1
00:00:04,333 --> 00:00:05,899
I DON'T WANT TO
GO ON A RANT HERE
2
00:00:05,968 --> 00:00:07,498
BUT AMERICA'S
FOREIGN POLICY
3
00:00:07,567 --> 00:00:09,032
MAKES ABOUT AS
MUCH SENSE AS
4
00:00:09,100 --> 00:00:11,264
BEOWULF HAVING SEX
WITH ROBERT FULTON
5
00:00:11,333 --> 00:00:13,431
AT THE FIRST
BATTLE OF ANTIETAM.
6
00:00:13,500 --> 00:00:15,765
I MEAN, WHEN
A NEO- CONSERVATIVE
DEFENESTRATES
7
00:00:15,834 --> 00:00:19,531
IT'S LIKE
RASKOLNIKOV FILIBUSTER
DEOXYMONOHYDROXINATE.
8
00:00:19,601 --> 00:00:21,899
WHAT THE HELL
DOES "RANT" MEAN?
9
00:00:21,967 --> 00:00:25,299
♪ IT SEEMS TODAY
THAT ALL YOU SEE ♪
10
00:00:25,367 --> 00:00:28,665
♪ IS VIOLENCE IN MOVIES
AND SEX ON T.V. ♪
11
00:00:28,733 --> 00:00:32,132
♪ BUT WHERE ARE THOSE GOOD,
OLD-FASHIONED VALUES ♪
12
00:00:32,200 --> 00:00:35,265
♪ ON WHICH WE USED TO RELY? ♪
13
00:00:35,333 --> 00:00:38,531
♪ LUCKY THERE'S A FAMILY GUY ♪
14
00:00:38,601 --> 00:00:41,966
♪ LUCKY THERE'S A MAN WHO'LL
POSITIVELY TELL YOU ♪
15
00:00:42,034 --> 00:00:43,565
♪ ALL THE THINGS
THAT MAKE US ♪
16
00:00:43,634 --> 00:00:45,365
♪ LAUGH 'N' CRY ♪
17
00:00:45,433 --> 00:00:50,299
♪ HE'S A FAMILY GUY ♪
18
00:00:56,767 --> 00:00:58,032
[Crowd cheering]
19
00:00:58,100 --> 00:00:59,899
GO, DUST MITES!
20
00:00:59,967 --> 00:01:01,899
I WISH THEY'D PUT
CHRIS IN ALREADY.
21
00:01:01,967 --> 00:01:03,832
PETER, RELAX.
IT'S HIS FIRST GAME.
22
00:01:04,600 --> 00:01:05,499
[Whistle blowing]
23
00:01:05,567 --> 00:01:07,498
GRIFFIN, GET
IN THERE!
24
00:01:07,567 --> 00:01:08,898
OH! THEY'RE
SENDING HIM IN.
25
00:01:08,967 --> 00:01:10,032
YAY, CHRIS!
26
00:01:10,100 --> 00:01:11,132
ATTA BOY, CHRIS!
27
00:01:14,034 --> 00:01:17,166
HEY, UH, THAT'S MY SON
OUT THERE. I TAUGHT
HIM HOW TO WIPE.
28
00:01:17,235 --> 00:01:18,965
WHY WON'T YOU
TEACH ME HOW
TO WIPE, DAD?
29
00:01:19,034 --> 00:01:20,665
BECAUSE YOU DON'T
HAVE A BOTTOM, SON.
30
00:01:20,733 --> 00:01:21,632
AH!
31
00:01:23,167 --> 00:01:25,332
YEAH, MAN. YOU
AND THAT TOWEL
ARE REPRESENTIN'.
32
00:01:25,400 --> 00:01:27,465
YO! THAT'S WHAT'S
JUST FIGHTIN', G!
33
00:01:27,534 --> 00:01:28,765
[Announcer]
LADIES AND GENTLEMEN,
34
00:01:28,834 --> 00:01:30,932
THE BUDDY CIANCI
JR. HIGH CHEERLEADERS.
35
00:01:31,000 --> 00:01:32,632
IS EVERYBODY
PUMPED UP?
36
00:01:32,700 --> 00:01:33,665
[Cheering]
37
00:01:33,734 --> 00:01:35,932
GIMME
A D-U-S-T!
38
00:01:36,000 --> 00:01:37,799
[All]
D-U-S-T!
39
00:01:37,868 --> 00:01:39,465
M-I-T-E-S!
40
00:01:39,534 --> 00:01:41,199
[All]
M-I-T-E-S!
41
00:01:41,268 --> 00:01:42,265
WHAT DOES
THAT SPELL?
42
00:01:42,333 --> 00:01:43,299
[All]
DUST MITES!
43
00:01:43,368 --> 00:01:44,799
WHO'S GONNA
WIN THIS GAME?
44
00:01:44,868 --> 00:01:46,065
[All]
DUST MITES!
45
00:01:47,435 --> 00:01:50,065
MY GOD,
WHAT? WHAT JUST
HAPPENED TO ME?
46
00:01:50,134 --> 00:01:51,665
IT'S THOSE SIRENS.
47
00:01:51,734 --> 00:01:53,866
THEY HAVE US ALL
COMPLETELY UNDER
THEIR SPELL
48
00:01:53,934 --> 00:01:56,298
LIKE THAT HYPNOTIST
AT THE AIRPORT HILTON.
49
00:01:56,367 --> 00:01:57,965
[Crowd laughing]
50
00:01:59,634 --> 00:02:00,832
...AND 3!
51
00:02:00,900 --> 00:02:01,965
[Snaps]
52
00:02:02,034 --> 00:02:03,798
OH, WOW!
WERE WE JUST
HYPNOTIZED?
53
00:02:03,867 --> 00:02:06,365
WELL, THAT'S
INCREDIBLE. I DON'T
REMEMBER A THING.
54
00:02:06,433 --> 00:02:09,232
WHY DO I
TASTE CROTCH?
55
00:02:09,300 --> 00:02:12,731
I MUST UNLOCK
THE SECRET TO THEIR
MIND-CONTROL POWERS.
56
00:02:12,800 --> 00:02:14,731
LOIS, CAN WE GO
NOW? I'M STARVING.
57
00:02:14,801 --> 00:02:17,965
THE GAME'S ALMOST OVER,
PETER. TRY TO THINK
ABOUT SOMETHING ELSE.
58
00:02:18,034 --> 00:02:19,831
[Crowd cheering]
59
00:02:51,067 --> 00:02:52,665
[Moans]
60
00:02:56,134 --> 00:02:57,166
MMM.
61
00:02:57,235 --> 00:02:58,465
PETER!
OH, SORRY.
62
00:02:58,534 --> 00:03:00,266
HEY, NICE JOB
OUT THERE
TONIGHT, CHRIS.
63
00:03:00,335 --> 00:03:02,065
YOU WIPED
THE FLOOR WITH
THAT TOWEL.
64
00:03:02,134 --> 00:03:05,332
YO! DID Y'ALL CHECK ME
WHEN THAT HOTTIE WAS
ALL UP IN MY KOOL-AID?
65
00:03:05,401 --> 00:03:07,765
YEAH, I WAS LOOKING
TO BREAK OFF A LITTLE
SUMPIN'-SUMPIN'
66
00:03:07,833 --> 00:03:10,132
BUT MY CREW GAVE ME
THE 411 ON THAT SKANK
67
00:03:10,200 --> 00:03:11,832
AND SHE'S ALL
ABOUT THE BLING BLING.
68
00:03:11,901 --> 00:03:12,932
[Tires screeching]
69
00:03:13,001 --> 00:03:14,065
PETER,
WHAT'S WRONG?
70
00:03:14,134 --> 00:03:15,366
HE'S SPEAKING
IN TONGUES, LOIS!
71
00:03:15,434 --> 00:03:17,032
OUR SON IS
POSSESSED!
