1
00:00:03,134 --> 00:00:05,832
♪ IT SEEMS TODAY
THAT ALL YOU SEE ♪
2
00:00:05,901 --> 00:00:09,264
♪ IS VIOLENCE IN MOVIES
AND SEX ON T.V. ♪
3
00:00:09,333 --> 00:00:12,698
♪ BUT WHERE ARE THOSE
GOOD OLD-FASHIONED VALUES ♪
4
00:00:12,767 --> 00:00:15,932
♪ ON WHICH WE USED TO RELY ♪
5
00:00:16,001 --> 00:00:19,398
♪ LUCKY THERE'S A FAMILY GUY ♪
6
00:00:19,467 --> 00:00:22,665
♪ LUCKY THERE'S A MAN WHO
POSITIVELY CAN DO ♪
7
00:00:22,734 --> 00:00:24,298
♪ ALL THE THINGS
THAT MAKE US ♪
8
00:00:24,367 --> 00:00:25,998
♪ LAUGH AND CRY ♪
9
00:00:26,067 --> 00:00:30,965
♪ HE'S A FAMILY GUY ♪
10
00:00:37,533 --> 00:00:40,331
PETER, THANKS A LOT
FOR HAVIN' US
OUT ON YOUR BOAT.
11
00:00:40,400 --> 00:00:41,431
NO PROBLEM.
12
00:00:41,500 --> 00:00:43,299
PETER, ARE YOU SURE
SANTOS AND PASQUAL
13
00:00:43,368 --> 00:00:45,999
DON'T MIND COMIN' IN
ON A SATURDAY
TO SERVE US DRINKS?
14
00:00:46,067 --> 00:00:47,798
ARE YOU KIDDIN', LOIS?
THEY'RE PORTUGUESE.
15
00:00:47,867 --> 00:00:49,299
WORK IS THEIR COCAINE.
16
00:00:49,368 --> 00:00:51,032
BESIDES, LOOK AT THEM
IN THEIR TUXEDOS.
17
00:00:51,101 --> 00:00:52,665
THEY LOOK LIKE LITTLE PEOPLE.
18
00:00:52,734 --> 00:00:54,198
[speaking Portuguese]
19
00:00:54,266 --> 00:00:56,065
[speaking Portuguese]
20
00:00:58,901 --> 00:01:01,099
HEY, MEG. WHAT'S GOING ON?
21
00:01:01,168 --> 00:01:03,299
WHAT'S GOING ON?
YOU HAVING A GOOD TIME?
22
00:01:03,367 --> 00:01:05,699
YEAH, NO, I'M HAVIN'
A GOOD TIME.
23
00:01:05,767 --> 00:01:08,132
UH, HEY, WHAT'S GOING ON?
24
00:01:08,201 --> 00:01:09,199
UH, YOU'RE,
25
00:01:09,267 --> 00:01:11,332
UH, LISTEN, YOU'RE
17 NOW, RIGHT?
26
00:01:11,400 --> 00:01:14,732
UM, UH, I WAS-- I WAS JUST
THROWING IT OUT THERE.
27
00:01:14,801 --> 00:01:17,432
I WAS THINKING, UH, YOU KNOW,
IF YOU EVER WANT TO...
28
00:01:17,500 --> 00:01:19,598
I DON'T KNOW,
SCREW AROUND
OR SOMETHIN'.
29
00:01:19,667 --> 00:01:20,832
UH, HEY, JOE.
30
00:01:20,900 --> 00:01:22,565
UH,
31
00:01:22,634 --> 00:01:25,131
SO, YOU KNOW,
IT'S JUST SOMETHING TO MULL
AROUND IN THE OLD NOGGIN.
32
00:01:28,067 --> 00:01:31,698
DAMN. WHAT IS IT ABOUT GOLF
THAT ALWAYS BRINGS OUT
THE WORST IN ME?
33
00:01:31,767 --> 00:01:36,132
SO, ANNIKA SORENSTAM,
YOU'RE, UH, QUITE THE
FEMALE GOLFER, AREN'T YOU?
34
00:01:36,201 --> 00:01:38,332
YES, QUITE THE FEMALE GOLFER.
35
00:01:38,401 --> 00:01:39,766
[gasps]
36
00:01:39,834 --> 00:01:41,965
(Stewie)
HA! I KNEW IT! LOOK!
EVERYBODY, LOOK! LOOK!
37
00:01:42,034 --> 00:01:44,098
SHE'S A FRAUD!
38
00:01:44,167 --> 00:01:46,998
ALL RIGHT, I CAUGHT A FISH!
39
00:01:47,067 --> 00:01:48,665
OH, HUH.
SORRY ABOUT THAT, LORETTA.
40
00:01:48,734 --> 00:01:50,198
HEY, CAN I HAVE
MY FISH BACK?
41
00:01:50,266 --> 00:01:53,232
OH, YOU'RE GONNA HAVE TO
REACH INTO THE COOKIE JAR.
42
00:01:53,300 --> 00:01:55,465
[stuttering]
WELL, UH, I CAN'T JUST...
43
00:01:55,534 --> 00:01:57,232
YOU'RE--YOU'RE
MY BEST FRIEND'S WIFE.
44
00:01:57,300 --> 00:01:58,599
REACH INTO... ALL RIGHT!
45
00:01:58,667 --> 00:02:00,364
YEAH, YOU GO IN
AND GET THAT.
46
00:02:00,433 --> 00:02:02,132
SHOW THAT FISHY
WHO'S BOSS.
47
00:02:02,201 --> 00:02:03,999
LORETTA, THEY HAVE
SOME OF THAT
48
00:02:04,067 --> 00:02:06,665
3-BEAN SALAD
YOU'RE SO FOND OF.
49
00:02:06,734 --> 00:02:09,032
HEY, QUAGMIRE.
50
00:02:09,101 --> 00:02:11,865
[laughing]
WELL, WE'LL, UH, HAVE TO
DO THIS AGAIN SOMETIME.
51
00:02:11,934 --> 00:02:14,331
YOU NAME THE TIME
AND THE PLACE,
LITTLE NECK.
52
00:02:14,401 --> 00:02:15,432
[laughing]
53
00:02:15,501 --> 00:02:16,499
[stuttering]
54
00:02:20,967 --> 00:02:21,999
HUH?
55
00:02:22,067 --> 00:02:24,198
OH, I'VE ALWAYS
LOVED CHARADES.
56
00:02:24,267 --> 00:02:25,632
YOUR TURN, JOE.
57
00:02:25,700 --> 00:02:28,132
THE CATEGORY IS
FAMOUS PEOPLE.
OK, GUESS WHO I AM.
58
00:02:28,200 --> 00:02:29,932
IRONSIDE!
LARRY FLYNT!
59
00:02:30,001 --> 00:02:32,032
STEPHEN HAWKING!
UH, DR. STRANGELOVE!
60
00:02:32,100 --> 00:02:34,198
ROY CAMPANELLA!
RICHARD PETTY!
61
00:02:34,267 --> 00:02:35,298
LANCE ARMSTRONG!
62
00:02:35,366 --> 00:02:37,032
NEIL ARMSTRONG!
STRETCH ARMSTRONG!
63
00:02:37,100 --> 00:02:39,465
STRETCH CUNNINGHAM!
HOWARD CUNNINGHAM!
POTSIE WEBER!
64
00:02:39,534 --> 00:02:40,899
[yelling]
65
00:02:41,567 --> 00:02:44,166
[screaming]
66
00:02:44,234 --> 00:02:46,532
OH, NATALIE WOOD.
DEFINITELY NATALIE WOOD.
67
00:02:46,600 --> 00:02:48,731
SOMEBODY SAVE HIM,
HE CAN'T SWIM!
