'S ME DELTA. 457 00:22:15,856 --> 00:22:17,727 GETTING THIS LETTER, YOU MUST BE SHOCKED." 458 00:22:17,771 --> 00:22:20,687 WOMAN, VOICE-OVER: I DON'T THINK I EVER WROTE ANYTHING TO YOU BEFORE. 459 00:22:20,730 --> 00:22:23,559 I'M STAYING WITH A NICE OLDER COUPLE I MET WHEN I WAS HITCHHIKING. 460 00:22:23,603 --> 00:22:26,345 WE PLAY CARDS AND THINGS. 461 00:22:26,388 --> 00:22:28,172 I'M GETTING HEALTHY. 462 00:22:29,826 --> 00:22:32,438 THERE'S A POND WHERE KARL'S TEACHING ME HOW TO FISH. 463 00:22:32,481 --> 00:22:33,917 HE'S SO NICE. 464 00:22:33,961 --> 00:22:36,398 "KARL IS DOROTHY'S HUSBAND." 465 00:22:41,751 --> 00:22:42,926 SECOND WOMAN, VOICE-OVER: DON'T WORRY BECAUSE THEY TREAT ME 466 00:22:42,970 --> 00:22:44,928 JUST LIKE I WAS THEIR OWN DAUGHTER. 467 00:22:44,972 --> 00:22:47,191 I'LL BE COMING HOME NEXT WEEK. 468 00:22:47,235 --> 00:22:49,716 HONEST. 469 00:22:55,896 --> 00:22:58,986 THIRD WOMAN, VOICE-OVER: PLEASE DON'T BE MAD WHEN YOU SEE ME. 470 00:22:59,029 --> 00:23:01,118 JUST HOLD ME. 471 00:23:01,162 --> 00:23:03,382 I LOVE YOU. 472 00:23:05,471 --> 00:23:07,821 THEY HAD NO IDEA WHAT WAS IN STORE. 473 00:23:07,864 --> 00:23:11,651 [SIGHS] THE COMMON REFRAIN IS "THEY TREATED ME LIKE 474 00:23:11,694 --> 00:23:13,130 I WAS THEIR OWN DAUGHTER." 475 00:23:13,174 --> 00:23:15,916 WELL, MAYBE THAT'S WHAT THE ABDUCTIONS WERE ALL ABOUT. 476 00:23:15,959 --> 00:23:18,571 KARL AND DOROTHY, THEY HAD A SON, 477 00:23:18,614 --> 00:23:20,311 MAYBE THEY WANTED TO ADD A DAUGHTER. 478 00:23:20,355 --> 00:23:22,009 BUILDING A FAMILY? 479 00:23:22,052 --> 00:23:25,447 OK, WE NEED TO GO WIDER. 480 00:23:25,491 --> 00:23:28,145 WE'RE HERE TODAY TO ENLIST THE HELP OF THE PUBLIC 481 00:23:28,189 --> 00:23:29,973 IN FINDING MARY BREWER. 482 00:23:30,017 --> 00:23:33,194 PRENTISS: THE PERSON WE BELIEVE IS RESPONSIBLE FOR TAKING MARY IS A MAN 483 00:23:33,237 --> 00:23:35,979 WITH A CLOSE CONNECTION TO KARL AND DOROTHY ELGIN, 484 00:23:36,023 --> 00:23:38,939 THE COUPLE SUSPECTED IN THE MURDERS 485 00:23:38,982 --> 00:23:41,202 OF 7 OTHER WOMEN MANY YEARS AGO. 486 00:23:41,245 --> 00:23:43,857 SIMMONS: THERE'S EVIDENCE THAT THE COUPLE MAY HAVE HAD A CHILD. 487 00:23:43,900 --> 00:23:46,860 AND GIVEN THAT THE KILLINGS PROFILE STRONGLY AS MALE, 488 00:23:46,903 --> 00:23:49,471 WE COULD BE LOOKING AT A HERETOFORE UNKNOWN SON. 489 00:23:49,515 --> 00:23:51,604 WE'RE HOPING OTHERS MIGHT HAVE HAD CONTACT 490 00:23:51,647 --> 00:23:53,214 WITH THE FAMILY AND SURVIVED. 491 00:23:53,257 --> 00:23:56,173 THESE ARE THE PEOPLE WE'RE REACHING OUT TO. 492 00:23:56,217 --> 00:23:57,740 [CLANG] 493 00:23:57,784 --> 00:23:59,742 SIMMONS: THIS KILLER IS NOT CRIMINALLY SOPHISTICATED, 494 00:23:59,786 --> 00:24:02,092 AND HE'S ABDUCTING HIGH-PROFILE TARGETS IN BROAD DAYLIGHT. 495 00:24:02,136 --> 00:24:04,921 THIS IS AN INDICATOR THAT THE PERSON WE'RE SEARCHING FOR 496 00:24:04,965 --> 00:24:06,140 MAY BE DEVOLVING. 497 00:24:06,183 --> 00:24:08,969 THIS MAKES HIM SIGNIFICANTLY MORE DANGEROUS. 