1
00:00:03,134 --> 00:00:06,098
♪ IT SEEMS TODAY
THAT ALL YOU SEE ♪
2
00:00:06,167 --> 00:00:09,331
♪ IS VIOLENCE IN MOVIES
AND SEX ON T.V. ♪
3
00:00:09,400 --> 00:00:12,965
♪ BUT WHERE ARE THOSE
GOOD OLD-FASHIONED VALUES ♪
4
00:00:13,034 --> 00:00:15,932
(all)
♪ ON WHICH WE USED TO RELY? ♪
5
00:00:16,001 --> 00:00:19,265
♪ LUCKY THERE'S A FAMILY GUY ♪
6
00:00:19,334 --> 00:00:22,632
♪ LUCKY THERE'S A MAN
WHO POSITIVELY CAN DO ♪
7
00:00:22,700 --> 00:00:24,264
♪ ALL THE THINGS
THAT MAKE US ♪
8
00:00:24,334 --> 00:00:25,965
♪ LAUGH AND CRY ♪
9
00:00:26,034 --> 00:00:30,799
(all)
♪ HE'S A FAMILY GUY ♪
10
00:00:34,067 --> 00:00:35,665
COME ON, EVERYBODY.
LET'S GO.
11
00:00:35,734 --> 00:00:37,399
OH, THIS IS SO EXCITING.
12
00:00:37,467 --> 00:00:38,865
YOU KNOW,
THIS THE 10TH YEAR
13
00:00:38,934 --> 00:00:41,065
MY FATHER'S
RACED HIS YACHT
IN THE NEWPORT REGATTA.
14
00:00:41,133 --> 00:00:43,365
MAN, I HOPE HE LETS ME
ON HIS TEAM THIS YEAR.
15
00:00:43,434 --> 00:00:46,165
I HAVEN'T BEEN PART OF A TEAM
SINCE I WAS
WITH THE 4 PETERS.
16
00:00:47,534 --> 00:00:48,998
♪[humming]
17
00:00:50,934 --> 00:00:52,598
♪[all harmonizing]
18
00:00:54,500 --> 00:00:56,365
♪[all humming off-key]
19
00:01:17,601 --> 00:01:18,732
COME ON, STEWIE.
LET'S GO.
20
00:01:18,801 --> 00:01:20,399
YES, YES.
I'M JUST CHECKING THE MAIL.
21
00:01:20,467 --> 00:01:22,565
I SAY,
HERE'S ONE FROM THE VET.
GIVE ME THAT.
22
00:01:22,633 --> 00:01:26,165
GOOD LORD, WORMS?
YOU HAVE WORMS?
23
00:01:26,233 --> 00:01:27,531
I DON'T HAVE WORMS,
ALL RIGHT?
24
00:01:27,601 --> 00:01:29,199
I JUST GOT CHECKED
FOR WORMS.
25
00:01:29,268 --> 00:01:30,998
OH, WAIT.
NO, I DO HAVE WORMS.
26
00:01:31,067 --> 00:01:32,598
OH, GOD.
OH, WHAT AM I GONNA DO?
27
00:01:32,667 --> 00:01:34,365
I CAN'T AFFORD
THE MEDICATION FOR THIS.
28
00:01:34,433 --> 00:01:36,165
WELL, YOU COULD ASK LOIS
AND THE FAT ONE.
29
00:01:36,233 --> 00:01:39,098
NO. NO. NO.
YOU--YOU CANNOT TELL THEM
ABOUT THIS, PLEASE.
30
00:01:39,167 --> 00:01:41,465
PETER IS NOT VERY DISCREET
WITH PRIVATE MATTERS.
31
00:01:41,533 --> 00:01:42,765
(Peter)
HEY, EVERYBODY!
32
00:01:42,834 --> 00:01:44,999
MEG JUST HAD
HER FIRST PERIOD!
33
00:01:45,068 --> 00:01:47,631
(man #1)
PETER, SHUT UP! IT'S 3:00
IN THE MORNING.
34
00:01:47,701 --> 00:01:49,598
(man #2)
WHAT THE HELL'S
GOING ON OUT THERE?
35
00:01:49,667 --> 00:01:51,598
(man #3)
DAMN IT!
PEOPLE ARE TRYING TO SLEEP.
36
00:01:51,667 --> 00:01:53,431
(Peter)
I'M JUST SAYING,
I'M PROUD OF HER.
37
00:01:53,500 --> 00:01:55,198
SHE'S A WOMAN. YAY!
38
00:01:55,266 --> 00:01:57,732
YES, THAT'S VERY HOT,
AND I'LL DEAL WITH IT
IN THE MORNING,
39
00:01:57,801 --> 00:01:59,565
BUT RIGHT NOW,
I AM EXHAUSTED.
40
00:01:59,634 --> 00:02:01,065
JUST PLEASE
DON'T TELL THEM.
41
00:02:01,134 --> 00:02:03,599
PERHAPS YOU SHOULD WORRY
A LITTLE LESS
ABOUT YOUR PRIDE
42
00:02:03,667 --> 00:02:05,565
AND A LITTLE MORE ABOUT
THE CREEPY-CRAWLIES
43
00:02:05,634 --> 00:02:07,932
SHAWSHANKING THEIR WAY
OUT OF YOUR BALLOON KNOT.
44
00:02:08,001 --> 00:02:11,865
COME ON, KIDS.
OFF TO GRANDMA
AND GRANDPA'S HOUSE.
45
00:02:11,934 --> 00:02:14,564
THANK GOD I FINALLY
GET SOME TIME AWAY
46
00:02:14,633 --> 00:02:16,731
FROM THE EVIL MONKEY
IN MY CLOSET.
47
00:02:21,301 --> 00:02:22,298
[sighs]
48
00:02:25,168 --> 00:02:27,464
♪[Slowride playing]
49
00:02:32,167 --> 00:02:34,532
♪ SLOWRIDE ♪
50
00:02:35,601 --> 00:02:38,298
♪ TAKE IT EASY ♪
51
00:02:41,335 --> 00:02:43,266
[Spanish accent]
MRS. BABS. MR. CARTER.
52
00:02:43,334 --> 00:02:45,132
LA FAMILIA GRIFFIN.
53
00:02:45,200 --> 00:02:47,999
LOIS, DARLING.
IT'S WONDERFUL TO SEE YOU.
54
00:02:48,067 --> 00:02:49,498
HI, MOM. HI, DADDY.
55
00:02:49,567 --> 00:02:50,598
(both)
GRANDPA!
56
00:02:50,667 --> 00:02:51,665
HELLO, EVERYONE.
57
00:02:51,734 --> 00:02:53,099
HIYA, MR. PEWTERSCHMIDT.
58
00:02:53,167 --> 00:02:55,465
PETER, I SEE
YOU'RE STILL FATTER
THAN HOLY HELL.
59
00:02:55,533 --> 00:02:57,432
AH, YOU CAN READ ME
LIKE A BOOK.
60
00:02:57,500 --> 00:02:59,066
[laughs]
61
00:02:59,134 --> 00:03:01,165
SO, WHICH OF
THE LATIN COUNTRIES
ARE YOU FROM?
62
00:03:01,234 --> 00:03:03,366
THE ONE WITH THE CIVIL WAR,
THE ONE WITH THE COCAINE,
63
00:03:03,435 --> 00:03:04,998
OR THE ONE WITH
THE FANCY HATS?