68
00:02:48,800 --> 00:02:50,865
OH, HE'S NOT EVEN KICKING.
KICK, JOE, KICK!
69
00:02:50,934 --> 00:02:52,265
PETER,
HE'S A PARAPLEGIC.
70
00:02:52,333 --> 00:02:54,531
THAT DOESN'T MEAN
HE CAN'T HEAR.
KICK, JOE, KICK!
71
00:02:55,200 --> 00:02:56,199
[water splashing]
72
00:02:57,500 --> 00:02:59,199
SOMEBODY HELP HIM!
73
00:03:03,867 --> 00:03:05,099
OH, GAY!
74
00:03:05,168 --> 00:03:06,598
[gasping]
75
00:03:08,500 --> 00:03:10,665
YOU WERE RIGHT, PETER.
IT WAS NATALIE WOOD.
76
00:03:15,868 --> 00:03:18,799
LOIS, WHY THE HELL
DO WE HAVE TO TAKE
A STUPID C.P.R. CLASS?
77
00:03:18,867 --> 00:03:20,699
BECAUSE, PETER,
NONE OF US KNEW
WHAT TO DO
78
00:03:20,767 --> 00:03:21,865
WHEN JOE WAS DROWNING.
79
00:03:21,934 --> 00:03:23,932
NOW, BE QUIET
AND PAY ATTENTION.
80
00:03:24,001 --> 00:03:27,531
HI, THERE. I'D LIKE TO
WELCOME YOU ALL
TO C.P.R.
81
00:03:27,601 --> 00:03:30,066
I SEE A LOT OF SMILES HERE
IN THIS ROOM.
82
00:03:30,133 --> 00:03:31,498
THERE'S ONE.
83
00:03:31,567 --> 00:03:33,231
OH, THERE'S ANOTHER.
84
00:03:33,300 --> 00:03:34,865
THAT'S GOOD.
85
00:03:34,934 --> 00:03:37,299
I SEE THAT SODA
UP UNDER YOUR CHAIR.
86
00:03:37,368 --> 00:03:40,032
THAT'S ALL RIGHT.
SODA'S ALL RIGHT ON MY WATCH.
87
00:03:40,101 --> 00:03:42,898
WE ALSO GOT OREOS HERE
AND FRESH COFFEE.
88
00:03:43,700 --> 00:03:45,399
EVERYBODY LIKES A SNACK.
89
00:03:46,268 --> 00:03:48,598
NOW, WHO WANTS TO GO FIRST?
90
00:03:48,667 --> 00:03:51,165
HMM. NO TAKERS? WELL,
FINE. I'LL GO FIRST.
91
00:03:51,233 --> 00:03:52,999
PETER, WHY DON'T YOU
VOLUNTEER?
92
00:03:53,068 --> 00:03:55,665
OH, NO, I DON'T VOLUNTEER
FOR ANYTHING SINCE I HELPED
THOSE GUYS
93
00:03:55,734 --> 00:03:57,232
REPAINT THE SISTINE CHAPEL.
94
00:03:57,801 --> 00:03:59,131
[gasping]
95
00:03:59,200 --> 00:04:01,399
YEAH, UH, LISTEN, I THOUGHT
THE STUFF THAT WAS THERE
96
00:04:01,467 --> 00:04:03,365
WAS KIND OF LAME.
SO I PUT THIS UP.
97
00:04:03,433 --> 00:04:05,766
I FIGURED ANDRE THE GIANT
WOULD BE A LITTLE HIPPER.
YOU KNOW.
98
00:04:05,834 --> 00:04:07,765
GET BACK SOME OF THOSE BOYS
YOU SCARED AWAY.
99
00:04:07,834 --> 00:04:09,966
AND THAT'S PRETTY MUCH
ALL THERE IS TO IT.
100
00:04:10,034 --> 00:04:12,665
YEAH, IT'S HARD, JAGGED,
AND TASTES LIKE ALCOHOL.
101
00:04:12,734 --> 00:04:15,066
JUST LIKE
KISSING FAYE DUNAWAY.
102
00:04:15,134 --> 00:04:16,298
[both laughing]
103
00:04:16,367 --> 00:04:17,765
EASY NOW.
104
00:04:17,833 --> 00:04:20,131
WELL, I CAN'T BELIEVE
WE JUST DID THAT. HMM.
105
00:04:20,200 --> 00:04:22,364
UH, BUT, UH, YOU KNOW,
THAT--THAT STUFF
106
00:04:22,433 --> 00:04:24,531
ABOUT SPENDING THE DAY
TOGETHER TOMORROW, UM,
107
00:04:24,601 --> 00:04:26,732
I--I FORGOT. ACTUALLY,
I HAVE A THING.
108
00:04:26,801 --> 00:04:29,331
BUT, UH, YOU KNOW,
YOU HAVE MY E-MAIL ADDRESS.
109
00:04:29,400 --> 00:04:32,098
SO DROP ME A LINE.
AND THEN I'LL HAVE YOURS.
110
00:04:32,166 --> 00:04:34,498
AND, UH, WE'LL
TAKE IT FROM THERE.
111
00:04:34,567 --> 00:04:36,131
SO, UM...
112
00:04:37,133 --> 00:04:38,665
BOOP-BOOP.
113
00:04:38,734 --> 00:04:40,398
BELLYBUTTON.
114
00:04:40,467 --> 00:04:41,966
WELL, I'LL SEE YOU LATER.
115
00:04:42,034 --> 00:04:43,232
SO, IT'S OFFICIAL.
116
00:04:43,300 --> 00:04:45,199
Y'ALL ARE
CARD-CARRYING LIFESAVERS.
117
00:04:45,268 --> 00:04:47,564
HOLY CRAP,
A CARD WITH MY NAME ON IT!
118
00:04:47,633 --> 00:04:50,766
I AM NOW PETER GRIFFIN,
CERTIFIED C.P.R.
119
00:04:50,834 --> 00:04:52,899
COME ON, LOIS!
I'VE GOT LIVES TO SAVE.
120
00:04:52,967 --> 00:04:54,799
THANKS. BE SAFE.
121
00:04:54,867 --> 00:04:56,965
OH, NOBODY HAD
ANY OF THE COFFEE.
122
00:04:57,034 --> 00:04:59,166
ONLY A COUPLE OF OREOS GONE.
123
00:04:59,233 --> 00:05:01,298
I'M GONNA TAKE THE REST HOME
TO THE CATS.
124
00:05:03,968 --> 00:05:05,965
SORRY, I WAS
DIALING THE PHONE.
ARE YOU ALL RIGHT?
125
00:05:06,034 --> 00:05:08,265
YEAH, DON'T WORRY ABOUT IT.
DOESN'T LOOK LIKE
THERE'S ANY--
126
00:05:08,334 --> 00:05:10,765
PETER GRIFFIN,
CERTIFIED C.P.R.
DON'T ANYONE PANIC!
127
00:05:10,834 --> 00:05:11,831
[screaming]
128
00:05:11,900 --> 00:05:13,199
WHAT THE HELL ARE YOU DOING?
129
00:05:13,268 --> 00:05:14,931
[choking]
Y-YOU KNOW,
I DON'T THINK HE'S HURT.
130
00:05:15,000 --> 00:05:17,532
I'LL GET TO YOU
IN A MOMENT, SIR. ALL RIGHT,
I'M GONNA HAVE TO
131
00:05:17,600 --> 00:05:18,965
CHECK AND SEE
IF HE SOILED HIMSELF.
132
00:05:19,034 --> 00:05:19,965
SIR? SIR?
NO!
133
00:05:20,034 --> 00:05:21,732
WHAT THE HELL IS
WRONG WITH YOU?
134
00:05:21,801 --> 00:05:23,798
I'VE GOT TO CHECK
IF YOU'VE SOILED YOURSELF.
