1
00:00:03,134 --> 00:00:05,899
♪ IT SEEMS TODAY
THAT ALL YOU SEE ♪
2
00:00:05,968 --> 00:00:09,264
♪ IS VIOLENCE IN MOVIES
AND SEX ON T.V. ♪
3
00:00:09,333 --> 00:00:12,899
♪ BUT WHERE ARE THOSE
GOOD OLD-FASHIONED VALUES ♪
4
00:00:12,968 --> 00:00:15,899
♪ ON WHICH WE USED TO RELY? ♪
5
00:00:15,967 --> 00:00:19,165
♪ LUCKY THERE'S A FAMILY GUY ♪
6
00:00:19,234 --> 00:00:22,665
♪ LUCKY THERE'S A MAN WHO
POSITIVELY CAN DO ♪
7
00:00:22,734 --> 00:00:24,199
♪ ALL THE THINGS
THAT MAKE US ♪
8
00:00:24,267 --> 00:00:25,965
♪ LAUGH AND CRY ♪
9
00:00:26,034 --> 00:00:30,732
♪ HE'S A FAMILY GUY ♪
10
00:00:35,201 --> 00:00:37,865
(man on T.V.)
ON THE NEXT EPISODE
OF DEADWOOD.
11
00:00:37,934 --> 00:00:38,932
ANYTHIN' YET?
12
00:00:39,001 --> 00:00:40,299
NO, YOU?
13
00:00:40,368 --> 00:00:41,398
NOPE.
14
00:00:41,467 --> 00:00:43,365
(man on T.V.)
NEXT DEADWOOD.
15
00:00:43,434 --> 00:00:45,332
CHRIS, WHAT'RE YOU ALL
DRESSED UP FOR?
16
00:00:45,400 --> 00:00:47,465
THESE ARE MY
BACK-TO-SCHOOL CLOTHES.
17
00:00:47,533 --> 00:00:49,532
I START HIGH SCHOOL TOMORROW.
18
00:00:49,600 --> 00:00:52,799
OH, BOY. YOU BETTER WATCH OUT
FOR THE FRESHMAN HUNT.
19
00:00:52,867 --> 00:00:55,199
YEAH. THAT'S WHERE
SENIORS HUNT DOWN FRESHMEN
20
00:00:55,268 --> 00:00:56,932
AND NAIL THEM
WITH PADDLES.
21
00:00:57,001 --> 00:01:00,398
AW, MAN,
REMEMBER HOW MUCH THAT WAS,
BEATIN' THOSE FRESHMEN SILLY?
22
00:01:01,267 --> 00:01:02,365
OH, YEAH.
23
00:01:02,433 --> 00:01:04,365
YOU'RE NOT SERIOUS, ARE YOU?
24
00:01:04,433 --> 00:01:06,298
CHRIS, I'M JUST AS SERIOUS
AS I WAS
25
00:01:06,366 --> 00:01:08,432
WHEN I SAW PAUL REISER
DO STANDUP.
26
00:01:08,500 --> 00:01:10,299
WHAT'S THE DEAL
WITH AIRLINE FOOD?
27
00:01:10,367 --> 00:01:12,232
I MEAN,
IS THIS STUFF BAD OR WHAT?
28
00:01:12,301 --> 00:01:14,565
WELL, THAT'S NOT NICE.
THOSE CHEFS
WORK REALLY HARD.
29
00:01:14,633 --> 00:01:16,665
AND WHAT'S WITH
THOSE STARBUCKS, HUH?
30
00:01:16,734 --> 00:01:17,865
THEY'RE EVERYWHERE.
31
00:01:17,934 --> 00:01:19,698
UH, LOT OF PEOPLE
WANT COFFEE.
32
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IT'S SUPPLY AND DEMAND.
IT'S THE FOUNDATION
OF OUR ENTIRE ECONOMY, PAUL.
33
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AND WHO DO I TALK TO
ABOUT THOSE LONG LINES
AT THE A.T.M.?
34
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THAT'S WHAT I WANT TO KNOW.
35
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UH, NOT ME, MR. REISER.
36
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SOMEONE WHO HAS TIME
TO FRITTER AWAY,
BUT NOT ME.
37
00:01:34,400 --> 00:01:36,232
PETER, WHAT'RE YOU DOIN'?
38
00:01:36,300 --> 00:01:37,665
YOU'VE BEEN OUT OF WORK
FOREVER.
39
00:01:37,734 --> 00:01:40,598
AND YOU PROMISED ME
YOU WERE GOIN' OUT
TO LOOK FOR A JOB TODAY.
40
00:01:40,667 --> 00:01:43,265
OH, WELL, OK. I'LL GO
LOOK FOR A JOB, LOIS.
41
00:01:43,334 --> 00:01:46,631
WHA-WHAT IS THIS?
THE LATEST REDBOOK.
42
00:01:49,901 --> 00:01:51,232
IS SHE GONE?
43
00:01:51,300 --> 00:01:52,899
UH, THEM AND THEIR SQUABBLING.
44
00:01:52,968 --> 00:01:55,431
ALTHOUGH I SUPPOSE
THEY'RE NOT THE FIRST COUPLE
TO HAVE PROBLEMS.
45
00:01:57,133 --> 00:01:58,498
DID YOU HAVE A NICE DAY?
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00:01:58,566 --> 00:01:59,999
IT WAS OK.
47
00:02:00,068 --> 00:02:03,231
YOU KNOW,
OUR SON GOT INTO
YOUR CLOSET TODAY.
48
00:02:03,300 --> 00:02:04,631
UH, OK.
49
00:02:04,700 --> 00:02:06,832
AH, ANYTHING...
ANYTHING IN THERE,
50
00:02:06,901 --> 00:02:09,032
MAYBE YOU WOULDN'T HAVE
WANTED HIM TO SEE?
51
00:02:09,101 --> 00:02:10,266
NO.
52
00:02:10,335 --> 00:02:13,532
REALLY? YOU DON'T HAVE
ANY DIRTY PICTURES
IN THERE?
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00:02:13,600 --> 00:02:14,966
NO.
54
00:02:15,034 --> 00:02:18,098
THEN HOW DO YOU
EXPLAIN THESE?
55
00:02:18,167 --> 00:02:19,965
SO WHAT?
SO, I HAVE SOME PAINTINGS.
56
00:02:20,034 --> 00:02:21,465
IS THIS HOW
YOU WANT ME TO LOOK?
57
00:02:21,534 --> 00:02:23,765
OH, COME ON, KAREN.
DO YOU HATE YOUR BODY
SO MUCH,
58
00:02:23,833 --> 00:02:25,865
YOU HAVE TO REDUCE
EVERY PAINTING
OF THE FEMALE FORM
59
00:02:25,934 --> 00:02:27,798
TO PORNOGRAPHY?
