1 00:00:05,168 --> 00:00:06,798 EVERYBODY, I GOT BAD NEWS. 2 00:00:06,868 --> 00:00:08,032 WE'VE BEEN CANCELLED. 3 00:00:08,101 --> 00:00:10,398 OH NO, PETER, HOW COULD THEY DO THAT? 4 00:00:10,467 --> 00:00:13,465 WELL, UNFORTUNATELY, LOIS, THERE'S JUST NO MORE ROOM ON THE SCHEDULE. 5 00:00:13,533 --> 00:00:15,166 WE'VE JUST GOT TO ACCEPT THE FACT 6 00:00:15,235 --> 00:00:17,199 THAT FOX HAS TO MAKE ROOM FOR TERRIFIC SHOWS 7 00:00:17,268 --> 00:00:20,498 LIKE DARK ANGEL, TITUS, UNDECLARED, 8 00:00:20,567 --> 00:00:22,498 ACTION, THAT EIGHTIES SHOW, 9 00:00:22,567 --> 00:00:24,798 WONDERFALLS, FASTLANE, 10 00:00:24,868 --> 00:00:27,032 ANDY RICHTER CONTROLS THE UNIVERSE 11 00:00:27,101 --> 00:00:30,365 SKIN, GIRLS CLUB, CRACKING UP, 12 00:00:30,433 --> 00:00:33,631 THE PITTS, FIREFLY, GET REAL, 13 00:00:33,700 --> 00:00:38,398 FREAKYLINKS, WANDA AT LARGE, COSTELLO, THE LONE GUNMEN, 14 00:00:38,467 --> 00:00:42,631 A MINUTE WITH STAN HOOPER, NORMAL, OHIO, PASADENA, 15 00:00:42,700 --> 00:00:46,999 HARSH REALM, KEEN EDDIE, THE STREET, AMERICAN EMBASSY, 16 00:00:47,068 --> 00:00:49,365 CEDRIC THE ENTERTAINER, THE TICK, 17 00:00:49,433 --> 00:00:51,233 LOUIE, AND GREG THE BUNNY. 18 00:00:51,301 --> 00:00:52,431 IS THERE NO HOPE? 19 00:00:52,500 --> 00:00:54,266 WELL, I SUPPOSE IF ALL THOSE SHOWS 20 00:00:54,335 --> 00:00:56,398 GO DOWN THE TUBES, WE MIGHT HAVE A SHOT. 21 00:00:56,467 --> 00:00:59,698 ♪ IT SEEMS TODAY THAT ALL YOU SEE ♪ 22 00:00:59,767 --> 00:01:03,431 ♪ IS VIOLENCE IN MOVIES AND SEX ON T.V. ♪ 23 00:01:03,500 --> 00:01:06,798 ♪ BUT WHERE ARE THOSE GOOD OLD-FASHIONED VALUES ♪ 24 00:01:06,867 --> 00:01:10,032 ♪ ON WHICH WE USED TO RELY? ♪ 25 00:01:10,101 --> 00:01:13,265 ♪ LUCKY THERE'S A FAMILY GUY ♪ 26 00:01:13,333 --> 00:01:16,498 ♪ LUCKY THERE'S A MAN WHO POSITIVELY CAN DO ♪ 27 00:01:16,567 --> 00:01:18,265 ♪ ALL THE THINGS THAT MAKE US ♪ 28 00:01:18,333 --> 00:01:19,999 ♪ LAUGH AND CRY ♪ 29 00:01:20,067 --> 00:01:24,832 ♪ HE'S A FAMILY GUY ♪ 30 00:01:31,467 --> 00:01:33,532 WHAT ARE YOU WATCHING, PETER? PASSION OF THE CHRIST. 31 00:01:33,600 --> 00:01:35,098 I TELL YOU, BRIAN, 32 00:01:35,167 --> 00:01:37,032 I CAN'T BELIEVE THAT THIS GUY'S JUST LYING THERE TAKING IT. 33 00:01:37,101 --> 00:01:39,932 IF IT WAS ME, I WOULD HAVE DONE SOMETHING ABOUT IT. 34 00:01:43,934 --> 00:01:45,832 HEY! HEY! HEY! HEY! 35 00:01:45,900 --> 00:01:47,432 HEY! HEY! 36 00:01:47,500 --> 00:01:50,099 STOP IT. STOP IT. 37 00:01:50,167 --> 00:01:52,032 OK. OK? 38 00:01:52,101 --> 00:01:53,832 OK. ALL RIGHT. 39 00:01:53,901 --> 00:01:54,932 HI, BOYS. 40 00:01:55,001 --> 00:01:56,532 I DIDN'T HAVE MY HANDS DOWN MY PANTS. 41 00:01:56,601 --> 00:01:58,065 MMM, GOOD FOR YOU. 42 00:01:58,134 --> 00:02:00,032 I JUST BOUGHT US SOME NEW SHEETS AT BED BATH AND BEYOND. 43 00:02:00,101 --> 00:02:03,298 OH, BOY, I HOPE YOU STAYED AWAY FROM THAT BEYOND SECTION. 44 00:02:04,267 --> 00:02:06,632 [groaning] 45 00:02:06,700 --> 00:02:08,333 OH, HERE ARE THE COFFEE MUGS. 46 00:02:14,867 --> 00:02:18,698 HONEY, WHAT DO YOU SAY WE, UH, CHRISTEN THESE NEW SHEETS HUH? 47 00:02:18,767 --> 00:02:21,299 WHY, LOIS GRIFFIN, YOU NAUGHTY GIRL. 48 00:02:21,368 --> 00:02:22,966 [laughing] THAT'S ME. 49 00:02:23,034 --> 00:02:25,132 YOU DIRTY HUSTLER. 50 00:02:25,201 --> 00:02:27,399 YOU FILTHY, STINKY PROSTITUTE. 51 00:02:27,467 --> 00:02:28,966 OK, I GET IT. 52 00:02:29,034 --> 00:02:32,365 YOU FOUL, VENEREAL-DISEASE-CARRYING, STREETWALKING WHORE. 53 00:02:32,434 --> 00:02:34,131 ALL RIGHT, THAT'S ENOUGH. 54 00:02:35,633 --> 00:02:38,099 [wood creaking] 55 00:02:48,500 --> 00:02:49,565 [sighing] 56 00:02:49,634 --> 00:02:51,433 IT'S GOOD TO HAVE LAND. 57 00:02:51,501 --> 00:02:55,332 [Peter and Lois giggling] 58 00:02:55,401 --> 00:02:56,899 (Lois) GEORGE! 59 00:02:56,968 --> 00:02:58,732 GEORGE? WHO THE HELL IS GEORGE? 60 00:02:58,801 --> 00:03:00,265 GEORGE CLOONEY. 61 00:03:00,334 --> 00:03:01,698 OUR SEX IS SO DULL FOR YOU 62 00:03:01,767 --> 00:03:04,032 THAT YOU GOT TO FANTASIZE ABOUT GEORGE CLOONEY? 63 00:03:04,101 --> 00:03:05,298 I'M SORRY, HONEY. 