1 00:00:56,143 --> 00:00:59,581 HMM. I GOT YOUR COFFEE. 2 00:01:01,670 --> 00:01:03,715 ARE WE GONNA TALK ABOUT THIS? 3 00:01:03,759 --> 00:01:05,848 I'M LATE. TRAFFIC'S ALREADY A MESS. 4 00:01:05,891 --> 00:01:07,458 DAVID, COME ON. 5 00:01:07,502 --> 00:01:10,026 HAVE YOU SEEN MY KEYS? 6 00:01:10,070 --> 00:01:11,680 THEY'RE IN YOUR HAND. 7 00:01:13,464 --> 00:01:15,249 I-- STOP. 8 00:01:17,251 --> 00:01:19,035 HOW ARE YOU FEELING? 9 00:01:19,079 --> 00:01:21,472 UM, I DON'T--I DON'T KNOW WHEN I'LL BE HOME. 10 00:01:21,516 --> 00:01:22,952 DON'T WAIT UP. 11 00:01:46,149 --> 00:01:48,369 HELLO, SIR. HI. 12 00:01:48,412 --> 00:01:49,805 HEY. 13 00:01:51,372 --> 00:01:53,200 UH, WHEN DO THE BANDAGES COME OFF? 14 00:01:53,243 --> 00:01:55,376 THE DOC SAYS A WEEK. 15 00:01:55,419 --> 00:01:57,204 HOW ARE YOU DOING? 16 00:01:57,247 --> 00:01:59,597 GOOD. I'M GOOD. 17 00:02:03,471 --> 00:02:05,342 I THINK HE'S BEEN HERE ALL WEEKEND. 18 00:02:11,522 --> 00:02:13,220 SHOULD HAVE SEEN IT. 19 00:02:13,263 --> 00:02:15,483 SHOULD HAVE SEEN IT. WHY DIDN'T I SEE IT? 20 00:02:17,702 --> 00:02:20,705 HOW MUCH SLEEP HAVE YOU GOTTEN SINCE WE GOT BACK? 21 00:02:20,749 --> 00:02:22,098 IT WAS RIGHT THERE. 22 00:02:22,142 --> 00:02:23,317 IT WAS RIGHT THERE, AND I DIDN'T SEE IT. 23 00:02:23,360 --> 00:02:24,535 NONE OF US DID. 24 00:02:26,711 --> 00:02:29,323 HOW ARE YOU DOING? 25 00:02:29,366 --> 00:02:31,281 FINE. 26 00:02:39,855 --> 00:02:42,031 NOT YOU, TOO. 27 00:02:42,074 --> 00:02:44,033 YOU'RE TIRED OF PEOPLE ASKING YOU 28 00:02:44,076 --> 00:02:45,513 HOW YOU'RE DOING? 29 00:02:47,428 --> 00:02:49,473 YES, I AM. 30 00:02:49,517 --> 00:02:52,302 DO YOU KNOW WHAT THIS IS? 31 00:02:52,346 --> 00:02:56,045 IT'S AN OPEN INVESTIGATION. THAT'S ALL. 32 00:02:56,088 --> 00:02:59,222 WE LOST THE FIRST TIME, BUT WE'LL GET ANOTHER CHANCE. 33 00:02:59,266 --> 00:03:00,484 YES, WE WILL. 34 00:03:00,528 --> 00:03:02,399 THIS TEAM DOESN'T TAKE CARE OF ME. 35 00:03:02,443 --> 00:03:05,707 I TAKE CARE OF THEM. THAT'S MY JOB. 36 00:03:05,750 --> 00:03:09,145 MAYBE IT'S BECAUSE YOU DO THAT JOB SO WELL, 37 00:03:09,189 --> 00:03:11,582 WE WANT TO BE THERE FOR YOU WHEN WE CAN. 38 00:03:13,280 --> 00:03:16,544 YOU WENT THROUGH SOMETHING TERRIBLE OUT THERE, 39 00:03:16,587 --> 00:03:18,633 BUT YOU CAN'T KEEP IT BOTTLED UP. 40 00:03:18,676 --> 00:03:20,548 YOU KNOW THAT. 41 00:03:20,591 --> 00:03:23,942 SO, DAVE, THERE'S REALLY ONLY ONE QUESTION, 42 00:03:23,986 --> 00:03:27,163 AND IT'S NOT "HOW ARE YOU DOING?" 43 00:03:27,207 --> 00:03:29,383 IT'S, WHO DO YOU TRUST ENOUGH 44 00:03:29,426 --> 00:03:32,647 TO SAY "I'M NOT DOING SO GOOD"? 45 00:03:41,351 --> 00:03:43,092 WHAT HAPPENED? 46 00:03:45,529 --> 00:03:48,489 I GOT SENT HOME BY THE PRINCIPAL. 47 00:03:50,317 --> 00:03:52,536 YOU READY TO TALK ABOUT IT? 48 00:04:29,443 --> 00:04:31,488 ROSSI, VOICE-OVER: I COULDN'T BREATHE. 49 00:04:33,969 --> 00:04:36,450 I COULDN'T BREATHE. 50 00:04:36,493 --> 00:04:37,886 I'M HERE. 51 00:04:41,542 --> 00:04:42,934 I'M HERE. 52 00:05:29,111 --> 00:05:30,068 THANKS. 53 00:05:31,069 --> 00:05:35,335 AH. IT'S PORTIA. 54 00:05:35,378 --> 00:05:37,511 SO HOW IS MY SOON-TO-BE 55 00:05:37,554 --> 00:05:39,121 STEPDAUGHTER DOING? 56 00:05:39,164 --> 00:05:41,689 SHE LIKES TO SHARE QUOTES WITH ME. 57 00:05:41,732 --> 00:05:43,343 HERE'S TODAY'S. 58 00:05:43,386 --> 00:05:45,910 STEPHEN KING WROTE, 59 00:05:45,954 --> 00:05:50,524 "THE MOST IMPORTANT THINGS ARE THE HARDEST TO SAY." 60 00:05:50,567 --> 00:05:55,485 HOW WEIRDLY APPROPRIATE. 61 00:05:57,531 --> 00:05:58,836 COME ON. 62 00:05:58,880 --> 00:06:01,230 WE ARE GETTING MARRIED IN 3 WEEKS. 63 00:06:01,273 --> 00:06:04,015 AND IF WE WANT THIS TO WORK, 64 00:06:04,059 --> 00:06:06,453 YOU HAVE TO LET ME IN. 65 00:06:11,371 --> 00:06:13,416 IT STARTED WHEN WE GOT CALLED IN 66 00:06:13,460 --> 00:06:14,852 ON A SINGLE. 67 00:06:14,896 --> 00:06:16,419 A SINGLE HOMICIDE 68 00:06:16,463 --> 00:06:18,247 IN NASHVILLE, TENNESSEE. 69 00:06:18,290 --> 00:06:20,684 THAT IS, FIREFIGHTERS RESPONDED TO A HOUSE FIRE 70 00:06:20,728 --> 00:06:22,207 IN THE GREEN HILLS NEIGHBORHOOD 71 00:06:22,251 --> 00:06:23,818 AND WERE ABLE TO PUT OUT THE FIRE 72 00:06:23,861 --> 00:06:25,559 BEFORE IT DESTROYED EVERYTHING, 73 00:06:25,602 --> 00:06:28,953 BUT THEY DISCOVERED THE BODY OF MONICA FEINSTEIN, 74 00:06:28,997 --> 00:06:30,912 WITH A COMPLETE FACE LIFT. 75 00:06:30,955 --> 00:06:32,348 AND I'M NOT TALKING ABOUT THE KIND THAT YOU NEED 76 00:06:32,392 --> 00:06:33,567 A WEEKEND AND A BOTTLE OF ASPIRIN TO GET OVER. 77 00:06:33,610 --> 00:06:35,438 I'M TALKING CHEEK TO CHEEK, NECK TO NOGGIN. 78 00:06:35,482 --> 00:06:38,833 HER WHOLE FACE WAS LIFTED, LIKE, REMOVED FROM HER-- 79 00:06:38,876 --> 00:06:40,443 LEWIS: ALL RIGHT. WELL, BURNS ON THE BODY 80 00:06:40,487 --> 00:06:42,619 WERE LIMITED TO THE LEGS AND FEET, 81 00:06:42,663 --> 00:06:45,622 BUT KNIFE MARKS WENT ALL THE WAY DOWN TO THE SKULL. 82 00:06:45,666 --> 00:06:46,841 POSSIBLY SYMBOLIC. 83 00:06:46,884 --> 00:06:48,277 WERE THE CUTS POSTMORTEM? 84 00:06:48,320 --> 00:06:49,713 THEY WERE. CAUSE OF DEATH WAS STRANGULATION. 85 00:06:49,757 --> 00:06:51,976 SO THE FACE IS A TROPHY. 86 00:06:52,020 --> 00:06:53,978 HE TOOK IT WITH HIM TO RELIVE WHAT HE DID. 87 00:06:54,022 --> 00:06:55,589 REID: AS WITH JEFFREY DAHMER, 88 00:06:55,632 --> 00:06:56,590 KILLERS OFTEN COLLECT BODY PARTS 89 00:06:56,633 --> 00:06:58,156 TO COMBAT A FEELING OF INADEQUACY. 90 00:06:58,200 --> 00:07:00,681 THEY SEE THE TROPHY AS AN EXTENSION OF THEIR OWN IDENTITY, 91 00:07:00,724 --> 00:07:02,291 SOMETHING THEY'D RATHER DIE THAN GIVE UP. 92 00:07:02,334 --> 00:07:03,814 HOW DID THE UNSUB SET THE FIRE? 93 00:07:03,858 --> 00:07:08,079 GARCIA: FIREFIGHTERS SOURCED THE FLAMES TO A LIT STOVE 94 00:07:08,123 --> 00:07:11,169 AND THEN DISCOVERED EVIDENCE OF CORRODED GAS PIPES. 95 00:07:11,213 --> 00:07:12,867 THE GAS PIPES ARE MADE OF GALVANIZED STEEL, 96 00:07:12,910 --> 00:07:15,478 AND THE HOUSE IS ONLY A FEW YEARS OLD. 97 00:07:15,522 --> 00:07:17,088 THE UNSUB COULD'VE USED SULFURIC ACID 98 00:07:17,132 --> 00:07:18,655 TO MIMIC THE EFFECTS OF CORROSION. 99 00:07:18,699 --> 00:07:19,874 YEAH, HE'S GONE TO GREAT LENGTHS 100 00:07:19,917 --> 00:07:21,484 TO MAKE THE FIRE LOOK LIKE AN ACCIDENT. 101 00:07:21,528 --> 00:07:23,268 NO FORENSIC COUNTERMEASURE. 102 00:07:23,312 --> 00:07:25,488 BURNING THE HOUSE DOWN WOULD BE A PERFECT WAY TO COVER YOUR TRACKS. 