1
00:00:12,882 --> 00:00:16,494
WOMAN: SORRY. I COULDN'T
FIND A PARKING SPACE.

2
00:00:27,940 --> 00:00:30,813
IS EVERYTHING OK?

3
00:00:30,856 --> 00:00:33,033
I CAN MAKE YOU SOMETHING
ELSE IF YOU'D LIKE.

4
00:00:33,076 --> 00:00:36,079
NO. THANK YOU.

5
00:00:36,123 --> 00:00:37,776
OF COURSE.

6
00:00:37,820 --> 00:00:40,040
EXCUSE ME.

7
00:00:47,917 --> 00:00:50,441
- HERE YOU GO.
- GRACIAS.

8
00:01:06,022 --> 00:01:08,633
YOU GUYS, YOU SHOULD
HAVE SEEN REID.

9
00:01:08,677 --> 00:01:10,113
HE SHOT A 100.

10
00:01:10,157 --> 00:01:13,508
YEAH, HE QUALIFIED
TO SHOOT A POSSIBLE.

11
00:01:13,551 --> 00:01:15,510
THAT'S A PERFECT SCORE.
WHAT, LIKE 200 AGENTS

12
00:01:15,553 --> 00:01:16,772
HAVE MADE THE WALL
OF GLORY.

13
00:01:16,815 --> 00:01:18,643
HE HIT EVERYTHING.
I MEAN, AT ONE POINT

14
00:01:18,687 --> 00:01:20,906
I THOUGHT HE MUST
HAVE TWO GUNS.

15
00:01:20,950 --> 00:01:22,430
MAYBE I DID.

16
00:01:22,473 --> 00:01:23,996
GARCIA: OK, I THINK
THIS WILL WORK.

17
00:01:24,040 --> 00:01:25,737
WOW, WHERE HAVE YOU BEEN
HIDING THOSE?

18
00:01:25,781 --> 00:01:28,392
LEWIS: SO, ALVEZ,
WHAT DID YOU SHOOT?

19
00:01:28,436 --> 00:01:29,654
95.

20
00:01:29,698 --> 00:01:31,308
PHEW. TARA?

21
00:01:31,352 --> 00:01:33,745
HUNDRED, COME ON.

22
00:01:33,789 --> 00:01:36,008
NO. NO WAY.

23
00:01:36,052 --> 00:01:38,924
OK. I MEAN, YOU'RE GOOD,
BUT YOU ARE NOT THAT GOOD.

24
00:01:38,968 --> 00:01:40,535
THAT'S NOT WHAT YOUR
DADDY SAID LAST NIGHT.

25
00:01:40,578 --> 00:01:41,840
OH!

26
00:01:41,884 --> 00:01:43,407
LUCKY DADDY.

27
00:01:44,800 --> 00:01:46,497
GARCIA: I AM LOVING
THIS TIME RIGHT NOW,

28
00:01:46,541 --> 00:01:48,934
BUT TWO DAYS
WITHOUT A CASE,

29
00:01:48,978 --> 00:01:50,545
IT FEELS WEIRD.

30
00:01:50,588 --> 00:01:53,635
IT FEELS LIKE WE COULD
BE DOING SOME OF THIS
WAITING AT HOME.

31
00:01:53,678 --> 00:01:55,463
YEAH, YEAH, ROSSI
STEPPED OUT.

32
00:01:55,506 --> 00:01:57,813
ROSSI'S GETTING
MARRIED IN TWO DAYS,

33
00:01:57,856 --> 00:01:59,336
AND WE'RE ALL STILL
ON THE CLOCK.

34
00:01:59,380 --> 00:02:02,165
SIMMONS:
GUYS, I FEEL LIKE THIS
IS GONNA BE THE HOT SEAT.

35
00:02:02,209 --> 00:02:03,558
JAREAU:
YEAH, YOU DO KNOW
HE'S BEEN BANNED

36
00:02:03,601 --> 00:02:05,429
FROM EVERY CASINO
IN VEGAS, RIGHT?

37
00:02:06,822 --> 00:02:07,866
REALLY?

38
00:02:07,910 --> 00:02:09,172
WITH A DECK OF 52 CARDS,

39
00:02:09,216 --> 00:02:10,913
THE NUMBER OF COMBINATIONS
IS A FACTORIAL OF 52.

40
00:02:10,956 --> 00:02:13,045
YOU SIMPLY NEED TO
CALCULATE YOUR OUTS
AND THEN YOUR IMPLIED ODDS.

41
00:02:13,089 --> 00:02:14,699
MATH IS THE BASIS OF
ALL CARD GAMES.

42
00:02:14,743 --> 00:02:16,179
LEWIS: ALL RIGHT,
LADIES AND GENTLEMEN.

43
00:02:16,223 --> 00:02:19,182
TODAY'S GAME'S 5 CARD.
ROLL THEM OUT.

44
00:02:19,226 --> 00:02:21,663
THE BIG BLIND IS 50.
THE BABY IS 25.

45
00:02:21,706 --> 00:02:24,622
WE ARE STILL PLAYING
POKER, RIGHT?

46
00:02:57,873 --> 00:03:00,354
MAN: HE'S GOT A GUN!
RUN!

47
00:03:23,420 --> 00:03:24,813
TCH.

48
00:03:26,554 --> 00:03:28,208
ALVEZ: DO YOU THINK
THE LADY'S BLUFFING?

49
00:03:28,251 --> 00:03:29,992
I KNOW THE LADY'S BLUFFING

50
00:03:30,035 --> 00:03:32,821
BECAUSE SHE HAS A TELL.

51
00:03:32,864 --> 00:03:34,431
NO, I DON'T.

52
00:03:37,391 --> 00:03:38,479
I'M GONNA GO ALL IN.

53
00:03:38,522 --> 00:03:39,741
OH, I LIKE IT.

54
00:03:39,784 --> 00:03:42,700
LIVE BY THE SWORD,
DIE BY THE SWORD.

55
00:03:42,744 --> 00:03:44,920
I CALL.

56
00:03:44,963 --> 00:03:46,878
ALL RIGHT, LET'S SEE 'EM.

57
00:03:46,922 --> 00:03:49,316
THREE OF A KIND,
KING HIGH.

58
00:03:49,359 --> 00:03:52,014
PERFECTLY RESPECTABLE,
BUT NOT GETTING IT DONE.

59
00:03:52,057 --> 00:03:54,799
PAIR OF KINGS,
PAIR OF 7s.

60
00:03:54,843 --> 00:03:56,453
OH, I'M SORRY,
THREE 7s.

61
00:03:56,497 --> 00:04:00,065
OOH, A FULL BOAT FROM
THE SASSY DR. REID.

62
00:04:03,417 --> 00:04:04,853
LEWIS: OOH!

63
00:04:04,896 --> 00:04:08,422
OH, A STRAIGHT FLUSH!
THAT HAS TO HURT.

64
00:04:08,465 --> 00:04:09,945
GENTLEMEN.

65
00:04:09,988 --> 00:04:11,599
I THINK THAT
REID IS
SPEECHLESS.

66
00:04:11,642 --> 00:04:13,949
GUESS I'M A BETTER LIAR
THAN YOU THOUGHT.

67
00:04:17,039 --> 00:04:18,867
THANK YOU FOR NOT
LETTING ME PUT

68
00:04:18,910 --> 00:04:20,956
GARCIA'S OCTOPUS
MUG IN THE PILE.

69
00:04:20,999 --> 00:04:21,870
WHAT'S THAT?

70
00:04:21,913 --> 00:04:24,916
HEH. NOTHING.

71
00:04:24,960 --> 00:04:26,353
OH, BOY, DON'T LOOK NOW.

72
00:04:26,396 --> 00:04:28,746
WE'VE GOT A CASE.

73
00:04:28,790 --> 00:04:30,574
PRENTISS: WE'RE HEADED
TO LOS ANGELES

74
00:04:30,618 --> 00:04:32,663
WHERE TWO MURDERS
IN THE LAST TWO DAYS

75
00:04:32,707 --> 00:04:34,056
WITH THE EXACT SAME M.O.

76
00:04:34,099 --> 00:04:35,492
HAVE THE AUTHORITIES
PUZZLED.

77
00:04:35,536 --> 00:04:37,668
THE FIRST HOMICIDE
WAS YESTERDAY FOLLOWING

78
00:04:37,712 --> 00:04:38,974
A HIT AND RUN
IN EAGLE ROCK.

79
00:04:39,017 --> 00:04:40,889
GARCIA: THIS MAN
IN A PICKUP

80
00:04:40,932 --> 00:04:42,804
REAR ENDED THIS
WOMAN IN A SEDAN,

81
00:04:42,847 --> 00:04:44,458
AND THEN HE GOT OUT OF
HIS CAR AND HE SHOT HER.

82
00:04:44,501 --> 00:04:46,416
PRENTISS: TWICE IN
THE CHEST AT CLOSE RANGE.

83
00:04:46,460 --> 00:04:48,113
HE THEN FLED THE SCENE.

84
00:04:48,157 --> 00:04:51,073
COPS THOUGHT IT WAS
A ROAD RAGE INCIDENT
GONE WRONG UNTIL TODAY.

85
00:04:51,116 --> 00:04:53,293
GARCIA: A FEW HOURS
AGO, A SECOND
SHOOTING HAPPENED

86
00:04:53,336 --> 00:04:55,077
FOLLOWING A VIOLENT
ACCIDENT,

87
00:04:55,120 --> 00:04:56,644
THIS TIME IN RESEDA.

88
00:04:56,687 --> 00:04:59,081
SIMILAR PATTERN,
AND THE SAME DRIVER

89
00:04:59,124 --> 00:05:00,343
ACCORDING TO
EYEWITNESS ACCOUNTS.

90
00:05:00,387 --> 00:05:02,519
THIS TIME HE'S IN THE SUV.

91
00:05:02,563 --> 00:05:05,653
HE T-BONES THE RED TRUCK.
HE SURVIVES THE CRASH,

92
00:05:05,696 --> 00:05:07,045
AND JUST LIKE BEFORE,

93
00:05:07,089 --> 00:05:09,918
HE GETS OUT,
HE WALKS RIGHT UP
TO THE OTHER CAR

94
00:05:09,961 --> 00:05:11,267
AND SHOOTS THE DRIVER.

95
00:05:11,311 --> 00:05:13,095
ALVEZ: WE'VE SEEN CASES
OF SYMPHOROPHILIA BEFORE,

96
00:05:13,138 --> 00:05:16,446
WHERE A SUSPECT GETS OFF
ON STAGING A CRASH,

97
00:05:16,490 --> 00:05:18,274
BUT NONE THAT
INVOLVED A GUN.

98
00:05:18,318 --> 00:05:19,928
AND GIVEN THE FACT THAT
HE'S ALSO THE DRIVER,

99
00:05:19,971 --> 00:05:22,452
I THINK IT'S MORE LIKELY
A CASE OF AUTASSASSINOPHILIA.

100
00:05:22,496 --> 00:05:24,889
IT'S AN OVERLAPPING PARAPHILIA
IN WHICH AN INDIVIDUAL

101
00:05:24,933 --> 00:05:26,543
DERIVES AROUSAL
OR SEXUAL PLEASURE

102
00:05:26,587 --> 00:05:28,806
FROM THE THOUGHT OF
AND OR RISK OF BEING KILLED.