64 00:03:05,367 --> 00:03:07,966 I GUESS THAT THINGS HAVE BECOME A LITTLE STALE FOR ME. 65 00:03:08,034 --> 00:03:09,565 I--I--I DON'T KNOW WHAT TO DO. 66 00:03:09,634 --> 00:03:12,131 I MEAN, I DON'T REALLY KNOW THAT MUCH ABOUT ANY KINKY STUFF. 67 00:03:12,200 --> 00:03:14,665 I MEAN, I--I--I COULD HOOK THIS CAR BATTERY UP TO MY NIPPLES. 68 00:03:14,734 --> 00:03:15,799 [groaning] 69 00:03:15,867 --> 00:03:18,132 OH, GOD! OW! OW! OW! OW! OW! OW! 70 00:03:18,200 --> 00:03:19,932 THIS DOING IT FOR YOU? 71 00:03:20,000 --> 00:03:21,465 [groaning] 72 00:03:21,533 --> 00:03:24,732 OH, I DON'T KNOW. I JUST DON'T FEEL THAT SPARK ANYMORE. 73 00:03:24,801 --> 00:03:26,432 I MEAN, OUR HONEYMOON. 74 00:03:26,500 --> 00:03:28,132 AH, SO MUCH RUG BURN! 75 00:03:28,200 --> 00:03:30,365 WAIT A SECOND, LOIS. THAT'S WHAT WE NEED. 76 00:03:30,433 --> 00:03:31,699 WE'LL GO ON A SECOND HONEYMOON. 77 00:03:31,768 --> 00:03:32,765 [gasps] 78 00:03:32,834 --> 00:03:34,532 PETER, THAT'S A WONDERFUL IDEA! 79 00:03:34,600 --> 00:03:36,698 YEAH. WE'LL BE JUST LIKE THE HONEYMOONERS! 80 00:03:36,767 --> 00:03:38,365 ONE OF THESE DAYS, ALICE. 81 00:03:38,433 --> 00:03:39,966 ONE OF THESE DAYS... 82 00:03:40,034 --> 00:03:41,431 YEAH, YEAH. I KNOW, RALPH. 83 00:03:41,500 --> 00:03:42,932 RIGHT TO THE MOON. 84 00:03:43,001 --> 00:03:44,631 [audience laughs] 85 00:03:45,201 --> 00:03:46,266 [audience gasps] 86 00:03:46,335 --> 00:03:47,333 OH. 87 00:03:51,834 --> 00:03:54,332 WELL, THAT'S EVERYTHING. NOW, REMEMBER, KIDS 88 00:03:54,401 --> 00:03:57,298 BRIAN IS IN CHARGE WHILE YOUR FATHER AND I ARE OUT AT CAPE COD. 89 00:03:57,367 --> 00:03:58,798 I'LL TAKE GOOD CARE OF THEM, LOIS. 90 00:03:58,867 --> 00:03:59,931 YOU GUYS HAVE A GOOD TIME. 91 00:04:00,000 --> 00:04:01,298 [engine starts] 92 00:04:02,200 --> 00:04:03,598 (Lois) BE GOOD. 93 00:04:03,667 --> 00:04:06,432 BYE, MOM, I LOVE YOU! 94 00:04:06,500 --> 00:04:09,232 YOU KNOW BRIAN, IF I CHOOSE TO MAKE STOOL IN MY PANTS RIGHT NOW 95 00:04:09,300 --> 00:04:10,898 YOU'RE THE ONLY ONE HERE TO CHANGE ME. 96 00:04:10,967 --> 00:04:12,432 WHAT DO YOU THINK OF THAT? MMM-HMM? 97 00:04:12,500 --> 00:04:13,866 I'M NOT GONNA CHANGE YOU. WHAT? 98 00:04:13,934 --> 00:04:15,498 I SAID, I'M NOT GOING TO CHANGE YOU. 99 00:04:15,567 --> 00:04:16,631 YOU CAN'T BE SERIOUS. 100 00:04:16,700 --> 00:04:18,333 OH, WHAT IF-- WHAT IF I MAKE A FUDGIE? 101 00:04:18,401 --> 00:04:20,932 WELL, I JUST WON'T, I JUST WON'T, THAT'S ALL. I JUST WON'T. 102 00:04:21,001 --> 00:04:22,099 BLAST, I JUST DID! 103 00:04:22,167 --> 00:04:23,298 [Chris and Meg shouting] 104 00:04:23,366 --> 00:04:24,466 CHRIS, CUT IT OUT! 105 00:04:24,534 --> 00:04:26,132 BRIAN, CHRIS JUST PICKED HIS NOSE 106 00:04:26,201 --> 00:04:28,032 AND HE KEEPS TOUCHING ME WITH HIS FINGER! 107 00:04:28,100 --> 00:04:29,665 (Chris) WHAT GOOD IS MINING NOSE GOLD 108 00:04:29,734 --> 00:04:32,065 IF I CAN'T SHARE IT WITH THE TOWNSPEOPLE? 109 00:04:32,134 --> 00:04:33,699 I SWEAR TO GOD, THESE KIDS ARE GONNA 110 00:04:33,768 --> 00:04:35,366 MAKE ME PUT A BULLET THROUGH MY HEAD. 111 00:04:35,434 --> 00:04:38,032 WELL, IF I WAS IN CHARGE, WE WOULDN'T BE HAVING THIS PROBLEM. 112 00:04:38,100 --> 00:04:39,264 YOU GOT SOME IDEAS? TELL ME. 113 00:04:39,333 --> 00:04:40,498 OH, I'LL TELL YOU. 114 00:04:40,567 --> 00:04:42,699 OF COURSE, I'LL WANT A FAVOR IN EXCHANGE. 115 00:04:42,768 --> 00:04:43,965 [laughing] 116 00:04:44,034 --> 00:04:45,431 HOW DOES IT SMELL, DOG? 117 00:04:45,500 --> 00:04:46,998 DOES IT SMELL LIKE SERVITUDE? 118 00:04:47,067 --> 00:04:48,398 [laughing] 119 00:04:48,467 --> 00:04:49,965 AFT TORPEDOES, FIRE! 120 00:04:52,733 --> 00:04:53,832 LOIS? 121 00:04:55,733 --> 00:04:57,364 HEY, LOIS, HONEY? 122 00:04:59,366 --> 00:05:00,765 SWEETHEART? 123 00:05:02,500 --> 00:05:03,765 [brakes screech] 124 00:05:03,834 --> 00:05:04,999 OH, YOU'RE AWAKE! 125 00:05:05,067 --> 00:05:06,698 HEY, UH, CAN YOU HAND ME THE PRETZELS? 126 00:05:06,767 --> 00:05:08,465 HERE. WHERE ARE WE? 127 00:05:08,534 --> 00:05:12,498 ABOUT 2 HOURS FROM CAPE COD'S MOST LUXURIOUS BED AND BREAKFAST. 128 00:05:12,567 --> 00:05:14,632 OH, PETER, THIS IS GONNA BE WONDERFUL. 129 00:05:14,701 --> 00:05:18,232 I'M SO EXCITED I WANT TO PREP MY DIAPHRAGM NOW. 130 00:05:18,301 --> 00:05:20,165 GROSS. HEY, WHY DON'T YOU GO BACK TO SLEEP? 