72
00:03:17,101 --> 00:03:19,665
MEG, START AT PSALM
41 AND DON'T STOP
READING UNTIL I TELL YOU!
73
00:03:19,734 --> 00:03:21,498
THE POWER
OF CHRIST
COMPELS YOU!
74
00:03:21,567 --> 00:03:22,632
AHH! AHH!
75
00:03:22,700 --> 00:03:24,132
THE POWER
OF CHRIST
COMPELS YOU!
76
00:03:24,201 --> 00:03:25,766
AHH! AHH!
77
00:03:25,834 --> 00:03:27,932
PETER, STOP!
HE'S NOT POSSESSED.
78
00:03:28,000 --> 00:03:29,399
YEAH, HE'S JUST
TALKING STREET.
79
00:03:29,467 --> 00:03:30,598
LOTS OF
KIDS DO IT.
80
00:03:30,667 --> 00:03:31,698
OH.
81
00:03:31,767 --> 00:03:32,998
WELL, THAT'S
KIND OF WEIRD.
82
00:03:33,067 --> 00:03:34,498
PETER, IT'S
JUST A PHASE.
83
00:03:34,567 --> 00:03:36,399
YOU'VE GONE
THROUGH A FEW
YOURSELF, YOU KNOW.
84
00:03:36,467 --> 00:03:39,499
YEAH, LIKE THOSE
2 WEEKS YOU SPENT
NARRATING YOUR OWN LIFE.
85
00:03:39,567 --> 00:03:42,198
I WALKED INTO THE
KITCHEN AND SAT
DOWN AT THE TABLE.
86
00:03:42,267 --> 00:03:44,198
I LOOKED WITH
A GRIMACE AT
THE QUESTIONABLE
87
00:03:44,267 --> 00:03:46,131
MEAL LOIS
HAD PLACED
IN FRONT OF ME.
88
00:03:46,200 --> 00:03:49,498
OF COURSE, I'D NEVER TELL
HER HOW DISGUSTED I
WAS WITH HER COOKING
89
00:03:49,567 --> 00:03:51,565
BUT SOMEHOW I
THINK SHE KNEW.
90
00:03:51,633 --> 00:03:53,865
LOIS HAD ALWAYS
BEEN FULL OF
ENERGY AND LIFE
91
00:03:53,934 --> 00:03:57,065
BUT LATELY I HAD
BEGUN TO GROW MORE
AWARE OF HER AGING.
92
00:03:57,133 --> 00:03:59,998
THE BRIGHT, EXUBERANT
EYES THAT I HAD
FALLEN IN LOVE WITH
93
00:04:00,067 --> 00:04:02,432
WERE NOW
BEGINNING TO GROW
DULL AND LISTLESS
94
00:04:02,501 --> 00:04:04,765
WITH THE LONG
FATIGUE OF
A WEARY LIFE.
95
00:04:06,233 --> 00:04:07,231
[Crickets chirping]
96
00:04:07,300 --> 00:04:10,232
I AWOKE SEVERAL
HOURS LATER IN A DAZE.
97
00:04:10,300 --> 00:04:12,698
♪[Hip-hop music playing]
98
00:04:12,768 --> 00:04:15,132
♪ I WAS BROUGHT
UP ON THE STREETS,
NO MOMS AND DADS ♪
99
00:04:15,200 --> 00:04:17,732
♪ I HAD TO FEND FOR MYSELF
WITH MY OWN 2 HANDS ♪
100
00:04:17,801 --> 00:04:20,132
♪ BUT TODAY I'M HURTIN'
AND I'LL TELL YOU WHY ♪
101
00:04:20,200 --> 00:04:21,464
♪ I GOT A HANGNAIL ♪
102
00:04:21,534 --> 00:04:22,898
♪ HANGING FROM MY CUTICLE ♪
103
00:04:22,967 --> 00:04:24,099
♪ A HANGNAIL ♪
104
00:04:24,168 --> 00:04:25,465
♪ IT AIN'T BEAUTIFUL ♪
105
00:04:25,534 --> 00:04:27,698
♪ IT HURTS LIKE A BITCH
THAT I DID LAST NIGHT ♪
106
00:04:27,767 --> 00:04:29,266
HEY CHRIS. WHAT
ARE YOU DOING?
107
00:04:29,333 --> 00:04:32,266
JUST LAYING BACK
IN THE COT PEEPIN'
AT THIS HERE HOMEY.
108
00:04:32,333 --> 00:04:33,965
YO, POPS! LET ME
HAVE SOME CHEDDAR.
109
00:04:34,034 --> 00:04:36,298
SOME PLAYER-HATER
BE THROWIN' SALT
IN MY GAME
110
00:04:36,366 --> 00:04:37,832
GRILLIN' ME
OVER MY GEAR.
111
00:04:37,901 --> 00:04:40,232
AND I NEEDS TO
BE MACKIN' STYLE!
112
00:04:40,767 --> 00:04:42,698
WELL, UH,
113
00:04:42,767 --> 00:04:44,932
THE IMPORTANT THING
IS YOU TRIED, SON.
114
00:04:47,300 --> 00:04:49,032
THERE THEY ARE.
VERY WELL.
115
00:04:49,100 --> 00:04:50,931
AND NOW TO
INFILTRATE THIS COVEN
116
00:04:51,000 --> 00:04:52,798
AND LEARN THEIR
MIND-CONTROL SECRETS.
117
00:04:52,867 --> 00:04:54,565
JUST NEED TO GET
THEIR ATTENTION.
118
00:04:54,634 --> 00:04:56,865
OK. THAT WAS
MUCH BETTER.
119
00:04:56,934 --> 00:04:59,399
BUT IT STILL SUCKED WORSE
THAN ANYTHING I'VE EVER SEEN!
120
00:04:59,467 --> 00:05:01,166
WHAT'S WRONG
WITH YOU GUYS?
121
00:05:02,601 --> 00:05:04,332
♪[Disco music playing]
122
00:05:09,767 --> 00:05:11,231
♪ OOH IT UP ♪
123
00:05:11,967 --> 00:05:12,965
♪ A PARTY ♪
124
00:05:16,233 --> 00:05:18,432
♪ GET ON THE FLOOR ♪
125
00:05:20,400 --> 00:05:22,264
♪ LET'S CELEBRATE ♪
126
00:05:27,768 --> 00:05:29,431
OH, LOOK HOW
CUTE HE IS!
127
00:05:29,500 --> 00:05:31,264
HE MUST BE ONE OF
THE TEACHERS' BABIES.
128
00:05:31,333 --> 00:05:33,598
OH, HE
WANTS TO BE A
CHEERLEADER, TOO.
129
00:05:33,667 --> 00:05:36,032
MY, SO IT'S THAT
EASY TO WIN YOU OVER!
130
00:05:36,101 --> 00:05:39,531
CONSIDER YOURSELVES
LUCKY I'M NOT AFTER
YOUR GULLY HOLES.
131
00:05:41,834 --> 00:05:44,665
AND THEN CHRIS
STARTS IN WITH ALL
THIS "YO, YO, YO" STUFF
132
00:05:44,734 --> 00:05:46,799
AND I DON'T KNOW
WHAT THE HELL
HE'S TALKIN' ABOUT.
133
00:05:46,867 --> 00:05:48,799
SO I STARTED BEATING
HIM WITH A HOSE,
134
00:05:48,867 --> 00:05:50,732
THEN MY ARM GOT
TIRED, SO I CAME HERE.
135
00:05:50,801 --> 00:05:54,332
PETER, PERHAPS CHRIS
HAS ADOPTED ANOTHER
CULTURE'S MANNERISMS
136
00:05:54,401 --> 00:05:56,865
BECAUSE HE DOESN'T
KNOW ENOUGH
ABOUT HIS OWN.
137
00:05:56,934 --> 00:05:58,332
AW, GEE, I NEVER
THOUGHT OF THAT.
138
00:05:58,400 --> 00:06:00,998
HEY, YOU KNOW, I
SHOULD TEACH CHRIS
ABOUT HIS IRISH ROOTS.