498 00:24:09,012 --> 00:24:11,711 WE NEED YOUR HELP TO FIND MARY BREWER, 499 00:24:11,754 --> 00:24:14,453 BUT ALSO TO GIVE LOVED ONES OF THE EARLIER VICTIMS 500 00:24:14,496 --> 00:24:16,019 THE CLOSURE THEY DESERVE. 501 00:24:16,063 --> 00:24:19,458 JJ: WE URGE ANYONE WHO MAY HAVE PERTINENT INFORMATION 502 00:24:19,501 --> 00:24:21,851 TO CONTACT THE FBI AT THE NUMBER PROVIDED. 503 00:24:21,895 --> 00:24:23,853 THANK YOU. 504 00:24:38,694 --> 00:24:40,087 [GASPS] 505 00:24:42,916 --> 00:24:44,787 I'M NOT HUNGRY. 506 00:24:44,831 --> 00:24:47,486 IT'S NOT FOR YOU. 507 00:25:09,029 --> 00:25:11,292 YOU WANT ME TO FEED YOU? 508 00:25:26,307 --> 00:25:28,527 A PLANE. WHAT? 509 00:25:28,570 --> 00:25:30,964 MAKE IT A PLANE... 510 00:25:31,007 --> 00:25:33,096 FLYING IN. 511 00:25:35,708 --> 00:25:38,319 [MAKING AIRPLANE SOUNDS] 512 00:25:49,765 --> 00:25:51,550 HERE IT COMES. 513 00:25:51,593 --> 00:25:53,508 CLOSE YOUR EYES. 514 00:25:55,945 --> 00:25:58,600 OPEN YOUR MOUTH. 515 00:25:58,644 --> 00:26:00,210 INTO THE HANGAR. 516 00:26:00,254 --> 00:26:03,823 [IMITATES PLANE] 517 00:26:06,173 --> 00:26:08,697 UHH! 518 00:26:10,133 --> 00:26:11,047 [GROANING] 519 00:26:11,091 --> 00:26:13,180 [GASPING] 520 00:26:16,966 --> 00:26:20,056 WHY DON'T YOU LOVE ME?! 521 00:26:28,325 --> 00:26:29,805 MARY BREWER'S HUSBAND'S ON HIS WAY IN, 522 00:26:29,849 --> 00:26:32,155 AND WE GOT AN APB OUT ON HER VEHICLE RIGHT NOW. 523 00:26:32,199 --> 00:26:33,592 MEDIA OUTREACH IS WORKING. 524 00:26:33,635 --> 00:26:34,810 NOW IT'S JUST A MATTER OF SORTING THROUGH 525 00:26:34,854 --> 00:26:36,464 WHICH LEADS ARE REAL AND WHICH AREN'T. 526 00:26:36,507 --> 00:26:38,597 UNFORTUNATELY, GARCIA'S NOT HAVING MUCH LUCK WITH THE LETTERS. 527 00:26:38,640 --> 00:26:42,818 THE INTENDED RECIPIENTS HAVE EITHER PASSED AWAY OR MOVED ELSEWHERE. 528 00:26:42,862 --> 00:26:45,081 [KNOCK ON DOOR]EXCUSE ME, AGENTS. 529 00:26:45,125 --> 00:26:47,736 THIS WOMAN SAYS IT'S IMPORTANT THAT SHE TALK TO YOU RIGHT NOW. 530 00:26:47,780 --> 00:26:51,522 I'M AGENT PRENTISS. THIS IS AGENT SIMMONS. HOW CAN WE HELP YOU? 531 00:26:52,785 --> 00:26:55,091 KARL AND DOROTHY ELGIN, THEY DIDN'T HAVE A SON. 532 00:26:55,135 --> 00:26:57,616 OK. AND YOU KNOW THIS HOW? 533 00:26:57,659 --> 00:26:59,661 I GREW UP IN THAT HOUSE. 534 00:26:59,705 --> 00:27:02,403 KARL AND DOROTHY ELGIN WERE MY PARENTS. 535 00:27:06,059 --> 00:27:08,322 APPARENTLY SHE RAN AWAY FROM HOME WHEN SHE WAS 16 536 00:27:08,365 --> 00:27:09,715 AND NEVER LOOKED BACK. 537 00:27:09,758 --> 00:27:11,325 THINK SHE'S LEGIT OR JUST SOMEBODY 538 00:27:11,368 --> 00:27:13,022 LOOKING FOR THEIR 15 MINUTES OF FAME? 539 00:27:13,066 --> 00:27:17,331 SHERIFF SAID SHE WAS ABLE TO DESCRIBE THE ELGINS' HOUSE IN DETAIL. 540 00:27:17,374 --> 00:27:18,985 WOMAN: MY MOM AND DAD WEREN'T NORMAL, 541 00:27:19,028 --> 00:27:20,551 I ALWAYS KNEW THAT, 542 00:27:20,595 --> 00:27:22,597 BUT THEY WEREN'T KILLERS. 543 00:27:22,641 --> 00:27:25,426 NOT NORMAL HOW? 544 00:27:25,469 --> 00:27:27,689 IT WAS JUST THEM. 545 00:27:27,733 --> 00:27:30,518 ALL THEY EVER TALKED ABOUT WAS GETTING AWAY FROM PEOPLE. 