131 00:05:20,234 --> 00:05:21,732 I'LL WAKE YOU UP WHEN WE GET THERE. 132 00:05:21,801 --> 00:05:22,832 OK. 133 00:05:36,567 --> 00:05:37,598 [Peter laughing] 134 00:05:37,667 --> 00:05:39,632 (Peter) LOOK AT ALL THOSE HAMBURGERS. 135 00:05:39,701 --> 00:05:41,932 YOU CAN'T EAT ALL THOSE HAMBURGERS, YOU STUPID FELLOW! 136 00:05:42,001 --> 00:05:43,099 [car thudding] 137 00:05:43,167 --> 00:05:44,598 OH, JEEZ. 138 00:05:49,667 --> 00:05:53,232 AH, HE'S GONNA DO IT! OH, HE'S SO RIDICULOUS. 139 00:05:53,300 --> 00:05:56,266 YOU HEAR ME, YOU RIDICULOUS MAN? YOU'RE-- WHOA! 140 00:05:56,335 --> 00:05:57,731 [screaming] 141 00:05:59,634 --> 00:06:01,698 PETER, WHAT THE HELL IS WRONG WITH YOU? 142 00:06:01,767 --> 00:06:03,298 I FALL ASLEEP FOR 10 MINUTES 143 00:06:03,367 --> 00:06:05,264 AND YOU PLOW THE CAR INTO A TREE? 144 00:06:05,333 --> 00:06:07,866 OH, MY GOD! YOU GOT TO PAY ATTENTION TO THE ROAD. 145 00:06:07,934 --> 00:06:09,264 WE COULD HAVE BEEN KILLED! 146 00:06:09,333 --> 00:06:11,065 I MEAN, LOOK AT THE FRONT OF OUR CAR. 147 00:06:11,134 --> 00:06:13,398 IT'S TOTALED. IT'S COMPLETELY TOTALED, PETER! 148 00:06:13,467 --> 00:06:14,598 OH, THIS IS JUST TERRIFIC. 149 00:06:14,667 --> 00:06:15,832 HOW ARE WE GONNA GET-- 150 00:06:15,901 --> 00:06:17,065 OH, MY GOD! 151 00:06:17,134 --> 00:06:18,299 I KNEW I SHOULD HAVE DRIVEN. 152 00:06:18,368 --> 00:06:19,465 I SHOULD ALWAYS DRIVE. 153 00:06:19,534 --> 00:06:21,899 I CANNOT TRUST YOU, PETER GRIFFIN! 154 00:06:27,433 --> 00:06:29,231 DEAR GOD, THIS IS WHERE WE'RE SLEEPING? 155 00:06:29,300 --> 00:06:32,099 OH, COME ON, LOIS. THEY SAID THEY'D HAVE THE CAR FIXED BY TOMORROW. 156 00:06:32,168 --> 00:06:34,332 AND THEN OUR SECOND HONEYMOON'S BACK ON TRACK, HUH? 157 00:06:34,401 --> 00:06:35,932 PETER, THERE'S A HOOKER ON THE BED. 158 00:06:36,001 --> 00:06:38,199 HI. STAND PERFECTLY STILL, LOIS. 159 00:06:38,267 --> 00:06:41,199 THEIR VISION IS BASED ON MOVEMENT. 160 00:06:41,267 --> 00:06:42,432 WHERE DID YOU GO? 161 00:06:42,501 --> 00:06:44,532 [crickets chirping] 162 00:06:44,600 --> 00:06:47,198 (announcer) AND NOW BACK TO TWO AND A HALF MEN. 163 00:06:47,267 --> 00:06:49,399 [all screaming] 164 00:06:50,867 --> 00:06:52,698 KILL ME! 165 00:06:52,767 --> 00:06:55,232 TURN IT, CHRIS. I WANT TO WATCH GEORGE LOPEZ. 166 00:06:55,300 --> 00:06:57,499 THAT SHOW ONLY FURTHERS THE STEREOTYPE 167 00:06:57,567 --> 00:06:58,832 THAT GEORGE LOPEZ IS FUNNY. 168 00:06:58,900 --> 00:07:00,966 GIVE ME THAT! LET GO. CHRIS, GIVE ME THE REMOTE. 169 00:07:01,034 --> 00:07:03,432 CHRIS, STOP! STOP DOING THAT! 170 00:07:03,500 --> 00:07:04,665 [gasps] MY HAT! 171 00:07:04,734 --> 00:07:06,165 [laughing] 172 00:07:06,234 --> 00:07:07,965 WEAR IT NOW. 173 00:07:08,034 --> 00:07:10,598 [both screaming] 174 00:07:10,667 --> 00:07:13,032 HEY, UH, UH, YOU TWO BETTER SETTLE DOWN. 175 00:07:13,100 --> 00:07:14,332 CHRIS, GIVE MEG HER HAT. 176 00:07:14,400 --> 00:07:15,799 I DON'T HAVE TO LISTEN TO YOU. 177 00:07:15,867 --> 00:07:16,999 YOU'RE A DOG! 178 00:07:17,067 --> 00:07:18,598 YOU DON'T HAVE A SOUL! 179 00:07:18,667 --> 00:07:19,798 OW. 180 00:07:19,867 --> 00:07:21,966 DON'T TAKE THAT. RAISE YOUR VOICE TO THEM. 181 00:07:22,034 --> 00:07:23,665 HEY! KNOCK IT OFF! 182 00:07:25,868 --> 00:07:28,565 LOOK, YOU KIDS ARE OBVIOUSLY IN NEED OF SOME TYPE OF ACTIVITY. 183 00:07:28,634 --> 00:07:29,898 SO, UH, UH, I DON'T KNOW. 184 00:07:29,967 --> 00:07:31,731 WHAT DO YOU SAY WE READ A BOOK OR SOMETHING? 185 00:07:31,800 --> 00:07:33,998 STEWIE, WHAT DOES PETER HAVE ON HIS BOOKSHELF? 186 00:07:34,067 --> 00:07:36,032 UH, 2 GARFIELD BOOKS 187 00:07:36,100 --> 00:07:38,598 AND THE NOVELIZATION OF THE MOVIE CADDYSHACK. 188 00:07:38,667 --> 00:07:42,298 "MANANANANANA," SAID TY, SINKING YET ANOTHER BALL. 189 00:07:42,367 --> 00:07:45,165 [phone ringing] "MANANANANANA--" HANG ON. 190 00:07:45,234 --> 00:07:46,966 OH, THANK GOD. 191 00:07:47,034 --> 00:07:49,966 "GARFIELD AT LARGE, BY JIM DAVIS." 192 00:07:50,034 --> 00:07:51,866 NOW, AS YOU CAN SEE IN THIS PANEL, 193 00:07:51,934 --> 00:07:54,465 GARFIELD DOESN'T CARE FOR NERMAL. 