GET OFF ME! ARE YOU CRAZY?
135
00:05:23,867 --> 00:05:25,799
SIR? I'M GONNA NEED YOU
TO STOP STRUGGLING,
ALL RIGHT?
136
00:05:25,868 --> 00:05:27,398
LEAVE HIM ALONE.
I HURT MY ELBOW!
137
00:05:27,467 --> 00:05:29,264
I'VE GOT TO GET
THESE TROUSERS OFF.
SOMEBODY CALL THE COPS!
138
00:05:29,333 --> 00:05:30,766
I GOTTA SEE IF
YOU'VE SOILED YOURSELF.
139
00:05:30,834 --> 00:05:32,398
NOBODY ASKED YOU
TO GET INVOLVED! YOU IDIOT!
140
00:05:32,467 --> 00:05:33,898
GET OFF HIM, YOU JACKASS!
141
00:05:33,967 --> 00:05:35,532
SIR, I'M GONNA NEED YOU
TO STEP BACK.
142
00:05:35,600 --> 00:05:37,099
ALL RIGHT, LOOKS LIKE
WE'RE CLEAN DOWN HERE.
143
00:05:37,168 --> 00:05:38,665
YOU GUYS TAKE IT EASY.
NO NEED TO THANK ME.
144
00:05:38,734 --> 00:05:40,366
JUST PAY IT FORWARD.
145
00:05:40,434 --> 00:05:42,465
SO THEY REVOKED
YOUR C.P.R. CARD, HUH?
146
00:05:42,534 --> 00:05:45,598
YEAH. I TELL YOU, THIS IS
WORSE THAN WHEN THEY
TOOK AWAY MY LIBRARY CARD
147
00:05:45,667 --> 00:05:47,232
FOR READING
WHILE INTOXICATED.
148
00:05:47,301 --> 00:05:50,266
OH, DON'T BE
ASHAMED OF YOUR HAND,
JOHNNY TREMAIN.
149
00:05:50,334 --> 00:05:52,665
YOU STILL LIVE
IN EXCITING TIMES.
150
00:05:52,733 --> 00:05:53,899
OH, CRAP!
151
00:05:53,968 --> 00:05:56,199
SIR, DO YOU KNOW HOW LOUD
YOU WERE READING?
152
00:05:56,268 --> 00:05:58,431
"THE LIFE OF
A SILVERSMITH'S APPRENTICE
WAS NOT AN EASY ONE!"
153
00:05:58,500 --> 00:06:00,365
[screaming]
154
00:06:00,433 --> 00:06:02,832
I GOT TO FIGURE OUT SOME WAY
TO GET THAT CARD BACK.
155
00:06:02,901 --> 00:06:04,564
WELL, YOU COULD ALWAYS
TAKE THE CLASS AGAIN.
156
00:06:04,633 --> 00:06:06,331
I MEAN, I'M SURE
THEY'D GIVE YOU
ANOTHER CARD.
157
00:06:06,400 --> 00:06:07,531
[Loretta screaming]
158
00:06:07,600 --> 00:06:08,932
HEY, DO YOU HEAR THAT?
WHAT?
159
00:06:09,001 --> 00:06:10,232
SOUNDS LIKE
SOMEONE SCREAMING.
160
00:06:10,301 --> 00:06:11,866
WHAT--WHAT IS IT, BOY?
WHAT ARE YOU TRYING TO SAY?
161
00:06:11,934 --> 00:06:13,266
IT SOUNDS LIKE
LORETTA IS SCREAMING.
162
00:06:13,334 --> 00:06:14,732
TROUBLE AT THE OLD MILL?
163
00:06:14,801 --> 00:06:16,299
WHAT ARE YOU, INSANE?
SOMEBODY FALL
THROUGH THE ICE?
164
00:06:16,368 --> 00:06:17,532
IT'S SUMMER.
BOBCAT?
165
00:06:17,601 --> 00:06:18,599
[barking]
166
00:06:18,667 --> 00:06:20,765
LORETTA'S IN TROUBLE?
COME ON, BOY!
167
00:06:21,834 --> 00:06:23,999
PETER GRIFFIN,
TEMPORARILY SUSPENDED C.P.R...
168
00:06:24,068 --> 00:06:25,265
HOLY CRAP!
169
00:06:26,001 --> 00:06:27,699
WE SHOULD GO.
170
00:06:27,767 --> 00:06:29,432
BOY, THAT WAS EMBARRASSING,
HUH?
171
00:06:29,501 --> 00:06:31,565
WALKING IN ON
LORETTA AND CLEVELAND
HAVING SEX.
172
00:06:31,633 --> 00:06:32,698
UH, PETER,
THAT WASN'T, UH--
173
00:06:32,767 --> 00:06:34,399
YOU KNOW, FOR A LARGE,
HEAVYSET BLACK GUY,
174
00:06:34,467 --> 00:06:36,032
CLEVELAND'S GOT A CUTE,
LITTLE WHITE ASS.
175
00:06:36,100 --> 00:06:38,264
THAT WASN'T CLEVELAND.
IT WAS SOME WHITE GUY.
176
00:06:38,334 --> 00:06:41,632
WHAT WAS THAT?
SHUT UP AND PUT SOME MORE
OF THAT SUGAR IN MY BOWL.
177
00:06:46,567 --> 00:06:47,732
WAIT A MINUTE.
BRIAN?
178
00:06:47,801 --> 00:06:50,065
IF THAT WASN'T CLEVELAND
DOING IT WITH LORETTA,
179
00:06:50,134 --> 00:06:51,832
THEN LORETTA'S
HAVING AN AFFAIR.
180
00:06:51,901 --> 00:06:53,366
OH, WE CAN'T TELL ANYONE
ABOUT THIS.
181
00:06:53,434 --> 00:06:55,865
THAT IS THE LAST THING
IN THE WORLD WE WANT TO DO.
182
00:06:55,934 --> 00:06:58,665
WHAT A DAY! WE'VE DONE
EVERYTHING IN THE WORLD.
183
00:06:58,733 --> 00:07:00,732
SO I GUESS THE ONLY THING
LEFT TO DO IS TELL YOU
184
00:07:00,801 --> 00:07:02,332
THAT LORETTA BROWN
IS HAVING AN AFFAIR.
185
00:07:02,400 --> 00:07:04,165
GOOD LORD!
OH, NO!
186
00:07:04,233 --> 00:07:05,832
(Quagmire)
OH, GOD! I'M SCREWED.
187
00:07:05,901 --> 00:07:07,898
THIS IS WORSE THAN THAT TIME
I HAD TO FESS UP
TO THE NATION.
188
00:07:07,967 --> 00:07:09,331
MY FELLOW AMERICANS,
189
00:07:09,400 --> 00:07:12,132
I HAVE NOT BEEN
ENTIRELY TRUTHFUL WITH YOU.
190
00:07:12,200 --> 00:07:14,498
I DID GA-GOOGITY THAT GIRL.
191
00:07:14,567 --> 00:07:17,698
I GA-SHMOIGEDIED HER
GA-FLAVETY WITH MY GOOGUS.
192
00:07:17,767 --> 00:07:19,098
AND I AM SORRY.
193
00:07:19,167 --> 00:07:21,065
YEAH, HUH, ANY IDEA
WHO IT WAS, PETER?
194
00:07:21,134 --> 00:07:22,165
NO, WE DIDN'T SEE HIS FACE.
195
00:07:22,233 --> 00:07:23,265
[sighing]
196
00:07:23,334 --> 00:07:24,999
ALL WE KNOW IS
IT'S A SKINNY WHITE GUY
197
00:07:25,067 --> 00:07:26,866
WITH A TATTOO
ON HIS LEFT BUTT CHEEK.