64
00:03:06,167 --> 00:03:07,632
ISN'T THIS FUN, PETER?
65
00:03:07,700 --> 00:03:10,165
YOU AND I GET TO STAY
IN MY OLD HIGH-SCHOOL ROOM.
66
00:03:10,234 --> 00:03:12,498
WOW. THIS LOOKS
JUST LIKE MY ROOM
AT HOME.
67
00:03:12,567 --> 00:03:15,832
YEAH, EXCEPT FOR
ALL THE TROPHIES
AND PICTURES OF FRIENDS.
68
00:03:15,901 --> 00:03:18,766
HMM, THAT'S THE 2ND
MOST IMPRESSIVE TROPHY
I'VE EVER SEEN.
69
00:03:20,267 --> 00:03:23,231
AND THE GRAMMY FOR ALBUM
OF THE YEAR GOES TO
70
00:03:23,300 --> 00:03:24,899
JUSTIN TIMBERLAKE.
71
00:03:24,968 --> 00:03:25,965
[people cheering]
72
00:03:26,034 --> 00:03:27,065
[grunts]
73
00:03:27,134 --> 00:03:28,899
IT ACTUALLY GOES TO NELLY.
74
00:03:29,433 --> 00:03:30,598
NELLY.
75
00:03:30,667 --> 00:03:33,333
WOW, MOM. WERE YOU
A MISS TEEN RHODE ISLAND?
76
00:03:33,401 --> 00:03:36,066
I SURE WAS, MEG,
WHEN I WAS 16 YEARS OLD.
77
00:03:36,134 --> 00:03:38,898
IN FACT, YOUR MOM
WAS OFFERED
A MODELING CONTRACT.
78
00:03:38,968 --> 00:03:40,765
REALLY? WHY DIDN'T YOU
TAKE IT?
79
00:03:40,834 --> 00:03:42,665
[sighing]
WELL, I WANTED TO,
80
00:03:42,733 --> 00:03:44,532
BUT YOUR GRANDFATHER
WOULDN'T LET ME.
81
00:03:44,600 --> 00:03:46,898
BUT, DADDY,
THEY OFFERED ME
A CONTRACT.
82
00:03:46,968 --> 00:03:49,399
MY GIRL IS NOT
LOWERING HERSELF
TO MODELING.
83
00:03:49,467 --> 00:03:52,132
THAT SORT OF UNCOUTH ACTIVITY
IS BELOW THIS FAMILY.
84
00:03:52,201 --> 00:03:54,032
NOW GO AWAY. I'M BUSY.
85
00:03:54,767 --> 00:03:55,865
FARNSWORTH.
86
00:03:55,934 --> 00:03:57,432
THE USUAL, SIR?
87
00:04:00,567 --> 00:04:02,199
♪[music playing]
88
00:04:14,466 --> 00:04:16,132
FEEDING THE WORMS,
ARE YOU?
89
00:04:16,200 --> 00:04:17,765
STEWIE, SHUT UP,
ALL RIGHT?
90
00:04:17,834 --> 00:04:20,532
YES, I IMAGINE
THOSE LITTLE FELLOWS
ARE ENJOYING QUITE A FEAST.
91
00:04:22,134 --> 00:04:23,498
YOU KNOW
WHAT'S INTERESTING?
92
00:04:23,567 --> 00:04:25,299
I'VE ONLY BEEN ALIVE
FOR 6 WEEKS.
93
00:04:25,367 --> 00:04:28,598
I KNOW NOTHING OF THE WORLD
BEYOND THIS DOG'S STOMACH.
94
00:04:28,667 --> 00:04:31,598
AND I STILL FIND
6 FEET UNDER PRETENTIOUS.
95
00:04:31,667 --> 00:04:34,998
SO, MR. PEWTERSCHMIDT,
THE BIG RACE
IS TOMORROW, EH?
96
00:04:35,067 --> 00:04:36,999
BET YOU'RE GONNA NEED
SOME BIG STRAPPING MEN
97
00:04:37,068 --> 00:04:38,098
TO HELP YOU
WITH YOUR BOAT.
98
00:04:38,166 --> 00:04:39,398
ARE YOU CALLING ME GAY?
99
00:04:39,467 --> 00:04:41,799
NO. NO, I JUST THOUGHT
YOU MIGHT WANT
SOME EXTRA SEAMEN
100
00:04:41,867 --> 00:04:43,899
ON YOUR, UH,
ON--ON YOUR POOP DECK.
101
00:04:51,366 --> 00:04:53,865
CASHSCAM IS YOUR WAY
TO MAKE REAL MONEY.
102
00:04:53,934 --> 00:04:56,365
YOU COULD BECOME RICH
BEYOND YOUR WILDEST DREAMS
103
00:04:56,434 --> 00:04:58,932
BY SELLING
THESE FINE PRODUCTS
OVER THE PHONE.
104
00:04:59,000 --> 00:05:01,066
RICH BEYOND MY WILDEST DREAMS.
105
00:05:01,134 --> 00:05:03,565
I SAY, I COULD BE
A MILLIONAIRE PLAYBOY.
106
00:05:03,634 --> 00:05:05,465
OK, GIRLS.
ARE YOU ALL READY
TO PLAY?
107
00:05:05,534 --> 00:05:06,532
[all giggling]
108
00:05:06,600 --> 00:05:08,965
ALL RIGHT, THEN.
1, 2, 3.
109
00:05:09,034 --> 00:05:10,198
GREEN LIGHT.
110
00:05:10,267 --> 00:05:11,765
RED LIGHT.
GREEN LIGHT.
111
00:05:11,833 --> 00:05:12,932
RED LIGHT.
112
00:05:13,001 --> 00:05:14,832
OH, BRANDY, YOU'RE OUT.
113
00:05:14,901 --> 00:05:17,532
SORRY, YOU HAVE TO SLEEP
WITH ROB SCHNEIDER TONIGHT.
114
00:05:17,600 --> 00:05:19,698
"MAKIN' COPIES."
115
00:05:19,767 --> 00:05:21,199
[laughing]
REMEMBER THAT?
116
00:05:21,267 --> 00:05:23,632
I WAS BORN IN 1987.
117
00:05:23,701 --> 00:05:25,399
(man)
LADIES AND GENTLEMEN,
118
00:05:25,468 --> 00:05:28,398
WELCOME TO THE 20TH ANNUAL
NEWPORT REGATTA.
119
00:05:28,467 --> 00:05:30,765
NEWPORT WOULD LIKE TO EXTEND
A SPECIAL WELCOME
120
00:05:30,834 --> 00:05:35,698
TO ALL THOSE HERE TODAY
WHO HAVE CHILDREN
STATIONED OVERSEAS IN IRAQ.
121
00:05:35,767 --> 00:05:37,298
[laughing]
I'M JUST KIDDING.
122
00:05:37,367 --> 00:05:38,966
[all laughing]
123
00:05:39,034 --> 00:05:41,198
THERE THEY ARE,
TEAM PEWTERSCHMIDT.
124
00:05:41,267 --> 00:05:44,198
SAY, WHERE'S YOUR HUSBAND
OR AS I CALL HIM,
"MY SON-IN-LARD"?
125
00:05:44,266 --> 00:05:45,265
[laughs]
126
00:05:45,334 --> 00:05:46,399
SNAP. SNAP.