103 00:07:25,532 --> 00:07:27,490 THE SOPHISTICATION SUGGESTS THIS ISN'T HIS FIRST, 104 00:07:27,534 --> 00:07:29,013 AND HE'S PROBABLY PLANNING MORE. 105 00:07:29,057 --> 00:07:30,667 WHEELS UP IN 20. 106 00:07:31,842 --> 00:07:34,454 DID YOU FIND ANY OTHER VICTIMS? 107 00:07:34,497 --> 00:07:36,020 NOT ON THE FIRST SWEEP. 108 00:07:37,369 --> 00:07:39,633 SO WE DISCUSSED WHAT WE KNEW 109 00:07:39,676 --> 00:07:41,286 ON OUR WAY TO NASHVILLE. 110 00:07:43,071 --> 00:07:45,639 MONICA FEINSTEIN, 52. 111 00:07:45,682 --> 00:07:47,684 TAUGHT PRESCHOOL, VOLUNTEERED IN A SOUP KITCHEN. 112 00:07:47,728 --> 00:07:48,946 SINGLE MOM, ADULT SON. 113 00:07:48,990 --> 00:07:50,731 ABOUT AS LOW-RISK A LIFESTYLE AS YOU CAN GET. 114 00:07:50,774 --> 00:07:52,254 PRENTISS: AND THERE'S NO SIGN OF FORCED ENTRY, 115 00:07:52,297 --> 00:07:54,648 SO, THE UNSUB WAS EITHER SOMEONE SHE KNEW 116 00:07:54,691 --> 00:07:56,040 OR DIDN'T SEE AS A THREAT. 117 00:07:56,084 --> 00:07:57,607 HE SETS THE FIRE TO DESTROY THE EVIDENCE, 118 00:07:57,651 --> 00:07:59,000 BUT HE COULD ALSO BE SETTING IT 119 00:07:59,043 --> 00:08:00,218 TO HIDE HIS OWN SHAME OR DISGUST 120 00:08:00,262 --> 00:08:01,524 FOR HAVING TAKEN THE FACE. 121 00:08:01,568 --> 00:08:02,699 YEAH, THAT'S TRUE, 122 00:08:02,743 --> 00:08:03,961 BUT EVEN IF IT WAS A TROPHY, 123 00:08:04,005 --> 00:08:05,746 HE MIGHT'VE HATED HIMSELF FOR WANTING IT. 124 00:08:05,789 --> 00:08:07,617 ROSSI: MOST UNSUBS HAVE A LOVE-HATE RELATIONSHIP 125 00:08:07,661 --> 00:08:08,966 WITH THEIR COMPULSIONS. 126 00:08:09,010 --> 00:08:10,925 WHICH IN THIS CASE WOULD BE EROTOPHONOPHILIA. 127 00:08:10,968 --> 00:08:12,927 KRYSTALL: EROTOPHONO-WHAT? 128 00:08:12,970 --> 00:08:15,538 IT'S A $10 WORD FOR LUST MURDER. 129 00:08:15,582 --> 00:08:17,540 IT INVOLVES THE MUTILATION OF BODY PARTS 130 00:08:17,584 --> 00:08:19,324 THE UNSUB FINDS MOST ATTRACTIVE. 131 00:08:19,368 --> 00:08:22,153 NOW, IT COULD BE FEET OR KNEECAPS, 132 00:08:22,197 --> 00:08:24,939 BUT IT'S USUALLY BREASTS OR GENITAL-- 133 00:08:24,982 --> 00:08:26,506 OK, GOT IT. GOT IT. 134 00:08:26,549 --> 00:08:27,724 YOU ASKED. OK, WELL, 135 00:08:27,768 --> 00:08:28,943 YOU KNOW, MAYBE WE SHOULD HAVE 136 00:08:28,986 --> 00:08:30,161 A SAFE WORD OR SOMETHING. 137 00:08:30,205 --> 00:08:31,728 MAYBE YOU SHOULD JUST TELL ME 138 00:08:31,772 --> 00:08:34,383 WHEN TO LEAVE SOMETHING TO THE IMAGINATION. 139 00:08:34,426 --> 00:08:36,559 DEAL. OK. 140 00:08:36,603 --> 00:08:41,303 SO IN THIS CASE, IT WAS THE FACE. WHY? 141 00:08:41,346 --> 00:08:44,785 THAT'S THE QUESTION WE PURSUED WHEN WE LANDED. 142 00:08:50,225 --> 00:08:51,835 SIMMONS: ACCORDING TO THE AUTOPSY, 143 00:08:51,879 --> 00:08:54,751 THE CUTS ON MONICA WERE ROUGH AND IMPRECISE. 144 00:08:54,795 --> 00:08:56,971 BUT HE HAD ALREADY STRANGLED HER. 145 00:08:57,014 --> 00:08:58,668 HE HAD THE TIME AND CONTROL TO DO WHAT HE WANTS. 146 00:08:58,712 --> 00:08:59,843 HE HAD NO REASON TO RUSH. 147 00:08:59,887 --> 00:09:01,845 BASED ON HIS SKILL AND ORGANIZATION, 148 00:09:01,889 --> 00:09:03,543 IT'S NOT INEXPERIENCE. 149 00:09:03,586 --> 00:09:05,153 IT COULD BE THAT HE LOSES CONTROL 150 00:09:05,196 --> 00:09:06,850 BECAUSE HE'S OBTAINED GRATIFICATION. 151 00:09:06,894 --> 00:09:08,591 A DOPAMINE RUSH IS SIMILAR TO DRUG ADDICTION, 152 00:09:08,635 --> 00:09:11,463 WHERE A FEELING OF EUPHORIA SUSPENDS FINE MOTOR SKILLS. 153 00:09:11,507 --> 00:09:12,987 PRENTISS: MONICA FEINSTEIN HAS A GROWN SON? 154 00:09:13,030 --> 00:09:15,772 YEAH, CARL, AGE 19. HE GOES TO TENNESSEE TECH. 155 00:09:15,816 --> 00:09:17,295 PRENTISS: LET'S BRING HIM IN. 156 00:09:17,339 --> 00:09:18,645 IF THE UNSUB WAS SOMEBODY MONICA KNEW, 157 00:09:18,688 --> 00:09:20,908 HE MIGHT BE ABLE TO GIVE US A SUSPECT. 158 00:09:25,913 --> 00:09:28,524 YEAH. I KNOW EXACTLY WHO DID THIS. 159 00:09:28,568 --> 00:09:32,223 HIS NAME'S MAC. HE, UH-- 160 00:09:32,267 --> 00:09:34,008 HE WAS DATING MY MOM. 161 00:09:34,051 --> 00:09:35,836 WHAT CAN YOU TELL ME ABOUT HIM? 162 00:09:35,879 --> 00:09:37,838 DORKY, BORING. 163 00:09:39,013 --> 00:09:40,841 HE ALWAYS WORE THESE, UH-- 164 00:09:40,884 --> 00:09:43,321 THESE WOOL SWEATERS. 165 00:09:43,365 --> 00:09:44,888 HE NEVER STAYED OVER. 166 00:09:44,932 --> 00:09:46,673 HE SAID HE WANTED TO PROTECT 167 00:09:46,716 --> 00:09:48,326 MY MOTHER'S VIRTUE. 168 00:09:48,370 --> 00:09:50,807 THE KIND OF GUY THAT WOULD GO OUT OF HIS WAY 169 00:09:50,851 --> 00:09:52,635 TO APPEAR NONTHREATENING? 170 00:09:52,679 --> 00:09:53,984 YEAH. 171 00:09:54,028 --> 00:09:57,248 YOU WENT RIGHT AFTER HIM AS YOUR MOTHER'S KILLER. 172 00:09:57,292 --> 00:09:59,033 HOW COME? 173 00:09:59,076 --> 00:10:00,643 BECAUSE YESTERDAY 174 00:10:00,687 --> 00:10:03,472 I CAME HOME TO HELP MY MOM AROUND THE HOUSE. 175 00:10:03,515 --> 00:10:05,256 MAC: DON'T WORRY, HONEY. 176 00:10:05,300 --> 00:10:07,258 I'LL BE HOME SOON. 177 00:10:08,520 --> 00:10:10,522 I LOVE YOU, TOO. BYE. 178 00:10:12,394 --> 00:10:14,352 HEY, WHO'S THAT? HUH? 179 00:10:14,396 --> 00:10:17,660 OH, HO. HEY! CARL, I WAS--I WAS JUST-- 180 00:10:17,704 --> 00:10:20,794 CARL: NO, NO. WHO, UH, WHO WAS THAT? 181 00:10:20,837 --> 00:10:23,144 IS EVERYTHING ALL RIGHT? 182 00:10:23,187 --> 00:10:25,625 NO. HE JUST SAID "I LOVE YOU" 183 00:10:25,668 --> 00:10:26,974 TO SOMEBODY ON THE PHONE. 184 00:10:27,017 --> 00:10:28,062 UH... 185 00:10:29,846 --> 00:10:31,282 YEAH, MY MOM. 186 00:10:31,326 --> 00:10:33,937 OH, YEAH? YOU CALL YOUR MOTHER "HONEY"? 187 00:10:33,981 --> 00:10:35,417 YEAH, I DO. 188 00:10:35,460 --> 00:10:36,853 MONICA: HE DOES. 189 00:10:36,897 --> 00:10:39,813 I'VE HEARD HIM. HE CHECKS ON HER SEVERAL TIMES A DAY. 190 00:10:39,856 --> 00:10:42,511 OK, HAVE YOU EVER MET HIS MOTHER? 191 00:10:42,554 --> 00:10:43,991 NO, I HAVEN'T, BUT-- 192 00:10:44,034 --> 00:10:45,732 HEY, LET'S CLEAR THE AIR 193 00:10:45,775 --> 00:10:49,431 AND ADDRESS WHAT'S REALLY GOING ON HERE, YEAH? 194 00:10:49,474 --> 00:10:52,652 YOU'RE BEING PROTECTIVE OF YOUR MOM. HEH! 195 00:10:52,695 --> 00:10:54,131 AND AS YOU SHOULD, BECAUSE SHE IS 196 00:10:54,175 --> 00:10:56,830 AN INCREDIBLY SPECIAL WOMAN. 197 00:10:56,873 --> 00:10:58,396 BUT I WANT TO-- 198 00:10:58,440 --> 00:11:00,094 I WANT TO PROVE TO YOU HOW PURE MY INTENTIONS ARE WITH HER, 199 00:11:00,137 --> 00:11:01,748 BECAUSE I KNOW THIS HAS BEEN FAST. 200 00:11:01,791 --> 00:11:06,143 UM, I'VE BEEN WAITING MY WHOLE LIFE FOR YOU... 201 00:11:08,102 --> 00:11:10,365 AND I DON'T WANT TO WAIT ANY LONGER. 