1
00:00:39,000 --> 00:00:40,366
I SAY! IT'S 4:00.
AWAY WITH YOU!
2
00:00:40,434 --> 00:00:41,332
STEWIE!
3
00:00:41,401 --> 00:00:42,432
CHANGE IT BACK!
4
00:00:42,500 --> 00:00:44,165
FORGET IT.
JOLLY FARM
REVUE IS ON.
5
00:00:44,234 --> 00:00:45,799
IT'S THE LATEST
INDOCTRINATING
PABULUM
6
00:00:45,867 --> 00:00:47,298
FOR CHILDREN WITH
NOT ENOUGH TO DO.
7
00:00:47,367 --> 00:00:48,465
HEY!
8
00:00:49,233 --> 00:00:50,465
SHUT UP!
9
00:00:55,233 --> 00:00:57,498
WAKEY-WAKEY,
CHILDREN.
10
00:00:57,567 --> 00:00:59,432
[Together]
GOOD MORNING,
MOTHER MAGGIE.
11
00:00:59,501 --> 00:01:02,532
THE SUN HAS RISEN ON
ANOTHER DAY IN JOLLY FARM.
12
00:01:02,601 --> 00:01:05,699
LET'S SEE WHAT LIFE'S RICH
PAGEANT HAS IN STORE FOR US.
13
00:01:05,767 --> 00:01:07,732
OH! SHE HAS
THE VOICE
OF AN ANGEL!
14
00:01:07,801 --> 00:01:10,998
NOT TO MENTION
A BALCONY YOU COULD
DO SHAKESPEARE FROM.
15
00:01:11,067 --> 00:01:12,665
PLAY YOUR SONG,
MELODY SHEEP,
16
00:01:12,734 --> 00:01:14,899
TO AID THE LITTLE
ONES' NOURISHMENT.
17
00:01:14,967 --> 00:01:17,498
BUT PLAY SOFTLY, FOR
PENGROVE PIG WISHES
18
00:01:17,567 --> 00:01:20,032
TO READ ALOUD FROM
HIS MAGIC TOME
19
00:01:20,100 --> 00:01:22,398
THAT HOLDS EVERY
BOOK EVER WRITTEN.
20
00:01:22,467 --> 00:01:23,798
"THESE WERE
DIFFICULT TIMES
21
00:01:23,867 --> 00:01:25,132
"FOR THE CHILDREN
OF IPSWICH
22
00:01:25,201 --> 00:01:26,565
"WHEN THE
LOLLIPOP FAMINE
23
00:01:26,633 --> 00:01:27,965
"CURSED THEIR
PLEASANT VILLAGE."
24
00:01:28,034 --> 00:01:30,565
HOW CAN
YOU STAND
WATCHING THIS?
25
00:01:30,634 --> 00:01:32,732
IT'S DRECK AND
YOU KNOW IT.
26
00:01:32,800 --> 00:01:34,532
OH, DON'T HAVE
THE GUTS TO
RESPOND, HUH?
27
00:01:34,601 --> 00:01:36,765
NO INTELLIGENT
DEFENSE OF THIS
UNMITIGATED CRAP?
28
00:01:36,834 --> 00:01:37,732
COMMERCIAL!
29
00:01:37,800 --> 00:01:38,931
UGH!
30
00:01:39,000 --> 00:01:40,099
I'M GONNA GET
SOME GRAHAM
CRACKERS.
31
00:01:40,167 --> 00:01:41,999
♪[Rock music playing]
32
00:01:43,466 --> 00:01:44,832
WELCOME BACK TO
K.I.S.S. FORUM,
33
00:01:44,901 --> 00:01:46,464
RHODE ISLAND
PUBLIC ACCESS'
34
00:01:46,533 --> 00:01:48,032
MOST POPULAR SHOW
ABOUT K.I.S.S.
35
00:01:48,100 --> 00:01:49,665
LOIS, HURRY!
IT'S BACK ON!
36
00:01:49,733 --> 00:01:52,698
CALM DOWN, PETER. YOU
KNOW I WOULDN'T MISS
A SECOND OF THIS.
37
00:01:52,767 --> 00:01:53,965
OK, LET'S
TAKE A CALL.
38
00:01:54,034 --> 00:01:55,198
YOU'RE ON
K.I.S.S. FORUM.
39
00:01:55,266 --> 00:01:56,899
[Man]
K.I.S.S. RULES! WHOO!
40
00:01:56,967 --> 00:01:59,665
OK, GOOD CALL.
GOOD CALL. HA!
HA! ALL RIGHT.
41
00:01:59,734 --> 00:02:01,198
HEY, YOU'RE ON
K.I.S.S. FORUM.
42
00:02:01,266 --> 00:02:02,665
[Man #2]
YEAH. UM,
K.I.S.S. SUCKS!
43
00:02:02,734 --> 00:02:04,165
W-WHOA!
WHOA! HO! HO!
44
00:02:04,234 --> 00:02:05,532
TRACE THE CALL!
TRACE THE CALL!
45
00:02:05,601 --> 00:02:07,298
YEAH, UM, THEY
SUCK BIG TIME, MAN.
46
00:02:07,367 --> 00:02:08,432
THEY BITE ASS!
47
00:02:08,500 --> 00:02:10,765
WAIT A SEC.
I RECOGNIZE
THAT VOICE.
48
00:02:10,833 --> 00:02:13,331
IS THIS DENNIS DEYOUNG,
LEAD SINGER FROM STYX?
49
00:02:13,400 --> 00:02:14,765
COME CLEAN,
MAN.
50
00:02:14,833 --> 00:02:17,498
YEAH. YEAH,
IT'S ME.
IT'S DENNIS.
51
00:02:17,567 --> 00:02:18,865
DENNIS, YOU
JEALOUS DOUCHE,
52
00:02:18,934 --> 00:02:20,198
HOW ABOUT I
CRANK A LITTLE
53
00:02:20,267 --> 00:02:22,731
DETROIT ROCK CITY
AND PLAY
COME SAIL AWAY
54
00:02:22,800 --> 00:02:25,398
AND WE CAN SEE
HOW THEY STACK
UP SIDE BY SIDE?
55
00:02:25,467 --> 00:02:27,965
HUH? YOU WANT THAT,
YOU HIGH-VOICED
BASTARD?
56
00:02:28,034 --> 00:02:29,532
WE'LL BE RIGHT
BACK, AFTER THIS.
57
00:02:30,500 --> 00:02:32,165
HEY, DIDN'T SEE
YOU COME IN.
58
00:02:32,234 --> 00:02:34,331
WE'RE GETTING INTO SHAPE
FOR OUR UPCOMING TOUR.
59
00:02:34,400 --> 00:02:37,498
WE'RE PLAYING 5 BIG SHOWS
IN 5 DAYS. SO, IF YOU--
60
00:02:37,566 --> 00:02:39,832
ROCK AND ROLL!
61
00:02:39,901 --> 00:02:43,832
WHY DON'T--WHY DON'T
YOU JUST SIT IN THE
CORNER, HUH? GO ON.
62
00:02:43,901 --> 00:02:46,365
SO, IF YOU'RE A
K.I.S.S. FAN, AND YOU
LIVE IN THE NORTHEAST,
63
00:02:46,434 --> 00:02:48,032
COME OUT FOR
ALL 5 SHOWS
64
00:02:48,100 --> 00:02:50,298
OF WHAT WE'RE CALLING
"K.I.S.S.-STOCK."
65
00:02:50,366 --> 00:02:52,465
AW, HELL! THE
NORTHEAST!
66
00:02:52,534 --> 00:02:54,332
IT'S TIMES
LIKE THIS I
CURSE THE FACT
67
00:02:54,400 --> 00:02:56,065
THAT WE LIVE IN
FRENCH POLYNESIA.
68
00:02:56,134 --> 00:02:58,099
NO, PETER, WE'RE
IN THE NORTHEAST.
69
00:02:58,167 --> 00:02:59,631
WE ARE?
70
00:02:59,701 --> 00:03:03,299
AND K.I.S.S. IS COMING
TO THE NORTHEAST.