194 00:07:54,533 --> 00:07:58,099 BUT LIKE HIM OR NOT, NERMAL IS HERE TO STAY. 195 00:07:58,168 --> 00:08:00,531 OR IS HE? LET'S READ ON. 196 00:08:00,600 --> 00:08:02,266 OK, I'LL BE THERE. 197 00:08:02,335 --> 00:08:04,166 PETER AND LOIS WERE SUPPOSED TO CHAPERONE 198 00:08:04,235 --> 00:08:05,799 CHRIS' SCHOOL DANCE TOMORROW NIGHT. 199 00:08:05,867 --> 00:08:07,199 SO, I GUESS IT'S UP TO ME. 200 00:08:07,267 --> 00:08:08,498 YOU MEAN IT'S UP TO US. 201 00:08:08,567 --> 00:08:10,532 CLEARLY YOU NEED MY HELP WITH THIS PARENTING THING. 202 00:08:10,600 --> 00:08:12,032 YOU'RE TOO STUPID TO DO IT ALONE. 203 00:08:12,101 --> 00:08:13,965 BESIDES, I KNOW HOW TO DEAL WITH CHILDREN, 204 00:08:14,034 --> 00:08:15,532 UNLIKE MR. GEPPETTO. 205 00:08:17,967 --> 00:08:20,998 OH, NO. I DROPPED MY GLASSES. 206 00:08:21,067 --> 00:08:22,565 UH, BY THE WAY, UH, PINOCCHIO, 207 00:08:22,634 --> 00:08:24,598 UH, THERE WAS A COOKIE MISSING FROM THE JAR. 208 00:08:24,667 --> 00:08:26,732 DID YOU, UH, DID YOU TAKE IT BY ANY CHANCE? 209 00:08:26,801 --> 00:08:29,465 YES, PAPA GEPPETTO. I'M SORRY. 210 00:08:29,534 --> 00:08:30,965 ARE YOU SURE YOU TOOK IT? 211 00:08:31,034 --> 00:08:33,632 BECAUSE, UH, I'D BELIEVE YOU IF YOU SAID YOU DIDN'T. 212 00:08:33,701 --> 00:08:36,498 NO, I TOOK IT, PAPA. I WOULDN'T LIE TO YOU. 213 00:08:36,567 --> 00:08:39,532 YOU COULD TRY. WHO KNOWS? YOU MIGHT GET AWAY WITH IT. 214 00:08:42,300 --> 00:08:44,332 $900 TO FIX THE CAR. 215 00:08:44,401 --> 00:08:46,365 THAT WAS ALL THE MONEY WE HAD FOR THIS TRIP. 216 00:08:46,434 --> 00:08:48,665 LOOK, PETER, THIS SECOND HONEYMOON WAS A NICE THOUGHT 217 00:08:48,733 --> 00:08:50,098 BUT MAYBE WE SHOULD JUST GO HOME. 218 00:08:50,167 --> 00:08:51,298 [sighing] 219 00:08:51,367 --> 00:08:53,265 COMING UP, HANDSOME MUSTACHIOED MAN 220 00:08:53,333 --> 00:08:55,498 RECAPS NEWS IN PLEASING BARITONE. 221 00:08:55,567 --> 00:08:58,298 STAY TUNED FOR THIS AND MORE. 222 00:08:58,366 --> 00:08:59,632 BUT FIRST, 223 00:08:59,701 --> 00:09:01,832 ASIAN REPORTER TRICIA TAKANAWA IS ON HAND FOR THE OPENING 224 00:09:01,901 --> 00:09:04,431 OF MANHATTAN'S NEWEST LUXURY HOTEL. 225 00:09:04,500 --> 00:09:07,365 DIANE, I AM STANDING OUTSIDE THE PARK BARRINGTON HOTEL 226 00:09:07,433 --> 00:09:10,299 BECAUSE THEY DON'T ALLOW ASIANS INSIDE. 227 00:09:10,367 --> 00:09:13,798 FANCY PLACE. BOY, THAT'D MAKE SOME SECOND HONEYMOON, HUH? 228 00:09:13,867 --> 00:09:17,631 THE PARK BARRINGTON IS ALREADY ATTRACTING SOME BIG NAMES. 229 00:09:17,700 --> 00:09:20,332 SUCH AS CHRISTIANITY ENTHUSIAST MEL GIBSON, 230 00:09:20,401 --> 00:09:23,332 WHO HAS HIS OWN ROOM ON PERMANENT RESERVE. 231 00:09:23,401 --> 00:09:26,298 A ROOM WHICH HE BARELY USES. 232 00:09:26,367 --> 00:09:28,398 BARELY USES, HUH? 233 00:09:28,467 --> 00:09:30,698 LOIS, I JUST GOT AN IDEA! 234 00:09:30,767 --> 00:09:34,065 MUCH BETTER THAN THAT TIME I EXPERIMENTED WITH GENE SPLICING. 235 00:09:34,134 --> 00:09:35,565 UH, LOIS, QUICK QUESTION. 236 00:09:35,634 --> 00:09:37,298 DO WE HAVE ANY TYLENOL? 237 00:09:37,366 --> 00:09:40,266 ♪[music playing] 238 00:09:42,701 --> 00:09:44,032 OH, HOW I ENVY THEM, DOG. 239 00:09:44,101 --> 00:09:46,065 THEY'VE GOT THEIR WHOLE LIVES AHEAD OF THEM. 240 00:09:46,134 --> 00:09:47,665 OH, MAN, LOOK AT THAT KID. 241 00:09:47,734 --> 00:09:49,631 THAT IS ONE UGLY EIGHTH GRADER. 242 00:09:49,700 --> 00:09:51,832 YOU DON'T WANT TO HURT YOURSELF DANCING. 243 00:09:51,901 --> 00:09:55,698 MAKE SURE YOU STRETCH OUT THOSE CREAMY HAMSTRINGS. 244 00:09:56,900 --> 00:09:59,198 COME ON, CHRIS. IT'S JUST VODKA. 245 00:09:59,266 --> 00:10:01,965 JAKE SWIPED IT FROM HIS DAD'S LIQUOR CABINET. 246 00:10:02,034 --> 00:10:03,965 YEAH, SEE? IT'S GOOD. 247 00:10:04,034 --> 00:10:07,433 WELL, OK. MAYBE JUST ONE SIP. 248 00:10:07,501 --> 00:10:10,164 CHRISTOPHER GRIFFIN, IS THAT ALCOHOL? 249 00:10:10,233 --> 00:10:12,165 MISTER, YOU'RE IN SERIOUS TROUBLE. 250 00:10:12,233 --> 00:10:14,065 HE'S ABSOLUTELY RIGHT, KIDS. 251 00:10:14,134 --> 00:10:16,065 BECAUSE WHEN YOU DRINK, NOBODY WINS. 252 00:10:16,134 --> 00:10:19,532 IN FACT, LAST YEAR ALONE, THERE WERE OVER 27,000 DEATHS 253 00:10:19,600 --> 00:10:22,265 FROM CHRONIC LIVER DISEASE AS A RESULT OF ALCOHOL ABUSE. 