202 00:11:10,408 --> 00:11:12,236 WHAT? 203 00:11:12,280 --> 00:11:13,498 WHAT? 204 00:11:16,588 --> 00:11:18,025 WILL YOU MARRY ME? 205 00:11:18,068 --> 00:11:20,157 OH, OF COURSE I WILL. 206 00:11:21,942 --> 00:11:23,508 IT'S BEAUTIFUL. 207 00:11:23,552 --> 00:11:24,945 I LOVE IT. 208 00:11:24,988 --> 00:11:26,729 CARL, VOICE-OVER: I COULDN'T STAND WATCHING HER 209 00:11:26,773 --> 00:11:29,689 MAKE SUCH AN AWFUL DECISION LIKE THAT, SO I LEFT. 210 00:11:29,732 --> 00:11:33,040 HE MUST'VE KILLED HER AS SOON AS I WAS GONE. 211 00:11:33,083 --> 00:11:35,695 YOU HAVE ANY PHOTOS OF MAC? 212 00:11:37,958 --> 00:11:43,485 MY MOM, SHE POSTED A LOT ON SOCIAL MEDIA. 213 00:11:43,528 --> 00:11:46,706 HERE'S ALL HIS CONTACT INFO. 214 00:11:46,749 --> 00:11:49,273 ALVEZ: PAUL MacINTYRE, AKA "MAC." 215 00:11:49,317 --> 00:11:52,059 HE DATED MONICA TWO MONTHS BEFORE HE PROPOSED TO HER. 216 00:11:52,102 --> 00:11:53,843 AND THE ADDRESS HE GAVE HER WAS A FAKE, 217 00:11:53,887 --> 00:11:56,063 AND THE PHONE NUMBER THAT HE GAVE TO HER WAS 218 00:11:56,106 --> 00:11:57,847 FOR A BURNER THAT'S NOW BEEN DISCONNECTED. 219 00:11:57,891 --> 00:11:59,240 REID: YOU KNOW, IT COULD BE AN UNSUB WHO TARGETS 220 00:11:59,283 --> 00:12:00,981 A LONELY HEARTS VICTIMOLOGY-- 221 00:12:01,024 --> 00:12:03,940 MIDDLE-AGED WOMEN WHO ARE EMOTIONALLY SUSCEPTIBLE TO HIS CHARISMA. 222 00:12:03,984 --> 00:12:06,377 JAREAU: AND HE TAKES HIS CHARM AND HARM SEDUCTION 223 00:12:06,421 --> 00:12:07,944 ALL THE WAY UP TO THE PROPOSAL 224 00:12:07,988 --> 00:12:08,989 AND KILLS THEM. 225 00:12:10,033 --> 00:12:11,774 PRENTISS: GARCIA, WHAT'D YOU FIND? 226 00:12:11,818 --> 00:12:13,950 OK, I RAN THIS PHOTO OF MR. MacINTYRE 227 00:12:13,994 --> 00:12:15,822 THROUGH FACIAL RECOGNITION, 228 00:12:15,865 --> 00:12:17,562 AND I'M TELLING YOU WITH MY FULL CONFIDENCE 229 00:12:17,606 --> 00:12:18,825 HE DOES NOT EXIST. 230 00:12:18,868 --> 00:12:20,609 AND I WANT TO BE REALLY CLEAR ABOUT THIS. 231 00:12:20,652 --> 00:12:22,176 I'M NOT SAYING HE COVERED HIS TRACKS. 232 00:12:22,219 --> 00:12:24,526 I'M SAYING THIS GUY IS A STONE-COLD APPARITION. 233 00:12:24,569 --> 00:12:26,180 IS THERE ANYTHING IN THE CREATION OF THE FALSE IDENTITY 234 00:12:26,223 --> 00:12:27,790 WE CAN TRACK? 235 00:12:27,834 --> 00:12:31,098 OK. ACCORDING TO HIS FAUX DATING PROFILE, 236 00:12:31,141 --> 00:12:32,882 HE VALUES FAMILY AND SERVING THE HOMELESS, 237 00:12:32,926 --> 00:12:34,231 WHICH WOULD BE REALLY CUTE IF, YOU KNOW, 238 00:12:34,275 --> 00:12:36,712 HE DIDN'T CUT HER FACE OFF AND BURN HER HOUSE DOWN. 239 00:12:36,756 --> 00:12:38,105 HELPING THE HOMELESS WAS 240 00:12:38,148 --> 00:12:39,846 EXACTLY WHAT MONICA WAS INTERESTED IN. 241 00:12:39,889 --> 00:12:42,544 THE UNSUB WAS CREATING A PERSONA TAILOR-MADE 242 00:12:42,587 --> 00:12:44,111 TO GET HER GUARD DOWN. 243 00:12:44,154 --> 00:12:45,808 WHAT ABOUT FINANCIAL RECORDS? 244 00:12:45,852 --> 00:12:47,984 GARCIA: OH, THIS IS WHERE THINGS GET REALLY NASTY. 245 00:12:48,028 --> 00:12:50,334 ACTUALLY, THE PART ABOUT THE FACE IS THE NASTY THING, 246 00:12:50,378 --> 00:12:53,207 BUT I'M SENDING YOU THE SPECIFICS ON THIS. 247 00:12:53,250 --> 00:12:55,992 SHORTLY BEFORE DATING MONICA, THE UNSUB OPENED 248 00:12:56,036 --> 00:12:57,820 A BANK ACCOUNT USING THIS FAKE IDENTITY. 249 00:12:57,864 --> 00:12:59,213 HE USED IT AS A FENCE TO CREATE 250 00:12:59,256 --> 00:13:01,041 AN UNTRACEABLE OFFSHORE ACCOUNT. 251 00:13:01,084 --> 00:13:03,695 HE WAS DRAINING MONICA'S MONEY THE WHOLE TIME THEY WERE DATING. 252 00:13:03,739 --> 00:13:05,828 GARCIA: AND THEN THE LOW-DOWN, LYING SLEAZEBALL 253 00:13:05,872 --> 00:13:07,090 CLOSED SAID ACCOUNT. 254 00:13:07,134 --> 00:13:08,439 AND WE ALL KNOW WHAT THAT MEANS, 255 00:13:08,483 --> 00:13:09,919 DON'T WE, MY PRETTIES? 256 00:13:09,963 --> 00:13:10,920 HE'S A CON MAN. 257 00:13:12,139 --> 00:13:13,009 LEWIS: YEAH, BUT CON MEN RESORT TO VIOLENCE 258 00:13:13,053 --> 00:13:14,358 ONLY OUT OF NECESSITY. 259 00:13:14,402 --> 00:13:15,838 IF HE HAD A FALSE IDENTITY, 260 00:13:15,882 --> 00:13:17,057 IT WOULD HAVE BEEN EASIER JUST TO SKIP TOWN 261 00:13:17,100 --> 00:13:18,580 THAN MURDER MONICA. 262 00:13:18,623 --> 00:13:20,712 MAYBE AFTER THE PROPOSAL, MONICA DISCOVERED HE 263 00:13:20,756 --> 00:13:21,975 WASN'T WHO HE SAID HE WAS, 264 00:13:22,018 --> 00:13:24,847 AND THEN HE KILLED HER TO PROTECT HIS ANONYMITY. 265 00:13:24,891 --> 00:13:26,980 BUT THEN WHY GO TO THESE LENGTHS? 266 00:13:27,023 --> 00:13:28,329 WHY START THE FIRE? 267 00:13:28,372 --> 00:13:30,853 AND, MORE IMPORTANTLY, WHY CUT OFF THE FACE? 268 00:13:30,897 --> 00:13:34,378 I WAS WONDERING THAT, TOO. 269 00:13:34,422 --> 00:13:36,163 I MEAN, I'VE MET MY SHARE OF CON MEN 270 00:13:36,206 --> 00:13:38,861 DEALING BLACKJACK IN VEGAS, 271 00:13:38,905 --> 00:13:40,820 BUT ALL THEY CARE ABOUT IS THE SCORE. 272 00:13:40,863 --> 00:13:42,822 EXACTLY. HIS RITUAL DIDN'T MATCH 273 00:13:42,865 --> 00:13:44,562 WHAT A TYPICAL GRIFTER WOULD DO. 274 00:13:44,606 --> 00:13:46,390 SO WHY GO THROUGH ALL THAT STUFF 275 00:13:46,434 --> 00:13:48,175 WITH THE FACE AND THE FIRE? 276 00:13:48,218 --> 00:13:49,393 WE WEREN'T SURE. 277 00:13:49,437 --> 00:13:50,917 AND WHILE WE WERE TRYING TO FIGURE THAT OUT, 278 00:13:50,960 --> 00:13:52,614 HE'D ALREADY LEFT THE STATE... 279 00:13:54,834 --> 00:13:57,010 ROSSI, VOICE-OVER: AND DID WHAT EVERY CON MAN DOES 280 00:13:57,053 --> 00:13:58,881 WHEN THEY'RE ON THE RUN. 281 00:14:00,491 --> 00:14:02,493 HE STARTED OVER. 282 00:14:47,843 --> 00:14:50,063 HOW ABOUT THIS? 283 00:14:50,106 --> 00:14:51,368 WOMAN: TURN TO THE LEFT. 284 00:14:51,412 --> 00:14:54,067 NOW TO THE RIGHT. 285 00:14:54,110 --> 00:14:55,633 IT'S GREAT. THEY'RE ALL GREAT. 286 00:14:55,677 --> 00:14:57,026 I ALSO LIKE THE TAN ONE AND THE NAVY ONE. 287 00:14:57,070 --> 00:14:59,724 YOU ARE LITERALLY NO HELP. 288 00:15:02,466 --> 00:15:06,079 OHH. I'M SORRY I'M LATE, HONEY. 289 00:15:06,122 --> 00:15:07,950 MEETING IN NASHVILLE WENT LONG. 290 00:15:07,994 --> 00:15:09,778 DIDN'T GET ON THE ROAD TILL 1:00. 291 00:15:09,821 --> 00:15:10,779 AW. 292 00:15:10,822 --> 00:15:14,000 HEY. HEY. 293 00:15:16,219 --> 00:15:18,178 CHATTY GAL. 294 00:15:18,221 --> 00:15:21,137 SHE'LL GET USED TO THIS. 295 00:15:21,181 --> 00:15:22,965 I LOVE THIS. OH, THIS? 296 00:15:23,009 --> 00:15:24,271 MM-HMM. 297 00:15:24,314 --> 00:15:26,186 SOMETHING I JUST THREW ON. 298 00:15:26,229 --> 00:15:27,535 YOU KNOW WHAT I WAS THINKING. 