103
00:05:28,850 --> 00:05:31,287
SIMMONS: MAKES ME THINK
THE VEHICLES ARE IMPORTANT
TO HIM IN SOME WAY,

104
00:05:31,331 --> 00:05:33,115
LIKE THEY'RE A PART OF WHAT
HE'S TRYING TO DO OR SAY.

105
00:05:33,158 --> 00:05:35,422
WERE ANY OF THE CARS
THE SUSPECT USED
REPORTED STOLEN?

106
00:05:35,465 --> 00:05:38,381
OH, YEAH, BOTH VEHICLES
WERE REPORTED MISSING
PRIOR TO THE ACCIDENTS.

107
00:05:38,425 --> 00:05:40,949
WE'VE GOT
THE MAKINGS OF A
THRILL KILLER HERE.

108
00:05:40,992 --> 00:05:43,125
PRENTISS: A THRILL KILLER
AT THE START OF A SPREE.

109
00:05:43,168 --> 00:05:46,084
WITH TWO DEAD AND OUR
PRIMARY SUSPECT AT LARGE,

110
00:05:46,128 --> 00:05:47,085
THE JET'S STANDING BY.

111
00:05:47,129 --> 00:05:49,044
WHAT ABOUT ROSSI?

112
00:05:51,307 --> 00:05:54,005
I KNOW I SAID I DIDN'T
WANT ANY OF THIS,

113
00:05:54,049 --> 00:05:56,921
BUT I CANNOT WAIT TO
WALK DOWN THAT AISLE

114
00:05:56,965 --> 00:06:00,229
AND MARRY YOU
IN TWO DAYS.

115
00:06:00,272 --> 00:06:02,144
THE ALTAR WILL BE
SET UP HERE.

116
00:06:02,187 --> 00:06:04,842
OK, WHAT ABOUT THE FLOWERS?

117
00:06:04,886 --> 00:06:06,583
THEY'LL BE DELIVERED
MORNING OF.

118
00:06:06,627 --> 00:06:09,847
AND THIS IS THE BAR.
LET ME KNOW IF YOU HAVE
ANY SPECIAL REQUESTS.

119
00:06:11,022 --> 00:06:12,023
WHEELS UP.

120
00:06:12,067 --> 00:06:13,982
WOULD YOU GIVE
US A MINUTE?

121
00:06:20,554 --> 00:06:22,077
I DON'T HAVE TO GO.

122
00:06:22,120 --> 00:06:24,993
YEAH, YOU DO.

123
00:06:26,473 --> 00:06:28,083
I'LL MAKE IT BACK
IN TIME.

124
00:06:28,126 --> 00:06:31,216
IF I HAVE TO FLY
THE JET MYSELF,

125
00:06:31,260 --> 00:06:34,263
I WILL MAKE IT BACK
FOR OUR WEDDING.

126
00:06:34,306 --> 00:06:37,135
I KNOW YOU WILL.

127
00:06:37,179 --> 00:06:38,746
I LOVE YOU.

128
00:06:55,980 --> 00:06:57,199
MAN: HEY!

129
00:06:57,242 --> 00:06:59,201
HEY, WHAT ARE YOU DOING?
THAT'S MY CAR!

130
00:06:59,244 --> 00:07:01,377
GIVE ME THE KEYS.

131
00:07:01,421 --> 00:07:03,423
DON'T MAKE ME
SHOOT YOU!

132
00:07:03,466 --> 00:07:04,728
KEYS!

133
00:07:52,297 --> 00:07:54,343
JAREAU: "WE ALL HAVE
A MONSTER WITHIN.

134
00:07:54,386 --> 00:07:57,825
THE DIFFERENCE IS
IN DEGREE, NOT IN KIND."

135
00:07:57,868 --> 00:08:00,088
DOUGLAS PRESTON.

136
00:08:00,131 --> 00:08:03,265
LEWIS: OK, SO OUR FIRST
VICTIM, ANDREA HINOJOSA,

137
00:08:03,308 --> 00:08:04,484
WAS 40 YEARS OLD.

138
00:08:04,527 --> 00:08:06,355
SHE WAS A PUBLIC
DEFENDER FOR L.A. COUNTY

139
00:08:06,398 --> 00:08:08,792
ON HER WAY TO A COURTHOUSE
WHEN THE SHOOTER
COLLIDED WITH HER.

140
00:08:08,836 --> 00:08:10,707
IT SAYS HERE ANDREA
WAS SINGLE, LIVED ALONE.

141
00:08:10,751 --> 00:08:13,493
SHE WAS WELL RESPECTED,
A RISING STAR
IN HER OFFICE.

142
00:08:13,536 --> 00:08:16,539
PRENTISS: WE SHOULD FOCUS
ON DISGRUNTLED CLIENTS,
ANGRY FAMILY MEMBERS.

143
00:08:16,583 --> 00:08:18,889
GARCIA: I'M WORKING ON
GETTING ACCESS TO HER
CLIENT LIST AS WE SPEAK.

144
00:08:18,933 --> 00:08:20,500
SIMMONS: OUR SECOND
VICTIM, PAUL BURKE,

145
00:08:20,543 --> 00:08:21,849
WAS SOMETHING OF
A ROLLING STONE.

146
00:08:21,892 --> 00:08:23,459
HE'S BEEN AN UBER
DRIVER, A HANDYMAN,

147
00:08:23,503 --> 00:08:25,113
AND MOST RECENTLY,
A CONSTRUCTION WORKER.

148
00:08:25,156 --> 00:08:27,289
ALVEZ: HE WAS HEADED
TO A JOB SITE

149
00:08:27,332 --> 00:08:29,726
WHEN OUR SHOOTER SMASHED INTO
HIS TRUCK AND THEN SHOT HIM.

150
00:08:29,770 --> 00:08:32,468
THAT WAS THE VIDEO
YOU SENT ME.
YEAH.

151
00:08:32,512 --> 00:08:35,732
GARCIA, DID PAUL BURKE
AND ANDREA HINOJOSA
EVER CROSS PATHS?

152
00:08:35,776 --> 00:08:37,778
GARCIA: YEAH, IT'S
STILL TOO EARLY TO SAY.

153
00:08:37,821 --> 00:08:39,780
ANDREA HAD A LOT OF
CLIENTS AND CASES

154
00:08:39,823 --> 00:08:40,911
THAT TOOK HER ALL
OVER LOS ANGELES.

155
00:08:40,955 --> 00:08:43,000
PAUL DID, TOO, BUT
HIS DIGITAL FOOTPRINT

156
00:08:43,044 --> 00:08:44,567
ISN'T AS STRONG
AS HIS PEERS'.

157
00:08:44,611 --> 00:08:47,309
LUCKY FOR YOU GUYS,
I EAT DIGITAL FOOTPRINTS
FOR BREAKFAST.

158
00:08:47,352 --> 00:08:48,832
I'M RONKIN'
AND TONKIN' ON THIS,

159
00:08:48,876 --> 00:08:49,703
SO IF THERE'S A CONNECTION,
I'LL FIND OUT.

160
00:08:49,746 --> 00:08:50,791
THANKS, PENELOPE.

161
00:08:50,834 --> 00:08:52,880
GARCIA: LOVE YOU.
I MEAN IT.

162
00:08:52,923 --> 00:08:55,012
WELL, THE UNSUB MUST
HAVE BEEN STALKING THEM.

163
00:08:55,056 --> 00:08:58,450
HE KNEW THEIR ROUTINES,
TARGETED BOTH ANDREA AND
PAUL ON THEIR WAY INTO WORK.

164
00:08:58,494 --> 00:08:59,930
YEAH, IT'S INTERESTING.

165
00:08:59,974 --> 00:09:01,976
THESE VICTIMS
LIKELY DIDN'T EVEN
SEE HIM COMING

166
00:09:02,019 --> 00:09:03,760
UNTIL HE SMASHES
INTO THEM.

167
00:09:03,804 --> 00:09:06,415
AND THEN AFTER HE'S DONE SO,
INCAPACITATING THEM,

168
00:09:06,458 --> 00:09:07,895
HE WALKS RIGHT UP
TO THE CAR,

169
00:09:07,938 --> 00:09:10,288
SO, WHAT, THEY CAN
SEE HIM PULL THE TRIGGER?

170
00:09:10,332 --> 00:09:13,857
FIRST HE SCARES THEM,
THEN HE PUNISHES THEM.

171
00:09:13,901 --> 00:09:16,033
A GUY THIS BOLD,
THIS COLD-BLOODED

172
00:09:16,077 --> 00:09:17,948
FEELS LIKE HE'S
OUT FOR REVENGE.

173
00:09:17,992 --> 00:09:19,820
I AGREE. WE'VE GOT
A LOT TO SORT THROUGH.

174
00:09:19,863 --> 00:09:22,213
TARA, MATT, GO TO
THE FIRST CRIME SCENE.

175
00:09:22,257 --> 00:09:24,564
DAVE, LUKE, YOU'LL HEAD
TO THE LATEST CRIME SCENE.

176
00:09:24,607 --> 00:09:26,914
JJ, REID, AND I WILL
SET UP AT THE LOCAL P.D.

177
00:09:26,957 --> 00:09:28,785
AND GO THROUGH THE NUMEROUS
EYEWITNESS STATEMENTS.

178
00:09:28,829 --> 00:09:29,917
IF THIS GUY STICKS
TO THE PATTERN,

179
00:09:29,960 --> 00:09:31,571
HE'LL STRIKE AGAIN TODAY.

180
00:09:31,614 --> 00:09:32,876
WE CAN'T LET HIM.

181
00:09:40,405 --> 00:09:41,668
DETECTIVE MURAD.

182
00:09:41,711 --> 00:09:42,843
I'M UNIT CHIEF
PRENTISS.

183
00:09:42,886 --> 00:09:43,974
THESE ARE AGENTS
JAREAU AND REID.

184
00:09:44,018 --> 00:09:45,846
PLEASURE. NICE TO SEE
YOU BOTH AGAIN.

185
00:09:45,889 --> 00:09:47,891
IT'S LIKE I TOLD YOU
ON THE PHONE.

186
00:09:47,935 --> 00:09:49,414
WE'VE HAD HUNDREDS
AND HUNDREDS OF CALLS

187
00:09:49,458 --> 00:09:52,243
OF POSSIBLE EYEWITNESSES,
BUT IT'S IMPOSSIBLE TO KNOW

188
00:09:52,287 --> 00:09:53,767
WHO'S FOR REAL,
WHO'S CRAZY,

189
00:09:53,810 --> 00:09:55,159
AND WHO'S JUST LOOKING
FOR ATTENTION.

190
00:09:55,203 --> 00:09:56,900
WERE THERE ANY ACCOUNTS
THAT STOOD OUT

191
00:09:56,944 --> 00:09:58,989
DUE TO DETAIL OR
SPECIFICITY?

192
00:09:59,033 --> 00:10:01,339
CCTV FOOTAGE HAS BEEN
ON THE NEWS.

193
00:10:01,383 --> 00:10:03,864
A LIBRARIAN IN SILVER LAKE
RECOGNIZED THE SHOOTER.

194
00:10:03,907 --> 00:10:07,258
CLAIMS HE STOLE HIS CAR
AND THREATENED HIM WITH A GUN.

195
00:10:07,302 --> 00:10:09,957
AND THERE'S A WAITRESS
THAT I JUST SPOKE WITH.