546 00:27:30,561 --> 00:27:31,998 IS THAT WHY YOU RAN AWAY? 547 00:27:32,041 --> 00:27:35,262 YEAH. I MEAN, I HAD NO FRIENDS, 548 00:27:35,305 --> 00:27:37,612 WASN'T EVEN ALLOWED TO GO INTO TOWN. 549 00:27:37,656 --> 00:27:39,005 TOWARDS THE END, I'D SNEAK AWAY AT NIGHT, 550 00:27:39,048 --> 00:27:40,702 HANG OUT WITH KIDS MY OWN AGE. 551 00:27:40,746 --> 00:27:41,877 AND DO WHAT? 552 00:27:41,921 --> 00:27:43,139 TALK, DRINK BEER. 553 00:27:43,183 --> 00:27:44,488 WHAT NORMAL TEENAGERS DO. 554 00:27:44,532 --> 00:27:46,621 WHAT MADE YOU DECIDE TO LEAVE FOR GOOD? 555 00:27:46,665 --> 00:27:49,406 ONE DAY I JUST OPENED THE DOOR 556 00:27:49,450 --> 00:27:51,365 AND WALKED OUT AND NEVER CAME BACK. 557 00:27:51,408 --> 00:27:54,977 MOVED TO GEORGIA, GOT MYSELF A NEW LIFE. 558 00:27:55,021 --> 00:27:56,979 MARRIED, TWO KIDS. 559 00:27:58,415 --> 00:28:00,026 LEEANNE, 560 00:28:00,069 --> 00:28:02,724 WERE YOU THERE WHEN YOUR PARENTS STARTED MURDERING THOSE GIRLS? 561 00:28:02,768 --> 00:28:04,465 THAT'S WHAT I'M TRYING TO TELL YOU. 562 00:28:04,508 --> 00:28:06,467 THEY COULDN'T HAVE DONE ALL THE THINGS PEOPLE ARE SAYING. 563 00:28:06,510 --> 00:28:07,990 IT WAS SOMEBODY ELSE, 564 00:28:08,034 --> 00:28:11,080 SOME OTHER MONSTER. 565 00:28:14,257 --> 00:28:16,738 MARY: I'M SORRY. 566 00:28:16,782 --> 00:28:20,220 LET ME PUT A BANDAGE ON YOUR HEAD. 567 00:28:20,263 --> 00:28:24,354 I'LL--I'LL TAKE CARE OF YOU. 568 00:28:24,398 --> 00:28:26,443 I PROMISE. 569 00:28:37,933 --> 00:28:39,892 WHAT ARE YOU DOING? 570 00:28:39,935 --> 00:28:41,763 [BREATHING HEAVILY] 571 00:28:41,807 --> 00:28:43,809 [WHIMPERS] 572 00:28:47,160 --> 00:28:48,857 NO! 573 00:28:55,559 --> 00:28:57,518 SO IT WASN'T ABOUT CREATING A DAUGHTER. 574 00:28:57,561 --> 00:29:00,739 THEY WERE TRYING TO REPLACE THE DAUGHTER THEY'D LOST. 575 00:29:00,782 --> 00:29:04,873 YOU KNOW, LEEANNE'S 5'7", BRUNETTE, SMALL BONED. 576 00:29:04,917 --> 00:29:07,441 YEAH, BUT THERE'S SOMETHING STILL NOT SITTING RIGHT. 577 00:29:07,484 --> 00:29:11,488 A 16-YEAR-OLD GIRL ONE DAY WALKS AWAY FROM THE ONLY WORLD SHE'S EVER KNOWN, 578 00:29:11,532 --> 00:29:14,361 NO MONEY, NO RESOURCES, NOTHING. 579 00:29:14,404 --> 00:29:18,191 THERE'S MORE TO THIS THAN RUN-OF-THE-MILL TEENAGE ANGST. 580 00:29:18,234 --> 00:29:20,584 YEAH, SOMETHING TRIGGERED HER DECISION. 581 00:29:20,628 --> 00:29:21,934 [BEEP] 582 00:29:21,977 --> 00:29:24,023 ROSSI: PENELOPE.DAVID. 583 00:29:24,066 --> 00:29:27,591 LEEANNE GARRITY RAN AWAY FROM HOME 584 00:29:27,635 --> 00:29:29,898 IN EITHER THE SPRING OR SUMMER OF 1988. 585 00:29:29,942 --> 00:29:32,771 DID ANYTHING UNUSUAL HAPPEN IN THE AREA BACK THEN? 586 00:29:32,814 --> 00:29:34,860 I AM A FIRM BELIEVER THAT UNUSUAL 587 00:29:34,903 --> 00:29:37,471 LIES IN THE BRAIN OF THE BEHOLDER. 588 00:29:37,514 --> 00:29:39,299 HAVING SAID THAT, 589 00:29:39,342 --> 00:29:41,562 THE MAJORITY OF BRAINS WOULD SAY THAT THIS QUALIFIES. 