1 00:00:03,134 --> 00:00:05,966 ♪ IT SEEMS TODAY THAT ALL YOU SEE ♪ 2 00:00:06,034 --> 00:00:09,264 ♪ IS VIOLENCE IN MOVIES AND SEX ON T.V. ♪ 3 00:00:09,333 --> 00:00:12,932 ♪ BUT WHERE ARE THOSE GOOD OLD-FASHIONED VALUES ♪ 4 00:00:13,001 --> 00:00:15,899 ♪ ON WHICH WE USED TO RELY? ♪ 5 00:00:15,967 --> 00:00:19,266 ♪ LUCKY THERE'S A FAMILY GUY ♪ 6 00:00:19,333 --> 00:00:22,698 ♪ LUCKY THERE'S A MAN WHO POSITIVELY CAN DO ♪ 7 00:00:22,767 --> 00:00:24,165 ♪ ALL THE THINGS THAT MAKE US ♪ 8 00:00:24,234 --> 00:00:25,865 ♪ LAUGH AND CRY ♪ 9 00:00:25,933 --> 00:00:30,732 ♪ HE'S A FAMILY GUY ♪ 10 00:00:35,134 --> 00:00:37,632 ALL RIGHT, BOYS. LET'S SEE WHAT WE'VE GOT. 11 00:00:37,701 --> 00:00:39,165 WELL, AT LEAST WE GOT SOMETHIN'. 12 00:00:39,234 --> 00:00:40,265 [seagull cawing] 13 00:00:40,334 --> 00:00:41,698 GOD! DAMN! STUPID PENGUINS. 14 00:00:45,101 --> 00:00:47,166 SORRY, GUYS, BUT THE WAY THINGS HAVE BEEN GOIN', 15 00:00:47,235 --> 00:00:48,631 I CAN'T AFFORD TO KEEP YOU. 16 00:00:48,700 --> 00:00:50,465 I'M GONNA HAVE TO PUT YOU DOWN. 17 00:00:50,533 --> 00:00:52,432 [wailing] 18 00:00:52,500 --> 00:00:55,732 THIS IS THE HARDEST THING I'VE EVER HAD TO DO. 19 00:00:55,800 --> 00:00:58,331 [speaking foreign language] 20 00:00:58,400 --> 00:01:00,899 [speaking foreign language] 21 00:01:00,967 --> 00:01:02,766 [continues wailing] 22 00:01:03,734 --> 00:01:05,265 [gun firing] 23 00:01:05,333 --> 00:01:06,632 I LOVE YOU BOTH. 24 00:01:06,701 --> 00:01:07,698 [gun firing] 25 00:01:07,767 --> 00:01:10,098 SO, SORRY. I'LL ALWAYS LOVE YOU. 26 00:01:14,701 --> 00:01:16,631 (man on T.V.) WE NOW RETURN TO GILMORE GIRLS. 27 00:01:16,700 --> 00:01:18,365 MOM, I NEED TO TALK TO YOU ABOUT DEAN. 28 00:01:18,434 --> 00:01:19,932 WHICH DEAN? HOWARD DEAN, JAMES DEAN OR JIMMY DEAN. 29 00:01:20,000 --> 00:01:21,365 TOO OLD, TOO DEAD, AND TOO FATTENING. 30 00:01:21,434 --> 00:01:22,965 YOU DON'T HAVE TO TELL THAT TO MY THIGHS. 31 00:01:23,034 --> 00:01:24,532 CAN YOU ASK YOUR THIGHS IF THEY BORROWED MY GAP CAPRIS? 32 00:01:24,600 --> 00:01:26,465 THEY DID NOT AND ARE INSULTED THAT YOU'VE ASKED SUCH A THING. 33 00:01:26,534 --> 00:01:28,165 AS INSULTED AS KITTY KELLEY WHEN PEOPLE ACCUSE HER OF TAKING LIBERTIES 34 00:01:28,234 --> 00:01:29,365 WITH HER BEST-SELLING TELL-ALLS. 35 00:01:29,434 --> 00:01:30,765 ALMOST. WANNA MAKE OUT? ABSOLUTELY NOT. 36 00:01:30,834 --> 00:01:33,298 OH, YOU'RE SO LYING. I SO AM. 37 00:01:33,367 --> 00:01:35,998 OH, HONEY, HOW WAS YOUR DAY? DID YOU CATCH ANY FISH? 38 00:01:36,067 --> 00:01:38,365 NO, BUT I CAUGHT THIS TURTLE. NAMED HIM TERENCE. 39 00:01:38,434 --> 00:01:41,132 THEN KILLED HIM, AND HOLLOWED HIM OUT INTO AN ASHTRAY FOR STEWIE. 40 00:01:41,200 --> 00:01:43,198 PETER, WE HAVE A FAMILY TO FEED. 41 00:01:43,267 --> 00:01:45,198 WE ALL COUNT ON YOU TO PROVIDE FOR US. 42 00:01:45,267 --> 00:01:47,232 [sighing] I KNOW, AND I FEEL TERRIBLE. 43 00:01:47,300 --> 00:01:48,899 I MUST LOOK LIKE A BIGGER LOSER 44 00:01:48,968 --> 00:01:50,598 THAN WHEN I WAS ON THAT GAME SHOW. 45 00:01:50,667 --> 00:01:53,432 (man) AND NOW, BACK TO AMERICA'S FAVORITE GAME SHOW, 46 00:01:53,501 --> 00:01:55,199 BOBCAT OR BJORK. 47 00:01:55,267 --> 00:01:57,398 OK, PETER. LISTEN CLOSELY AND TELL US 48 00:01:57,467 --> 00:02:00,331 IF THIS IS A SONG BY ICELANDIC VOCALIST BJORK 49 00:02:00,400 --> 00:02:03,765 OR, THE RANTINGS OF FORMER COMEDIAN BOBCAT GOLDTHWAIT. 50 00:02:03,834 --> 00:02:04,899 HERE WE GO. 51 00:02:04,967 --> 00:02:06,598 [man gibbering] 52 00:02:08,534 --> 00:02:10,265 WELL, BILL, THAT'S GOTTA BE BOBCAT. 53 00:02:10,334 --> 00:02:11,598 [buzzer buzzing] 54 00:02:11,667 --> 00:02:13,198 OH-OH, SORRY, THAT WAS BJORK. 55 00:02:16,467 --> 00:02:19,132 I TELL YOU, FELLOWS, IF I DON'T FIND SOME FISH OUT THERE SOON, 56 00:02:19,200 --> 00:02:20,699 MY FAMILY'S GONNA GO HUNGRY. 57 00:02:20,767 --> 00:02:24,865 IF IT'S FISH YOU WANTS, PELICAN'S REEF IS WHERE YOU'LL FIND 'EM. 58 00:02:24,934 --> 00:02:26,498 I'VE SEEN FISH THERE. 59 00:02:26,567 --> 00:02:29,399 MORE FISH THAN YOU COULD POSSIBLY IMAGINE. 