196
00:10:10,000 --> 00:10:12,350
SHE'S PRETTY SURE THAT SHE
SERVED THE SHOOTER YESTERDAY.

197
00:10:12,394 --> 00:10:13,656
WE'D LIKE TO TALK
TO BOTH OF THEM.

198
00:10:13,700 --> 00:10:15,310
WELL, XIMENA, THE
WAITRESS, IS STILL HERE.

199
00:10:15,353 --> 00:10:17,355
I'LL GET YOU THE CONTACT
INFO FOR THE LIBRARIAN.

200
00:10:17,399 --> 00:10:19,662
THANK YOU.
REID, JJ, GO TALK
TO XIMENA.

201
00:10:19,706 --> 00:10:23,797
I WILL REROUTE MATT
AND TARA TO THE LIBRARY.

202
00:10:23,840 --> 00:10:25,886
THANK YOU.

203
00:10:25,929 --> 00:10:27,496
SO, WHAT'D HE SAY?

204
00:10:27,539 --> 00:10:30,455
SAYS HE'S HERE EVERY DAY
AND SAW EVERYTHING.

205
00:10:30,499 --> 00:10:32,240
YOU READY FOR THE PART
THAT DOESN'T MAKE SENSE?

206
00:10:32,283 --> 00:10:34,808
SAYS OUR SHOOTER
WAS RELUCTANT.

207
00:10:34,851 --> 00:10:36,331
WHAT DO YOU MEAN?

208
00:10:36,374 --> 00:10:37,549
ACCORDING TO OUR FRIEND,

209
00:10:37,593 --> 00:10:39,290
THE SUSPECT'S HANDS
WERE SHAKING.

210
00:10:39,334 --> 00:10:41,249
THAT COULD HAVE
BEEN ADRENALINE.

211
00:10:41,292 --> 00:10:42,685
YEAH, IT COULD
HAVE BEEN,

212
00:10:42,729 --> 00:10:44,774
BUT HE SAYS HE
HESITATED BEFORE
HE SHOT HIM.

213
00:10:44,818 --> 00:10:46,820
THE FOOTAGE WE SAW
WAS TOO FAR AWAY

214
00:10:46,863 --> 00:10:48,560
TO PICK UP THAT
KIND OF DETAIL.

215
00:10:48,604 --> 00:10:50,867
WE NEED TO CHECK WITH
THE OTHER EYEWITNESS REPORTS,

216
00:10:50,911 --> 00:10:52,129
SEE IF THEY BACK IT UP.

217
00:10:52,173 --> 00:10:53,740
ALL RIGHT.

218
00:10:53,783 --> 00:10:55,437
AND YOU COULD HAVE
GOT ME ONE.

219
00:10:55,480 --> 00:10:57,961
YOU GOT A WEDDING
COMING UP.

220
00:10:58,005 --> 00:10:59,746
MAN: WE WERE ABOUT
TO CLOSE FOR THE NIGHT

221
00:10:59,789 --> 00:11:00,877
WHEN HE FORCED
HIS WAY INSIDE.

222
00:11:00,921 --> 00:11:02,096
EVERYTHING ABOUT HIM
MADE ME NERVOUS.

223
00:11:02,139 --> 00:11:03,837
HIS ENERGY WAS
ALL OVER THE PLACE.

224
00:11:03,880 --> 00:11:05,926
WAS HE LOOKING
FOR A BOOK, A PERSON?

225
00:11:05,969 --> 00:11:07,710
I DON'T KNOW. I DIDN'T
WANT TO GET TOO CLOSE,

226
00:11:07,754 --> 00:11:09,320
BUT THERE WAS
NO ONE ELSE INSIDE.

227
00:11:09,364 --> 00:11:11,018
THEN WHAT HAPPENED?

228
00:11:11,061 --> 00:11:13,063
HE WENT RIGHT TO THESE
STACKS OVER HERE,

229
00:11:13,107 --> 00:11:14,674
THEN TOOK OFF.

230
00:11:14,717 --> 00:11:16,066
I THOUGHT HE WAS
STEALING A BOOK
OR SOMETHING,

231
00:11:16,110 --> 00:11:17,285
SO I CHASED HIM OUT,

232
00:11:17,328 --> 00:11:18,634
SAW HIM BREAK
THE WINDOW OF MY CAR,

233
00:11:18,678 --> 00:11:20,723
THEN HE PULLED A GUN,
TOOK MY KEYS,

234
00:11:20,767 --> 00:11:22,203
AND DROVE AWAY.

235
00:11:22,246 --> 00:11:24,161
DO YOU MIND IF WE TAKE
A LOOK AROUND FOR A MOMENT?

236
00:11:24,205 --> 00:11:26,686
PLEASE. LET ME KNOW IF
YOU NEED ANYTHING ELSE.

237
00:11:26,729 --> 00:11:28,339
THANKS.

238
00:11:28,383 --> 00:11:29,993
TYLER GOT LUCKY.

239
00:11:30,037 --> 00:11:31,778
THE UNSUB COULD HAVE
KILLED HIM.

240
00:11:31,821 --> 00:11:34,519
BUT UP UNTIL NOW HE'S
AVOIDED UNNECESSARY VIOLENCE

241
00:11:34,563 --> 00:11:36,173
AND EVERY CAR
HE'S TAKEN WAS EMPTY.

242
00:11:36,217 --> 00:11:37,784
THIS FEELS RECKLESS.

243
00:11:37,827 --> 00:11:39,873
WHAT WAS HE LOOKING FOR
THAT WAS IMPORTANT

244
00:11:39,916 --> 00:11:43,006
ENOUGH FOR HIM
TO RISK EXPOSING
HIMSELF LIKE THIS?

245
00:12:00,937 --> 00:12:02,765
REID: WE'VE GOT
CREDIBLE SIGHTINGS
ALL OVER THE CITY.

246
00:12:02,809 --> 00:12:04,941
I MEAN, THE SHOOTER
HAS NOT EXACTLY
BEEN CAREFUL.

247
00:12:04,985 --> 00:12:07,335
YEAH, PUBLIC PARK,
THE RESTAURANT YESTERDAY
AFTERNOON,

248
00:12:07,378 --> 00:12:09,163
THE LIBRARY. THIS GUY'S
BEEN SEEN COMING AND GOING.

249
00:12:09,206 --> 00:12:10,904
THIS PAINTS
A FAR DIFFERENT PICTURE

250
00:12:10,947 --> 00:12:12,775
THAN WHAT WE THOUGHT WE
WERE WALKING INTO.

251
00:12:12,819 --> 00:12:15,125
BETWEEN THE HESITATION
THAT DAVE AND LUKE FOUND

252
00:12:15,169 --> 00:12:17,214
AND THIS RECKLESS BEHAVIOR,
WE'RE MISSING SOMETHING.

253
00:12:18,999 --> 00:12:20,696
HEY, PENELOPE.
YOU'RE ON SPEAKER.

254
00:12:20,740 --> 00:12:23,220
FAM, OK, I HAVE BEEN
DOING SOME DIGGING,

255
00:12:23,264 --> 00:12:26,093
AND I HAVE DISCOVERED
A RARE AND BEAUTIFUL ARTIFACT

256
00:12:26,136 --> 00:12:28,008
LIKE THE TEETH OF
A BABY RAPTOR.

257
00:12:28,051 --> 00:12:31,141
6 WEEKS AGO, OUR FIRST
VICTIM, ANDREA HINOJOSA,

258
00:12:31,185 --> 00:12:34,797
HAD A PHONE CONVERSATION
WITH OUR SECOND VICTIM,
PAUL BURKE.

259
00:12:34,841 --> 00:12:36,625
IT ONLY LASTED A FEW MOMENTS,

260
00:12:36,668 --> 00:12:38,583
BUT THIS IS THE ONLY
CONNECTION WE HAVE

261
00:12:38,627 --> 00:12:40,063
BECAUSE THEY DON'T LIVE
IN THE SAME AREAS,

262
00:12:40,107 --> 00:12:42,457
THEY DON'T FREQUENT
THE SAME CANTINAS,
NOTHING, NADA.

263
00:12:42,500 --> 00:12:43,980
COULD IT BE SOMEONE
ASSOCIATED WITH ONE

264
00:12:44,024 --> 00:12:45,808
OF THE CASES ANDREA
WAS WORKING?

265
00:12:45,852 --> 00:12:48,028
IT COULD, BUT PAUL'S
NEVER BEEN ARRESTED.

266
00:12:48,071 --> 00:12:50,291
HE'S NOT LISTED IN ANY
COURT FILINGS OR POLICE REPORTS.

267
00:12:50,334 --> 00:12:51,553
WE NEED YOU.

268
00:12:51,596 --> 00:12:53,163
OH. OH, I HEARD THAT.
IS THAT A LEAD?

269
00:12:53,207 --> 00:12:53,990
THANKS, GARCIA.

270
00:12:54,034 --> 00:12:56,123
OK. GODSPEED.

271
00:12:56,166 --> 00:12:58,473
THEY CAN'T SEE ME.

272
00:12:58,516 --> 00:13:00,867
WE'VE LOCATED THE
VEHICLE STOLEN OUTSIDE
THE LIBRARY LAST NIGHT.

273
00:13:00,910 --> 00:13:03,260
RAMPART DIVISION FOUND
IT IN A RESIDENTIAL
NEIGHBORHOOD.

274
00:13:03,304 --> 00:13:04,958
WE'RE KEEPING
OUR DISTANCE.

275
00:13:06,133 --> 00:13:08,004
PRENTISS: ALL RIGHT, DAVE
AND LUKE ARE CLOSEST.

276
00:13:08,048 --> 00:13:09,484
MURAD: AND WE'VE GOT
UNITS IN THE AREA.

277
00:13:09,527 --> 00:13:11,094
HOW DO YOU WANT US
TO HANDLE THIS?

278
00:13:11,138 --> 00:13:12,574
WITH CAUTION.
HE'S ARMED.

279
00:13:46,260 --> 00:13:47,565
HANDS WHERE I CAN
SEE THEM. NOW!

280
00:13:47,609 --> 00:13:49,393
ROSSI: DO NOT MAKE
ANY SUDDEN MOVEMENTS.

281
00:13:49,437 --> 00:13:52,657
GET OUT OF THE VEHICLE
SLOWLY WITH YOUR HANDS UP!

282
00:13:54,529 --> 00:13:55,878
SLOWLY.

283
00:13:55,922 --> 00:13:58,185
YOU DON'T UNDERSTAND.

284
00:13:58,228 --> 00:13:59,012
OFFICER:
STAY RIGHT THERE.

285
00:13:59,055 --> 00:14:00,883
NO, NO.
I HAD TO DO THIS.

286
00:14:00,927 --> 00:14:02,102
KEEP YOUR HANDS UP.

287
00:14:02,145 --> 00:14:03,494
YOU GOT TO LET
ME GO, PLEASE.

288
00:14:03,538 --> 00:14:06,019
WE CAN TALK ABOUT THIS,
BUT I NEED YOU TO CALM DOWN.

289
00:14:06,062 --> 00:14:07,455
YOU DON'T GET IT!

290
00:14:07,498 --> 00:14:09,457
THIS WAS THE LAST ONE.

291
00:14:09,500 --> 00:14:10,458
HE'S GOT A WEAPON.

292
00:14:10,501 --> 00:14:12,199
ALVEZ: KEEP YOUR
HANDS UP!