254 00:10:22,334 --> 00:10:23,366 (all) NOW WE KNOW. 255 00:10:23,434 --> 00:10:25,665 AND KNOWING IS HALF THE BATTLE. 256 00:10:25,734 --> 00:10:29,065 ♪ G.I. JOE! ♪ 257 00:10:34,834 --> 00:10:36,198 PETER, WE CAN'T AFFORD THIS. 258 00:10:36,267 --> 00:10:38,598 NO, BUT MEL GIBSON CAN. 259 00:10:41,634 --> 00:10:43,431 UH, EXCUSE ME, I'M MEL GIBSON, 260 00:10:43,500 --> 00:10:45,732 HERE FOR THE KEY TO MY SPECIALLY RESERVED ROOM. 261 00:10:45,801 --> 00:10:46,998 YOU'RE MEL GIBSON? 262 00:10:47,067 --> 00:10:49,365 YES, I'VE PUT ON A FEW POUNDS FOR MY NEXT ROLE. 263 00:10:49,434 --> 00:10:51,398 I PLAY PETER GRIFFIN, A HEROIC WARRIOR 264 00:10:51,467 --> 00:10:55,032 WHO DEFIED THE ENGLISH TO FREE ENGLAND FROM THE ENGLISH. 265 00:10:55,101 --> 00:10:58,799 HOLY MACKEREL! LET ME SHOW YOU TO YOUR ROOM, MR. GIBSON! 266 00:10:58,867 --> 00:11:00,865 PETER, THE TOILET PAPER IS MADE OF MONEY. 267 00:11:00,934 --> 00:11:02,165 YEAH, AND LOOK AT THIS. 268 00:11:02,234 --> 00:11:04,432 THEY EVEN GOT SOME OF THAT HIGH-CLASS BRITISH PORN. 269 00:11:04,501 --> 00:11:08,299 ALMOST. ALMOST. ALMOST. 270 00:11:08,368 --> 00:11:09,999 THERE WE ARE. WELL DONE. 271 00:11:11,800 --> 00:11:13,965 DID YOU THINK YOU WERE COOL? 272 00:11:14,034 --> 00:11:16,165 DID YOU THINK YOU WERE GROWN UP? MMM-HMM? 273 00:11:16,234 --> 00:11:18,132 I DIDN'T ACTUALLY DRINK ANY OF IT. 274 00:11:18,201 --> 00:11:20,365 BESIDES, JAKE TUCKER GAVE IT TO ME. 275 00:11:20,434 --> 00:11:22,032 WELL, WE ARE GOING TO HAVE A TALK WITH 276 00:11:22,100 --> 00:11:23,899 JAKE'S PARENTS TOMORROW AFTER MY BURPING. 277 00:11:23,967 --> 00:11:25,999 AND, IN THE MEANTIME, YOU'RE GROUNDED, CHRIS. 278 00:11:26,067 --> 00:11:27,599 OH, COME ON. THAT SUCKS! 279 00:11:27,667 --> 00:11:28,865 DO YOU WANT US TO PULL OVER? 280 00:11:28,934 --> 00:11:30,698 I DON'T CARE WHAT YOU DO! 281 00:11:30,767 --> 00:11:33,032 OH, WE'LL PULL OVER. WE'LL PULL OVER. PULL OVER. 282 00:11:33,101 --> 00:11:34,431 [tires screech] 283 00:11:34,500 --> 00:11:36,198 [crying] 284 00:11:39,600 --> 00:11:42,431 IF YOUR TEACHERS ASK ABOUT YOUR BRUISES, WHAT DO YOU TELL THEM? 285 00:11:42,500 --> 00:11:45,698 I GOT HIT BY A BASEBALL! 286 00:11:45,767 --> 00:11:47,266 [crying] 287 00:11:49,534 --> 00:11:51,965 [Peter and Lois giggling] 288 00:11:52,034 --> 00:11:53,231 (Lois) OH, MEL! 289 00:11:53,300 --> 00:11:54,931 MEL? WAIT A MINUTE. 290 00:11:55,000 --> 00:11:57,399 YOU WERE FANTASIZING ABOUT MEL GIBSON. 291 00:11:57,467 --> 00:12:00,432 YOU... YOU DON'T FIND ME ATTRACTIVE ANYMORE. 292 00:12:00,501 --> 00:12:02,531 HONEY, I'M SORRY. I KNOW YOU'RE TRYING. 293 00:12:02,601 --> 00:12:05,732 BUT YOU CAN'T FORCE THE SPARK BACK INTO OUR MARRIAGE. 294 00:12:05,801 --> 00:12:08,132 WELL, THEN I GUESS THIS WHOLE SECOND HONEYMOON 295 00:12:08,200 --> 00:12:09,698 WAS A WASTE OF TIME. PETER-- 296 00:12:09,767 --> 00:12:11,099 I DON'T WANT TO TALK ABOUT IT! 297 00:12:11,168 --> 00:12:13,264 I'M JUST GONNA WATCH BRITISH PORN. 298 00:12:14,934 --> 00:12:16,131 YOU KNOW, MARGARET, 299 00:12:16,200 --> 00:12:18,098 WE COULD HAVE SEXUAL INTERCOURSE RIGHT NOW. 300 00:12:18,166 --> 00:12:19,164 YES, YES WE COULD. 301 00:12:19,233 --> 00:12:20,531 MMM, BUT, LET'S NOT. 302 00:12:20,601 --> 00:12:22,665 [crickets chirping] 303 00:12:24,167 --> 00:12:26,399 DO YOU THINK WE WERE TOO HARD ON CHRIS TONIGHT? 304 00:12:26,467 --> 00:12:28,866 WHAT? OH, GOD, NO, NO. 305 00:12:28,934 --> 00:12:31,065 NO, NO, I DON'T-- I DON'T THINK SO. 306 00:12:32,101 --> 00:12:33,398 DO YOU? 307 00:12:33,467 --> 00:12:36,832 OH, NO, I JUST ALWAYS FEEL BADLY WHEN WE HAVE TO BE STRICT. 308 00:12:36,901 --> 00:12:39,498 OH, DID I REMEMBER TO TURN THE STOVE OFF? 309 00:12:39,867 --> 00:12:40,932 YES. 310 00:12:42,267 --> 00:12:44,532 I'M SORRY FOR EVERYTHING THAT'S HAPPENED, PETER. 311 00:12:44,600 --> 00:12:46,498 I GUESS I'M GOING THROUGH A PHASE RIGHT NOW 312 00:12:46,567 --> 00:12:48,332 WHERE I'M ONLY ATTRACTED TO HANDSOME MEN. 313 00:12:48,401 --> 00:12:50,065 WELL, WHAT ARE WE SUPPOSED TO DO, LOIS? 314 00:12:50,134 --> 00:12:52,432 JUST ADMIT THAT THERE'S NO EXCITEMENT LEFT IN OUR MARRIAGE? 