127
00:05:46,467 --> 00:05:49,065
OH, I'M SURE
HE'LL BE ALONG, DADDY.
128
00:05:49,134 --> 00:05:50,866
AHOY, MR. PEWTERSCHMIDT.
129
00:05:50,934 --> 00:05:52,932
PETER, WHAT THE HELL
ARE YOU DOING IN MY BATHTUB?
130
00:05:53,000 --> 00:05:54,565
OH, THIS IS NOT A BATHTUB.
131
00:05:54,634 --> 00:05:57,032
THIS IS THE
S.S. PEWTERSCHMIDT KICKER.
132
00:05:57,101 --> 00:05:58,532
THIS IS RIDICULOUS.
133
00:05:58,600 --> 00:06:00,665
I WON'T HAVE A MEMBER
OF MY FAMILY
RACING IN A BATHTUB.
134
00:06:00,734 --> 00:06:02,899
WELL, DADDY,
YOU DIDN'T WANT PETER
IN YOUR BOAT,
135
00:06:02,968 --> 00:06:05,665
SO TEAM GRIFFIN
IS GONNA GIVE YOU
A RUN FOR YOUR MONEY.
136
00:06:05,733 --> 00:06:07,465
(man)
AND NOW,
TO FIRE THE STARTING GUN,
137
00:06:07,534 --> 00:06:09,732
IS RECENTLY PAROLED
PRESIDENTIAL ASSASSIN,
138
00:06:09,801 --> 00:06:11,665
JOHN HINCKLEY.
139
00:06:11,734 --> 00:06:13,531
YOU FIRED THAT GUN
REAL NICE, JOHN.
140
00:06:13,600 --> 00:06:16,531
WOW, JODIE FOSTER.
HEY, THANKS.
141
00:06:16,600 --> 00:06:18,431
MAYBE I WAS WRONG
ABOUT YOU.
142
00:06:18,500 --> 00:06:20,565
MAYBE I WAS WRONG
ABOUT ALL MEN.
143
00:06:21,767 --> 00:06:23,399
[people cheering]
144
00:06:26,367 --> 00:06:28,066
WE'RE NOT GOIN'
FAST ENOUGH.
145
00:06:28,134 --> 00:06:29,698
LOSER!
146
00:06:29,768 --> 00:06:30,966
WHAT DID HE SAY?
147
00:06:31,034 --> 00:06:32,498
[cell phone ringing]
148
00:06:32,567 --> 00:06:34,665
HELLO?
I SAID YOU'RE A LOSER.
149
00:06:34,734 --> 00:06:36,032
WHO IS THIS?
150
00:06:39,235 --> 00:06:41,832
THERE'S THE FINISH LINE.
WE CAN'T LET HIM BEAT US.
151
00:06:41,901 --> 00:06:43,365
WE GOTTA LOSE
SOME EXTRA WEIGHT.
152
00:06:43,433 --> 00:06:45,331
QUICK, EVERYONE,
TAKE OFF YOUR CLOTHES.
153
00:06:48,767 --> 00:06:49,799
IT'S WORKING.
154
00:06:49,868 --> 00:06:52,032
JUST NEED A LITTLE MORE...
155
00:06:52,100 --> 00:06:53,465
[Meg screaming]
156
00:06:53,534 --> 00:06:55,698
WE LOVE YOU, HONEY.
157
00:06:55,768 --> 00:06:57,298
[all cheering]
158
00:07:00,134 --> 00:07:02,231
LOIS, WHAT THE HELL
WERE YOU DOING OUT THERE?
159
00:07:02,300 --> 00:07:04,599
NOT LISTENIN' TO YOU
FOR ONCE, DADDY,
160
00:07:04,667 --> 00:07:05,999
AND LOOK WHAT HAPPENED.
161
00:07:06,068 --> 00:07:07,565
I HAD A LOT OF FUN.
162
00:07:07,634 --> 00:07:10,199
I SHOULD'VE STOPPED
LISTENING TO YOU
A LONG TIME AGO.
163
00:07:10,267 --> 00:07:11,365
LET'S GO HOME, PETER.
164
00:07:11,434 --> 00:07:13,399
RIGHT BEHIND YOU.
HEY, WHERE'S MEG?
165
00:07:14,667 --> 00:07:15,665
WHAT IS IT, SIR?
166
00:07:15,734 --> 00:07:17,866
THAT'S WHAT WE CALL
A MANATEE, BOYS,
167
00:07:17,934 --> 00:07:21,032
OR, IN NAUTICAL SLANG,
THE SEA-COW.
168
00:07:24,267 --> 00:07:26,432
DAMN THESE WORMS.
OW, THIS ITCH.
169
00:07:26,500 --> 00:07:27,965
BRIAN, WHAT THE HELL
ARE YOU DOING?
170
00:07:28,034 --> 00:07:31,432
OH, UH, NOTHING.
JUST SOME, UH, PILATES.
171
00:07:31,501 --> 00:07:34,165
DON'T LIE TO ME, BRIAN.
I KNOW WHAT THIS IS.
172
00:07:34,234 --> 00:07:35,899
YOU'RE LOOKIN'
FOR AN ASS-RACE.
173
00:07:35,967 --> 00:07:37,532
FIRST ONE
TO THE KITCHEN WINS. GO!
174
00:07:37,600 --> 00:07:38,998
[chuckling]
175
00:07:39,067 --> 00:07:40,431
STILL GOT THE WORMS, EH?
176
00:07:40,500 --> 00:07:42,732
YEAH, THAT STUPID
MEDICINE'S $300.
177
00:07:42,801 --> 00:07:44,765
HMM, WELL, LET ME
MAKE YOU A PROPOSAL.
178
00:07:44,834 --> 00:07:47,799
I'LL FRONT YOU THE MONEY,
AND YOU PAY IT OFF
BY WORKING FOR ME.
179
00:07:47,867 --> 00:07:49,531
CASHSCAM?
ARE YOU KIDDING?
180
00:07:49,601 --> 00:07:51,632
I DON'T WANT ANYTHING
TO DO WITH
THAT PYRAMID SCHEME.
181
00:07:51,701 --> 00:07:53,332
VERY WELL, THEN.
ENJOY YOUR WORMS.
182
00:07:53,401 --> 00:07:55,199
WAIT. WAIT.
183
00:07:55,267 --> 00:07:56,432
WHAT WOULD I
HAVE TO DO?
184
00:07:56,500 --> 00:07:58,332
JUST BE IN MY ROOM
TOMORROW AT 9:00 A.M.
185
00:07:58,400 --> 00:07:59,498
FOR ORIENTATION.
186
00:07:59,567 --> 00:08:01,232
UNTIL THEN,
KEEP THIS IN MIND.
187
00:08:01,301 --> 00:08:05,299
WHETHER YOU THINK YOU CAN
OR YOU THINK YOU CAN'T,
YOU'RE RIGHT.
188
00:08:05,368 --> 00:08:06,966
SEE YOU TOMORROW.
189
00:08:07,034 --> 00:08:09,265
HEY, EVERYBODY.
WAIT TILL YOU SEE THIS.
190
00:08:09,334 --> 00:08:11,966
OH, MY GOD.
MOVABLE PRINTED TYPE.
