1 00:00:14,362 --> 00:00:16,407 UH, HON, YOU OK? 2 00:00:16,451 --> 00:00:18,366 THIS MOTION SENSOR ALERT ON MY WATCH, 3 00:00:18,409 --> 00:00:20,672 IT KEEPS GOING OFF. OHH... 4 00:00:20,716 --> 00:00:23,240 TURN THOSE NOTIFICATIONS OFF, WOULD YOU? 5 00:00:23,284 --> 00:00:25,677 WHAT IF SOMEBODY'’S OUTSIDE? 6 00:00:25,721 --> 00:00:29,246 IT'’S THE CAT. IT'’S ALWAYS THE CAT. 7 00:00:29,290 --> 00:00:32,423 I DON'’T UNDERSTAND HOW IT'’S NOT THE DAMN CAT. 8 00:00:32,467 --> 00:00:34,425 OHH, IT'’S 3:30 IN THE MORNING. 9 00:00:36,297 --> 00:00:39,256 THAT'’S NOT THE CAT. CALL 911. 10 00:00:39,300 --> 00:00:41,606 WAIT, TIM. LET'’S CHECK. 11 00:00:41,650 --> 00:00:45,306 MAN: COME ON! PLEASE LET ME IN! 12 00:00:45,349 --> 00:00:47,525 PLEASE LET ME IN! PLEASE... 13 00:00:47,569 --> 00:00:49,266 MAN ON PHONE: HNA SECURITY. HOW CAN WE HELP? 14 00:00:49,310 --> 00:00:51,138 WE HAVE A-- I DON'’T KNOW-- 15 00:00:51,181 --> 00:00:53,314 SOME CRAZY MAN BANGING ON OUR DOOR. 16 00:00:53,357 --> 00:00:54,663 MAN ON PHONE: OK. WE HAVE AN OFFICER 17 00:00:54,706 --> 00:00:55,838 ON THE WAY TO YOUR ADDRESS. 18 00:00:55,881 --> 00:00:56,578 THIS LOOKS LIKE HE'’S IN TROUBLE, 19 00:00:56,621 --> 00:00:57,535 LIKE, REAL TROUBLE. 20 00:00:57,579 --> 00:00:58,449 MAYBE WE SHOULD TRY TO HELP HIM. 21 00:00:58,493 --> 00:00:59,711 NO. MAN ON PHONE: NO. 22 00:00:59,755 --> 00:01:01,539 FOR YOUR SAFETY, DO NOT OPEN THE DOOR 23 00:01:01,583 --> 00:01:03,585 OR ENGAGE WITH THIS MAN. 24 00:01:03,628 --> 00:01:05,804 OH, MY GOD, TIM. SOMEBODY IS AFTER HIM. 25 00:01:05,848 --> 00:01:06,805 WE HAVE TO-- 26 00:01:06,849 --> 00:01:08,764 WE ARE NOT OPENING THE DOOR. 27 00:01:08,807 --> 00:01:10,722 MAN: HE'’S COMING! PLEASE OPEN THE DOOR! 28 00:01:10,766 --> 00:01:13,247 PLEASE OPEN THE DOOR! HE'’S GONNA KILL US! 29 00:01:13,290 --> 00:01:20,123 PLEASE SAVE US! 30 00:01:20,167 --> 00:01:22,778 ALVEZ: I'’M TELLING YOU, I DON'’T WANT A HOUSEWARMING PARTY. 31 00:01:22,821 --> 00:01:24,258 WHAT IS WRONG WITH YOU? 32 00:01:24,301 --> 00:01:27,261 WHO DOESN'’T LIKE RIBBON-ADORNED 33 00:01:27,304 --> 00:01:29,132 POTTED PLANTS AND VEGGIE CRUDITEÉ 34 00:01:29,176 --> 00:01:30,960 AND HUMMUS WITH YOUR FACE CARVED IN IT? 35 00:01:31,003 --> 00:01:33,441 DO YOU EVEN FONDUE, BRO? 36 00:01:33,484 --> 00:01:35,965 WE'’VE GOT BIGGER FISH TO FRY HERE. 37 00:01:36,008 --> 00:01:38,141 IT'’S LIFE AND DEATH, 38 00:01:38,185 --> 00:01:40,404 AND A HOUSEWARMING PARTY JUST SEEMS STUPID. 39 00:01:40,448 --> 00:01:42,014 LEWIS: OOH, WHO'’S THROWING A HOUSEWARMING PARTY? 40 00:01:42,058 --> 00:01:43,712 OH, PLEASE SAY IT'’S YOU. 41 00:01:43,755 --> 00:01:46,323 I'’M DYING FOR SOME FRIVOLITY, JOY, AND SOME OVERPRICED SNACKS. 42 00:01:46,367 --> 00:01:50,675 NOT ME, OK? LISA WANTS ONE. 43 00:01:50,719 --> 00:01:51,850 SHE WANTS TO GET TO KNOW 44 00:01:51,894 --> 00:01:53,330 ALL OF YOU GUYS A LITTLE BETTER. 45 00:01:53,374 --> 00:01:55,376 IN FACT, YOU'’RE THE ONLY ONES INVITED. 46 00:01:55,419 --> 00:01:58,596 I THINK SOMEONE IS AFRAID OF FORMAL GESTURES 47 00:01:58,640 --> 00:02:01,033 THAT MIGHT INSINUATE A COMMITMENT. 48 00:02:01,077 --> 00:02:04,036 ALVEZ: OH, IS THAT NOT THE KETEL ONE 49 00:02:04,080 --> 00:02:05,647 CALLING THE POT BLACK? 50 00:02:05,690 --> 00:02:08,345 HEY, I'’M A REFORMED KETTLE, AND WHAT IS IT THEY SAY? 51 00:02:08,389 --> 00:02:11,043 THE FOURTH TIME'’S THE CHARM. 52 00:02:11,087 --> 00:02:12,828 JJ: WHAT ARE YOU GUYS TALKING ABOUT? 53 00:02:12,871 --> 00:02:14,395 LEWIS: OH, HEY, LUKE'’S THROWING A HOUSEWARMING PARTY. 54 00:02:14,438 --> 00:02:17,049 NO. I'’M NOT HAVING A HOUSEWARMING PARTY. 55 00:02:17,093 --> 00:02:19,356 JJ: WHAT? I LOVE A GOOD HOUSEWARMING PARTY. 56 00:02:19,400 --> 00:02:22,054 MATT, HELP ME OUT, PLEASE. 57 00:02:22,098 --> 00:02:24,622 UH, WHAT DOES LISA WANT? 58 00:02:27,234 --> 00:02:28,887 LISA WANTS A PARTY. 59 00:02:28,931 --> 00:02:30,628 YEAH. YOU'’RE THROWING THE PARTY, DUDE. 60 00:02:30,672 --> 00:02:32,413 MM-HMM. OH... 61 00:02:32,456 --> 00:02:33,196 PRENTISS: LET'’S MEET IN THE ROUND TABLE. 62 00:02:33,240 --> 00:02:34,806 WE HAVE A CASE. 63 00:02:34,850 --> 00:02:36,808 LISA PUT YOU UP TO THIS, DIDN'’T SHE? 64 00:02:36,852 --> 00:02:39,028 MM! MM! 65 00:02:39,071 --> 00:02:41,073 TAKE A LOOK AT THIS. 66 00:02:41,117 --> 00:02:43,554 HE'’S COMING! HE'S COMING! PLEASE OPEN THE DOOR! 67 00:02:43,598 --> 00:02:45,687 PLEASE HELP US! HE'’S GONNA KILL US! 68 00:02:45,730 --> 00:02:48,255 PLEASE SAVE US! 69 00:02:48,298 --> 00:02:49,473 PORTLAND, OREGON, PD NEEDS OUR HELP 70 00:02:49,517 --> 00:02:50,909 LOCATING THIS MAN. 71 00:02:50,953 --> 00:02:52,781 THEY BELIEVE THE ABDUCTION MIGHT BE CONNECTED 72 00:02:52,824 --> 00:02:54,348 TO A LOCAL COUPLE WHO WERE KILLED 73 00:02:54,391 --> 00:02:56,001 IN THEIR HOME LAST WEEK. 74 00:02:56,045 --> 00:02:57,873 THAT FIRST COUPLE WAS FOUND BOUND 75 00:02:57,916 --> 00:02:59,831 WITH DUCT TAPE ON THEIR HEADS, NECKS, 76 00:02:59,875 --> 00:03:01,442 WRISTS, AND HANDS. 77 00:03:01,485 --> 00:03:04,227 BOTH CRIMES INVOLVE DUCT TAPE, AND DUCT TAPE IS PRETTY COMMON. 78 00:03:04,271 --> 00:03:06,534 YEAH, BUT ABDUCTING COUPLES ISN'’T. 79 00:03:06,577 --> 00:03:08,536 I MEAN, "SAVE US. HELP US"? 80 00:03:08,579 --> 00:03:10,886 THERE'’S DEFINITELY ANOTHER ABDUCTEE 81 00:03:10,929 --> 00:03:12,409 ASSOCIATED WITH THIS SECOND VICTIM. 82 00:03:12,453 --> 00:03:13,715 SIMMONS: WELL, THIS GUY IS BAREFOOT 83 00:03:13,758 --> 00:03:15,238 AND WEARING BOXER SHORTS, 84 00:03:15,282 --> 00:03:16,544 SO EITHER THE UNSUB SURPRISED THEM IN BED 85 00:03:16,587 --> 00:03:18,328 OR THIS COULD BE A SEXUAL ENCOUNTER GONE WRONG. 86 00:03:18,372 --> 00:03:20,069 ROSSI: IF THIS STARTS AS CONSENSUAL, 87 00:03:20,112 --> 00:03:21,592 IT CERTAINLY DOESN'’T STAY THAT WAY. 88 00:03:21,636 --> 00:03:22,941 THIS GUY FIGHTS FOR HIS FREEDOM, 89 00:03:22,985 --> 00:03:24,247 FLED FOR HIS LIFE INSTEAD OF GOING BACK 90 00:03:24,291 --> 00:03:25,640 FOR HIS PARTNER. 91 00:03:25,683 --> 00:03:28,120 MUST BE SOME SADISTIC GAMES THIS UNSUB'’S PLAYING. 92 00:03:28,164 --> 00:03:30,688 OK. I HATE TO SAY IT, 93 00:03:30,732 --> 00:03:32,603 BUT THE OTHER VICTIM COULD BE DEAD, 94 00:03:32,647 --> 00:03:34,605 OR MAYBE THEY SPLIT UP, AND THIS GUY 95 00:03:34,649 --> 00:03:36,781 WAS LUCKY ENOUGH TO GET ON CAMERA. 96 00:03:36,825 --> 00:03:38,783 DID THEY USE FACIAL RECOGNITION TO I.D. THE VICTIM? 97 00:03:38,827 --> 00:03:40,655 GARCIA: YEAH, BUT NOTHING'’S COME UP YET. 98 00:03:40,698 --> 00:03:41,786 SO WE HAVE TWO CONFIRMED MURDERS 99 00:03:41,830 --> 00:03:43,179 AND TWO MORE POTENTIAL ONES. 100 00:03:43,223 --> 00:03:44,833 WE'’RE GONNA HAVE TO MOVE FAST TO STOP HIM. 101 00:03:44,876 --> 00:03:47,314 FORTUNATELY, WE WILL HAVE REINFORCEMENTS ON THIS CASE. 102 00:03:47,357 --> 00:03:48,880 WHEELS UP. 103 00:03:48,924 --> 00:03:51,231 GARCIA: REINFORCEMENTS? WHAT REINFORCEMENTS? HIM. 104 00:03:51,274 --> 00:03:53,015 WAIT. YOU'’RE BACK? 105 00:03:53,058 --> 00:03:54,321 WHY ARE YOU BACK? WHAT HAPPENED? 106 00:03:54,364 --> 00:03:55,713 NOTHING HAPPENED. 107 00:03:55,757 --> 00:03:56,975 THE SEMINAR WRAPPED EARLY, AND I MISSED YOU GUYS. 108 00:03:57,019 --> 00:03:58,281 ROSSI: WELL, YOU'’RE JUST IN TIME TO HELP US 109 00:03:58,325 --> 00:03:59,935 REEL IN A NASTY ONE. 110 00:03:59,978 --> 00:04:01,328 PRENTISS: WE'’LL BRIEF YOU ON THE WAY TO THE JET. LET'’S GO. 111 00:04:01,371 --> 00:04:02,590 AND WE'’LL CATCH UP LATER. 