THAT--THAT MEANS...
71
00:03:03,367 --> 00:03:04,365
UM,
72
00:03:05,301 --> 00:03:06,199
THAT MEANS--
73
00:03:06,267 --> 00:03:08,865
NO, NO, LOIS!
DON'T HELP ME!
74
00:03:08,934 --> 00:03:11,199
IT MEANS WE CAN
DO SOMETHING.
75
00:03:11,267 --> 00:03:13,598
COME ON,
PETER. YOU'RE
ALMOST THERE.
76
00:03:16,800 --> 00:03:17,965
WE CAN GO TO
K.I.S.S.-STOCK!
77
00:03:18,034 --> 00:03:19,365
[Screams]
78
00:03:24,767 --> 00:03:25,865
[Peter]
HEY, YO, LOIS!
79
00:03:25,934 --> 00:03:27,433
WHAT?
80
00:03:27,500 --> 00:03:29,498
I'M PACKING FOR K.I.S.S.-STOCK
AND I CAN'T FIND MY
FAVORITE UNDERWEAR.
81
00:03:29,567 --> 00:03:32,098
YOU MEAN THE PAIR WITH
THE RIP IN THE RIGHT
BUTT CHEEK FROM WHEN
82
00:03:32,167 --> 00:03:34,598
YOU STEPPED ON THEM
PULLING THEM UP IN
THAT AIRPLANE BATHROOM
83
00:03:34,667 --> 00:03:36,399
FROM WHEN YOU
HAD THE TROTS?
84
00:03:36,467 --> 00:03:39,032
NO, NO, THE PAIR WITH THE
HOLE IN THE LEFT BUTT CHEEK
FROM WHEN I HELD IT IN
85
00:03:39,100 --> 00:03:41,899
FOR 2 HOURS BECAUSE IT
WAS THAT EXTRA-LONG PALM
SUNDAY CHURCH SERMON
86
00:03:41,967 --> 00:03:44,332
AND I THOUGHT BLOWING
GAS WOULD OFFEND JESUS,
SO I LET IT GO
87
00:03:44,401 --> 00:03:47,132
IN THE VESTIBULE AFTER
MASS, AND IT SOUNDED
LIKE LOUIS ARMSTRONG?
88
00:03:47,200 --> 00:03:48,899
OH, BOTTOM
DRAWER.
89
00:03:48,967 --> 00:03:50,665
CHILDREN, TELL
MOTHER MAGGIE
90
00:03:50,734 --> 00:03:52,298
WHAT YOU WANT
TO BE WHEN
YOU GROW UP.
91
00:03:52,367 --> 00:03:53,265
A SCIENTIST.
92
00:03:53,333 --> 00:03:54,198
A NOVELIST.
93
00:03:54,267 --> 00:03:55,799
A CAMBRIDGE DON.
94
00:03:55,867 --> 00:03:58,398
OH, WHAT'S MY FUTURE
COMING FROM THESE
SQUALID SURROUNDINGS?
95
00:03:58,467 --> 00:04:00,465
GETTING INTO A FIGHT
WITH SOME DUDE
AT THE LAUNDROMAT
96
00:04:00,533 --> 00:04:02,565
BECAUSE HE WAS
HITTING ON MY
BABY'S MAMA?
97
00:04:02,634 --> 00:04:04,032
I SHOULD
BE THERE,
NOT HERE!
98
00:04:06,533 --> 00:04:07,799
LONDON.
99
00:04:08,267 --> 00:04:09,198
HEY, DAD?
100
00:04:09,266 --> 00:04:10,431
CAN ME AND MEG
STAY UP LATE
101
00:04:10,500 --> 00:04:12,198
EVERY NIGHT
WHEN YOU'RE AT
K.I.S.S.-STOCK?
102
00:04:12,267 --> 00:04:13,932
YOU CAN DO
WHATEVER YOU
WANT, SON.
103
00:04:14,000 --> 00:04:15,732
JUST DON'T
EAT FROM THE
CANDY TREE.
104
00:04:15,801 --> 00:04:19,066
HE'S RIGHT TO CAUTION
YOU. I FEED ON CHILDREN.
105
00:04:19,133 --> 00:04:20,598
[Screams]
106
00:04:20,667 --> 00:04:22,732
YOU DON'T MIND WATCHING
STEWIE FOR A FEW
DAYS, DO YOU BRIAN?
107
00:04:22,800 --> 00:04:24,565
NAH. EVER SINCE
JOLLY FARM REVUE
108
00:04:24,634 --> 00:04:27,098
CAME ON, HE'S BEEN
PRETTY DISTRACTED.
IT'LL BE A BREEZE.
109
00:04:27,167 --> 00:04:28,765
WELL, 'BYE,
EVERYONE.
110
00:04:28,834 --> 00:04:31,932
I CAN'T BELIEVE MY
STUPID PARENTS ARE
GONNA SPEND 5 DAYS
111
00:04:32,001 --> 00:04:34,565
FOLLOWING STUPID
OLD K.I.S.S. AROUND.
IT'S PAINFUL.
112
00:04:34,634 --> 00:04:36,998
NOT HALF AS PAINFUL
AS A TIRE IRON
UPSIDE YOUR HEAD.
113
00:04:37,067 --> 00:04:37,965
WHAT?
114
00:04:38,034 --> 00:04:39,266
I'LL MISS YOU.
115
00:04:39,334 --> 00:04:40,665
[Car door closes]
116
00:04:40,734 --> 00:04:43,232
HEY, STEWIE, WHAT DO
YOU WANT FOR LUNCH?
117
00:04:43,301 --> 00:04:45,332
[Stewie]
DEAR STUPID DOG,
I'VE GONE TO LIVE WITH
118
00:04:45,400 --> 00:04:46,998
THE CHILDREN ON
JOLLY FARM.
119
00:04:47,067 --> 00:04:49,432
GOOD-BYE FOREVER, STEWIE.
120
00:04:49,500 --> 00:04:51,398
P.S. I NEVER GOT A
CHANCE TO RETURN
121
00:04:51,467 --> 00:04:53,699
THAT SWEATER LOIS GAVE
ME FOR CHRISTMAS.
122
00:04:53,767 --> 00:04:56,199
UM, I--I LEFT THE RECEIPT
ON TOP OF MY BUREAU.
123
00:04:56,267 --> 00:04:58,065
I'M PROBABLY OVER THE
30-DAY RETURN LIMIT
124
00:04:58,134 --> 00:05:00,365
BUT, UM, I--I'M SURE
IF YOU MAKE A FUSS
125
00:05:00,434 --> 00:05:03,464
THEY'LL AT LEAST GIVE YOU A
STORE CREDIT OR SOMETHING.
126
00:05:03,533 --> 00:05:06,032
UM, I-IT'S ACTUALLY NOT
A HORRIBLE SWEATER.
127
00:05:06,101 --> 00:05:09,765
IT'S JUST, I--I CAN'T
IMAGINE WHEN I WOULD
EVER WEAR IT, YOU KNOW?
128
00:05:09,834 --> 00:05:12,398
OH, AND, UH, I ALSO LEFT
A BUTTON ON THE BUREAU.
129
00:05:12,466 --> 00:05:14,266
UM, I--I'M NOT SURE
WHAT IT GOES TO
130
00:05:14,333 --> 00:05:17,364
BUT, UH, I--I CAN
NEVER BRING MYSELF TO
THROW A BUTTON AWAY.
131
00:05:17,433 --> 00:05:19,099
I KNOW AS
SOON AS I DO,
132
00:05:19,168 --> 00:05:22,498
I'LL FIND THE GARMENT IT GOES
TO, AND--AND THEN IT'LL...
133
00:05:22,567 --> 00:05:25,232
WAIT A MINUTE. ACTUALLY,
COULD IT HAVE BEEN
FROM THE SWEATER?
134
00:05:25,300 --> 00:05:27,065
DID THAT SWEATER
HAVE BUTTONS?
135
00:05:27,134 --> 00:05:29,865
HMM. WELL, I SHOULD
WRAP THIS UP BEFORE
I START TO RAMBLE.