191
00:08:12,034 --> 00:08:14,499
WE MUST KEEP THIS
FROM THE SERFS
LEST THEY GAIN LITERACY
192
00:08:14,567 --> 00:08:16,099
AND THREATEN
THE LANDED GENTRY.
193
00:08:16,167 --> 00:08:17,498
WHAT YOU GOT THERE,
MY LORD?
194
00:08:17,567 --> 00:08:19,732
NOTHING.
BACK TO YOUR TURNIPS.
195
00:08:19,800 --> 00:08:22,032
LOOK, IT'S A PICTURE
OF US AT THE REGATTA.
196
00:08:22,100 --> 00:08:24,398
(Chris)
WOW, MOM. YOU LOOK PRETTY.
197
00:08:24,467 --> 00:08:26,965
THANK YOU, CHRIS.
I THOUGHT SO, TOO.
198
00:08:27,034 --> 00:08:29,032
AND YOU KNOW WHAT?
I'M GONNA TAKE THAT CHANCE
199
00:08:29,101 --> 00:08:31,331
MY FATHER NEVER LET ME TAKE
WHEN I WAS YOUNGER.
200
00:08:31,400 --> 00:08:33,298
I'M GONNA BECOME A MODEL.
201
00:08:33,366 --> 00:08:35,032
HEY, THAT'S FANTASTIC, LOIS.
202
00:08:35,100 --> 00:08:36,866
AND I'LL PLEASURE MYSELF
TO YOUR PHOTOS.
203
00:08:36,934 --> 00:08:38,465
ME, TOO.
ME, TOO.
204
00:08:38,534 --> 00:08:41,665
AW. OH, GOD.
MEG, THAT'S SICK.
205
00:08:41,733 --> 00:08:42,765
THAT'S YOUR MOTHER.
206
00:08:42,834 --> 00:08:43,999
I'M JUST TRYING
TO FIT IN.
207
00:08:44,067 --> 00:08:46,065
GET OUT.
GET OUT OF THIS HOUSE.
208
00:08:46,901 --> 00:08:48,332
I SAID NOW!
209
00:08:50,067 --> 00:08:51,765
THAT'S GOOD
ABOUT YOUR MODELING, LOIS.
210
00:08:54,967 --> 00:08:56,465
HERE ARE YOUR PICTURES, LOIS.
211
00:08:56,533 --> 00:08:58,132
THEY SURE ARE TERRIFIC.
212
00:08:58,200 --> 00:09:01,032
THANK YOU, MORT.
I'M TRYING TO
GET INTO MODELING.
213
00:09:01,100 --> 00:09:04,198
THAT'S GREAT.
OH, HEY! GET OUT OF HERE.
214
00:09:04,267 --> 00:09:05,798
HEY, GO ON. GET OUT.
215
00:09:05,867 --> 00:09:07,099
I DIDN'T HURT ANYBODY.
216
00:09:07,167 --> 00:09:08,199
SCAT, MISTER.
217
00:09:08,268 --> 00:09:10,331
I KNOW DEEP DOWN
I'M YOUR FRIEND.
218
00:09:10,400 --> 00:09:13,565
THAT GREASED-UP DEAF GUY
IS GOING TO BE
THE DEATH OF ME.
219
00:09:13,634 --> 00:09:15,765
LIKE BUSINESS ISN'T
BAD ENOUGH ALREADY.
220
00:09:15,833 --> 00:09:18,698
WELL, GOSH, MORT.
YOU EVER THINK
ABOUT SENDIN' OUT A MAILER?
221
00:09:18,767 --> 00:09:21,365
'CAUSE I KNOW
WHERE YOU COULD GET
A GOOD DEAL ON A MODEL.
222
00:09:21,434 --> 00:09:23,698
AH, I'M TOUCHIN'
ON THE CANDY.
223
00:09:23,767 --> 00:09:25,331
GET OUT. GET OUT.
224
00:09:25,400 --> 00:09:26,333
[grunts]
225
00:09:40,300 --> 00:09:41,632
WHAT THE HELL IS ALL THIS?
226
00:09:41,700 --> 00:09:42,965
OH, BRIAN,
YOU'RE HERE. GOOD.
227
00:09:43,034 --> 00:09:45,098
OK, LET ME GIVE YOU
THE RUNDOWN.
228
00:09:45,167 --> 00:09:46,565
UH, THIS IS
YOUR WORK AREA.
229
00:09:46,634 --> 00:09:48,465
PLEASE KEEP PERSONAL
KNICKKNACKS TASTEFUL.
230
00:09:48,534 --> 00:09:50,832
YOU GET 25 MINUTES
FOR LUNCH, AND, UM...
231
00:09:50,900 --> 00:09:52,098
UH, ENJOY IT HERE.
232
00:09:52,167 --> 00:09:53,465
WELCOME ABOARD.
233
00:09:55,667 --> 00:09:56,632
(Stewie)
YES?
234
00:09:56,700 --> 00:09:57,798
UH, IT'S BRIAN.
235
00:09:57,867 --> 00:09:59,932
OH, YES, THE NEW FELLOW.
COME ON IN.
236
00:10:00,001 --> 00:10:02,865
UH, WHAT--WHAT EXACTLY
AM I SUPPOSED TO DO?
237
00:10:02,934 --> 00:10:05,899
YOU'LL PICK UP THE PHONE
AND YOU'LL SELL, SELL, SELL.
238
00:10:05,967 --> 00:10:08,199
BUT BEFORE YOU GO THINKING
IT'S ALL SERIOUSNESS,
239
00:10:08,268 --> 00:10:11,832
THE FIRST FRIDAY
OF EVERY MONTH
IS WACKY-TACKY-TIE DAY
240
00:10:11,901 --> 00:10:16,698
SO, YOU KNOW,
START THINKING UP SOME
FUN TACKY TIES TO WEAR.
241
00:10:18,667 --> 00:10:20,132
OH, WE'RE, UH, WE'RE DONE.
242
00:10:23,034 --> 00:10:24,398
HERE YOU GO, GUYS.
243
00:10:24,467 --> 00:10:27,699
LOIS, COULD I BE
A SON OF A BITCH
AND IMPOSE ON YOU
244
00:10:27,767 --> 00:10:29,898
TO SIGN ONE OF
YOUR FLYERS FOR ME.
245
00:10:29,967 --> 00:10:31,799
OF COURSE, CLEVELAND.
246
00:10:31,868 --> 00:10:34,299
OH, MAN. I CAN'T BELIEVE
I'M SLEEPIN' WITH A MODEL.
247
00:10:34,367 --> 00:10:36,765
I'M LUCKIER THAN
THE STATE OF RHODE ISLAND.
248
00:10:36,834 --> 00:10:38,832
WELL, I CAN'T DECIDE
WHAT TO CALL THIS PLACE.
249
00:10:38,901 --> 00:10:39,965
WE'LL FLIP A COIN.
250
00:10:40,034 --> 00:10:41,531
ALL RIGHT.
HEADS, RHODE ISLAND.
251
00:10:41,600 --> 00:10:44,299
TAILS,
CA-CA-POO-POO-PEE-PEE-SHIRE.
252
00:10:44,368 --> 00:10:47,665
PARDON ME.
ARE YOU LOIS GRIFFIN,
THE GOLDMAN'S PHARMACY GIRL?