299 00:15:27,578 --> 00:15:29,972 MAYBE WE'D TRY THAT NEW ITALIAN SPOT 300 00:15:30,016 --> 00:15:31,234 UNLESS YOU'RE TOO TIRED. 301 00:15:31,278 --> 00:15:32,932 NONSENSE. NO? 302 00:15:32,975 --> 00:15:34,281 JUST LET ME SETTLE IN FOR A SECOND, HUH? 303 00:15:34,324 --> 00:15:36,283 OK. 304 00:15:38,285 --> 00:15:39,286 MM. 305 00:16:17,715 --> 00:16:19,500 OH, BE STILL. 306 00:16:19,543 --> 00:16:21,502 YOU KNOW, IT WOULDN'T BE SO BAD IF YOU 307 00:16:21,545 --> 00:16:23,591 HAD CLEANED IT PROPERLY IN THE FIRST PLACE. 308 00:16:23,634 --> 00:16:25,636 YOU BIG BABY. 309 00:16:27,464 --> 00:16:31,338 SO...LET'S REVIEW. 310 00:16:31,381 --> 00:16:33,427 ON THE ONE HAND, YOU HAVE 311 00:16:33,470 --> 00:16:35,298 A CASANOVA CON ARTIST 312 00:16:35,342 --> 00:16:37,213 SWEEPING A MIDDLE-AGED WOMAN OFF HER FEET 313 00:16:37,257 --> 00:16:39,041 WHILE EMPTYING HER BANK ACCOUNTS. 314 00:16:39,085 --> 00:16:41,565 AND ON THE OTHER, WE HAD A KILLER CARVING FACES OFF. 315 00:16:41,609 --> 00:16:44,568 YOU SAID THERE WERE NO OTHER CASES. 316 00:16:44,612 --> 00:16:47,789 NOT AT FIRST UNTIL PRENTISS REALIZED 317 00:16:47,832 --> 00:16:50,052 WE WERE LOOKING IN THE WRONG PLACE. 318 00:16:50,096 --> 00:16:51,749 WE DIDN'T TAKE HIS FORENSIC COUNTERMEASURE 319 00:16:51,793 --> 00:16:53,055 INTO ACCOUNT. 320 00:16:53,099 --> 00:16:54,274 IT'S THE ARSON. 321 00:16:54,317 --> 00:16:56,102 AND THAT'S THE ELEMENT WE OVERLOOKED 322 00:16:56,145 --> 00:16:57,538 FOR PREVIOUS MURDERS. 323 00:16:57,581 --> 00:16:58,756 BAE, HIT ME. 324 00:16:58,800 --> 00:17:01,716 PRENTISS: GARCIA, LOOK INTO ACCIDENTAL FIRES 325 00:17:01,759 --> 00:17:03,500 IN TENNESSEE, WHERE A MIDDLE-AGED WOMAN WAS KILLED. 326 00:17:03,544 --> 00:17:05,111 HERE I THOUGHT YOU WERE GONNA TASK ME 327 00:17:05,154 --> 00:17:08,114 WITH SOMETHING BONE-CRUSHINGLY BLEAK AND DEPRESSING. 328 00:17:08,157 --> 00:17:10,812 ACCIDENTS--MIDDLE-AGED. 329 00:17:10,855 --> 00:17:12,509 LIMIT THE SEARCH TO WOMEN IN THEIR 50s 330 00:17:12,553 --> 00:17:14,120 WHO WERE DATING A YOUNGER MAN. 331 00:17:14,163 --> 00:17:16,470 ENTERING COUGARVILLE. RAWR. 332 00:17:16,513 --> 00:17:18,472 IT'S GONNA TAKE ME A HOT MINUTE 333 00:17:18,515 --> 00:17:21,214 TO HACK AND SLASH THROUGH ALL THIS SOCIAL MEDIA. 334 00:17:21,257 --> 00:17:24,347 2, 3, 4, 5, 7 HITS, STILL COUNTING. 335 00:17:24,391 --> 00:17:26,088 CON ARTISTS TYPICALLY TARGET SOMEONE 336 00:17:26,132 --> 00:17:27,655 WITH A VOID IN THEIR LIFE. 337 00:17:27,698 --> 00:17:30,092 SO WHAT MADE MONICA AN OPTIMAL TARGET? 338 00:17:30,136 --> 00:17:31,833 HER SON LEFT FOR COLLEGE LAST YEAR. 339 00:17:31,876 --> 00:17:33,487 SHE WAS LIVING ALONE. 340 00:17:33,530 --> 00:17:35,445 GARCIA, OF THOSE 7 WOMEN, HOW MANY OF THEM HAD 341 00:17:35,489 --> 00:17:37,882 CHILDREN WHO MOVED OUT JUST BEFORE THEY WERE KILLED? 342 00:17:37,926 --> 00:17:40,929 PUTTING ON MY EMPTY NESTER FILTER. 343 00:17:42,496 --> 00:17:46,500 BOOM. CLARISSA CARNEY, AGE 54. 344 00:17:46,543 --> 00:17:49,242 DIED IN A FIRE IN MEMPHIS 5 MONTHS AGO, 345 00:17:49,285 --> 00:17:52,419 TWO ADULT CHILDREN-- CLARE AND DAMIAN CARNEY. 346 00:17:52,462 --> 00:17:54,116 OK, LET'S BRING THOSE KIDS IN HERE 347 00:17:54,160 --> 00:17:56,118 AND SEE IF THEY RECOGNIZE OUR UNSUB. 348 00:17:56,162 --> 00:17:57,511 CLARE: THAT'S HIM. 349 00:17:57,554 --> 00:17:59,861 HE DON'T LOOK ANYTHING LIKE THIS. 350 00:17:59,904 --> 00:18:01,123 MOM CALLED HIM MIKE. 351 00:18:01,167 --> 00:18:04,431 SHE SAID HE WAS A GODSEND AFTER OUR DAD DIED. 352 00:18:04,474 --> 00:18:06,389 A GODSEND. HOW EXACTLY? 353 00:18:06,433 --> 00:18:07,651 CLARE: HE WAS INTERESTED IN ALL THE SAME THINGS 354 00:18:07,695 --> 00:18:09,088 SHE WAS INTERESTED IN. 355 00:18:09,131 --> 00:18:10,480 TOOK HER ON TRIPS. 356 00:18:10,524 --> 00:18:11,481 WHICH SHE LOVED. 357 00:18:11,525 --> 00:18:13,179 BOUGHT HER ALL KINDS OF GIFTS. 358 00:18:13,222 --> 00:18:14,919 NOTICE ANYTHING STRANGE ABOUT THE RELATIONSHIP? 359 00:18:14,963 --> 00:18:19,489 I WAS A LITTLE WORRIED WHEN THEY GOT ENGAGED. 360 00:18:19,533 --> 00:18:21,100 IT WAS A LITTLE FAST. 361 00:18:21,143 --> 00:18:24,451 CLARE: AND THEN HE DISAPPEARED JUST AS FAST. 362 00:18:24,494 --> 00:18:25,626 HE PROPOSED, 363 00:18:25,669 --> 00:18:27,149 AND THEN THE NEXT DAY, THE FIRE HAPPENED. 364 00:18:27,193 --> 00:18:28,846 HE DIDN'T EVEN COME TO THE FUNERAL. 365 00:18:28,890 --> 00:18:31,849 ALVEZ: DID HE HAVE ACCESS TO YOUR MOM'S BANK ACCOUNTS? 366 00:18:34,025 --> 00:18:35,853 NO. WHY? 367 00:18:35,897 --> 00:18:37,203 ARE YOU SURE? 368 00:18:37,246 --> 00:18:40,031 HE DIDN'T TRY TAKING ANY MONEY FROM YOUR MOM? 369 00:18:40,075 --> 00:18:43,948 NO. IN FACT, WE WERE SURPRISED 370 00:18:43,992 --> 00:18:46,429 AT HOW MUCH SHE LEFT US IN THE WILL. 371 00:18:46,473 --> 00:18:48,127 IT WAS OVER 7 FIGURES. 372 00:18:50,477 --> 00:18:52,131 YOU SAID YOU HAD A PICTURE OF HIM? 373 00:18:54,698 --> 00:18:56,135 SHE EMAILED THIS TO US 374 00:18:56,178 --> 00:18:58,137 WHEN THEY TOOK A TRIP TO CHICAGO. 375 00:18:58,180 --> 00:19:00,356 ROSSI: WE LEARNED A LOT FROM THE PHOTO. 376 00:19:02,053 --> 00:19:03,490 KRYSTALL: HE'S OLDER IN THIS PICTURE. 377 00:19:03,533 --> 00:19:05,448 BEARD, DIFFERENT GLASSES, DIFFERENT HAIR COLOR, 378 00:19:05,492 --> 00:19:07,276 DIFFERENT EYE COLOR, WHICH MEANS HE'S 379 00:19:07,320 --> 00:19:09,191 WEARING COLORED CONTACTS. 380 00:19:09,235 --> 00:19:11,193 CON MEN KNOW HOW TO CHANGE THEIR LOOK. 381 00:19:11,237 --> 00:19:12,499 WELL, NOT TO THIS LENGTH. 382 00:19:12,542 --> 00:19:15,110 TAKE A LOOK AT HIS FIRST IDENTITY AGAIN 383 00:19:15,154 --> 00:19:16,459 WHEN HE WAS MAC. 384 00:19:16,503 --> 00:19:17,504 OK. 385 00:19:17,547 --> 00:19:19,419 IMAGINE SOMETHING WITH ME. 386 00:19:19,462 --> 00:19:21,899 IT'S NOT GONNA BE GROSS OR SCARY, IS IT? 387 00:19:21,943 --> 00:19:24,772 NO. JUST CLOSE YOUR EYES, LISTEN, 388 00:19:24,815 --> 00:19:27,296 AND PUT YOURSELF THERE. 389 00:19:30,256 --> 00:19:33,215 ROSSI, VOICE-OVER: CON MEN ARE CREATURES OF HABIT, 390 00:19:33,259 --> 00:19:35,086 WHICH IS A NICE WAY OF SAYING THEY'RE 391 00:19:35,130 --> 00:19:36,871 FUNDAMENTALLY LAZY. 392 00:19:36,914 --> 00:19:40,266 LIKE MOST PSYCHOPATHS, THEY GET BORED EASILY. 393 00:19:40,309 --> 00:19:42,659 THEY CHANGE JUST ENOUGH ABOUT THEIR APPEARANCE 394 00:19:42,703 --> 00:19:44,487 TO KEEP THEIR CON ALIVE. 