136
00:05:29,934 --> 00:05:31,965
AGAIN, GOOD-BYE
FOREVER.
137
00:05:32,034 --> 00:05:34,865
P.P.S. YOU KNOW WHAT?
IT MIGHT BE A LITTLE
CHILLY IN LONDON.
138
00:05:34,934 --> 00:05:36,965
I--I'M ACTUALLY GOING
TO TAKE THE SWEATER.
139
00:05:37,034 --> 00:05:38,399
OH, MY GOD!
140
00:05:42,034 --> 00:05:45,131
ONE OF THESE PLANES
MUST BE GOING TO LONDON.
141
00:05:45,200 --> 00:05:47,731
QUEUE UP, CHILDREN.
SPIT-SPOT. HERE ARE
THE TICKETS, MISS.
142
00:05:47,800 --> 00:05:51,132
THESE ARE
ALL OURS.
THANK YOU.
143
00:05:51,200 --> 00:05:53,965
SPIT-SPOT, ALBERT HALL,
MEAT AND 2 VEG,
BIG BEN, DAVE CLARK 5,
144
00:05:54,034 --> 00:05:56,932
SPAM AND EGGS, A BABY'S
ARM HOLDING AN APPLE.
PIP PIP, CHEERIO!
145
00:06:13,734 --> 00:06:14,632
HOT TOWEL?
146
00:06:14,701 --> 00:06:16,232
YES, THANK YOU.
147
00:06:16,967 --> 00:06:18,066
WELL,
COME ON!
148
00:06:18,134 --> 00:06:20,132
UGH! WHAT THE HELL
ARE YOU DOING HERE?
149
00:06:20,200 --> 00:06:21,598
I'M TAKING YOU
OFF THIS PLANE.
150
00:06:21,667 --> 00:06:23,032
THINK AGAIN,
ROVER.
151
00:06:26,634 --> 00:06:30,065
GREAT. I'M STUCK ON A
TRANS-ATLANTIC FLIGHT
WITH A PETULANT RUNAWAY.
152
00:06:30,134 --> 00:06:31,698
HOW COULD THIS
GET ANY WORSE?
153
00:06:31,767 --> 00:06:33,632
YOU KNOW WHAT I
HATE ABOUT FLYING?
154
00:06:33,701 --> 00:06:36,799
THE PEANUTS. FIRST
OF ALL, YOU CAN'T
GET THEM OPEN.
155
00:06:36,867 --> 00:06:39,099
WHO ARE THEY
TRYING TO KEEP
OUT OF THESE THINGS?
156
00:06:39,167 --> 00:06:42,132
AND WHAT'S THE DEAL
WITH THE RAZOR-BLADE
SLOT IN THE BATHROOM?
157
00:06:42,200 --> 00:06:44,165
ARE PEOPLE ACTUALLY
SHAVING IN THERE?
158
00:06:44,234 --> 00:06:45,565
HI, ANDY DICK HERE.
159
00:06:45,633 --> 00:06:48,932
EXCUSE ME. I'VE GOT TO
GET MY BAG UP IN THE
OVERHEAD BIN HERE.
160
00:06:49,000 --> 00:06:51,898
OH! WHOA! NO!
NO! AHH! HA! HA!
161
00:06:51,967 --> 00:06:53,298
WOW, THAT'S
WACKY!
162
00:06:53,367 --> 00:06:54,398
[Sighs]
163
00:07:00,067 --> 00:07:02,631
THERE, NOW. THAT
WASN'T SO BAD, WAS IT?
DID YOU SLEEP AT ALL?
164
00:07:02,701 --> 00:07:03,598
YEAH,
A LITTLE.
165
00:07:03,667 --> 00:07:04,799
UGH, I COULDN'T
SLEEP A WINK.
166
00:07:04,867 --> 00:07:06,531
MY PILLOW SMELLED
LIKE FARTS.
167
00:07:06,600 --> 00:07:08,632
BUT THAT'S
ALL RIGHT, BECAUSE
WE'RE IN ENGLAND.
168
00:07:09,767 --> 00:07:10,732
UH-OH!
169
00:07:13,800 --> 00:07:14,832
WELL, I
DON'T GET IT.
170
00:07:14,900 --> 00:07:16,365
WHERE ARE ENGLAND'S
VERDANT FIELDS,
171
00:07:16,434 --> 00:07:17,599
ITS ROSY-RUMPED
MAIDENS,
172
00:07:17,667 --> 00:07:18,999
AND BUCK-TOOTHED
SOLICITORS?
173
00:07:19,067 --> 00:07:22,198
ABOUT 3,000 MILES
THAT WAY. WE'RE IN
THE MIDDLE EAST.
174
00:07:23,267 --> 00:07:24,166
WHERE ARE WE GOING?
175
00:07:24,233 --> 00:07:25,699
I DON'T KNOW.
176
00:07:25,767 --> 00:07:27,732
I'M NOT EXACTLY FAMILIAR
WITH THIS PARTICULAR
ARABIAN VILLAGE.
177
00:07:27,801 --> 00:07:30,899
STUFF FOR SALE!
BAD, CHEAPLY MADE
STUFF FOR SALE!
178
00:07:30,968 --> 00:07:32,932
HEY, AMERICANS.
YOU LIKE MOVIES?
179
00:07:33,001 --> 00:07:35,732
I'VE GOT DUDE, MY CAR IS
NOT WHERE I PARKED IT
180
00:07:35,801 --> 00:07:37,732
BUT, PRAISE ALLAH,
WE ARE NOT HURT.
181
00:07:37,801 --> 00:07:39,599
CAMELS
FOR SALE!
182
00:07:39,667 --> 00:07:41,264
THIS ONE OWNED
BY A LITTLE
OLD MAN
183
00:07:41,333 --> 00:07:43,164
WHO ONLY DROVE
IT TO MOSQUE
ON SUNDAYS.
184
00:07:43,233 --> 00:07:44,665
JUST HAD ITS
KNEES REPLACED.
185
00:07:44,734 --> 00:07:46,798
OH, GREAT.
BUY ONE AND LET'S
GET OUT OF HERE.
186
00:07:46,867 --> 00:07:49,565
WHAT DO YOU MEAN,
BUY ONE? ALL I'VE
GOT IS $50.
187
00:07:49,633 --> 00:07:51,865
WE'RE GONNA HAVE
TO DISTRACT HIM.
FOLLOW MY LEAD.
188
00:07:54,634 --> 00:07:59,498
♪ YOU AND I ARE SO
AWFULLY DIFFERENT ♪
189
00:07:59,567 --> 00:08:04,198
♪ TOO AWFULLY DIFFERENT
TO EVER BE PALS ♪
190
00:08:04,266 --> 00:08:05,264
DO YOU WANT
TO GO FIRST?
191
00:08:05,333 --> 00:08:06,498
YEAH, I'LL GO.
192
00:08:06,567 --> 00:08:10,332
♪ YOUR FAVORITE HERO IS
THE MARQUIS DE SADE ♪
193
00:08:10,400 --> 00:08:11,698
OH, YOU'RE
ONE TO TALK.
194
00:08:11,768 --> 00:08:14,565
♪ YOU GET A STIFFIE
FROM PHYLICIA RASHAD ♪
195
00:08:14,634 --> 00:08:15,399
OH, ONE TIME.
196
00:08:15,467 --> 00:08:16,065
[Dings]
197
00:08:16,134 --> 00:08:18,133
♪ I'VE A STYLE FLAIR ♪
198
00:08:18,201 --> 00:08:20,166
♪ JUST LOOK AT MY HIP HAIR ♪
199
00:08:20,234 --> 00:08:22,098
OH, YEAH. TH-THAT'S
QUITE A NICE DO THERE.
200
00:08:22,167 --> 00:08:23,099
OH, THANKS.
201
00:08:23,168 --> 00:08:24,132
FOR ME TO POOP ON!
202
00:08:24,200 --> 00:08:25,298
WHAT?