112 00:04:02,633 --> 00:04:04,809 GO, MIGHTY PROFESSOR. GO! 113 00:04:11,076 --> 00:04:16,038 J.P., ARE YOU AWAKE? CAN YOU HEAR ME? 114 00:04:16,081 --> 00:04:18,040 YEAH. 115 00:04:18,083 --> 00:04:20,347 DID ANYONE SEE YOU? 116 00:04:20,390 --> 00:04:23,045 WHEN YOU GOT OUT, DID ANYONE-- 117 00:04:23,088 --> 00:04:25,265 PLEASE SAY YES. 118 00:04:25,308 --> 00:04:27,702 I--I DON'’T KNOW. 119 00:04:27,745 --> 00:04:30,618 I TRIED. I TRIED, I SWEAR. 120 00:04:30,661 --> 00:04:33,490 HOW BAD DOES IT HURT? 121 00:04:33,534 --> 00:04:35,362 IT'’S BAD. 122 00:04:35,405 --> 00:04:40,236 OHH. I'’M REALLY SCARED. 123 00:04:40,280 --> 00:04:43,892 I AM, TOO. 124 00:04:43,935 --> 00:04:47,156 I LOVE YOU. I NEED YOU TO KNOW THAT. 125 00:04:47,199 --> 00:04:49,201 IF WE DON'’T GET OUT OF HERE, I NEED YOU TO KNOW THAT, OK? 126 00:04:49,245 --> 00:04:51,247 DON'’T SAY THAT. 127 00:04:51,291 --> 00:04:53,597 OH, NO. WAIT. 128 00:04:53,641 --> 00:04:56,557 WAIT. IS THAT-- OH, GOD. 129 00:04:59,081 --> 00:05:03,041 DON'’T DO THIS. WAIT. OH, WAIT. DON'’T-- 130 00:05:03,085 --> 00:05:05,392 J.P.: NOT AGAIN. NOT AGAIN. 131 00:05:05,435 --> 00:05:07,742 NO, NO, NO. NOT AGAIN. 132 00:05:07,785 --> 00:05:10,397 NIK, NIK, LOOK AT ME. 133 00:05:10,440 --> 00:05:11,876 NO. THIS ISN'’T FAIR. WE DIDN'’T DO ANYTHING. 134 00:05:11,920 --> 00:05:13,138 NIK, LOOK AT ME, PLEASE! 135 00:05:13,182 --> 00:05:14,575 NIK, LOOK AT ME. 136 00:05:14,618 --> 00:05:17,926 YOU'’RE THE LAST THING THAT I WANT TO SEE, OK, 137 00:05:17,969 --> 00:05:21,712 YOU'’RE THE LAST THING THAT I WANT TO SEE. 138 00:05:21,756 --> 00:05:23,627 NO. THIS ISN'’T FAIR. 139 00:05:23,671 --> 00:05:25,281 DON'’T DO THIS. JUST DON'’T DO THIS. DON'’T. PLEASE. 140 00:05:25,325 --> 00:05:27,283 DON'’T DO THIS. 141 00:05:29,633 --> 00:05:33,463 STOP! AAH! AAH... 142 00:06:10,195 --> 00:06:12,850 J.J., VOICE-OVER: "REVENGE, THE SWEETEST MORSEL 143 00:06:12,894 --> 00:06:16,201 TO THE MOUTH THAT EVER WAS COOKED IN HELL." 144 00:06:16,245 --> 00:06:18,029 SIR WALTER SCOTT. 145 00:06:18,073 --> 00:06:20,205 STILL NO I.D. ON THE MAN IN THE VIDEO 146 00:06:20,249 --> 00:06:22,120 OR ANY OTHER POTENTIAL VICTIMS, 147 00:06:22,164 --> 00:06:24,209 SO WE SHOULD START BY LOOKING AT THE FILES 148 00:06:24,253 --> 00:06:26,821 ON OUR MURDERED COUPLE FROM A WEEK AGO. 149 00:06:26,864 --> 00:06:28,605 WE NEED TO CONFIRM A CONNECTION. 150 00:06:28,649 --> 00:06:30,041 GARCIA, ON VIDEO CONFERENCE: ON YOUR TABLETS, YOU'’LL SEE 151 00:06:30,085 --> 00:06:33,088 WILLIAM AND SARAH MENDELBAUM OF PERRI PARK. 152 00:06:33,131 --> 00:06:36,396 WILLIAM WAS A BELOVED DOCTOR IN THE COMMUNITY. 153 00:06:36,439 --> 00:06:37,962 HE RETIRED 3 YEARS AGO. 154 00:06:38,006 --> 00:06:41,488 AND SARAH VOLUNTEERED AT A LOCAL BIRD SANCTUARY. 155 00:06:41,531 --> 00:06:43,577 BOTH OF THEM WERE IN THEIR EARLY 60s. 156 00:06:43,620 --> 00:06:45,796 DRASTICALLY DIFFERENT PHYSICAL VICTIMOLOGY 157 00:06:45,840 --> 00:06:47,798 THAN THE GUY WE SAW LAST NIGHT, 158 00:06:47,842 --> 00:06:49,409 WHO WAS-- I DON'’T KNOW-- 159 00:06:49,452 --> 00:06:51,323 IN HIS LATE 20s, EARLY 30s. 160 00:06:51,367 --> 00:06:53,195 THE DUCT TAPE TELLS THE TALE. 161 00:06:53,238 --> 00:06:55,197 THE FIRST COUPLE WAS BOUND AROUND THE WRIST, 162 00:06:55,240 --> 00:06:56,720 ANKLES, AND NECK. 163 00:06:56,764 --> 00:06:58,548 SO WAS OUR GUY IN THE VIDEO. 164 00:06:58,592 --> 00:07:00,245 THIS HAD GOT TO BE THE SAME UNSUB. 165 00:07:00,289 --> 00:07:01,682 SIMMONS: THE M.E. DETERMINED THE WEAPON TO BE 166 00:07:01,725 --> 00:07:02,987 SOME KIND OF A HUNTING KNIFE. 167 00:07:03,031 --> 00:07:05,076 ON THE MENDELBAUMS, WE HAVE 5 STAB WOUNDS 168 00:07:05,120 --> 00:07:08,253 ON EACH--3 ON THE TORSO AND TWO ON THEIR NECKS. 169 00:07:08,297 --> 00:07:09,559 LEWIS: THEIR EYEBROWS WERE SINGED, 170 00:07:09,603 --> 00:07:10,995 THEIR EYELASHES COMPLETELY BURNED OFF. 171 00:07:11,039 --> 00:07:13,084 THE TIPS OF THEIR EYEBALLS WERE SEVERELY BURNED, 172 00:07:13,128 --> 00:07:14,912 AND THE SKIN AROUND THEIR EYES SUSTAINED SECOND-DEGREE BURNS 173 00:07:14,956 --> 00:07:16,392 ANTEMORTEM. 174 00:07:16,436 --> 00:07:17,741 WHATEVER IT WAS THAT BURNED THEM 175 00:07:17,785 --> 00:07:19,439 COULDN'’T BE FOUND AT THE SCENE. 176 00:07:19,482 --> 00:07:20,744 YEAH. MUST BE 177 00:07:20,788 --> 00:07:22,398 FROM SOME KIND OF LOCALIZED HEAT SOURCE, 178 00:07:22,442 --> 00:07:24,444 MAYBE A LIGHTER OR BUTANE TORCH, 179 00:07:24,487 --> 00:07:27,925 SOMETHING SO FINITE AND PRECISE THAT HE 180 00:07:27,969 --> 00:07:31,581 DIDN'’T MELT THE EYEBALLS OR DESTROY THE EYE SOCKETS. 181 00:07:31,625 --> 00:07:34,105 REID: GARCIA, CAN YOU SHOW US THE VIDEO FROM LAST NIGHT? 182 00:07:34,149 --> 00:07:36,630 UNFORTUNATELY, I CAN. 183 00:07:36,673 --> 00:07:40,111 HELP! HELP! PLEASE LET ME IN! 184 00:07:40,155 --> 00:07:42,287 PAUSE IT RIGHT THERE. 185 00:07:42,331 --> 00:07:44,333 HIS LEFT CORNEA. YOU GUYS SEE THAT? 186 00:07:44,376 --> 00:07:46,291 EASILY WRITTEN OFF AS REFLECTOR GLOW 187 00:07:46,335 --> 00:07:47,771 FROM LOW-LIGHT VIDEO CONDITIONS, 188 00:07:47,815 --> 00:07:49,556 BUT I THINK THE UNSUB BURNED IT, 189 00:07:49,599 --> 00:07:50,731 AND THE SKIN AROUND THE AREA 190 00:07:50,774 --> 00:07:51,862 ISN'’T AFFECTED LIKE ON THE MENDELBAUMS. 191 00:07:51,906 --> 00:07:53,385 HE'’S GETTING BETTER AT THIS. 192 00:07:53,429 --> 00:07:55,126 PRENTISS: EXCEPT HE LOST CONTROL OF HIS VICTIM LAST NIGHT, 193 00:07:55,170 --> 00:07:56,519 SO HE'’S NOT THAT GOOD. 194 00:07:56,563 --> 00:07:58,086 WHEN WE LAND, SPENCER, J.J., MATT, 195 00:07:58,129 --> 00:07:59,609 GO TO THE MENDELBAUM CRIME SCENE. 196 00:07:59,653 --> 00:08:01,350 THE REST OF US WILL SET UP AT THE LOCAL PD. 197 00:08:01,393 --> 00:08:03,221 LET'’S HOPE WE FIND THIS UNSUB 198 00:08:03,265 --> 00:08:05,180 BEFORE HE PERFECTS HIS TECHNIQUE. 199 00:08:07,487 --> 00:08:09,532 LEWIS: SO THE FIRST VICTIMS, THE MENDELBAUMS, 200 00:08:09,576 --> 00:08:11,186 THEY LIVED UP HERE IN THE WEST, 201 00:08:11,229 --> 00:08:13,710 AND THEN THE ALDRIDGE HOUSE, WHERE THE SECOND VICTIM 202 00:08:13,754 --> 00:08:16,278 RANG THE DOORBELL WAS DOWN HERE IN THE SOUTH, 203 00:08:16,321 --> 00:08:18,280 SO WHAT ARE THESE TWO NEIGHBORHOODS LIKE? 204 00:08:18,323 --> 00:08:19,890 BOTH QUIET. 205 00:08:19,934 --> 00:08:21,849 THE SOUTH PART IS ADJACENT TO DOWNTOWN, 206 00:08:21,892 --> 00:08:23,590 AND THE WEST PART IS MORE WELL-TO-DO 207 00:08:23,633 --> 00:08:25,069 AND SECLUDED IN THE HILLS. 208 00:08:25,113 --> 00:08:26,941 BUT THE BLOOD TRAIL FOUND AT THE ALDRIDGES'’ 209 00:08:26,984 --> 00:08:28,551 WENT FROM THE PORCH TO THE CURB, 210 00:08:28,595 --> 00:08:31,075 SO OUR UNSUB HAD A WAITING VEHICLE, 211 00:08:31,119 --> 00:08:33,164 BUT WHICH DIRECTION DID OUR VICTIM COME FROM? 212 00:08:33,208 --> 00:08:35,253 WELL, OUR GUY HAD MUD ON HIS FEET. 213 00:08:35,297 --> 00:08:38,300 HOW HE GOT THAT WOULD ANSWER YOUR QUESTION, EMILY. 214 00:08:38,343 --> 00:08:40,215 POLICE CHIEF: THE WEST PART IS RIGHT AT THE EDGE 215 00:08:40,258 --> 00:08:42,086 OF A HUGE WOODED FOREST. 