590 00:29:41,605 --> 00:29:45,566 JUNE 5, 1988, LOCAL FARMER NAMED ROGER MILBURN 591 00:29:45,609 --> 00:29:47,829 KILLED HIS WIFE AND HIS TEENAGE SON 592 00:29:47,873 --> 00:29:49,570 BEFORE TAKING HIS OWN LIFE. 593 00:29:49,613 --> 00:29:51,920 IT WAS HUGE LOCAL NEWS AT THE TIME. 594 00:29:51,964 --> 00:29:53,574 ROSSI: THANK YOU.[BEEP] 595 00:29:53,617 --> 00:29:55,358 LEEANNE MUST HAVE HEARD ABOUT THAT. 596 00:29:55,402 --> 00:29:58,274 IF SHE WAS IN DENIAL ABOUT HER PARENTS' HOMICIDAL TENDENCIES, 597 00:29:58,318 --> 00:30:00,233 THAT WOULD HAVE BEEN ONE HELL OF A WAKEUP CALL. 598 00:30:00,276 --> 00:30:03,236 YEAH, SHE COULD HAVE FEARED THE SAME THING HAPPENING TO HER. 599 00:30:03,279 --> 00:30:04,977 JJ, CAN YOU AND THE BOY GENIUS 600 00:30:05,020 --> 00:30:07,240 TAKE A LOOK AT WHATEVER THEY MAY HAVE ON FILE ABOUT THAT OLD CASE? 601 00:30:07,283 --> 00:30:09,068 YEAH, YOU GOT IT. 602 00:30:11,592 --> 00:30:14,421 OK, SO THIS IS EVERYTHING COLLECTED FROM THE MILBURN CRIME SCENE? 603 00:30:14,464 --> 00:30:15,552 YES, MA'AM. 604 00:30:15,596 --> 00:30:17,511 JJ, LOOK AT THIS. 605 00:30:20,819 --> 00:30:23,082 YEAH, THAT DOESN'T TRACK. 606 00:30:23,125 --> 00:30:24,039 WHAT DOESN'T? 607 00:30:24,083 --> 00:30:25,649 BULLET TRAJECTORIES, BODY ANGLES, 608 00:30:25,693 --> 00:30:26,868 AND BLOOD SPATTER ARE NOT CONSISTENT 609 00:30:26,912 --> 00:30:28,087 WITH A MURDER-SUICIDE. 610 00:30:28,130 --> 00:30:29,871 WERE ROGER MILBURN'S HANDS EVER TESTED 611 00:30:29,915 --> 00:30:31,742 FOR GUN POWDER RESIDUE? 612 00:30:31,786 --> 00:30:35,311 NO, MA'AM. IT SEEMED LIKE AN OPEN-AND-SHUT CASE BACK THEN. 613 00:30:35,355 --> 00:30:37,748 THIS CRIME SCENE WAS STAGED. SOMEONE ELSE KILLED THIS FAMILY. 614 00:30:44,407 --> 00:30:46,888 JJ: IT WAS JUST A MOTHER, FATHER, AND TEENAGE SON 615 00:30:46,932 --> 00:30:48,890 LIVING AT THE MILBURN HOUSE, CORRECT? 616 00:30:48,934 --> 00:30:49,935 NO ONE ELSE? 617 00:30:49,978 --> 00:30:51,371 THAT'S RIGHT. 618 00:30:51,414 --> 00:30:54,330 WHAT WERE THEY DOING WITH A BABY BOTTLE? 619 00:30:55,984 --> 00:30:57,333 WHERE DID THE MILBURNS LIVE? 620 00:30:57,377 --> 00:30:59,074 UH... 621 00:31:03,949 --> 00:31:05,689 RIGHT THERE. 622 00:31:05,733 --> 00:31:08,431 THAT'S RIGHT NEXT TO THE ELGIN PROPERTY. 623 00:31:10,956 --> 00:31:13,828 LEWIS: YOU WEREN'T ENTIRELY TRUTHFUL WITH US, LEEANNE. 624 00:31:13,872 --> 00:31:15,612 WHAT DO YOU MEAN? 625 00:31:15,656 --> 00:31:17,963 THOSE NIGHTS THAT YOU WENT SNEAKING OUT, 626 00:31:18,006 --> 00:31:20,530 THERE WAS ONLY ONE KID THAT YOU WENT TO HANG OUT WITH, RIGHT? 627 00:31:20,574 --> 00:31:23,229 AND YOU DIDN'T JUST DRINK BEER. 628 00:31:23,272 --> 00:31:25,579 YOU GOT PREGNANT. 629 00:31:26,710 --> 00:31:28,538 NO. 630 00:31:34,718 --> 00:31:35,937 WHERE DID YOU-- 631 00:31:35,981 --> 00:31:38,505 THE MILBURN FAMILY. THEY LIVED CLOSE BY. 632 00:31:38,548 --> 00:31:41,029 THEIR TEENAGE SON STEVE, HE WAS ABOUT YOUR AGE, RIGHT? 633 00:31:41,073 --> 00:31:43,597 ALVEZ: HE'S THE ONE YOU WERE SNEAKING OUT TO SEE. 634 00:31:43,640 --> 00:31:46,339 I DIDN'T MEAN FOR IT TO HAPPEN. 635 00:31:49,385 --> 00:31:52,432 DID YOUR PARENTS KNOW? 636 00:31:52,475 --> 00:31:54,651 I HAD THE BABY AT THE HOUSE. 