253
00:10:47,734 --> 00:10:50,299
HA, HA, YES,
I SUPPOSE I AM.
254
00:10:50,367 --> 00:10:52,599
KARIN PAROTTA,
MODELING AGENT.
255
00:10:52,667 --> 00:10:54,332
LISTEN, SUGAR,
I'VE SEEN YOUR STUFF.
256
00:10:54,400 --> 00:10:57,532
YOU'RE A BREATH
OF FRESH AIR
IN MY STOMA.
257
00:10:57,601 --> 00:10:59,498
I COULD GET YOU
A LOT MORE WORK
258
00:10:59,567 --> 00:11:01,099
IF YOU SIGN
WITH MY AGENCY.
259
00:11:01,167 --> 00:11:04,631
REALLY? OH. OH, MY GOD!
HOW EXCITING.
260
00:11:04,700 --> 00:11:06,965
WELL, HERE'S MY CARD.
GIVE ME A CALL.
261
00:11:07,034 --> 00:11:09,966
NOW, PERHAPS
SOME YOUNG GENTLEMAN
WOULD LIKE TO LIGHT ME UP.
262
00:11:10,034 --> 00:11:11,765
ALLOW ME.
263
00:11:11,834 --> 00:11:14,565
SO, UH, WHAT'S, UH--
WHAT'S GOIN' ON?
264
00:11:14,633 --> 00:11:16,965
YOU EVER GET FREAKY
WITH THAT THING OR WHAT?
265
00:11:17,034 --> 00:11:18,565
[intercom beeps]
266
00:11:18,633 --> 00:11:21,165
(Stewie)
BRIAN, COULD YOU COME IN HERE
FOR ONE SECOND?
267
00:11:22,300 --> 00:11:23,565
YEAH, WHAT IS--
268
00:11:23,634 --> 00:11:25,499
[telephone ringing]
HANG ON.
HANG ON ONE SECOND.
269
00:11:25,567 --> 00:11:27,565
YES, GROVER, WHAT IS IT?
THIS HAS TO BE QUICK.
270
00:11:27,634 --> 00:11:29,432
I AM SO PRESSED.
271
00:11:29,501 --> 00:11:31,532
YES, THE LETTER "G"
IS WONDERFUL.
272
00:11:31,601 --> 00:11:33,632
OF COURSE,
AND THE NUMBER "6."
273
00:11:33,701 --> 00:11:35,132
OH, OK. OK.
274
00:11:35,201 --> 00:11:37,932
GRO-GROVER. GROVER. GROVER.
275
00:11:38,001 --> 00:11:39,932
GROVER. GROVER.
276
00:11:40,001 --> 00:11:42,799
YOU--YOU KNOW WHAT?
IF YOU'RE GONNA SHOUT,
WE CAN JUST TALK LATER.
277
00:11:42,868 --> 00:11:44,499
OH, OK. ALL RIGHT,
YOU KNOW WHAT?
278
00:11:44,567 --> 00:11:46,032
CALL ME BACK
WHEN YOU CALM DOWN.
279
00:11:46,101 --> 00:11:47,698
UH, YOU WANTED SOMETHING?
280
00:11:47,767 --> 00:11:50,899
OH, YES. CAN YOU GO AHEAD
AND SEND LOIS
A CONGRATULATORY BASKET?
281
00:11:50,967 --> 00:11:51,998
THANK YOU.
282
00:11:52,067 --> 00:11:53,465
OH, AND
IF COOKIE MONSTER CALLS,
283
00:11:53,534 --> 00:11:54,865
TELL HIM
I'M NOT TALKING TO HIM
284
00:11:54,934 --> 00:11:56,233
UNTIL HE GETS
OUT OF REHAB.
285
00:11:57,767 --> 00:11:59,132
CONTRABAND CHECK.
286
00:12:00,267 --> 00:12:01,832
WHAT ARE THESE?
I DON'T KNOW.
287
00:12:01,900 --> 00:12:03,465
WHAT DO YOU MEAN,
YOU DON'T KNOW?
288
00:12:03,534 --> 00:12:05,198
I--I--I DON'T KNOW
HOW THEY GOT THERE.
289
00:12:05,267 --> 00:12:06,765
WELL, I THINK
YOU DO KNOW.
290
00:12:06,834 --> 00:12:09,732
NO. NO, UH, UH,
DEREK WAS IN HERE EARLIER.
291
00:12:09,800 --> 00:12:11,232
HE WAS MAKIN' THE BEDS.
292
00:12:11,300 --> 00:12:13,932
HE PROBABLY PUT THEM...
UH, I--I WAS IN THE JOHN.
293
00:12:15,100 --> 00:12:16,399
[grunting]
294
00:12:16,468 --> 00:12:19,099
YOU GUYS ARE NAZIS, MAN.
YOU'RE FREAKING NAZIS.
295
00:12:19,167 --> 00:12:20,065
[screaming]
296
00:12:20,134 --> 00:12:22,598
SHH, SHH,
SHH, SHH.
297
00:12:24,467 --> 00:12:25,932
WELL, HERE WE ARE, LOIS.
298
00:12:26,001 --> 00:12:27,865
YOUR FIRST PROFESSIONAL
PHOTO SHOOT.
299
00:12:27,934 --> 00:12:30,532
OH, KARIN,
THIS IS SO EXCITING.
300
00:12:30,601 --> 00:12:32,365
KNOCK 'EM DEAD, HONEY.
301
00:12:32,433 --> 00:12:35,966
HEY, HEY. PETER GRIFFIN.
HOW'S IT GOIN'?
302
00:12:36,034 --> 00:12:39,099
I'M, UH...
I'M HITTIN' THAT.
303
00:12:39,168 --> 00:12:40,765
[camera clicking]
304
00:12:50,400 --> 00:12:54,498
HI, IS MR. DONALD NGUYEN
THERE, PLEASE?
305
00:12:55,734 --> 00:12:57,665
AND IS HE THE HEAD
OF THE HOUSEHOLD?
306
00:12:57,734 --> 00:12:59,765
IF I CAN JUST
HAVE A FEW MOMENTS
OF YOUR TIME...
307
00:12:59,833 --> 00:13:00,866
HELLO?
308
00:13:00,934 --> 00:13:02,432
OH, BRIAN,
THERE YOU ARE.
309
00:13:02,500 --> 00:13:04,165
UH, CAN I TALK TO YOU
ABOUT SOMETHING?
310
00:13:04,233 --> 00:13:05,231
UH, YEAH, WHAT IS IT?
311
00:13:05,300 --> 00:13:07,231
THAT COFFEE MUG
YOU HAVE ON YOUR DESK
312
00:13:07,300 --> 00:13:10,431
THAT SAYS,
"LIFE'S A BEACH,"
313
00:13:10,500 --> 00:13:13,398
UM, THAT'S DANGEROUSLY CLOSE
TO THE WORD "BITCH,"
ISN'T IT?
314
00:13:13,466 --> 00:13:14,965
UH, YEAH, THAT'S THE JOKE.
315
00:13:15,034 --> 00:13:18,165
OH, ABSOLUTELY,
AND NOBODY APPRECIATES
A JOKE LIKE STEWIE.
316
00:13:18,233 --> 00:13:20,966
AND, YOU KNOW,
BETWEEN YOU AND ME,
I THINK IT'S A STITCH,
317
00:13:21,034 --> 00:13:23,732
BUT SOME OF
THE OTHER EMPLOYEES
HAVE FOUND IT OFFENSIVE.