203
00:08:25,367 --> 00:08:26,798
OH, COME ON, YOU LOOK
LIKE CHARLIE BROWN.
204
00:08:26,867 --> 00:08:28,132
BITE ME,
SNOOPY.
205
00:08:28,200 --> 00:08:33,599
♪ THERE'S NOT A WHOLE LOT
THAT WE'VE GOT TO AGREE ON ♪
206
00:08:33,667 --> 00:08:37,499
♪ CAUSE I LOVE
THE STRAINS OF A
CLASSICAL SCORE ♪
207
00:08:37,568 --> 00:08:41,832
♪ AND I LIKE THAT SINGER
WHO LOOKS LIKE A WHORE ♪
208
00:08:41,901 --> 00:08:43,231
RICKY MARTIN?
LOVE HIM!
209
00:08:43,300 --> 00:08:47,665
♪ WE'RE TOO DIFFERENT
TO EVER BE PALS ♪
210
00:08:47,734 --> 00:08:49,232
♪ YOU AND I ARE ♪
211
00:08:49,301 --> 00:08:50,198
[Men]
♪ DOO-DOO-DOO ♪
212
00:08:50,267 --> 00:08:51,698
♪ SO AWFULLY DIFFERENT ♪
213
00:08:51,767 --> 00:08:52,699
♪ DOO-DOO-DOO ♪
214
00:08:52,767 --> 00:08:54,431
♪ TOO AWFULLY DIFFERENT ♪
215
00:08:54,500 --> 00:08:55,465
♪ DOO-DOO-DOO ♪
216
00:08:55,534 --> 00:08:56,765
♪ TO EVER BE PALS ♪
217
00:08:56,834 --> 00:08:59,199
♪ DOO-DOO-DOO,
DOO-DOO-DOO-DOO ♪
218
00:08:59,267 --> 00:09:03,198
♪ YOUR HEAD'S
AS MASSIVE AS
A METEORITE ♪
219
00:09:03,267 --> 00:09:04,565
OH, VERY FUNNY.
220
00:09:04,634 --> 00:09:08,765
♪ YOU HAVE A WEENIE
LIKE A CHRISTMAS
TREE LIGHT ♪
221
00:09:08,834 --> 00:09:13,798
♪ I BET MONEY
YOU'LL MARRY
A HONEY ♪
222
00:09:13,867 --> 00:09:18,265
♪ WHO'S PRETTY AND FUNNY
AND HER NAME'LL BE TED ♪
223
00:09:18,334 --> 00:09:19,299
OH, A GAY JOKE.
224
00:09:19,368 --> 00:09:20,732
I JUST WORK WITH
WHAT YOU GIVE ME.
225
00:09:20,801 --> 00:09:22,565
♪ YOU MIGHT
THINK WE'RE IN SYNCH ♪
226
00:09:22,634 --> 00:09:26,565
♪ BUT WE STINK AS A DUO ♪
227
00:09:26,633 --> 00:09:30,599
♪ 'CAUSE YOU GET
A KICK OUT OF
CARNAGE AND GUTS ♪
228
00:09:30,667 --> 00:09:33,232
♪ AND YOU GET A KICK
OUT OF STROKING YOUR-- ♪
229
00:09:33,300 --> 00:09:34,965
W-W-WHOA!
Y-YOU CAN'T SAY
THAT ON T.V.!
230
00:09:35,034 --> 00:09:35,932
WHAT, EGO?
231
00:09:36,000 --> 00:09:37,099
NEVER MIND.
232
00:09:37,167 --> 00:09:40,231
♪ WE'RE TOO DIFFERENT
TO EVER BE PALS ♪
233
00:09:50,100 --> 00:09:51,498
OH, MAN!
WE'RE SCREWED.
234
00:09:51,567 --> 00:09:54,032
WE'RE LOST IN THE
DESERT, WE HAVE
NO FOOD, NO WATER,
235
00:09:54,100 --> 00:09:55,932
AND OUR CAMEL
IS DEAD FROM
EXHAUSTION.
236
00:09:56,000 --> 00:09:59,065
AND I HAD NAMED
HIM AND GIVEN HIM
A BACK-STORY.
237
00:09:59,134 --> 00:10:01,498
CHUCKY HAD THE BIGGEST
HUMP OF THE CAMELS
IN HIS VILLAGE.
238
00:10:01,567 --> 00:10:03,065
AND HE WAS
PICKED ON FOR IT.
239
00:10:03,134 --> 00:10:04,965
BUT THEN THERE WAS
A TERRIBLE DROUGHT
240
00:10:05,034 --> 00:10:06,898
AND CHUCKY WENT TO THE
OASIS AT GREAT RISK,
241
00:10:06,967 --> 00:10:08,065
BECAUSE HE
WAS LIKE THAT.
242
00:10:08,134 --> 00:10:09,199
AND HE DRANK
AND DRANK,
243
00:10:09,267 --> 00:10:11,265
AND STORED ENOUGH WATER
IN HIS MASSIVE HUMP
244
00:10:11,334 --> 00:10:12,899
TO SLAKE THE THIRST
OF THE ENTIRE--
245
00:10:12,968 --> 00:10:15,132
CUT THE MAUDLIN
CRAP. WE'RE IN
TROUBLE HERE.
246
00:10:15,201 --> 00:10:17,365
IT'S ALREADY BELOW
FREEZING, AND IT'S
GETTING COLDER.
247
00:10:17,433 --> 00:10:19,032
WE'RE GONNA
DIE UNLESS...
248
00:10:19,101 --> 00:10:20,665
UNLESS WE DO
SOMETHING DRASTIC.
249
00:10:20,734 --> 00:10:21,932
WHAT?
250
00:10:22,001 --> 00:10:23,665
WE HAVE TO
SLICE OPEN OUR
CAMEL'S STOMACH
251
00:10:23,734 --> 00:10:25,531
AND SHELTER
OURSELVES IN
HIS ENTRAILS.
252
00:10:25,600 --> 00:10:27,932
[Gasps]
EVISCERATE CHUCKY?
I WON'T DO IT!
253
00:10:28,001 --> 00:10:29,498
LOOK, WE'RE
GONNA DIE
IF WE DON'T.
254
00:10:29,567 --> 00:10:30,998
[Sighs]
ALL RIGHT.
255
00:10:33,567 --> 00:10:36,932
OH, GOD! IT'S LIKE
ORSON WELLES' AUTOPSY.
256
00:10:37,001 --> 00:10:39,699
ALL RIGHT,
JUST HOLD YOUR
BREATH AND GO.
257
00:10:39,767 --> 00:10:40,999
WHAT ARE
YOU DOING?
258
00:10:41,067 --> 00:10:43,466
WIPING MY FEET.
I DON'T WANT TO
TRACK ANY SAND INSIDE.
259
00:10:43,534 --> 00:10:45,532
ONCE YOU GET
IT IN THERE, YOU
CAN'T GET IT OUT.
260
00:10:45,601 --> 00:10:46,698
[Taking deep breath]
261
00:10:46,767 --> 00:10:47,732
OH!
262
00:10:47,801 --> 00:10:48,865
[Coughing]
263
00:10:48,934 --> 00:10:51,432
OH, GOD!
I JUST THREW
UP IN HIS LUNG!
264
00:10:51,500 --> 00:10:53,598
LOOK, I KNOW IT'S
GROSS, BUT WHEN
Y-YOU'RE DESPERATE
265
00:10:53,667 --> 00:10:56,865
AND YOU'RE STARING DEATH
IN THE FACE, YOU HAVE
NO OTHER CHOICE BUT TO--
266
00:10:56,934 --> 00:10:58,133
OH, THERE'S A
COMFORT INN.
267
00:10:58,201 --> 00:10:59,131
REALLY?
268
00:10:59,200 --> 00:11:00,799
YEAH. GOOD LUCK
FOR US, HUH?
269
00:11:00,868 --> 00:11:04,132
YOU KNOW, ACTUALLY, ONCE
YOU FENG SHUI THE ORGANS,
IT'S KIND OF COZY.
270
00:11:09,467 --> 00:11:11,065
AH, ISN'T
THIS EXCITING?