198
00:07:26,934 --> 00:07:28,065
WELL, I BETTER
TELL CLEVELAND.
199
00:07:28,134 --> 00:07:30,032
I GOT A KNACK
FOR DELIVERING BAD NEWS.
200
00:07:30,101 --> 00:07:32,332
I DON'T KNOW HOW TO
TELL YOU THIS,
MR. DEVANNEY.
201
00:07:32,400 --> 00:07:33,799
SO I'LL LET
THESE GUYS DO IT.
202
00:07:35,367 --> 00:07:37,198
♪ YOU HAVE AIDS,
YES, YOU HAVE AIDS ♪
203
00:07:37,267 --> 00:07:40,332
♪ I HATE TO TELL YOU,
BOY, THAT YOU HAVE AIDS,
YOU GOT THE AIDS ♪
204
00:07:40,401 --> 00:07:44,965
♪ YOU MAY HAVE CAUGHT IT
WHEN YOU STUCK THAT
FILTHY NEEDLE IN HERE ♪
205
00:07:45,034 --> 00:07:47,932
♪ OR MAYBE ALL
THAT UNPROTECTED SEX
PUT YOU HERE ♪
206
00:07:48,001 --> 00:07:51,165
♪ IT ISN'T CLEAR
BUT WHAT WE'RE CERTAIN OF
IS YOU HAVE AIDS ♪
207
00:07:51,234 --> 00:07:55,132
♪ YES, YOU HAVE AIDS
NOT H.I.V.,
BUT FULL-BLOWN AIDS ♪
208
00:07:57,366 --> 00:07:59,665
♪ BE SURE THAT YOU SEE ♪
209
00:08:00,634 --> 00:08:05,665
♪ THAT THIS IS NOT H.I.V. ♪
210
00:08:07,333 --> 00:08:09,565
♪ BUT FULL-BLOWN AIDS ♪
211
00:08:09,633 --> 00:08:12,965
♪ NOT H.I.V., BUT REALLY
FULL-BLOWN AIDS ♪
212
00:08:13,034 --> 00:08:17,232
♪ I'M SORRY I WISH IT WAS
SOMETHING LESS SERIOUS ♪
213
00:08:17,300 --> 00:08:19,698
♪ BUT IT'S AIDS ♪
214
00:08:19,767 --> 00:08:24,198
♪ YOU'VE GOT THE AIDS ♪
215
00:08:29,466 --> 00:08:31,298
SO, LISTEN,
CLEVELAND. UM,
216
00:08:31,367 --> 00:08:33,032
THE REASON I ASKED YOU
OUT HERE,
217
00:08:33,101 --> 00:08:35,498
UH, I'VE BEEN
WANTING TO TALK TO YOU
ABOUT SOMETHING.
218
00:08:35,567 --> 00:08:37,099
IN SUPERMAN II,
219
00:08:37,168 --> 00:08:39,333
WHAT IS THE STORY
WITH THAT CELLOPHANE "S"
220
00:08:39,400 --> 00:08:41,998
THAT SUPERMAN
RIPS OFF HIS CHEST
AND THROWS AT THE BAD GUY?
221
00:08:43,400 --> 00:08:45,866
PREPARE TO BE DESTROYED,
SUPERMAN!
222
00:08:47,867 --> 00:08:49,598
[grunts]
223
00:08:49,667 --> 00:08:51,765
WHAT WAS THAT?
YEAH, TAKE THAT,
YOU JERK.
224
00:08:51,834 --> 00:08:53,398
THAT WAS
A MINOR INCONVENIENCE.
225
00:08:53,467 --> 00:08:55,264
YEAH, WELL, THAT'S THE IDEA.
SLOWED YOU DOWN.
226
00:08:55,333 --> 00:08:56,465
I'LL SAY. OW.
227
00:08:56,533 --> 00:08:58,164
DIDN'T SEE THAT COMING,
DID YOU?
NO.
228
00:08:58,233 --> 00:09:00,032
YEAH, WELL,
YOU KNOW, TAKE THAT.
229
00:09:00,100 --> 00:09:02,032
WHICH ACTUALLY BRINGS ME
TO MY NEXT POINT:
230
00:09:02,101 --> 00:09:04,265
UH, YOUR WIFE'S
CHEATING ON YOU.
WHAT?
231
00:09:04,334 --> 00:09:06,832
YEAH, UH, I-IT'S ACTUALLY
A PRETTY FUNNY STORY,
232
00:09:06,900 --> 00:09:07,965
UH, TRUE STORY.
233
00:09:08,034 --> 00:09:09,799
UH, BRIAN AND I
WALKED INTO YOUR HOUSE
234
00:09:09,867 --> 00:09:11,565
AND, UH, SHE WAS
WITH SOME GUY GOING,
235
00:09:11,634 --> 00:09:13,865
BAM, BAM, BAM,
BAM, BAM!
236
00:09:13,934 --> 00:09:15,765
UH, PETER, UH, MAYBE--
HANG ON, I'M NOT DONE.
237
00:09:15,834 --> 00:09:17,231
BAM, BAM, BAM!
238
00:09:17,300 --> 00:09:20,765
AND THEN SHE'S ALL,
"OH, YEAH. OH, YEAH."
239
00:09:20,834 --> 00:09:22,265
BAM, BAM, BAM!
240
00:09:22,334 --> 00:09:23,965
YOU WANT TO TAKE IT
FROM HERE, BAMM-BAMM?
241
00:09:24,034 --> 00:09:25,498
BAM, BAM,
BAM, BAM, BAM!
242
00:09:25,566 --> 00:09:27,565
YOU WANT TO TAKE IT
FROM HERE, EMERIL?
BAM!
243
00:09:27,634 --> 00:09:29,565
SO THAT'S WHAT
WE'RE DEALING WITH HERE.
ANY THOUGHTS?
244
00:09:31,867 --> 00:09:34,298
LORETTA, IS IT TRUE
WHAT THEY'RE SAYING?
245
00:09:34,366 --> 00:09:38,232
WERE YOU REALLY
HAVING CARNAL RELATIONS
WITH ANOTHER GENTLEMAN?
246
00:09:38,301 --> 00:09:41,299
I'M A WOMAN, CLEVELAND.
I NEED SOME PASSION
IN MY LIFE.
247
00:09:41,367 --> 00:09:44,599
I NEED A REAL MAN.
AND LORD KNOWS
THAT AIN'T YOU.
248
00:09:44,667 --> 00:09:47,266
WELL, I ADMIT
AFTER A LONG DAY AT WORK
249
00:09:47,334 --> 00:09:49,131
I DON'T ALWAYS COME HOME
250
00:09:49,200 --> 00:09:53,565
WITH THAT "RIUNITE ON ICE,
THAT'S NICE" MENTALITY.
251
00:09:53,633 --> 00:09:55,465
AND FOR THAT, I APOLOGIZE.
252
00:09:55,533 --> 00:09:59,265
APOLOGIZE? I CHEAT ON YOU
AND YOU APOLOGIZE TO ME?
253
00:09:59,333 --> 00:10:02,132
CLEVELAND BROWN,
YOU ARE PATHETIC!
254
00:10:02,201 --> 00:10:05,398
I DISAGREE, BUT I
RESPECT YOUR CANDOR.
255
00:10:05,466 --> 00:10:06,832
GOODBYE, CLEVELAND.
256
00:10:07,934 --> 00:10:09,099
I LOVE YOU.
257
00:10:09,767 --> 00:10:11,131
[doorbell ringing]
258
00:10:12,167 --> 00:10:13,398
OH, HI, CLEVELAND.
259
00:10:13,467 --> 00:10:14,598
HEY, WHAT ARE YOU
DOING HERE?
260
00:10:14,667 --> 00:10:16,498
OH, LORETTA KICKED ME OUT.