216 00:08:42,130 --> 00:08:43,914 ALL RIGHT. SO THAT MEANS OUR VICTIM WOULD HAVE HAD 217 00:08:43,958 --> 00:08:46,090 TO HAVE APPROACHED THROUGH HERE 218 00:08:46,134 --> 00:08:48,049 FROM THIS NEIGHBORHOOD, I'’M ASSUMING. ROXY HEIGHTS? 219 00:08:48,092 --> 00:08:49,441 THAT WOULD TRACK. 220 00:08:49,485 --> 00:08:51,443 WAIT. IF HE WOULD'’VE JUST MADE A RIGHT 221 00:08:51,487 --> 00:08:53,097 WHEN HE CAME OUT OF THE CUL-DE-SAC, 222 00:08:53,141 --> 00:08:55,578 HE WOULD'’VE RUN SMACK DAB INTO A POLICE SUBSTATION. 223 00:08:55,622 --> 00:08:57,101 HE WOULD'’VE BEEN SAVED. 224 00:08:57,145 --> 00:08:59,060 PRENTISS: MAYBE HE DIDN'’T KNOW THE AREA. 225 00:08:59,103 --> 00:09:00,757 POLICE CHIEF: IT'’S NOT LIKE WE KEPT IT A SECRET. 226 00:09:00,801 --> 00:09:02,716 WE DO ALL KINDS OF NEIGHBORHOOD OUTREACH. 227 00:09:02,759 --> 00:09:04,761 NO. IT CHANGES OUR PROFILE. 228 00:09:04,805 --> 00:09:07,721 HE PICKED A VICTIM OR, MORE LIKELY, A COUPLE 229 00:09:07,764 --> 00:09:09,026 THAT ISN'’T LOCAL. 230 00:09:09,070 --> 00:09:10,550 IF THEY'’RE HARD TO FIND, HE'’S HARD TO FIND. 231 00:09:10,593 --> 00:09:13,030 SO WAS THAT ON PURPOSE, OR DID HE JUST GET LUCKY? 232 00:09:13,074 --> 00:09:15,467 MAYBE THE MENDELBAUM CRIME SCENE 233 00:09:15,511 --> 00:09:18,079 WILL HELP US FIGURE THAT OUT. 234 00:09:18,122 --> 00:09:21,735 J.J.: THANK YOU FOR LETTING US INTO YOUR PARENTS'’ HOME. 235 00:09:21,778 --> 00:09:23,258 ARE YOU GONNA CATCH THE SON OF A BITCH 236 00:09:23,301 --> 00:09:25,086 THAT DID THIS TO THEM? 237 00:09:25,129 --> 00:09:28,437 WELL, WE WON'’T LEAVE UNTIL WE DO. 238 00:09:28,480 --> 00:09:31,440 SO HOW LONG DID YOUR DAD PRACTICE MEDICINE HERE? 239 00:09:31,483 --> 00:09:35,270 35 YEARS, RETIRED FOR ONLY 3. 240 00:09:35,313 --> 00:09:37,272 IT'’S QUITE A LEGACY. 241 00:09:37,315 --> 00:09:40,318 CAN YOU THINK OF ANYONE WHO WOULD WANT 242 00:09:40,362 --> 00:09:42,756 TO HURT HIM OR YOUR MOM? 243 00:09:42,799 --> 00:09:45,454 NO. MY DAD WAS A PEDIATRICIAN. 244 00:09:45,497 --> 00:09:49,763 EVERYONE LOVED HIM AND MY MOM. 245 00:09:49,806 --> 00:09:54,637 I DON'’T GET IT. WHY-- 246 00:09:56,683 --> 00:09:58,336 WHY WHAT? 247 00:09:58,380 --> 00:10:01,035 WHEN MY PARENTS WOULDN'’T ANSWER MY CALLS OR TEXTS, 248 00:10:01,078 --> 00:10:04,647 I CAME OVER TO CHECK ON THEM, AND-- 249 00:10:04,691 --> 00:10:07,476 YOU FOUND THE BODIES. 250 00:10:07,519 --> 00:10:11,349 YEAH, BUT BEFORE I DID, 251 00:10:11,393 --> 00:10:13,787 THE WHOLE HOUSE WAS DARK. 252 00:10:13,830 --> 00:10:15,789 I WAS STUMBLING AROUND, TRYING TO FIND THEM, 253 00:10:15,832 --> 00:10:17,791 AND WHEN I GOT TO THE FUSE BOX, 254 00:10:17,834 --> 00:10:19,662 ALL THE BREAKERS WERE TRIPPED. 255 00:10:19,706 --> 00:10:22,665 SO THE KILLER TURNED OFF ALL THE LIGHTS. 256 00:10:22,709 --> 00:10:24,362 THIS WASN'’T IN THE POLICE REPORT. 257 00:10:24,406 --> 00:10:26,277 DID YOU TELL THEM? 258 00:10:26,321 --> 00:10:27,670 IS IT IMPORTANT? 259 00:10:27,714 --> 00:10:29,324 UH, IT MIGHT BE. 260 00:10:31,413 --> 00:10:34,546 UH, EXCUSE ME. 261 00:10:39,377 --> 00:10:43,077 SO WE RULED OUT THE SON, RIGHT? 262 00:10:43,120 --> 00:10:44,948 YEAH. HE WAS HOME ALL NIGHT. WHY? 263 00:10:44,992 --> 00:10:46,776 WELL, THE UNSUB CUT THE POWER TO THE HOUSE, 264 00:10:46,820 --> 00:10:48,952 AND RAY DIDN'’T MENTION IT TO THE POLICE. 265 00:10:48,996 --> 00:10:51,041 IT'’S ODD, BUT HE DID JUST LOSE BOTH HIS PARENTS. 266 00:10:51,085 --> 00:10:52,695 AND THAT TRACKS WITH WHAT WE FOUND. 267 00:10:52,739 --> 00:10:53,827 WELL, WHAT DID YOU FIND? 268 00:10:53,870 --> 00:10:55,045 REID: WELL, THE UNSUB SECURED THEM HERE 269 00:10:55,089 --> 00:10:56,438 AND NOT VERY WELL. 270 00:10:56,481 --> 00:10:57,569 HOW CAN YOU TELL? 271 00:10:57,613 --> 00:10:58,788 BUTANE BURNS ON THE TABLE. 272 00:10:58,832 --> 00:11:00,485 THEY SQUIRMED AS HE BROUGHT THE LIGHTER DOWN. 273 00:11:00,529 --> 00:11:04,402 OK. WELL, WHY BLIND HIM, THEN STAB? 274 00:11:04,446 --> 00:11:06,578 HE HAS THEM SECURE. IT'’S ALREADY DARK. 275 00:11:06,622 --> 00:11:08,319 WHAT IS HE TRYING TO ACCOMPLISH? 276 00:11:08,363 --> 00:11:12,323 SIMMONS: THIS. SO WE ASKED THE POLICE 277 00:11:12,367 --> 00:11:16,110 TO DUST FOR PRINTS, BUT WE WERE NOT EXPECTING THIS. 278 00:11:16,153 --> 00:11:17,851 OH, MY GOD. 279 00:11:17,894 --> 00:11:20,462 THE PRINTS ALL BELONG TO MR. AND MRS. MENDELBAUM. 280 00:11:20,505 --> 00:11:23,508 JJ: YEAH. THEY WERE TRYING 281 00:11:23,552 --> 00:11:26,381 TO FEEL THEIR WAY AROUND BLIND. 282 00:11:26,424 --> 00:11:29,297 AND HE WAS WATCHING THEM WITH HIS GOGGLES ON. 283 00:11:29,340 --> 00:11:31,691 HE WANTED TO SEE THEM STRUGGLE. 284 00:11:31,734 --> 00:11:34,824 NO. HE WANTED TO SEE THEM PANIC. 285 00:11:34,868 --> 00:11:38,393 HE WANTED THEM TO KNOW THAT AT ANY POINT, 286 00:11:38,436 --> 00:11:41,265 HE COULD STAB THEM, WHICH HE DID 287 00:11:41,309 --> 00:11:44,007 RIGHT THERE AND THEN HERE. 288 00:11:44,051 --> 00:11:45,966 WE THOUGHT THAT LAST NIGHT'’S VICTIM GOT LUCKY AND ESCAPED, 289 00:11:46,009 --> 00:11:48,185 BUT THIS CRIME SCENE TELLS AN ENTIRELY DIFFERENT STORY. 290 00:11:48,229 --> 00:11:51,188 YEAH. HE LET THEM GO ON PURPOSE, 291 00:11:51,232 --> 00:11:53,103 FIRST IN A CONTROLLED SETTING LIKE THIS, 292 00:11:53,147 --> 00:11:55,149 THEN OUT IN THE WILD. 293 00:11:55,192 --> 00:11:57,064 SO LAST NIGHT'’S VICTIM DIDN'’T GET LUCKY. 294 00:11:57,107 --> 00:12:00,763 NO. OUR UNSUB'’S A HUNTER. 295 00:12:06,595 --> 00:12:08,553 NIKKI: IT'’S OK. 296 00:12:08,597 --> 00:12:10,991 BABY, IT'’S-- IT'’S OK. 297 00:12:12,906 --> 00:12:16,387 NIK, I CAN'’T SEE. 298 00:12:16,431 --> 00:12:18,520 JUST... I CAN'’T SEE. 299 00:12:18,563 --> 00:12:20,827 FOCUS ON MY VOICE. 300 00:12:20,870 --> 00:12:22,742 I--I-- 301 00:12:22,785 --> 00:12:24,744 THINK ABOUT THE PLACE THAT WE MET. 302 00:12:24,787 --> 00:12:27,181 REMEMBER? 303 00:12:27,224 --> 00:12:29,923 BALBOA. BALBOA ISLAND. 304 00:12:29,966 --> 00:12:34,057 REMEMBER THAT SUNSET? OTHERWORLDLY, RIGHT? 305 00:12:34,101 --> 00:12:37,408 THE PINKS, THE BLUES. 306 00:12:37,452 --> 00:12:39,497 YEAH. 307 00:12:39,541 --> 00:12:41,891 J.P.: I WAS HOPING THAT IF YOU NOTICED ME 308 00:12:41,935 --> 00:12:45,852 NOTICING THEM, YOU'’D HAVE COFFEE WITH ME. 309 00:12:45,895 --> 00:12:48,898 NIK: IT WORKED. IT DID. 310 00:12:48,942 --> 00:12:50,900 WHAT WAS THE NAME OF THAT COFFEE SHOP? 311 00:12:50,944 --> 00:12:52,684 THE BALBOA ISLAND COFFEE COMPANY. 312 00:12:52,728 --> 00:12:54,077 WE'’RE GONNA GO BACK THERE, OK? 313 00:12:54,121 --> 00:12:55,252 YEAH. 314 00:12:55,296 --> 00:12:55,731 I PROMISE YOU, WE'’RE GONNA MAKE IT BACK. 315 00:12:57,080 --> 00:12:58,690 SHH, SHH, SHH. SHH, SHH, SHH. 316 00:12:58,734 --> 00:13:00,997 HE'’S COMING. SHH. HE'’S COMING. 317 00:13:01,041 --> 00:13:04,131 I HEAR HIM. SHH, SHH. 318 00:13:15,882 --> 00:13:19,363 UH...UH... 319 00:13:24,368 --> 00:13:26,196 J.P.: NIK. NIK? 320 00:13:26,240 --> 00:13:27,981 NO. NO. NIK? 321 00:13:28,024 --> 00:13:30,287 NO, NO. IT'’S MY TURN. HURT ME. 322 00:13:30,331 --> 00:13:32,942 HE'’S GOT A KNIFE. WHAT? 323 00:13:32,986 --> 00:13:35,989 OH...OH...OH... 324 00:13:43,735 --> 00:13:45,955 COME ON. 325 00:13:53,963 --> 00:13:57,706 GET UP. 326 00:14:00,796 --> 00:14:02,885 NOW LET'’S SEE YOU GET OUT OF HERE. 327 00:14:02,929 --> 00:14:05,018 GO ON. GET GOING. 