637 00:31:54,695 --> 00:31:56,349 IN SECRET. 638 00:31:56,392 --> 00:31:58,568 LEWIS: AND WHAT ABOUT STEVE? 639 00:31:58,612 --> 00:32:00,875 NOBODY KNEW. 640 00:32:00,919 --> 00:32:03,660 MY MOM AND DAD SAID THEY'D RAISE THE BABY THEMSELVES, 641 00:32:03,704 --> 00:32:06,881 BUT IT ONLY MADE THEM CRAZIER. 642 00:32:06,925 --> 00:32:08,448 I'D EVEN GET TIED TO THE BED SOMETIMES 643 00:32:08,491 --> 00:32:10,580 TO MAKE SURE I WOULDN'T GO RUNNING OFF AGAIN. 644 00:32:10,624 --> 00:32:11,930 BUT YOU DID ANYWAY. 645 00:32:11,973 --> 00:32:13,496 ONE NIGHT I HAD A CHANCE, 646 00:32:13,540 --> 00:32:15,716 SO I TOOK MY LITTLE BOY AND I RAN. 647 00:32:15,759 --> 00:32:18,893 I DROPPED HIM OFF AT HIS DADDY'S AND KEPT GOING. 648 00:32:18,937 --> 00:32:22,592 WHY? WHY LEAVE YOUR BABY BEHIND? 649 00:32:22,636 --> 00:32:25,160 THAT WASN'T MY PLAN. 650 00:32:25,204 --> 00:32:27,467 BUT STEVE'S MOM AND DAD, THEY DIDN'T WANT NOTHING 651 00:32:27,510 --> 00:32:29,077 TO DO WITH ME OR MY FAMILY. 652 00:32:29,121 --> 00:32:31,645 THEY KNEW MY MOM AND DAD WERE KIND OF CRAZY. 653 00:32:31,688 --> 00:32:33,603 AND THE BABY WAS THEIR GRANDSON, TOO. 654 00:32:33,647 --> 00:32:36,041 THEY SAID THEY'D TAKE HIM AND RAISE HIM PROPER, 655 00:32:36,084 --> 00:32:38,739 BUT ONLY IF I WENT AWAY. 656 00:32:38,782 --> 00:32:40,959 SO I LEFT. 657 00:32:43,570 --> 00:32:45,615 WHERE DID YOU FIND THAT? 658 00:32:45,659 --> 00:32:49,271 IN WAS IN THE EVIDENCE BOX FROM THE MILBURN CRIME SCENE. 659 00:32:49,315 --> 00:32:52,231 CRIME SCENE? WHAT ARE YOU TALKING ABOUT? 660 00:32:56,975 --> 00:33:00,369 LEEANNE, SHORTLY AFTER YOU RAN AWAY, 661 00:33:00,413 --> 00:33:02,415 THE MILBURN FAMILY WAS KILLED. 662 00:33:02,458 --> 00:33:04,678 MY BABY? 663 00:33:04,721 --> 00:33:06,506 HE WASN'T THERE. 664 00:33:06,549 --> 00:33:10,249 THERE WAS THE MOTHER, THE FATHER, AND STEVE. 665 00:33:10,292 --> 00:33:12,294 POLICE RULED IT A MURDER-SUICIDE. 666 00:33:12,338 --> 00:33:14,644 LEWIS: EXCEPT THAT IT WASN'T. 667 00:33:14,688 --> 00:33:17,299 WE BELIEVE THAT YOUR FATHER CAME LOOKING FOR HIS GRANDSON 668 00:33:17,343 --> 00:33:20,085 AND THEN TOOK HIM BY FORCE. 669 00:33:20,128 --> 00:33:22,000 TOOK HIM? 670 00:33:23,262 --> 00:33:25,525 YOU MEAN MY LITTLE BOY GREW UP WITH THEM, 671 00:33:25,568 --> 00:33:28,745 IN THAT HOUSE? 672 00:33:28,789 --> 00:33:31,226 WHERE IS HE NOW? 673 00:33:32,706 --> 00:33:34,882 NO. 674 00:33:34,925 --> 00:33:37,058 PLEASE. 675 00:33:37,102 --> 00:33:38,668 YOU DON'T HAVE TO DO THIS. 676 00:33:38,712 --> 00:33:39,974 GRANDPA KNEW. 677 00:33:40,018 --> 00:33:41,367 KNEW WHAT? 678 00:33:41,410 --> 00:33:43,064 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 679 00:33:43,108 --> 00:33:45,371 WHEN YOU LEFT, 680 00:33:45,414 --> 00:33:48,069 GRANDPA SAID GRANDMA GOT... 681 00:33:48,113 --> 00:33:50,593 REALLY, REALLY SAD. 682 00:33:50,637 --> 00:33:53,248 [SALT POURING] 683 00:33:53,292 --> 00:33:55,598 HE WANTED HER TO GET BETTER, 684 00:33:57,339 --> 00:33:59,211 LIKE SHE USED TO BE. 685 00:34:01,169 --> 00:34:04,085 HE FOUND OTHERS, BUT... 686 00:34:04,129 --> 00:34:07,175 BUT HE HAD TO MAKE SURE THEY DIDN'T RUN AWAY. 687 00:34:12,137 --> 00:34:15,053 BOY: DON'T BE SAD, GRANDMA. 