318
00:13:23,801 --> 00:13:24,799
OTHER EMPLOYEES?
319
00:13:24,867 --> 00:13:26,165
WHO ELSE WORKS HERE
BESIDES ME?
320
00:13:26,234 --> 00:13:27,998
FUCK YOU!
THAT'S WHO WORKS HERE!
321
00:13:32,034 --> 00:13:34,099
DINNER'S ALMOST READY, KIDS.
322
00:13:34,167 --> 00:13:37,532
WOW, LOIS, LOOK AT YOU.
YOU'RE LIKE BRITNEY SPEARS,
323
00:13:37,600 --> 00:13:38,831
EXCEPT YOU'RE NOT A FAT GUY.
324
00:13:38,900 --> 00:13:41,532
[doorbell ringing]
I'LL GET IT.
325
00:13:41,601 --> 00:13:43,465
DAD, HOW COULD YOU BE
OK WITH MOM
326
00:13:43,534 --> 00:13:45,165
PARADING HERSELF
AROUND LIKE THIS?
327
00:13:45,234 --> 00:13:46,532
I MEAN,
SHE'S HALF-NAKED.
328
00:13:46,600 --> 00:13:48,298
IT MAKES ALL WOMEN
LOOK BAD.
329
00:13:48,367 --> 00:13:51,098
MEG, WHO LET YOU BACK
IN THE HOUSE?
330
00:13:53,734 --> 00:13:55,832
OH, KARIN.
COME ON IN.
331
00:13:55,901 --> 00:13:58,698
LOIS, I GOT
YOUR NEW HEADSHOTS,
AND I SET UP A SHOOT FOR YOU
332
00:13:58,767 --> 00:14:00,299
OVER AT GLAMOUR
NEXT MONDAY
333
00:14:00,367 --> 00:14:02,966
BUT, SUGAR,
YOU'RE GONNA NEED THESE
TO STAY ON TOP.
334
00:14:03,034 --> 00:14:05,731
DIET PILLS?
KARIN, I'M NOT GONNA
TAKE THESE.
335
00:14:05,801 --> 00:14:07,332
I DON'T NEED TO.
336
00:14:07,400 --> 00:14:10,832
LOIS, SOONER OR LATER
EVERY MODEL NEEDS
A LITTLE BOOST, HUH?
337
00:14:10,900 --> 00:14:13,232
I JUST WANNA MAKE SURE
YOU GOT EVERYTHING YOU NEED.
338
00:14:13,300 --> 00:14:14,432
HEY, YOU LIKE PEZ?
339
00:14:14,500 --> 00:14:15,532
SURE.
340
00:14:20,901 --> 00:14:22,865
HEY, WHO'S PUTTIN'
TOGETHER A PUZZLE?
341
00:14:22,934 --> 00:14:24,865
'CAUSE I JUST FOUND
A HOT PIECE.
342
00:14:24,934 --> 00:14:26,299
[snickers]
343
00:14:26,367 --> 00:14:27,999
WOW. LOIS,
YOU LOOK GREAT.
344
00:14:28,067 --> 00:14:30,232
I'D LIKE TO SPLIT YOU IN HALF
LIKE A PIECE OF LUMBER.
345
00:14:30,301 --> 00:14:32,265
[laughing]
THANK YOU, GLENN.
346
00:14:32,333 --> 00:14:35,265
YEAH, LOIS.
I'D LIKE TO WEAR YOU
LIKE A HOCKEY MASK.
347
00:14:35,333 --> 00:14:36,898
OH, YOU GUYS!
348
00:14:36,967 --> 00:14:38,398
OK, EASY, FELLAS.
349
00:14:38,467 --> 00:14:42,599
LOIS, I'D LIKE TO MAKE
A CARAMEL-COLORED BABY
WITH YOU.
350
00:14:42,667 --> 00:14:43,799
TAKE IT EASY, CLEVELAND.
351
00:14:43,867 --> 00:14:45,132
TAKE YOUR JACKET OFF.
352
00:14:45,200 --> 00:14:48,998
(all)
JACKET OFF. JACKET OFF.
JACKET OFF. JACKET OFF.
353
00:14:49,067 --> 00:14:51,066
ALL RIGHT. ALL RIGHT.
THAT'S IT.
THAT'S ENOUGH.
354
00:14:51,134 --> 00:14:52,665
PETER, WHAT ARE YOU DOIN'?
355
00:14:52,734 --> 00:14:54,731
LOIS, IF YOU BEIN'
A MODEL MEANS
YOU'RE GOING TO BE EYE-CANDY
356
00:14:54,801 --> 00:14:56,832
FOR THE WHOLE TOWN,
THEN I AIN'T GOIN' FOR IT.
357
00:14:56,901 --> 00:14:58,065
EXCUSE ME?
358
00:14:58,134 --> 00:14:59,698
WHO DO YOU THINK YOU ARE,
MY FATHER?
359
00:14:59,768 --> 00:15:01,331
LOIS, I THINK
MEG WAS RIGHT.
360
00:15:01,400 --> 00:15:04,232
LOWERING YOURSELF AND WOMEN
AND SOMETHING
AND ALL THAT NOISE.
361
00:15:04,301 --> 00:15:06,398
YOU CAN'T STOP ME
FROM MODELIN', PETER.
362
00:15:06,467 --> 00:15:08,032
THIS IS IMPORTANT TO ME.
363
00:15:08,101 --> 00:15:10,099
I AM GOING TO THE TOP,
AND THERE'S NOTHING
364
00:15:10,167 --> 00:15:13,099
YOU OR ANYONE ELSE
CAN DO ABOUT IT.
365
00:15:13,168 --> 00:15:15,531
WHO THE HELL
DOES HE THINK HE IS?
366
00:15:23,767 --> 00:15:25,199
[man grunting]
367
00:15:26,301 --> 00:15:27,298
[gasps]
368
00:15:29,500 --> 00:15:31,364
COME ON. COME ON.
369
00:15:31,433 --> 00:15:32,532
GO AWAY!
370
00:15:36,101 --> 00:15:37,364
(man)
WE NOW RETURN TO...
371
00:15:37,433 --> 00:15:39,365
(woman #1)
MMM-HMM.
372
00:15:39,433 --> 00:15:41,165
UH-HUH.
373
00:15:41,233 --> 00:15:42,598
MMM-HMMMF.
374
00:15:42,667 --> 00:15:44,398
HMM-HUH.
375
00:15:44,467 --> 00:15:46,231
[audience laughing]
376
00:15:47,500 --> 00:15:48,865
HEY, THERE, SWEETIE.
377
00:15:48,934 --> 00:15:50,865
I GOT A WAX THIS MORNIN',
AND LET'S JUST SAY
378
00:15:50,934 --> 00:15:52,232
YOU'RE CLEARED
FOR LANDING, HUH?
379
00:15:52,301 --> 00:15:53,365
(Quagmire)
GIGGIDY!
380
00:15:53,433 --> 00:15:55,131
LOIS, WHAT THE HELL'S UP
WITH YOU LATELY?
381
00:15:55,200 --> 00:15:57,264
YOU'RE ACTIN' ALL WEIRD,
AND YOU'RE STAYIN' OUT
ALL NIGHT.