139
00:06:01,134 --> 00:06:04,365
BESIDES, WE HAVEN'T
SPENT ANY TIME TOGETHER
SINCE WE PLAYED OPERATION.
140
00:06:04,434 --> 00:06:07,132
I'M GOING FOR THE
"FUNNY BONE," DAD.
141
00:06:07,200 --> 00:06:08,898
OH! YOU TOUCHED
THE SIDES.
142
00:06:08,967 --> 00:06:11,631
AW JEEZ, HE'S WAKING UP.
QUICK, LET'S GET HIM BACK
TO THE BUS STATION.
143
00:06:13,868 --> 00:06:17,331
DAD, I DON'T WANT TO
BE HERE. I WANT TO BE
CHILLIN' WITH MY HOMIES.
144
00:06:17,400 --> 00:06:20,499
NOW, CHRIS, IT'S
IMPORTANT YOU LEARN
ABOUT YOUR IRISH HERITAGE.
145
00:06:24,334 --> 00:06:25,732
[Incomprehensible]
146
00:06:27,934 --> 00:06:29,332
[Incomprehensible]
147
00:06:31,801 --> 00:06:33,598
[Incomprehensible]
148
00:06:33,667 --> 00:06:35,131
[Baby crying]
149
00:06:35,200 --> 00:06:36,832
[Incomprehensible]
150
00:06:36,901 --> 00:06:38,498
[Baby crying]
151
00:06:38,567 --> 00:06:40,499
ANCIENT ARCHEOLOGICAL
EVIDENCE INDICATES
152
00:06:40,567 --> 00:06:42,565
THAT IRELAND
WAS A MUCH
DIFFERENT PLACE
153
00:06:42,634 --> 00:06:44,599
BEFORE
THE DISCOVERY
OF ALCOHOL.
154
00:06:44,667 --> 00:06:47,398
MOST EXPERTS
BELIEVE IT WAS
SOMETHING LIKE THIS.
155
00:06:51,534 --> 00:06:55,498
GENTLEMEN, TODAY WE,
IRELAND'S TOP SCIENTISTS,
HAVE FOUND A WAY
156
00:06:55,566 --> 00:06:58,199
TO CONVERT OUR
ENTIRE POPULATION
TO PURE ENERGY!
157
00:06:58,268 --> 00:07:00,532
[All]
IT'S A GLORIOUS DAY.
158
00:07:00,601 --> 00:07:02,565
HEY, MICHAEL
MCCLOUD'S
JUST INVENTED
159
00:07:02,634 --> 00:07:04,332
A NEW KIND OF BEVERAGE
IN HIS BASEMENT.
160
00:07:04,401 --> 00:07:05,298
HMM.
161
00:07:05,366 --> 00:07:06,765
WHISKEY.
162
00:07:06,834 --> 00:07:08,099
[Gulping]
163
00:07:09,067 --> 00:07:10,465
[Shouting]
164
00:07:17,134 --> 00:07:19,599
YOU WERE
RIGHT, DAD.
BEING IRISH ROCKS!
165
00:07:19,667 --> 00:07:21,165
THAT'S MORE
LIKE IT, SON.
166
00:07:21,234 --> 00:07:24,166
NOW, TODAY WE'RE GONNA
LEARN ABOUT THE GRIFFIN
FAMILY HISTORY.
167
00:07:24,234 --> 00:07:25,931
WHAT'S A
LIBRARY, DAD?
168
00:07:26,000 --> 00:07:27,798
OH, IT'S JUST
A PLACE WHERE
HOMELESS PEOPLE
169
00:07:27,867 --> 00:07:30,065
COME TO SHAVE
AND GO B.M.
LET'S GO INSIDE.
170
00:07:32,500 --> 00:07:35,332
LOOK, DAD! I
FOUND THIS BOOK
ON OUR GENEALOGY!
171
00:07:35,401 --> 00:07:37,132
HEY, WAY
TO GO, SON!
172
00:07:37,200 --> 00:07:41,065
HEY, LOOK. HERE'S A
PICTURE OF YOUR GREAT
GREAT-GRANDDAD, OSIAS GRIFFIN.
173
00:07:41,134 --> 00:07:43,032
HE OWNED ONE OF THE
FIRST DOZEN TELEPHONES.
174
00:07:43,101 --> 00:07:44,832
[Telephone ringing]
175
00:07:45,300 --> 00:07:46,198
HELLO?
176
00:07:46,267 --> 00:07:47,165
[Man]
HELLO, JONATHAN?
177
00:07:47,233 --> 00:07:48,498
NO. WHAT NUMBER
ARE YOU CALLING?
178
00:07:48,567 --> 00:07:49,465
7.
179
00:07:49,534 --> 00:07:50,431
NO. THIS IS 3.
180
00:07:50,500 --> 00:07:52,065
OH, SORRY.
181
00:07:52,134 --> 00:07:55,565
AND HIS GREAT GRANDPA
WAS THOMAS GRIFFIN,
A GREAT PHILOSOPHER.
182
00:07:55,634 --> 00:07:58,465
THOMAS, WOULD
YOU PLEASE GO
LOOK FOR A JOB?
183
00:07:58,901 --> 00:08:00,665
WHY?
184
00:08:00,734 --> 00:08:03,698
WOW, THAT'S COOL!
GO BACK EVEN
FURTHER, DAD.
185
00:08:03,768 --> 00:08:05,265
OK. SETTLE
DOWN, SPAZ.
186
00:08:05,333 --> 00:08:09,631
IN 1840, NATHANIEL "NATE"
GRIFFIN USED TO GROOM HORSES.
187
00:08:09,700 --> 00:08:11,198
WHAT THE HELL?
188
00:08:13,968 --> 00:08:15,732
HOLY CRAP!
I'M BLACK!
189
00:08:20,168 --> 00:08:21,832
BUT I--I--I
CAN'T BE BLACK.
190
00:08:21,901 --> 00:08:23,832
I GOTTA SAY,
PETER, THE MAN
IN THIS BOOK
191
00:08:23,901 --> 00:08:25,498
DOES LOOK
AN AWFUL
LOT LIKE YOU.
192
00:08:25,567 --> 00:08:27,999
"THE DIARY OF NATE GRIFFIN.
193
00:08:28,068 --> 00:08:30,431
"MAY 7, 1836.
194
00:08:30,500 --> 00:08:32,966
"I WAS BRUSHING DOWN
LUCY, THE NEW COLT,
195
00:08:33,034 --> 00:08:35,832
"WHEN SHE LET OUT A
FART RIGHT NEAR MY FACE.
196
00:08:35,901 --> 00:08:38,699
"SO I TOOK HER HEAD
AND STUCK IT BY MY BUTT
197
00:08:38,767 --> 00:08:40,966
"AND BLEW A HUGE
FART RIGHT BACK AT HER."
198
00:08:41,034 --> 00:08:42,132
[Laughing]
199
00:08:42,201 --> 00:08:43,899
OH, UH, THAT LAUGH'S
IN HERE, TOO. SEE?
200
00:08:43,967 --> 00:08:45,531
"HA HA HA HA HA."
201
00:08:45,601 --> 00:08:47,266
WOW, THEN IT'S TRUE.
202
00:08:47,335 --> 00:08:49,898
COOL! I GET TO BE
BLACK AND IRISH!
203
00:08:49,967 --> 00:08:51,765
YEAH, AND NOW I
CAN WEAR CLOTHES
204
00:08:51,834 --> 00:08:53,598
THAT ACTUALLY
SHOW OFF MY BIG BUTT!
205
00:08:53,667 --> 00:08:56,598
OH, I GOTTA TELL
BONNIE I'M SLEEPING
WITH A BLACK MAN!
206
00:08:58,434 --> 00:09:00,498
OH, MY GOD!
UPDATE! "EXCLAM"!