328 00:14:05,061 --> 00:14:06,584 NIKKI: J.P. 329 00:14:06,628 --> 00:14:09,065 REID: BASED ON THE VIDEO, THE UNSUB'’S GOGGLES 330 00:14:09,109 --> 00:14:10,850 USE A PROCESS CALLED AMPLIFICATION 331 00:14:10,893 --> 00:14:12,242 WHICH INCREASES THE AVAILABLE LIGHT 332 00:14:12,286 --> 00:14:14,244 IN ORDER TO MAKE IT BRIGHT ENOUGH FOR EYES TO SEE IT. 333 00:14:14,288 --> 00:14:16,812 NOW, HE CAN SEE HIS VICTIMS, BUT THEY CAN'’T SEE HIM, 334 00:14:16,856 --> 00:14:18,596 BUT HERE'’S THE PART THAT DOESN'’T MAKE SENSE. 335 00:14:18,640 --> 00:14:20,381 ONCE THEY'’RE BLINDED, 336 00:14:20,424 --> 00:14:22,600 HE SHOULDN'’T NEED TO WEAR THAT ANYMORE. 337 00:14:22,644 --> 00:14:25,690 OR IT COULD BE SYMBOLIC, OR HE'’S MAKING A STATEMENT-- 338 00:14:25,734 --> 00:14:28,171 COLORBLIND. LOVE IS BLIND, BLIND JUSTICE. 339 00:14:28,215 --> 00:14:30,347 GARCIA, YOU'’RE ON SPEAKER. 340 00:14:30,391 --> 00:14:31,914 GARCIA, ON PHONE: OOH, I LIVE FOR SPEAKER. OK. 341 00:14:31,958 --> 00:14:34,090 I HAVE FOUND ADDITIONAL SECURITY FOOTAGE 342 00:14:34,134 --> 00:14:37,441 OF OUR VIDEO GUY RUNNING-- OR SHOULD I SAY SPRINTING?-- 343 00:14:37,485 --> 00:14:39,835 PAST 3 HOUSES IN ROXY HEIGHTS. 344 00:14:39,879 --> 00:14:43,360 SENT IT TO YOUR TABLETS EXACTLY NOW. 345 00:14:43,404 --> 00:14:46,059 LEWIS: WOW. BUT HE'’S REALLY MOVING. 346 00:14:46,102 --> 00:14:48,104 THIS IS AFTER TWO MILES ACROSS OPEN FOREST, 347 00:14:48,148 --> 00:14:49,714 HE'’S STILL SPRINTING. 348 00:14:49,758 --> 00:14:50,933 WELL, THAT COULD BE JUST ADRENALINE, 349 00:14:50,977 --> 00:14:52,630 BUT THIS GUY'’S GOT PERFECT FORM. 350 00:14:52,674 --> 00:14:54,937 PRENTISS: HE'’S ALSO WEARING AN EXERCISE WATCH. 351 00:14:54,981 --> 00:14:57,287 THIS VICTIM TRAINED REGULARLY. 352 00:14:57,331 --> 00:14:59,115 LEWIS: WELL, MAYBE HE'’S A RUNNER FROM OUT-OF-TOWN. 353 00:14:59,159 --> 00:15:00,943 ARE THERE ANY UPCOMING MARATHONS? 354 00:15:00,987 --> 00:15:02,423 POLICE CHIEF: YES, TOMORROW. 355 00:15:02,466 --> 00:15:04,816 THERE'’S A HALF-MARATHON FOR BREAST CANCER RESEARCH. 356 00:15:04,860 --> 00:15:06,644 I'’VE RUN IT A FEW TIMES MYSELF 357 00:15:06,688 --> 00:15:08,168 IN MEMORY OF MY AUNT JOYCE. 358 00:15:08,211 --> 00:15:10,910 GARCIA, I WANT YOU TO RUN THE ENTRANTS'’ NAMES. 359 00:15:10,953 --> 00:15:13,086 CROSS-REFERENCE THEM WITH THEIR BIB PHOTOS 360 00:15:13,129 --> 00:15:15,305 AND THE VIDEO STILLS OF OUR MISSING MAN. 361 00:15:15,349 --> 00:15:17,612 LOOK FOR ROMANTIC COUPLES RUNNING TOGETHER, 362 00:15:17,655 --> 00:15:19,135 MARRIED OR DOMESTIC, 363 00:15:19,179 --> 00:15:21,050 SPANNING SEXUAL PREFERENCE LINES. 364 00:15:21,094 --> 00:15:23,792 ALL OVER IT, BOSS, LIKE BEANIES ON MAN BUNS ON HIPSTERS. 365 00:15:26,447 --> 00:15:27,883 OH. HERE WE GO. 366 00:15:27,927 --> 00:15:30,842 J.P. McCOY--32, NIKKI PARENO--29, 367 00:15:30,886 --> 00:15:32,975 RECENTLY ENGAGED, FROM HUNTINGTON BEACH, CALIFORNIA. 368 00:15:33,019 --> 00:15:35,021 HE'’S A FINANCIAL PLANNER. SHE'’S A VET TECH. 369 00:15:35,064 --> 00:15:37,588 LOOKS LIKE THEY WERE STAYING AT A HOME-SHARE RENTAL 370 00:15:37,632 --> 00:15:39,329 THEY GOT OFF COZYNEST. 371 00:15:39,373 --> 00:15:40,765 IT'’S JUST LIKE AIRBnB. 372 00:15:40,809 --> 00:15:42,854 IT'’S TEMPORARY RENTALS, HAVING TO TRUST STRANGERS. 373 00:15:42,898 --> 00:15:44,944 IT'’S PRETTY RISKY IF YOU THINK ABOUT IT. 374 00:15:44,987 --> 00:15:46,902 ADDRESS SENT. 375 00:15:53,213 --> 00:15:55,345 NIK... 376 00:15:55,389 --> 00:15:57,869 NIK, IS HE GONE? 377 00:15:57,913 --> 00:15:59,349 I THINK SO. 378 00:15:59,393 --> 00:16:00,655 J.P.: OK. YEAH. 379 00:16:00,698 --> 00:16:02,178 I GOT TO GET YOU FREE. 380 00:16:02,222 --> 00:16:03,310 NO, NO, NO ,NO, NO. NO. NO. 381 00:16:03,353 --> 00:16:04,964 HE'’S GONNA BE RIGHT BACK. 382 00:16:05,007 --> 00:16:07,444 PLEASE, J.P. NOW IS YOUR CHANCE. 383 00:16:07,488 --> 00:16:09,533 I'’LL TRY AND HELP YOU. 384 00:16:09,577 --> 00:16:14,756 THERE'’S A STAIRCASE ABOUT 12 FEET AHEAD OF YOU. 385 00:16:14,799 --> 00:16:18,151 KEEP GOING. THAT'’S IT. 386 00:16:18,194 --> 00:16:19,239 OK. 387 00:16:26,072 --> 00:16:28,552 LEWIS, ROSSI, TAKE THE BACK. WAIT FOR MY MARK. 388 00:16:28,596 --> 00:16:29,858 NOW BE CAREFUL. 389 00:16:29,901 --> 00:16:31,251 TAKE THE HAND RAIL 390 00:16:31,294 --> 00:16:33,253 AND JUST TAKE ONE STEP AT A TIME, OK? 391 00:16:33,296 --> 00:16:35,211 ONE STEP AT A TIME. 392 00:16:35,255 --> 00:16:37,909 MAN: MOVING INTO POSITION. 393 00:16:39,955 --> 00:16:42,914 NIK, NIK, NIK, I HEAR VOICES. 394 00:16:42,958 --> 00:16:45,134 YOU CAN DO THIS, J.P. 395 00:16:45,178 --> 00:16:46,744 JUST HEAD TOWARD THEIR VOICES. 396 00:17:03,805 --> 00:17:05,850 OK. WE'’RE READY. 397 00:17:17,036 --> 00:17:19,603 1, 2, 3. 398 00:17:28,830 --> 00:17:31,267 CLEAR. 399 00:17:32,877 --> 00:17:34,575 THEY'’RE NOT HERE. 400 00:17:37,447 --> 00:17:39,319 UH! HUH... 401 00:17:50,417 --> 00:17:52,897 HE CUT OFF THE POWER HERE, AS WELL. 402 00:17:52,941 --> 00:17:54,725 THIS IS HOW HE GAINS CONTROL. 403 00:17:54,769 --> 00:17:57,032 RIGHT. SO THEY RUN OUTSIDE TO CHECK THE FUSE BOX. 404 00:17:57,076 --> 00:17:58,338 HE GETS INSIDE. 405 00:17:58,381 --> 00:17:59,861 THEY COME BACK IN, AND THEY'’RE IMMEDIATELY 406 00:17:59,904 --> 00:18:01,254 AT A DISADVANTAGE IN THE DARK. 407 00:18:01,297 --> 00:18:02,516 JUST LIKE THE MENDELBAUMS. 408 00:18:02,559 --> 00:18:03,952 YEAH, BUT THAT'’S WHERE IT ENDS. 409 00:18:03,995 --> 00:18:06,172 I MEAN, THERE'’S NO STUMBLING AROUND IN THE DARK HERE. 410 00:18:06,215 --> 00:18:08,261 THERE'’S NO HANDPRINTS AT ALL BEYOND THE USUAL. 411 00:18:08,304 --> 00:18:10,785 HE DID NOT KILL THEM HERE. 412 00:18:10,828 --> 00:18:14,832 SO THE UNSUB MOVED THEM TO A SECONDARY LOCATION. 413 00:18:14,876 --> 00:18:16,617 IT'’S RISKY TO MOVE TWO PEOPLE. 414 00:18:16,660 --> 00:18:18,619 WHY DO IT, 415 00:18:18,662 --> 00:18:20,795 AND HOW DO YOU DO IT WITHOUT BEING SEEN? 416 00:18:20,838 --> 00:18:23,450 ALL RIGHT, SO WE KNOW THIS GUY 417 00:18:23,493 --> 00:18:25,974 LIKES TO TAKE BIG RISKS, WHICH HE'’S DONE HERE 418 00:18:26,017 --> 00:18:28,150 BY COMING ALL THE WAY ACROSS TOWN TO THIS HOUSE, 419 00:18:28,194 --> 00:18:29,630 BUT WE STILL DON'’T KNOW 420 00:18:29,673 --> 00:18:31,153 WHY THIS HOUSE IS SO SPECIAL. 421 00:18:31,197 --> 00:18:33,155 ISRAEL KEYES EVADED CAPTURE FOR DECADES 422 00:18:33,199 --> 00:18:35,331 BECAUSE HE CRACKED THE CODE. 423 00:18:35,375 --> 00:18:37,159 RIGHT. DON'’T KILL ANYBODY CONNECTED TO YOU, 424 00:18:37,203 --> 00:18:39,292 AND DON'’T KILL IN A SPACE THAT CAN BE CONNECTED TO YOU. 425 00:18:39,335 --> 00:18:41,424 WELL, MAYBE THIS UNSUB DID HIS RESEARCH 426 00:18:41,468 --> 00:18:43,818 AND FIGURED THAT OUT, TOO. 427 00:18:43,861 --> 00:18:45,820 ALL RIGHT, SO MAYBE THIS GUY'’S SMART ENOUGH 428 00:18:45,863 --> 00:18:48,127 TO HAVE CREATED A SPECIAL LAYER OF PROTECTION 429 00:18:48,170 --> 00:18:49,998 BY USING COZYNEST TO FIND AND ATTACK STRANGERS, 430 00:18:50,041 --> 00:18:52,043 OR IT'’S THE OPPOSITE, AND THERE'’S SOME KIND 431 00:18:52,087 --> 00:18:54,611 OF AN EMOTIONAL TIE AND HE CHOSE THIS HOUSE PURPOSEFULLY. 432 00:18:54,655 --> 00:18:57,136 ALVEZ: YOUR DADDY SAID YOU'’RE SORT OF 433 00:18:57,179 --> 00:18:58,920 A NIGHT OWL AROUND THE NEIGHBORHOOD. 