261
00:10:16,566 --> 00:10:18,765
OH, CLEVELAND,
I AM SO SORRY.
262
00:10:18,833 --> 00:10:20,832
YOU CAN STAY HERE
AS LONG AS YOU LIKE.
263
00:10:20,901 --> 00:10:22,632
CLEVELAND, SIT DOWN.
264
00:10:22,701 --> 00:10:26,065
I WANT TO SING A LITTLE SONG
THAT, UH, KEPT ME GOING
WHEN I HAD TROUBLES.
265
00:10:31,733 --> 00:10:34,266
♪ WE WERE AT THE BEACH ♪
266
00:10:34,333 --> 00:10:36,765
♪ EVERYBODY HAD
MATCHING TOWELS ♪
267
00:10:36,834 --> 00:10:39,399
♪ SOMEBODY WENT UNDER A DOCK ♪
268
00:10:39,468 --> 00:10:42,165
♪ AND THERE THEY SAW A ROCK ♪
269
00:10:42,234 --> 00:10:43,832
♪ BUT IT WASN'T A ROCK ♪
270
00:10:45,001 --> 00:10:47,431
♪ IT WAS A ROCK LOBSTER ♪
271
00:10:52,466 --> 00:10:53,965
♪ ROCK LOBSTER ♪
272
00:10:57,801 --> 00:10:59,298
♪ ROCK LOBSTER ♪
273
00:11:02,600 --> 00:11:03,765
[laughing]
274
00:11:03,834 --> 00:11:05,732
YEAH, YOU'RE GONNA BE OK.
275
00:11:10,467 --> 00:11:11,899
NOW, EVERYBODY,
CLEVELAND'S GONNA BE
276
00:11:11,967 --> 00:11:13,531
STAYING WITH US
FOR A FEW DAYS.
277
00:11:13,601 --> 00:11:15,932
THAT'S RIGHT, KIDS.
SO JUST TREAT HIM
LIKE ONE OF THE FAMILY.
278
00:11:16,001 --> 00:11:18,632
YOU MEAN LIKE COUSIN JANINE
WHO WE'RE POLITE TO,
279
00:11:18,701 --> 00:11:21,198
BUT THEN MOCK HER DIABETES
ON THE DRIVE HOME?
280
00:11:22,068 --> 00:11:23,598
SHE CAN'T EAT CARAMEL.
281
00:11:24,901 --> 00:11:26,265
EXACTLY.
282
00:11:26,334 --> 00:11:27,866
CAN I-- CAN I
TOUCH YOUR HAIR?
283
00:11:27,934 --> 00:11:30,299
I-I'M GONNA DO IT.
I'M GONNA TOUCH IT.
284
00:11:30,367 --> 00:11:32,065
[laughing]
IT'S LIKE A SHEEP!
285
00:11:34,100 --> 00:11:36,831
YOU KNOW, PETER,
I'M A LITTLE WORRIED
ABOUT CLEVELAND.
286
00:11:36,900 --> 00:11:38,932
HIS WIFE CHEATED ON HIM,
KICKED HIM OUT OF THE HOUSE,
287
00:11:39,001 --> 00:11:40,865
AND HE DOESN'T SEEM
AT ALL AFFECTED BY IT.
288
00:11:40,934 --> 00:11:43,565
HE'S PROBABLY
BOTTLING UP HIS EMOTIONS.
THAT'S NOT GOOD FOR YOU.
289
00:11:43,634 --> 00:11:47,066
RIGHT. I ALMOST GOT AN ULCER
AFTER YOU SHELLED OUT
$200 FOR TICKETS
290
00:11:47,134 --> 00:11:48,866
TO CROSSING OVER
WITH JOHN EDWARD.
291
00:11:48,934 --> 00:11:51,598
I'M SENSING AN "A."
DOES YOUR NAME BEGIN
WITH AN "A"?
292
00:11:51,667 --> 00:11:52,632
NO.
A "B"?
293
00:11:52,701 --> 00:11:53,765
NO.
294
00:11:53,834 --> 00:11:56,699
C, D, E, F, G, H, I,
J, K, L, M, N, O, P?
295
00:11:56,767 --> 00:11:58,199
"P"! PETER! MY NAME'S PETER!
296
00:11:58,267 --> 00:11:59,332
IS YOUR NAME PETER?
297
00:11:59,400 --> 00:12:01,832
WOW, YOU ARE
SOME KIND OF SORCERER.
298
00:12:01,901 --> 00:12:03,832
WHAT CLEVELAND
REALLY NEEDS RIGHT NOW
299
00:12:03,900 --> 00:12:05,632
IS TO LEARN HOW TO
EXPRESS HIS FEELINGS.
300
00:12:05,701 --> 00:12:08,398
NOW, WHAT HE NEEDS RIGHT NOW
IS A REVENGE LAY.
301
00:12:08,466 --> 00:12:10,798
AND I KNOW
JUST WHO TO TALK TO.
302
00:12:14,433 --> 00:12:15,398
[whirring]
303
00:12:15,467 --> 00:12:16,998
[doorbell ringing]
304
00:12:17,667 --> 00:12:18,799
OH, GOD!
305
00:12:18,867 --> 00:12:20,965
HUH. SORRY, GUYS.
LET ME THROW SOMETHING ON.
306
00:12:21,034 --> 00:12:22,099
[gasps]
307
00:12:23,667 --> 00:12:24,732
PETER, LOOK!
308
00:12:24,801 --> 00:12:26,565
HOLY CRAP,
THAT'S THE TATTOO!
309
00:12:26,634 --> 00:12:29,832
WELL, I THINK
WE'RE ABOUT TO FIND OUT
WHO THE CULPRIT IS.
310
00:12:29,901 --> 00:12:32,065
5-5-5-0-1-4-3.
311
00:12:32,133 --> 00:12:34,265
PETER, I--
SHUT UP, BRIAN! I'M SLEUTHING.
312
00:12:34,333 --> 00:12:35,398
[phone ringing]
313
00:12:35,467 --> 00:12:36,532
HELLO?
QUAGMIRE?
314
00:12:36,600 --> 00:12:38,165
YEAH.
HEY, IT'S PETER.
315
00:12:38,233 --> 00:12:40,966
WHAT'S GOING ON, BUDDY?
WE'RE AT YOUR HOUSE.
316
00:12:41,034 --> 00:12:43,298
PETER, HE'S THE ONE WE SAW
SLEEPING WITH LORETTA!
317
00:12:43,367 --> 00:12:44,398
OH, MY GOD!
318
00:12:44,467 --> 00:12:45,899
DAMN IT, I KNEW
THIS WAS GONNA HAPPEN!
319
00:12:45,967 --> 00:12:47,932
LOOK, I DIDN'T MEAN IT,
YOU KNOW? I--I KNEW
IT WAS A MISTAKE!
320
00:12:48,000 --> 00:12:49,898
IT NEVER FELT RIGHT!
PLEASE DON'T TELL CLEVELAND!
321
00:12:49,967 --> 00:12:52,331
WELL, ALL RIGHT,
QUAGMIRE.
322
00:12:52,400 --> 00:12:54,532
CLEVELAND,
QUAGMIRE'S SLEEPING
WITH YOUR WIFE!
323
00:12:54,601 --> 00:12:57,065
WHAT?
QUAGMIRE SLEPT WITH LORETTA?
324
00:12:57,134 --> 00:12:58,731
OH, MY GOD, CLEVELAND!
325
00:12:58,800 --> 00:13:00,532
I AM SO SORRY.
326
00:13:00,600 --> 00:13:03,199
I CAN ONLY IMAGINE
WHAT YOU MUST BE FEELING
RIGHT NOW.
327
00:13:03,267 --> 00:13:04,231
IT'S OK.