DON'T YOU DO THAT.
DON'T YOU--
60
00:02:27,867 --> 00:02:28,899
DON'T MAKE THIS MY FAULT.
61
00:02:28,968 --> 00:02:30,032
IT IS YOUR FAULT.
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I JUST WANT TO COME HOME
AND HAVE DINNER.
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00:02:31,567 --> 00:02:33,465
AND HAVE MY WIFE SAY,
"HELLO, HOW WAS YOUR DAY?"
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THAT'S IMPOSSIBLE FOR YOU.
65
00:02:34,801 --> 00:02:36,099
YOU KNOW WHAT THIS IS ABOUT?
WHAT?
66
00:02:36,167 --> 00:02:38,065
THIS IS ABOUT
YOUR DISRESPECT FOR ME,
OH, COME ON.
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THIS FAMILY AND
EVERYTHING WE STAND FOR.
OH, OH,
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WHAT DO WE STAND FOR?
WHO ARE WE, THE GORACKS NOW?
OH.
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00:02:42,267 --> 00:02:43,832
OH, SUDDENLY
YOU'RE CYNTHIA GORACK.
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00:02:43,900 --> 00:02:46,298
THAT'S WHAT YOU WANT,
ISN'T IT? YOU WANT
TO BE CYNTHIA GORACK.
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00:02:46,367 --> 00:02:47,832
YEAH, YOU KNOW WHAT,
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00:02:47,900 --> 00:02:49,765
AT LEAST
CYNTHIA GORACK'S HUSBAND
CARES ABOUT HER FAMILY.
73
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[exclaims]
NO, I CAN'T EVEN TALK TO YOU
WHEN YOU'RE LIKE THIS.
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00:02:52,400 --> 00:02:55,531
OH, OK. IT'S OVER NOW
BECAUSE YOU SAY IT IS.
OH, WAY TO GO, KAREN.
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YOU SOLVE ALL OUR PROBLEMS
BY JUST WALKIN' AWAY!
76
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AND IT'S SO OBVIOUS
I DON'T CARE
ABOUT THE FAMILY.
77
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I JUST KILLED
A 700-POUND TIGER
WITH A STICK AND A ROCK!
78
00:03:03,333 --> 00:03:04,765
THAT DOESN'T
MAKE YOU A MAN, GARY.
79
00:03:04,834 --> 00:03:06,199
HERE WE GO.
80
00:03:06,267 --> 00:03:07,732
HERE'S ACT 2
OF THE PERFORMANCE.
81
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KAREN PRETENDS TO LEAVE HOME
FOR THE 20TH TIME.
82
00:03:10,334 --> 00:03:12,532
YOU KNOW WHAT,
YOU KNOW WHAT, KAREN. GO!
83
00:03:12,600 --> 00:03:14,165
I'M NOT GOING TO STOP YOU.
JUST GO!
84
00:03:14,234 --> 00:03:16,865
GET OUT! GET THE HELL OUT!
SCREW YOU, GARY!
85
00:03:16,934 --> 00:03:18,432
OH, YEAH,
IF YOU DID THAT MORE OFTEN,
86
00:03:18,500 --> 00:03:20,665
MAYBE I WOULDN'T NEED
THESE PAINTINGS!
87
00:03:20,734 --> 00:03:22,598
WHAT THE HELL
ARE YOU LOOKIN' AT?
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00:03:24,300 --> 00:03:26,799
I SAY, ANYBODY LISTEN
TO HOWARD STERN
THIS MORNING?
89
00:03:26,868 --> 00:03:30,065
HE HAD SOME STRIPPERS
IN THE STUDIO.
THEY SOUNDED HOT.
90
00:03:30,134 --> 00:03:31,932
THEN HE MADE A JOKE
ABOUT A NEGRO.
91
00:03:32,001 --> 00:03:33,765
BUT ROBIN LAUGHED,
SO IT WAS OK.
92
00:03:35,234 --> 00:03:38,431
OH, I THINK
I'M COMIN' DOWN
WITH SOMETHIN'.
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CHRIS, RELAX.
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00:03:39,633 --> 00:03:41,732
THE FRESHMAN HUNT
DOESN'T REALLY EXIST.
95
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IT'S JUST A MYTH
TO SCARE FRESHMEN.
96
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REALLY?
OH, BOY, THAT'S A RELIEF.
97
00:03:46,400 --> 00:03:48,532
NOW HAVE A GOOD DAY
AT SCHOOL, SWEETIE.
98
00:03:50,101 --> 00:03:51,131
[horn honking]
99
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FRESHMAN!
100
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[tires screeching]
101
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[screaming]
102
00:03:58,134 --> 00:03:59,731
HELP ME!
103
00:04:02,301 --> 00:04:03,932
FRESHMAN.
104
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[screaming]
105
00:04:06,634 --> 00:04:08,131
[groaning]
106
00:04:09,333 --> 00:04:11,932
OH, I GOT YOU, YOU FRESHMAN.
107
00:04:12,001 --> 00:04:13,732
I'M GOING TO TEACH YOU
THE LESSON
108
00:04:13,801 --> 00:04:16,398
THAT IT IS NOT OK
TO BE A FRESHMAN.
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♪ NO MORE MISTER NICE GUY ♪
110
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♪ NO MORE MISTER CLEAN ♪
111
00:04:24,934 --> 00:04:27,465
♪ NO MORE MISTER NICE GUY ♪
112
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♪ THEY SAY
HE'S SICK, HE'S OBSCENE ♪
113
00:04:34,533 --> 00:04:35,799
ALL RIGHT, MR. GRIFFIN.
114
00:04:35,867 --> 00:04:37,832
JOBS YOU THINK
YOU WOULD BE SUITED FOR.
115
00:04:37,901 --> 00:04:41,398
LET'S SEE WHAT YOU WROTE.
"COWBOY, ASTRONAUT,
116
00:04:41,466 --> 00:04:45,398
WARLOCK,
MORE POWERFUL ASTRONAUT,
BEER EXPERT."
117
00:04:45,467 --> 00:04:47,798
YEAH. AND I NEED SOMETHIN'
THAT PAYS MORE
THAN MY LAST JOB
118
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AS SANDY DUNCAN'S GLASS EYE.
119
00:04:50,767 --> 00:04:52,632
(Peter)
HEY, HEY, SANDY? SANDY?
120
00:04:52,701 --> 00:04:53,798
UH, WHAT?
121
00:04:53,867 --> 00:04:56,665
WHAT'RE YOU BUYIN'?
UH, SOME BREAKFAST CEREAL.
122
00:04:56,733 --> 00:05:00,131
NO, DON'T GET THAT.
THAT'S A BAD CEREAL.
GET SOME OF THE BOO BERRY.