60 00:02:29,467 --> 00:02:32,099 FISH AS FAR AS THE EYE CAN SEE. 61 00:02:32,168 --> 00:02:34,765 LOTS AND LOTS OF FISH, I--I GUESS, 62 00:02:34,834 --> 00:02:37,832 I GUESS, WOULD BE THE MAIN BULLET POINT OF THIS PRESENTATION. 63 00:02:37,900 --> 00:02:39,698 JEEZ, WHERE IS THIS PELICAN'S REEF? 64 00:02:41,101 --> 00:02:42,199 THERE. 65 00:02:43,467 --> 00:02:46,665 BUT BEWARE, NO MAN HAS EVER RETURNED. 66 00:02:46,734 --> 00:02:49,532 MANY HAVE GONE. ALL HAVE BEEN LOST. 67 00:02:49,600 --> 00:02:52,099 VANISHED, NEVER TO BE SEEN AGAIN. 68 00:02:52,167 --> 00:02:54,398 NO ONE HAS EVER COME BACK, I GUESS-- I GUESS, 69 00:02:54,467 --> 00:02:58,032 WOULD BE THE--THE-- THE CENTRAL THEME OF WHAT I'M TRYING TO GET ACROSS HERE. 70 00:02:58,100 --> 00:02:59,598 PELICAN'S REEF, HUH? 71 00:02:59,667 --> 00:03:01,133 THEN, THAT'S WHERE I'LL GO. 72 00:03:01,200 --> 00:03:02,832 'CAUSE I'M NOT AFRAID OF A CHALLENGE. 73 00:03:02,900 --> 00:03:05,665 LIKE THAT TIME I OUTFARTED MICHAEL MOORE. 74 00:03:05,733 --> 00:03:07,565 HI, THERE. HOW ARE YOU DOING? 75 00:03:09,567 --> 00:03:10,565 [farting] 76 00:03:11,667 --> 00:03:13,132 [farting] 77 00:03:14,367 --> 00:03:19,298 [farting] 78 00:03:20,667 --> 00:03:24,765 [farting] 79 00:03:26,767 --> 00:03:28,565 [both farting] 80 00:03:38,967 --> 00:03:40,999 ALL RIGHT, EVERYBODY. I'LL BE BACK IN A WEEK. 81 00:03:41,067 --> 00:03:43,032 BRIAN, LOOK AFTER THE FAMILY. AYE, AYE. 82 00:03:43,101 --> 00:03:44,999 CHRIS, DON'T PICK YOUR BUM. NO PROMISES. 83 00:03:45,067 --> 00:03:47,532 MEG, IF YOU GET INTIMATE WITH A GUY, MAKE HIM WEAR THIS. 84 00:03:47,600 --> 00:03:50,332 DAD, THAT'S A GARBAGE BAG. DON'T YOU MEAN A CONDOM? 85 00:03:50,400 --> 00:03:52,698 MEG, HEFTY, HEFTY, HEFTY. 86 00:03:52,767 --> 00:03:54,865 WIMPY, WIMPY, WIMPY. 87 00:03:54,934 --> 00:03:57,832 HONEY, BE CAREFUL. THIS PELICAN'S REEF SOUNDS DANGEROUS. 88 00:03:57,900 --> 00:03:59,999 THAT'S WHY I BUILT YOU A WIDOW'S WALK, LOIS. 89 00:04:00,067 --> 00:04:02,332 SO YOU CAN WATCH THE SEA UNTIL I RETURN. 90 00:04:02,467 --> 00:04:03,699 GO ON, TRY IT OUT. 91 00:04:03,767 --> 00:04:05,298 PETER, THAT DOESN'T LOOK ENTIRELY-- 92 00:04:05,366 --> 00:04:07,432 GO ON! 93 00:04:07,500 --> 00:04:09,732 PETER, I'M REALLY NOT COMFORTABLE STEPPIN' FOOT ON THIS-- 94 00:04:09,800 --> 00:04:12,199 LOIS, I GOTTA LEAVE IN, LIKE, 5 MINUTES. 95 00:04:12,267 --> 00:04:13,731 IS THIS SCOTCH TAPE? 96 00:04:13,800 --> 00:04:15,198 [Lois screaming] 97 00:04:15,266 --> 00:04:17,431 [chuckling] YOU DRUNK. 98 00:04:21,134 --> 00:04:23,632 BOY, I REALLY APPRECIATE YOU GUYS HELPIN' ME OUT ON THIS. 99 00:04:23,700 --> 00:04:24,932 PETER, WE'RE YOUR FRIENDS. 100 00:04:25,001 --> 00:04:27,032 WE'RE ALWAYS THERE FOR YOU IN YOUR TIME OF NEED. 101 00:04:27,101 --> 00:04:29,898 ESPECIALLY WHEN YOU PROVIDE THE FREE BEER. 102 00:04:31,733 --> 00:04:32,899 UH... 103 00:04:32,968 --> 00:04:35,099 HEY, HEY, I GOT AN IDEA. LET'S PLAY "I NEVER". 104 00:04:35,167 --> 00:04:38,465 YOU GOTTA DRINK IF YOU DID THE THING THAT THE PERSON SAYS THEY NEVER DID. 105 00:04:38,534 --> 00:04:39,765 WELL, I GOT ONE. 106 00:04:39,833 --> 00:04:42,865 I NEVER SLEPT WITH A WOMAN WITH THE LIGHTS ON. 107 00:04:43,900 --> 00:04:45,665 I'LL GO NEXT. UH... 108 00:04:45,734 --> 00:04:48,465 UH, I NEVER HAD SEX WITH CLEVELAND'S WIFE. 109 00:04:49,400 --> 00:04:50,865 UH, ALL RIGHT, LET'S SEE. 110 00:04:50,934 --> 00:04:53,699 UH, I NEVER DID A CHICK IN A LOGAN AIRPORT BATHROOM. 111 00:04:57,834 --> 00:04:59,465 GOD, LET'S SEE. WHAT ELSE IS THERE? 112 00:04:59,533 --> 00:05:00,832 UM... 113 00:05:00,901 --> 00:05:03,598 I NEVER GAVE A REACH AROUND TO A SPIDER MONKEY 114 00:05:03,667 --> 00:05:05,498 WHILE RECITING THE PLEDGE OF ALLEGIANCE. 115 00:05:05,567 --> 00:05:06,732 OH, GOD. 116 00:05:07,466 --> 00:05:08,798 I, UH, 117 00:05:08,867 --> 00:05:11,499 I NEVER PICKED UP AN ILLEGAL ALIEN AT HOME DEPOT 118 00:05:11,567 --> 00:05:13,832 TO TAKE HOME AND CHOKE ME, WHILE I TOUCHED MYSELF. 