395 00:19:44,531 --> 00:19:48,491 THIS GUY DID MORE THAN JUST CHANGE HIS CLOTHES AND HAIR. 396 00:19:48,535 --> 00:19:50,493 BASED ON OUR INTERVIEWS, WE LEARNED THAT HE 397 00:19:50,537 --> 00:19:52,887 ALTERED HIS MANNERISMS, HIS BODY LANGUAGE, 398 00:19:52,930 --> 00:19:54,889 EVEN HIS ACCENT. 399 00:19:54,932 --> 00:19:57,108 YOU ARE SO DARN BEAUTIFUL. 400 00:19:57,152 --> 00:20:00,851 YOU'RE NOT SO BAD YOURSELF, MISTER. HA HA... 401 00:20:00,895 --> 00:20:02,505 OH, MY GOD. 402 00:20:02,549 --> 00:20:05,552 MAN: ♪ I SAID, WOW! 403 00:20:05,595 --> 00:20:10,121 ♪ I SAID, WOW ♪ 404 00:20:13,777 --> 00:20:16,737 ROSSI, VOICE-OVER: NOW, A MAN WHO CAN CHANGE THAT MUCH. 405 00:20:16,780 --> 00:20:19,305 HOW DO YOU THINK HE WOULD FEEL ABOUT HIMSELF? 406 00:20:26,529 --> 00:20:29,445 SHH. 407 00:20:29,489 --> 00:20:33,449 HA HA! MM. MM. 408 00:20:38,585 --> 00:20:41,718 KRYSTALL, VOICE-OVER: LIKE HE HAD NO IDENTITY... 409 00:20:45,592 --> 00:20:48,116 LIKE HE HAD NO FACE. 410 00:20:51,337 --> 00:20:55,297 THAT'S WHEN WE KNEW IT WAS TIME TO DELIVER THE PROFILE. 411 00:20:55,341 --> 00:20:59,345 THE UNSUB WE'RE DEALING WITH THINKS HE'S A CON MAN, 412 00:20:59,388 --> 00:21:03,349 BUT A CON MAN WOULDN'T LEAVE MONEY IN THE BANK LIKE HE DID WITH CLARISSA CARNEY. 413 00:21:03,392 --> 00:21:05,742 REID: THIS MAN IS A MALIGNANT NARCISSIST AND MISOGYNIST 414 00:21:05,786 --> 00:21:08,354 WHO FUNDAMENTALLY HATES THE WOMEN HE TAKES ADVANTAGE OF. 415 00:21:08,397 --> 00:21:10,747 HE CAN'T REVEAL WHO HE TRULY IS TO THEM, 416 00:21:10,791 --> 00:21:12,967 SO AT THE MOMENT OF THEIR GREATEST HAPPINESS, 417 00:21:13,010 --> 00:21:15,578 HE DESTROYS IT AND TAKES THEIR FACE. 418 00:21:15,622 --> 00:21:18,755 NOW, A HATRED THIS SEVERE, WHERE RAGE TRUMPS MONEY, 419 00:21:18,799 --> 00:21:21,192 INDICATES THAT OUR UNSUB HAS A DAMAGED RELATIONSHIP 420 00:21:21,236 --> 00:21:24,848 WITH THE PRIMARY FEMALE FIGURE IN HIS LIFE, MOST LIKELY HIS MOTHER. 421 00:21:24,892 --> 00:21:26,372 WAIT. WHY HIS MOTHER? 422 00:21:26,415 --> 00:21:28,287 COULDN'T HE JUST BE SOME GUY WITH A BROKEN HEART? 423 00:21:28,330 --> 00:21:30,289 SOMETHING MUST HAVE HAPPENED DURING HIS FORMATIVE YEARS 424 00:21:30,332 --> 00:21:32,334 TO PRODUCE THIS LEVEL OF VIOLENCE. 425 00:21:32,378 --> 00:21:34,858 HE'S BEEN NURSING THIS ANGER FOR A LONG TIME. 426 00:21:34,902 --> 00:21:38,297 THE TIME HE SPENDS WITH HIS MARKS IS OUR BEST LEAD RIGHT NOW, 427 00:21:38,340 --> 00:21:40,647 AND ALTHOUGH HE GOES TO GREAT LENGTHS TO HIDE HIS FACE, 428 00:21:40,690 --> 00:21:43,867 HE PROBABLY USES ALL OR PART OF THE SAME COVER STORY IN HIS CON. 429 00:21:43,911 --> 00:21:45,869 AND THE DETAILS HE RECYCLES MIGHT 430 00:21:45,913 --> 00:21:47,480 BE HELPFUL TO OUR INVESTIGATION. 431 00:21:47,523 --> 00:21:49,482 THERE MIGHT BE SOME BREAD CRUMBS IN THERE 432 00:21:49,525 --> 00:21:51,484 THAT HELP LEAD US TO WHERE HE IS NOW. 433 00:21:51,527 --> 00:21:54,661 OR, MORE LIKELY, THEY'LL TELL US WHO HE WAS TO BEGIN WITH. 434 00:21:54,704 --> 00:21:58,578 KRYSTALL: OK, I KNOW THIS PART FROM DEALING CARDS. 435 00:21:59,840 --> 00:22:01,798 EVERY BLUFF HAS A TELL, 436 00:22:01,842 --> 00:22:05,759 AND THAT TELL IS THE TRUTH SEEPING OUT. 437 00:22:05,802 --> 00:22:07,761 THAT'S RIGHT. 438 00:22:07,804 --> 00:22:09,763 A CON MAN KEEPS HIS STORY STRAIGHT 439 00:22:09,806 --> 00:22:12,156 BY DRAWING FROM HIS OWN LIFE. 440 00:22:12,200 --> 00:22:15,986 BUT TO GET THOSE DETAILS, WE NEEDED TO FIND MORE VICTIMS. 441 00:22:16,030 --> 00:22:17,597 DID YOU FIND THEM? 442 00:22:17,640 --> 00:22:20,991 GARCIA DID, ONCE SHE EXPANDED HER SEARCH BEYOND STATE LINES. 443 00:22:21,035 --> 00:22:23,559 BUT AS WE WERE PULLING THOSE FAMILIES, 444 00:22:23,603 --> 00:22:26,954 HE'D ALREADY MOVED ON TO ANOTHER TARGET. 445 00:22:26,997 --> 00:22:31,741 OK, YOU TWO ARE JUST THE CUTEST TEAM EVER. 446 00:22:31,785 --> 00:22:33,787 CAREFUL NOW.YES, MA'AM. 447 00:22:38,792 --> 00:22:40,794 DON'T LEAVE ME HANGING. 448 00:22:43,449 --> 00:22:45,407 OK. 449 00:22:45,451 --> 00:22:48,410 TELL ME, WHAT DO I HAVE TO DO TO GET ON YOUR GOOD SIDE? 450 00:22:48,454 --> 00:22:50,760 WELL, FOR STARTERS, YOU COULD MAYBE EXPLAIN SOMETHING TO ME. 451 00:22:50,804 --> 00:22:52,414 WHAT? 452 00:22:52,458 --> 00:22:54,547 WHAT ARE YOUR PLANS WITH HER? 453 00:22:54,590 --> 00:22:57,637 WELL, UH... 454 00:22:57,680 --> 00:23:00,466 HONESTLY, I DON'T-- I DON'T KNOW RIGHT NOW. 455 00:23:00,509 --> 00:23:04,513 IT'S EARLY. WE--WE JUST STARTED SEEING EACH OTHER. 456 00:23:05,906 --> 00:23:08,299 LOOK... 457 00:23:08,343 --> 00:23:11,346 JUST DON'T HURT HER, OK? 458 00:23:20,921 --> 00:23:23,532 KRYSTALL: HE DID HURT HER, DIDN'T HE? 459 00:23:24,881 --> 00:23:26,492 YEAH. 460 00:23:28,494 --> 00:23:32,062 HOW DID YOU KNOW WHAT HAPPENED? I MEAN, YOU WEREN'T THERE. 461 00:23:32,106 --> 00:23:35,022 WE GATHERED THAT FROM INTERVIEWS AFTER THE FACT. 462 00:23:35,065 --> 00:23:37,024 AND AS WE BROUGHT IN THE FAMILIES, 463 00:23:37,067 --> 00:23:39,766 WE DRILLED DOWN ON THE UNSUB'S BACK STORY, 464 00:23:39,809 --> 00:23:42,159 AND THAT'S HOW WE FOUND A PATTERN. 465 00:23:42,203 --> 00:23:44,771 HE TOLD MY MOM HE WORKED FOR A HIGH-POWERED CONSULTANT FIRM 466 00:23:44,814 --> 00:23:46,773 AND TRAVELED ALL OVER THE COUNTRY. 467 00:23:46,816 --> 00:23:48,775 AND WHAT ABOUT WHERE HE WAS FROM? 468 00:23:48,818 --> 00:23:50,777 DID HE EVER TELL YOU THAT?YEAH. 469 00:23:50,820 --> 00:23:54,781 HE SAID HE WAS FROM ABERDEEN, MISSISSIPPI, HIS HOMETOWN. 470 00:23:54,824 --> 00:23:57,261 YEAH, THAT'S RIGHT. ABERDEEN, MISSISSIPPI. 471 00:23:57,305 --> 00:24:00,917 HE TOLD A STORY ABOUT HIS DAUGHTER. I THINK HER NAME WAS GRACE. 472 00:24:03,311 --> 00:24:06,270 GRACE. YEAH, SHE, UM, 473 00:24:06,314 --> 00:24:09,883 SHE WAS ONLY 5 YEARS OLD, BACK IN ABERDEEN. 474 00:24:09,926 --> 00:24:13,626 YEAH, HE SAID THAT GRACE DROWNED WHEN SHE WAS YOUNG. 475 00:24:13,669 --> 00:24:16,019 YEAH, DROWNED IN THE BATHTUB. 476 00:24:16,063 --> 00:24:19,022 AND THAT IT WAS HIS MOTHER'S FAULT. 477 00:24:19,066 --> 00:24:21,634 CARL: SHE LEFT GRACE ALONE. 478 00:24:21,677 --> 00:24:24,593 GRACE BUMPED HER HEAD IN THE BATH AND DROWNED. 479 00:24:24,637 --> 00:24:27,596 YEAH, HE NEVER FORGAVE HER AFTER THAT. 480 00:24:27,640 --> 00:24:30,991 PRENTISS: SO LET'S ASSUME THAT PART OF THE UNSUB'S STORY IS TRUE. 481 00:24:31,034 --> 00:24:34,473 LETTING HIS DAUGHTER DIE COULD BE THE SOURCE OF HIS RAGE TOWARD HIS MOTHER. 