207
00:09:00,567 --> 00:09:02,765
SCOTT MARTIN JUST
ASKED ME OUT AGAIN!
208
00:09:02,834 --> 00:09:04,898
OH, MY GOD! THIS
IS DATE NUMBER 3.
209
00:09:04,967 --> 00:09:07,065
ARE YOU GONNA
GET TO 2ND BASE?
210
00:09:07,134 --> 00:09:09,265
I THINK THAT WOULD
BE A BAD IDEA,
211
00:09:09,334 --> 00:09:11,798
AND I KNOW SOMETHING
ABOUT BAD IDEAS.
212
00:09:11,867 --> 00:09:16,131
I'M--I'M TELLING YOU,
JUICE. SHE'S SCREWING
AROUND BEHIND YOUR BACK.
213
00:09:16,200 --> 00:09:19,932
A-AND IF I WERE IN
YOUR BRUNO MAGLIS,
I WOULDN'T STAND FOR IT.
214
00:09:20,001 --> 00:09:21,431
ANOTHER MAI TAI?
215
00:09:21,500 --> 00:09:23,032
THANKS. SO, LISTEN...
216
00:09:24,401 --> 00:09:25,599
HERE COMES SCOTT!
217
00:09:25,667 --> 00:09:27,299
OH, MY GOD! OH, MY GOD!
OH, MY GOD!
218
00:09:29,633 --> 00:09:31,598
[All laughing]
219
00:09:31,667 --> 00:09:35,232
I HAVE YET TO DISCOVER
THE SECRET OF THEIR
MIND-CONTROL POWERS.
220
00:09:35,300 --> 00:09:37,431
ALSO, TRYING
TO COMPREHEND
THEIR OBSESSION
221
00:09:37,500 --> 00:09:39,598
WITH THE HOMOSEXUALS
FROM 'NSYNC.
222
00:09:42,200 --> 00:09:43,831
HEY, UH, CLEVELAND.
YOU GOT A MINUTE?
223
00:09:43,900 --> 00:09:45,399
I--I REALLY NEED
TO TALK TO YOU.
224
00:09:45,468 --> 00:09:48,665
SURE. I WAS
JUST GOING FOR
A RIDE. HOP ON.
225
00:09:51,068 --> 00:09:53,498
[Peter]
SO, I FOUND OUT I HAVE
A BLACK ANCESTOR.
226
00:09:53,567 --> 00:09:56,299
IS THAT RIGHT? WELL,
THAT'S FANTASTIC, PETER.
227
00:09:56,367 --> 00:09:59,665
YEAH, BUT SEE, THE
PROBLEM IS I GOT NO
IDEA HOW TO BE BLACK,
228
00:09:59,734 --> 00:10:02,698
YOU KNOW, E-EXCEPT
FOR NOT SMILING WHEN
I GET MY PICTURE TAKEN.
229
00:10:02,767 --> 00:10:03,932
WELL, PETER.
230
00:10:04,000 --> 00:10:06,265
IT SOUNDS LIKE YOU SHOULD
GO OUT AND CO-MINGLE
231
00:10:06,334 --> 00:10:08,665
AMONGST YOUR
NEWLY-FOUND BRETHREN.
232
00:10:08,734 --> 00:10:10,965
YOU KNOW, ABSORB
THE CULTURE.
233
00:10:11,034 --> 00:10:12,632
WHEELIE TIME!
234
00:10:12,701 --> 00:10:14,331
[Both screaming]
235
00:10:14,400 --> 00:10:15,966
YOU KNOW, YOU'RE
RIGHT, CLEVELAND.
236
00:10:16,034 --> 00:10:19,098
I--I SHOULD BE HANGING
AROUND MORE BLACK PEOPLE
LIKE MYSELF. THANKS.
237
00:10:22,834 --> 00:10:24,065
HEY! PETER,
WHAT THE--
238
00:10:24,134 --> 00:10:25,333
IT'S THE VIBRATION.
239
00:10:27,401 --> 00:10:29,265
WHO HERE USED
TO WEAR A LOT
OF JHERI CURL?
240
00:10:29,334 --> 00:10:30,565
[Laughing]
241
00:10:30,634 --> 00:10:32,331
YEAH,
THAT'S RIGHT.
242
00:10:32,400 --> 00:10:35,265
Y'ALL KNOW THAT
EXXON VALDEZ THING?
THAT AIN'T HOW IT HAPPENED.
243
00:10:35,334 --> 00:10:36,998
SOME BROTHER JUST
FELL IN THE OCEAN.
244
00:10:37,067 --> 00:10:38,332
[Laughing]
245
00:10:38,400 --> 00:10:41,365
OH, GOD! I REMEMBER THAT.
AND ALL THOSE SEALS DIED.
246
00:10:42,501 --> 00:10:44,665
IT WAS-- IT WAS
ALL OVER THE NEWS.
247
00:10:45,400 --> 00:10:46,432
THE--
248
00:10:46,501 --> 00:10:49,632
THE CHANNEL 2
NEWS WITH DAN RATHER.
249
00:10:49,700 --> 00:10:51,165
ALTHOUGH, I THINK
CONNIE CHUNG
250
00:10:51,234 --> 00:10:53,665
MIGHT HAVE BEEN
SUBSTITUTING FOR
HIM THAT NIGHT.
251
00:10:55,300 --> 00:10:59,232
WELL, ABOUT TIME FOR
ME TO BE HITTING THE
OL' DUSTY TRAIL.
252
00:11:01,333 --> 00:11:02,932
I LIKE
YOUR HAT.
253
00:11:04,600 --> 00:11:06,331
CAN'T GET OUT
THAT WAY.
254
00:11:10,101 --> 00:11:11,264
[Alarm ringing]
255
00:11:11,333 --> 00:11:13,332
[Peter]
OH, FOUND THE
EMERGENCY EXIT.
256
00:11:14,767 --> 00:11:17,398
1967 WAS THE
SAME YEAR THAT
257
00:11:17,467 --> 00:11:20,866
THURGOOD MARSHALL WAS
NAMED TO THE SUPREME COURT
OF THE UNITED STATES.
258
00:11:20,934 --> 00:11:22,298
[Whooping]
259
00:11:26,601 --> 00:11:29,499
WELL, I SHOULD
PROBABLY BE
SADDLING UP NOW.
260
00:11:32,567 --> 00:11:33,699
[Alarm ringing]
261
00:11:33,768 --> 00:11:35,531
[Peter]
OH, FOUND
THE FIRE DOOR.
262
00:11:37,567 --> 00:11:40,232
OH! LOOK AT
HOW FAT YOU ARE.
263
00:11:40,301 --> 00:11:43,565
YOU DISGUST ME!
OINK OINK, FATTY!
264
00:11:43,634 --> 00:11:46,532
OH, YES, YES, YOU'LL TAKE
BUTTER ON THAT ENGLISH
MUFFIN, WON'T YOU?
265
00:11:46,601 --> 00:11:49,199
BECAUSE YOU'RE THE
CHEERLEADING SQUAD'S
TOKEN BLIMP.
266
00:11:49,268 --> 00:11:51,065
YOU DON'T
DESERVE TO EAT.
267
00:11:51,968 --> 00:11:52,965
[Vomiting]
268
00:11:56,167 --> 00:11:57,832
HEY, THANKS FOR
BRINGING ME HERE,
CLEVELAND.
269
00:11:57,901 --> 00:12:00,265
WELCOME. FOR OUR
FIRST ORDER OF BUSINESS
270
00:12:00,334 --> 00:12:02,532
I BELIEVE BROTHER CLEVELAND
HAS AN ANNOUNCEMENT.
271
00:12:02,600 --> 00:12:05,765
AHEM. YESTERDAY, I
RECEIVED REPARATIONS
272
00:12:05,834 --> 00:12:09,099
FROM THE FAMILY THAT
ENSLAVED MY ANCESTORS.
273
00:12:09,168 --> 00:12:10,398
AMEN!
RIGHT ON!