271
00:11:11,134 --> 00:11:12,732
HEY, ANYONE
GOT A LIGHT?
272
00:11:13,500 --> 00:11:14,765
THANKS.
273
00:11:14,834 --> 00:11:16,866
PETER, LOOK, THERE'S
DAVE AND DOTTIE,
THE NUDISTS.
274
00:11:16,934 --> 00:11:18,632
WELL, HEY
THERE, GRIFFINS!
275
00:11:18,700 --> 00:11:21,099
DAVE, DOTTIE,
WHAT A PLEASANT
SURPRISE!
276
00:11:21,167 --> 00:11:23,066
DON'T TELL ME
YOU'RE K.I.S.S.
FREAKS, TOO?
277
00:11:23,134 --> 00:11:25,732
K.I.S.S. ARMY
SOLDIER SINCE 1977.
HOW ABOUT YOU?
278
00:11:25,801 --> 00:11:30,166
'76. I DON'T THINK
ANYONE KNOWS MORE ABOUT
K.I.S.S. THAN I DO.
279
00:11:30,234 --> 00:11:31,465
I'M--I'M SORRY.
WHAT WAS THAT?
280
00:11:31,534 --> 00:11:32,531
PETER,
IT'S NOT
IMPORTANT.
281
00:11:32,600 --> 00:11:33,899
LET HIM
ANSWER, LOIS!
282
00:11:33,968 --> 00:11:37,132
I SAID, NO ONE
KNOWS MORE ABOUT
K.I.S.S. THAN I DO.
283
00:11:37,200 --> 00:11:38,832
FELLOWS, PLEASE
KEEP IT CIVIL.
284
00:11:38,901 --> 00:11:40,966
I'M NOT SURE I
LIKE THE TONE OF
YOUR VOICE, DAVE.
285
00:11:41,034 --> 00:11:43,065
WELL, THROW
DOWN, IF THAT'S
WHAT YOU WANT.
286
00:11:43,134 --> 00:11:44,932
NAME GENE SIMMONS'
SPECIAL-EFFECTS
MENTOR.
287
00:11:45,001 --> 00:11:47,499
AMAZO THE MAGICIAN.
WHAT HIGH SCHOOL DID
PAUL STANLEY GO TO?
288
00:11:47,567 --> 00:11:50,132
NEW YORK HIGH SCHOOL OF
MUSIC. PAUL AND GENE'S
BAND BEFORE K.I.S.S.?
289
00:11:50,200 --> 00:11:51,665
WICKED LESTER.
290
00:11:51,734 --> 00:11:53,632
WHAT YEAR DID K.I.S.S.
APPEAR ON THE JIM NABORS
HALLOWEEN SPECIAL?
291
00:11:53,700 --> 00:11:55,732
TRICK QUESTION.
IT WAS PAUL LYNDE.
AND IT WAS 1975.
292
00:11:55,800 --> 00:11:59,298
NOW RECITE THE MAGAZINE AD
THAT BROUGHT PETER CRISS TO
PAUL AND GENE'S ATTENTION.
293
00:11:59,367 --> 00:12:01,232
"DRUMMER WILLING TO DO
ANYTHING TO MAKE IT."
294
00:12:01,300 --> 00:12:02,765
ROLLING STONE,
OCTOBER, 1972.
295
00:12:02,834 --> 00:12:03,765
EXEMPLARY.
296
00:12:03,834 --> 00:12:04,865
ROCK AND ROLL.
297
00:12:04,933 --> 00:12:06,166
♪[Guitar solo playing]
298
00:12:08,101 --> 00:12:10,232
HOW IN THE HELL
ARE WE GONNA
GET OUT OF HERE?
299
00:12:10,300 --> 00:12:11,932
ARE YOU GOING
TO FINISH YOUR
RED PASTE?
300
00:12:12,001 --> 00:12:12,965
NO.
301
00:12:13,034 --> 00:12:14,598
WHAT ABOUT
YOUR SWEET
CRUSTY THING?
302
00:12:14,667 --> 00:12:15,899
NO, YOU
CAN HAVE IT.
303
00:12:15,967 --> 00:12:17,332
NO MORE
BALLOON
FOR YOU.
304
00:12:17,400 --> 00:12:19,932
I AM SICK OF YOU
TOOLING AROUND THE
VILLAGE IN THAT THING,
305
00:12:20,001 --> 00:12:21,565
HONKING AT THE GIRLS,
306
00:12:21,634 --> 00:12:24,865
BLASTING YOUR 1980s
AMERICAN ROCK MUSIC THAT
WE GOT HERE LAST WEEK.
307
00:12:24,934 --> 00:12:25,832
BUT,
FATHER--
308
00:12:25,900 --> 00:12:26,832
GO TO
YOUR PALACE!
309
00:12:26,901 --> 00:12:28,298
ARE YOU THINKING
WHAT I'M THINKING?
310
00:12:28,366 --> 00:12:29,765
OH, YES.
311
00:12:29,834 --> 00:12:31,865
JUST WAIT UNTIL
THEY HAVE TO SUFFER
THROUGH JESUS JONES.
312
00:12:31,934 --> 00:12:33,732
PEE-YEW!
313
00:12:33,801 --> 00:12:34,899
NOT THAT,
THE BALLOON!
314
00:12:34,967 --> 00:12:36,799
OH, YES.
THE BALLOON.
LET'S TAKE IT.
315
00:12:38,801 --> 00:12:40,965
WOW! I DIDN'T KNOW IT
REALLY LOOKED LIKE THAT.
316
00:12:41,034 --> 00:12:42,232
OH, NEITHER
DID I.
317
00:12:43,335 --> 00:12:45,731
SUCH LOVELY
PRINTING, TOO.
318
00:12:45,800 --> 00:12:49,665
♪ YOU KEEP ON SHOUTING,
YOU KEEP ON SHOUTING ♪
319
00:12:49,734 --> 00:12:51,731
OH, LOIS.
HERE COMES
THE BEST PART.
320
00:12:51,800 --> 00:12:55,832
♪ I WANT TO ROCK
AND ROLL ALL NIGHT ♪
321
00:12:58,301 --> 00:13:00,899
♪ AND HAVE
A WONDERFUL
TIME ♪
322
00:13:00,967 --> 00:13:02,266
[Music stops]
323
00:13:02,401 --> 00:13:05,032
IS THAT IT?
OH, NO, NO.
IT'S, UH,
324
00:13:05,101 --> 00:13:09,498
♪ AND SOMETHING,
SOMETHING ALL DAY ♪
RIGHT?
325
00:13:09,567 --> 00:13:11,598
OH, MAN! I'VE LOST
ALL FAITH IN MANKIND.
326
00:13:11,667 --> 00:13:13,731
MUSIC IS DEAD
TO ME NOW.
327
00:13:13,800 --> 00:13:15,066
HEY, NOW'S
OUR CHANCE!
328
00:13:15,133 --> 00:13:16,565
LET'S
DO IT!
329
00:13:16,633 --> 00:13:18,365
♪[Big-band music playing]
330
00:13:18,433 --> 00:13:19,832
♪ PARDON ME BOY ♪
331
00:13:19,901 --> 00:13:22,499
♪ IS THAT THE CHATTANOOGA
CHOO-CHOO? ♪
332
00:13:22,567 --> 00:13:27,066
♪ TRACK 29, AND CAN
YOU GIVE ME A SHINE? ♪
333
00:13:28,300 --> 00:13:30,232
I SAY! WHERE
THE HELL
ARE WE?
334
00:13:30,300 --> 00:13:31,665
♪[Men chanting]
335
00:13:32,867 --> 00:13:34,499
POPE! POPE!
336
00:13:34,567 --> 00:13:35,898
[Groans]
337
00:13:35,967 --> 00:13:37,899
IT'S TIME TO GET UP
AND PUT ON YOUR HAT.
338
00:13:37,967 --> 00:13:40,165
IT'S A STUPID HAT!
339
00:13:40,233 --> 00:13:41,165
POPE!