328
00:13:04,300 --> 00:13:05,565
IT'S OK?
329
00:13:05,634 --> 00:13:07,798
IT'S OK TO BE BETRAYED
BY YOUR WIFE AND BEST FRIEND?
330
00:13:07,867 --> 00:13:09,331
BETTER IT BE QUAGMIRE
331
00:13:09,400 --> 00:13:11,998
THAN SOMEONE SHE COULD
GET A DISEASE FROM.
332
00:13:12,067 --> 00:13:13,565
CLEVELAND, DON'T YOU SEE?
333
00:13:13,634 --> 00:13:15,299
THIS IS WHY
YOUR WIFE LEFT YOU.
334
00:13:15,368 --> 00:13:17,199
YOU DON'T HAVE
ANY PASSION.
335
00:13:17,267 --> 00:13:20,165
SOMETIMES A WOMAN
WANTS TO SEE HER MAN
BE A MAN.
336
00:13:20,234 --> 00:13:21,832
YOU GOT TO PUSH BACK
A LITTLE!
337
00:13:21,901 --> 00:13:23,165
YOU GOT TO GET
A LITTLE ROUGH!
338
00:13:23,233 --> 00:13:25,499
OH, GOD! PETER, HIT ME!
YEAH!
339
00:13:25,567 --> 00:13:26,832
[screaming]
340
00:13:28,601 --> 00:13:30,432
WOW, SO THAT'S, UH,
THAT'S SOMETHING,
341
00:13:30,501 --> 00:13:32,765
ABOUT QUAGMIRE AND, UH,
LORETTA, HUH?
342
00:13:32,834 --> 00:13:34,798
CLEVELAND, WE GOT TO GET
YOUR MANHOOD BACK.
343
00:13:34,867 --> 00:13:36,932
NOW, THE FIRST THING
WE'RE GONNA DO IS
TAKE YOU TO A GOOD,
344
00:13:37,001 --> 00:13:38,698
OLD-FASHIONED,
WRESTLING MATCH.
345
00:13:38,767 --> 00:13:39,799
[woman chattering
over P.A. system]
346
00:13:39,867 --> 00:13:41,032
[audience cheering]
347
00:13:41,100 --> 00:13:43,233
ALL RIGHT, CLEVELAND.
NOTHING LIKE
A GOOD SMACKDOWN
348
00:13:43,301 --> 00:13:44,831
TO GET
THE TESTOSTERONE GOING.
349
00:13:44,900 --> 00:13:47,498
I MUST BE IN QUAHOG
'CAUSE ALL I SEE
350
00:13:47,567 --> 00:13:49,132
IS A BUNCH OF HICKS!
351
00:13:49,201 --> 00:13:51,632
[all hooting]
OH, YOU TAKE THAT BACK,
MACHO MAN RANDY SAVAGE!
352
00:13:51,700 --> 00:13:53,165
OH, DON'T HE MAKE YOU SO MAD
353
00:13:53,234 --> 00:13:54,999
YOU JUST WANT TO GO
DOWN THERE AND HIT HIM?
NO.
354
00:13:55,067 --> 00:13:56,631
WELL, MAYBE NOT HIM
'CAUSE HE'S KIND OF BIG.
355
00:13:56,700 --> 00:13:58,699
BUT DON'T YOU WANT TO HIT
THE GUY SITTING NEXT TO YOU?
356
00:13:58,767 --> 00:14:00,232
WELL, NOT HIM
'CAUSE HE'S KIND OF
BIG, TOO.
357
00:14:00,301 --> 00:14:02,166
BUT DON'T YOU WANT TO
HIT HIS KID?
358
00:14:02,234 --> 00:14:04,732
TAKE THAT, MACHO MAN
RANDY SAVAGE. YOU JERK.
359
00:14:07,266 --> 00:14:11,266
ALL RIGHT, CLEVELAND.
IF THIS DOESN'T LIGHT A FIRE
IN YOUR BELLY, NOTHING WILL.
360
00:14:11,335 --> 00:14:12,932
HEY, LOOK AT ME.
I'M QUAGMIRE.
361
00:14:13,001 --> 00:14:14,432
I HAD SEX WITH YOUR WIFE.
362
00:14:14,500 --> 00:14:15,965
[babbling]
363
00:14:16,034 --> 00:14:17,331
[laughing]
364
00:14:17,400 --> 00:14:20,665
THOSE ARE SO HIS MANNERISMS.
365
00:14:20,733 --> 00:14:23,564
PETER, WHAT THE HELL
ARE YOU DOING?
I'M NOT PETER, I'M QUAGMIRE.
366
00:14:23,633 --> 00:14:25,431
AND I'M DOING YOU, LORETTA.
WHAT THE HELL?
367
00:14:25,500 --> 00:14:26,965
OH, YOU LIKE THAT? YEAH.
HEY!
368
00:14:27,034 --> 00:14:28,898
MUCH BETTER THAN CLEVELAND.
HEY, PETER, KNOCK IT OFF!
369
00:14:28,967 --> 00:14:31,565
GET YOU DAMN HANDS OFF ME
YOU SON OF A--
YOU LIKE IT DIRTY, DON'T YOU?
370
00:14:31,633 --> 00:14:32,965
EASY GIRL.
WHAT THE HELL ARE YOU DOING?
371
00:14:33,034 --> 00:14:34,765
WHAT IS THAT
IN YOUR POCKET?
QUAGMIRE'S GOT YOU.
372
00:14:34,833 --> 00:14:36,799
LOIS! SOMEBODY!
YEAH, YEAH.
373
00:14:36,868 --> 00:14:38,333
[growling]
374
00:14:38,401 --> 00:14:40,132
GLENN QUAGMIRE,
375
00:14:40,201 --> 00:14:42,133
YOU'RE DEAD!
376
00:14:42,201 --> 00:14:43,899
♪[Popeye theme music playing]
377
00:14:44,934 --> 00:14:46,599
[tooting]
378
00:14:52,634 --> 00:14:54,165
[growling]
379
00:14:54,234 --> 00:14:55,899
ALL RIGHT, ALL RIGHT.
CALM DOWN, CLEVELAND.
380
00:14:55,968 --> 00:14:58,398
I'M GONNA KILL QUAGMIRE!
381
00:14:58,466 --> 00:15:01,799
OH, GOD,
YOU'RE HYPERVENTILATING!
CHRIS, GET ME A BAG.
382
00:15:01,867 --> 00:15:04,766
OK, CLEVELAND,
BREATHE INTO THE BAG.
IT'LL CALM YOU DOWN.
383
00:15:04,834 --> 00:15:06,865
UH, PETER, I'M NOT
SURE THAT THAT'S--
NOT NOW, LOIS!
384
00:15:06,934 --> 00:15:09,731
OK, C-C...
OK, CLEVELAND, CLEVELAND,
RELAX, RELAX, RELAX.
385
00:15:09,800 --> 00:15:10,932
RELAX, RELAX.
386
00:15:11,001 --> 00:15:12,132
THERE YOU GO.
387
00:15:12,201 --> 00:15:13,765
THERE YOU GO. OK.
388
00:15:13,834 --> 00:15:14,832
SHH-SHH-SHH.
389
00:15:14,901 --> 00:15:16,133
IT'S OK. IT'S OK.
390
00:15:16,201 --> 00:15:17,465
IT'S ALL GONNA BE OK.
391
00:15:17,533 --> 00:15:19,032
PETER, YOU BETTER DO
YOUR C.P.R.
392
00:15:19,101 --> 00:15:21,166
THERE'S NO TIME, LOIS.
I GOT TO GO WARN QUAGMIRE
393
00:15:21,235 --> 00:15:23,699
WHILE I GOT THE CHANCE.
QUICK, TO THE PETER COPTER!