382
00:15:57,333 --> 00:15:58,932
I WAS JUST OUT
WITH SOME OF THE GIRLS,
383
00:15:59,001 --> 00:16:00,632
AND YOU'RE NOT GONNA
BELIEVE THIS.
384
00:16:00,701 --> 00:16:04,098
I GOT INVITED TO
A VOGUE MAGAZINE PARTY.
385
00:16:04,167 --> 00:16:05,498
[laughs]
386
00:16:05,567 --> 00:16:08,465
THAT GUEST LIST
IS MORE EXCLUSIVE
THAN THE GARDEN OF EDEN.
387
00:16:08,534 --> 00:16:10,165
SO, BASICALLY,
YOU CAN EAT
388
00:16:10,234 --> 00:16:12,032
FROM ANY TREE YOU WANT,
EXCEPT THIS ONE.
389
00:16:12,101 --> 00:16:13,332
CAN WE SIT
UNDERNEATH IT?
390
00:16:13,401 --> 00:16:15,965
YOU KNOW,
I WOULD JUST NOT
GO NEAR IT AT ALL.
391
00:16:18,900 --> 00:16:20,898
BRIAN, THANKS FOR
SHOWING UP SO PROMPTLY
392
00:16:20,967 --> 00:16:22,631
FOR YOUR
QUARTERLY EVALUATION.
393
00:16:22,700 --> 00:16:24,233
NOW, THEN.
I'M GOING TO DO SOMETHING
394
00:16:24,301 --> 00:16:25,932
I CALL
THE COMPLIMENT SANDWICH
395
00:16:26,001 --> 00:16:27,266
WHERE I SAY
SOMETHING GOOD,
396
00:16:27,335 --> 00:16:29,166
THEN TALK ABOUT
WHERE YOU NEED IMPROVEMENT
397
00:16:29,234 --> 00:16:30,599
AND THEN END
WITH SOMETHING GOOD.
398
00:16:30,667 --> 00:16:31,866
WHATEVER YOU GOTTA DO.
399
00:16:31,934 --> 00:16:33,299
OK. UM...
400
00:16:33,368 --> 00:16:34,766
OH, LET'S SEE.
SOMETHING GOOD.
401
00:16:34,834 --> 00:16:36,799
SOMETHING GOOD.
SOMETHING GOOD.
402
00:16:36,868 --> 00:16:40,599
YOU LOOK LIKE SNOOPY,
AND IT MAKES ME SMILE.
403
00:16:40,667 --> 00:16:42,665
WHERE YOU
NEED IMPROVEMENT.
404
00:16:42,734 --> 00:16:45,465
YOU HAVE SMELLY
DOG FARTS.
405
00:16:45,534 --> 00:16:47,299
SOMETHING GOOD.
SOMETHING GOOD.
406
00:16:47,368 --> 00:16:49,065
OH, YOU REALLY
DAZZLED THAT REP
407
00:16:49,134 --> 00:16:51,431
FROM THE CINCINNATI OFFICE
LAST WEEK.
408
00:16:51,500 --> 00:16:53,032
THAT IS SENSATIONAL.
409
00:16:53,101 --> 00:16:55,531
YOU REALLY MADE ME
FEEL CONFIDENT
ABOUT THOSE NUMBERS.
410
00:16:55,600 --> 00:16:57,799
LISTEN,
IF YOU'RE EVER LOOKING
FOR A CHANGE OF SCENERY,
411
00:16:57,867 --> 00:17:00,265
WE COULD SURE
USE A FELLOW LIKE YOU
IN CINCINNATI.
412
00:17:00,334 --> 00:17:02,232
THAT WAS YOU IN DISGUISE.
NO, IT WASN'T.
413
00:17:02,300 --> 00:17:03,365
YES, IT WAS.
NO, IT WASN'T.
414
00:17:03,434 --> 00:17:05,231
FINE, IT WASN'T.
HA, IT WAS.
415
00:17:08,068 --> 00:17:09,698
MR. PEWTERSCHMIDT,
I NEED YOUR HELP.
416
00:17:09,768 --> 00:17:11,365
LOIS IS OUT OF CONTROL.
417
00:17:11,433 --> 00:17:14,565
I MEAN, SHE'S ACTING CRAZIER
THAN I DID THAT TIME
I TRIED ECSTASY.
418
00:17:16,667 --> 00:17:21,499
OH, BRIAN,
YOUR FUR IS SO SOFT.
419
00:17:22,567 --> 00:17:24,899
OH, YOUR EARS.
420
00:17:24,967 --> 00:17:28,065
YOUR EARS ARE LIKE DOG EARS.
421
00:17:28,134 --> 00:17:31,232
OH, THIS COUCH.
422
00:17:32,067 --> 00:17:33,999
[sighing]
423
00:17:34,067 --> 00:17:38,465
STEWIE, YOUR HEAD
IS SO SMOOTH.
424
00:17:38,534 --> 00:17:41,799
HOW--HOW IS THAT EVEN...
HOW YOU DOIN' THAT?
425
00:17:41,868 --> 00:17:43,366
HOW YOU DOIN' THAT?
426
00:17:43,434 --> 00:17:47,032
OH, EVERYTHING HERE
IS FANTASTIC.
427
00:17:47,534 --> 00:17:48,799
[sighing]
428
00:17:50,200 --> 00:17:53,065
OH, THESE CLOTHES.
429
00:17:53,667 --> 00:17:55,032
[exclaiming]
430
00:17:58,367 --> 00:17:59,798
[babbling]
431
00:18:06,068 --> 00:18:08,066
I'M REALLY WORRIED
ABOUT HER,
MR. PEWTERSCHMIDT,
432
00:18:08,134 --> 00:18:09,531
AND I JUST FIGURED
I'D COME TO YOU
433
00:18:09,600 --> 00:18:11,565
SINCE YOU WERE ALWAYS GOOD
AT REELIN' HER IN.
434
00:18:11,634 --> 00:18:13,731
WELL, LOIS WAS ALWAYS
A WILD STALLION,
435
00:18:13,801 --> 00:18:15,865
BUT DON'T WORRY.
I KNOW HOW TO CONTROL HER.
436
00:18:15,933 --> 00:18:17,098
AND I'LL HELP YOU,
437
00:18:17,167 --> 00:18:19,532
BUT FIRST, YOU HAVE
TO DO SOMETHING FOR ME.
438
00:18:19,600 --> 00:18:20,898
EAT THIS PINE CONE.
439
00:18:20,967 --> 00:18:23,331
WELL, UH...
EAT IT. IT WILL AMUSE ME.
440
00:18:24,034 --> 00:18:25,132
[groaning]
441
00:18:25,200 --> 00:18:26,698
HOW IS IT?
HOW DOES IT TASTE?
442
00:18:26,767 --> 00:18:27,798
IT'S AWFUL.
443
00:18:27,867 --> 00:18:29,798
FINISH IT. EAT IT.
I HATE IT.
444
00:18:29,867 --> 00:18:31,731
EAT IT. EAT IT.
SWALLOW IT.
445
00:18:31,800 --> 00:18:32,898
IT HURTS.
446
00:18:32,967 --> 00:18:34,398
THIS IS FOR LOIS.
GO ON.
447
00:18:34,467 --> 00:18:36,598
[groaning]
IT HURTS!