340
00:13:41,234 --> 00:13:43,398
ALL RIGHT,
OK. GOD!
341
00:13:45,567 --> 00:13:47,498
POPE, THE
FLOOR IS NOT
A HAMPER!
342
00:13:47,567 --> 00:13:48,932
MAN!
343
00:13:49,001 --> 00:13:51,032
GOOD. NOW IT'S TIME
TO GO ON THE BALCONY
344
00:13:51,100 --> 00:13:52,165
AND ADDRESS THE PEOPLE.
345
00:13:52,234 --> 00:13:53,198
[Crowd cheering]
346
00:13:53,266 --> 00:13:54,432
[Speaking Latin]
347
00:13:54,500 --> 00:13:55,498
AHH!
348
00:14:00,001 --> 00:14:01,432
[Panting]
349
00:14:01,500 --> 00:14:03,464
ALL RIGHT, ALL WE'VE
GOT TO DO IS FIND
THE AMERICAN EMBASSY
350
00:14:03,533 --> 00:14:05,099
AND THEY'LL HELP
US GET HOME.
351
00:14:05,167 --> 00:14:07,931
HOME? I HAVE NO
INTENTION OF RETURNING
TO THAT DISGUSTING HOVEL
352
00:14:08,000 --> 00:14:11,598
WITH THAT INTOLERABLE
WOMAN, THAT FAT SLOB,
AND THAT INSUFFERABLE DOG.
353
00:14:11,667 --> 00:14:13,465
OH, YOU'RE
RIGHT HERE,
AREN'T YOU?
354
00:14:13,534 --> 00:14:16,599
OH, WELL, I STAND
BY IT. MY FUTURE
IS WITH JOLLY FARM.
355
00:14:16,667 --> 00:14:17,999
YOU REALLY THINK
THAT, DON'T YOU?
356
00:14:18,067 --> 00:14:19,165
I KNOW IT.
357
00:14:19,234 --> 00:14:20,999
OK, WE'VE GOT 3 DAYS
UNTIL PETER AND LOIS
358
00:14:21,067 --> 00:14:22,631
GET BACK FROM THEIR
K.I.S.S. CONCERTS.
359
00:14:22,701 --> 00:14:23,999
LET'S GO TO
JOLLY FARM.
360
00:14:24,068 --> 00:14:25,799
YEAH, NOW
YOU'RE TALKING!
361
00:14:25,868 --> 00:14:28,132
YOU MAKE THE POPE
LOOK LIKE A FOOL!
362
00:14:28,200 --> 00:14:30,432
GOD WILL MAKE YOU
PAY. SMITE THEM!
363
00:14:35,700 --> 00:14:37,698
HE'S COOKING
SOMETHING UP.
364
00:14:40,001 --> 00:14:41,765
[Train horn blowing]
365
00:14:44,301 --> 00:14:46,299
I SAY! BRIAN,
LOOK. 3 ROWS DOWN.
366
00:14:46,368 --> 00:14:47,232
WHAT?
367
00:14:47,301 --> 00:14:48,732
IS THAT
TOM BOSLEY?
368
00:14:48,800 --> 00:14:51,431
WHAT WOULD TOM BOSLEY
BE DOING ON A TRAIN
IN SWITZERLAND?
369
00:14:51,500 --> 00:14:53,932
I--I'M ALMOST
CERTAIN. TOM!
370
00:14:54,567 --> 00:14:55,466
DID HE LOOK?
371
00:14:55,534 --> 00:14:56,765
I DON'T KNOW.
372
00:14:56,834 --> 00:14:59,665
WELL, IF I YELL,
YOU HAVE TO WATCH.
TOM BOSLEY!
373
00:14:59,734 --> 00:15:00,665
NO, IT'S NOT HIM.
374
00:15:00,734 --> 00:15:01,631
OH.
375
00:15:03,768 --> 00:15:06,532
[With German accent]
BESIDES ITS BEAUTIFUL
HISTORIC ARCHITECTURE,
376
00:15:06,600 --> 00:15:08,465
MUNICH WAS THE
HOME OF MANY GREAT
377
00:15:08,534 --> 00:15:10,332
WRITERS SUCH AS
THOMAS MANN.
378
00:15:10,400 --> 00:15:12,865
YOU WILL FIND MORE ON
GERMANY'S CONTRIBUTION
TO THE ARTS
379
00:15:12,934 --> 00:15:14,532
IN THE PAMPHLETS
WE HAVE PROVIDED.
380
00:15:14,600 --> 00:15:16,765
YEAH, UH,
ABOUT YOUR
PAMPHLET, UH,
381
00:15:16,834 --> 00:15:21,132
I'M--I'M NOT SEEING ANYTHING
ABOUT GERMAN HISTORY
BETWEEN 1939 AND 1945.
382
00:15:21,201 --> 00:15:22,499
THERE'S JUST
A BIG GAP.
383
00:15:22,567 --> 00:15:23,966
EVERYONE WAS
ON VACATION!
384
00:15:24,034 --> 00:15:25,399
ON YOUR LEFT
IS MUNICH'S
385
00:15:25,468 --> 00:15:27,199
FIRST CITY HALL
ERECTED IN 15--
386
00:15:27,267 --> 00:15:28,965
WAIT, WAIT. WHAT ARE
YOU TALKING ABOUT?
387
00:15:29,034 --> 00:15:30,932
GERMANY INVADED
POLAND IN 1939 AND--
388
00:15:31,000 --> 00:15:33,464
WE WERE INVITED!
PUNCH WAS SERVED!
CHECK WITH POLAND!
389
00:15:33,533 --> 00:15:35,132
Y-YOU CAN'T
JUST IGNORE
THOSE YEARS.
390
00:15:35,201 --> 00:15:37,032
THOMAS MANN FLED
TO AMERICA BECAUSE
391
00:15:37,101 --> 00:15:38,865
OF NAZISM'S
STRANGLEHOLD
ON GERMANY.
392
00:15:38,934 --> 00:15:40,899
NOPE. NOPE. HE
LEFT TO MANAGE
A DAIRY QUEEN.
393
00:15:40,967 --> 00:15:42,532
A DAIRY QUEEN?
THAT'S PREPOSTEROUS.
394
00:15:42,601 --> 00:15:44,065
I WILL HEAR
NO MORE
INSINUATIONS
395
00:15:44,134 --> 00:15:45,199
ABOUT THE
GERMAN PEOPLE!
396
00:15:45,267 --> 00:15:46,598
NOTHING BAD
HAPPENED!
397
00:15:46,667 --> 00:15:48,332
[Speaking German]
398
00:15:52,934 --> 00:15:54,398
UH, IS--IS
THAT A
BEER HALL?
399
00:15:54,467 --> 00:15:55,965
OH, YES. MUNICH
IS RENOWNED
400
00:15:56,034 --> 00:15:57,866
FOR ITS HISTORIC
BEER HALLS.
401
00:16:01,200 --> 00:16:03,265
WHY IS EVERYBODY
GLARING AT US?
402
00:16:03,333 --> 00:16:05,264
WHY, LOIS? I'LL
TELL YOU WHY.
403
00:16:05,333 --> 00:16:08,233
YOUR--YOUR FAUX PAS LAST
NIGHT AT THE CONCERT
WAS SO UPSETTING
404
00:16:08,300 --> 00:16:10,265
I CALLED A UNIVERSITY
PROFESSOR TO TELL ME
405
00:16:10,333 --> 00:16:12,232
WHAT PHRASE TO
USE TO DESCRIBE IT.
406
00:16:12,300 --> 00:16:13,598
USE "FAUX PAS."
407
00:16:13,667 --> 00:16:14,865
THANKS,
PROFESSOR.
408
00:16:14,934 --> 00:16:17,199
YOU'VE BEEN
LIVING A LIE
ALL THESE YEARS.
409
00:16:17,267 --> 00:16:19,331
YOU REPRESENTED
YOURSELF AS
A K.I.S.S. FAN.
410
00:16:19,400 --> 00:16:21,398
AND WHY?
TO MAKE ME
LOOK FOOLISH!