123
00:05:00,200 --> 00:05:03,298
HUH, TURNS OUT
THERE'S A JOB OPENING
AT THE PAWTUCKET BREWERY.
124
00:05:03,367 --> 00:05:04,832
WOW, THAT SOUNDS
EVEN BETTER
125
00:05:04,901 --> 00:05:07,099
THAN WHEN I GOT PAID
TO TAKE PART IN THAT STUDY.
126
00:05:07,167 --> 00:05:10,632
HMM, THE ONLY ONE
WHO COULDN'T FINISH THE PUZZLE
IS THE FAT ONE.
127
00:05:10,700 --> 00:05:12,866
I'M SORRY.
I CAN'T SEE WHAT
YOU'RE GOIN' FOR HERE.
128
00:05:12,934 --> 00:05:13,966
WHAT, UH...
LET ME LOOK AT...
129
00:05:14,034 --> 00:05:17,498
OH, IT'S A JAR
OF PRESERVES. OH.
130
00:05:17,567 --> 00:05:19,865
YEAH, I GUESS THAT'S WHAT
ALL THE RED PIECES WERE, HUH?
131
00:05:23,101 --> 00:05:25,231
HEY, CHRIS,
WAS SCHOOL ANY BETTER TODAY?
132
00:05:25,300 --> 00:05:28,098
NO, I HATE IT.
I NEVER WANT TO GO BACK!
133
00:05:28,167 --> 00:05:30,065
OH, COME ON,
IT'LL GET BETTER.
134
00:05:30,133 --> 00:05:31,799
YOU JUST HAVE TO FIND
YOUR PLACE.
135
00:05:31,867 --> 00:05:34,065
LET'S GO, STEWIE.
TIME TO CHANGE YOUR DIAPER.
136
00:05:34,134 --> 00:05:36,165
I'M NOT WORRIED
ABOUT HIGH SCHOOL AT ALL.
137
00:05:36,234 --> 00:05:38,098
WORST-CASE SCENARIO
I'LL CARVE OUT A NICHE
138
00:05:38,167 --> 00:05:40,665
AS THE EFFEMINATE MALE FRIEND
OF THE POPULAR GIRLS.
139
00:05:40,734 --> 00:05:42,932
OK, TONIGHT'S MY OC PARTY.
140
00:05:43,001 --> 00:05:46,832
I GOT A CASE OF WINE COOLERS,
SO WE CAN DRINK
EVERY TIME RYAN SEETHES.
141
00:05:46,900 --> 00:05:48,998
COOL, I'D LOVE TO COME.
ME TOO.
142
00:05:49,067 --> 00:05:50,665
HOW'D YOU GET
THE WINE COOLERS?
143
00:05:50,734 --> 00:05:53,398
OH, IT'S...
I JUST DID SOME STUFF
FOR A GUY IN THE PARKING LOT.
144
00:05:53,467 --> 00:05:55,165
DOES ANYONE HAVE ANY SCOPE?
145
00:05:55,234 --> 00:05:56,899
I DON'T CARE WHAT SHE SAYS.
146
00:05:56,967 --> 00:05:58,398
I'M NEVER GOING BACK!
147
00:05:58,467 --> 00:06:00,765
LOOK, YOU CAN'T RUN AWAY
FROM YOUR PROBLEMS, CHRIS.
148
00:06:00,834 --> 00:06:02,498
THAT'S WHAT I TRIED TO DO.
149
00:06:02,567 --> 00:06:05,366
I JOINED THE PEACE CORPS
AND A DAY LATER,
I WAS 2 CONTINENTS AWAY.
150
00:06:05,434 --> 00:06:06,732
REALLY?
YUP.
151
00:06:06,801 --> 00:06:09,398
BUT 6,000 MILES
AND ALL THE DOPE
I COULD SMOKE
152
00:06:09,466 --> 00:06:11,665
STILL COULDN'T SEPARATE ME
FROM MY PROBLEMS.
153
00:06:11,734 --> 00:06:14,732
AND THIS WAS GOOD DOPE.
I MEAN,
IT WAS GROWING EVERYWHERE.
154
00:06:14,801 --> 00:06:16,065
OH, MY GOD.
155
00:06:16,134 --> 00:06:18,099
THIS ONE TIME,
THIS ONE TIME,
WE GOT SO BAKED
156
00:06:18,167 --> 00:06:19,732
WE ENDED UP
EATING ALL THE FOOD
157
00:06:19,800 --> 00:06:21,832
THE WORLD HEALTH ORGANIZATION
HAD AIRLIFTED IN.
158
00:06:21,900 --> 00:06:24,665
MAN, THOSE VILLAGERS
WERE SO PISSED.
159
00:06:24,734 --> 00:06:27,798
THEY TRIED TO CHASE US,
BUT LET ME JUST SAY,
THANK GOD FOR POLIO.
160
00:06:27,867 --> 00:06:29,465
ANYWAY, MY POINT IS THAT...
161
00:06:29,534 --> 00:06:30,565
HUH?
162
00:06:30,633 --> 00:06:33,099
HEY, IS PETER HERE?
I WANT TO RE-HIRE HIM.
163
00:06:33,168 --> 00:06:34,565
MY NEW EYE ISN'T WORKING OUT.
164
00:06:34,634 --> 00:06:36,464
HEY, WHEAT THINS!
TAKE YOUR TOP OFF.
165
00:06:41,767 --> 00:06:45,499
♪ I LIKE PANCAKES,
I LIKE PANCAKES,
THEY MAKE ME A HAPPY PETER ♪
166
00:06:45,567 --> 00:06:47,231
♪ I AM HAPPY, I AM HAPPY ♪
167
00:06:47,300 --> 00:06:48,699
♪ LA, LA, LA, LA, LA ♪
168
00:06:48,767 --> 00:06:50,266
PETER, YOU SEEM HAPPY
THIS MORNING.
169
00:06:50,333 --> 00:06:52,698
YOU BET.
I'M STARTIN' MY NEW JOB
AT THE BREWERY.
170
00:06:52,767 --> 00:06:54,032
FINALLY,
I'M ONE OF THOSE GUYS
171
00:06:54,101 --> 00:06:55,798
WHO CAN'T WAIT
TO GET TO WORK
IN THE MORNIN'.
172
00:06:55,867 --> 00:06:57,032
LIKE A DAIRY COW.
173
00:06:57,100 --> 00:06:58,765
[moaning orgasmically]
174
00:07:00,868 --> 00:07:02,366
OH, YES!
175
00:07:02,934 --> 00:07:04,598
YES!
176
00:07:05,300 --> 00:07:07,264
[moaning]
177
00:07:07,333 --> 00:07:09,999
PETER, I JUST FOUND THIS NOTE
IN CHRIS' ROOM.