448
00:18:37,867 --> 00:18:39,632
GOOD. YUP.
ALL RIGHT. WE GOOD TO GO?
449
00:18:39,700 --> 00:18:41,299
♪[music playing]
450
00:18:44,501 --> 00:18:46,298
ALL RIGHT,
HOW'S MY MAN-TAN?
451
00:18:46,367 --> 00:18:47,632
THERE WE GO. ALL SET.
452
00:18:47,700 --> 00:18:49,898
GOOD. A LITTLE BODY GLITTER
FOR YOU.
453
00:18:49,967 --> 00:18:51,865
YEAH. YEAH.
THAT'S HOT. THAT'S HOT.
454
00:18:51,934 --> 00:18:53,665
ALL RIGHT, LET'S DO THIS.
455
00:18:53,734 --> 00:18:55,765
(woman #1)
WHAT ARE YOU DOING?
LIKE ... OBVIOUS.
456
00:18:55,834 --> 00:18:56,865
(woman #2)
SHUT UP.
457
00:18:56,934 --> 00:18:58,532
CHECK OUT
THESE RIBS, LOIS.
458
00:18:58,601 --> 00:19:01,232
OH, YEAH?
THAT'S NOTHIN'.
459
00:19:01,301 --> 00:19:02,999
GO AHEAD. TRY 'EM OUT.
460
00:19:03,834 --> 00:19:05,932
♪[tinkling]
461
00:19:08,100 --> 00:19:09,465
HEY, NOT BAD.
462
00:19:09,534 --> 00:19:10,732
[screams]
463
00:19:10,801 --> 00:19:12,632
[muffled screaming]
464
00:19:17,334 --> 00:19:18,832
YOU SEE JIMMY SMITS
IN THERE?
YEAH.
465
00:19:18,901 --> 00:19:19,932
YEAH, THAT WAS COOL.
466
00:19:21,867 --> 00:19:23,665
SO, UH, WHAT DID YOU
WANNA SEE ME ABOUT?
467
00:19:23,734 --> 00:19:25,099
YOU KNOW, BRIAN,
THERE WAS A NOTE
468
00:19:25,167 --> 00:19:26,732
IN THE SUGGESTION BOX
THAT SAYS:
469
00:19:26,801 --> 00:19:29,499
"STEWIE SHOULD EAT
A STEAMING BAG OF..."
470
00:19:29,567 --> 00:19:31,232
WELL, I'M NOT GONNA
SAY THE LAST WORD,
471
00:19:31,301 --> 00:19:32,732
BUT I THINK YOU KNOW
WHAT IT IS.
472
00:19:32,801 --> 00:19:36,932
LOOK, BRIAN, A CORPORATION
IS A LOT LIKE A CENTIPEDE.
473
00:19:37,001 --> 00:19:40,932
IT ONLY WORKS IF
ALL THE LEGS ARE MOVING
TOWARD THE SAME END.
474
00:19:41,001 --> 00:19:42,832
AND YOU KNOW
WHAT YOU ARE, BRIAN?
475
00:19:42,901 --> 00:19:44,499
YOU'RE A BUSTED LEG.
476
00:19:44,567 --> 00:19:46,565
WHAT? ARE YOU FIRING ME?
477
00:19:46,633 --> 00:19:48,765
DON'T THINK ABOUT
COMING BACK AND SHOOTING UP
THE PLACE
478
00:19:48,834 --> 00:19:50,431
BECAUSE SECURITY
HAS YOUR PICTURE.
479
00:19:52,567 --> 00:19:54,432
WHAT THE HELL
ARE YOU GUYS DOING?
480
00:19:54,500 --> 00:19:56,065
LOIS, YOU'RE NOT
LEAVING THIS ROOM
481
00:19:56,134 --> 00:19:58,732
UNTIL YOU AGREE TO STOP
THIS MODELING THING
ONCE AND FOR ALL.
482
00:19:58,801 --> 00:20:00,632
THIS ISN'T GONNA WORK,
YOU GUYS.
483
00:20:00,701 --> 00:20:03,632
WHY CAN'T YOU UNDERSTAND
I'M DOIN' WHAT I WANT?
484
00:20:03,701 --> 00:20:05,598
OH, JEEZ, CARTER,
WHAT ARE WE DOIN'?
485
00:20:05,667 --> 00:20:07,966
I MEAN, IF LOIS
WANTS TO BE A MODEL,
486
00:20:08,034 --> 00:20:09,765
WE--WE DON'T GOT
ANY RIGHT TO STOP HER.
487
00:20:09,834 --> 00:20:12,098
YOU, YOU--YOU REALLY
MEAN THAT, PETER?
488
00:20:12,167 --> 00:20:14,665
OF COURSE, I DO.
I JUST WANT YOU
TO BE HAPPY.
489
00:20:14,734 --> 00:20:17,264
THIS IS RIDICULOUS.
NO DAUGHTER OF MINE
IS GOING TO BE HAPPY.
490
00:20:17,333 --> 00:20:20,232
EXCUSE ME, CARTER.
I THINK I OWE YOU THIS.
491
00:20:20,301 --> 00:20:22,799
THAT'S FOR GIVIN' ME
A BOOK LAST CHRISTMAS.
492
00:20:22,867 --> 00:20:24,532
YOU'RE RICH, YOU JERK.
493
00:20:24,600 --> 00:20:28,398
WELL, LOIS, I GUESS
YOU SHOULD GO AHEAD
AND GET BACK TO YOUR PARTY.
494
00:20:29,167 --> 00:20:30,765
WHAT'S WRONG?
495
00:20:30,834 --> 00:20:33,298
A-AREN'T YOU GONNA GO
DO YOUR LITTLE TURN
ON THE CATWALK, LOIS?
496
00:20:33,367 --> 00:20:34,565
ON THE CATWALK?
497
00:20:34,634 --> 00:20:36,165
YEAH, ON THE CATWALK?
498
00:20:36,234 --> 00:20:38,032
DO YOUR LITTLE TURN
ON THE CATWALK?
499
00:20:38,101 --> 00:20:40,065
WELL, NOW THAT YOU SAY
YOU'RE FINE WITH IT,
500
00:20:40,134 --> 00:20:43,732
TO BE HONEST,
I'M NOT REALLY SURE
I WANNA DO IT ANYMORE.
501
00:20:43,801 --> 00:20:47,265
I THINK ALL I REALLY WANTED
WAS THE FREEDOM
TO KNOW I COULD
502
00:20:47,334 --> 00:20:49,599
AND NOW I HAVE IT
BECAUSE I HAVE YOU.
503
00:20:49,667 --> 00:20:51,365
YOU SURE DO, LOIS.
504
00:20:52,801 --> 00:20:54,866
WHAT ARE WE
GONNA DO WITH HIM?
505
00:20:54,934 --> 00:20:56,765
HEY, YOU WANNA MAKE HIM
REALLY MAD, LOIS?
506
00:20:56,834 --> 00:21:00,065
LET'S HAVE SEX ON HIS BACK
LIKE WE USED TO.
507
00:21:00,133 --> 00:21:03,099
(Carter)
OH, WHAT THE HELL'S
GOING ON?
508
00:21:03,167 --> 00:21:05,732
OH, EW, EW, EW,
EW, EW, EW!
509
00:21:05,801 --> 00:21:06,832
[lamp shattering]