315 00:12:52,500 --> 00:12:54,165 GO HOME AND SPEND THE REST OF OUR LIVES 316 00:12:54,234 --> 00:12:56,232 LOOKING AT EACH OTHER ACROSS THE BREAKFAST TABLE, 317 00:12:56,300 --> 00:12:58,132 TALKING ABOUT HOW MUCH WE BOTH LIKE TOTAL? 318 00:12:58,201 --> 00:13:00,065 OH, I LOVE TOTAL. OH, ACTUALLY, SO DO I. 319 00:13:00,134 --> 00:13:01,465 AND IT'S HEALTHY FOR US, TOO. 320 00:13:01,534 --> 00:13:03,065 OH, GOD! IT'S STARTING ALREADY! 321 00:13:03,134 --> 00:13:04,932 LOIS, WE ARE SCREWED. 322 00:13:09,134 --> 00:13:10,265 WOW! 323 00:13:10,334 --> 00:13:12,965 MEL GIBSON'S SECRET SCREENING ROOM. 324 00:13:13,034 --> 00:13:14,699 HEY, WHAT'S THIS? 325 00:13:20,600 --> 00:13:23,066 THE MESSIAH, HE'S GONE. 326 00:13:23,134 --> 00:13:24,498 WHERE DID HE GO? 327 00:13:29,334 --> 00:13:31,365 HANG ON. 328 00:13:31,434 --> 00:13:34,198 MAN, YOU CRAZY, JESUS. YOU CRAZY! 329 00:13:34,267 --> 00:13:36,999 THAT'S WHAT MY EX-WIFE SAID. 330 00:13:37,068 --> 00:13:40,166 FOR THE SON OF GOD, YOU SURE ARE A SON OF A-- 331 00:13:40,234 --> 00:13:42,099 [both shout] 332 00:13:42,167 --> 00:13:45,631 (announcer) CHRIS TUCKER AND JIM CA-CAZEVE-CAVE... 333 00:13:45,700 --> 00:13:47,099 CAVIZIEL? IS THAT IT? 334 00:13:47,168 --> 00:13:48,632 THE GUY FROM THE FIRST ONE? 335 00:13:48,700 --> 00:13:52,333 PASSION OF THE CHRIST 2: CRUCIFY THIS. 336 00:13:55,768 --> 00:13:57,498 [guns firing] 337 00:14:00,868 --> 00:14:02,333 YOU KNOW HOW TO USE ONE OF THESE? 338 00:14:02,467 --> 00:14:04,565 YOU KNOW HOW TO USE ONE OF THESE? 339 00:14:06,834 --> 00:14:10,198 (announcer) THIS JULY, LET HE WHO IS WITHOUT SIN 340 00:14:10,266 --> 00:14:13,499 KICK THE FIRST ASS. 341 00:14:13,567 --> 00:14:15,099 OH, MAN, THAT'S ALL WE NEED. 342 00:14:15,167 --> 00:14:17,531 MORE MEL GIBSON JESUS MUMBO JUMBO. 343 00:14:17,600 --> 00:14:19,632 WELL, NOT IF I HAVE ANYTHING TO SAY ABOUT IT! 344 00:14:19,700 --> 00:14:22,665 I AM GOING TO MAKE SURE THIS NEVER SEES THE LIGHT OF DAY. 345 00:14:22,734 --> 00:14:24,165 PETER, ARE YOU CRAZY? 346 00:14:24,234 --> 00:14:26,132 STEALING MEL GIBSON'S TOWELS, BATHROBES, 347 00:14:26,201 --> 00:14:27,999 AND NAZI PARAPHERNALIA IS ONE THING, 348 00:14:28,067 --> 00:14:30,065 BUT THIS IS A MULTI-MILLION-DOLLAR FILM. 349 00:14:30,134 --> 00:14:32,065 AND HE'S A VERY POWERFUL MAN. 350 00:14:32,133 --> 00:14:34,331 HE COULD HAVE US ARRESTED OR--OR KILLED. 351 00:14:34,400 --> 00:14:36,032 IT'S WORTH THE RISK, LOIS. 352 00:14:36,101 --> 00:14:38,965 TO SAVE THE WORLD ANOTHER 2 HOURS OF TORTURE. 353 00:14:39,034 --> 00:14:41,998 WE GOTTA GET RID OF THIS THING FOR THE SAKE OF JESUS AND SNOOPY 354 00:14:42,067 --> 00:14:44,266 AND ALL THE OTHER BELOVED CHILDREN'S CHARACTERS. 355 00:14:44,335 --> 00:14:45,398 LET'S GO! 356 00:14:47,100 --> 00:14:48,665 PARDON ME. WE WORK FOR MEL GIBSON. 357 00:14:48,734 --> 00:14:50,264 SEEMS HE LEFT SOMETHING VERY VALUABLE 358 00:14:50,333 --> 00:14:52,198 IN HIS ROOM AND WE'RE HERE TO RETRIEVE IT. 359 00:14:52,267 --> 00:14:54,399 MR. GIBSON JUST CHECKED OUT A MOMENT AGO. 360 00:14:54,468 --> 00:14:55,999 UH, THERE HE GOES NOW. 361 00:14:56,068 --> 00:14:57,899 OH--OH, LOIS, RUN! 362 00:14:57,967 --> 00:14:59,298 HEY, STOP! 363 00:15:07,067 --> 00:15:08,765 [grunting] 364 00:15:15,867 --> 00:15:17,098 THEY'RE GAINING ON US. 365 00:15:17,167 --> 00:15:19,032 OH, WE NEVER SHOULD HAVE STOLEN THIS FILM. 366 00:15:19,100 --> 00:15:20,532 OH, MAN, THIS IS EVEN MORE INTENSE 367 00:15:20,600 --> 00:15:22,965 THAN THAT TIME I FORGOT HOW TO SIT DOWN. 368 00:15:28,667 --> 00:15:31,498 DON'T WORRY, LOIS. I THINK I KNOW HOW TO LOSE THEM. 369 00:15:32,534 --> 00:15:34,731 [people screaming] 370 00:15:36,733 --> 00:15:38,331 PETER, WHAT THE HELL ARE YOU DOING? 371 00:15:38,400 --> 00:15:39,665 LOIS, TRUST ME. 372 00:15:39,734 --> 00:15:41,565 HOW MANY TIMES HAVE I DONE THIS BEFORE? 373 00:15:41,634 --> 00:15:43,432 ALL RIGHT, BUT BE CAREFUL. 374 00:15:58,301 --> 00:15:59,698 [both screaming] 375 00:16:01,400 --> 00:16:03,032 [screaming] 376 00:16:04,733 --> 00:16:06,132 [tires screeching] 377 00:16:08,934 --> 00:16:10,631 OK, NOW, BE POLITE. AND FOR GOD'S SAKE 378 00:16:10,700 --> 00:16:12,765 DON'T MENTION ANYTHING ABOUT HIS KID'S FACE. 379 00:16:12,833 --> 00:16:15,631 OH, SHUT UP! I AM ALWAYS SO POLITE. 