178
00:07:10,067 --> 00:07:12,098
HE RAN AWAY
TO JOIN THE PEACE CORPS.
179
00:07:12,167 --> 00:07:13,565
OH, MY GOD! GIVE ME THAT!
180
00:07:13,634 --> 00:07:15,032
NO, THAT.
181
00:07:15,101 --> 00:07:16,431
[laughing]
182
00:07:24,433 --> 00:07:26,265
[groaning]
183
00:07:26,334 --> 00:07:27,899
I'M BORED WITH IT NOW!
184
00:07:27,967 --> 00:07:30,398
PETER, CHRIS RAN OFF
TO SOUTH AMERICA.
185
00:07:30,467 --> 00:07:32,598
OH, WELL, WHERE THE HELL
WOULD HE GET AN IDEA
LIKE THAT?
186
00:07:32,667 --> 00:07:36,132
WAIT A SECOND.
D-DON'T WE KNOW SOMEONE
WHO WAS IN THE PEACE CORPS?
187
00:07:36,200 --> 00:07:37,565
YEAH, WHO WAS THAT?
188
00:07:37,634 --> 00:07:39,332
[paper rustling]
WAS THAT BEAU BRIDGES?
189
00:07:39,400 --> 00:07:40,532
DO WE KNOW BEAU BRIDGES?
190
00:07:40,600 --> 00:07:42,165
NO, WE DON'T.
191
00:07:42,234 --> 00:07:44,632
UH, I AM POSITIVE
WE KNOW SOMEBODY
WHO WAS IN THE PEACE CORPS.
192
00:07:44,701 --> 00:07:46,865
LOOK, IT'S ME, ALL RIGHT.
HE GOT THE IDEA FROM ME.
193
00:07:46,934 --> 00:07:49,565
BRIAN, WHAT THE HELL
IS WRONG WITH YOU?
194
00:07:49,634 --> 00:07:52,198
I DIDN'T DO IT ON PURPOSE.
AND BEFORE YOU FLY
OFF THE HANDLE,
195
00:07:52,267 --> 00:07:53,632
YOU MAY WANT TO
THINK ABOUT IT.
196
00:07:53,700 --> 00:07:55,766
THE KID'S OBVIOUSLY CONFUSED.
THIS MIGHT BE GOOD FOR HIM.
197
00:07:55,834 --> 00:07:57,799
PEOPLE DO CRAZY THINGS
WHEN THEY'RE CONFUSED.
198
00:07:57,867 --> 00:08:00,165
LIKE THE TIME MY AGENT
DROPPED THAT BOMB ON ME.
199
00:08:00,233 --> 00:08:03,132
NO ONE IN THIS TOWN
WILL HIRE YOU.
200
00:08:03,200 --> 00:08:04,465
OH, YEAH?
201
00:08:19,800 --> 00:08:22,199
TAXI. TAXI. TAXI!
202
00:08:22,268 --> 00:08:23,431
[tires screeching]
203
00:08:26,200 --> 00:08:28,498
ALL RIGHT, CHRIS.
WE'RE APPROACHING
YOUR ASSIGNED VILLAGE.
204
00:08:28,567 --> 00:08:30,799
TELL THE PEOPLE
TO WORK TOGETHER
AND DRINK CLEAN WATER.
205
00:08:30,867 --> 00:08:32,465
OH, AND BY THE WAY,
THE WORD "COLORED"
206
00:08:32,534 --> 00:08:34,732
STILL FLIES DOWN THERE.
SO, GET YOUR FILL.
207
00:08:34,801 --> 00:08:36,165
[screaming]
208
00:08:41,833 --> 00:08:44,932
HELLO, I AM CHIEF OLEKI.
WELCOME TO MY VILLAGE.
209
00:08:45,001 --> 00:08:47,265
OUR AIR IS CLEAN.
OUR FOOD IS BOUNTIFUL,
210
00:08:47,333 --> 00:08:49,132
AND OUR WATER
IS CAFFEINE-FREE.
211
00:08:49,200 --> 00:08:50,265
NEVER HAD IT.
212
00:08:50,333 --> 00:08:52,198
[laughs]
NEVER WILL.
213
00:08:52,266 --> 00:08:54,298
THIS IS MY DAUGHTER, LOKA.
214
00:08:55,701 --> 00:08:58,731
MY SON, HIDALGO.
AND MY COUSIN, VINNY.
215
00:08:58,800 --> 00:09:01,166
HEY, HOW YOU DOIN'?
GIVE ME A WORD,
ANY WORD AT ALL,
216
00:09:01,234 --> 00:09:03,032
AND I'LL PRONOUNCE IT FUNNY
FOR A NICKEL.
217
00:09:04,401 --> 00:09:05,732
[phone ringing]
218
00:09:06,167 --> 00:09:07,166
UH, HELLO?
219
00:09:07,234 --> 00:09:08,465
[exclaims]
HI, MOM.
220
00:09:08,534 --> 00:09:10,131
CHRIS, ARE YOU ALL RIGHT?
221
00:09:10,200 --> 00:09:12,265
OH, CHRIS, BUDDY,
THANK GOD YOU'RE OK!
222
00:09:12,334 --> 00:09:13,332
HI, DAD.
223
00:09:13,400 --> 00:09:14,832
HEY, THIS HAS BEEN
DRIVING ME CRAZY.
224
00:09:14,900 --> 00:09:16,699
WHO WAS THE CHICK
ON REMINGTON STEELE?
225
00:09:16,768 --> 00:09:18,699
HELLO?
STEPHANIE ZIMBALIST?
226
00:09:18,767 --> 00:09:20,065
NO, STEWIE GRIFFIN.
WHO'S THIS?
227
00:09:20,134 --> 00:09:21,164
AH, THANK YOU.
228
00:09:21,233 --> 00:09:22,999
CHRIS, WHAT ARE YOU DOIN'
DOWN THERE?
229
00:09:23,068 --> 00:09:25,665
RELAX, MOM.
I'M HAVIN' A GREAT TIME.
230
00:09:25,734 --> 00:09:27,365
YOU PEOPLE
KNOCKED ME OFF THE MODEM.
231
00:09:27,434 --> 00:09:28,532
WHEN ARE YOU COMIN' HOME?
232
00:09:28,600 --> 00:09:30,133
HOW'S THE FOOD
IN SOUTH AMERICA?
233
00:09:30,200 --> 00:09:32,231
DO THE WOMEN THERE
HAVE EXPOSED CLITTERATI?
234
00:09:32,300 --> 00:09:33,598
I'LL BE HOME IN A MONTH,
235
00:09:33,667 --> 00:09:35,799
AFTER PEOPLE HAVE FORGOTTEN
I'M A FRESHMAN.
236
00:09:35,868 --> 00:09:38,565
WELL...