293
00:14:12,242 --> 00:14:13,635
OK.

294
00:14:13,678 --> 00:14:16,507
I HAD TO DO THIS, OK.
YOU DON'T UNDERSTAND.

295
00:14:16,551 --> 00:14:18,031
WHAT DON'T WE UNDERSTAND?

296
00:14:18,074 --> 00:14:20,729
MY WIFE, OK.
SHE'S IN DANGER.

297
00:14:20,772 --> 00:14:22,426
HER NAME IS LYNN ZABEL.

298
00:14:22,470 --> 00:14:24,341
SHE'S AT 4600
SPRUCE AVENUE.

299
00:14:24,385 --> 00:14:25,516
KEEP YOUR HANDS UP.

300
00:14:25,560 --> 00:14:29,912
PLEASE, I HAVE TO
DO THIS

301
00:14:29,956 --> 00:14:31,609
OR HE WILL KILL HER.

302
00:14:31,653 --> 00:14:33,394
PLEASE.

303
00:14:33,437 --> 00:14:34,569
NO, DON'T!

304
00:14:43,099 --> 00:14:45,797
LUKE, HE SAID HIS WIFE'S
NAME WAS LYNN ZABEL.

305
00:14:45,841 --> 00:14:48,539
YES. 4600 SPRUCE AVENUE.

306
00:14:48,583 --> 00:14:54,110
EMILY, WE NEED A UNIT
AT 4600 SPRUCE AVENUE
IMMEDIATELY.

307
00:14:54,154 --> 00:14:57,418
SOMETHING'S WRONG HERE.

308
00:15:04,991 --> 00:15:07,167
OUR SHOOTER'S NAME
WAS MARK ZABEL,

309
00:15:07,210 --> 00:15:09,169
37 YEARS OLD,
A MUSICIAN.

310
00:15:09,212 --> 00:15:11,519
HE WAS JUST SHOT
DEAD BY THE LAPD.

311
00:15:16,219 --> 00:15:18,091
MAN: CLEAR!

312
00:15:18,134 --> 00:15:20,093
WE'RE CLEAR!

313
00:15:32,932 --> 00:15:34,672
EMILY.

314
00:15:36,239 --> 00:15:38,981
IT'S LYNN ZABEL.
SHE'S DEAD.

315
00:15:39,025 --> 00:15:41,244
BUT SHE'S STILL WARM.
MARK COULDN'T HAVE DONE THIS.

316
00:15:41,288 --> 00:15:43,290
WHAT THE HELL IS
GOING ON?

317
00:15:49,818 --> 00:15:50,819
SIMMONS: OUR SHOOTER KNEW
THIS WAS GONNA HAPPEN.

318
00:15:50,862 --> 00:15:52,908
MARK KNEW HIS WIFE
WAS IN DANGER.

319
00:15:52,952 --> 00:15:55,693
WELL, HE TOLD DAVE AND
LUKE HE HAD TO DO THIS.

320
00:15:55,737 --> 00:15:57,304
SO LET'S TAKE HIM
AT FACE VALUE.

321
00:15:57,347 --> 00:15:59,567
HE WAS ACTING
UNDER DURESS.

322
00:15:59,610 --> 00:16:01,047
HE WAS COERCED INTO
A KILLING SPREE

323
00:16:01,090 --> 00:16:02,483
IN ORDER TO SAVE
HIS WIFE.

324
00:16:02,526 --> 00:16:03,745
MURDER BY PROXY.

325
00:16:03,788 --> 00:16:05,138
BUT COERCED BY WHOM?

326
00:16:05,181 --> 00:16:06,704
WHO'S PULLING
THE STRINGS?

327
00:16:06,748 --> 00:16:07,967
HOW WOULD THAT EVEN WORK?

328
00:16:08,010 --> 00:16:09,969
WELL, THE UNSUB WOULD
NEED TO GAIN CONTROL.

329
00:16:10,012 --> 00:16:12,884
SO FIRST HE WOULD TAKE
MARK'S WIFE HOSTAGE
AS LEVERAGE,

330
00:16:12,928 --> 00:16:14,538
GIVE HIM AN ULTIMATUM.

331
00:16:14,582 --> 00:16:17,324
DO EXACTLY WHAT I SAY
OR I KILL YOUR WIFE.

332
00:16:17,367 --> 00:16:19,891
THEN HE'D HAVE TO
GIVE MARK SOME KIND
OF INSTRUCTIONS.

333
00:16:19,935 --> 00:16:22,633
HIS ORDERS WOULD BE
CLEAR, CONCISE.

334
00:16:22,677 --> 00:16:25,419
VEHICLE, TIME, PLACE.

335
00:16:25,462 --> 00:16:27,116
SIMMONS: THE VICTIMS
HAVE BEEN SELECTED
AHEAD OF TIME,

336
00:16:27,160 --> 00:16:29,205
SO HE'S MOST LIKELY
WORKING OFF OF A LIST.

337
00:16:29,249 --> 00:16:32,034
SO HE CARRIES OUT
TWO KILLS EXACTLY
AS INSTRUCTED,

338
00:16:32,078 --> 00:16:34,863
DESPITE THE RISK,
HIS OWN APPREHENSIONS,

339
00:16:34,906 --> 00:16:37,039
BUT WE INTERRUPTED
HIS THIRD.

340
00:16:37,083 --> 00:16:38,345
MARK DIDN'T COMPLETE
HIS MISSION,

341
00:16:38,388 --> 00:16:39,911
SO THE UNSUB
KILLS HIS WIFE.

342
00:16:39,955 --> 00:16:42,088
BUT IN ORDER TO KNOW
THAT, HE MUST HAVE BEEN
WATCHING HIM.

343
00:16:42,131 --> 00:16:43,915
IT'S ALMOST LIKE IT'S
SOME KIND OF GAME.

344
00:16:43,959 --> 00:16:49,704
IT SAYS EVERYTHING
ABOUT WHAT THE UNSUB
FEELS ABOUT MARK,

345
00:16:49,747 --> 00:16:52,359
HOW MUCH HE WANTED
HIM TO SUFFER.

346
00:16:56,667 --> 00:16:59,279
SO THE UNSUB IS
A PROXY KILLER?

347
00:16:59,322 --> 00:17:00,367
PUPPET MASTER,

348
00:17:00,410 --> 00:17:01,977
MOST LIKELY
ORCHESTRATING HIS KILLS

349
00:17:02,021 --> 00:17:03,152
OUT OF A NEED FOR REVENGE.

350
00:17:03,196 --> 00:17:05,067
JAREAU: FORCED INTO
AN IMPOSSIBLE SITUATION,

351
00:17:05,111 --> 00:17:06,373
MARK HAD TO MAKE A CHOICE--

352
00:17:06,416 --> 00:17:08,853
EITHER KILL OR WATCH
HIS WIFE BE KILLED.

353
00:17:08,897 --> 00:17:11,595
MARK CHOSE THE FORMER,
JUST AS OUR UNSUB
KNEW HE WOULD.

354
00:17:11,639 --> 00:17:14,076
TURNED MARK INTO
A MURDERER FOR
HIS OWN ENJOYMENT.

355
00:17:14,120 --> 00:17:15,773
REID: SENDING MARK
ALL ACROSS THE CITY

356
00:17:15,817 --> 00:17:17,906
TO COLLECT HIS INSTRUCTIONS
AND CARRY OUT HIS KILLS

357
00:17:17,949 --> 00:17:19,386
SPEAKS TO HIS LUST FOR POWER.

358
00:17:19,429 --> 00:17:21,910
PRENTISS: THIS IS A MAN WITH
A FRAGILE YET OUTSIZED EGO.

359
00:17:21,953 --> 00:17:24,304
ONCE HE'S CHALLENGED,
HE WON'T BACK DOWN.

360
00:17:24,347 --> 00:17:27,220
SO HE'S, WHAT,
TRYING TO SETTLE
SOME KIND OF SCORE?

361
00:17:27,263 --> 00:17:29,135
ROSSI: PERHAPS TEACH
HIS VICTIMS A LESSON.

362
00:17:29,178 --> 00:17:32,790
THE VICTIMS OUR UNSUB
TARGETED, ANDREA, MARK,
AND PAUL ARE ALL CONNECTED.

363
00:17:32,834 --> 00:17:34,009
ALL RIGHT,
SEE YOU TOMORROW.

364
00:17:34,053 --> 00:17:35,228
SEE YOU, CANDICE.

365
00:17:35,271 --> 00:17:37,056
MURAD: INCLUDING MARK'S
INTENDED THIRD VICTIM.

366
00:17:37,099 --> 00:17:40,581
ROSSI: YEAH. WE ID'd A MAN
NAMED CHARLIE STURGILL.

367
00:17:40,624 --> 00:17:42,583
JAREAU: THEY'VE ALL
CROSSED PATHS WITH THE UNSUB.

368
00:17:42,626 --> 00:17:46,848
FINDING OUT HOW AND WHEN
WILL HELP US IDENTIFY
ANY REMAINING TARGETS.

369
00:17:52,462 --> 00:17:54,856
SHUT UP! SHUT UP!

370
00:18:13,570 --> 00:18:15,137
DAVE.

371
00:18:15,181 --> 00:18:16,399
THANKS.

372
00:18:16,443 --> 00:18:17,922
WE'LL MAKE IT.

373
00:18:19,794 --> 00:18:21,535
SO CHARLIE STURGILL'S HERE,

374
00:18:21,578 --> 00:18:23,276
AND WE CAUGHT A BREAK.

375
00:18:23,319 --> 00:18:26,888
TURNS OUT HE WAS INVOLVED
IN A CASE THAT ANDREA
TRIED 8 YEARS AGO.

376
00:18:26,931 --> 00:18:29,499
SO, CHARLIE,
YOU WERE A WITNESS.

377
00:18:29,543 --> 00:18:31,371
YEAH.

378
00:18:31,414 --> 00:18:33,938
AND THIS WOMAN,
ANDREA, WAS THE LAWYER.

379
00:18:33,982 --> 00:18:37,594
HER CLIENT,
THE DEFENDANT, WAS NUTS.

380
00:18:37,638 --> 00:18:40,031
HE THREATENED TO KILL
EVERYONE AFTER THE
VERDICT WAS DELIVERED.

381
00:18:40,075 --> 00:18:42,164
SIMMONS:
WHAT DO YOU REMEMBER
ABOUT THE CASE?

382
00:18:42,208 --> 00:18:44,471
IT WAS A HIT AND RUN.

383
00:18:44,514 --> 00:18:46,864
THE DEFENDANT WAS INVOLVED
IN A HEAD-ON COLLISION

384
00:18:46,908 --> 00:18:48,692
IN FRONT OF THE BAR
WHERE I WORKED.

385
00:18:48,736 --> 00:18:50,129
4 PEOPLE WERE KILLED.

386
00:18:50,172 --> 00:18:51,652
HAD HE BEEN DRINKING?

387
00:18:51,695 --> 00:18:55,699
UM, I REMEMBER
SERVING HIM EARLIER
THAT NIGHT.

388
00:18:55,743 --> 00:18:58,180
HIS DEFENSE WAS THAT
IT WAS AN ACCIDENT.

389
00:18:58,224 --> 00:18:59,834
BUT IT WASN'T?
NO.

390
00:18:59,877 --> 00:19:02,271
HE WAS PLAYING CHICKEN
WITH ONCOMING TRAFFIC.