119 00:05:13,901 --> 00:05:15,531 OH, COME ON. 120 00:05:15,600 --> 00:05:19,165 AH, I NEVER DID THE SAME THING BUT WITH SOMEONE FROM JO-ANN FABRICS. 121 00:05:19,234 --> 00:05:20,966 OH, GOD, THIS IS RIDICULOUS. 122 00:05:22,967 --> 00:05:25,598 OH, BOY. HE'S OUT COLD. HEY, LET'S WRITE ON HIM. 123 00:05:32,267 --> 00:05:33,732 [thudding] 124 00:05:33,800 --> 00:05:35,331 WHAT THE HELL IS THAT? 125 00:05:36,701 --> 00:05:40,364 OH, MY GOD. THERE'S FISH EVERYWHERE. 126 00:05:40,433 --> 00:05:43,165 WOW! THIS MUST BE PELICAN'S REEF. 127 00:05:43,234 --> 00:05:44,898 HOLY CRAP! WE'RE RICH! 128 00:05:44,967 --> 00:05:46,298 RICH? I'LL TELL YOU WHAT'S RICH. 129 00:05:46,367 --> 00:05:48,665 THE AMUSING FOLKSY MONOLOGUES OF YOUNG WILL ROGERS. 130 00:05:48,734 --> 00:05:50,465 BUT ME, I LIKE THE VISUAL SLAPSTICK GAG. 131 00:05:50,533 --> 00:05:52,665 LIKE THIS COMICALLY OVERSIZED POWDER PUFF. 132 00:05:52,734 --> 00:05:54,832 MAKEUP. NOW, THAT'S RICH. 133 00:05:55,767 --> 00:05:57,266 PLAY ME OFF, JOHNNY. 134 00:05:57,335 --> 00:05:58,798 ♪[playing] 135 00:06:04,667 --> 00:06:08,032 IN LOCAL NEWS, WE HAVE MORE ON THE APPROACH OF HURRICANE RUPAUL 136 00:06:08,100 --> 00:06:10,165 WHICH IS WORKING HIS OR HER WAY UP THE COAST. 137 00:06:10,234 --> 00:06:11,732 LET'S GO LIVE TO OLLIE WILLIAMS 138 00:06:11,800 --> 00:06:13,632 WITH THE BLACKIE WEATHER REPORT. OLLIE. 139 00:06:13,700 --> 00:06:16,632 IT'S RAINING SIDEWAYS. SOUNDS ROUGH, OLLIE. YOU HAVE AN UMBRELLA? 140 00:06:16,701 --> 00:06:17,765 HAD ONE. WHERE IS IT? 141 00:06:17,834 --> 00:06:19,399 INSIDE OUT, 2 MILES AWAY. 142 00:06:19,467 --> 00:06:21,399 IS THERE ANYTHING WE CAN DO FOR YOU? BRING ME SOME SOUP. 143 00:06:21,467 --> 00:06:22,532 WHAT KIND? TURKEY. 144 00:06:22,600 --> 00:06:23,832 ALL RIGHT, WE'LL GET ON THAT. 145 00:06:23,901 --> 00:06:26,899 COMING UP NEXT, A PIG WHO REFUSES TO EAT JEWS. 146 00:06:26,967 --> 00:06:28,065 AFTER THIS. 147 00:06:28,134 --> 00:06:31,531 A HURRICANE. OH, MY GOD! PETER'S OUT THERE. 148 00:06:31,600 --> 00:06:33,899 DON'T WORRY, LOIS. PETER'S GOOD AT GETTING OUT OF TROUBLE. 149 00:06:33,968 --> 00:06:35,131 JUST LIKE KOBE BRYANT. 150 00:06:35,200 --> 00:06:37,598 WE WANT THE TRUTH, KOBE. DID YOU RAPE HER? 151 00:06:38,301 --> 00:06:40,432 [policemen exclaiming] 152 00:06:40,500 --> 00:06:41,698 WHAT WERE WE TALKIN' ABOUT? 153 00:06:43,400 --> 00:06:45,298 THAT'S A HELL OF A CATCH, PETER. 154 00:06:45,366 --> 00:06:47,065 GUYS, THIS IS GREAT. 155 00:06:47,134 --> 00:06:49,932 NOT ONLY WILL I BE ABLE TO PUT FOOD ON THE TABLE AND PAY ALL MY BILLS, 156 00:06:50,001 --> 00:06:52,264 I'LL ALSO BE ABLE TO FINANCE MY CHRISTMAS ALBUM. 157 00:06:52,333 --> 00:06:55,498 (announcer) SESSIONS PRESENTS, A PETER GRIFFIN CHRISTMAS. 158 00:06:55,567 --> 00:06:57,532 FEATURING SUCH STANDARDS AS... 159 00:06:57,600 --> 00:06:59,398 ♪[singing gibberish] 160 00:07:02,901 --> 00:07:05,965 ♪ EVERYBODY, LOOK AT THE SNOW IN THE YARD ♪ 161 00:07:06,034 --> 00:07:07,699 AND WHO COULD FORGET... 162 00:07:07,768 --> 00:07:10,799 ♪ I BOUGHT THESE GIFTS FOR YOU ♪ 163 00:07:10,867 --> 00:07:13,032 ♪ THEY'RE UP IN MY BUM ♪ 164 00:07:13,101 --> 00:07:14,865 AND EVERYONE'S FAVORITE... 165 00:07:14,934 --> 00:07:17,032 ♪ LA, LA, LA, LA, LA, LA, LA, LA ♪ 166 00:07:17,101 --> 00:07:19,265 ♪ LOOK AT THE BELLS, LOOK AT THE BELLS ♪ 167 00:07:19,334 --> 00:07:23,098 ♪ HOLY CRAP, HERE COME JESUS AND HE DOESN'T LOOK TOO HAPPY ♪ 168 00:07:23,167 --> 00:07:25,732 MERRY CHRISTMAS, EVERYONE. 169 00:07:25,801 --> 00:07:28,032 HERE'S TO FISH. 170 00:07:28,101 --> 00:07:29,965 UH, HEY, COULD I HAVE ONE OF THOSE? 171 00:07:30,034 --> 00:07:31,565 HEY, DEATH, WHAT ARE YOU DOIN' HERE? 172 00:07:31,634 --> 00:07:34,098 ME? WELL, I'M, UH, I'M HERE BECAUSE OF THAT. 173 00:07:35,768 --> 00:07:37,399 [all screaming] 174 00:07:41,001 --> 00:07:44,598 AND THEIR VESSEL WAS SWEPT TO THE BOTTOM OF THE BRINY DEEP. 175 00:07:44,667 --> 00:07:48,765 SWALLOWED WHOLE BY THE TREACHEROUS, UNFORGIVING SEA. 176 00:07:48,834 --> 00:07:50,998 THEY SANK, I GUESS, WOULD BE THE--THE ONE THING 177 00:07:51,067 --> 00:07:52,932 TO TAKE AWAY FROM THIS PART OF THE SEMINAR. 