PLEASE, JUST TAKE CARE
OF YOURSELF, HONEY.
237
00:09:38,634 --> 00:09:40,365
HEY, GUYS.
IS EVERYONE ON THE PHONE?
238
00:09:40,434 --> 00:09:42,032
OH, I GOT TO GO.
SOMETHING'S IN THE OVEN.
239
00:09:42,100 --> 00:09:44,298
I LOST A SHOE.
NO, NO, DON'T LEAVE ME
ON PHONE WITH HER!
240
00:09:44,367 --> 00:09:46,898
STEWIE?
HEY.
241
00:09:46,967 --> 00:09:48,665
HOW'S SCHOOL?
242
00:09:48,734 --> 00:09:50,298
HI, STEWIE.
243
00:09:50,367 --> 00:09:52,832
LISTEN, I AM SWAMPED
BUT, UH,
244
00:09:52,900 --> 00:09:55,799
MOM HAS KEPT ME
UP TO DATE ON EVERYTHING
YOU'RE DOING
245
00:09:55,867 --> 00:09:57,532
AND I THINK
IT'S JUST GREAT.
246
00:09:57,600 --> 00:09:59,199
[beeps]
HANGING UP NOW.
247
00:10:02,134 --> 00:10:05,231
BOY, THIS PLACE
SURE HAS CHANGED
SINCE PAWTUCKET PAT SOLD IT.
248
00:10:05,300 --> 00:10:07,432
SO, THIS IS WHERE
YOU'LL BE WORKING,
MR. GRIFFIN.
249
00:10:07,500 --> 00:10:08,932
OH, AND I SHOULD MENTION,
250
00:10:09,001 --> 00:10:11,899
EMPLOYEES ARE WELCOME
TO FREE PAWTUCKET ALE.
251
00:10:11,967 --> 00:10:14,332
WE JUST ASK
THAT YOU DON'T DRINK
DURING YOUR SHIFT.
252
00:10:14,400 --> 00:10:16,298
THAT WON'T BE A PROBLEM, SIR.
GREAT.
253
00:10:16,367 --> 00:10:18,598
WELL, I'LL BE RIGHT BACK
WITH YOUR I.D. BADGE.
254
00:10:21,567 --> 00:10:23,798
MR. GRIFFIN, WHAT HAPPENED
TO YOUR PANTS?
255
00:10:23,868 --> 00:10:25,265
[slurring]
OH, LOOK, WHO'S HERE.
256
00:10:25,333 --> 00:10:28,199
MR. "I DON'T HAVE TIME
FOR YOUR
LITTLE-LEAGUE GAMES."
257
00:10:28,267 --> 00:10:30,265
[bottle shattering]
COME HERE, YOU SON OF A BITCH!
258
00:10:30,334 --> 00:10:32,065
[crying]
259
00:10:32,134 --> 00:10:35,632
WHY DO YOU CLOSE YOUR EYES
WHEN WE MAKE LOVE?
260
00:10:35,700 --> 00:10:36,932
[continues crying]
261
00:10:41,367 --> 00:10:44,531
[sighing]
I WONDER HOW YOUR FATHER'S
FIRST DAY AT WORK WENT?
262
00:10:44,601 --> 00:10:45,766
[tires screeching]
263
00:10:45,834 --> 00:10:47,199
[horn honking]
264
00:10:47,267 --> 00:10:49,298
DAD, WHAT THE HELL
ARE YOU DOING?
265
00:10:49,367 --> 00:10:50,932
YEAH, YEAH, HEY, BUDDY.
266
00:10:51,001 --> 00:10:55,465
UH, I'LL HAVE
A TRIPLE CHEESEBURGER
AND A LARGE FRIES AND, UH,
267
00:10:55,534 --> 00:10:56,899
DO YOU SELL PANTS?
268
00:10:58,667 --> 00:11:00,765
HEY, MEG,
WHAT'S WITH ALL THE BEER CANS?
269
00:11:00,834 --> 00:11:02,532
OH, MY DAD GOT A JOB
AT THE BREWERY
270
00:11:02,601 --> 00:11:03,999
AND HE GETS
LOTS OF FREE BEER.
271
00:11:04,067 --> 00:11:06,265
ACTUALLY, HE'S KIND OF
BEING GOING
OVERBOARD LATELY.
272
00:11:06,334 --> 00:11:07,999
OH, MY GOD!
273
00:11:08,067 --> 00:11:10,398
[both gasping]
HEY, MEG,
YOU SEEN MY PANTS?
274
00:11:10,467 --> 00:11:11,531
[gasping]
275
00:11:11,600 --> 00:11:14,499
OH, LOIS, BY THE WAY,
WE'RE OUT OF TOILET PAPER.
276
00:11:14,567 --> 00:11:15,932
[snoring]
277
00:11:19,867 --> 00:11:22,799
CHRIS, THANK YOU
FOR HELPING BRING WATER
TO MY VILLAGE.
278
00:11:22,867 --> 00:11:23,865
YOU'RE A HERO.
279
00:11:23,934 --> 00:11:26,498
NO. LOU GEHRIG WAS A HERO.
280
00:11:26,566 --> 00:11:29,465
EXCELLENT.
AS SOON AS I RELEASE
THIS BIOLOGICAL TOXIN
281
00:11:29,534 --> 00:11:32,699
INTO THE WORLD'S WATER SUPPLY,
I WILL RULE THE WORLD.
282
00:11:32,768 --> 00:11:35,565
I'LL CALL IT
"LOU GEHRIG'S DISEASE."
283
00:11:35,634 --> 00:11:38,732
I JUST HAVE TO REMEMBER
TO MAKE SURE
THIS CAP IS SCREWED ON TIGHT.
284
00:11:38,800 --> 00:11:40,531
[bottle shattering]
285
00:11:40,600 --> 00:11:42,999
WELL,
I GUESS THE JOKE'S ON ME.
286
00:11:45,300 --> 00:11:46,899
THIS IS A GIFT
FROM ALL OF US.
287
00:11:46,968 --> 00:11:48,132
GO AHEAD, TRY IT ON.
288
00:11:48,201 --> 00:11:49,632
HMM, OK.
289
00:11:53,268 --> 00:11:55,698
OH, MY, CHRIS,
WE CAN SEE YOUR GENITALS.
290
00:11:55,767 --> 00:11:56,732
[exclaiming]
291
00:11:56,801 --> 00:11:58,398
[all laughing]
JUST KIDDING.
292
00:11:58,466 --> 00:12:00,165
EVERYONE'S GENITALS
ARE HANGING OUT.
293
00:12:00,234 --> 00:12:01,331
REALLY?
294
00:12:01,400 --> 00:12:02,498
[chuckles]
295
00:12:02,567 --> 00:12:05,199
WOW, THIS IS JUST LIKE
BIBLE CAMP.