274
00:12:10,466 --> 00:12:13,599
NOW, THE FAMILY HAS BECOME
POOR WHITE TRASH SINCE THEN.
275
00:12:13,667 --> 00:12:15,765
SO THEY ONLY GAVE
WHAT THEY COULD.
276
00:12:15,833 --> 00:12:18,799
THIS TRAY OF SCRUMPTIOUS
RICE KRISPIE TREATS.
277
00:12:18,868 --> 00:12:20,632
I SHARE THEM
WITH ALL OF YOU
278
00:12:20,701 --> 00:12:24,832
IN THE HOPES THAT ONE
DAY YOUR WOUNDS MAY
BE HEALED AS WELL.
279
00:12:24,900 --> 00:12:26,365
AMEN.
RIGHT ON.
280
00:12:26,434 --> 00:12:28,132
HEY, WHY IS
HE TAKING ONE?
281
00:12:28,200 --> 00:12:30,264
OH, THIS IS
MY FRIEND,
PETER GRIFFIN.
282
00:12:30,333 --> 00:12:32,699
HE RECENTLY
DISCOVERED
HE WAS BLACK.
283
00:12:32,768 --> 00:12:34,865
HE DOESN'T
LOOK VERY
BLACK TO ME.
284
00:12:34,934 --> 00:12:37,099
[Peter]
GENTLEMEN,
GENTLEMEN, PLEASE.
285
00:12:37,167 --> 00:12:39,132
JUDGE ME NOT BY
THE COLOR OF MY SKIN.
286
00:12:39,201 --> 00:12:40,765
FOR I HAVE ALWAYS
BEEN THERE WITH YOU.
287
00:12:40,834 --> 00:12:41,732
[Crowd jeering]
288
00:12:41,801 --> 00:12:43,465
YOU AIN'T
BEEN THERE.
289
00:12:43,534 --> 00:12:46,231
I WAS THERE WHEN GEORGE
AND WEEZY MOVED ON
UP TO THE EAST SIDE.
290
00:12:46,300 --> 00:12:47,365
OH! OH!
291
00:12:47,433 --> 00:12:50,365
HALLELUJAH! THOSE
WERE HAPPY TIMES!
292
00:12:50,433 --> 00:12:52,832
BUT-- BUT-- BUT I WAS ALSO
THERE FOR THE BAD TIMES.
293
00:12:52,900 --> 00:12:54,266
[Crowd agreeing]
294
00:12:54,333 --> 00:12:56,898
WHEN FLORIDA LOST JAMES
TO THAT TRAGIC AUTO ACCIDENT.
295
00:12:56,968 --> 00:12:59,165
[Crowd jeering]
296
00:12:59,234 --> 00:13:03,299
AND--AND I WAS THERE
WHEN TOOTIE GOT THOSE
TERRIBLY PAINFUL BRACES!
297
00:13:03,367 --> 00:13:08,866
OH, YES! AND--AND WHEN
ARNOLD JACKSON GOT BEAT UP
BY THE GOOCH, I WAS THERE.
298
00:13:08,934 --> 00:13:12,866
SO BEFORE YOU DECIDE
I DON'T BELONG HERE,
REMEMBER THIS,
299
00:13:12,934 --> 00:13:14,398
I WAS THERE!
300
00:13:14,466 --> 00:13:15,798
[Cheering]
301
00:13:22,901 --> 00:13:25,233
WAY TO GO, PETER!
YOU TELL IT
LIKE IT IS!
302
00:13:27,300 --> 00:13:28,866
NOW, CHRIS, THIS
ONE'S FOR YOU.
303
00:13:28,934 --> 00:13:30,233
WHAT'S
THE SECRET TO
HAPPINESS?
304
00:13:30,301 --> 00:13:31,233
MONEY!
305
00:13:31,301 --> 00:13:33,298
VERY GOOD. BABS,
GIVE HIM A CARAMEL.
306
00:13:33,367 --> 00:13:34,632
AHH!
307
00:13:34,700 --> 00:13:35,698
MMM.
308
00:13:35,767 --> 00:13:37,032
OH! UGH!
309
00:13:37,900 --> 00:13:38,898
MMM.
310
00:13:40,234 --> 00:13:41,399
[Peter]
HEY, HEY, HEY!
311
00:13:41,467 --> 00:13:43,165
HEY LOIS, WHAT
ARE YOUR PARENTS
DOING HERE?
312
00:13:43,234 --> 00:13:45,066
OH, THEY SURPRISED US
WITH A VISIT AFTER
313
00:13:45,134 --> 00:13:47,532
I TOLD THEM ABOUT
YOUR RECENT DISCOVERY.
314
00:13:47,600 --> 00:13:50,266
YES. PETER,
WE HEAR YOU'RE
A NEGRO NOW.
315
00:13:50,334 --> 00:13:52,165
YEP. I EVEN GOT
MY OWN POSSE.
316
00:13:52,234 --> 00:13:53,999
HEY, UH, BIG DOG,
T-BONE, SHADES,
317
00:13:54,067 --> 00:13:55,966
UH, YOU GUYS GO
MAKE YOURSELF
SOME SANDWICHES.
318
00:13:56,034 --> 00:13:57,298
WE'LL HOOK UP
LATER.
319
00:13:57,367 --> 00:14:00,065
MY JACKET'S IN
THE KITCHEN. PLEASE
DON'T WRITE ON IT.
320
00:14:00,134 --> 00:14:02,366
WELL, I THINK CHRIS
AND MEG SHOULD KNOW
321
00:14:02,434 --> 00:14:04,565
THE PEWTERSCHMIDT
SIDE OF THEIR ANCESTRY, TOO.
322
00:14:04,633 --> 00:14:06,332
KIDS, DID YOU KNOW
THE PEWTERSCHMIDTS
323
00:14:06,400 --> 00:14:08,466
WERE AMONG THE FIRST
TO COLONIZE AMERICA?
324
00:14:08,534 --> 00:14:12,299
N-N-NOW, KIDS, DON'T BE
TAKEN IN BY THE MAN.
STAY BLACK AND PROUD.
325
00:14:12,368 --> 00:14:14,298
HERE'S YOUR ANCESTOR
SILAS PEWTERSCHMIDT
326
00:14:14,367 --> 00:14:16,199
BARTERING WITH
SOME LOCAL INDIANS.
327
00:14:16,268 --> 00:14:17,199
COOL.
328
00:14:17,268 --> 00:14:18,166
AND HERE'S
A PICTURE OF--
329
00:14:18,235 --> 00:14:19,732
OH, UH, N-NEVER
MIND THAT ONE.
330
00:14:19,800 --> 00:14:20,799
[Peter]
W-W-WAIT.
WHAT WAS THAT?
331
00:14:20,868 --> 00:14:21,932
OH, TH-THAT
WAS NOTHING.
332
00:14:22,001 --> 00:14:23,199
JUST A FELLOW
WE FED AND TOOK
333
00:14:23,267 --> 00:14:25,398
CARE OF IN EXCHANGE
FOR DOING A FEW CHORES.
334
00:14:25,467 --> 00:14:27,565
YOU MEAN A SLAVE!
LET ME SEE THAT!
335
00:14:28,300 --> 00:14:29,365
OH, MY GOD!
336
00:14:31,034 --> 00:14:32,832
IT'S NATE GRIFFIN!
337
00:14:32,901 --> 00:14:37,166
WELL, ABOUT TIME
FOR ME TO BE HITTING
THE OL' DUSTY TRAIL.
338
00:14:39,701 --> 00:14:42,132
LOIS, YOUR FAMILY
OWNED MY FAMILY!
339
00:14:42,200 --> 00:14:43,366
DADDY, IS
THAT TRUE?
340
00:14:43,434 --> 00:14:44,564
WELL, IT APPEARS SO.
341
00:14:44,633 --> 00:14:45,999
BOY, THIS IS
PRETTY EMBARRASSING!