434 00:18:58,963 --> 00:19:01,314 I HAVE A HARD TIME SLEEPING, AND I LIKE THE NIGHT. 435 00:19:01,357 --> 00:19:04,012 ANYTHING HAPPEN LAST NIGHT THAT'’S A LITTLE 436 00:19:04,055 --> 00:19:05,840 OUT OF THE NORMAL ROUTINE FOR AROUND HERE? 437 00:19:05,883 --> 00:19:07,363 OUR NEIGHBORS LIKE TO RENT THEIR PLACE OUT 438 00:19:07,407 --> 00:19:08,669 ON COZYNEST, SO IT'’S ALWAYS 439 00:19:08,712 --> 00:19:10,453 A MIXED BAG NEXT DOOR. 440 00:19:10,497 --> 00:19:13,587 WELL, DID YOU SEE ANYONE COMING OR GOING? 441 00:19:13,630 --> 00:19:16,111 WELL, EARLIER, I WAS IN MY ROOM, 442 00:19:16,155 --> 00:19:17,852 AND I SAW THE GUY AND A GIRL COME HOME, 443 00:19:17,895 --> 00:19:19,201 MUST HAVE BEEN FROM A RUN. 444 00:19:19,245 --> 00:19:20,507 WHAT ABOUT AFTER THAT? 445 00:19:20,550 --> 00:19:22,204 I THOUGHT THEY INVITED A FRIEND OVER BECAUSE 446 00:19:22,248 --> 00:19:25,294 I SAW THIS GUY HELPING THE RUNNER DUDE INTO A CAR. 447 00:19:25,338 --> 00:19:27,470 THE NEW GUY, WHAT DID HE LOOK LIKE? 448 00:19:27,514 --> 00:19:29,342 DARK CLOTHES, A HOODIE. 449 00:19:29,385 --> 00:19:31,474 SOMETHING ABOUT HIM MADE ME ASSUME HE WAS A DEALER, 450 00:19:31,518 --> 00:19:33,215 YOU KNOW? 451 00:19:33,259 --> 00:19:36,087 HE HAD THESE WEIRD SUNGLASSES ON AND EVERYTHING. 452 00:19:36,131 --> 00:19:38,568 THESE SUNGLASSES, WHAT WAS WEIRD ABOUT THEM, 453 00:19:38,612 --> 00:19:40,527 I MEAN, OTHER THAN HE HAD THEM ON AT NIGHT? 454 00:19:40,570 --> 00:19:42,964 HAD SOMETHING SHINY ON THEM, 455 00:19:43,007 --> 00:19:45,053 LIKE A STRIPE OR SOMETHING. 456 00:19:45,096 --> 00:19:46,881 IT CAUGHT MY EYE WHEN HE OPENED THE CAR DOOR 457 00:19:46,924 --> 00:19:48,665 AND THE OVERHEAD LIGHT WENT ON. 458 00:19:48,709 --> 00:19:50,319 IF I WERE TO SHOW YOU A PICTURE 459 00:19:50,363 --> 00:19:52,539 OF THESE SUNGLASSES, WOULD YOU BE ABLE TO I.D. THEM? 460 00:19:52,582 --> 00:19:55,019 YEAH. SURE. 461 00:19:56,412 --> 00:19:58,240 THAT'’S THEM. 462 00:19:58,284 --> 00:20:00,373 THANKS, MAN. 463 00:20:02,026 --> 00:20:03,941 WE NEED TO DELIVER THE PROFILE. 464 00:20:06,292 --> 00:20:08,642 THE UNSUB WE'’RE LOOKING FOR IS BELIEVED TO BE A WHITE MALE 465 00:20:08,685 --> 00:20:12,298 IN HIS LATE 20s TO EARLY 30s WHO IS VISUALLY IMPAIRED. 466 00:20:12,341 --> 00:20:14,038 ALVEZ: NOW, BASED ON EYEWITNESS CONFIRMATION, 467 00:20:14,082 --> 00:20:15,649 HE'’S WEARING THESE. 468 00:20:15,692 --> 00:20:18,129 THEY'’RE ELECTRONIC SUNGLASSES THAT HELP HIM SEE IN THE DARK. 469 00:20:18,173 --> 00:20:20,654 WOMAN: SO HE'’S BLIND? THAT SHOULD MAKE HIM EASY TO FIND. 470 00:20:20,697 --> 00:20:22,830 REID: NO. HE'’S IMPAIRED, NOT FULLY SIGHTLESS, 471 00:20:22,873 --> 00:20:24,440 AND WITH THE AID OF THE GLASSES 472 00:20:24,484 --> 00:20:26,050 AND THE NIGHT-VISION GOGGLES, HE MOST LIKELY 473 00:20:26,094 --> 00:20:27,922 HAS CLOSE TO FULL VISION. 474 00:20:27,965 --> 00:20:30,490 WHAT'’S MORE RELEVANT FOR OUR PROFILE, HOWEVER, 475 00:20:30,533 --> 00:20:32,318 IS THAT BEHIND THIS DISABILITY LURKS 476 00:20:32,361 --> 00:20:35,669 A PSYCHOPATH INCAPABLE OF FEELING EMPATHY. 477 00:20:35,712 --> 00:20:37,714 BUT HIS RAGE OVER HIS CONDITION IS NOW EXTERNALIZED 478 00:20:37,758 --> 00:20:40,717 ON HIS VICTIMS, INCLUDING ANYONE WHO SHOWS HIM ANY EMPATHY. 479 00:20:40,761 --> 00:20:42,980 LEWIS: IT'’S ALSO POSSIBLE THAT THIS UNSUB HAS LEARNED 480 00:20:43,024 --> 00:20:45,026 HOW TO WEAPONIZE HIS DISABILITY 481 00:20:45,069 --> 00:20:46,854 IN ORDER TO MAKE HIMSELF SEEM 482 00:20:46,897 --> 00:20:48,421 LESS THREATENING TO HIS VICTIMS. 483 00:20:48,464 --> 00:20:50,684 ROSSI: HOWEVER, THIS UNSUB HAS LIMITED SOCIAL SKILLS. 484 00:20:50,727 --> 00:20:53,208 HIS DISABILITY HAS KEPT HIM WITHDRAWN AND ISOLATED. 485 00:20:53,252 --> 00:20:55,341 THAT'’S WHY HE'S TAKEN HIS OWN IMPAIRMENT OUT 486 00:20:55,384 --> 00:20:56,994 ON HIS VICTIMS. 487 00:20:57,038 --> 00:20:59,693 HE WANTS THEM TO KNOW WHAT IT'’S LIKE TO BE HIM. 488 00:20:59,736 --> 00:21:02,217 BRINGING THEM TO HIS LEVEL ALLOWS HIM TO DRAW OUT 489 00:21:02,261 --> 00:21:06,265 THE TORTURE AND ENGAGE IN CAT-AND-MOUSE-TYPE PLAY WITH THEM. 490 00:21:06,308 --> 00:21:08,049 PSYCHOPATHS GET BORED EASILY. 491 00:21:08,092 --> 00:21:10,660 THAT'’S WHY THEY TAKE BIGGER AND BIGGER RISKS. 492 00:21:10,704 --> 00:21:12,706 THAT'’S WHY HE RELEASED J.P., 493 00:21:12,749 --> 00:21:15,056 AND WE EXPECT HIM TO CONTINUE TO ESCALATE WITH NIKKI. 494 00:21:15,099 --> 00:21:16,449 WHAT DOES THAT LOOK LIKE? 495 00:21:16,492 --> 00:21:18,320 REID: IT COULD BE PRETENDING TO CARE ABOUT HER 496 00:21:18,364 --> 00:21:20,366 OR PRETENDING TO LET HER GO AFTER HE BLINDS HER. 497 00:21:20,409 --> 00:21:23,543 NIKKI MIGHT HAVE A CHANCE IF SHE CAN PROVE THAT 498 00:21:23,586 --> 00:21:26,197 SHE SEES HIM AS A HUMAN BEING INSTEAD OF A MONSTER, 499 00:21:26,241 --> 00:21:28,025 WHICH IS HOW HE FEELS. 500 00:21:30,114 --> 00:21:32,943 J.P., YOU MADE-- 501 00:21:32,987 --> 00:21:35,381 OH...OH... 502 00:21:35,424 --> 00:21:39,080 OH...DID YOU HURT HIM? 503 00:21:39,123 --> 00:21:41,604 DID YOU? 504 00:21:41,648 --> 00:21:44,825 OH, PLEASE. NO. 505 00:21:44,868 --> 00:21:47,393 OH... 506 00:21:50,831 --> 00:21:53,268 UH... 507 00:21:53,312 --> 00:21:56,227 UH... 508 00:21:56,271 --> 00:21:58,752 YOU DON'’T HAVE TO KILL ME. 509 00:21:58,795 --> 00:22:00,710 LET ME GO. I WON'’T SAY ANYTHING. 510 00:22:09,066 --> 00:22:11,025 LOOK AT ME. 511 00:22:13,636 --> 00:22:15,725 ARE YOU REPULSED BY ME? 512 00:22:18,641 --> 00:22:21,427 WHAT HAPPENED TO YOU? 513 00:22:21,470 --> 00:22:24,430 I WANT TO KNOW. PLEASE TELL ME. 514 00:22:37,660 --> 00:22:39,140 WHOA. 515 00:22:39,183 --> 00:22:40,315 REID, ON PHONE: WHAT'’D YOU FIND, GARCIA? 516 00:22:40,359 --> 00:22:42,143 WELL, THE FIRST TWO VICTIMS WERE 517 00:22:42,186 --> 00:22:44,624 VERY WELL-RESPECTED, JUST LIKE THEIR SON REPORTED, 518 00:22:44,667 --> 00:22:47,409 BUT DR. MENDELBAUM WAS NOT WITHOUT A CHECKERED PAST. 519 00:22:47,453 --> 00:22:49,759 I'’M SENDING YOU A NEWS CLIPPING NOW. 520 00:22:49,803 --> 00:22:52,893 YOU ARE, I'’M SURE, AWARE OF EXPOSURE THERAPY. 521 00:22:52,936 --> 00:22:54,938 IT'’S A FORM OF COGNITIVE BEHAVIORAL THERAPY 522 00:22:54,982 --> 00:22:56,462 THAT'’S BEEN AROUND SINCE THE 1950s IN WHICH 523 00:22:56,505 --> 00:22:59,334 A PATIENT IS FORCED TO CONFRONT THEIR ANXIETIES. 524 00:22:59,378 --> 00:23:01,423 TAKE ARACHNOPHOBIA, FOR INSTANCE. 525 00:23:01,467 --> 00:23:04,295 UNDER THE GUIDANCE OF A DOCTOR AND/OR A PSYCHOLOGIST, 526 00:23:04,339 --> 00:23:06,428 A PATIENT IS METHODICALLY INTRODUCED TO SPIDERS 527 00:23:06,472 --> 00:23:08,125 IN A CONTROLLED SETTING, THE IDEA BEING THAT 528 00:23:08,169 --> 00:23:09,779 THE MORE FAMILIAR THEY ARE WITH ARACHNIDS-- 529 00:23:09,823 --> 00:23:11,302 THE LESS YOU FEAR THEM. 530 00:23:11,346 --> 00:23:12,695 WELL, IT LOOKS LIKE DR. MENDELBAUM 531 00:23:12,739 --> 00:23:14,610 WAS TRYING THIS OUT WITH HIS PATIENTS. 532 00:23:14,654 --> 00:23:15,959 GARCIA: TWO--CORRECT ME IF I'’M WRONG, 533 00:23:16,003 --> 00:23:18,397 AND I WANT TO BE WRONG-- WERE CHILDREN, NO? 534 00:23:18,440 --> 00:23:19,963 REID: THEY WERE, AND EXPOSURE THERAPY WITH CHILDREN 535 00:23:20,007 --> 00:23:21,661 HAS TO BE ADMINISTERED WITH EXTREME CARE, 536 00:23:21,704 --> 00:23:23,619 OR IT CAN BE INTERPRETED AS NEGATIVE REINFORCEMENT, 537 00:23:23,663 --> 00:23:25,621 COMPOUNDING THE PROBLEM. 