411
00:16:21,467 --> 00:16:23,165
NO. TO MAKE
YOU HAPPY.
412
00:16:23,234 --> 00:16:25,798
I WANTED TO SHARE
IN ALL ASPECTS OF
YOUR LIFE, PETER.
413
00:16:25,867 --> 00:16:28,333
BUT I JUST WAS
NEVER THAT BIG
A K.I.S.S. FAN.
414
00:16:28,401 --> 00:16:30,099
YEAH, I SHOULD'VE
GUESSED THAT WHEN YOU
415
00:16:30,167 --> 00:16:31,932
WERE WILLING TO DRESS
UP AS PETER CRISS.
416
00:16:32,000 --> 00:16:34,998
NO ONE WANTS TO BE
PETER CRISS, LOIS!
NOT EVEN PETER CRISS!
417
00:16:35,067 --> 00:16:38,165
I GUESS I'M JUST
NOT AS COOL AS
YOU THOUGHT I WAS.
418
00:16:38,234 --> 00:16:39,632
I GUESS NOT.
419
00:16:43,434 --> 00:16:45,932
[Brian]
AH, I'M EXHAUSTED. COME
ON. LET'S GET A COFFEE.
420
00:16:47,968 --> 00:16:49,198
[Crowd chattering]
421
00:16:49,601 --> 00:16:50,498
[Coughs]
422
00:16:50,567 --> 00:16:52,032
OH, THE SMOKE
IS SO ACRID.
423
00:16:52,100 --> 00:16:53,899
UGH! A MAN
CAN HARDLY
BREATHE IN HERE.
424
00:16:53,967 --> 00:16:57,165
YOU SHOULD GET
SOME HASH, MAN.
YOU CAN'T GO WRONG.
425
00:16:57,234 --> 00:17:00,932
OH, NOT TRUE. GROUND
MEAT CAN GO VERY WRONG
FOR ME, VERY QUICKLY.
426
00:17:01,000 --> 00:17:03,366
AND EVERYONE IN
THIS ROOM WILL SUFFER
THE CONSEQUENCES!
427
00:17:03,434 --> 00:17:05,832
YOU ARE OUT
THERE, MAN,
IN THE ETHER.
428
00:17:05,901 --> 00:17:08,065
YES, WELL, I'D LOVE
TO FURTHER PURSUE
OUR PALAVER
429
00:17:08,134 --> 00:17:09,965
BUT I'M NOT
FLUENT IN
"FREAKER"!
430
00:17:10,034 --> 00:17:14,266
SO, I'M JUST GONNA
TURN BACK OVER HERE,
BACK TOWARDS MY TABLE.
431
00:17:14,334 --> 00:17:16,098
SAY, ARE YOU
HUNGRY?
432
00:17:16,167 --> 00:17:18,932
YOU KNOW, I WASN'T WHEN I
CAME IN. BUT ISN'T THAT SO
FUNNY? I'M GETTING THERE.
433
00:17:19,000 --> 00:17:20,032
YEAH.
SAME HERE.
434
00:17:23,567 --> 00:17:27,366
I THINK THE ONLY
REASON WE DIE IS--
435
00:17:27,434 --> 00:17:31,099
DUDE, DUDE, I KNOW
WHAT YOU'RE GONNA SAY.
AND I AM SO COMPLETELY--
436
00:17:31,167 --> 00:17:32,499
WAIT, WAIT, WAIT!
437
00:17:32,567 --> 00:17:33,866
SHH-SHH-SHH.
438
00:17:33,934 --> 00:17:36,299
THE ONLY REASON WE DIE
439
00:17:36,367 --> 00:17:40,098
IS BECAUSE WE ACCEPT IT
AS AN INEVITABILITY.
440
00:17:40,900 --> 00:17:42,531
AH!
441
00:17:42,600 --> 00:17:44,532
DO YOU THINK
I'LL EVER FIND
THE RIGHT WOMAN?
442
00:17:44,600 --> 00:17:48,865
OH, GOD! I--
YES, MAN! COME ON!
DUDE, YOU'RE GREAT!
443
00:17:51,801 --> 00:17:53,932
PETER, ARE YOU
EVER GONNA
FORGIVE ME?
444
00:17:54,001 --> 00:17:56,266
LOIS, I AM
OBLIGATED TO KEEP
LOVING YOU, SO
445
00:17:56,334 --> 00:17:58,531
I WILL TAKE MY RAGE
OUT ON MY OWN BODY.
446
00:17:58,600 --> 00:17:59,831
LET'S GO
TO DENNY'S.
447
00:17:59,900 --> 00:18:00,898
[Tires screeching]
448
00:18:02,268 --> 00:18:06,198
OH, MAN! I DON'T
BELIEVE IT!
K.I.S.S. IS HERE!
449
00:18:06,266 --> 00:18:09,299
WE DON'T DESERVE TO BE
UNDER THE SAME ROOF
WITH THEM. LET'S GO.
450
00:18:09,368 --> 00:18:12,299
WELL, ALL RIGHT. I
GUESS I COULD FIX US
SOMETHING WHEN WE--
451
00:18:12,368 --> 00:18:13,366
CHAIM?
452
00:18:13,434 --> 00:18:14,766
LOIS!
453
00:18:14,834 --> 00:18:17,232
DO NOT ADDRESS
K.I.S.S. UNLESS THEY
ADDRESS YOU FIRST!
454
00:18:17,300 --> 00:18:20,898
OH, MY GOD!
CHAIM LITZ?
IT IS YOU.
455
00:18:20,967 --> 00:18:23,099
UH, WHICH ONE DO
YOU WANT ME TO
SIGN? LEFT OR RIGHT?
456
00:18:23,168 --> 00:18:24,532
NO, NO, NO. IT'S LOIS.
457
00:18:24,601 --> 00:18:26,232
LOIS PEWTERSCHMIDT.
458
00:18:26,300 --> 00:18:28,465
I KNEW YOU
BEFORE YOU
CHANGED YOUR NAME.
459
00:18:28,534 --> 00:18:31,332
LOIS! I DON'T
BELIEVE IT.
IT'S BEEN AGES.
460
00:18:31,401 --> 00:18:33,266
HEY GUYS, THIS
IS THE GIRL I
TOLD YOU ABOUT.
461
00:18:33,335 --> 00:18:35,132
YOU KNOW, I
KNEW HER BEFORE
WE FORMED K.I.S.S.
462
00:18:35,201 --> 00:18:36,332
"LOOSE" LOIS!
463
00:18:36,400 --> 00:18:37,532
COOL! "LOOSE" LOIS!
464
00:18:37,600 --> 00:18:38,899
THE LEGEND
HERSELF.
465
00:18:38,967 --> 00:18:41,899
MY GRAND SLAM
WAS SUPPOSED TO
BE WITH SAUSAGE.
466
00:18:41,967 --> 00:18:45,498
I NEVER REALIZED YOU
WERE GENE SIMMONS
THE ROCK STAR!
467
00:18:45,567 --> 00:18:48,032
YOU LOOK GREAT,
LOIS. ANYONE
NAILING YOU NOW?
468
00:18:48,101 --> 00:18:49,798
YES.
MY HUSBAND
NAILS ME.
469
00:18:49,867 --> 00:18:51,199
THIS IS HIM.
PETER.
470
00:18:51,268 --> 00:18:52,164
YOU...
471
00:18:52,233 --> 00:18:53,398
ARE...
472
00:18:53,467 --> 00:18:55,198
GODS!
473
00:18:55,266 --> 00:18:57,832
YEAH, THANKS, RIGHT. HEY,
WE'RE RECORDING SOME TRACKS
IN BOSTON NEXT MONTH.
474
00:18:57,901 --> 00:18:59,332
YOU SHOULD, UH,
COME ON BY.
475
00:18:59,400 --> 00:19:02,798
OH, WE'D LOVE THAT,
CHAIM-- I MEAN GENE,
YOU BIG ROCK STAR.
476
00:19:02,867 --> 00:19:04,899
[Laughing]
BYE.