296
00:12:05,267 --> 00:12:06,865
ONLY I'M NOT CRYING AND TRYING
297
00:12:06,934 --> 00:12:08,399
TO PRETEND I'M SOMEWHERE ELSE.
298
00:12:11,634 --> 00:12:14,132
MR. GRIFFIN, SINCE YOU CAN'T
CONTROL YOUR DRINKING,
299
00:12:14,201 --> 00:12:16,065
YOU'VE BEEN DEMOTED
TO THE SHIPPING DEPARTMENT.
300
00:12:16,134 --> 00:12:17,199
OH, COME ON!
301
00:12:17,267 --> 00:12:19,899
THIS IS YOUR NEW SUPERVISOR,
ANGELA.
302
00:12:19,968 --> 00:12:21,899
MR. GRIFFIN,
WE HAVE DIFFERENT RULES HERE.
303
00:12:21,967 --> 00:12:24,765
FOR STARTERS, NO DRINKING.
PERIOD.
304
00:12:24,834 --> 00:12:27,265
WE START WORK AT 7:00 SHARP.
305
00:12:27,334 --> 00:12:29,631
THIS IS YOUR CO-WORKER, OPIE.
306
00:12:29,700 --> 00:12:33,766
HE IS A BURDEN OF THE STATE,
DEEMED UNFIT
FOR MAINSTREAM SOCIETY.
307
00:12:33,834 --> 00:12:35,198
HE IS YOUR SUPERIOR.
308
00:12:35,267 --> 00:12:36,699
[babbling]
309
00:12:40,001 --> 00:12:41,398
WHAT'D HE SAY?
310
00:12:41,467 --> 00:12:43,299
HE SAID HE WANTS YOU
TO PUT YOUR FINGER
IN HIS MOUTH.
311
00:12:43,367 --> 00:12:45,731
IF YOU VALUE YOUR JOB,
I'D DO IT.
312
00:12:47,166 --> 00:12:48,399
OW! HE BIT ME!
313
00:12:48,467 --> 00:12:50,832
MR. GRIFFIN, ALTHOUGH
I MAY NOT FULLY UNDERSTAND
314
00:12:50,901 --> 00:12:52,499
OPIE'S MANAGEMENT STYLE,
315
00:12:52,567 --> 00:12:55,431
HE HAS PROVEN HIMSELF
A MORE COMPETENT EMPLOYEE
THAN YOU.
316
00:12:55,500 --> 00:12:58,932
SO, IN MY ABSENCE,
YOU WILL LISTEN TO HIM.
317
00:12:59,601 --> 00:13:00,765
[babbling]
318
00:13:00,834 --> 00:13:01,966
OH, COME ON, GUY.
319
00:13:02,034 --> 00:13:03,932
[babbling]
320
00:13:04,001 --> 00:13:06,032
HEY. OW! OW! OW! OW!
321
00:13:06,100 --> 00:13:07,832
DAMN IT!
THIS IS WORSE THAN BEING
322
00:13:07,901 --> 00:13:09,565
KEVIN FEDERLINE'S
MAGIC MIRROR.
323
00:13:11,034 --> 00:13:14,132
MAGIC MIRROR,
HOW CAN I LOOK
LIKE A DOUCHEBAG TODAY?
324
00:13:14,200 --> 00:13:17,365
WELL, KEVIN, UM,
I WOULD SAY, FIRST OF ALL,
DON'T SHAVE OR SHOWER.
325
00:13:17,434 --> 00:13:18,665
OK, I WON'T.
326
00:13:18,734 --> 00:13:20,832
AND, UH, YOU JUST GOT
OUT OF BED, RIGHT?
YEAH.
327
00:13:20,901 --> 00:13:23,798
UH, I WOULD SAY, JUST GO AHEAD
AND WEAR THAT TANK TOP
ALL DAY.
328
00:13:23,867 --> 00:13:25,198
UM, OK.
329
00:13:25,267 --> 00:13:28,632
ALL RIGHT,
SO WE COVERED THE HYGIENE,
NO COLLARED SHIRTS, UM.
330
00:13:28,700 --> 00:13:30,332
OH, AND DON'T FORGET
TO WALK AROUND
331
00:13:30,400 --> 00:13:32,132
WITH AN UNDESERVED SENSE
OF ACCOMPLISHMENT.
332
00:13:32,900 --> 00:13:34,465
♪[music playing]
333
00:13:36,134 --> 00:13:37,765
CHRIS, THE FESTIVAL
OF THE HARVEST
334
00:13:37,834 --> 00:13:40,098
IS THE TIME OF CELEBRATION
FOR MY PEOPLE.
335
00:13:40,167 --> 00:13:41,932
WOULD YOU LIKE TO DANCE?
SURE!
336
00:13:42,000 --> 00:13:45,232
NO ONE'S EVER ASKED ME
TO DANCE BEFORE.
337
00:13:45,300 --> 00:13:46,966
♪ I WANNA JITTERBUG ♪
338
00:13:48,333 --> 00:13:49,765
♪ JITTERBUG ♪
339
00:13:51,034 --> 00:13:54,032
♪ YOU PUT THE BOOM-BOOM
INTO MY HEART ♪
340
00:13:54,100 --> 00:13:57,598
♪ YOU SEND MY SOUL SKY HIGH
WHEN YOUR LOVIN' STARTS ♪
341
00:13:57,667 --> 00:14:00,265
♪ JITTERBUG ♪
♪ INTO MY BRAIN ♪
342
00:14:00,333 --> 00:14:03,632
♪ GOES A BANG-BANG-BANG
TILL MY FEET DO THE SAME ♪
343
00:14:03,701 --> 00:14:06,832
♪ WAKE ME UP
BEFORE YOU GO-GO ♪
344
00:14:06,900 --> 00:14:09,731
♪ DON'T LEAVE ME
HANGING ON LIKE A YO-YO ♪
345
00:14:09,800 --> 00:14:13,331
♪ WAKE ME UP
BEFORE YOU GO-GO ♪
346
00:14:13,400 --> 00:14:17,631
♪ AND TAKE ME
DANCING TONIGHT ♪
347
00:14:18,967 --> 00:14:20,499
THIS IS A JOYOUS OCCASION.
348
00:14:20,567 --> 00:14:22,531
YOU'VE ENGAGED
THE ENTIRE TRIBE IN DANCE.
349
00:14:22,600 --> 00:14:25,799
ACCORDING TO OUR CUSTOMS,
YOU'RE NOW MARRIED
TO MY DAUGHTER.
350
00:14:25,867 --> 00:14:27,264
I COULDN'T BE HAPPIER.
351
00:14:27,333 --> 00:14:31,999
WELL, IF YOU'RE HAPPY
THEN I'M HAPPY,
BECAUSE AFTER ALL... WHAT?