178 00:07:53,000 --> 00:07:55,365 WHEN WE COME BACK, I'LL SHOW YOU HOW EYE CONTACT 179 00:07:55,433 --> 00:07:57,798 CAN MAKE OR BREAK ANY BUSINESS RELATIONSHIP. 180 00:08:12,333 --> 00:08:16,233 IT'S LUCKY YOU PACKED SO MANY BLOW-UP DOLLS, 181 00:08:16,900 --> 00:08:18,431 QUA--QUAG, QUAGMIRE. 182 00:08:18,500 --> 00:08:19,798 BE CAREFUL. 183 00:08:19,868 --> 00:08:23,198 THE TINIEST PRICK WILL POP THESE THINGS. 184 00:08:23,267 --> 00:08:24,532 GIGGLY. 185 00:08:24,600 --> 00:08:28,066 WE'VE BEEN OUT HERE FOR DAYS. I'M STARVIN'. 186 00:08:28,134 --> 00:08:29,565 [crunching] 187 00:08:29,634 --> 00:08:30,965 HEY, WHAT'S THAT? WHERE? WHAT? 188 00:08:31,034 --> 00:08:32,731 YOU'RE EATIN' SOMETHIN'. 189 00:08:32,801 --> 00:08:35,765 YOU BASTARD! YOU HAVE FOOD? I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 190 00:08:35,834 --> 00:08:36,965 GIVE ME THAT. 191 00:08:37,034 --> 00:08:38,165 [both grunting] 192 00:08:38,234 --> 00:08:39,632 [screaming] 193 00:08:43,067 --> 00:08:45,865 PETER! YOU'VE BEEN EATING MY LEGS? 194 00:08:45,934 --> 00:08:47,965 YEAH. SEE, NOW THIS IS WHY I DIDN'T SAY ANYTHING. 195 00:08:48,034 --> 00:08:49,532 I KNEW YOU WERE GONNA GET LIKE THIS. 196 00:08:49,600 --> 00:08:51,066 WHAT THE HELL IS WRONG WITH YOU? 197 00:08:51,134 --> 00:08:53,698 LOOK, LOOK, JOE, I, JOE-- YOU'VE BEEN EATING ME! 198 00:08:53,767 --> 00:08:55,865 OK, YOU KNOW WHAT. LET'S JUST AGREE TO DISAGREE. 199 00:08:55,934 --> 00:08:57,131 HEY, GUYS. THERE'S AN ISLAND. 200 00:08:57,200 --> 00:08:58,865 (Peter) OH, THANK GOODNESS. 201 00:08:58,934 --> 00:09:00,766 [all chattering] 202 00:09:00,834 --> 00:09:02,865 OH, WOW. I FEEL LIKE AN EXPLORER. 203 00:09:02,934 --> 00:09:05,465 JUST LIKE MY ANCESTOR, PONCE DE LEON GRIFFIN. 204 00:09:05,533 --> 00:09:08,966 THERE IT IS BOYS, THE FOUNTAIN OF YOUTH. JUST LIKE I TOLD YOU. 205 00:09:12,333 --> 00:09:14,432 WELL, THAT WAS WORTH THE 8-YEAR BOAT RIDE. 206 00:09:16,700 --> 00:09:20,432 WE GATHER TODAY TO REMEMBER THOSE BRAVE QUAHOG MEN 207 00:09:20,501 --> 00:09:22,032 WHO WERE LOST AT SEA. 208 00:09:22,101 --> 00:09:24,832 THE BIBLE DECLARES AN EYE FOR AN EYE. 209 00:09:24,901 --> 00:09:28,798 SO, LET US NOW TAKE OUR VENGEANCE ON THIS MURDEROUS OCEAN. 210 00:09:29,633 --> 00:09:31,232 [grunting] 211 00:09:31,301 --> 00:09:34,198 YOU WON'T BE HURTING ANYONE ANYMORE. 212 00:09:34,267 --> 00:09:36,333 I JUST CAN'T BELIEVE HE'S GONE. 213 00:09:36,400 --> 00:09:38,499 (pastor) DON'T WORRY, LOIS. WE'LL GET THROUGH THIS. 214 00:09:38,567 --> 00:09:40,598 DADDY, I'M GONNA MISS YOU. 215 00:09:40,667 --> 00:09:42,132 [crying] DADDY! 216 00:09:43,867 --> 00:09:45,331 OH, HE'S DEAD. 217 00:09:45,400 --> 00:09:47,166 I KNOW, SWEETIE. I'M SAD, TOO. 218 00:09:47,233 --> 00:09:49,398 BUT YOU'RE MAKIN' A SCENE. ALL OUR FRIENDS ARE HERE. 219 00:09:55,167 --> 00:09:57,465 SCREW YOU, FISH. 220 00:09:57,534 --> 00:09:59,498 OH, I MISS YOU SO MUCH. 221 00:09:59,567 --> 00:10:03,431 BUT I PROMISE, ONE DAY I'LL SEE YOU AGAIN, CAPTAIN CAVEMAN. 222 00:10:06,000 --> 00:10:07,899 IT FEELS LIKE WE'VE BEEN HERE FOREVER. 223 00:10:07,967 --> 00:10:09,366 OK, OK, HERE'S ONE. 224 00:10:09,434 --> 00:10:11,799 WHAT WOULD YOU GUYS RATHER BE? BLIND OR A MIDGET? 225 00:10:11,867 --> 00:10:13,932 OH, THAT'S EASY. BLIND. 226 00:10:14,000 --> 00:10:17,365 IT HEIGHTENS YOUR OTHER SENSES TO NEAR SUPERHERO LEVELS. 227 00:10:17,433 --> 00:10:19,598 YEAH, AND EVERY WOMAN I DID WOULD BE CHERYL TIEGS. 228 00:10:19,667 --> 00:10:20,732 [chuckles] 229 00:10:20,801 --> 00:10:21,999 DEFINITELY BLIND. 230 00:10:22,068 --> 00:10:23,298 YOU GUYS ARE CRAZY. 231 00:10:23,366 --> 00:10:25,066 HEY, YOU DON'T WANNA BE A MIDGET? 232 00:10:25,134 --> 00:10:28,798 ONE OF THOSE FUNNY LITTLE GUYS RUNNIN' AROUND GETTIN' IN ALL KINDS OF SHENANIGANS. 233 00:10:28,867 --> 00:10:31,198 SMOKIN' A CIGAR, WHILE YOU'RE RIDIN' AROUND IN A STROLLER. 234 00:10:31,266 --> 00:10:32,998 GOOD POINT. NEVER THOUGHT OF IT THAT WAY. 235 00:10:33,067 --> 00:10:34,799 THEY ARE GOD'S LITTLE PUNCH LINES. 