477
00:19:04,968 --> 00:19:07,598
AH, WOW! SUCH
A SMALL WORLD.
478
00:19:07,667 --> 00:19:10,364
HE WAS A NICE BOY.
AND HE'S STILL NICE.
479
00:19:10,433 --> 00:19:13,398
LISTEN, LOIS,
UH, WHAT I
SAID BEFORE...
480
00:19:13,466 --> 00:19:15,198
I'VE NEVER BEEN
MORE WRONG IN MY LIFE.
481
00:19:15,266 --> 00:19:17,398
YOU ARE THE
COOLEST GIRL
IN THE WORLD!
482
00:19:17,467 --> 00:19:19,332
MY WIFE DID
K.I.S.S.!
483
00:19:19,400 --> 00:19:20,631
AND J. GEILS.
WHAT?
484
00:19:20,701 --> 00:19:21,699
NOTHING.
485
00:19:21,767 --> 00:19:23,166
THERE IT IS!
486
00:19:23,633 --> 00:19:25,232
THE BBC!
487
00:19:27,434 --> 00:19:28,632
[Gasps]
488
00:19:28,701 --> 00:19:31,032
WELL, THIS IS IT.
I'LL SAY GOOD-BYE
TO YOU NOW.
489
00:19:31,101 --> 00:19:32,499
WELL, HAVE A
GOOD LIFE, STEWIE.
490
00:19:32,567 --> 00:19:33,998
OH, I SHALL!
491
00:19:35,000 --> 00:19:36,498
OH, HEY, I MEANT
TO ASK YOU
492
00:19:36,566 --> 00:19:38,932
DID YOU EVER FIND OUT
WHAT THAT BUTTON ON
MY BUREAU WAS FROM?
493
00:19:39,001 --> 00:19:40,598
OH, YEAH.
CHRIS' DENIM
JACKET.
494
00:19:40,667 --> 00:19:42,999
AH! I LIKE THAT
JACKET. IT LOOKS
GOOD ON HIM.
495
00:19:43,067 --> 00:19:44,531
OK, THEN. SO,
WE'LL KEEP
IN TOUCH?
496
00:19:44,600 --> 00:19:45,498
SURE.
497
00:19:45,566 --> 00:19:47,965
WELL, I HAVE YOUR
ADDRESS. SEE YA!
498
00:19:49,467 --> 00:19:50,399
[Gasps]
499
00:19:50,467 --> 00:19:52,364
OH! THERE'S
HAPPY HILL!
500
00:19:52,934 --> 00:19:53,966
UGH!
501
00:19:54,034 --> 00:19:56,565
WHAT THE DEUCE?
502
00:19:56,633 --> 00:19:59,231
[Gasps]
PENGROVE!
PENGROVE PIG!
503
00:19:59,300 --> 00:20:04,098
PENGROVE, I'VE COME
TO LIVE ON JOLLY FARM!
OH, MY! THE MAGIC TOME.
504
00:20:04,167 --> 00:20:07,632
BUT IT'S--IT'S CARDBOARD.
AND--AND THERE ARE NO
WORDS. THERE ARE JUST--
505
00:20:07,701 --> 00:20:08,932
WHAT IS IT YOU'VE
DRAWN HERE?
506
00:20:09,001 --> 00:20:11,132
OH, THAT'S OSWALD OWL
SLAMMING MOTHER MAGGIE
507
00:20:11,200 --> 00:20:13,333
IN ONE OF THEM
CHINESE BASKETS.
508
00:20:13,400 --> 00:20:15,165
[Laughing]
509
00:20:15,234 --> 00:20:16,132
DEAD BRILL, EH?
510
00:20:16,200 --> 00:20:17,531
AH!
511
00:20:17,600 --> 00:20:20,333
OH, MOTHER MAGGIE!
THANK GOD! SOMETHING'S
TERRIBLY WRONG.
512
00:20:20,401 --> 00:20:21,865
WHOSE STINKY
BRAT IS THIS?
513
00:20:21,934 --> 00:20:24,099
WHAT? THAT'S
NOT YOUR VOICE.
514
00:20:24,168 --> 00:20:26,465
YOUR VOICE IS
LYRICAL, LIKE THE
STRUM OF A LUTE.
515
00:20:26,534 --> 00:20:29,732
PISS OFF,
YOU GROTTY
LITTLE WANKER!
516
00:20:29,801 --> 00:20:32,198
IT'S A FAKE.
IT'S NOT REAL.
517
00:20:32,266 --> 00:20:34,932
I THOUGHT IT'D BE
BEST FOR YOU TO FIND
OUT ON YOUR OWN, KID.
518
00:20:35,001 --> 00:20:37,898
I FEEL LIKE SUCH
A FOOL. DON'T
EVEN LOOK AT ME!
519
00:20:37,967 --> 00:20:39,232
HEY,
COME ON.
520
00:20:39,300 --> 00:20:40,898
YOU WANT TO
GET SOME
ICE CREAM?
521
00:20:40,967 --> 00:20:43,365
THAT'D MAKE YOU
FEEL BETTER, RIGHT?
522
00:20:43,434 --> 00:20:46,499
YOU WANT TO
GET SOME
MCDONALD'S?
523
00:20:46,567 --> 00:20:49,698
DO YOU WANT TO
TAKE A DUMP IN
MOTHER MAGGIE'S SHOES?
524
00:20:49,767 --> 00:20:52,598
OK. LET'S GO
TAKE A DUMP IN
MOTHER MAGGIE'S SHOES.
525
00:20:56,900 --> 00:20:58,098
JOLLY FARM IS
ON, STEWIE.
526
00:20:58,167 --> 00:20:59,365
DON'T YOU
WANT TO WATCH?
527
00:20:59,433 --> 00:21:02,331
THE STEWIE WHO LOVED
JOLLY FARM IS DEAD, MEGAN.
528
00:21:02,400 --> 00:21:04,999
MEET THE STEWIE
WHO LOVES FUNKY
FRUIT HATS!
529
00:21:05,068 --> 00:21:06,298
♪[Humming]
530
00:21:08,467 --> 00:21:10,698
OOH, TURN IT
UP! MOM AND
DAD ARE ON!
531
00:21:10,767 --> 00:21:13,632
HEY, WE'RE BACK WITH
MORE K.I.S.S. FORUM. IM
HERE WITH THE GRIFFINS.
532
00:21:13,701 --> 00:21:15,732
AND THEY GOT
SOMETHING REALLY
EXCITING TO SHARE.
533
00:21:15,800 --> 00:21:17,398
YEAH. MY WIFE
HERE DID K.I.S.S.
534
00:21:17,467 --> 00:21:18,565
GET OUT
OF HERE!
535
00:21:18,634 --> 00:21:19,865
HAND TO GOD.
536
00:21:19,934 --> 00:21:22,332
WHOA! PETER!
HOW DOES THAT
MAKE YOU FEEL?
537
00:21:22,400 --> 00:21:25,832
I FEEL LIKE I'VE DONE
K.I.S.S., TOO, DONNY.
AND IT FEELS GOOD.
538
00:21:25,900 --> 00:21:27,298
LOIS, YOU GOT
ANY TIPS FOR
539
00:21:27,367 --> 00:21:29,099
THE YOUNG GIRLS
IN THE AUDIENCE
TONIGHT?
540
00:21:29,167 --> 00:21:31,165
WELL, I GUESS THE
BEST ADVICE I CAN GIVE
541
00:21:31,233 --> 00:21:33,965
IS THAT YOU NEVER KNOW WHO'S
GONNA GROW UP TO BE FAMOUS.
542
00:21:34,034 --> 00:21:35,799
SO, JUST MAKE
YOURSELF AVAILABLE.
543
00:21:35,868 --> 00:21:39,032
COOL. COOL. WELL,
THAT'S OUR SHOW
FOR TONIGHT.
544
00:21:39,100 --> 00:21:42,165
NOW STAY TUNED FOR
BATTLESTAR GALACTICA FORUM.
545
00:21:42,234 --> 00:21:44,432
WELCOME TO BATTLESTAR
GALACTICA FORUM.