352
00:14:34,567 --> 00:14:36,032
MY JOB SUCKS.
353
00:14:36,100 --> 00:14:39,032
I'M TIRED
OF ALWAYS SCROUNGING AROUND
ON THE BOTTOM RUNG OF SOCIETY,
354
00:14:39,100 --> 00:14:40,698
GETTING KICKED AROUND
BY THE MAN.
355
00:14:40,767 --> 00:14:43,565
LIKE WHEN I WORKED
IN THAT LAB
WITH DR. BUNSEN HONEYDEW.
356
00:14:43,634 --> 00:14:45,165
[babbling]
357
00:14:46,634 --> 00:14:48,765
[laughing]
AGREED, PETER.
358
00:14:50,068 --> 00:14:52,398
OH, WE GOT A LETTER
FROM CHRIS!
359
00:14:52,466 --> 00:14:56,498
OK, HE SAYS HE'S DOIN' GREAT,
HAVIN' A WONDERFUL TIME.
360
00:14:56,566 --> 00:15:01,332
HE MET A GIRL. HE GOT MARRIED?
361
00:15:01,400 --> 00:15:03,464
HE SAYS HE'S NOT COMIN' BACK.
362
00:15:14,100 --> 00:15:16,099
(pilot)
WE'LL BE LANDING
IN SOUTH AMERICA SHORTLY.
363
00:15:16,168 --> 00:15:17,599
PLEASE BUCKLE YOUR SEAT BELTS.
364
00:15:17,667 --> 00:15:21,098
OH, HEY, BRENDA,
WHAT'VE YOU GOT FOR ME?
COFFEE?
365
00:15:21,166 --> 00:15:24,132
DAMN, YOUR ASS LOOKS HOT.
OH, IS THIS THING ON?
366
00:15:24,201 --> 00:15:25,732
I DON'T CARE.
I WANT THEM TO HEAR.
367
00:15:25,800 --> 00:15:27,731
OH, CHRIS, MY BABY.
368
00:15:27,800 --> 00:15:30,565
I TOLD YOU, PETER.
I NEVER SHOULD HAVE
LET HIM OUT OF MY STOMACH.
369
00:15:30,634 --> 00:15:32,299
I CAN'T BELIEVE
CHRIS GOT MARRIED.
370
00:15:32,367 --> 00:15:34,565
HMM, THIS IS BIGGER NEWS
THAN WHEN I TOURED EUROPE
371
00:15:34,633 --> 00:15:36,965
WITH THAT MUSICAL RENDITION
OF MY LEFT FOOT.
372
00:15:37,034 --> 00:15:39,066
♪ MY LEFT FOOT ♪
373
00:15:39,134 --> 00:15:42,231
♪ ALWAYS BEEN BETTER THAN
THE RIGHT ONE ♪
374
00:15:45,067 --> 00:15:47,165
♪ MY LEFT FOOT ♪
375
00:15:47,234 --> 00:15:51,099
♪ ALWAYS GETS ME
WHERE I NEED TO GO ♪
376
00:15:51,834 --> 00:15:53,298
[tapping]
377
00:15:56,367 --> 00:15:57,598
I'LL START OUT EASY.
378
00:15:57,667 --> 00:15:59,198
[tapping]
379
00:16:00,701 --> 00:16:01,998
LITTLE MORE COMPLEX.
380
00:16:12,400 --> 00:16:14,766
OH, CHRIS, MY BABY!
381
00:16:14,834 --> 00:16:16,999
HI, MOM AND DAD.
382
00:16:17,067 --> 00:16:19,365
EVERYBODY,
THIS IS MY WIFE, LOKA.
383
00:16:19,433 --> 00:16:20,531
WE'RE MARRIED.
384
00:16:20,600 --> 00:16:22,199
[laughing]
385
00:16:22,267 --> 00:16:26,165
WELL, MAYBE HERE,
BUT NOT IN AMERICA,
WHERE GOD PAYS ATTENTION.
386
00:16:26,234 --> 00:16:28,598
NOW,
GET YOUR THINGS TOGETHER.
WE'RE LEAVING RIGHT NOW.
387
00:16:28,667 --> 00:16:30,532
WELL, M-MOM,
I'M NOT GOING ANYWHERE.
388
00:16:30,601 --> 00:16:32,298
I'M--I'M HAPPY HERE.
389
00:16:32,367 --> 00:16:33,598
THIS IS MY HOME.
390
00:16:33,667 --> 00:16:36,899
HEY, YOU GUYS GOT AN A.T.M.?
I ONLY GOT $37 ON ME.
391
00:16:36,968 --> 00:16:38,532
[all gasping]
392
00:16:39,934 --> 00:16:41,032
WHAT'S THE MATTER
WITH 'EM?
393
00:16:41,101 --> 00:16:43,132
WE'VE NEVER SEEN
THAT MUCH MONEY BEFORE.
394
00:16:43,201 --> 00:16:45,232
YOU ARE RICHEST MAN
IN THE COUNTRY.
395
00:16:45,300 --> 00:16:46,998
RICHEST MAN
IN THE COUNTRY?
396
00:16:47,067 --> 00:16:48,999
WOW, NO GRIFFIN'S
BEEN THIS POWERFUL
397
00:16:49,068 --> 00:16:51,132
SINCE MY ANCESTOR
KING ARTHUR GRIFFIN.
398
00:16:51,200 --> 00:16:54,966
OH, ARTHUR,
IF YOU ARE ABLE TO DRAW
THE SWORD FROM THE STONE
399
00:16:55,034 --> 00:16:58,298
AND PROVE TO ME YOU TRULY
ARE THE SOLE KING OF CAMELOT,
400
00:16:58,367 --> 00:17:01,232
I WILL MAKE LOVE TO YOU
RIGHT HERE IN THE CLEARING.
401
00:17:01,301 --> 00:17:03,565
WHAT IF I CAN JUST
MOVE IT AN INCH,
WILL YOU TOUCH ME?
402
00:17:06,367 --> 00:17:08,965
THIS IS AMAZING.
YOU'VE GOT THE BIGGEST HUT
IN THE VILLAGE
403
00:17:09,034 --> 00:17:10,298
AND ALL THESE SERVANTS,
404
00:17:10,366 --> 00:17:11,832
AND YOU'VE ONLY SPENT $1.50.
405
00:17:11,901 --> 00:17:13,932
UH, THAT'S A HELL OF A LOT
LESS THAN I HAD TO SPEND
406
00:17:14,001 --> 00:17:16,732
TO GO SEE THAT PIECE-OF-CRAP
REMAKE OF BEWITCHED.
407
00:17:16,801 --> 00:17:18,465
GUESS WHAT? I'M A WITCH.