236 00:10:34,867 --> 00:10:37,665 OK, ALL RIGHT. HERE'S ANOTHER ONE. BLACK OR CRIPPLED? 237 00:10:41,300 --> 00:10:42,598 [sighing] ALL RIGHT, FELLAS. 238 00:10:42,667 --> 00:10:43,899 WE'VE BEEN OUT HERE FOR MONTHS 239 00:10:43,967 --> 00:10:45,998 AND WE ALL KNOW THAT MEN HAVE CERTAIN NEEDS. 240 00:10:46,067 --> 00:10:47,665 AND BEING THERE'S NO WOMEN AROUND, 241 00:10:47,733 --> 00:10:49,565 WE'RE GONNA HAVE TO HAVE AN ORGY. 242 00:10:51,101 --> 00:10:53,765 UH, ANYBODY HORNY? NO. 243 00:10:53,834 --> 00:10:54,965 NO. NO. 244 00:10:55,034 --> 00:10:56,298 YEAH, ME NEITHER. 245 00:10:56,366 --> 00:11:00,632 UH, AND WHOEVER'S TOE THAT IS, I APPRECIATE YOUR ENTHUSIASM, 246 00:11:00,701 --> 00:11:02,698 BUT I THINK YOU CAN STOP. 247 00:11:02,767 --> 00:11:05,565 BOY, I'M SURE GLAD NOBODY'S HERE TO SEE THIS. 248 00:11:05,633 --> 00:11:06,932 [ship horn blowing] 249 00:11:07,000 --> 00:11:08,932 (man) AND IF YOU LOOK OFF THE LEFT SIDE OF THE SHIP, 250 00:11:09,001 --> 00:11:10,999 YOU'LL SEE A BUNCH OF HOMOSEXUALS. 251 00:11:11,068 --> 00:11:12,899 [man speaking Spanish] 252 00:11:16,034 --> 00:11:17,365 THAT WAS A GREAT CRUISE. 253 00:11:17,434 --> 00:11:18,698 YEAH, THE BUFFET WAS GREAT. 254 00:11:18,767 --> 00:11:20,765 AND I ENJOYED SHOOTIN' SKEET. 255 00:11:20,833 --> 00:11:23,131 DON'T WORRY, MR. ULRICH, WE'LL GET YOU TO THE HOSPITAL. 256 00:11:23,200 --> 00:11:24,631 YOU BASTARD. 257 00:11:24,700 --> 00:11:28,899 THERE'S NOTHIN' GOOD ABOUT WHAT YOU DO OR WHO YOU ARE. 258 00:11:31,334 --> 00:11:34,099 LOIS, I'M HOME. 259 00:11:34,168 --> 00:11:35,398 PETER. DADDY. 260 00:11:35,467 --> 00:11:37,065 DAD. WHAT'S YOUR NAME AGAIN? 261 00:11:37,134 --> 00:11:38,265 I WANNA SAY ALLEN. 262 00:11:38,334 --> 00:11:40,331 OH, IT'S SO GOOD TO SEE YOU GUYS. 263 00:11:40,400 --> 00:11:42,333 PETER, WE'D GIVEN UP HOPE. 264 00:11:42,400 --> 00:11:45,398 I CAN'T TELL YOU HOW HAPPY I AM THAT YOU'RE ALIVE. 265 00:11:45,467 --> 00:11:46,865 OH, COME HERE, SWEETHEART. 266 00:11:46,934 --> 00:11:49,932 WAIT, PETER. THERE'S SOMETHING YOU SHOULD KNOW. 267 00:11:50,001 --> 00:11:54,498 I'M NOT QUITE SURE HOW TO TELL YOU THIS, BUT I GOT REMARRIED. 268 00:11:54,567 --> 00:11:55,831 WHAT? 269 00:11:55,900 --> 00:11:58,866 IT WAS A VERY DIFFICULT TIME AND HE WAS THERE FOR US. 270 00:11:58,934 --> 00:12:00,766 WHAT THE HELL... WHO WAS THERE FOR YOU? 271 00:12:00,834 --> 00:12:02,265 HONEY, I'M HOME. 272 00:12:03,934 --> 00:12:05,599 PETER, YOU'RE ALIVE. 273 00:12:05,667 --> 00:12:07,032 BRIAN. 274 00:12:07,101 --> 00:12:10,133 THIS IS JUST LIKE THAT SITCOM WHERE THERE'S 2 DADS. 275 00:12:10,200 --> 00:12:11,966 EXCEPT NOBODY'S LAUGHING. 276 00:12:12,034 --> 00:12:13,765 NO, WAIT, IT'S THE SAME. 277 00:12:16,466 --> 00:12:18,199 YOU--YOU MARRIED BRIAN? 278 00:12:18,268 --> 00:12:20,431 PETER, REMEMBER. WE THOUGHT YOU WERE DEAD. 279 00:12:20,500 --> 00:12:23,198 I NEEDED HELP AND BRIAN WAS THERE. 280 00:12:23,266 --> 00:12:26,431 HE EVEN TOOK A JOB SELLIN' CARS TO KEEP THE FAMILY AFLOAT. 281 00:12:26,500 --> 00:12:29,531 WELL, JUST GET A DIVORCE AND EVERYTHING WILL BE BACK TO NORMAL. 282 00:12:29,600 --> 00:12:31,498 OH, IT'S NOT THAT EASY. 283 00:12:31,567 --> 00:12:33,398 WHAT AM I SUPPOSED TO TELL BRIAN? 284 00:12:33,467 --> 00:12:35,831 THANKS FOR SAVIN' OUR FAMILY, NOW SCRAM. 285 00:12:35,900 --> 00:12:38,298 AND BESIDES, HE'S BEEN GREAT WITH THE KIDS. 286 00:12:38,367 --> 00:12:40,365 I MEAN, CHRIS IS DOING BETTER IN SCHOOL. 287 00:12:40,434 --> 00:12:43,798 AND MEG EVEN WENT ON A DATE WITH THE ANNOUNCER FROM THE SUPER FRIENDS. 288 00:12:45,001 --> 00:12:47,365 MEANWHILE, UNDER MEG GRIFFIN'S BRA. 289 00:12:47,434 --> 00:12:49,799 FINE, FINE. I CAN SEE I'M NOT WANTED HERE. 290 00:12:49,868 --> 00:12:51,765 MAYBE I'LL JUST FIND MY OWN PLACE. 291 00:12:51,833 --> 00:12:54,865 OH, PETER. I JUST FEEL TERRIBLE ABOUT THIS. 292 00:12:54,934 --> 00:12:57,732 I DON'T NEED YOUR SYMPATHY. I DON'T NEED ANYTHING. 293 00:12:57,801 --> 00:13:00,298 YOU KNOW WHAT? MAYBE I'LL JUST GO TAKE UP MY OLD JOB 294 00:13:00,367 --> 00:13:02,264 AS A CONSTRUCTION WORKER IN NEW YORK. 295 00:13:02,333 --> 00:13:04,565 ALTHOUGH I NEVER DID GET THE CAT CALLIN' RIGHT. 