482 00:24:34,516 --> 00:24:37,693 WE PROFILED SOMETHING IN HIS MORE FORMATIVE YEARS, THOUGH. 483 00:24:37,737 --> 00:24:39,652 YOU KNOW, THE DROWNING COULD BE THE CULMINATION OF THE MOTHER'S 484 00:24:39,695 --> 00:24:41,697 LIFELONG NEGLECT TOWARDS THE UNSUB. 485 00:24:41,741 --> 00:24:45,832 WELL, MOST GRANDMOTHERS WOULD WATCH THEIR GRANDCHILD LIKE A HAWK IN THE BATHTUB. 486 00:24:45,875 --> 00:24:47,834 YOU KNOW, AS CONFIDENCE GAMES GO, HIS STORY IS 487 00:24:47,877 --> 00:24:49,836 BOTH UTILITARIAN AND ELEGANT; 488 00:24:49,879 --> 00:24:51,925 DROWNING GARNERS INSTANT SYMPATHY FROM HIS VICTIMS. 489 00:24:51,968 --> 00:24:53,317 HOW BIG IS ABERDEEN? 490 00:24:53,361 --> 00:24:55,058 IT'S ABOUT 5,000 RESIDENTS. WHY? 491 00:24:55,102 --> 00:24:57,757 TOWN THAT SMALL, IT SHOULDN'T BE TOO HARD 492 00:24:57,800 --> 00:24:59,976 TO FIND A RECORD OF A TRAGEDY THAT BIG. 493 00:25:00,020 --> 00:25:02,762 ROSSI: BUT IN THIS PARTICULAR INSTANCE, IT WAS. 494 00:25:02,805 --> 00:25:03,763 PRENTISS, ON PHONE: ANY LUCK? 495 00:25:03,806 --> 00:25:04,764 SADLY, I TELL YOU NO. 496 00:25:04,807 --> 00:25:06,417 ABERDEEN IS A LITTLE TOO SMALL. 497 00:25:06,461 --> 00:25:07,941 THE POLICE HAVEN'T DIGITIZED THE RECORDS YET, 498 00:25:07,984 --> 00:25:09,812 LET ALONE ANYTHING FROM THE EARLY AUGHTS. 499 00:25:09,856 --> 00:25:11,814 WE'LL HAVE TO GO THROUGH THEM BY HAND. 500 00:25:11,858 --> 00:25:13,337 I'LL SEND LUKE AND MATT. 501 00:25:13,381 --> 00:25:16,123 KRYSTALL: SO YOU DID AND THAT'S HOW YOU CAUGHT HIM, RIGHT? 502 00:25:18,168 --> 00:25:20,170 WHAT? 503 00:25:21,607 --> 00:25:23,565 DAVID, WHAT IS IT? 504 00:25:23,609 --> 00:25:26,568 WE WERE CLOSING IN ON HIM, 505 00:25:26,612 --> 00:25:28,962 BUT THE WOMAN HE WAS WITH-- 506 00:25:29,005 --> 00:25:31,007 MARY... 507 00:25:32,618 --> 00:25:35,011 SHE MADE A TERRIBLE MISTAKE. 508 00:25:36,012 --> 00:25:37,579 MARY, I DIDN'T DO ANYTHING 509 00:25:37,623 --> 00:25:39,581 TO DESERVE A MEAL THIS EXTRAORDINARY. 510 00:25:39,625 --> 00:25:40,930 WHAT'S THE OCCASION? 511 00:25:40,974 --> 00:25:44,586 WELL, I WANTED TONIGHT TO BE SPECIAL. 512 00:25:44,630 --> 00:25:47,110 SPECIAL? 513 00:25:47,154 --> 00:25:49,112 MM-HMM. 514 00:25:49,156 --> 00:25:52,115 LISTEN, BILL, UH, 515 00:25:52,159 --> 00:25:54,640 I GOT YOU SOMETHING. 516 00:26:00,863 --> 00:26:02,822 WHAT'S THAT? 517 00:26:02,865 --> 00:26:05,433 IT'S HAWAIIAN KOA WOOD. 518 00:26:05,476 --> 00:26:08,044 MARY: IT REMINDED ME OF WHEN YOU SAID THAT YOU ALWAYS WANTED TO GO TO KAUAI. 519 00:26:08,088 --> 00:26:12,440 WELL, I'VE BEEN SAVING UP POINTS AND PAID SICK DAYS, 520 00:26:12,483 --> 00:26:17,314 ENOUGH FOR US TO GO ON A MODEST BUT EXTENDED HONEYMOON. 521 00:26:20,579 --> 00:26:22,145 HONEYMOON? 522 00:26:29,457 --> 00:26:32,199 I KNEW THAT YOU WERE THE MAN I WANTED 523 00:26:32,242 --> 00:26:35,637 TO SPEND THE REST OF MY LIFE WITH THE MOMENT WE MET. 524 00:26:36,856 --> 00:26:39,772 AND I KNOW THIS ISN'T HOW IT'S DONE, BUT, 525 00:26:39,815 --> 00:26:41,774 BILL, 526 00:26:41,817 --> 00:26:44,385 WOULD YOU BE MY HUSBAND? 527 00:26:59,792 --> 00:27:01,184 MARY: OH. 528 00:27:16,765 --> 00:27:18,724 I LOVE HAWAII. 529 00:27:21,988 --> 00:27:23,380 NO! 530 00:27:30,997 --> 00:27:33,477 THAT POOR MOTHER AND DAUGHTER. 531 00:27:33,521 --> 00:27:35,958 WHAT THEY WENT THROUGH. 532 00:27:37,960 --> 00:27:41,311 YOU SAID YOU WERE CLOSING IN ON HIM, AND... 533 00:27:41,355 --> 00:27:45,315 THE PATH WENT THROUGH ABERDEEN, MISSISSIPPI. 534 00:27:45,359 --> 00:27:47,535 MATT AND LUKE WENT DOWN THERE. 535 00:27:47,578 --> 00:27:51,974 ROSSI: IN AN ACCIDENTAL DEATH LIKE THAT, WITNESSES CERTAINLY WIND UP IN A POLICE REPORT. 536 00:27:52,018 --> 00:27:56,587 SO THEY LOOKED FOR SMALLER, PETTY CRIMES HE MIGHT HAVE BEEN BUSTED FOR. 537 00:27:58,198 --> 00:28:02,550 THEY SEARCHED ARREST RECORDS FOR FRAUD. 538 00:28:02,593 --> 00:28:06,162 INSTEAD, FOUND ONE FOR BIGAMY. 539 00:28:06,206 --> 00:28:07,816 WHOA. 540 00:28:07,860 --> 00:28:10,210 OF COURSE. 541 00:28:10,253 --> 00:28:12,821 HE PROPOSED WITH EVERY CRIME. 542 00:28:12,865 --> 00:28:14,780 I MEAN, HE'D LEAVE A TRAIL. 543 00:28:14,823 --> 00:28:17,173 EXCEPT IT WASN'T HIS RECORD. 544 00:28:17,217 --> 00:28:19,872 IT WAS THE UNSUB'S MOTHER. 545 00:28:22,875 --> 00:28:24,833 ROBERTA LYNCH, 62. 546 00:28:24,877 --> 00:28:27,270 STARTING IN THE LATE SEVENTIES, SHE HOPPED FROM SUITOR TO SUITOR, 547 00:28:27,314 --> 00:28:29,664 GETTING THEM TO MARRY HER AND THEN TAKING THEM FOR ALL THEY'RE WORTH. 548 00:28:29,708 --> 00:28:31,840 AN ARREST IN 1991 REVEALED SHE HAD A SON, EVERETT, 549 00:28:31,884 --> 00:28:34,147 WHO WAS PLAYING SECOND FIDDLE TO THE CON SHE WAS BUSTED FOR. 550 00:28:34,190 --> 00:28:35,931 HAVING A CON WOMAN FOR A MOTHER WOULD HAVE INSTILLED 551 00:28:35,975 --> 00:28:38,325 THE NARCISSISM AND MISOGYNY THAT WE PROFILED. 552 00:28:38,368 --> 00:28:41,415 OK, THE PATH TO FINDING HIM IS THROUGH HIS MOTHER. WHERE IS SHE NOW? 553 00:28:41,458 --> 00:28:43,417 SOUTH MISSISSIPPI STATE PRISON. SHE'S DOING 25 TO LIFE 554 00:28:43,460 --> 00:28:45,114 FOR KILLING A BOYFRIEND IN A DOMESTIC DISPUTE. 555 00:28:45,158 --> 00:28:47,813 SOUNDS LIKE THAT RUNS IN THE FAMILY, ALSO. 556 00:28:47,856 --> 00:28:51,077 KRYSTALL: I IMAGINE A CON WOMAN 557 00:28:51,120 --> 00:28:53,906 WOULD BE PRETTY TIGHT-LIPPED. 558 00:28:53,949 --> 00:28:56,299 THAT WAS OUR ASSUMPTION, TOO, 559 00:28:56,343 --> 00:29:00,347 BUT SHE WASN'T QUITE WHAT WE EXPECTED. 560 00:29:06,962 --> 00:29:09,312 WE APPRECIATE YOU SPEAKING TO US, MRS. LYNCH. 561 00:29:09,356 --> 00:29:10,966 OH. 562 00:29:12,359 --> 00:29:15,928 MY DEGENERATE LAWYER IS WHO TALKED ME INTO THAT PLEA DEAL. 563 00:29:15,971 --> 00:29:18,321 NOW I'M STUCK IN THIS BOX 564 00:29:18,365 --> 00:29:23,326 UNTIL I'LL BE... SPORTIN' DEPENDS UNDERNEATH THE JUMPSUIT. 565 00:29:25,111 --> 00:29:28,331 BUT IT ALSO MEANS THAT I'M AN OPEN BOOK. 566 00:29:29,942 --> 00:29:31,900 OH. 567 00:29:33,946 --> 00:29:36,426 SORRY. SO WHAT CAN I DO FOR YOU, BROWN EYES? 568 00:29:36,470 --> 00:29:38,428 MRS. LYNCH, WE, UH-- 569 00:29:38,472 --> 00:29:41,431 OH, PLEASE. 570 00:29:41,475 --> 00:29:44,478 YOU GOT TO CALL ME BOBBIE. HMM? 571 00:29:46,480 --> 00:29:49,831 BUT NOT YOU. NOPE. 572 00:29:49,875 --> 00:29:52,834 YOU CALL ME MS. LYNCH 573 00:29:52,878 --> 00:29:57,186 'CAUSE YOU'RE A BAD, BAD BOY. 574 00:29:57,230 --> 00:30:00,842 I, UH, DON'T KNOW WHAT TO SAY TO THAT. 575 00:30:00,886 --> 00:30:03,802 HA! STILL GOT IT. 576 00:30:03,845 --> 00:30:04,977 BOBBIE, 577 00:30:05,020 --> 00:30:07,370 WE'RE HERE TO TALK TO YOU ABOUT EVERETT. 