408
00:17:18,534 --> 00:17:20,532
GUESS WHAT?
I'M A CLIPPERS FAN.
409
00:17:20,600 --> 00:17:22,799
[audience laughing]
410
00:17:22,867 --> 00:17:24,364
MMM-HMM.
411
00:17:39,901 --> 00:17:42,431
[woman chattering
on P.A. chattering]
412
00:17:44,300 --> 00:17:48,265
(man)
ALL TICKETED PASSENGERS FOR
FLIGHT 2378 TO RENO, NEVADA...
413
00:17:59,467 --> 00:18:02,898
(woman announcer)
ANNOUNCING THE ARRIVAL OF
FLIGHT 142 FROM ATLANTA.
414
00:18:11,000 --> 00:18:12,399
[bell ringing]
415
00:18:16,433 --> 00:18:17,865
[door closing]
416
00:18:26,101 --> 00:18:27,598
[doorbell ringing]
417
00:18:29,567 --> 00:18:30,598
HELLO.
418
00:18:30,667 --> 00:18:31,932
THAT'S NOT FUNNY!
419
00:18:34,600 --> 00:18:35,932
PETER, THIS IS RIDICULOUS.
420
00:18:36,001 --> 00:18:37,565
WE CAME HERE
TO TAKE CHRIS HOME.
421
00:18:37,634 --> 00:18:39,032
WHY ARE WE STAYING?
422
00:18:39,101 --> 00:18:41,099
BECAUSE I'M TIRED
OF BEING TREATED LIKE CRAP
AT WORK.
423
00:18:41,167 --> 00:18:44,099
D-DON'T YOU SEE
WHAT THIS MEANS TO ME?
I'M SOMEBODY HERE.
424
00:18:44,167 --> 00:18:47,765
FINALLY, A WHITE MAN
HAS AN OPPORTUNITY
TO BE RICH AND IN CHARGE.
425
00:18:47,834 --> 00:18:50,298
HEY, PESCI, HERE'S A NICKEL.
SAY YUGOSLAVIA.
426
00:18:50,367 --> 00:18:51,798
YUGOSLAVIA.
427
00:18:51,867 --> 00:18:53,098
[laughing]
428
00:18:53,167 --> 00:18:55,032
HERE'S A DIME. KILL PESCI.
429
00:18:55,101 --> 00:18:57,765
THE NATIVE MAN
IS AN IMPRESSIVE
PHYSICAL SPECIMEN.
430
00:18:57,834 --> 00:19:01,698
LOOK CLOSELY AT HIS
SINEWY MUSCULAR FORM
AND UNUSUAL VITALITY.
431
00:19:01,767 --> 00:19:03,799
IT IS A THRILL
TO WATCH HIM
DIG A DITCH
432
00:19:03,867 --> 00:19:06,732
OR LIFT A JUG OF WATER
OR PARTICIPATE IN A HUNT.
433
00:19:06,800 --> 00:19:08,331
CUT. PRINT. GAY.
434
00:19:11,733 --> 00:19:12,866
WHAT'S GOING ON?
435
00:19:12,934 --> 00:19:14,698
PETER PAID THE VILLAGERS
TO REENACT
436
00:19:14,767 --> 00:19:16,599
THE "CONTEST"
EPISODE OF SEINFELD.
437
00:19:16,667 --> 00:19:18,198
I AM OUT.
HUH?
438
00:19:18,266 --> 00:19:20,966
I AM OUT.
I HAVE PLEASURED MYSELF.
439
00:19:21,034 --> 00:19:22,965
[clicking tongue]
440
00:19:23,034 --> 00:19:25,231
♪[humming]
441
00:19:25,300 --> 00:19:29,199
DAD, I'VE HAD ENOUGH OF YOU
TAKING ADVANTAGE
OF THESE PEOPLE.
442
00:19:29,267 --> 00:19:32,798
FOR GOD'S SAKE,
THE WOMAN PLAYING ELAINE
IS A HIGH PRIESTESS.
443
00:19:32,867 --> 00:19:36,032
YOU CAN'T SPARE ONE SQUARE?
444
00:19:36,100 --> 00:19:37,798
I DON'T HAVE TO
TAKE THAT FROM YOU.
445
00:19:37,867 --> 00:19:40,198
I'M THE RICHEST GUY IN TOWN.
446
00:19:40,267 --> 00:19:42,998
DAD, DON'T YOU SEE?
THIS IS A WONDERFUL PLACE
447
00:19:43,067 --> 00:19:46,198
AND YOU'RE JUST USING IT
TO ESCAPE
FROM YOUR PROBLEMS AT HOME.
448
00:19:46,266 --> 00:19:47,598
WHAT DO YOU MEAN?
MEG'S RIGHT THERE.
449
00:19:47,667 --> 00:19:50,464
BUT CHRIS, HONEY, AREN'T YOU
DOING THE SAME THING?
450
00:19:50,533 --> 00:19:53,232
WHAT DO YOU MEAN?
I MEAN,
YOU JUST CAME HERE BECAUSE
451
00:19:53,301 --> 00:19:55,065
YOU WERE BEING PICKED ON
AT SCHOOL.
452
00:19:55,134 --> 00:19:57,865
YOU'RE USING THESE PEOPLE
TO ESCAPE YOUR PROBLEMS.
453
00:19:57,934 --> 00:19:59,898
OH, MY GOD. YOU'RE RIGHT.
454
00:19:59,967 --> 00:20:03,698
I MARRIED
THIS 11-YEAR-OLD GIRL
FOR ALL THE WRONG REASONS.
455
00:20:03,767 --> 00:20:05,132
I'M SORRY, LOKA.
456
00:20:05,201 --> 00:20:06,598
I GUESS I JUST CAME HERE
457
00:20:06,667 --> 00:20:08,798
BECAUSE I WAS AFRAID
OF BEING A FRESHMAN.
458
00:20:08,867 --> 00:20:10,499
FRESHMAN?
459
00:20:10,567 --> 00:20:14,132
(all)
FRESHMAN! FRESHMAN! FRESHMAN!
FRESHMAN! FRESHMAN! FRESHMAN!
460
00:20:14,200 --> 00:20:16,098
[tribespeople clamoring]
461
00:20:16,166 --> 00:20:19,432
I GUESS YOU CAN'T RUN AWAY
FROM YOUR PROBLEMS ANYWHERE.
462
00:20:27,067 --> 00:20:28,631
[tribespeople shouting]
463
00:20:31,501 --> 00:20:32,665
[bats squeaking]
464
00:20:34,701 --> 00:20:37,798
JOCK! START THE ENGINE!
GET THE PLANE UP!
465
00:21:06,400 --> 00:21:08,732
UH, PETER,
I THINK WE FORGOT MEG.