538 00:23:25,665 --> 00:23:27,144 RAY WITHHELD DETAILS 539 00:23:27,188 --> 00:23:29,625 ABOUT HIS PARENTS'’ MURDER FROM THE POLICE. 540 00:23:29,669 --> 00:23:31,453 CONSCIOUSLY OR UNCONSCIOUSLY, 541 00:23:31,497 --> 00:23:33,324 HE MAY HAVE FEARED THAT THIS PLAYED A PART IN IT. 542 00:23:33,368 --> 00:23:34,717 WELL, IF THE UNSUB WAS ONE OF HIS DAD'’S PATIENTS, 543 00:23:34,761 --> 00:23:36,502 HE MIGHT BE RIGHT. 544 00:23:36,545 --> 00:23:38,460 ONE OF THESE KIDS TOOK HIS OWN LIFE 545 00:23:38,504 --> 00:23:41,332 ONLY AFTER A FEW SESSIONS OF EXPOSURE THERAPY, 546 00:23:41,376 --> 00:23:43,770 BUT THAT WAS ENOUGH FOR YOUR FATHER TO DISCONTINUE 547 00:23:43,813 --> 00:23:45,902 HIS WORK AND TAKE A LEAVE OF ABSENCE. 548 00:23:45,946 --> 00:23:49,340 NO. THAT CASE HAS NOTHING TO DO WITH WHAT HAPPENED TO MY FOLKS. 549 00:23:49,384 --> 00:23:50,994 WE SETTLED WITH THE FAMILY. 550 00:23:51,038 --> 00:23:52,779 WE AGREE, BUT YOUR PARENTS'’ KILLER 551 00:23:52,822 --> 00:23:54,520 COULD HAVE BEEN ANOTHER KID HE TREATED. 552 00:23:57,218 --> 00:23:59,568 RAY-- 553 00:23:59,612 --> 00:24:02,005 RAY, WE KNOW YOUR FATHER WAS A GOOD MAN 554 00:24:02,049 --> 00:24:04,486 AND A GOOD DOCTOR, 555 00:24:04,530 --> 00:24:06,662 THAT HE REGULARLY GAVE FREE CHECKUPS, 556 00:24:06,706 --> 00:24:08,490 AND MEDICAL CARE TO AT-RISK KIDS. 557 00:24:08,534 --> 00:24:11,014 REID: EVEN GOOD MEN MAKE MISTAKES. 558 00:24:11,058 --> 00:24:14,191 YOU NEED TO HELP US FIX WHAT YOUR DAD DID 559 00:24:14,235 --> 00:24:16,193 BECAUSE RIGHT NOW, HIS KILLER 560 00:24:16,237 --> 00:24:18,282 HAS TWO MORE VICTIMS SOMEPLACE. 561 00:24:21,677 --> 00:24:25,420 HE KEPT DETAILED RECORDS. WE STILL HAVE THEM. 562 00:24:25,464 --> 00:24:27,857 JJ: WE'’RE GONNA NEED TO SEE THOSE. 563 00:24:27,901 --> 00:24:30,686 WHAT DO YOU WANT FROM ME? 564 00:24:30,730 --> 00:24:33,733 IS THERE SOMETHING I CAN HELP YOU WITH? 565 00:24:42,306 --> 00:24:44,570 AAH! 566 00:24:44,613 --> 00:24:46,746 AAH! 567 00:24:58,105 --> 00:25:00,977 IS THIS ANOTHER GAME? 568 00:25:01,021 --> 00:25:03,719 NO. 569 00:25:03,763 --> 00:25:06,330 NO MORE GAMES. 570 00:25:09,856 --> 00:25:11,205 YOU'’RE GONNA BE MY EYES. 571 00:25:19,648 --> 00:25:22,216 HE KEPT ALL OF HIS OLD PATIENT RECORDS, 572 00:25:22,259 --> 00:25:25,785 EVEN THE NOT SO SUCCESSFUL ONES. 573 00:25:25,828 --> 00:25:30,050 HE WAS WRITING A MEMOIR ABOUT HIS RESEARCH, 574 00:25:30,093 --> 00:25:32,879 EVEN ADMITTING HIS FAILURES, IN HOPES TO FIND 575 00:25:32,922 --> 00:25:35,577 A BETTER WAY TO HELP THESE KIDS. 576 00:25:35,621 --> 00:25:39,146 IF YOU DON'’T MIND, I'’LL LEAVE YOU TO IT. 577 00:25:39,189 --> 00:25:40,887 HEY, UM... 578 00:25:40,930 --> 00:25:43,193 I KNOW THIS IS REALLY HARD FOR YOU. 579 00:25:43,237 --> 00:25:44,847 WE REALLY APPRECIATE IT. 580 00:25:47,937 --> 00:25:50,766 OH, TALK ABOUT A NEEDLE IN A HAYSTACK. 581 00:25:50,810 --> 00:25:52,681 AND THEY'’RE ANONYMIZED, NO NAMES. 582 00:25:52,725 --> 00:25:55,902 HUH. OK, WELL, A NEEDLE IN AN OCEAN. 583 00:25:55,945 --> 00:26:00,428 SO ACCORDING TO GARCIA, THE STUDY TOOK PLACE 584 00:26:00,471 --> 00:26:03,431 FROM THE LATE NINETIES TO THE EARLY 2000s, 585 00:26:03,474 --> 00:26:04,824 SO LET'’S JUST PULL EVERYTHING 586 00:26:04,867 --> 00:26:06,086 FROM THAT TIME FRAME. 587 00:26:06,129 --> 00:26:08,088 DR. MENDELBAUM SEEMED TO FOCUS ON PATIENTS 588 00:26:08,131 --> 00:26:10,220 SUFFERING FROM SEPARATION ANXIETY, 589 00:26:10,264 --> 00:26:12,266 WHICH IS A COMMON CONDITION IN CHILDHOOD. 590 00:26:12,309 --> 00:26:13,920 AND THIS SORT OF THERAPY CAN BE EFFECTIVE 591 00:26:13,963 --> 00:26:15,443 WITH PROPER SUPERVISION, 592 00:26:15,486 --> 00:26:17,619 BUT WITHOUT THE PROPER GUIDANCE, 593 00:26:17,663 --> 00:26:19,142 IT CAN HAVE THE OPPOSITE EFFECT. 594 00:26:19,186 --> 00:26:20,970 IT CAN TAKE AN OTHERWISE EFFECTIVE FORM OF THERAPY 595 00:26:21,014 --> 00:26:23,538 AND TURN IT INTO AN ENDLESS FORM OF TORTURE. 596 00:26:23,582 --> 00:26:25,975 AND HOW WOULD THAT ANXIETY MANIFEST? 597 00:26:26,019 --> 00:26:27,716 CRYING IN SCHOOL, FEAR OF DROWNING, 598 00:26:27,760 --> 00:26:30,153 REFUSAL TO SLEEP ALONE. 599 00:26:30,197 --> 00:26:32,112 FEAR OF THE DARK? 600 00:26:32,155 --> 00:26:33,983 ABSOLUTELY. NYCTOPHOBIA. 601 00:26:34,027 --> 00:26:35,768 THIS FILE MIGHT BE OUR UNSUB-- 602 00:26:35,811 --> 00:26:38,335 NUMBER 20411. 603 00:26:38,379 --> 00:26:40,642 ONE OF THE PRIMARY TREATMENTS IS DESENSITIZATION, 604 00:26:40,686 --> 00:26:42,165 INCREMENTAL, NONTHREATENING INTERVALS 605 00:26:42,209 --> 00:26:43,993 OF DARKNESS, KIND OF LIKE BEING IN SOLITARY CONFINEMENT. 606 00:26:44,037 --> 00:26:45,516 THAT'’S NOT GOOD. 607 00:26:45,560 --> 00:26:46,561 NO. IT IS NOT. 608 00:26:46,605 --> 00:26:47,954 OK, SO IT LOOKS LIKE HE WAS A PATIENT 609 00:26:47,997 --> 00:26:50,347 FOR 14 MONTHS BEFORE THE STUDY WAS STOPPED. 610 00:26:50,391 --> 00:26:54,830 THE DOC WAS TRYING A MORE AGGRESSIVE APPROACH-- 611 00:26:54,874 --> 00:26:57,354 LONGER PERIODS OF ISOLATION IN THE DARK, 612 00:26:57,398 --> 00:26:59,879 THE USE OF BLINDFOLDS WITHIN HYPNOSIS-- 613 00:26:59,922 --> 00:27:02,185 SINCE THIS PATIENT HAD SUCH A SEVERE CASE. 614 00:27:02,229 --> 00:27:03,839 THAT'’S NOT LONG ENOUGH FOR IRREVERSIBLE 615 00:27:03,883 --> 00:27:06,537 BRAIN DAMAGE, BUT IT THE DOCTOR STOPPED HIS THERAPY 616 00:27:06,581 --> 00:27:08,191 AFTER HIS OTHER PATIENT'’S SUICIDE, 617 00:27:08,235 --> 00:27:09,628 THE UNSUB'’S PARENTS MIGHT HAVE DECIDED 618 00:27:09,671 --> 00:27:11,847 TO CONTINUE THE THERAPY UNSUPERVISED. 619 00:27:11,891 --> 00:27:15,198 OR EVEN AS A WAY TO PUNISH HIM WHEN HE ACTED OUT, 620 00:27:15,242 --> 00:27:16,722 LOCKING HIM IN THE DARK, THINKING THEY'’RE 621 00:27:16,765 --> 00:27:19,028 HELPING HIM, TOUGHENING HIM UP-- 622 00:27:19,072 --> 00:27:21,378 THEIR PSEUDO, AMATEUR VERSION OF 623 00:27:21,422 --> 00:27:23,642 THE DOCTOR'’S TREATMENT, COMPLETELY DANGEROUS, 624 00:27:23,685 --> 00:27:25,861 UPPING THE ANTE AND RETRAUMATIZING HIM. 625 00:27:25,905 --> 00:27:28,995 WE NEED TO CRACK THIS CODE AND FIND PATIENT 20411. 626 00:27:31,954 --> 00:27:34,348 SO NOW THAT YOU KNOW THE TRUTH... 627 00:27:37,133 --> 00:27:40,049 YOU STILL WANT TO HELP ME? 628 00:27:40,093 --> 00:27:42,225 YES. 629 00:27:42,269 --> 00:27:44,227 I PROMISE THAT I'’LL HELP YOU, 630 00:27:44,271 --> 00:27:47,622 BUT FIRST, I WANT TO SEE J.P., PLEASE. 631 00:27:51,974 --> 00:27:53,628 GO. 632 00:27:55,282 --> 00:27:57,327 GO. 633 00:28:08,512 --> 00:28:11,341 PRENTISS: I JUST GOT OFF THE PHONE WITH GARCIA. 634 00:28:11,385 --> 00:28:13,300 THE OWNERS OF THE COZYNEST HOUSE WHERE J.P. AND NIKKI 635 00:28:13,343 --> 00:28:15,041 WERE ABDUCTED ARE OUT OF TOWN. 636 00:28:15,084 --> 00:28:17,478 HOWEVER, WE WERE ABLE TO TRACK DOWN THEIR DAUGHTER, 637 00:28:17,521 --> 00:28:19,088 WHO MANAGES THE RENTAL IN THEIR ABSENCE. 638 00:28:19,132 --> 00:28:20,655 SHE'’S ON HER WAY IN. 639 00:28:20,699 --> 00:28:21,656 GREAT. 640 00:28:21,700 --> 00:28:22,962 IT'’S GOT TO BE HERE. 641 00:28:23,005 --> 00:28:24,224 I'’VE APPLIED EVERY POTENTIAL NUMERIC ALGORITHM, 642 00:28:24,267 --> 00:28:25,616 AND SO FAR, NOTHING. 