296 00:13:04,634 --> 00:13:05,698 [whistling] 297 00:13:05,767 --> 00:13:06,965 YO, BABY. 298 00:13:07,034 --> 00:13:08,165 I WANT A PIECE OF THAT. 299 00:13:08,234 --> 00:13:09,932 YOU SUCK! 300 00:13:14,801 --> 00:13:16,066 HEY, LISTEN, LOIS. 301 00:13:16,134 --> 00:13:18,299 YOU KNOW, I KNOW YOUR HEAD MUST BE TURNED UPSIDE DOWN 302 00:13:18,367 --> 00:13:19,865 BY THIS WHOLE PETER THING. 303 00:13:19,934 --> 00:13:21,999 SO, YOU KNOW, IF THERE'S ANYTHING YOU WANNA TALK ABOUT... 304 00:13:22,068 --> 00:13:23,798 OH, DON'T WORRY, BRIAN. 305 00:13:23,867 --> 00:13:26,966 I'LL ADMIT THIS IS AN EMOTIONAL TIME FOR ME BUT YOU AND I ARE MARRIED 306 00:13:27,034 --> 00:13:29,765 AND THAT'S THE WAY IT'S GONNA STAY. 307 00:13:29,833 --> 00:13:32,531 SO, UH, ANY POSSIBILITY OF 308 00:13:32,600 --> 00:13:35,166 TONIGHT BEING THE NIGHT WE FINALLY PUSH THE BEDS TOGETHER. 309 00:13:35,235 --> 00:13:36,498 GOOD NIGHT, BRIAN. 310 00:13:37,200 --> 00:13:38,799 COME ON. 311 00:13:38,868 --> 00:13:40,431 JEEZ, ENOUGH WITH THAT ALREADY. 312 00:13:40,500 --> 00:13:42,098 YOU'RE LIKE A DOG WITH A BONE. 313 00:13:42,166 --> 00:13:44,899 TELL ME ABOUT IT. I'LL BE IN THE BASEMENT. 314 00:13:44,967 --> 00:13:46,065 DOIN' WHAT? 315 00:13:46,134 --> 00:13:47,199 (Brian) WHAT DO YOU THINK? 316 00:13:50,467 --> 00:13:53,131 WOW, JOE, WHERE DID YOU GET THE NEW LEGS? 317 00:13:53,200 --> 00:13:56,898 TRANSPLANT. THEY BELONGED TO A DEATH ROW INMATE WHO GOT THE CHAIR. 318 00:13:56,967 --> 00:13:59,798 UNFORTUNATELY FOR ME, HE WAS ALSO A PARAPLEGIC. 319 00:13:59,867 --> 00:14:01,598 GUYS, I DON'T KNOW WHAT I'M GONNA DO. 320 00:14:01,667 --> 00:14:03,398 LOIS IS THE ONLY WOMAN FOR ME. 321 00:14:03,467 --> 00:14:06,598 WELL, THEN, IT SOUNDS LIKE YOU'VE GOTTA FIND A WAY TO WIN HER BACK. 322 00:14:06,667 --> 00:14:08,364 YEAH, LIKE--LIKE WE COULD GET HER DRUNK 323 00:14:08,433 --> 00:14:09,932 AND TAKE TURNS HAVIN' SEX WITH HER. 324 00:14:10,000 --> 00:14:11,765 HOW WOULD THAT HELP ME? OH, HELP YOU? 325 00:14:11,834 --> 00:14:13,132 OH, OH, YEAH, YEAH. THEN, NO. 326 00:14:13,201 --> 00:14:14,898 NO, THEN, THAT--THAT WOULDN'T HELP YOU. 327 00:14:14,967 --> 00:14:16,932 WELL, JOE IS ABSOLUTELY RIGHT. 328 00:14:17,001 --> 00:14:19,398 I JUST GOTTA FIGURE OUT A WAY TO WIN LOIS BACK. 329 00:14:19,467 --> 00:14:21,266 I CAN DO THAT, I'M A SMART GUY. 330 00:14:21,334 --> 00:14:23,632 I ONCE BUILT THAT TIME MACHINE OUT OF A DELOREAN. 331 00:14:23,701 --> 00:14:24,832 [engine humming] 332 00:14:24,901 --> 00:14:27,598 ALL RIGHT, PAST. HERE I COME. 333 00:14:27,667 --> 00:14:29,065 [tires screeching] 334 00:14:32,767 --> 00:14:34,199 [all screaming] 335 00:14:35,367 --> 00:14:39,498 WOW. EVERYBODY IN 1955 WAS ON FIRE. 336 00:14:39,567 --> 00:14:41,298 I NEVER KNEW THAT. 337 00:14:43,333 --> 00:14:45,365 OH, HELLO, LOIS. 338 00:14:45,434 --> 00:14:46,698 PETER. 339 00:14:46,767 --> 00:14:49,131 WHAT ARE YOU DOIN' HERE AND WHERE ARE YOUR CLOTHES? 340 00:14:49,200 --> 00:14:50,832 OH, DID I FORGET MY CLOTHES? 341 00:14:50,901 --> 00:14:53,098 OH, YOU KNOW, I'D LEAVE MY ASS BEHIND 342 00:14:53,167 --> 00:14:55,632 IF IT WASN'T SO PERFECTLY ATTACHED TO MY STERNUM. 343 00:14:55,701 --> 00:14:57,465 PERHAPS I SHOULD COVER MYSELF. 344 00:15:01,701 --> 00:15:05,398 LOOK, PETER, I KNOW WHAT YOU'RE TRYING TO DO, BUT IT'S NOT GONNA WORK. 345 00:15:05,467 --> 00:15:06,699 I'M MARRIED TO BRIAN. 346 00:15:06,767 --> 00:15:09,398 OH, THAT'S RIGHT. HOW INAPPROPRIATE OF ME. 347 00:15:09,467 --> 00:15:12,265 WELL, I GUESS, I SHOULD BE GOING. 348 00:15:12,333 --> 00:15:15,899 LOIS, LOIS, DO YOU-- DO YOU HAVE A MAGNET IN YOUR HEAD? WHAT? 349 00:15:15,968 --> 00:15:18,865 YOU MUST, BECAUSE IT'S ATTRACTING MY BUNS OF STEEL. 350 00:15:18,934 --> 00:15:20,265 PETER, KNOCK IT OFF. 351 00:15:20,333 --> 00:15:22,032 YOU KNOCK IT OFF. YOU'RE THE ONE WITH THE MAGNET. 