380 00:16:16,167 --> 00:16:17,765 [snorts] 381 00:16:17,833 --> 00:16:20,131 I, UH, HOPE WE DON'T WIND UP ON THE EVENING NEWS 'CAUSE OF THIS. 382 00:16:20,200 --> 00:16:21,265 [chuckles] 383 00:16:22,034 --> 00:16:23,832 YOU'RE FUNNY. 384 00:16:23,900 --> 00:16:25,832 AH, BRIAN, PLEASE COME IN. 385 00:16:27,001 --> 00:16:28,832 CAN MY WIFE, STACY, GET YOU ANYTHING? 386 00:16:28,901 --> 00:16:30,032 GO TO HELL, TOM. 387 00:16:30,100 --> 00:16:31,732 ALREADY THERE, HON. 388 00:16:31,800 --> 00:16:34,765 YES, WELL, UH, MR. TUCKER, UH, IT SEEMS YOUR SON JAKE HAD SOME VODKA 389 00:16:34,833 --> 00:16:38,032 AT THE SCHOOL DANCE AND, UH, CHRIS GOT BLAMED FOR IT. 390 00:16:38,100 --> 00:16:40,299 THIS, UH, THIS--THIS WHOLE SITUATION HAS JUST TURNED 391 00:16:40,368 --> 00:16:42,432 HIS WHOLE LIFE UPSIDE-DOWN FACE. 392 00:16:46,967 --> 00:16:49,765 IT'S NO CONCERN OF MINE IF IT'S TURNED HIS LIFE UPSIDE-DOWN FACE. 393 00:16:49,834 --> 00:16:51,432 JAKE'S A GOOD BOY. AREN'T YOU, JAKE? 394 00:16:51,501 --> 00:16:52,598 YEAH! 395 00:16:52,667 --> 00:16:54,365 LOOK, MR. TUCKER, I-- WE'RE THROUGH HERE. 396 00:16:54,433 --> 00:16:56,099 GET OUT OF MY HOUSE, BENJI! 397 00:16:56,168 --> 00:16:58,366 WELL FINE! IF YOU'RE GONNA BE THAT WAY ABOUT IT, MAYBE I'LL DO THIS. 398 00:16:58,435 --> 00:16:59,665 YEAH, LOOK AT THIS. STOP THAT! 399 00:16:59,733 --> 00:17:01,366 YEAH, YOU DON'T LIKE THIS, HUH? STOP IT! 400 00:17:01,435 --> 00:17:03,798 THIS IS WHAT BENJI WOULD DO. STOP DOING THAT IN MY CARPET! 401 00:17:03,867 --> 00:17:06,098 HEY, KNOCK IT OFF! STOP IT! OH, BOY, THAT FEELS SO GOOD. 402 00:17:06,167 --> 00:17:09,265 STOP IT! STOP IT! THAT FEELS SO GOOD. 403 00:17:09,333 --> 00:17:10,898 THERE'S GOT TO BE A WAY TO GET BACK 404 00:17:10,968 --> 00:17:12,865 AT JAKE TUCKER FOR WHAT HE DID TO CHRIS. 405 00:17:12,934 --> 00:17:16,132 I KNOW! I KNOW! I KNOW! LET'S PLANT DRUGS IN HIS LOCKER. 406 00:17:16,201 --> 00:17:17,865 OH, MY GOD! THAT'S A GREAT IDEA. 407 00:17:17,934 --> 00:17:19,531 YEAH, THOUGHT YOU'D LIKE THAT. 408 00:17:19,600 --> 00:17:22,199 HEY, LOOK AT THAT YOSEMITE SAM MUD FLAP. 409 00:17:22,268 --> 00:17:24,531 YOU HAD BETTER STAY BACK, BRIAN. 410 00:17:24,600 --> 00:17:25,665 [grunts] 411 00:17:27,867 --> 00:17:30,498 [sighing] I THINK WE LOST THEM. 412 00:17:30,567 --> 00:17:33,032 YOU STAY HERE. I'M GONNA GO BURY THIS FILM. 413 00:17:35,934 --> 00:17:38,465 WELL, MEL GIBSON, THIS IS ONE PIECE OF CRAP 414 00:17:38,534 --> 00:17:40,531 THE WORLD WILL NEVER HAVE TO SUFFER THROUGH. 415 00:17:40,600 --> 00:17:41,665 [snickers] 416 00:17:41,734 --> 00:17:43,264 I AM SO CLEVER. 417 00:17:43,333 --> 00:17:46,331 THAT'S WHY THEY PICKED ME TO CONVINCE CONGRESS TO GO TO WAR. 418 00:17:46,400 --> 00:17:49,464 THERE IS NO JUST CAUSE FOR AN INVASION OF IRAQ. 419 00:17:49,533 --> 00:17:50,598 WELL, THAT MAY BE. 420 00:17:50,667 --> 00:17:52,365 BUT WHAT WE'RE ALL FORGETTING IS 421 00:17:52,434 --> 00:17:54,965 ANYONE WHO DOESN'T WANT TO GO TO WAR IS GAY. 422 00:17:55,034 --> 00:17:56,165 I WANT TO GO TO WAR. 423 00:17:56,234 --> 00:17:58,132 (all) OH, YES, YES, YES. WE SHOULD DEFINITELY GO. 424 00:17:58,200 --> 00:17:59,798 (all) YES, WE SHOULD TOTALLY GO TO WAR. 425 00:17:59,867 --> 00:18:02,532 I WAS THE FIRST ONE WHO WANTED TO GO TO WAR. 426 00:18:02,600 --> 00:18:04,498 [airplane engine whirring] 427 00:18:10,667 --> 00:18:11,899 [screams] 428 00:18:15,134 --> 00:18:16,366 [screaming] 429 00:18:16,434 --> 00:18:17,598 (Lois) PETER! 430 00:18:19,901 --> 00:18:21,464 LOIS! 431 00:18:36,667 --> 00:18:38,432 DON'T TAKE THIS PERSONALLY, MRS. GRIFFIN. 432 00:18:38,500 --> 00:18:40,032 I'M DOING THIS BECAUSE I HAVE TO. 433 00:18:40,100 --> 00:18:41,399 WHAT ARE YOU GONNA DO TO ME? 434 00:18:41,467 --> 00:18:43,099 OH, WHAT ARE YOU GONNA DO TO ME? 435 00:18:43,168 --> 00:18:45,165 AS SOON AS YOUR HUSBAND GIVES ME WHAT I WANT, 436 00:18:45,234 --> 00:18:46,365 YOU'RE FREE TO GO. 437 00:18:46,434 --> 00:18:48,165 [door opening] (Peter) ANYBODY HOME? 438 00:18:48,233 --> 00:18:49,498 PETER! 439 00:18:49,567 --> 00:18:51,732 ALL RIGHT, GIBSON. I WANT MY WIFE BACK. 440 00:18:51,801 --> 00:18:53,732 OR A WOMAN OF EQUAL PHYSICAL ATTRACTIVENESS. 