688 00:34:20,754 --> 00:34:22,930 THEN GRANDPA DIED. 689 00:34:24,323 --> 00:34:25,585 I TRIED TO FIND THE OTHER ONES, TOO, 690 00:34:25,628 --> 00:34:28,240 BUT IT DIDN'T WORK. 691 00:34:30,111 --> 00:34:31,852 IT WASN'T THE SAME. 692 00:34:36,030 --> 00:34:38,728 THAT WON'T HAPPEN TO ME. 693 00:34:40,252 --> 00:34:42,428 [CLANG] 694 00:34:45,561 --> 00:34:48,129 [GASPING] 695 00:34:52,177 --> 00:34:54,048 AAH! 696 00:34:54,092 --> 00:34:56,746 [GASPING] 697 00:34:56,790 --> 00:34:58,966 [UNSUB COUGHING AND GASPING] 698 00:35:00,402 --> 00:35:01,838 [CHAINS RATTLING] 699 00:35:07,583 --> 00:35:10,108 [UNSUB SCREAMS] 700 00:35:16,897 --> 00:35:18,638 [PANTING] 701 00:35:34,262 --> 00:35:36,308 AAH! AAH! 702 00:35:36,351 --> 00:35:38,223 AAH! 703 00:35:42,531 --> 00:35:45,099 SO WE KNOW WHO AND WHY BUT NOT WHERE. 704 00:35:45,143 --> 00:35:47,101 WELL, THE UNSUB WOULDN'T GO FAR FROM WHERE HE GREW UP. 705 00:35:47,145 --> 00:35:48,842 ALL OF THE TRAUMA IS ROOTED THERE. 706 00:35:48,885 --> 00:35:51,758 OK, WELL, LETTERS THE VICTIMS WROTE THEIR LOVED ONES... 707 00:35:51,801 --> 00:35:53,020 YEAH, WHAT ABOUT THEM? 708 00:35:53,063 --> 00:35:54,717 WELL, SEVERAL TALKED ABOUT A POND 709 00:35:54,761 --> 00:35:56,632 WHERE KARL TOOK THEM FISHING. 710 00:35:56,676 --> 00:36:00,158 RECREATING WHAT HE MUST HAVE DONE WITH LEEANNE. 711 00:36:01,681 --> 00:36:02,812 FISHING? 712 00:36:02,856 --> 00:36:04,945 JJ: IN A POND SOMEWHERE NEAR YOUR HOUSE. 713 00:36:04,988 --> 00:36:07,948 YEAH, I MEAN, MY DAD TOOK ME FISHING WHEN I WAS LITTLE. 714 00:36:07,991 --> 00:36:10,646 WHERE WAS IT? THERE'S NO POND ON YOUR FAMILY'S PROPERTY. 715 00:36:10,690 --> 00:36:12,170 I KNOW. WE HAD TO DRIVE THERE. 716 00:36:12,213 --> 00:36:13,649 WHICH DIRECTION?I DON'T KNOW. 717 00:36:13,693 --> 00:36:15,303 HOW LONG DID IT TAKE YOU TO GET THERE? 718 00:36:15,347 --> 00:36:18,437 15 MINUTES, MAYBE. IT WAS NEXT TO AN EMPTY CABIN. 719 00:36:18,480 --> 00:36:20,221 THERE WAS A BRIDGE NEARBY. WHY DO YOU WANT-- 720 00:36:20,265 --> 00:36:21,657 GARCIA. 721 00:36:21,701 --> 00:36:24,007 GARCIA: HOLD ON. 722 00:36:24,051 --> 00:36:26,227 GOT IT. SENDING COORDINATES NOW. 723 00:36:26,271 --> 00:36:28,229 ROSSI AND SIMMONS ARE OUT AT THE ELGIN CRIME SCENE. 724 00:36:28,273 --> 00:36:30,188 THEY'RE CLOSER THAN WE ARE. WE'LL PROVIDE BACKUP. 725 00:36:30,231 --> 00:36:32,233 DAVE... 726 00:36:32,277 --> 00:36:34,670 ROSSI: I'LL SECURE THE BACK. 727 00:36:43,505 --> 00:36:45,203 [CLICKS FLASHLIGHT OFF] 728 00:37:04,091 --> 00:37:07,573 ROSSI, HE'S IN THE CENTER OF THE ROOM. 729 00:37:07,616 --> 00:37:09,009 HE'S ALONE. 730 00:37:09,052 --> 00:37:10,053 COPY. 731 00:37:10,097 --> 00:37:11,054 I'M AT THE REAR ENTRANCE. 732 00:37:11,098 --> 00:37:12,708 ANY SIGN OF MARY BREWER? 733 00:37:12,752 --> 00:37:14,232 NEGATIVE. 734 00:37:14,275 --> 00:37:16,234 WE BREACH ON 3. 735 00:37:19,672 --> 00:37:23,806 1, 2, 3. 