342
00:14:46,067 --> 00:14:48,065
YES, IT IS! AND
DON'T CALL ME BOY!
343
00:14:48,134 --> 00:14:50,233
PETER, PLEASE
CALM DOWN.
344
00:14:50,300 --> 00:14:51,898
BABS, I THINK
IT'S TIME WE
WENT TO BED.
345
00:14:51,967 --> 00:14:53,599
THINGS WILL
LOOK BETTER IN
THE MORNING.
346
00:14:53,667 --> 00:14:56,665
COME HERE, KIDS. GIVE
GRANDMA AND GRANDPA
A KISS GOODNIGHT.
347
00:14:58,200 --> 00:14:59,464
WHOA!
348
00:14:59,533 --> 00:15:00,631
AHH!
349
00:15:00,701 --> 00:15:02,832
YOU CAN WHIP ME ALL
YOU LIKE, WHITE DEVIL,
350
00:15:02,900 --> 00:15:04,966
BUT YOU'LL NEVER
BREAK MY SPIRIT!
351
00:15:12,268 --> 00:15:14,298
DAMN! THERE MUST BE
SOME CLUE TO THE SOURCE
352
00:15:14,366 --> 00:15:16,498
OF THEIR MENTAL-MANIPULATION
TECHNIQUES.
353
00:15:16,567 --> 00:15:18,532
"YOUR BODY AND YOU.
354
00:15:18,600 --> 00:15:22,665
"EVERY 4 WEEKS FOR 3 TO 4
DAYS IT'S ENTIRELY NORMAL
FOR EVERY YOUNG WOMAN TO--"
355
00:15:22,733 --> 00:15:24,266
OH, MY GOD!
356
00:15:24,334 --> 00:15:27,365
OH, THAT'S THE MOST
DISGUSTING THING I'VE
EVER HEARD IN MY LIFE!
357
00:15:27,434 --> 00:15:28,431
AHH!
358
00:15:31,000 --> 00:15:32,565
THAT TOTALLY SUCKED.
359
00:15:32,634 --> 00:15:34,466
YOU GUYS CALL
YOURSELVES CHEERLEADERS?
360
00:15:34,534 --> 00:15:36,999
WELL, I CALL YOU
CHEER-LOSERS!
361
00:15:37,067 --> 00:15:39,665
HMM, THIS CINDI IS DEFINITELY
THE ALPHA OF THE GROUP.
362
00:15:39,734 --> 00:15:42,865
AND WHAT HAPPENED
WITH THE PYRAMID? I
ALMOST BROKE MY NECK!
363
00:15:42,934 --> 00:15:45,565
[Gasps]
THE PYRAMID! OF COURSE!
364
00:15:45,634 --> 00:15:47,331
THAT MUST BE THE
KEY TO THEIR POWER!
365
00:15:47,400 --> 00:15:49,032
MISSION OBJECTIVE,
ELIMINATE CINDI
366
00:15:49,101 --> 00:15:51,565
AND TAKE HER PLACE AT
THE TOP OF THE PYRAMID.
367
00:15:51,634 --> 00:15:53,899
[Gasps]
THEY'RE GETTING NUDE.
368
00:15:53,968 --> 00:15:56,565
NO, I MUSTN'T WATCH.
IT'S NOT THE PROPER
THING TO-- WHOA!
369
00:15:56,633 --> 00:15:58,866
I SAY! NICE
ONES, JEANINE.
370
00:15:58,934 --> 00:16:01,998
AND LOOK AT LISA IN ALL
OF HER CURVACEOUS GLORY.
371
00:16:02,067 --> 00:16:03,698
HEAVENS, IT APPEARS
THAT MY WEE-WEE
372
00:16:03,767 --> 00:16:05,365
HAS BEEN STRICKEN
WITH RIGOR MORTIS.
373
00:16:08,767 --> 00:16:09,898
GOOD MORNING.
374
00:16:09,967 --> 00:16:11,431
PETER, WHAT
ON EARTH ARE
YOU WEARING?
375
00:16:11,500 --> 00:16:12,599
IT'S A DASHIKI.
376
00:16:12,667 --> 00:16:14,866
AND DON'T CALL ME PETER.
THAT'S MY SLAVE NAME.
377
00:16:14,934 --> 00:16:17,431
FROM NOW ON, CALL
ME KICHWA TEMBO.
378
00:16:17,501 --> 00:16:20,232
COOL. AND I'LL BE
MAMBUTU O'MALLEY!
379
00:16:20,300 --> 00:16:21,765
PETER--
KICHWA!
380
00:16:21,834 --> 00:16:23,699
I'D LIKE TO HAVE
A WORD WITH YOU.
381
00:16:24,367 --> 00:16:25,365
PETER, I THINK--
382
00:16:25,433 --> 00:16:26,565
KICHWA!
383
00:16:26,634 --> 00:16:28,798
[Sighs]
KICHWA, WE'RE
BOTH SENSIBLE MEN.
384
00:16:28,868 --> 00:16:31,465
THERE MUST BE SOMETHING
I CAN DO TO MAKE THINGS
RIGHT WITH YOU.
385
00:16:31,533 --> 00:16:35,165
ACTUALLY, THERE IS.
I WANT REPARATIONS
JUST LIKE CLEVELAND GOT.
386
00:16:35,234 --> 00:16:36,565
WHAT THE HELL ARE YOU
TALKING ABOUT?
387
00:16:36,633 --> 00:16:39,432
I WANT AN APOLOGY AND
SOME RICE KRISPIE TREATS.
388
00:16:39,500 --> 00:16:41,565
WELL, I ABSOLUTELY WILL
NOT GIVE YOU AN APOLOGY
389
00:16:41,634 --> 00:16:44,631
AND I'M ASSUMING
"RICE KRISPIE TREATS"
IS BLACK SLANG FOR MONEY.
390
00:16:44,700 --> 00:16:46,066
SO, HERE'S $10,000.
391
00:16:46,135 --> 00:16:49,199
AND I EXPECT YOU
NEVER TO MENTION THIS
UGLY BUSINESS AGAIN.
392
00:16:49,267 --> 00:16:50,565
$10,000?
393
00:16:50,633 --> 00:16:52,231
NOT ENOUGH? FINE.
MAKE IT $20,000.
394
00:16:52,300 --> 00:16:53,399
HOW DO YOU
SPELL KICHWA?
395
00:16:53,467 --> 00:16:55,166
YEAH, YOU KNOW
WHAT? SCREW
THE KICHWA.
396
00:16:55,235 --> 00:16:57,266
MAKE IT OUT TO
PETER. P-E-T-E...
397
00:16:57,335 --> 00:16:59,199
THIS JUST IN.
SLAVE-OWNER
DESCENDENT,
398
00:16:59,268 --> 00:17:01,998
CARTER PEWTERSCHMIDT,
HAS PAID $20,000
399
00:17:02,067 --> 00:17:05,799
OR 2,000,000
PENNIES IN REPARATIONS
TO A LOCAL BLACK MAN.
400
00:17:05,867 --> 00:17:07,798
WE NOW GO LIVE
TO THE LOCAL
BLACK MAN.
401
00:17:07,867 --> 00:17:11,598
WELL, THE MONEY HELPS
BUT I'LL ALWAYS FEEL
MY ANCESTORS' PAIN.
402
00:17:12,900 --> 00:17:15,098
HEY, HEY, FROM DOWN THERE
DOES IT LOOK LIKE
403
00:17:15,167 --> 00:17:17,331
I'M TALKING INTO A
BUNCH OF ROBOT PENISES?
404
00:17:19,401 --> 00:17:21,366
[Peter]
HEY LOIS, COME IN HERE
AND SEE WHAT I DID
405
00:17:21,434 --> 00:17:22,999
WITH THE MONEY
YOUR DAD GAVE ME.
406
00:17:23,068 --> 00:17:24,698
[Gasps]
OH, MY GOD!