391
00:19:02,315 --> 00:19:05,231
HE CLAIMED TO ONLY HAVE
GOTTEN BEHIND THE WHEEL
ON A DARE,

392
00:19:05,274 --> 00:19:07,885
THAT HIM AND SOME GUY
WERE PLAYING TRUTH OR DARE

393
00:19:07,929 --> 00:19:09,452
TO IMPRESS SOME WOMAN.

394
00:19:09,496 --> 00:19:10,497
WHO WAS THE OTHER GUY?

395
00:19:10,540 --> 00:19:11,672
THEY DIDN'T SAY,

396
00:19:11,715 --> 00:19:12,977
BUT IT WAS
A B.S. EXCUSE.

397
00:19:13,021 --> 00:19:16,111
EVERYONE KNEW IT.
I SAW THE WHOLE THING.

398
00:19:16,155 --> 00:19:17,286
HE DIDN'T LOSE CONTROL.

399
00:19:17,330 --> 00:19:18,983
HE NEVER EVEN
SLOWED DOWN.

400
00:19:19,027 --> 00:19:20,811
THERE WAS A CAR
COMING RIGHT AT HIM,

401
00:19:20,855 --> 00:19:23,336
BUT HE JUST FLOORED IT.

402
00:19:24,598 --> 00:19:25,990
GARCIA: FOUND THE CASE
IN QUESTION.

403
00:19:26,034 --> 00:19:28,036
OUR UNSUB'S NAME IS
CASEY ALLEN PINKNER,

404
00:19:28,079 --> 00:19:29,951
AND HE'S A PIECE OF WORK.

405
00:19:29,994 --> 00:19:32,432
HE SPENT THE MAJORITY
OF HIS MISSPENT YOUTH

406
00:19:32,475 --> 00:19:34,390
IN AND OUT OF THE SYSTEM.

407
00:19:34,434 --> 00:19:37,524
HE TRIED TO GO THE
STRAIGHT AND NARROW
IN HIS EARLY 20s,

408
00:19:37,567 --> 00:19:40,091
TOOK SOME ODD JOBS,
BUT CASEY HAS A PROBLEM
WITH THE DRINK,

409
00:19:40,135 --> 00:19:42,050
AS WE ALL SAW, AND IT
FINALLY CAUGHT UP WITH HIM.

410
00:19:42,093 --> 00:19:43,660
GARCIA, WHERE IS HE NOW?

411
00:19:43,704 --> 00:19:45,184
GARCIA: I CAN TELL YOU
HE WAS SENTENCED TO
10 YEARS IN PRISON.

412
00:19:45,227 --> 00:19:48,099
HE SERVED 8.
HE WAS RELEASED 4 WEEKS AGO.

413
00:19:48,143 --> 00:19:50,014
AND I'LL TRY TO FIND
HIS LAST KNOWNS.

414
00:19:50,058 --> 00:19:51,929
PRENTISS: NOW, CASEY'S
DEFENSE WAS THAT THIS
WHOLE THING

415
00:19:51,973 --> 00:19:54,802
WAS THE RESULT OF
A GAME OF TRUTH OR DARE
GONE WRONG,

416
00:19:54,845 --> 00:19:58,109
AND THAT THIS MYSTERY
MAN IN THE BAR WAS
REALLY AT FAULT.

417
00:19:58,153 --> 00:19:59,981
NOW, WE THINK THAT MAN
WAS MARK ZABEL.

418
00:20:00,024 --> 00:20:03,071
GARCIA: OH, AND I CAN TELL
YOU VIA CREDIT CARD RECEIPT

419
00:20:03,114 --> 00:20:04,725
THAT THAT BAR IN QUESTION
MARK FREQUENTED.

420
00:20:04,768 --> 00:20:05,856
SIMMONS: AT THE TIME OF
CASEY'S TRIAL,

421
00:20:05,900 --> 00:20:07,118
MARK NEVER CAME FORWARD,

422
00:20:07,162 --> 00:20:08,946
SO THE COPS NEVER
PURSUED HIM AS A LEAD.

423
00:20:08,990 --> 00:20:10,644
CASEY'S BEEN PLANNING
THIS FOR A WHILE.

424
00:20:10,687 --> 00:20:13,037
SIMMONS:
WHEN WE QUESTIONED HIM,
CHARLIE RECOGNIZED

425
00:20:13,081 --> 00:20:14,517
PAUL BURKE AS
THE JURY FOREMAN,

426
00:20:14,561 --> 00:20:16,127
SO MAYBE THAT'S WHY
ANDREA CALLED PAUL,

427
00:20:16,171 --> 00:20:17,781
TO WARN HIM THAT
CASEY WAS OUT.

428
00:20:17,825 --> 00:20:19,740
JURY ROSTERS IN
LOS ANGELES COUNTY
ARE SEALED.

429
00:20:19,783 --> 00:20:20,958
THAT'S WHY WE COULDN'T
FIND THE CONNECTION

430
00:20:21,002 --> 00:20:22,221
BETWEEN
PAUL AND ANDREA.

431
00:20:22,264 --> 00:20:25,224
SO ANDREA
WAS HIS LAWYER,

432
00:20:25,267 --> 00:20:27,138
PAUL THE JURY FOREMAN,

433
00:20:27,182 --> 00:20:29,489
CHARLIE THE EYEWITNESS.

434
00:20:29,532 --> 00:20:31,578
CASEY'S GOING AFTER
EVERYONE INVOLVED,

435
00:20:31,621 --> 00:20:33,841
EVERYONE THAT HELPED
PUT HIM AWAY.

436
00:20:33,884 --> 00:20:36,539
ROSSI: WE NEED THE NAMES
OF EVERYONE WHO COULD HAVE
BEEN IN THAT COURTROOM.

437
00:20:36,583 --> 00:20:38,672
COMPILING AND SENDING NOW.

438
00:20:41,327 --> 00:20:42,893
HEY, SWEETIE,
WHAT'S UP?

439
00:20:42,937 --> 00:20:45,287
CASEY: IS THIS
THE HONORABLE JUDGE,
MS. MELISSA HAMILTON?

440
00:20:45,331 --> 00:20:46,897
WHO IS THIS?

441
00:20:46,941 --> 00:20:48,856
LISTEN VERY CAREFULLY.

442
00:20:48,899 --> 00:20:50,858
I HAVE YOUR
DAUGHTER CANDICE.

443
00:20:50,901 --> 00:20:53,469
I WOULDN'T DO THAT,
MELISSA.

444
00:20:53,513 --> 00:20:57,038
YOU'LL DO EXACTLY
AS I SAY OR SHE DIES.

445
00:20:57,081 --> 00:21:00,476
UM, NEVER MIND.
I THOUGHT I FORGOT A FILE.

446
00:21:00,520 --> 00:21:02,652
I'M GOOD.
THAT'S MY CAR.

447
00:21:05,220 --> 00:21:07,135
CASEY: I'M GONNA BE
CRYSTAL CLEAR.

448
00:21:07,178 --> 00:21:10,399
TALK TO THE POLICE,
ASK ANYONE ELSE FOR
ANY HELP,

449
00:21:10,443 --> 00:21:11,966
CANDICE IS DEAD.

450
00:21:21,149 --> 00:21:23,064
WHAT DO YOU WANT?

451
00:21:23,107 --> 00:21:26,154
WE'RE GONNA PLAY
A LITTLE GAME.

452
00:21:26,197 --> 00:21:28,461
REID: GARCIA, ANY LUCK
WITH JUDGE HAMILTON?

453
00:21:28,504 --> 00:21:31,420
NO. WE'VE REACHED
EVERYONE ELSE INVOLVED.

454
00:21:31,464 --> 00:21:33,204
SHE WON'T PICK UP.
I'M PINGING HER PHONE.

455
00:21:33,248 --> 00:21:34,554
YOU GUYS ARE CLOSE.

456
00:21:34,597 --> 00:21:36,251
JAREAU: SHE'S GOT
TO BE HIS END GAME.

457
00:21:36,295 --> 00:21:37,948
HE KNOWS WE'RE
ON TO HIM.
TIME IS LIMITED.

458
00:21:37,992 --> 00:21:39,776
DURING SENTENCING, SHE WANTED
TO THROW THE BOOK AT HIM,

459
00:21:39,820 --> 00:21:41,865
SAID HE NEEDED TO TAKE
RESPONSIBILITY FOR HIS ACTIONS.

460
00:21:41,909 --> 00:21:43,258
THAT WOULD HAVE
INCENSED HIM.

461
00:21:43,302 --> 00:21:44,651
OH, SHE JUST PULLED OVER.

462
00:21:46,174 --> 00:21:47,393
YOU'LL DO EXACTLY AS I SAY.

463
00:21:47,436 --> 00:21:49,438
YOUR DAUGHTER'S LIFE
DEPENDS ON IT.

464
00:21:53,616 --> 00:21:56,271
REID: THAT'S HER.
THAT'S JUDGE HAMILTON.

465
00:21:56,315 --> 00:21:57,881
TURN AROUND.

466
00:21:57,925 --> 00:22:00,057
GO! NOW!

467
00:22:21,122 --> 00:22:23,733
GO, GO, GO. GO!

468
00:22:27,215 --> 00:22:28,869
RIGHT THERE.

469
00:22:29,957 --> 00:22:30,914
EVERYBODY OUT!

470
00:22:31,959 --> 00:22:33,482
JAREAU: GO! GET OUT!
FBI.

471
00:22:33,526 --> 00:22:35,615
PUT YOUR WEAPONS DOWN. NOW!

472
00:22:35,658 --> 00:22:36,616
THAT'S NOT GONNA
HAPPEN.

473
00:22:36,659 --> 00:22:38,226
MELISSA, TAKE IT.

474
00:22:40,141 --> 00:22:42,273
TAKE IT!

475
00:22:42,317 --> 00:22:44,885
I'LL KILL YOUR DAUGHTER.
YOU KNOW I WILL.

476
00:22:44,928 --> 00:22:47,888
POINT IT AT THEM.
NOW!

477
00:22:51,282 --> 00:22:53,284
CASEY: I'M NOT GONNA
ASK YOU AGAIN.

478
00:22:53,328 --> 00:22:55,635
PUT IT DOWN!

479
00:22:55,678 --> 00:22:58,246
PUT THEM DOWN NOW!

480
00:22:58,289 --> 00:22:59,378
IT'S OK.

481
00:23:00,553 --> 00:23:02,206
DOWN!

482
00:23:04,121 --> 00:23:05,645
MELISSA, PICK THEM UP.

483
00:23:05,688 --> 00:23:07,386
PICK THEM UP!
GO, GO!

484
00:23:07,429 --> 00:23:09,649
TOSS THEM.

485
00:23:11,433 --> 00:23:14,305
PLEASE, DON'T HURT HER.

486
00:23:14,349 --> 00:23:15,655
I DIDN'T CALL THEM.

487
00:23:15,698 --> 00:23:17,439
I HAVE NO IDEA
HOW THEY FOUND ME.

488
00:23:17,483 --> 00:23:19,310
DO NOT MOVE.

489
00:23:19,354 --> 00:23:22,488
LOCK IT DOWN!

490
00:23:24,968 --> 00:23:27,406
PLEASE, JUST LET
MY DAUGHTER GO.

491
00:23:27,449 --> 00:23:31,061
MELISSA, WE HAVEN'T
FINISHED OUR LITTLE GAME.