441 00:18:53,801 --> 00:18:55,164 WHERE'S THE FILM? 442 00:18:56,700 --> 00:18:58,366 COME ON, HONEY, LET'S GET OUT OF HERE. 443 00:18:58,434 --> 00:19:00,298 PETER, YOU'RE JUST GONNA GIVE HIM THE FILM? 444 00:19:00,366 --> 00:19:02,531 DON'T WORRY, LOIS. THERE'S A DOG TURD IN THERE. 445 00:19:02,600 --> 00:19:04,632 BUT BY THE TIME HE FINDS OUT, WE'LL BE LONG-- 446 00:19:04,701 --> 00:19:06,331 THERE'S A DOG TURD IN HERE. 447 00:19:06,400 --> 00:19:07,765 OH--OH, LOIS. WHAT? 448 00:19:07,834 --> 00:19:08,932 JUMP! 449 00:19:09,001 --> 00:19:10,232 [both scream] 450 00:19:10,800 --> 00:19:11,866 NO, WAIT! 451 00:19:11,934 --> 00:19:14,565 I'LL DEAL WITH THEM MYSELF. 452 00:19:21,933 --> 00:19:23,398 (Lois) WE'RE ON TOP OF THE MONUMENT. 453 00:19:23,467 --> 00:19:24,532 HOLY CRAP! 454 00:19:24,600 --> 00:19:25,699 [gun fires] 455 00:19:28,667 --> 00:19:31,198 [bullet ricocheting] 456 00:19:31,267 --> 00:19:33,598 YOU KNOW, I KNOW THIS IS THE WRONG TIME TO BE STAR STRUCK 457 00:19:33,667 --> 00:19:36,198 BUT MEL GIBSON IS SHOOTING AT US. 458 00:19:36,968 --> 00:19:38,665 [screaming] 459 00:19:40,101 --> 00:19:42,133 PETER, HELP! 460 00:19:42,200 --> 00:19:43,899 OH, MAN. I'M COMING, LOIS. 461 00:19:44,567 --> 00:19:45,632 [laughing] 462 00:19:45,701 --> 00:19:47,598 HEY, LOIS, LOOK. I'M A BOOGER. 463 00:19:48,333 --> 00:19:49,932 PETER, FOR GOD'S SAKE! 464 00:19:50,000 --> 00:19:51,765 OH, OK, OK. GRAB MY HAND. 465 00:19:51,834 --> 00:19:52,965 [gun clicking] 466 00:19:53,034 --> 00:19:54,098 [both gasp] 467 00:19:54,167 --> 00:19:57,265 AND NOW, MR. GRIFFIN, I WANT THAT FILM. 468 00:19:57,334 --> 00:20:00,932 OH, SURE. IT'S, UH, RIGHT OVER THERE IN PRESIDENT RUSHMORE'S MOUTH. 469 00:20:01,634 --> 00:20:03,132 [screaming] 470 00:20:06,267 --> 00:20:07,431 MY GOD! 471 00:20:07,500 --> 00:20:09,498 HE JUST WALKED RIGHT OVER THE EDGE. 472 00:20:09,567 --> 00:20:10,832 OF COURSE, HE DID. 473 00:20:10,901 --> 00:20:13,065 CHRISTIANS DON'T BELIEVE IN GRAVITY. 474 00:20:14,567 --> 00:20:16,431 [groaning] 475 00:20:16,500 --> 00:20:18,365 PETER, IT'S BACK. 476 00:20:18,434 --> 00:20:19,532 WHAT, THAT RASH? 477 00:20:19,600 --> 00:20:21,231 NO, NO, THE SPARK. 478 00:20:21,300 --> 00:20:25,432 HONEY, I HAVE NEVER BEEN MORE ATTRACTED TO YOU THAN I AM RIGHT NOW. 479 00:20:25,500 --> 00:20:26,965 REALLY? WOW! 480 00:20:27,034 --> 00:20:28,431 HEY, SO I GUESS THIS HONEYMOON 481 00:20:28,500 --> 00:20:29,899 WAS JUST THE KIND OF EXCITEMENT 482 00:20:29,967 --> 00:20:31,264 OUR MARRIAGE NEEDED. HUH? 483 00:20:31,333 --> 00:20:33,065 I GUESS IT JUST GOES TO SHOW THAT YOU-- 484 00:20:33,134 --> 00:20:34,732 SHUT UP AND LET'S DO IT! 485 00:20:34,801 --> 00:20:36,431 [both moaning] 486 00:20:36,500 --> 00:20:39,032 [both laughing] 487 00:20:39,101 --> 00:20:40,331 (Lois) OH, PETER! 488 00:20:40,400 --> 00:20:41,498 (Peter) YES! 489 00:20:41,567 --> 00:20:43,699 HEY, HEY, JEFFERSON, CHECK IT OUT. 490 00:20:43,767 --> 00:20:45,298 A CHICK GETTING NAILED ON MY HEAD. 491 00:20:45,366 --> 00:20:48,531 SWEET. HEY, TEDDY, PASS THE WORD DOWN TO FRANKENSTEIN. 492 00:20:48,600 --> 00:20:50,032 OH, HA-HA! 493 00:20:51,801 --> 00:20:54,432 IN LOCAL NEWS, A BUDDY CIANCI JUNIOR HIGH SCHOOL STUDENT 494 00:20:54,500 --> 00:20:56,731 HAS BEEN ARRESTED FOR POSSESSION OF DRUGS. 495 00:20:56,800 --> 00:20:58,165 THE STUDENT HAS BEEN SENTENCED 496 00:20:58,233 --> 00:20:59,799 TO 200 HOURS OF COMMUNITY SERVICE 497 00:20:59,868 --> 00:21:01,632 AND IS A VERY BAD BOY. 498 00:21:01,700 --> 00:21:04,999 WE NOW GO TO OLLIE WILLIAMS FOR THE PUNISHMENT FORECAST. OLLIE? 499 00:21:05,068 --> 00:21:06,565 HE GONNA GET IT! THANKS, OLLIE. 500 00:21:06,634 --> 00:21:07,798 NOW THIS. 501 00:21:07,867 --> 00:21:09,832 SO YOU ACTUALLY PUT COKE IN THAT KID'S LOCKER? 502 00:21:09,901 --> 00:21:11,266 YUP. WOW, WHERE'D YOU GET IT? 503 00:21:11,334 --> 00:21:12,432 OH, I GOT A GUY. 504 00:21:12,501 --> 00:21:14,199 DON'T LET IT GET THE BEST OF YOU. 505 00:21:14,267 --> 00:21:15,966 I USED TO BE A LAWYER. 506 00:21:16,034 --> 00:21:17,265 SEE YOU NEXT WEEK. 507 00:21:17,333 --> 00:21:19,098 GOOD TO BE BACK, AMERICA.