578 00:30:07,414 --> 00:30:09,677 YEAH, ALL RIGHT. THAT DOESN'T SURPRISE ME. 579 00:30:09,720 --> 00:30:11,505 WHEN WAS THE LAST TIME YOU SAW HIM? 580 00:30:11,548 --> 00:30:15,117 THAT KID'S BEEN IN THE WIND SINCE HE WAS... 581 00:30:15,161 --> 00:30:18,120 22 OR... 582 00:30:18,164 --> 00:30:21,515 AND HE'S NEVER REACHED OUT. HEH! 583 00:30:21,558 --> 00:30:25,127 HE NEVER EVEN CAME TO VISIT ME. 584 00:30:25,171 --> 00:30:27,521 YOU TELL ME, WHAT KIND OF SON 585 00:30:27,564 --> 00:30:30,132 TREATS HIS MAMA THAT WAY? 586 00:30:30,176 --> 00:30:32,526 ESPECIALLY AFTER EVERYTHING THAT I TAUGHT HIM. 587 00:30:32,569 --> 00:30:34,354 WHAT DID YOU TEACH HIM? 588 00:30:34,397 --> 00:30:36,356 WELL, HE WAS MY LITTLE SOLDIER. 589 00:30:36,399 --> 00:30:40,229 HE WAS... MY PARTNER IN CRIME. 590 00:30:40,273 --> 00:30:42,971 WE WERE JUST A COUPLE OF ROLLING STONES, 591 00:30:43,015 --> 00:30:45,365 MAKING OUR WAY ACROSS THE BIBLE BELT. 592 00:30:45,408 --> 00:30:47,758 YOU'RE TALKING ABOUT YOUR CONS, RIGHT? 593 00:30:49,804 --> 00:30:52,241 THAT'S RIGHT, MUSCLES. 594 00:30:52,285 --> 00:30:56,985 SEE, I WOULD FIND SOME GULLIBLE SCHMO... 595 00:30:59,379 --> 00:31:04,253 AND I'D TELL HIM HOW WE... 596 00:31:04,297 --> 00:31:08,997 I WAS THROWN OUT ON THE STREET WITH MY POOR KID. 597 00:31:10,390 --> 00:31:12,958 YOU KNOW, NOTHING OPENS UP DOORS 598 00:31:13,001 --> 00:31:15,612 LIKE A BLUBBERING 7-YEAR-OLD, I TELL YA. HA! 599 00:31:15,656 --> 00:31:18,398 THEY WOULD FALL ASS OVER ELBOWS, JUST-- 600 00:31:18,441 --> 00:31:22,271 AND THEN, PRETTY SOON... 601 00:31:22,315 --> 00:31:23,925 THEY'D GET DOWN ON ONE KNEE 602 00:31:23,969 --> 00:31:27,189 AND I WOULD JUST TAKE 'EM FOR EVERY LAST NICKEL. 603 00:31:27,233 --> 00:31:29,757 THEN YOU KNOW WHAT WOULD HAPPEN? 604 00:31:29,800 --> 00:31:31,324 WHAT? 605 00:31:33,369 --> 00:31:36,329 WE'D LAUGH. 606 00:31:36,372 --> 00:31:39,941 OH, MY, WE WOULD LAUGH SO MUCH JUST 607 00:31:39,985 --> 00:31:43,423 ABOUT THESE POOR, HELPLESS CHUMPS. HA! 608 00:31:43,466 --> 00:31:45,816 WHERE DO YOU THINK EVERETT MIGHT BE RIGHT NOW? 609 00:31:45,860 --> 00:31:48,428 I DON'T KNOW. I GOT NO IDEA. 610 00:31:48,471 --> 00:31:52,780 BUT--HEH!--GIVEN THAT THE FEDS ARE LOOKIN' FOR HIM, 611 00:31:52,823 --> 00:31:56,566 I SURMISE THAT HE'S STILL RUNNIN' CONS, 612 00:31:56,610 --> 00:31:58,525 AND GUESS WHAT. 613 00:31:58,568 --> 00:32:01,093 YOU'RE NEVER GONNA CATCH HIM 614 00:32:01,136 --> 00:32:03,051 'CAUSE I TAUGHT HIM EVERYTHING I KNOW, 615 00:32:03,095 --> 00:32:05,053 EVERYTHING, AND THAT IS ENOUGH TO KEEP HIM 616 00:32:05,097 --> 00:32:08,317 ALWAYS JUST OUT OF YOUR REACH. 617 00:32:08,361 --> 00:32:10,929 HE'S KILLING HIS MARKS NOW. 618 00:32:10,972 --> 00:32:13,540 ALVEZ: BUT WE THINK HE'S DOING IT 619 00:32:13,583 --> 00:32:16,151 BECAUSE HE CAN'T KILL YOU... 620 00:32:16,195 --> 00:32:19,154 AFTER WHAT YOU DID TO GRACE. 621 00:32:19,198 --> 00:32:22,201 GRACE?YEAH, YOUR GRANDDAUGHTER. 622 00:32:22,244 --> 00:32:25,160 THE ONE YOU LET DROWN, YOU WERE SUPPOSED TO BE WATCHING HER? 623 00:32:35,518 --> 00:32:39,914 TOOK AWAY MY UTENSILS, JUST 'CAUSE I SHIVVED SOME PRETTY BITCH LAST SUMMER. 624 00:32:43,048 --> 00:32:46,399 FORGIVE ME, AGENTS, BUT... 625 00:32:46,442 --> 00:32:50,011 I THINK THAT I'VE ANSWERED ENOUGH OF YOUR QUESTIONS. 626 00:32:50,055 --> 00:32:52,709 JAREAU: THE DETAIL ABOUT THE DROWNING HIT A NERVE WITH ROBERTA. 627 00:32:52,753 --> 00:32:56,452 WHICH SUGGESTS THERE'S ANOTHER ELEMENT OF TRUTH TO EVERETT'S BACK STORY. 628 00:32:56,496 --> 00:32:59,455 NOW, HE PUTS HIMSELF IN THE SUBMISSIVE ROLE 629 00:32:59,499 --> 00:33:02,545 THAT HE AND HIS MOTHER WOULD TAKE ADVANTAGE OF IN HER CONS. 630 00:33:02,589 --> 00:33:04,547 SO EVERY TIME HE GETS DOWN ON ONE KNEE WITH HIS VICTIMS, 631 00:33:04,591 --> 00:33:06,332 HE HEARS HIS MOTHER'S LAUGHTER RINGING IN HIS EARS. 632 00:33:06,375 --> 00:33:09,030 ROBERTA SAID THAT SHE TAUGHT EVERETT EVERYTHING HE KNOWS. 633 00:33:09,074 --> 00:33:11,032 WHAT IF THERE'S A PATTERN IN THAT? 634 00:33:11,076 --> 00:33:12,381 PRENTISS: WHAT KIND OF PATTERN? 635 00:33:12,425 --> 00:33:14,340 FOLLOWING HER TRAIL, MAYBE, GOING TO THE CITIES 636 00:33:14,383 --> 00:33:17,691 WHERE HER CON WORKED, THINKING HE CAN WORK THE SAME MAGIC. 637 00:33:17,734 --> 00:33:19,693 HEY, ROSSI'S RIGHT. ALL 3 OF EVERETT'S KILLS 638 00:33:19,736 --> 00:33:22,304 HAPPENED IN CITIES WHERE HIS MOM CONNED A MAN: 639 00:33:22,348 --> 00:33:25,220 BIRMINGHAM, MEMPHIS, NASHVILLE. 640 00:33:25,264 --> 00:33:27,875 HE'S EVEN MIRRORING THE ORDER IN WHICH HIS MOTHER VISITED EACH CITY. 641 00:33:27,918 --> 00:33:30,008 WHERE DID ROBERTA GO AFTER NASHVILLE? LITTLE ROCK. 642 00:33:30,051 --> 00:33:32,271 WELL, THAT'S GOT TO BE WHERE HE IS NOW. 643 00:33:35,752 --> 00:33:38,320 I WAS GETTING LONELY. WHAT DO YOU NEED? 644 00:33:38,364 --> 00:33:40,540 WE THINK OUR UNSUB'S NEXT TARGET LIVES IN LITTLE ROCK. 645 00:33:40,583 --> 00:33:42,542 I NEED YOU TO ASSEMBLE A POOL OF POTENTIAL VICTIMS 646 00:33:42,585 --> 00:33:44,935 BASED ON OUR VICTIMOLOGY--WOMEN ROUGHLY 50 YEARS OLD, 647 00:33:44,979 --> 00:33:48,548 RECENT EMPTY-NESTERS.NO BOUT A DOUBT IT. 648 00:33:48,591 --> 00:33:50,724 JAREAU: LIMIT YOUR SEARCH TO WOMEN ON DATING WEBSITES, 649 00:33:50,767 --> 00:33:52,943 SPECIFICALLY THOSE INTERESTED IN GETTING MARRIED. 650 00:33:52,987 --> 00:33:56,817 OK, WOMEN IN LITTLE ROCK LOOKING FOR...A LITTLE ROCK. 651 00:33:56,860 --> 00:33:58,862 PRENTISS: SEND US THEIR DATING PROFILES AND SOCIAL MEDIA. 652 00:33:58,906 --> 00:34:01,474 WE'LL WORK IT ON OUR END.YEAH, YEAH. 653 00:34:01,517 --> 00:34:05,173 KRYSTALL: THAT MUST HAVE BEEN A LONG LIST OF POTENTIAL VICTIMS. 654 00:34:05,217 --> 00:34:09,090 ROSSI: REID DOES HAVE A KNACK OF FINDING THE BLACK CAT IN THE COAL MINE. 655 00:34:09,134 --> 00:34:11,136 GOT HIM. 656 00:34:15,531 --> 00:34:19,187 AND THAT'S HOW YOU CAUGHT HIM, FINALLY. 657 00:34:19,231 --> 00:34:22,582 NO, IT IS HOW WE FOUND HIM, 658 00:34:22,625 --> 00:34:25,585 BUT WHAT WE DIDN'T KNOW WAS THAT THE UNSUB'S MOTHER 659 00:34:25,628 --> 00:34:28,544 MADE A PHONE CALL FROM THE PRISON AFTER WE LEFT. 660 00:34:28,588 --> 00:34:29,545 TO HER SON. 661 00:34:29,589 --> 00:34:31,156 TO HER LAWYER, 662 00:34:31,199 --> 00:34:33,158 AND SINCE THAT'S PRIVILEGED, WE DON'T KNOW 663 00:34:33,201 --> 00:34:36,770 EXACTLY WHAT SHE SAID, BUT WE CAN HAZARD A GUESS. 