492
00:23:42,551 --> 00:23:45,075
REAR ENTRANCE HAS BEEN
BARRICADED AS WELL.

493
00:23:45,119 --> 00:23:47,121
EYEWITNESSES PUT
4 OR 5 PEOPLE INSIDE.

494
00:23:47,164 --> 00:23:48,992
WHAT ABOUT
SECURITY CAMERAS?

495
00:23:49,036 --> 00:23:50,254
EMPLOYEE SAYS
THEY'RE CHEAP,

496
00:23:50,298 --> 00:23:52,082
ROUTED OFF OF SOME
SERVER IN CHINA.

497
00:23:52,126 --> 00:23:53,606
WE'RE TRYING TO
ACCESS THEM NOW.

498
00:23:53,649 --> 00:23:55,477
GET GARCIA ON IT.

499
00:23:55,521 --> 00:23:58,001
RAPID RESPONSE TEAM IS
GEARING UP IN THE BACK.

500
00:23:58,045 --> 00:24:00,003
AS SOON AS THEY FIND A
POINT OF VULNERABILITY,

501
00:24:00,047 --> 00:24:01,091
I WANT TO GO IN STRONG.

502
00:24:01,135 --> 00:24:02,397
NO. NO, THAT'S
A BAD IDEA.

503
00:24:02,441 --> 00:24:04,834
LET'S BUILD A LINE
OF COMMUNICATION, START THERE.

504
00:24:04,878 --> 00:24:06,532
WE'VE GOT TWO OF OUR
BEST AGENTS IN THERE.

505
00:24:06,575 --> 00:24:08,838
WE NEED TO TRUST THAT THEY'LL
KEEP THINGS UNDER CONTROL

506
00:24:08,882 --> 00:24:11,058
UNTIL WE CAN FIND
A WAY IN.

507
00:24:11,101 --> 00:24:12,451
OK.

508
00:24:13,974 --> 00:24:16,977
THE PROBLEM IS,
CASEY'S NOT LIKELY
TO ASK FOR ANYTHING.

509
00:24:17,020 --> 00:24:20,110
I MEAN, WHAT
HE WANTS, HE HAS.

510
00:24:20,154 --> 00:24:22,548
WE CAN'T NEGOTIATE
WITH A GUY WHO DOESN'T
WANT ANYTHING.

511
00:24:24,245 --> 00:24:26,987
DON'T WORRY,
IT'S GONNA BE OK.

512
00:24:27,030 --> 00:24:28,075
CASEY: HURRY UP.

513
00:24:28,118 --> 00:24:30,033
GET OVER HERE.

514
00:24:32,558 --> 00:24:34,037
THIS IS ALL YOUR FAULT.

515
00:24:34,081 --> 00:24:37,127
I TOLD YOU. I TOLD YOU
IT WAS AN ACCIDENT,

516
00:24:37,171 --> 00:24:39,042
THAT MARK WAS THE ONE
WHO FORCED ME TO DO IT,

517
00:24:39,086 --> 00:24:40,348
BUT YOU WOULDN'T LISTEN.

518
00:24:40,391 --> 00:24:44,526
YOU JUST SAT UP THERE
LOOKING SMUG AND SUPERIOR.

519
00:24:44,570 --> 00:24:48,487
YOU THINK YOU'RE
SO MUCH BETTER THAN ME,
BUT YOU'RE NOT.

520
00:24:48,530 --> 00:24:52,142
YOU'RE JUST AS CAPABLE
OF HURTING SOMEONE
AS ANYBODY IS.

521
00:24:59,106 --> 00:25:00,760
WELL, HERE IT IS,
JUDGE...

522
00:25:02,196 --> 00:25:04,067
YOUR MOMENT OF TRUTH.

523
00:25:06,461 --> 00:25:08,419
SHOOT HER,

524
00:25:08,463 --> 00:25:10,073
OR I'LL KILL
YOUR DAUGHTER.

525
00:25:10,117 --> 00:25:13,773
JAREAU: COME ON.
SHE'S GOT NOTHING
TO DO WITH THIS, OK.

526
00:25:13,816 --> 00:25:15,209
JUST LET HER GO.

527
00:25:15,252 --> 00:25:16,471
SHOOT HER!

528
00:25:16,515 --> 00:25:18,952
CASEY.

529
00:25:18,995 --> 00:25:20,693
SHE'S NOT
A PART OF THIS.

530
00:25:20,736 --> 00:25:21,868
OK?

531
00:25:21,911 --> 00:25:23,217
YOU HAVE NO REASON
TO HURT HER.

532
00:25:23,260 --> 00:25:25,698
JUST LET HER GO.

533
00:25:40,756 --> 00:25:43,019
I WASN'T TALKING TO YOU.

534
00:25:54,901 --> 00:25:57,077
GET UP! NOW!

535
00:26:01,081 --> 00:26:03,387
DO NOT MOVE!

536
00:26:08,088 --> 00:26:09,524
NEW DEAL.

537
00:26:12,440 --> 00:26:14,573
NOW YOU NEED TO KILL
ONE OF THESE TWO.

538
00:26:21,841 --> 00:26:23,407
TO GET MELISSA
TO PLAY ALONG,

539
00:26:23,451 --> 00:26:25,105
HE'S GOT TO BE
FORCING HER HAND,

540
00:26:25,148 --> 00:26:27,977
AND MY GUESS IS THAT
HE'S USING HER DAUGHTER
CANDICE AS LEVERAGE.

541
00:26:28,021 --> 00:26:29,588
JUST LIKE BEFORE WITH
MARK AND HIS WIFE.

542
00:26:29,631 --> 00:26:31,720
IF HE'S HOLDING HER,
IT'S GOT TO BE CLOSE.

543
00:26:31,764 --> 00:26:33,243
GO DOOR TO DOOR,
CAR TO CAR.

544
00:26:33,287 --> 00:26:36,029
WE REMOVE THE THREAT,
WE CAN TURN MELISSA.

545
00:26:37,204 --> 00:26:38,988
WHO'S IT GONNA BE?

546
00:26:39,032 --> 00:26:40,599
PLEASE.

547
00:26:40,642 --> 00:26:41,861
I DON'T WANT TO DO THIS.

548
00:26:41,904 --> 00:26:44,385
FOCUS, MELISSA.

549
00:26:44,428 --> 00:26:46,039
PLEASE.

550
00:26:47,214 --> 00:26:48,432
JUDGE, YOU GOT
TO DECIDE.

551
00:26:48,476 --> 00:26:51,392
THAT'S WHAT
YOU DO, RIGHT?

552
00:26:51,435 --> 00:26:53,916
DECIDE
LIFE OR DEATH

553
00:26:53,960 --> 00:26:55,439
WITH A FLICK
OF YOUR GAVEL.

554
00:27:07,843 --> 00:27:10,280
REID: ANSWER IT.
CASEY, ANSWER IT.

555
00:27:10,324 --> 00:27:11,978
SHUT UP!

556
00:27:12,021 --> 00:27:13,936
PULL THE TRIGGER!

557
00:27:16,286 --> 00:27:18,114
NOTHING.

558
00:27:18,158 --> 00:27:19,942
FOCUS, MELISSA.

559
00:27:21,727 --> 00:27:22,989
PULL THE TRIGGER.

560
00:27:23,032 --> 00:27:24,555
CASEY.

561
00:27:24,599 --> 00:27:28,211
UM, IF MELISSA
WON'T PLAY,

562
00:27:28,255 --> 00:27:30,649
I WILL.

563
00:27:35,044 --> 00:27:37,568
TRUTH OR DARE.
THAT'S YOUR GAME,
RIGHT?

564
00:27:40,093 --> 00:27:41,224
I'LL PLAY.

565
00:27:45,359 --> 00:27:46,839
SIMMONS: I GOT GARCIA.
SHE'S SECONDS AWAY

566
00:27:46,882 --> 00:27:48,144
FROM ACCESSING
THE SECURITY FEED.

567
00:27:48,188 --> 00:27:50,277
GO AHEAD, GARCIA.
WE GOT THE LAPTOP.

568
00:27:50,320 --> 00:27:51,844
I'M RUNNING ALGORITHMS
ON ALGORITHMS HERE.

569
00:27:51,887 --> 00:27:54,150
AND WE ARE IN.

570
00:27:54,194 --> 00:27:55,543
THIS IS LIVE.

571
00:27:55,586 --> 00:27:58,241
OK. ALL RIGHT,
LOOKS LIKE REID
AND JJ ARE TIED UP,

572
00:27:58,285 --> 00:28:00,766
AND IT'S THE SHOP
MANAGER THAT WAS SHOT.
RIGHT? LOOK.

573
00:28:00,809 --> 00:28:02,768
SHE'S STILL MOVING.

574
00:28:02,811 --> 00:28:04,160
SIMMONS:
DO WE HAVE AUDIO?

575
00:28:04,204 --> 00:28:06,206
NO, CAMERAS AREN'T CAPABLE.

576
00:28:06,249 --> 00:28:08,382
IS THAT A DOOR?WHERE?

577
00:28:08,425 --> 00:28:10,166
RIGHT HERE.
FAR LEFT WALL.

578
00:28:10,210 --> 00:28:12,212
CASEY: MELISSA,
THE WEAPON. NOW!

579
00:28:12,255 --> 00:28:14,214
REID: CASEY, I KNOW
WHAT IT'S LIKE,

580
00:28:14,257 --> 00:28:16,216
TO BE WRONGLY ACCUSED,

581
00:28:16,259 --> 00:28:18,653
SENT TO PRISON FOR A
CRIME YOU DIDN'T COMMIT.

582
00:28:20,133 --> 00:28:22,091
YEAH, RIGHT.

583
00:28:22,135 --> 00:28:23,963
YOU WENT TO JAIL?

584
00:28:25,225 --> 00:28:27,270
I'D LIKE TO SEE THAT,
PRETTY BOY.

585
00:28:33,973 --> 00:28:35,583
CASEY: OK.

586
00:28:35,626 --> 00:28:37,193
AGENT...

587
00:28:37,237 --> 00:28:39,195
JAREAU.

588
00:28:40,980 --> 00:28:42,721
AGENT JAREAU.

589
00:28:49,771 --> 00:28:51,642
TRUTH OR DARE?

590
00:28:51,686 --> 00:28:53,862
TRUTH.

591
00:28:53,906 --> 00:28:57,344
IF I THINK YOU'RE LYING
OR STRETCHING THE TRUTH

592
00:28:57,387 --> 00:28:59,607
IN THE SLIGHTEST,
I'LL KILL HIM.

593
00:29:03,263 --> 00:29:04,873
YEAH.

594
00:29:08,877 --> 00:29:10,836
YOU EVER SHOOT
ANYBODY BEFORE?

595
00:29:10,879 --> 00:29:13,447
YES, I HAVE.

596
00:29:13,490 --> 00:29:15,275
YOU ENJOY IT?

597
00:29:15,318 --> 00:29:17,407
NO.

598
00:29:22,848 --> 00:29:24,980
LIAR!

599
00:29:26,895 --> 00:29:28,462
NO, NO, NO.
I'M NOT LYING.

600
00:29:28,505 --> 00:29:30,681
OK, I'M NOT LYING.

601
00:29:30,725 --> 00:29:32,858
THE PEOPLE I SHOT
I HAD NO CHOICE,

602
00:29:32,901 --> 00:29:37,253
BUT I DID NOT ENJOY IT.
I DIDN'T.