394
00:15:25,801 --> 00:15:27,365
[engine revving]
395
00:15:29,467 --> 00:15:31,965
[screaming]
396
00:15:32,034 --> 00:15:34,932
OH, GOD! OH, GOD!
OH, GOD! OH, MY GOD! OW!
397
00:15:35,000 --> 00:15:36,498
PETER, WHAT THE HELL?
398
00:15:36,567 --> 00:15:38,966
JOE, JOE, GET INSIDE!
THE BLADES ARE STILL SPINNING!
OH, MY GOD, PETER!
399
00:15:39,034 --> 00:15:40,865
WHAT IS THAT THING?
JOE! GET INSIDE!
400
00:15:40,934 --> 00:15:42,631
IT'S TEARING UP MY YARD!
OH, OH GOD!
401
00:15:42,700 --> 00:15:43,865
OH, MY GOD!
NO, NO!
402
00:15:43,934 --> 00:15:45,266
[screaming]
403
00:15:46,533 --> 00:15:47,999
[sighing]
404
00:15:48,067 --> 00:15:49,232
OH, JOE,
405
00:15:49,300 --> 00:15:50,899
OH, I AM SORRY, BUDDY.
IT'S OK.
406
00:15:50,967 --> 00:15:52,765
ARE YOU OK? YOU ALL RIGHT?
LOOK, IT'S OK.
407
00:15:52,834 --> 00:15:54,298
IT'S OK, I'M FINE.
OH, BOY.
408
00:15:54,366 --> 00:15:56,265
EVERYBODY'S FINE.
OH, THAT WAS SCARY.
409
00:15:58,367 --> 00:16:00,599
PETER, WHAT ARE WE
DOING HERE?
TRUST ME, QUAGMIRE.
410
00:16:00,667 --> 00:16:03,432
CLEVELAND WILL NEVER THINK
TO LOOK FOR YOU
AT MAYOR WEST'S HOUSE.
411
00:16:03,500 --> 00:16:04,731
HEY, THERE.
HOW YOU DOING?
412
00:16:04,800 --> 00:16:06,165
GOOD EVENING, GENTLEMEN.
413
00:16:06,233 --> 00:16:08,065
LISTEN, MAYOR WEST, MY FRIEND
QUAGMIRE HERE'S IN TROUBLE.
414
00:16:08,134 --> 00:16:09,565
HE NEEDS A PLACE
TO STAY TONIGHT.
415
00:16:09,633 --> 00:16:12,299
SAY NO MORE.
I'LL PROTECT YOU, SIR.
416
00:16:12,367 --> 00:16:16,398
IT IS MY JOB. I ONLY ASK
THAT YOU DO NOT
FEED MY CAT, BOOTSIE,
417
00:16:16,466 --> 00:16:18,799
AS HE'S ALREADY EATEN
AND MIGHT THROW UP.
418
00:16:22,634 --> 00:16:23,965
WELL, DERWOOD,
419
00:16:24,034 --> 00:16:26,398
NOW YOU REALLY ARE
THE BIG MAN OF THE HOUSE.
420
00:16:26,467 --> 00:16:29,432
MOTHER, CHANGE HIM BACK.
421
00:16:29,500 --> 00:16:32,132
YOU KNOW, ENDORA, UH,
UH, I'M GETTING
A LITTLE SICK OF THIS CRAP.
422
00:16:32,201 --> 00:16:33,665
YOU EVER SEEN ONE OF THESE?
HUH?
423
00:16:33,733 --> 00:16:35,465
YOU KNOW WHAT THIS IS?
HUH?
NO!
424
00:16:35,533 --> 00:16:37,232
YEAH, IT'S HOLY WATER.
HUH? YEAH.
425
00:16:37,300 --> 00:16:39,731
[screaming]
TRY IT. YEAH?
HOW'S THAT FEEL? HUH?
426
00:16:39,801 --> 00:16:42,631
YOU LIKE THAT? HUH?
POWER OF CHRIST
COMPELS YOU, BITCH.
427
00:16:42,700 --> 00:16:44,199
I HATE BEWITCHED.
428
00:16:44,268 --> 00:16:46,198
[growling]
429
00:16:46,267 --> 00:16:49,066
(Stewie)
HEY, SO THAT'S A PRETTY
REASONABLE REACTION, HUH?
430
00:16:51,467 --> 00:16:54,765
IT'S ALL RIGHT
TO GO TO SLEEP, MY FRIEND.
I'LL STAND GUARD.
431
00:16:54,834 --> 00:16:55,999
UH, OK.
432
00:16:56,067 --> 00:16:58,198
DON'T WORRY.
I'LL BE HERE ALL NIGHT.
433
00:16:58,267 --> 00:17:01,765
JUST DON'T TRY
TO MAKE ME SMILE.
I'M FORBIDDEN TO SMILE.
434
00:17:04,166 --> 00:17:05,665
OH, NO. HUH.
435
00:17:05,734 --> 00:17:08,431
THAT EPISODE OF GROWING PAINS
WHEN MIKE'S FRIEND BONER
436
00:17:08,500 --> 00:17:09,932
RAN FOR STUDENT COUNCIL.
437
00:17:10,001 --> 00:17:11,032
[chuckling]
438
00:17:11,100 --> 00:17:12,032
BONER.
439
00:17:12,100 --> 00:17:13,966
HIS NAME WAS
440
00:17:14,034 --> 00:17:15,364
B-B-BONER.
441
00:17:15,433 --> 00:17:16,865
[chuckling]
442
00:17:19,434 --> 00:17:21,332
[laughing]
443
00:17:32,667 --> 00:17:34,099
I'VE FAILED YOU.
444
00:17:34,167 --> 00:17:36,199
UH, THIS IS, UH,
KIND OF CREEPING ME OUT.
I'M GONNA GO.
445
00:17:36,268 --> 00:17:37,732
TAKE THIS, FOR PROTECTION.
446
00:17:37,801 --> 00:17:40,632
WHAT THE HELL'S THIS FOR?
WHEN THE TIME COMES,
447
00:17:40,700 --> 00:17:41,832
YOU'LL KNOW.
448
00:17:43,300 --> 00:17:46,065
I'LL TEACH HIM TO MESS
WITH MY WIFE.
449
00:17:46,134 --> 00:17:47,598
OH, HI, CLEVELAND.
450
00:17:47,667 --> 00:17:49,432
WILL, UH, YOU BE
JOINING US FOR DINNER?
451
00:17:49,500 --> 00:17:50,899
[growling]
452
00:17:50,967 --> 00:17:54,365
OK, THEN.
HE'S A ROCKY MACHINE!
453
00:17:54,434 --> 00:17:56,565
PETER, WE HAVE GOT TO DO
SOMETHING ABOUT CLEVELAND.
454
00:17:56,634 --> 00:17:58,264
I THINK YOU CREATED
A MONSTER.
455
00:17:58,333 --> 00:18:00,066
WELL, THERE'S ONLY
ONE THING TO DO, LOIS.
456
00:18:00,133 --> 00:18:02,665
WE'VE GOT TO GET
LORETTA AND CLEVELAND
BACK TOGETHER.
457
00:18:02,733 --> 00:18:04,998
AND I KNOW JUST
HOW TO DO IT.
458
00:18:05,067 --> 00:18:06,299
TO THE HINDEN-PETER!
459
00:18:07,634 --> 00:18:08,765
[engine roaring]
460
00:18:10,734 --> 00:18:11,732
[explosion]
461
00:18:12,501 --> 00:18:13,766
(Joe)
OH, MY GOD!
462
00:18:13,834 --> 00:18:15,665
(Peter)
JOE, I AM SO SORRY.
463
00:18:15,734 --> 00:18:17,865
HOW CAN YOU AFFORD
THESE THINGS?