352 00:15:22,100 --> 00:15:23,932 I'M SERIOUS, KNOCK IT OFF. 353 00:15:24,001 --> 00:15:24,898 [giggling] 354 00:15:24,967 --> 00:15:26,065 PETER, NO. 355 00:15:26,134 --> 00:15:27,499 PETER, FOR GOD'S SAKE. 356 00:15:27,567 --> 00:15:29,032 [Peter chuckling] 357 00:15:29,101 --> 00:15:31,598 (Lois) OH, WHO AM I KIDDIN'? I CAN'T FIGHT THIS ANYMORE. 358 00:15:31,667 --> 00:15:33,099 [Lois moaning] 359 00:15:34,167 --> 00:15:35,966 I MISSED YOU SO MUCH. 360 00:15:36,034 --> 00:15:39,465 LOIS, I SMELL WHIPPED CREAM. ARE YOU MAKING STRAWBERRY SHORTCAKE? 361 00:15:39,533 --> 00:15:40,865 [screaming] 362 00:15:43,934 --> 00:15:46,565 [Stewie continues screaming] 363 00:15:46,634 --> 00:15:48,998 SO IT'S A SHOUTING MATCH YOU WANT, EH? 364 00:15:49,067 --> 00:15:50,998 WELL, GAME ON, QUAHOG. 365 00:15:51,067 --> 00:15:52,632 [screaming] 366 00:15:55,567 --> 00:15:56,865 I'M BEATING YOU! 367 00:16:01,400 --> 00:16:04,665 HEY, GRIFFIN, YOUR SALES ARE IN THE TOILET. YOU GOT PROBLEMS AT HOME? 368 00:16:04,733 --> 00:16:06,431 NO! WHAT--WHAT WOULD MAKE YOU SAY THAT? 369 00:16:06,500 --> 00:16:07,966 EX-HUSBAND BACK IN THE PICTURE, 370 00:16:08,034 --> 00:16:09,465 YOU'RE WORKIN' DURING THE DAY. 371 00:16:09,534 --> 00:16:10,798 THEY GOT TIME TO BUMP UGLIES. 372 00:16:10,867 --> 00:16:12,498 THAT'S RIGHT, I SAID, BUMP UGLIES. 373 00:16:12,567 --> 00:16:13,999 BIG WHOOP. WANT TO FIGHT ABOUT IT? 374 00:16:14,068 --> 00:16:15,364 SHUT UP, PADDY, YOU'RE CRAZY. 375 00:16:15,433 --> 00:16:18,065 LOIS WOULD NEVER CHEAT ON ME. I TRUST HER COMPLETELY. 376 00:16:22,968 --> 00:16:24,232 [telephone ringing] 377 00:16:24,300 --> 00:16:26,232 [Peter and Lois laughing] 378 00:16:30,034 --> 00:16:31,365 EXCUSE ME. 379 00:16:31,433 --> 00:16:33,799 I'M LOOKIN' FOR A CAR THAT'S BEEN TRICKED OUT 380 00:16:33,868 --> 00:16:35,631 TO LOOK LIKE AN ICE-CREAM TRUCK. 381 00:16:35,700 --> 00:16:37,398 DAMN IT! I'M--I'M SORRY, WHAT? 382 00:16:37,467 --> 00:16:40,999 YOU KNOW, WITH COLORFUL PICTURES OF ICE CREAM TREATS. 383 00:16:41,068 --> 00:16:44,598 AND IT PLAYS A TUNE THAT'S FUN FOR THE YOUNG CHILDREN. 384 00:16:44,667 --> 00:16:48,865 ♪ TA, TA, TA, TA, TA-TA, TA-TA ♪ 385 00:16:48,934 --> 00:16:53,299 ♪ TA, TA, TA, TA, TA-TA, TA-TA, TA ♪ 386 00:16:54,300 --> 00:16:55,398 [sighs] 387 00:16:58,334 --> 00:16:59,998 OK, I'M GOIN' OUT. 388 00:17:00,067 --> 00:17:03,632 WHERE ARE YOU GOING? TO MY, UH, GARDEN CLUB. 389 00:17:03,701 --> 00:17:06,498 IT'S 10:30 AT NIGHT AND YOU HAVE A SADDLE. 390 00:17:06,566 --> 00:17:08,832 WELL, IT'S A... I... 391 00:17:08,901 --> 00:17:10,798 [tittering] 392 00:17:10,867 --> 00:17:13,865 WHAT'S THIS? WHAT'S THIS, BRIAN, HUH? 393 00:17:13,934 --> 00:17:15,665 WHAT'S THIS, HUH? IT'S A BALL. 394 00:17:15,734 --> 00:17:18,866 OH, IS THIS YOUR BALL? YOU WANT IT, HUH? YOU WANT THIS, HUH? 395 00:17:18,934 --> 00:17:20,932 YES, I WOULD LIKE-- I WOULD LIKE IT, PLEASE, YES. 396 00:17:21,001 --> 00:17:22,632 YOU WANT THIS, HUH? YOU WANT THE BALL? 397 00:17:22,701 --> 00:17:24,699 YES, I WOULD LIKE TO HAVE IT VERY MUCH. YOU WANT IT, HUH? 398 00:17:24,767 --> 00:17:26,232 YOU WANT THE BALL? 399 00:17:26,301 --> 00:17:28,066 I WOULD ENJOY HAVING IT, YES. GIVE IT TO ME. GO, GET IT. 400 00:17:29,767 --> 00:17:31,699 I-- I'M SORRY, LOIS, I WAS MISTAKEN. 401 00:17:31,767 --> 00:17:33,398 I THOUGHT YOU THREW THE BALL IN THERE, 402 00:17:33,466 --> 00:17:35,032 BUT I CAN SEE NOW YOU STILL HAVE IT. 403 00:17:35,101 --> 00:17:36,166 GO, GET THE BALL. 404 00:17:38,334 --> 00:17:40,831 I SAY, ARE YOU BLIND, OR JUST STUPID? WHAT DO YOU MEAN? 405 00:17:40,900 --> 00:17:43,032 PERHAPS YOU'D LIKE TO SEE WHAT LOIS AND THE FAT MAN 406 00:17:43,101 --> 00:17:44,832 HAVE BEEN UP TO IN YOUR ABSENCE. 407 00:17:47,533 --> 00:17:51,699 HELLO, M.T.V., UM, I THINK I WOULD BE PERFECT FOR THE REAL WORLD . 408 00:17:51,767 --> 00:17:56,164 UH, BECAUSE I SPEAK MY MIND AND NOT EVERYONE LIKES THAT. 409 00:17:56,233 --> 00:17:57,266 UH, 410 00:17:57,333 --> 00:17:59,298 BUT I'M NOT AFRAID TO GO THERE. 411 00:17:59,366 --> 00:18:01,431 AND, UH, I CAN BE SEXY. 412 00:18:02,034 --> 00:18:03,966 ♪[humming] 413 00:18:04,034 --> 00:18:06,765 LOOK AT MY FANNY, LOOK AT MY FANNY, LOOK AT MY FANNY. 