736 00:37:23,850 --> 00:37:25,808 FBI! 737 00:37:25,852 --> 00:37:27,984 PUT YOUR HANDS UP. 738 00:37:28,028 --> 00:37:30,857 HANDS UP! NOW! 739 00:37:36,254 --> 00:37:38,081 WHERE'S MARY BREWER? 740 00:37:38,125 --> 00:37:40,040 [HANDCUFFS CLICK] 741 00:37:43,478 --> 00:37:45,219 NEED AN AMBULANCE TO THE LOCATION. 742 00:37:45,263 --> 00:37:46,307 ROSSI: MARY! 743 00:37:49,919 --> 00:37:52,270 MARY BREWER! 744 00:38:04,238 --> 00:38:05,457 NO SIGN OF HER. 745 00:38:05,500 --> 00:38:08,503 WHERE IS SHE? 746 00:38:08,547 --> 00:38:11,767 MARY! 747 00:38:11,811 --> 00:38:14,857 [MUFFLED SCREAMS] 748 00:38:23,605 --> 00:38:25,215 [GRUNTING] 749 00:38:25,259 --> 00:38:27,217 YOU'RE OK. YOU'RE SAFE NOW. 750 00:38:27,261 --> 00:38:30,395 UNSUB: NO! NO! NO! 751 00:38:33,354 --> 00:38:36,009 NO, LEAVE HER WHERE SHE WAS. 752 00:38:36,052 --> 00:38:39,229 SHE BELONGS WITH ME. 753 00:38:39,273 --> 00:38:41,275 IT'S OK, IT'S OK. 754 00:38:41,319 --> 00:38:44,844 YOU'RE SAFE. YOU'RE SAFE. 755 00:38:49,152 --> 00:38:52,939 SO ALL THIS IS BECAUSE THE ELGINS' DAUGHTER RAN OFF? 756 00:38:52,982 --> 00:38:54,680 KARL SAW THE EFFECT IT HAD ON HIS WIFE, 757 00:38:54,723 --> 00:38:56,377 SO HE WENT OUT, FOUND THOSE GIRLS 758 00:38:56,421 --> 00:38:59,162 IN AN ATTEMPT TO PULL DOROTHY OUT OF HER TAILSPIN. 759 00:38:59,206 --> 00:39:02,165 HE SURROUNDED HER WITH SUBSTITUTE LEEANNES 760 00:39:02,209 --> 00:39:04,254 IN THE WALL, UNDER THE FLOOR, 761 00:39:04,298 --> 00:39:05,734 BASICALLY ENCIRCLING HER. 762 00:39:05,778 --> 00:39:07,432 AND THEIR GRANDSON TRIED TO DO THE SAME THING FOR HER 763 00:39:07,475 --> 00:39:08,650 ONCE KARL DIED. 764 00:39:08,694 --> 00:39:11,653 IS THIS A NORMAL CASE FOR YOU FOLKS? 765 00:39:11,697 --> 00:39:13,046 NONE OF THEM ARE NORMAL. 766 00:39:13,089 --> 00:39:14,395 [CELL PHONE RINGS] 767 00:39:14,439 --> 00:39:15,265 SHERIFF: WELL, DR. REID, I CAN SAY IT WAS 768 00:39:15,309 --> 00:39:17,224 A PLEASURE TALKING TO YOU. 769 00:39:17,267 --> 00:39:19,618 I'M GONNA GIVE THAT TREE IN THE FOREST THING SOME MORE THOUGHT. 770 00:39:19,661 --> 00:39:20,836 DON'T GIVE IT TOO MUCH THOUGHT. 771 00:39:20,880 --> 00:39:22,838 IT'S BASICALLY AN INFALLIBLE CONJECTURE. 772 00:39:22,882 --> 00:39:24,666 COPY THAT. 773 00:39:24,710 --> 00:39:26,799 WELL, THANKS AGAIN. 774 00:39:26,842 --> 00:39:28,670 UH, EMILY, I NEED TO GO TO NEW YORK 775 00:39:28,714 --> 00:39:30,237 FOR A COUPLE OF DAYS. WOULD THAT BE ALL RIGHT? 776 00:39:30,280 --> 00:39:32,370 AFTER THE WRENCH I THREW IN YOUR VACATION 777 00:39:32,413 --> 00:39:36,374 WITH MY QUICK DETOUR, TAKE ALL THE TIME YOU WANT. 778 00:39:38,201 --> 00:39:39,159 COMING? 779 00:39:39,202 --> 00:39:40,552 UH, YEAH, YEAH. IN A MINUTE. 780 00:39:40,595 --> 00:39:42,597 THERE'S SOMETHING I HAVE TO DO. 781 00:39:49,996 --> 00:39:51,650 HEY. 782 00:39:52,999 --> 00:39:56,002 UM... 783 00:39:56,045 --> 00:39:58,396 I THINK THAT WAS MEANT FOR YOU. 784 00:40:19,199 --> 00:40:22,376 JJ, VOICE-OVER: "WITHOUT A FAMILY, MAN, ALONE IN THE WORLD 785 00:40:22,420 --> 00:40:24,247 TREMBLES WITH THE COLD." 786 00:40:24,291 --> 00:40:26,380 ANDRE MAUROIS. 