603
00:29:37,297 --> 00:29:39,299
OK, YOU ASKED, AND I
TOLD THE TRUTH, OK.

604
00:29:39,342 --> 00:29:41,214
I TOLD YOU THE TRUTH.

605
00:29:41,257 --> 00:29:44,434
SO NOW IT'S MY TURN.

606
00:29:44,478 --> 00:29:46,785
RIGHT?

607
00:29:46,828 --> 00:29:48,351
THAT'S HOW THIS
GAME'S PLAYED.

608
00:29:48,395 --> 00:29:51,354
WE TAKE TURNS.

609
00:29:51,398 --> 00:29:53,530
TRUTH OR DARE?

610
00:29:56,838 --> 00:29:58,492
TRUTH.

611
00:29:59,885 --> 00:30:00,842
WHAT'S IT GONNA TAKE
FOR ALL OF US

612
00:30:00,886 --> 00:30:02,365
TO WALK OUT
OF HERE ALIVE,

613
00:30:02,409 --> 00:30:04,063
FOR THIS TO END
PEACEFULLY?

614
00:30:04,106 --> 00:30:05,586
I AIN'T GOING BACK
TO PRISON.

615
00:30:05,629 --> 00:30:07,240
MY TURN.

616
00:30:07,283 --> 00:30:09,459
TRUTH OR DARE?

617
00:30:10,634 --> 00:30:12,332
TRUTH.

618
00:30:12,375 --> 00:30:15,161
I WANT YOU TO SAY SOMETHING
YOU'RE AFRAID TO SAY,

619
00:30:15,204 --> 00:30:16,989
THAT YOU'D NEVER
TELL ANYBODY.

620
00:30:17,032 --> 00:30:18,773
AND YOU BETTER
MAKE IT GOOD,

621
00:30:18,817 --> 00:30:21,645
'CAUSE IF IT'S NOT,
IT'S GONNA BE THE LAST
THING YOU EVER SAY.

622
00:30:23,386 --> 00:30:24,910
WHAT'S IT GONNA BE?

623
00:30:26,172 --> 00:30:28,348
THERE ARE ONLY 4 PEOPLE
I TRUST IN THIS WORLD.

624
00:30:28,391 --> 00:30:29,610
BORING.

625
00:30:30,654 --> 00:30:32,526
NEXT!

626
00:30:34,006 --> 00:30:35,529
UM...

627
00:30:36,617 --> 00:30:40,403
MY...

628
00:30:40,447 --> 00:30:43,058
MY BABY I LOST,
I, UM...

629
00:30:44,407 --> 00:30:46,322
MMM.

630
00:30:46,366 --> 00:30:48,063
I WANTED TO NAME
HER MAGGIE.

631
00:30:48,107 --> 00:30:50,413
WRONG! COME ON, YOU CAN
DO BETTER THAN THAT.

632
00:30:50,457 --> 00:30:51,501
CASEY.

633
00:30:51,545 --> 00:30:53,939
SHUT UP!

634
00:30:53,982 --> 00:30:56,419
OK, OK, OK.

635
00:30:56,463 --> 00:30:58,552
LAST CHANCE.

636
00:30:58,595 --> 00:31:00,641
SOMETHING YOU WOULD
NEVER SAY ALOUD,

637
00:31:00,684 --> 00:31:03,339
NOT EVEN TO YOUR
PARTNER HERE.

638
00:31:03,383 --> 00:31:05,994
YOUR DEEPEST,
DARKEST SECRET.

639
00:31:06,038 --> 00:31:08,867
IMPRESS ME
OR I KILL HIM.

640
00:31:14,133 --> 00:31:15,830
COME ON!

641
00:31:23,664 --> 00:31:27,233
SPENCE, UM...

642
00:31:30,192 --> 00:31:32,325
UM...

643
00:31:36,982 --> 00:31:38,679
I'VE ALWAYS LOVED YOU.

644
00:31:42,857 --> 00:31:45,425
AND I WAS JUST TOO SCARED
TO SAY IT BEFORE.

645
00:31:47,949 --> 00:31:51,910
AND NOW THINGS ARE JUST
REALLY TOO COMPLICATED
TO SAY IT NOW.

646
00:31:56,436 --> 00:31:58,481
I'M SORRY.

647
00:32:01,310 --> 00:32:03,138
BUT YOU SHOULD KNOW.

648
00:32:07,577 --> 00:32:09,884
HOT DAMN.

649
00:32:09,928 --> 00:32:11,930
THAT'S WHAT I'M
TALKING ABOUT.

650
00:32:11,973 --> 00:32:14,671
NOW THOSE ARE SOME
LAST WORDS RIGHT THERE.

651
00:32:14,715 --> 00:32:17,718
BUT NOT GOOD ENOUGH
TO SAVE YOUR LIFE.

652
00:32:47,617 --> 00:32:50,272
WOMAN: ♪ ALL OF THE LOVE
IN THE WORLD ♪

653
00:32:50,316 --> 00:32:53,101
♪ COULDN'T SAVE ME

654
00:32:55,669 --> 00:32:59,716
♪ DEAL WITH ME,
STEAL WITH ME ♪

655
00:32:59,760 --> 00:33:03,285
♪ JUST STAY FOR A MOMENT
AND HEAL WITH ME... ♪

656
00:33:03,329 --> 00:33:07,028
WE NEED AN AMBULANCE.
WE'VE GOT 3 DOWN.
3 HAVE BEEN SHOT.

657
00:33:07,072 --> 00:33:08,856
♪ PLAY WITH ME

658
00:33:08,899 --> 00:33:11,728
HANG IN THERE, OK.
HELP IS ON ITS WAY.

659
00:33:12,903 --> 00:33:16,081
♪ ALL OF THE LOVE
IN THE WORLD ♪

660
00:33:16,124 --> 00:33:18,822
♪ COULDN'T MAKE ME
LESS ALONE ♪

661
00:33:21,521 --> 00:33:24,915
♪ ALL OF THE LOVE
IN THE WORLD ♪

662
00:33:24,959 --> 00:33:27,962
♪ COULDN'T SAVE ME...

663
00:33:28,006 --> 00:33:30,834
ALL RIGHT.
YOU OK?

664
00:33:30,878 --> 00:33:33,881
♪ ALL OF THE LOVE
IN THE WORLD ♪

665
00:33:33,924 --> 00:33:40,366
♪ COULDN'T SAVE ME

666
00:33:42,846 --> 00:33:44,805
♪ I CALLED IT AT TWO

667
00:33:44,848 --> 00:33:47,242
♪ YOU CALLED IT AT THREE

668
00:33:47,286 --> 00:33:53,553
♪ SAME PEOPLE,
DIFFERENT PARTY ♪

669
00:33:55,816 --> 00:33:58,819
♪ ALL OF THE LOVE
IN THE WORLD ♪

670
00:33:58,862 --> 00:34:01,996
♪ COULDN'T SAVE ME

671
00:34:04,955 --> 00:34:06,740
DAD.

672
00:34:06,783 --> 00:34:08,089
I DIDN'T THINK YOU
WERE GONNA MAKE IT.

673
00:34:08,133 --> 00:34:10,265
GET OVER HERE!

674
00:34:10,309 --> 00:34:13,834
HEY, I WOULDN'T MISS
IT FOR THE WORLD.

675
00:34:13,877 --> 00:34:15,053
HOW'S YOUR MOTHER?

676
00:34:15,096 --> 00:34:16,532
SHE'S GREAT.

677
00:34:16,576 --> 00:34:18,969
AND THAT HUSBAND OF YOURS,
HE'S STILL TREATING YOU WELL?

678
00:34:19,013 --> 00:34:21,711
YES, DAD.
I'M SO PROUD OF YOU.

679
00:34:21,755 --> 00:34:23,191
HEY, THAT'S MY LINE.

680
00:34:23,235 --> 00:34:24,975
HAVE YOU MET PORTIA?

681
00:34:25,019 --> 00:34:26,716
I HAVE, YES.
SHE'S AMAZING.

682
00:34:26,760 --> 00:34:29,545
TOLD ME HOW YOU STOPPED
HER FROM MARRYING
A TOTAL LOSER,

683
00:34:29,589 --> 00:34:33,332
WHICH SOUNDS
ABOUT RIGHT.

684
00:34:33,375 --> 00:34:35,899
YOU LOOK VERY HANDSOME.

685
00:34:39,773 --> 00:34:40,817
YEAH?

686
00:34:40,861 --> 00:34:42,950
PERFECT.

687
00:34:42,993 --> 00:34:44,995
YOU LOOK PERFECT.

688
00:34:45,039 --> 00:34:47,607
YOU GUYS DECIDED ON
A HONEYMOON YET?

689
00:34:47,650 --> 00:34:50,610
WE HAVEN'T. WE TALKED
ABOUT IT, BUT...

690
00:34:50,653 --> 00:34:55,397
WELL, HOW ABOUT TWO WEEKS
IN THE FRENCH RIVIERA?

691
00:35:00,185 --> 00:35:01,664
I'VE ALWAYS WANTED TO GO.

692
00:35:01,708 --> 00:35:02,839
I KNOW.

693
00:35:02,883 --> 00:35:04,972
YOU TALKED ABOUT IT
MY ENTIRE LIFE.

694
00:35:07,757 --> 00:35:09,194
OH, MOM, DON'T START.

695
00:35:09,237 --> 00:35:11,674
COME ON,
THE CAR'S WAITING.

696
00:35:21,119 --> 00:35:23,033
HI.

697
00:35:23,077 --> 00:35:25,427
KRISTY: HEY, I WAS HOPING
TO MEET THE FANTASTIC

698
00:35:25,471 --> 00:35:27,647
ANDREW MENDOZA
I'VE BEEN HEARING ABOUT.

699
00:35:27,690 --> 00:35:28,822
YOU WILL.

700
00:35:28,865 --> 00:35:30,911
I JUST THOUGHT
A WEDDING LIKE THIS

701
00:35:30,954 --> 00:35:32,086
MIGHT BE A LITTLE--

702
00:35:32,130 --> 00:35:33,783
TOO SOON?

703
00:35:33,827 --> 00:35:35,133
TOO MUCH.

704
00:35:35,176 --> 00:35:37,787
GARCIA: OK, I HAVE JUST
MADE THIS UP.

705
00:35:37,831 --> 00:35:39,833
I CALL IT THE ROSSI.

706
00:35:39,876 --> 00:35:41,922
IT IS SERVED IN
A CRYSTAL GOBLET.

707
00:35:41,965 --> 00:35:43,619
THAT IS WITH A "C"
AND ONE "L."

708
00:35:43,663 --> 00:35:45,447
IT IS DISTINGUISHED.
IT'S RELIABLE.

709
00:35:45,491 --> 00:35:48,146
IT'S A LITTLE SWEET
WITH JUST THE RIGHT
AMOUNT OF BITE.

710
00:35:48,189 --> 00:35:49,799
WILL IT GET ME DRUNK?TOTALLY.

711
00:35:49,843 --> 00:35:51,105
I WILL TAKE A DOUBLE.DONE.

712
00:35:51,149 --> 00:35:55,022
OH, AND, UM, I CAME
TO THIS WEDDING BY MYSELF,

713
00:35:55,065 --> 00:35:56,980
BUT I WILL NOT BE
DANCING BY MYSELF.