407
00:17:24,767 --> 00:17:27,398
YOU TURNED THE DEN
INTO PEE-WEE'S PLAYHOUSE?
408
00:17:27,467 --> 00:17:28,999
♪ COME ON, GET UP! ♪
409
00:17:29,067 --> 00:17:31,465
♪ KNOCK OFF YOUR NAPPING ♪
410
00:17:31,533 --> 00:17:35,465
♪ IT'S A CRAZY MESSED UP PLACE
WHERE ANYTHING CAN HAPPEN ♪
411
00:17:35,534 --> 00:17:37,398
♪ THERE'S A CHAIR
THAT FREAKIN' TALKS! ♪
412
00:17:37,467 --> 00:17:39,498
♪ HEY LOOK! THERE'S SOME
FISH THAT GIVE ADVICE ♪
413
00:17:39,567 --> 00:17:41,665
♪ HOLY CRAP! IT'S SCREWY ♪
414
00:17:41,734 --> 00:17:43,865
♪ IN PETER'S PLAYHOUSE ♪
415
00:17:43,934 --> 00:17:44,865
[Laughing]
416
00:17:44,934 --> 00:17:45,899
PETER--
417
00:17:45,967 --> 00:17:48,332
W-W-WAIT. WATCH
THIS. HEY, JAMBI!
418
00:17:49,167 --> 00:17:50,532
OK, SAY IT.
419
00:17:50,600 --> 00:17:54,098
MEKKA-LEKKA-HI,
MEKKA-HI-- GOD,
I HATE YOU SO MUCH.
420
00:17:54,167 --> 00:17:55,765
PETER, THAT REPARATION
MONEY SHOULD BE
421
00:17:55,834 --> 00:17:57,498
GOING TO A WORTHY
BLACK CHARITY.
422
00:17:57,567 --> 00:17:59,932
LOIS, THE KING OF CARTOONS
WILL BE HERE IN 5 MINUTES
423
00:18:00,001 --> 00:18:01,665
AND I WILL NOT
HAVE YOU EMBARRASS ME.
424
00:18:01,734 --> 00:18:02,932
YOU'RE ACTING
RIDICULOUS!
425
00:18:03,001 --> 00:18:04,765
[Shouting]
426
00:18:04,834 --> 00:18:06,598
YOU SAID THE SECRET WORD!
427
00:18:07,901 --> 00:18:09,765
[Siren wailing]
428
00:18:09,834 --> 00:18:12,099
UH-OH.
429
00:18:12,167 --> 00:18:15,365
HEY, YOU'RE THAT BLACK
GUY I SAW ON THE NEWS
CONFERENCE, AIN'T YOU?
430
00:18:15,433 --> 00:18:16,999
UH, YEAH,
THAT'S ME.
431
00:18:17,068 --> 00:18:19,398
THIS IS CAR 15. I'M
GONNA NEED BACKUP. I GOT
A STOLEN VEHICLE HERE.
432
00:18:19,467 --> 00:18:20,465
BUT THIS IS MY CAR.
433
00:18:20,533 --> 00:18:21,732
SUSPECT'S GETTING
BELLIGERENT.
434
00:18:21,800 --> 00:18:23,265
WHAT?
OFFICER DOWN.
435
00:18:23,334 --> 00:18:25,032
[Tires screeching]
436
00:18:27,266 --> 00:18:28,366
SO, IT'S AGREED.
437
00:18:28,434 --> 00:18:30,465
WE'LL KEEP ON PRETENDING
TO LIKE PIG'S FEET
438
00:18:30,533 --> 00:18:32,232
SIMPLY TO CONFOUND
THE WHITE MAN.
439
00:18:32,301 --> 00:18:33,932
OH, SORRY I'M
LATE, YOU GUYS.
440
00:18:34,001 --> 00:18:36,131
THE WHITE MAN WAS
MAKING ME HIS BITCH.
441
00:18:37,101 --> 00:18:38,133
WHAT?
442
00:18:38,201 --> 00:18:39,765
OH--OH, SORRY,
HIS "BIATCH."
443
00:18:39,834 --> 00:18:41,766
PETER, WE
KNOW ABOUT
YOUR SELFISH
444
00:18:41,834 --> 00:18:44,032
SQUANDERING OF YOUR
REPARATION MONEY.
445
00:18:44,100 --> 00:18:45,531
I SHARED MINE.
446
00:18:45,600 --> 00:18:48,699
YOU, HOWEVER, HAVE
GIVEN NOTHING BACK
TO THE COMMUNITY.
447
00:18:48,767 --> 00:18:50,865
WHAT?
THAT'S NOT TRUE.
448
00:18:50,934 --> 00:18:53,432
I'VE BROUGHT YOU
THE GREATEST GIFT OF ALL.
449
00:18:53,500 --> 00:18:55,265
A CHILD'S LAUGHTER.
450
00:18:55,801 --> 00:18:57,532
[Laughing]
451
00:18:59,368 --> 00:19:01,065
PETER, I THINK
YOU SHOULD GO.
452
00:19:01,134 --> 00:19:02,331
YEAH, I'M GOING.
453
00:19:04,301 --> 00:19:05,899
[Crowd cheering]
454
00:19:07,301 --> 00:19:09,132
HI, GUYS.
455
00:19:09,201 --> 00:19:11,599
UH, HEY! HOW'S
IT GOING?
456
00:19:11,667 --> 00:19:13,498
JEEZ, LOIS, NO ONE
WANTS TO SIT WITH ME.
457
00:19:13,567 --> 00:19:15,298
IT'S LIKE I'M
A FREAKIN' LEPER.
458
00:19:15,367 --> 00:19:16,765
HEY, CAN
WE SIT THERE?
459
00:19:16,834 --> 00:19:18,532
NO, THESE
ARE SAVED.
460
00:19:18,601 --> 00:19:19,532
WHERE IS
CINDI?
461
00:19:19,600 --> 00:19:20,965
I DON'T
KNOW.
462
00:19:21,034 --> 00:19:23,731
BUT SHE BETTER SHOW
UP SOON. IT'S ALMOST
HALFTIME.
463
00:19:23,801 --> 00:19:26,799
YOU KNOW, CINDI, I'D FEEL
WORSE ABOUT THIS IF YOU
DIDN'T SPELL YOUR NAME
464
00:19:26,867 --> 00:19:28,999
WITH THAT INSUFFERABLE
"I" AT THE END.
465
00:19:29,068 --> 00:19:32,264
OH, AND THAT
COCKADOODIE SMILEY
FACE YOU USE TO DOT IT!
466
00:19:32,333 --> 00:19:34,431
YOU SICKEN ME! I'M
NOT GONNA HURT YOU.
467
00:19:34,500 --> 00:19:35,499
I'M NOT GONNA
HURT YOU.
468
00:19:43,267 --> 00:19:44,299
AHH!
469
00:19:44,368 --> 00:19:45,266
HELLO, PETER.
470
00:19:45,334 --> 00:19:47,732
[Gasps]
NATE GRIFFIN!
471
00:19:47,801 --> 00:19:51,132
OH, MY GOD! YOU'RE HAUNTING
ME BECAUSE I'VE BEEN A
TERRIBLE BLACK MAN!
472
00:19:51,201 --> 00:19:53,965
PETER, YOU GOTTA
STOP PUTTING SO MUCH
IMPORTANCE ON RACE.
473
00:19:54,034 --> 00:19:55,099
I KNOW I DIDN'T.
474
00:19:55,168 --> 00:19:56,399
YOU DIDN'T?
NO.
475
00:19:56,467 --> 00:19:58,199
IF I HAD, DO YOU THINK I
WOULD HAVE SLEPT WITH
476
00:19:58,268 --> 00:20:00,132
YOUR WHITE GREAT-GREAT-
GREAT-GREAT GRANNY?
477
00:20:00,201 --> 00:20:01,099
NO, I GUESS NOT.