664 00:34:36,813 --> 00:34:38,772 YOU TELL THAT ROTTEN BASTARD 665 00:34:38,815 --> 00:34:42,384 THAT THE FBI IS ON HIS ASS, 666 00:34:42,428 --> 00:34:44,778 AND HOW DARE HE, 667 00:34:44,821 --> 00:34:49,826 HOW DARE HE BRING MY GRANDDAUGHTER INTO HIS... 668 00:34:51,437 --> 00:34:53,874 AND THAT'S NOT MY FAULT. 669 00:34:53,917 --> 00:34:55,876 HE DID WHAT HE DID 670 00:34:55,919 --> 00:34:59,880 TO--TO POOR LITTLE GRACIE. THAT'S NOT ON ME. 671 00:34:59,923 --> 00:35:03,492 ROSSI: BECAUSE OF THAT, WE LOST THE ELEMENT OF SURPRISE. 672 00:35:03,536 --> 00:35:05,929 SHE SAID WHAT? 673 00:35:08,149 --> 00:35:10,108 OK. 674 00:35:10,151 --> 00:35:13,633 I'M GONNA NEED TO IMPROVISE A LITTLE BIT, 675 00:35:13,676 --> 00:35:15,417 OK? 676 00:35:17,027 --> 00:35:19,639 SO HERE'S WHAT WE'RE GONNA DO. 677 00:35:24,034 --> 00:35:26,907 SO YOU WERE WALKING INTO A TRAP. 678 00:35:28,517 --> 00:35:30,476 I... 679 00:35:30,519 --> 00:35:33,696 I CAN'T LEAVE THIS NEXT PART TO THE IMAGINATION. 680 00:35:33,740 --> 00:35:36,743 IT'S OK. JUST-- JUST TAKE YOUR TIME. 681 00:35:44,707 --> 00:35:47,101 ROSSI, VOICE-OVER: WE UNDERESTIMATED. 682 00:35:49,625 --> 00:35:51,801 KRYSTALL: UNDERESTIMATED WHAT? 683 00:36:01,550 --> 00:36:03,944 ROSSI: HOW MANY WOMEN HE KILLED. 684 00:36:20,569 --> 00:36:22,963 SO... 685 00:36:25,183 --> 00:36:27,489 WITH THOSE FIRST 3 VICTIMS... 686 00:36:27,533 --> 00:36:30,492 ROSSI, VOICE-OVER: WE WERE BARELY SCRATCHING THE SURFACE. 687 00:36:30,536 --> 00:36:33,495 ONCE WE WERE INSIDE THE HOUSE, WE HEARD HER SCREAMING. 688 00:36:33,539 --> 00:36:35,410 HELP! HELP ME! UPSTAIRS. 689 00:36:35,454 --> 00:36:37,195 WE NEED TO CLEAR THE BACK OF THE HOUSE. 690 00:36:37,238 --> 00:36:38,718 I'M WITH YOU. GO.KRYSTALL: WHO, THE MOTHER? 691 00:36:38,761 --> 00:36:41,938 ROSSI: THE DAUGHTER.PLEASE, YOU GOT TO HELP ME! 692 00:36:41,982 --> 00:36:43,984 HEY, DON'T WORRY. WE'RE GONNA GET YOU OUT OF HERE. 693 00:36:44,027 --> 00:36:46,247 HE TOOK HER! YOU HAVE TO SAVE HER! 694 00:36:46,291 --> 00:36:48,206 REID: NO SIGN OF HIM OR MARY. LEWIS IS WITH ROSSI AND SIMMONS. 695 00:36:48,249 --> 00:36:49,990 WHERE DID HE TAKE YOUR MOM? 696 00:36:50,033 --> 00:36:51,992 THERE'S A BARN IN THE WOODS OUT BACK! 697 00:36:52,035 --> 00:36:55,038 ROSSI, CHECK THE WOODS BEHIND THE HOUSE. LOOK FOR A BARN. 698 00:37:07,181 --> 00:37:08,530 WE GOT YOU. 699 00:37:11,229 --> 00:37:13,753 IT DOESN'T MAKE SENSE. THE FACES ARE HIS TROPHIES. 700 00:37:13,796 --> 00:37:15,755 HE WOULDN'T LEAVE THEM BEHIND IF-- 701 00:37:15,798 --> 00:37:18,018 HE KNEW WE WERE COMING.PLEASE! 702 00:37:18,061 --> 00:37:19,976 YOU HAVE TO FIND HER! 703 00:37:20,020 --> 00:37:22,544 DON'T WORRY. WE'RE GONNA FIND YOUR MOM. ALL RIGHT, NOW WHAT'S YOUR NAME? 704 00:37:22,588 --> 00:37:25,155 GRACE. I'M GRACE. PLEASE! HE'S GONNA KILL HER! 705 00:37:25,199 --> 00:37:26,896 GRACE? 706 00:37:28,028 --> 00:37:30,509 DADDY! 707 00:37:32,337 --> 00:37:34,295 OH, MY GOD. 708 00:37:34,339 --> 00:37:36,341 SHE WAS HIS DAUGHTER? 709 00:37:36,384 --> 00:37:38,343 YES. 710 00:37:38,386 --> 00:37:40,997 MARY CULLEN DID HAVE A COLLEGE-AGE DAUGHTER, 711 00:37:41,041 --> 00:37:43,043 BUT SHE WAS AT COLLEGE. 712 00:37:43,086 --> 00:37:45,828 GRACE NEVER DROWNED? NO. 713 00:37:45,872 --> 00:37:49,876 AND THIS WAS THE FIRST TIME HE BROUGHT HER IN ON ONE OF HIS CONS. 714 00:37:52,357 --> 00:37:54,924 WE DIDN'T SEE IT, 715 00:37:54,968 --> 00:37:57,971 AND IT ALMOST GOT US ALL KILLED. 716 00:38:01,583 --> 00:38:04,151 SIMMONS: FIND OUT WHERE HE'S SHOOTING FROM! 717 00:38:11,941 --> 00:38:14,640 ROSSI: TAKE THE OTHER SIDE. I'M GOING TO TRY TO FLANK HIM FROM BEHIND. 718 00:38:14,683 --> 00:38:16,076 YEAH. 719 00:39:03,428 --> 00:39:07,040 ROSSI, VOICE-OVER: MY LAST THOUGHT WAS, "DON'T BLACK OUT. 720 00:39:07,083 --> 00:39:09,695 IF YOU BLACK OUT, YOU'RE DEAD." 721 00:39:14,700 --> 00:39:16,702 AND THEN I BLACKED OUT. 722 00:39:21,271 --> 00:39:25,232 WE SAVED MARY, WE ARRESTED GRACE, 723 00:39:25,275 --> 00:39:27,582 BUT HE GOT AWAY. 724 00:39:27,626 --> 00:39:30,237 YOU'LL CATCH HIM. 725 00:39:30,280 --> 00:39:33,066 EXCEPT THIS GUY, HE'S A CHAMELEON. 726 00:39:33,109 --> 00:39:37,287 HE COULD WALK UP TO ME WITH A GUN IN HIS HAND AND I'D NEVER SEE HIM COMING. 727 00:39:37,331 --> 00:39:39,246 THAT'S WHERE THIS CAME FROM. 728 00:39:41,291 --> 00:39:45,252 ROSSI, VOICE-OVER: HE LEFT ME A REMINDER OF WHAT HE COULD DO. 729 00:39:45,295 --> 00:39:48,168 HE COULD HAVE TAKEN MY FACE IF HE WANTED. 730 00:39:48,211 --> 00:39:50,170 HE DIDN'T. 731 00:39:50,213 --> 00:39:54,740 YOU KNOW, SOMETIMES YOU LOSE ON THIS JOB. 732 00:39:54,783 --> 00:39:59,179 I GET IT, BUT THIS IS THE FIRST TIME IN A LONG TIME 733 00:39:59,222 --> 00:40:02,182 THAT I WAS BEATEN BY SOMEONE YOUNGER, FASTER, 734 00:40:02,225 --> 00:40:04,358 STRONGER THAN I AM. 735 00:40:05,968 --> 00:40:10,320 BUT THAT'S WHAT'S BEEN BOTHERING ME ABOUT THIS CASE... 736 00:40:11,931 --> 00:40:14,281 THAT MAYBE I'M... 737 00:40:14,324 --> 00:40:17,893 JUST NOT AS GOOD AS I ONCE WAS. 738 00:40:17,937 --> 00:40:22,898 MAYBE I'M A HALF A STEP SLOWER, MAYBE... 739 00:40:22,942 --> 00:40:26,902 MAYBE I SHOULDN'T BE OUT THERE 740 00:40:26,946 --> 00:40:30,340 BECAUSE NEXT TIME... 741 00:40:31,951 --> 00:40:34,954 NEXT TIME, I WON'T WAKE UP. 742 00:40:36,390 --> 00:40:38,697 YOU LEFT SOMETHING OUT. 743 00:40:38,740 --> 00:40:41,700 YOU DIDN'T SAY SMARTER 744 00:40:41,743 --> 00:40:44,703 BECAUSE HE ISN'T, 745 00:40:44,746 --> 00:40:47,488 AND THAT'S HOW YOU'RE GONNA CATCH HIM 746 00:40:47,532 --> 00:40:50,491 BECAUSE THAT'S HOW YOU ALWAYS CATCH 'EM. 747 00:40:50,535 --> 00:40:53,581 YOU'RE NOT THE ONLY ONE THAT LOST. 748 00:40:55,235 --> 00:40:57,455 HE LOST, TOO. 749 00:41:00,283 --> 00:41:03,591 AND EVEN I KNOW 750 00:41:03,635 --> 00:41:06,594 WHERE YOU HAVE TO GO NEXT. 751 00:41:11,599 --> 00:41:14,210 THANK YOU 752 00:41:14,254 --> 00:41:16,430 FOR LISTENING... 753 00:41:18,040 --> 00:41:20,390 FOR... 754 00:41:20,434 --> 00:41:23,437 FOR BEING HERE. 755 00:41:28,050 --> 00:41:30,052 DO YOU WANT ME TO GO WITH YOU? 756 00:41:30,096 --> 00:41:32,098 NO. 757 00:41:33,491 --> 00:41:37,320 I'VE GOT TO DO THIS ONE ON MY OWN. 758 00:42:01,519 --> 00:42:04,522 LET'S TALK ABOUT YOUR FATHER. 759 00:42:05,871 --> 00:42:08,830 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 760 00:42:08,874 --> 00:42:09,875 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.