643 00:28:25,660 --> 00:28:26,879 SIMMONS: WELL, IF THIS EXPOSURE THERAPY 644 00:28:26,922 --> 00:28:28,619 WAS THE UNSUB'’S STRESSOR, 645 00:28:28,663 --> 00:28:30,752 WHY WAIT UNTIL NOW TO TAKE HIS REVENGE? 646 00:28:30,796 --> 00:28:32,449 HE COULD HAVE BEEN LOCKED UP. 647 00:28:32,493 --> 00:28:34,625 OR MOVED AWAY OR HAD BEEN HOSPITALIZED. 648 00:28:34,669 --> 00:28:36,497 MORE TO THE POINT, WHY GO AFTER 649 00:28:36,540 --> 00:28:39,108 A SEEMINGLY RANDOM COUPLE LIKE J.P. AND NIKKI? 650 00:28:39,152 --> 00:28:42,285 IT JUST DOESN'’T ADD UP 651 00:28:42,329 --> 00:28:45,462 UNLESS IT WAS ABOUT 652 00:28:45,506 --> 00:28:47,334 THE HOME THEY'’RE STAYING IN 653 00:28:47,377 --> 00:28:49,423 AND NOT ABOUT THEM SPECIFICALLY. 654 00:28:49,466 --> 00:28:53,296 THIS GUY ABSOLUTELY LIVES FOR THE HUNT, 655 00:28:53,340 --> 00:28:57,170 SO WHAT IF THIS ISN'’T ONLY ABOUT 656 00:28:57,213 --> 00:28:59,781 REENACTING HIS TRAUMA BUT IT'’S ALSO 657 00:28:59,825 --> 00:29:01,696 ABOUT UNFINISHED BUSINESS? 658 00:29:01,740 --> 00:29:03,393 SIMMONS: BUT WITH WHO, THOUGH? 659 00:29:03,437 --> 00:29:05,482 I MEAN, WHO'’S LEFT FOR HIM TO HUNT? 660 00:29:15,536 --> 00:29:18,278 WHERE ARE WE GOING? 661 00:29:18,321 --> 00:29:21,281 YOU HELP ME, I'’LL HELP YOU. 662 00:29:24,284 --> 00:29:27,200 THESE CODES REPRESENT CHILDREN, BUT THEY'’RE OBSCURE 663 00:29:27,243 --> 00:29:30,681 TO PROTECT THEM, PERSONALLY CONNECTED 664 00:29:30,725 --> 00:29:32,901 BUT SUPERSEDES NUMERICAL LOGIC. 665 00:29:35,382 --> 00:29:38,298 HOME ADDRESS. 666 00:29:38,341 --> 00:29:40,474 LEWIS: DO YOU RECOGNIZE THIS MAN? 667 00:29:40,517 --> 00:29:43,129 NO, BUT I'’M CONFUSED. 668 00:29:43,172 --> 00:29:45,522 YOU SAID THESE PEOPLE WERE ABDUCTED BY THIS MAN. 669 00:29:45,566 --> 00:29:47,698 ARE THEY DEAD? 670 00:29:47,742 --> 00:29:50,005 RIGHT NOW, THEY'’RE MISSING, 671 00:29:50,049 --> 00:29:52,355 BUT THE LAST PLACE THAT THEY WERE SEEN ALIVE 672 00:29:52,399 --> 00:29:54,357 WAS AT YOUR PARENTS'’ RENTAL HOUSE. 673 00:29:54,401 --> 00:29:56,359 YOU TAKE CARE OF THAT FOR THEM? 674 00:29:56,403 --> 00:29:58,187 YEAH. I MEAN, I JUST MAKE SURE 675 00:29:58,231 --> 00:29:59,841 PEOPLE GET CHECKED IN AND OUT 676 00:29:59,885 --> 00:30:01,843 AND THAT THE PLACE GETS CLEANED UP IN BETWEEN GUESTS. 677 00:30:01,887 --> 00:30:04,063 YOU EVER HAVE ANY PROBLEMS WITH ANY OTHER GUESTS? 678 00:30:04,106 --> 00:30:05,586 YOU EVER HAVE TO GO OUT THERE? 679 00:30:05,629 --> 00:30:07,849 NO. WITH THE WEBSITE, IT PRETTY MUCH RUNS ITSELF. 680 00:30:07,893 --> 00:30:10,504 THIS WAS JUST A WAY FOR THEM TO MAKE SOME EXTRA MONEY. 681 00:30:10,547 --> 00:30:12,114 WE DON'’T BELIEVE THE SUSPECT WENT 682 00:30:12,158 --> 00:30:14,682 TO YOUR PARENTS'’ HOUSE BY COINCIDENCE. 683 00:30:14,725 --> 00:30:16,727 YOU THINK THEY WERE THE TARGET? 684 00:30:16,771 --> 00:30:18,773 IT'’S POSSIBLE. 685 00:30:18,817 --> 00:30:20,470 DID YOU GROW UP THERE? 686 00:30:20,514 --> 00:30:24,735 YEAH, BUT MY PARENTS ARE QUIET, HOMEBODIES. 687 00:30:24,779 --> 00:30:28,565 I DON'’T KNOW WHO WOULD EVEN DO SOMETHING LIKE THIS. 688 00:30:28,609 --> 00:30:34,615 DOES THE NUMBER 20411 MEAN ANYTHING TO YOU? 689 00:30:39,098 --> 00:30:40,839 CHRISTIAN, WHAT DOES IT MEAN? 690 00:30:43,406 --> 00:30:45,713 I HAVEN'’T TALKED ABOUT THIS IN-- 691 00:30:47,019 --> 00:30:49,673 I DON'’T EVEN KNOW IF-- 692 00:30:49,717 --> 00:30:53,764 IT'’S ALL RIGHT. TAKE YOUR TIME. 693 00:30:53,808 --> 00:30:56,898 IN HIGH SCHOOL, I WENT TO THIS BONFIRE PARTY 694 00:30:56,942 --> 00:30:59,466 IN THE WOODS. 695 00:30:59,509 --> 00:31:01,772 THERE WAS A LOT OF DRINKING, YOU KNOW, 696 00:31:01,816 --> 00:31:04,775 TYPICAL HIGH-SCHOOL STUFF. 697 00:31:04,819 --> 00:31:08,605 THIS BOY CONVINCED ME TO TAKE HIM 698 00:31:08,649 --> 00:31:13,784 TO INSPIRATION POINT, THE LOCAL OVERLOOK. 699 00:31:13,828 --> 00:31:15,917 MARS WAS SUPPOSED TO BE VISIBLE, 700 00:31:15,961 --> 00:31:19,790 AND HE WANTED ME TO DESCRIBE IT FOR HIM. 701 00:31:19,834 --> 00:31:22,532 I FELT BAD FOR HIM, SO I WENT. 702 00:31:22,576 --> 00:31:25,753 BECAUSE HE WAS BLIND? 703 00:31:25,796 --> 00:31:30,714 I MEAN, NOT COMPLETELY. 704 00:31:32,934 --> 00:31:34,980 HE-- 705 00:31:42,857 --> 00:31:45,947 HE TRIED TO HOLD ME DOWN, 706 00:31:45,991 --> 00:31:48,036 EVEN WRAPPED TAPE AROUND MY WRISTS 707 00:31:48,080 --> 00:31:51,474 AND TIED A SCARF AROUND MY EYES. 708 00:31:51,518 --> 00:31:53,824 I KEPT FIGHTING AND MANAGED TO GET AWAY, 709 00:31:53,868 --> 00:31:56,610 BUT HE CAME AFTER ME, 710 00:31:56,653 --> 00:31:59,308 LAUGHING. 711 00:31:59,352 --> 00:32:02,311 I HAVE NEVER BEEN SO SCARED IN MY LIFE, 712 00:32:02,355 --> 00:32:04,139 AND I STARTED SCREAMING, AND, THANKFULLY, 713 00:32:04,183 --> 00:32:06,925 ONE OF MY FRIENDS HEARD ME AND CAME RUNNING, 714 00:32:06,968 --> 00:32:12,147 BUT THE LOOK ON THIS GUY'’S FACE, 715 00:32:12,191 --> 00:32:14,845 HE WAS CLEARLY ENJOYING IT, 716 00:32:14,889 --> 00:32:17,457 AND HE COULD SEE BETTER THAN HE LET ON. 717 00:32:19,372 --> 00:32:22,331 HIS HOUSE WAS RIGHT BY MY SCHOOL, 718 00:32:22,375 --> 00:32:24,986 AND EVERY DAY, I WAS REMINDED, 719 00:32:25,030 --> 00:32:28,337 EVERY SINGLE DAY. 720 00:32:28,381 --> 00:32:31,993 IT MADE ME SICK. 721 00:32:32,037 --> 00:32:36,650 HE LIVED AT 20411 MANSARD LANE. 722 00:32:36,693 --> 00:32:40,001 WHAT WAS HIS NAME? 723 00:32:40,045 --> 00:32:42,873 COULD I POSSIBLY EVER FORGET IT? 724 00:32:42,917 --> 00:32:45,659 IT'’S DUSTIN EISWORTH. 725 00:32:45,702 --> 00:32:47,966 GARCIA: DUSTIN EISWORTH--SON OF TROY AND PATRICIA EISWORTH 726 00:32:48,009 --> 00:32:51,534 OF 20411 MANSARD LANE. 727 00:32:51,578 --> 00:32:54,320 HE TICKS ALL OF THE TROUBLED-YOUTH BOXES. 728 00:32:54,363 --> 00:32:56,017 SENDING YOU DIRECTIONS NOW. 729 00:32:56,061 --> 00:32:57,584 LEWIS: ALL RIGHT. WE'’RE ON OUR WAY. 730 00:32:57,627 --> 00:32:59,020 SAME. 731 00:32:59,064 --> 00:33:00,456 PRENTISS: GARCIA, WHAT ELSE DO WE NEED TO KNOW? 732 00:33:00,500 --> 00:33:02,023 GARCIA, ON PHONE: WELL, HE WAS KICKED OUT OF SCHOOL 733 00:33:02,067 --> 00:33:03,894 FOR A CORNUCOPIA OF DISCIPLINARY ISSUES, 734 00:33:03,938 --> 00:33:07,637 INCLUDING CHRISTIAN'’S ACCOUNT OF THE ASSAULT. 735 00:33:07,681 --> 00:33:09,726 THEN HE WENT TO REFORM SCHOOL. 736 00:33:09,770 --> 00:33:13,034 THEN HE WENT TO PRISON FOR GETTING IN A BAR FIGHT 737 00:33:13,078 --> 00:33:16,124 THAT LEFT ONE MAN PERMANENTLY BLIND. 738 00:33:16,168 --> 00:33:17,908 HE WAS ONLY SUPPOSED TO SERVE 3 YEARS IN PRISON. 739 00:33:17,952 --> 00:33:19,432 HE ENDED UP SERVING 10, 740 00:33:19,475 --> 00:33:21,564 MOST OF THOSE IN SOLITARY CONFINEMENT, 741 00:33:21,608 --> 00:33:23,436 AFTER KILLING ANOTHER INMATE. 742 00:33:23,479 --> 00:33:25,003 LET ME GUESS. HE JUST GOT OUT. 743 00:33:25,046 --> 00:33:26,178 GARCIA, ON PHONE. 3 WEEKS AGO. 744 00:33:26,221 --> 00:33:28,180 SO DUSTIN SAT IN PRISON FOR OVER A DECADE, 745 00:33:28,223 --> 00:33:30,051 HIS RESENTMENT BUILDING UP. 746 00:33:30,095 --> 00:33:31,531 REID, ON PHONE: NOT TO MENTION, HIS VISUAL CONDITION 747 00:33:31,574 --> 00:33:33,054 WOULD BE SEVERELY DETERIORATED 748 00:33:33,098 --> 00:33:34,795 DUE TO ALL THAT TIME IN SOLITARY. 