478
00:20:01,167 --> 00:20:02,431
THAT'S RIGHT,
479
00:20:02,500 --> 00:20:04,298
AND I WOULDN'T HAVE SLEPT
WITH HER FINE SISTER NEITHER.
480
00:20:04,366 --> 00:20:07,631
YOU SEE, PETER, THE
MOST IMPORTANT THING
IS HOW A MAN ACTS.
481
00:20:07,700 --> 00:20:08,965
YOU KNOW WHAT
I'M GETTING AT?
482
00:20:09,034 --> 00:20:10,932
[Sighs]
YOU THINK I SHOULD
DO SOMETHING GOOD
483
00:20:11,001 --> 00:20:12,599
WITH THAT REPARATION
MONEY, DON'T YOU?
484
00:20:12,667 --> 00:20:14,198
THAT'D BE MIGHTY
FINE, PETER.
485
00:20:14,267 --> 00:20:15,731
YEAH, I GUESS
YOU'RE RIGHT.
486
00:20:15,800 --> 00:20:17,333
LISTEN, FOR WHAT IT'S WORTH,
487
00:20:17,401 --> 00:20:19,998
I'M REAL SORRY MY
WIFE'S ANCESTORS MADE
YOU SUFFER SO MUCH.
488
00:20:20,067 --> 00:20:21,398
OH, DON'T WORRY
ABOUT ME.
489
00:20:21,467 --> 00:20:22,765
IF IT MAKES YOU
FEEL ANY BETTER,
490
00:20:22,833 --> 00:20:24,432
I PEED IN THEIR
CEREAL EVERY MORNING.
491
00:20:24,501 --> 00:20:26,299
[Both laughing]
492
00:20:26,367 --> 00:20:27,865
WELL, SO
LONG, PETER.
493
00:20:27,934 --> 00:20:29,765
W-W-WAIT!
BEFORE YOU GO,
494
00:20:29,834 --> 00:20:31,032
WHAT'S HEAVEN LIKE?
495
00:20:31,101 --> 00:20:32,365
OH, IT'S FINE.
496
00:20:32,434 --> 00:20:34,232
THERE'S A SHORTAGE
OF CHAIRS.
497
00:20:34,867 --> 00:20:35,832
OH.
498
00:20:36,600 --> 00:20:38,032
YEAH.
499
00:20:38,100 --> 00:20:39,832
TAKE IT EASY, PETER.
500
00:20:41,200 --> 00:20:44,232
OK, LOOK, WE'RE JUST
GONNA HAVE TO GO ON
WITHOUT HER.
501
00:20:44,300 --> 00:20:45,499
[Cheering]
502
00:20:54,168 --> 00:20:55,298
GIVE ME A "D!"
503
00:20:55,367 --> 00:20:56,398
[Crowd]
"D!"
504
00:20:56,467 --> 00:20:57,899
ALL RIGHT, THAT'S
ENOUGH OF THAT.
505
00:20:57,968 --> 00:21:00,198
NOW, THERE'S A HUNTING KNIFE
UNDER EACH ONE OF YOUR SEATS.
506
00:21:00,267 --> 00:21:01,498
ON MY COMMAND,
I WANT YOU TO--
507
00:21:01,567 --> 00:21:02,498
AHH!
508
00:21:02,567 --> 00:21:03,632
[Crowd gasps]
509
00:21:03,701 --> 00:21:05,832
AH! YOU IDIOTS!
I HAD THEM.
510
00:21:05,900 --> 00:21:08,232
CINDI WAS RIGHT. WE
NEED A LOT MORE WORK.
511
00:21:09,234 --> 00:21:10,898
UH, E-E-EXCUSE ME.
512
00:21:10,967 --> 00:21:13,599
YEAH, UH, HI,
I'M--I'M PETER GRIFFIN.
513
00:21:13,667 --> 00:21:15,932
LISTEN, UH, AS MANY
OF YOU MAY KNOW,
514
00:21:16,001 --> 00:21:18,532
I RECENTLY CAME
INTO SOME MONEY.
515
00:21:18,600 --> 00:21:20,999
WELL, I DON'T
REALLY DESERVE IT
516
00:21:21,068 --> 00:21:23,999
SO I'VE DECIDED TO SHARE
IT WITH MY BROTHERS!
517
00:21:25,300 --> 00:21:26,598
[Cheering]
518
00:21:28,167 --> 00:21:31,765
UH A-A-ACTUALLY,
I JUST MEANT
THE BLACK GUYS.
519
00:21:31,834 --> 00:21:33,598
PETER, THAT WAS
VERY GENEROUS.
520
00:21:33,667 --> 00:21:35,398
AND LOOK HOW HAPPY
YOU'VE MADE EVERYONE.
521
00:21:35,466 --> 00:21:37,398
YEAH, IT JUST GOES
TO SHOW YOU, LOIS.
522
00:21:37,466 --> 00:21:39,799
IT DOESN'T MATTER IF
YOU'RE BLACK OR WHITE.
523
00:21:39,867 --> 00:21:42,498
THE ONLY COLOR
THAT REALLY
MATTERS IS GREEN.
524
00:21:42,566 --> 00:21:43,766
OH, PETER.
525
00:21:43,834 --> 00:21:45,264
[Cheering]
526
00:21:45,333 --> 00:21:47,299
I WONDER WHAT
HAPPENED TO CINDI.
527
00:21:48,534 --> 00:21:50,498
MMM! MMM-MMM!
528
00:21:51,466 --> 00:21:53,098
DEAR DIARY.
529
00:21:53,167 --> 00:21:54,198
JACKPOT!
530
00:21:56,168 --> 00:21:57,398
♪[Rap music playing]
531
00:21:57,466 --> 00:21:58,498
[Peter]
♪ IT SEEMS TODAY ♪
532
00:21:58,567 --> 00:21:59,565
[Chorus]
♪ IT SEEMS TODAY ♪
533
00:21:59,634 --> 00:22:00,799
♪ THAT ALL YOU SEE ♪
534
00:22:00,868 --> 00:22:02,266
♪ THAT ALL YOU SEE ♪
535
00:22:02,333 --> 00:22:03,564
♪ IS VIOLENCE
IN MOVIES ♪
536
00:22:03,633 --> 00:22:04,832
♪ VIOLENCE
IN MOVIES ♪
537
00:22:04,901 --> 00:22:06,066
♪ AND SEX ON T.V. ♪
538
00:22:06,135 --> 00:22:07,331
♪ SEX ON T.V. ♪
539
00:22:07,400 --> 00:22:09,765
♪ BUT WHERE ARE THOSE GOOD,
OLD-FASHIONED VALUES ♪
540
00:22:09,834 --> 00:22:11,365
♪ ON WHICH WE
USED TO RELY? ♪
541
00:22:11,434 --> 00:22:13,298
♪ LUCK-LUCK-LUCK
LUCKY THERE'S
A FAMILY GUY ♪
542
00:22:13,366 --> 00:22:14,565
♪ LUCKY THERE'S
A FAMILY GUY ♪
543
00:22:14,633 --> 00:22:15,931
♪ LUCKY THERE'S A ♪
♪ LUCKY THERE'S A ♪
544
00:22:16,000 --> 00:22:17,398
♪ LUCKY THERE'S A ♪
♪ LUCKY THERE'S A ♪
545
00:22:17,467 --> 00:22:18,665
♪ LUCKY THERE'S
A FAMILY GUY ♪
546
00:22:18,734 --> 00:22:19,899
♪ LUCKY THERE'S
A FAMILY GUY ♪
547
00:22:19,968 --> 00:22:21,966
♪ LUCKY THERE'S A ♪
♪ LUCKY THERE'S A ♪
548
00:22:22,034 --> 00:22:25,899
♪ HE'S A FAMILY GUY ♪
549
00:22:25,968 --> 00:22:27,032
♪ IN THE HOUSE ♪
550
00:22:27,101 --> 00:22:29,066
♪ YOU KNOW, YOU
KNOW, COME ON ♪