464
00:18:19,367 --> 00:18:20,464
[phone beeping]
465
00:18:20,533 --> 00:18:22,732
YEAH, CLEVELAND,
THIS IS QUAGMIRE.
UH, LISTEN,
466
00:18:22,800 --> 00:18:24,332
I FEEL AWFUL.
467
00:18:24,400 --> 00:18:26,132
WHY DON'T YOU COME ON OVER
AND WE CAN TRY TO
GET THINGS BACK
468
00:18:26,200 --> 00:18:27,432
TO THE WAY THEY USED TO BE?
469
00:18:27,500 --> 00:18:28,665
REMEMBER HOW IT WAS?
470
00:18:28,734 --> 00:18:32,466
PERHAPS HERE THERE ARE
MANY UNSUSPECTING FOXES
471
00:18:32,534 --> 00:18:34,232
TO HAVE SEX WITH US.
472
00:18:34,301 --> 00:18:36,866
THAT IS WHY WE
WEAR TIGHT PANTS
473
00:18:36,934 --> 00:18:38,732
TO SHOW OUR BULGES.
474
00:18:38,801 --> 00:18:42,632
(both)
WE ARE 2 WILD AND CRAZY GUYS!
475
00:18:43,334 --> 00:18:44,932
YOU GUYS LOOK STUPID.
476
00:18:45,000 --> 00:18:46,498
ANYWAY, LET'S
TALK THIS THING THROUGH.
477
00:18:46,567 --> 00:18:48,032
[thunder cracking]
478
00:18:49,334 --> 00:18:50,899
OH, UH, HUH,
HEY, CLEVELAND.
479
00:18:50,968 --> 00:18:52,265
I WAS JUST
LEAVING YOU A MESSAGE.
480
00:18:52,333 --> 00:18:55,732
YOU VIOLATED THE SANCTITY
OF MY MARRIAGE.
481
00:18:56,434 --> 00:18:57,465
[yelling]
482
00:19:00,166 --> 00:19:01,765
[continues yelling]
483
00:19:06,168 --> 00:19:07,632
[continues yelling]
484
00:19:09,433 --> 00:19:11,365
WHEN THE TIME COMES,
485
00:19:11,434 --> 00:19:12,632
YOU'LL KNOW.
486
00:19:15,867 --> 00:19:16,799
DAMN IT!
487
00:19:17,901 --> 00:19:18,799
[grunts]
488
00:19:21,667 --> 00:19:23,132
OH, THIS IS AWFUL!
489
00:19:23,201 --> 00:19:25,798
SOMEBODY STOP THEM!
DO SOMETHING!
490
00:19:29,467 --> 00:19:31,032
GOOD.
491
00:19:31,101 --> 00:19:33,366
LET THE HATE FLOW THROUGH YOU.
492
00:19:33,434 --> 00:19:34,598
YOU'RE NOT HELPING!
493
00:19:36,400 --> 00:19:38,565
OH, I CAN'T.
494
00:19:38,634 --> 00:19:41,599
IT ISN'T IN ME
TO CAUSE HARM TO ANYONE.
495
00:19:41,667 --> 00:19:44,599
NO MATTER HOW MUCH
SOMEONE HAS HARMED ME.
496
00:19:44,667 --> 00:19:46,598
I'M SORRY,
CLEVELAND.
497
00:19:46,667 --> 00:19:48,632
CLEVELAND, I THINK
THIS BEAUTIFUL WOMAN
498
00:19:48,701 --> 00:19:50,232
WOULD LIKE TO SAY
SOMETHING TO YOU.
499
00:19:50,300 --> 00:19:52,632
YOU TOLD ME THIS WAS
LOIS'S INTERVENTION.
500
00:19:52,700 --> 00:19:54,065
NICE. CLEVELAND?
501
00:19:54,134 --> 00:19:55,032
LORETTA,
502
00:19:55,101 --> 00:19:57,598
WHAT YOU DID
WAS UNFORGIVABLE.
503
00:19:57,667 --> 00:19:59,598
THIS MARRIAGE IS OVER.
504
00:19:59,667 --> 00:20:01,199
WELL, THAT'S JUST FINE,
CLEVELAND.
505
00:20:01,267 --> 00:20:03,265
'CAUSE I AM THROUGH
BEING YOUR WIFE.
506
00:20:03,334 --> 00:20:05,331
WELL, I MAY NOT
BE PERFECT,
507
00:20:05,400 --> 00:20:07,565
BUT I DESERVE
BETTER THAN YOU.
508
00:20:07,634 --> 00:20:08,965
LOOK AT THAT, LOIS.
509
00:20:09,034 --> 00:20:12,465
AS BEAUTIFUL AS
AN H.B.O. MINORITY FAIRYTALE.
510
00:20:12,534 --> 00:20:14,432
BUT, PETER, THEIR MARRIAGE
IS ENDING.
511
00:20:14,500 --> 00:20:16,332
WELL, LOOK
AT THE BRIGHT SIDE, LOIS.
512
00:20:16,400 --> 00:20:19,132
IT'S A CHANCE
FOR A FRESH START
FOR BOTH CLEVELAND AND...
513
00:20:19,200 --> 00:20:20,665
[screaming]
514
00:20:20,734 --> 00:20:22,598
OH, MY GOD!
515
00:20:22,667 --> 00:20:25,165
WHAT ARE YOU DOING?
WHAT'S WRONG WITH YOU?
516
00:20:25,234 --> 00:20:26,899
WHAT THE HELL, MAN?
517
00:20:26,967 --> 00:20:29,333
HURTS, DOESN'T IT?
WHAT THE HELL-- YES!
WHAT THE HELL'S YOUR PROBLEM?
518
00:20:29,401 --> 00:20:31,333
MY FRIEND? MY FRIEND?
WHAT?
519
00:20:31,401 --> 00:20:32,999
YOU'VE BEEN KICKED
IN THE ...
520
00:20:33,068 --> 00:20:34,731
[people cheering]
NO WAY!
521
00:20:34,800 --> 00:20:36,166
[laughing]
YOU'RE GONNA BE ON T.V.
522
00:20:36,234 --> 00:20:37,932
OH, SWEET!
523
00:20:38,001 --> 00:20:39,832
OH, MY GOD.
WOW! WE LOVE THAT SHOW.
524
00:20:39,900 --> 00:20:42,199
OH, THAT IS AWESOME. HEY, HI.
525
00:20:42,268 --> 00:20:43,232
YOU'RE ON IT.
526
00:20:43,301 --> 00:20:44,298
OH, WOW.
527
00:20:45,634 --> 00:20:47,966
GLENN, YOU SURE
YOU WANT TO DO THIS?
528
00:20:48,034 --> 00:20:50,199
I ALREADY TOLD YOU
I FORGIVE YOU.
529
00:20:50,267 --> 00:20:52,431
NO, NO, I FEEL LIKE
I GOT OFF TOO EASY.
530
00:20:52,500 --> 00:20:54,832
ALL RIGHT. IF YOU INSIST.
531
00:20:54,901 --> 00:20:57,165
YOU, UH, WANNA
RING THE BELL, APOLLO?
532
00:20:57,234 --> 00:20:58,465
ALL RIGHT.
533
00:20:58,534 --> 00:21:00,199
DING, DING.
534
00:21:04,567 --> 00:21:06,099
♪[Eye Of The Tiger playing]
535
00:21:06,168 --> 00:21:08,366
♪ IT'S THE EYE OF THE TIGER ♪
536
00:21:08,435 --> 00:21:10,333
♪ IT'S THE THRILL
OF THE FIGHT ♪
537
00:21:10,401 --> 00:21:11,665
♪ RISIN' UP ♪
538
00:21:11,733 --> 00:21:14,598
♪ TO THE CHALLENGE
OF OUR RIVAL ♪