749 00:33:34,838 --> 00:33:36,057 ALVEZ, ON PHONE: WELL, IF HE'’S STAYING AT HIS PARENTS'’ HOUSE, 750 00:33:36,101 --> 00:33:37,754 HE KILLED THEM, FIRST BLINDING THEM 751 00:33:37,798 --> 00:33:39,756 SO THAT THEY COULD KNOW HOW HE FELT, 752 00:33:39,800 --> 00:33:41,410 THEN OFF TO THE MENDELBAUMS'’. 753 00:33:41,454 --> 00:33:43,586 NEXT, HE WENT LOOKING FOR CHRISTIAN RUSSO 754 00:33:43,630 --> 00:33:45,936 BECAUSE SHE'’S THE ONE THAT GOT HIM KICKED OUT OF SCHOOL 755 00:33:45,980 --> 00:33:48,069 BUT FOUND NIKKI AND J.P. INSTEAD. 756 00:33:48,113 --> 00:33:49,549 AND NOW HE'’S RECREATING 757 00:33:49,592 --> 00:33:51,029 HIS CAT-AND-MOUSE POWER PLAY WITH THEM. 758 00:33:51,072 --> 00:33:52,552 HE WON'’T GO DOWN WITHOUT A FIGHT. 759 00:33:52,595 --> 00:33:55,381 DO NOT UNDERESTIMATE THIS MAN. 760 00:34:13,834 --> 00:34:16,837 DO YOU SEE THEM? 761 00:34:18,665 --> 00:34:20,232 I TRIED TO FORGIVE THEM 762 00:34:20,275 --> 00:34:23,713 JUST LIKE I TRIED TO FORGIVE DR. MENDELBAUM. 763 00:34:23,757 --> 00:34:25,498 YOU KNOW WHAT THEY SAID? 764 00:34:25,541 --> 00:34:28,457 DEAR OLD MOM AND DAD, YOU KNOW WHAT THEY SAID? 765 00:34:28,501 --> 00:34:31,808 THEY SAID I WAS SICK. 766 00:34:31,852 --> 00:34:35,290 WELL, THEY MADE ME SICK, 767 00:34:35,334 --> 00:34:40,817 AND THEN I WENT TO GET CHRISTIAN, 768 00:34:40,861 --> 00:34:46,562 BUT I FOUND YOU THERE, YOU AND J.P. 769 00:34:48,173 --> 00:34:53,134 NO. NO. PLEASE. J.P.-- 770 00:34:53,178 --> 00:34:55,615 J.P., J.P. 771 00:34:57,356 --> 00:34:58,313 NO! 772 00:34:58,357 --> 00:34:59,532 DUSTIN: WHAT DID YOU THINK? 773 00:34:59,575 --> 00:35:02,143 WHAT, YOU THOUGHT I WOULD KEEP HIM ALIVE? 774 00:35:02,187 --> 00:35:03,753 YOU THOUGHT I WOULD LET YOU GO? 775 00:35:03,797 --> 00:35:06,539 YOU THOUGHT I NEEDED YOUR HELP? 776 00:35:06,582 --> 00:35:10,151 I MIGHT BE GOING BLIND, BUT I'’M NOT STUPID. 777 00:35:10,195 --> 00:35:12,588 I COULD SEE RIGHT THROUGH YOU. 778 00:35:16,201 --> 00:35:18,464 EVERYONE THINKS THEY'’RE BETTER THAN DUSTIN. 779 00:35:18,507 --> 00:35:21,031 EVERYONE THINKS THEY'’RE STRONGER THAN ME 780 00:35:21,075 --> 00:35:23,033 AND THEY'’RE SMARTER THAN ME, THAT I'’M STILL 781 00:35:23,077 --> 00:35:25,688 THAT SCARED LITTLE BOY AFRAID OF THE DARK. 782 00:35:25,732 --> 00:35:27,212 YAAH! 783 00:35:27,255 --> 00:35:29,953 AH! UH... 784 00:35:29,997 --> 00:35:31,999 DUSTIN: UH! 785 00:36:01,159 --> 00:36:05,163 HELP! SOMEONE! I'’M IN HERE! 786 00:36:14,259 --> 00:36:16,261 HELP! I'’M IN HERE! 787 00:36:16,304 --> 00:36:18,219 J.J.: STAY WITH US. WE'’RE COMING IN. WHERE IS HE? 788 00:36:18,263 --> 00:36:21,135 I DON'’T KNOW. SOMEWHERE IN THE HOUSE. 789 00:36:23,833 --> 00:36:25,052 GO, GO, GO! 790 00:36:30,840 --> 00:36:33,234 CHECKING ROOMS. 791 00:36:35,497 --> 00:36:37,456 HAVE MEDICAL STANDING BY. ALL RIGHT. 792 00:36:37,499 --> 00:36:40,328 LET'’S GET HER OUT OF HERE. THE HOUSE ISN'’T SECURE. 793 00:36:40,372 --> 00:36:42,330 I'’LL FINISH CHECKING UPSTAIRS. 794 00:37:04,265 --> 00:37:06,746 FBI. 795 00:37:10,358 --> 00:37:12,621 FBI. 796 00:37:34,687 --> 00:37:36,166 THANKS. 797 00:37:41,041 --> 00:37:43,435 LEWIS, VOICE-OVER: "WE'’RE ALL GOING TO DIE, ALL OF US. 798 00:37:43,478 --> 00:37:45,045 "WHAT A CIRCUS. 799 00:37:45,088 --> 00:37:48,353 "THAT ALONE SHOULD MAKE US LOVE EACH OTHER, BUT IT DOESN'’T. 800 00:37:48,396 --> 00:37:51,225 "WE ARE TERRORIZED AND FLATTENED BY TRIVIALITIES. 801 00:37:51,269 --> 00:37:53,749 WE ARE EATEN UP BY NOTHING." 802 00:37:53,793 --> 00:37:55,882 CHARLES BUKOWSKI. 803 00:37:55,925 --> 00:37:58,711 WOMAN: ♪ I ALWAYS HAD A VISION IN MY HEAD... ♪ 804 00:37:58,754 --> 00:38:00,234 REID: DID YOU GUYS KNOW THAT THE PRESUMPTION 805 00:38:00,278 --> 00:38:01,844 ABOUT BLINDNESS CAUSING YOUR SENSE OF SMELL 806 00:38:01,888 --> 00:38:03,498 TO HEIGHTEN IS ACTUALLY A MYTH? 807 00:38:03,542 --> 00:38:06,066 THE FACT IS, YOUR MEMORY OF SMELL SHARPENS, 808 00:38:06,109 --> 00:38:07,720 BUT NOT YOUR ACTUAL SENSE. 809 00:38:07,763 --> 00:38:09,896 WOW. KEEP GOING. 810 00:38:09,939 --> 00:38:11,550 YOU GOT ANYTHING ELSE IN THERE 811 00:38:11,593 --> 00:38:13,116 YOU WANT TO LET OUT? 812 00:38:13,160 --> 00:38:14,814 REID: THERE'’S NEVER BEEN A SINGLE DOCUMENTED CASE 813 00:38:14,857 --> 00:38:17,425 OF ANYONE WHO WAS BORN BLIND DEVELOPING SCHIZOPHRENIA. 814 00:38:17,469 --> 00:38:19,558 OH, INTERESTING FACTS FOR 200, ALEX. 815 00:38:19,601 --> 00:38:20,820 TELL HIM WHAT HE'’S WON. 816 00:38:20,863 --> 00:38:23,257 GARCIA: HEY, HEY, HEY! 817 00:38:23,301 --> 00:38:24,519 HEY! HEY! 818 00:38:24,563 --> 00:38:26,391 HA HA! OK. METHINKS THOU DOST PROTEST TOO MUCH 819 00:38:26,434 --> 00:38:30,395 ABOUT THIS WHOLE NOT LIKING A HOUSEWARMING THING. 820 00:38:30,438 --> 00:38:32,048 WHERE'’S LISA? 821 00:38:32,092 --> 00:38:34,094 ALVEZ: SHE GOT CALLED AWAY 822 00:38:34,137 --> 00:38:36,096 AT THE LAST MINUTE TO COVER NIGHT SHIFT, 823 00:38:36,139 --> 00:38:38,403 SO I GUESS E.R. DOCTORS COME WITH A PERFECTLY 824 00:38:38,446 --> 00:38:40,579 BUILT-IN, ACCEPTABLE EXCUSE 825 00:38:40,622 --> 00:38:43,103 TO NOT BE AT THEIR OWN PARTIES, EVEN IF IT WAS 826 00:38:43,146 --> 00:38:44,409 THEIR OWN IDEA IN THE FIRST PLACE. 827 00:38:44,452 --> 00:38:46,019 AS DO FBI AGENTS. ANYWAY, DON'’T BE RUDE. 828 00:38:46,062 --> 00:38:48,935 OPEN MY GIFT. OK. 829 00:38:48,978 --> 00:38:50,632 COME ON. JUST OPEN THE GIFT. 830 00:38:50,676 --> 00:38:53,243 OOH, OK. YAY! 831 00:38:53,287 --> 00:38:54,593 ALL RIGHT. WELL, LOOK. 832 00:38:54,636 --> 00:38:57,422 I'’M BEGINNING TO UNDERSTAND THE VALUE 833 00:38:57,465 --> 00:38:59,685 OF A HOUSEWARMING PARTY. 834 00:38:59,728 --> 00:39:01,208 THANK YOU. 835 00:39:01,251 --> 00:39:03,123 PRENTISS: HEY. SINCE LISA CAN'’T MAKE IT, 836 00:39:03,166 --> 00:39:04,646 YOU NEED TO BE SURE TO TELL HER 837 00:39:04,690 --> 00:39:06,300 THIS IS FROM ALL OF US-- 838 00:39:06,344 --> 00:39:08,476 BREAD, SALT, AND WINE. 839 00:39:08,520 --> 00:39:11,305 DON'’T MAKE ME QUOTE THE WHOLE MOVIE. 840 00:39:11,349 --> 00:39:13,133 ALVEZ: UH, AM I MISSING SOMETHING? 841 00:39:13,176 --> 00:39:14,613 I MEAN, I THOUGHT WE WERE ALL OFF THE CARBS. 842 00:39:14,656 --> 00:39:16,484 GARCIA: GUYS NEVER GET THIS. 843 00:39:16,528 --> 00:39:18,007 SINCE YOU APPARENTLY WERE SICK 844 00:39:18,051 --> 00:39:20,619 ON THE MANDATORY VIEWING DAY OF "IT'’S A WONDERFUL LIFE," 845 00:39:20,662 --> 00:39:23,491 WE'’RE ALL GONNA HELP YOU OUT. 846 00:39:23,535 --> 00:39:26,451 MAY YOUR HOME ALWAYS HAVE... 847 00:39:26,494 --> 00:39:29,715 J.J.: BREAD THAT YOUR HOUSE MAY NEVER KNOW HUNGER... 848 00:39:29,758 --> 00:39:31,891 SALT THAT LIFE MAY ALWAYS HAVE FLAVOR... 849 00:39:31,934 --> 00:39:33,588 SIMMONS: AND WINE, IN WHICH JOY 850 00:39:33,632 --> 00:39:35,634 AND PROSPERITY MAY REIGN FOREVER. 851 00:39:35,677 --> 00:39:38,593 OH, YES. THERE WILL ALWAYS BE WINE IN THIS HOUSE. 852 00:39:38,637 --> 00:39:40,116 TO LISA. TO LISA. 853 00:39:40,160 --> 00:39:41,335 TO LISA. TO LISA. 854 00:39:41,379 --> 00:39:43,642 CHEERS. ROSSI: SALUD. 855 00:39:43,685 --> 00:39:45,644 REID: IN 1947, THE FBI ISSUED A STATEMENT 856 00:39:45,687 --> 00:39:47,646 DISCREDITING "IT'’S A WONDERFUL LIFE" 857 00:39:47,689 --> 00:39:49,517 BECAUSE THEY SAID IT PROMOTED COMMUNISM. 858 00:39:49,561 --> 00:39:51,867 ALVEZ: SO GOOD TO HAVE YOU BACK, DOC... 859 00:40:14,368 --> 00:40:17,284 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.