414 00:18:06,834 --> 00:18:09,399 WOW, I CAN'T BELIEVE THEY DIDN'T TAKE YOU. SHUT UP! 415 00:18:09,467 --> 00:18:10,932 ALL RIGHT, HERE IT IS. 416 00:18:11,001 --> 00:18:12,398 [Peter giggling] 417 00:18:12,467 --> 00:18:13,631 (Lois) OH PETER. 418 00:18:13,700 --> 00:18:15,132 [Lois giggling] 419 00:18:15,201 --> 00:18:16,465 OH PETER. 420 00:18:16,534 --> 00:18:17,665 [Peter exclaiming] 421 00:18:17,734 --> 00:18:19,166 (Lois) HANG ON. 422 00:18:19,934 --> 00:18:22,231 (Peter) SHAZZAM! 423 00:18:22,300 --> 00:18:25,232 (Lois) OH, GOOD FOR YOU. 424 00:18:25,301 --> 00:18:27,965 MY GOD. HOW COULD THEY DO THIS TO ME? 425 00:18:32,566 --> 00:18:34,065 [tires screeching] 426 00:18:39,001 --> 00:18:40,732 ♪[Alfred Hitchcock theme music playing] 427 00:18:43,100 --> 00:18:44,865 (Lois) PETER, I CAN'T KEEP SNEAKIN' AROUND 428 00:18:44,934 --> 00:18:45,999 WITH YOU LIKE THIS. 429 00:18:46,068 --> 00:18:47,799 SEE, IT'S NOT FAIR TO BRIAN. 430 00:18:47,867 --> 00:18:50,065 WHAT ABOUT ME, LOIS. I LOVE YOU, TOO. 431 00:18:50,134 --> 00:18:53,665 AND--AND THE OTHER THING IS, LOIS, UH, HI, HE'S A DOG. 432 00:18:53,734 --> 00:18:56,732 PLEASE. PLEASE DON'T MAKE THIS ANY HARDER THAN IT HAS TO BE. 433 00:18:56,800 --> 00:18:58,765 YOU KNOW, I WILL ALWAYS LOVE YOU, 434 00:18:58,834 --> 00:19:00,999 BUT I MADE A COMMITMENT TO BRIAN. 435 00:19:01,067 --> 00:19:04,665 I CAN NEVER REPAY HIM FOR WHAT HE'S DONE FOR THIS FAMILY. 436 00:19:04,733 --> 00:19:06,399 I'M SORRY, PETER. 437 00:19:10,867 --> 00:19:13,032 ALL RIGHT, SIMON, DO YOUR WORST. 438 00:19:13,100 --> 00:19:15,032 [beeping] 439 00:19:15,100 --> 00:19:17,498 I FIND IT'S EASY IF I MAKE IT INTO A LITTLE SONG. 440 00:19:17,567 --> 00:19:21,298 ♪ RED, GREEN, BLUE, GREEN, BLUE, BLUE THEN YOU PUT IN WORDS ♪ 441 00:19:21,367 --> 00:19:24,598 ♪ I LIKE TEA AND CAKES FOR TEA AND CAKE TIME ♪ 442 00:19:25,767 --> 00:19:27,598 OH, BRIAN, YOU'RE STILL UP. 443 00:19:27,667 --> 00:19:29,099 LOIS, LISTEN. 444 00:19:29,168 --> 00:19:31,432 UH, I... WE--WE NEED TO TALK. 445 00:19:31,500 --> 00:19:33,531 OH, MY, I BETTER LEAVE YOU TWO ALONE. 446 00:19:40,168 --> 00:19:41,331 WHAT'S THE MATTER, BRIAN? 447 00:19:41,400 --> 00:19:43,364 I'VE BEEN THINKING ABOUT US. 448 00:19:43,433 --> 00:19:46,232 AND I--I JUST DON'T THINK IT'S WORKING OUT. 449 00:19:46,300 --> 00:19:48,865 (Stewie) OH, MY GOD. NO WAY. 450 00:19:48,934 --> 00:19:51,231 YOU--YOU WANNA BREAK UP. WHY? 451 00:19:51,300 --> 00:19:53,932 I--I JUST DON'T THINK YOU'RE THE RIGHT WOMAN FOR ME. 452 00:19:54,001 --> 00:19:56,232 (Stewie) OH, BITCH. YOU GOT JACKED, BITCH. 453 00:19:56,300 --> 00:19:59,198 MAYBE YOU SHOULD SEE IF PETER WILL STILL TAKE YOU BACK. 454 00:19:59,266 --> 00:20:00,865 I'M--I'M SORRY, LOIS. 455 00:20:00,934 --> 00:20:03,198 I UNDERSTAND, BRIAN. 456 00:20:03,266 --> 00:20:07,066 THERE'S NO POSSIBLE WAY I CAN EVER THANK YOU ENOUGH FOR THIS. 457 00:20:07,133 --> 00:20:08,498 YOU'RE A GOOD FRIEND. 458 00:20:08,566 --> 00:20:09,965 YOU'RE A GOOD FRIEND TOO, LOIS. 459 00:20:10,034 --> 00:20:11,732 (Stewie) OH, THAT'S KIND OF NICE. 460 00:20:14,534 --> 00:20:16,965 WELL, THANK GOD, EVERYTHING'S BACK TO NORMAL, EH? 461 00:20:17,034 --> 00:20:18,732 I'LL SAY. 462 00:20:18,800 --> 00:20:22,198 AND TO THINK, BRIAN, I WAS, LIKE, A DAY AWAY FROM HAVIN' SEX WITH YOU. 463 00:20:22,267 --> 00:20:24,331 I WAS GONNA PUSH THOSE BEDS TOGETHER 464 00:20:24,400 --> 00:20:26,632 AND TAKE YOU AROUND THE FREAKIN' WORLD, BRIAN. 465 00:20:26,700 --> 00:20:27,898 [chuckles] 466 00:20:27,968 --> 00:20:30,932 BUT A NICE PAT ON THE HEAD IS JUST AS GOOD, HUH? 467 00:20:31,001 --> 00:20:32,698 YOU WANT YOUR BALL? YOU WANT YOUR BALL? 468 00:20:32,767 --> 00:20:34,532 NO, LOIS, I DON'T WANT THE BALL RIGHT NOW. 469 00:20:34,600 --> 00:20:35,598 I'LL BE IN THE BASEMENT. 470 00:20:35,667 --> 00:20:36,565 DOIN' WHAT? 471 00:20:36,634 --> 00:20:37,665 (Brian) WHAT DO YOU THINK? 472 00:20:37,734 --> 00:20:39,199 [all laughing] 473 00:20:42,600 --> 00:20:44,798 OK, SOMEBODY'S GONNA HAVE TO EXPLAIN THAT TO ME.