714
00:35:57,024 --> 00:35:58,286
DO YOU UNDERSTAND ME,
DR. REID?

715
00:35:58,330 --> 00:35:59,766
- YES.
- OK.

716
00:35:59,809 --> 00:36:02,377
HEY, WHERE HAVE YOU BEEN?
WE'VE ALL BEEN WAITING.

717
00:36:02,421 --> 00:36:05,075
I WAS WAITING TO SEE
IF LISA WAS GONNA HAVE
TO WORK AN EXTRA SHIFT,

718
00:36:05,119 --> 00:36:09,123
AND SHE DOES, SO MAYBE
SHE'LL MAKE IT LATER.

719
00:36:09,167 --> 00:36:11,299
CAN I PLEASE HAVE ONE
OF YOUR FANCY DRINKS?

720
00:36:11,343 --> 00:36:12,953
BECAUSE YOU ASKED
NICELY, YOU CAN.

721
00:36:12,996 --> 00:36:15,042
OH, MY GOSH, YOU GUYS,
DID YOU GUYS HEAR?

722
00:36:15,085 --> 00:36:18,045
JOHNNY MATHIS IS
ROSSI'S BEST MAN.

723
00:36:18,088 --> 00:36:20,743
OF COURSE HE IS.

724
00:36:20,787 --> 00:36:22,092
LEWIS: I GOTTA GET
SOME FAMOUS FRIENDS.

725
00:36:22,136 --> 00:36:23,311
JOHNNY, I'M TELLING YOU,

726
00:36:23,355 --> 00:36:25,922
SHE IS THE MOST BEAUTIFUL
GIRL IN THE WORLD.

727
00:36:25,966 --> 00:36:28,403
THEN WHAT IS SHE
DOING WITH YOU?

728
00:36:28,447 --> 00:36:30,144
I HAVE NO IDEA.

729
00:36:30,188 --> 00:36:32,233
BUT YOUR MUSIC HAS
A LOT TO DO WITH IT.

730
00:36:32,277 --> 00:36:34,540
HERE'S TO SECOND CHANCES.

731
00:36:34,583 --> 00:36:35,976
SECOND CHANCES,
MY FRIEND.

732
00:37:57,449 --> 00:37:59,102
PRENTISS: WHEN DAVE
GOT ENGAGED,

733
00:37:59,146 --> 00:38:01,453
HE PULLED OUT
ALL THE STOPS.

734
00:38:01,496 --> 00:38:03,193
SOME OF YOU MIGHT NOT
KNOW THIS,

735
00:38:03,237 --> 00:38:07,502
BUT HE PROPOSED
TO KRYSTALL IN OUR
ELEVATOR AT THE FBI,

736
00:38:07,546 --> 00:38:09,809
WHICH WAS PERFECT.

737
00:38:09,852 --> 00:38:12,072
IF SHE SAID NO, HE COULD
JUST GO BACK TO WORK

738
00:38:12,115 --> 00:38:15,075
AND SHE HAD
A BUILT-IN ESCAPE.

739
00:38:15,118 --> 00:38:18,557
BUT SHE SAID YES,
AND HERE WE ARE.

740
00:38:18,600 --> 00:38:21,124
OF COURSE, OUR GOOD FRIEND
DAVID ROSSI

741
00:38:21,168 --> 00:38:23,213
HAS BEEN HERE BEFORE.

742
00:38:23,257 --> 00:38:26,173
THIS ISN'T HIS FIRST
RODEO, AS THEY SAY.

743
00:38:26,216 --> 00:38:29,002
STRANGELY ENOUGH, THOUGH,
HE HAS NEVER BEEN TO
AN ACTUAL RODEO.

744
00:38:29,045 --> 00:38:30,960
BUT I DIGRESS.

745
00:38:31,004 --> 00:38:35,051
PENELOPE SAYS THAT
THIS WAS FATE,

746
00:38:35,095 --> 00:38:37,924
THAT THEIR MARRIAGE
WAS IN THE STARS.

747
00:38:37,967 --> 00:38:41,362
DAVE AND KRYSTALL
ARE TWIN FLAMES,

748
00:38:41,406 --> 00:38:46,062
TWO SOULS THAT ARE
ALWAYS MEANT TO BE TOGETHER.

749
00:38:46,106 --> 00:38:48,326
SOMETIMES IT TAKES TIME,

750
00:38:48,369 --> 00:38:51,938
SOMETIMES IT TAKES
A PARALLEL UNIVERSE
OR SOMETHING,

751
00:38:51,981 --> 00:38:54,506
BUT THE THING
ABOUT TWIN FLAMES

752
00:38:54,549 --> 00:38:59,119
IS THAT NOTHING CAN
KEEP THEM APART.

753
00:38:59,162 --> 00:39:02,252
THEY ARE A MAGIC
UNTO THEMSELVES.

754
00:39:02,296 --> 00:39:06,169
AND TOGETHER, THEY
LIGHT THE WAY FOR ALL OF US.

755
00:39:06,213 --> 00:39:09,129
TO DAVID AND KRYSTALL.

756
00:39:09,172 --> 00:39:11,261
ALL: TO DAVID AND KRYSTALL.

757
00:39:11,305 --> 00:39:13,873
CHEERS.
CHEERS.

758
00:39:24,100 --> 00:39:30,237
MAN: ♪ YOU MAKE ME WANT
TO BE A BETTER MAN ♪

759
00:39:30,280 --> 00:39:35,895
♪ YOU MAKE ME WANT TO
BE THE BEST I CAN ♪

760
00:39:35,938 --> 00:39:39,072
♪ YOU'RE MY SWEET INSPIRATION

761
00:39:39,115 --> 00:39:42,075
♪ YOU'RE MY
SWEET INSPIRATION ♪

762
00:39:42,118 --> 00:39:45,165
♪ YOU'RE MY SWEET
INSPIRATION ♪

763
00:39:45,208 --> 00:39:46,688
♪ YEAH, YOU'RE MY...

764
00:39:57,482 --> 00:39:59,222
JOHNNY MATHIS:
♪ CHANCES ARE...

765
00:39:59,266 --> 00:40:01,964
SIMMONS: TWO, PLEASE.
THANKS.

766
00:40:02,008 --> 00:40:03,226
I SHOULDN'T.

767
00:40:03,270 --> 00:40:04,314
WHY?

768
00:40:04,358 --> 00:40:07,361
♪ THE MOMENT YOU COME
INTO VIEW... ♪

769
00:40:07,405 --> 00:40:10,320
OH, YOU'RE NOT...

770
00:40:10,364 --> 00:40:12,497
♪ CHANCES ARE YOU THINK

771
00:40:12,540 --> 00:40:15,282
♪ THAT I'M IN LOVE
WITH YOU... ♪

772
00:40:15,325 --> 00:40:18,154
OH, MY GOD.
WHAT ARE WE GONNA DO?

773
00:40:18,198 --> 00:40:19,460
NUMBER 5.

774
00:40:19,504 --> 00:40:21,549
WE'RE GONNA NEED
A BIGGER BOAT.

775
00:40:21,593 --> 00:40:24,204
A BIGGER HOUSE,

776
00:40:24,247 --> 00:40:26,467
BIGGER CAR,
BIGGER PAYCHECK.

777
00:40:26,511 --> 00:40:28,556
- CAN I GET A WATER?
- NO PROBLEM.

778
00:40:30,297 --> 00:40:32,125
HEY.

779
00:40:32,168 --> 00:40:34,954
UM...

780
00:40:34,997 --> 00:40:37,478
SO I DIDN'T GET
A CHANCE TO...

781
00:40:37,522 --> 00:40:42,527
SAY IT BACK THERE,
BUT THANK YOU

782
00:40:42,570 --> 00:40:44,746
FOR SAVING MY LIFE.

783
00:40:44,790 --> 00:40:47,140
YOU'RE WELCOME.
YOU OK?

784
00:40:47,183 --> 00:40:48,707
YEAH.

785
00:40:48,750 --> 00:40:52,711
BUT LUKE WAS RIGHT,
THOUGH. TWO GUNS, HUH?

786
00:40:52,754 --> 00:40:54,974
HOW LONG YOU BEEN WEARING
AN ANKLE HOLSTER?

787
00:40:55,017 --> 00:40:56,845
AROUND THE TIME
I GOT OUT OF PRISON.

788
00:40:56,889 --> 00:40:58,151
RIGHT.

789
00:40:58,194 --> 00:41:00,327
♪ GUESS YOU FEEL
YOU'LL ALWAYS BE... ♪

790
00:41:00,370 --> 00:41:04,026
LOOK, SO WHAT I SAID
BACK THERE, I, UH...

791
00:41:04,070 --> 00:41:06,725
I NEEDED TO SAY
SOMETHING THAT WOULD
GET HIS ATTENTION,

792
00:41:06,768 --> 00:41:09,771
AND I NEEDED TO SAY
SOMETHING THAT WOULD
GET YOUR ATTENTION.

793
00:41:09,815 --> 00:41:13,688
YOU KNOW, SO, I, UH,
I JUST NEEDED TO
THROW HIM OFF BALANCE.

794
00:41:13,732 --> 00:41:17,170
JENNIFER...♪ CHANCES ARE
YOUR CHANCES ARE... ♪

795
00:41:17,213 --> 00:41:19,215
TRUTH OR DARE?

796
00:41:19,259 --> 00:41:23,263
♪ AWFULLY GOOD

797
00:41:25,874 --> 00:41:27,789
TRUTH.

798
00:41:27,833 --> 00:41:30,183
DID YOU MEAN IT?

799
00:41:34,361 --> 00:41:36,711
PRENTISS:
GUYS, THEY'RE ABOUT
TO CUT THE CAKE.

800
00:41:36,755 --> 00:41:38,713
UH, GREAT.
WE'LL BE RIGHT THERE.

801
00:41:39,975 --> 00:41:41,281
JUST...

802
00:41:41,324 --> 00:41:43,022
♪ THAT FILL THE SKIES

803
00:41:43,065 --> 00:41:44,197
IT'S OK.

804
00:41:44,240 --> 00:41:46,155
♪ ARE IN MY EYES

805
00:41:46,199 --> 00:41:48,593
EVERYTHING'S OK.

806
00:41:48,636 --> 00:41:52,335
♪ GUESS YOU FEEL
YOU'LL ALWAYS BE ♪
YEAH.

807
00:41:52,379 --> 00:41:53,467
YEAH.

808
00:41:53,511 --> 00:41:57,036
♪ THE ONE AND ONLY
ONE FOR ME ♪

809
00:41:57,079 --> 00:42:00,213
♪ AND IF YOU THINK
YOU COULD... ♪

810
00:42:00,256 --> 00:42:02,215
OK.

811
00:42:02,258 --> 00:42:08,438
♪ WELL, CHANCES ARE
YOUR CHANCES ARE ♪

812
00:42:08,482 --> 00:42:13,705
♪ AWFULLY GOOD

813
00:42:13,748 --> 00:42:22,235
♪ THE CHANCES ARE
YOUR CHANCES ARE... ♪

814
00:42:22,278 --> 00:42:24,498
ROSSI, VOICE-OVER: A GOOD FRIEND
OF MINE ONCE SAID,

815
00:42:24,542 --> 00:42:27,893
"ALL YOU NEED IS LOVE."

816
00:42:48,914 --> 00:42:51,003
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

817
00:42:51,046 --> 00:42:52,918
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--