787 00:40:30,819 --> 00:40:33,387 ROSSI: THIS ONE'S PRETTY GOOD, HUH? [INDISTINCT] 788 00:40:33,431 --> 00:40:35,345 THANK YOU.YOU'RE WELCOME. 789 00:40:35,389 --> 00:40:36,825 PORTIA: THANK YOU VERY MUCH. 790 00:40:36,869 --> 00:40:38,305 MY PLEASURE. 791 00:40:38,348 --> 00:40:40,481 WE DIDN'T INVITE YOU HERE JUST TO PICK UP THE TAB. 792 00:40:40,525 --> 00:40:41,787 YEAH, WELL, DON'T YOU WORRY, 793 00:40:41,830 --> 00:40:43,484 YOU'LL ALL BE GETTING INVOICES IN THE MAIL. 794 00:40:43,528 --> 00:40:44,529 [LAUGHTER] 795 00:40:44,572 --> 00:40:46,269 IT WAS GREAT MEETING YOU, SIR. 796 00:40:46,313 --> 00:40:47,532 I LOVED YOUR STORIES. 797 00:40:47,575 --> 00:40:49,490 YOU SHOULD SERIOUSLY WRITE A BOOK. 798 00:40:49,534 --> 00:40:52,493 YOU KNOW, I JUST MAY DO THAT. 799 00:40:52,537 --> 00:40:54,495 I'M GONNA START HUNTING A CAB. 800 00:40:54,539 --> 00:40:56,323 SATURDAY NIGHTS ARE TOUGH. 801 00:40:56,366 --> 00:40:57,455 YOU DON'T RIDE SHARE? 802 00:40:57,498 --> 00:40:59,500 NO, SCOTT DOESN'T LIKE TO DOWNLOAD APPS. 803 00:40:59,544 --> 00:41:02,024 THIS GUY'S JUST GETTING BETTER AND BETTER. 804 00:41:02,068 --> 00:41:05,550 OK, SO WHAT DO YOU GUYS THINK OF SCOTT? 805 00:41:05,593 --> 00:41:06,768 HONESTLY. 806 00:41:06,812 --> 00:41:08,988 HONESTLY? 807 00:41:09,031 --> 00:41:10,729 I THINK HE'S TERRIFIC. 808 00:41:10,772 --> 00:41:13,427 YOU DO? I DO. 809 00:41:13,471 --> 00:41:16,299 I KNOW HE'S NOT UP-TO-DATE ON TRUE CRIME AUTHORS, 810 00:41:16,343 --> 00:41:20,303 BUT WE JUST--WE CLICK. 811 00:41:20,347 --> 00:41:22,697 TAXI'S WAITING. 812 00:41:26,875 --> 00:41:29,399 I LOVE YOU GUYS. THANK YOU. 813 00:41:31,924 --> 00:41:35,623 AS YOU CAN SEE, PORTIA'S OVER HER DAVID ROSSI ISSUES. 814 00:41:35,667 --> 00:41:37,625 AND I WASN'T KIDDING ABOUT HER NEW GUY. 815 00:41:37,669 --> 00:41:39,497 SCOTT'S GREAT. 816 00:41:42,891 --> 00:41:46,547 IT WAS IMPORTANT FOR PORTIA TO HEAR YOU SAY THAT. 817 00:41:46,591 --> 00:41:50,943 I THINK THAT'S WHY SHE CALLED YOU TO COME TO NEW YORK. 818 00:41:50,986 --> 00:41:55,469 HOW DOES IT FEEL TO STEP IN AS SUBSTITUTE FATHER? 819 00:41:55,513 --> 00:41:57,340 I'M FLATTERED, 820 00:41:57,384 --> 00:41:59,517 THOUGH THE IRONY OF ANYONE ASKING ME 821 00:41:59,560 --> 00:42:01,562 FOR ROMANTIC ADVICE... 822 00:42:01,606 --> 00:42:04,217 YOU'VE HAD YOUR SHARE OF ROMANCE. 823 00:42:04,260 --> 00:42:07,176 THERE'S BEEN AT LEAST 3 WOMEN 824 00:42:07,220 --> 00:42:09,744 THAT SAW YOU AS HUSBAND MATERIAL. 825 00:42:09,788 --> 00:42:12,442 YEAH, WELL, WE'VE ALL SEEN HOW THAT TURNED OUT. 826 00:42:12,486 --> 00:42:14,140 HAVE WE? 827 00:42:16,359 --> 00:42:20,799 WELL, THAT'S A SUBJECT THAT BEARS FURTHER DISCUSSION. 828 00:42:20,842 --> 00:42:22,583 CARE FOR A NIGHTCAP? 829 00:42:22,627 --> 00:42:25,064 ♪ BACK FOR MORE 830 00:42:25,107 --> 00:42:28,502 ♪ COMING BACK FOR MORE 831 00:42:28,546 --> 00:42:30,548 ♪ COMING BACK FOR MORE 832 00:42:36,554 --> 00:42:39,513 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC, AND CBS, INC. 833 00:42:39,557 --> 00:42:41,559 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--